1 00:00:01,480 --> 00:00:04,280 Speaker 1: Let's talk about love it and you know, people are different. 2 00:00:04,320 --> 00:00:06,040 Speaker 2: I understand that there's a lot of people that like 3 00:00:06,040 --> 00:00:07,800 Speaker 2: to spend a lot of time on their own. There's 4 00:00:07,840 --> 00:00:11,000 Speaker 2: other people that cannot. They always have to be in 5 00:00:11,039 --> 00:00:14,160 Speaker 2: a relationship. Did you ever know someone that comes down 6 00:00:14,200 --> 00:00:18,360 Speaker 2: on one relationship straight into another relation? They can never 7 00:00:18,440 --> 00:00:19,000 Speaker 2: be alone. 8 00:00:19,320 --> 00:00:21,759 Speaker 3: That's quite sad, isn't I was always happy being alone. 9 00:00:22,440 --> 00:00:25,239 Speaker 3: I loved my time, I loved my space. I loved 10 00:00:25,280 --> 00:00:26,400 Speaker 3: living by myself. 11 00:00:27,000 --> 00:00:32,040 Speaker 1: Let's talk about Ita Buttrose's niece. Her name is Lizzie Buttrose. 12 00:00:33,120 --> 00:00:36,240 Speaker 1: She she must be the sister of Richard Richard. He's 13 00:00:36,280 --> 00:00:38,600 Speaker 1: had a bit of a tough life as well. He 14 00:00:38,680 --> 00:00:40,840 Speaker 1: got done Richard certain things. 15 00:00:41,000 --> 00:00:43,320 Speaker 4: He was in prison until recently he was what did 16 00:00:43,360 --> 00:00:43,559 Speaker 4: he go? 17 00:00:44,360 --> 00:00:46,720 Speaker 3: A little bit of shifting some things, Yes, moving a 18 00:00:46,720 --> 00:00:47,240 Speaker 3: bit around. 19 00:00:48,840 --> 00:00:53,000 Speaker 2: So Lizzie Buttrose, she loves love, she loves being in 20 00:00:53,000 --> 00:00:56,200 Speaker 2: a relationship. To the point, Sarah, And this was in 21 00:00:56,240 --> 00:01:01,960 Speaker 2: the Sunday Telegraph. She has just announced her ninth engagement. 22 00:01:02,280 --> 00:01:04,360 Speaker 5: Oh you are having a great time. 23 00:01:05,319 --> 00:01:09,680 Speaker 2: I'm fascinated by this. And if anyone can beat nine engagements, 24 00:01:09,760 --> 00:01:12,200 Speaker 2: I've got a bottle of Fitzy and whippers double. 25 00:01:12,040 --> 00:01:14,520 Speaker 1: Ching in to give away for your lockdown, because I 26 00:01:14,520 --> 00:01:18,200 Speaker 1: don't think anyone can. Because I think John Singleton was 27 00:01:18,319 --> 00:01:20,840 Speaker 1: married seven times, this. 28 00:01:20,920 --> 00:01:24,560 Speaker 3: Age nine times. At what point is it continuously falling apart? 29 00:01:24,640 --> 00:01:28,319 Speaker 5: But that's Jennifer Lopez. She's been engaged six times. 30 00:01:28,560 --> 00:01:31,720 Speaker 1: Well yeah, but that's not nine nine. 31 00:01:31,760 --> 00:01:36,120 Speaker 5: But you're someone who gets hard, you fall passionately. They 32 00:01:36,160 --> 00:01:38,479 Speaker 5: propose because I think it just doesn't get. 33 00:01:38,840 --> 00:01:42,480 Speaker 2: But what this is what we all We make mistakes 34 00:01:42,480 --> 00:01:45,080 Speaker 2: in life, right, and the best thing about life is 35 00:01:45,480 --> 00:01:46,560 Speaker 2: from those mistakes. 36 00:01:46,600 --> 00:01:47,480 Speaker 1: You learn from them. 37 00:01:47,480 --> 00:01:48,040 Speaker 5: Absolutely. 38 00:01:48,200 --> 00:01:52,600 Speaker 2: So after your let's say, your seventh engagement that didn't work, 39 00:01:53,080 --> 00:01:55,440 Speaker 2: wouldn't there be something in your brain going maybe it's 40 00:01:55,640 --> 00:01:58,200 Speaker 2: maybe I don't have to marry this person. 41 00:01:59,640 --> 00:02:01,840 Speaker 5: This is what are they and their brain would be thinking, Nobel, 42 00:02:02,080 --> 00:02:04,080 Speaker 5: I've never walked down the ass, so I haven't made 43 00:02:04,160 --> 00:02:06,480 Speaker 5: that mistake. We didn't spend the money, the big expense, 44 00:02:06,480 --> 00:02:08,280 Speaker 5: all this sort. It's just a proposal. 45 00:02:08,400 --> 00:02:11,000 Speaker 3: Isn't that the definition of insanity when you can continue 46 00:02:11,040 --> 00:02:13,400 Speaker 3: to do the same thing expecting a different outcome and. 47 00:02:13,320 --> 00:02:16,480 Speaker 5: It's an outpouring of love. Proposing to someone is I love. 48 00:02:16,320 --> 00:02:17,640 Speaker 3: You and all I think you go back to what 49 00:02:17,680 --> 00:02:21,400 Speaker 3: FITSI started with saying, which is, some people just hate 50 00:02:21,400 --> 00:02:23,920 Speaker 3: to be alone, and I think there's this comfort she 51 00:02:24,000 --> 00:02:26,120 Speaker 3: must look for. And then all of a sudden she 52 00:02:26,160 --> 00:02:29,120 Speaker 3: finds herself in a situation where there's another proposal, but 53 00:02:29,200 --> 00:02:31,800 Speaker 3: she's jumped into it too quickly, head over heels, and 54 00:02:31,800 --> 00:02:33,960 Speaker 3: then goes, oh my god, there's another ring on my finger. 55 00:02:34,080 --> 00:02:36,639 Speaker 5: And if floke plays the part in that shit, pose 56 00:02:36,720 --> 00:02:38,840 Speaker 5: to herself. So she obviously falls for blokes who are 57 00:02:38,880 --> 00:02:39,320 Speaker 5: very poor. 58 00:02:39,400 --> 00:02:41,360 Speaker 2: She falls for a yacht builder by the name of 59 00:02:41,400 --> 00:02:44,800 Speaker 2: Alan Mitchell, Queensland, Helen. 60 00:02:45,040 --> 00:02:46,880 Speaker 1: He's got a speed speed dealer. 61 00:02:46,760 --> 00:02:49,000 Speaker 3: Glass, Isn't that any time? As a Allen? 62 00:02:49,120 --> 00:02:52,840 Speaker 2: She also wrote on Instagram after meeting Allan Mitchell, and 63 00:02:53,080 --> 00:02:55,240 Speaker 2: just like that, she's put up the photo of the 64 00:02:55,280 --> 00:02:58,639 Speaker 2: engagement ring. Even in an alleged pandemic. At least I'm 65 00:02:58,680 --> 00:03:00,600 Speaker 2: good at something hash to. 66 00:03:00,800 --> 00:03:02,960 Speaker 3: I don't know if you are quite like that she's got. 67 00:03:03,400 --> 00:03:05,320 Speaker 3: She's getting engaged, mate. 68 00:03:06,200 --> 00:03:08,639 Speaker 4: She's throwing a bit of the alleged pandemic out. I'm 69 00:03:08,639 --> 00:03:11,960 Speaker 4: thinking she might be a little bit left of center in. 70 00:03:11,919 --> 00:03:14,440 Speaker 1: The Trump left. 71 00:03:14,720 --> 00:03:19,320 Speaker 4: All right, she'd be right, you know, just the driveway 72 00:03:19,360 --> 00:03:20,160 Speaker 4: doesn't reach the street. 73 00:03:20,200 --> 00:03:24,120 Speaker 1: Whatever that's saying is yesterday. 74 00:03:25,200 --> 00:03:29,280 Speaker 3: It's interesting too, is to think if you've met someone, right, 75 00:03:29,360 --> 00:03:32,000 Speaker 3: so you sit down, Hi, I'm Lizzie high On whatever 76 00:03:32,040 --> 00:03:34,679 Speaker 3: his name is. Nice to meet you. And the next 77 00:03:34,720 --> 00:03:37,040 Speaker 3: thing you know, you're having a conversation about past relationships. 78 00:03:37,040 --> 00:03:39,480 Speaker 3: Have you been married before? Oh? Yes, I was once 79 00:03:39,520 --> 00:03:42,720 Speaker 3: back I was very young. Have you been engaged or 80 00:03:42,760 --> 00:03:45,320 Speaker 3: any other relationships? You have been engaged nine times? 81 00:03:45,560 --> 00:03:46,880 Speaker 1: That's read. 82 00:03:48,520 --> 00:03:50,800 Speaker 3: I'm just I'm just going to go to the bathroom 83 00:03:50,880 --> 00:03:52,480 Speaker 3: quickly and I'm not coming back. 84 00:03:52,560 --> 00:03:54,720 Speaker 5: What an awesome jewelry collection she has. 85 00:03:55,360 --> 00:03:59,280 Speaker 3: That's the thing too. Nine diamond she's a. 86 00:03:59,240 --> 00:04:02,520 Speaker 1: Diamond dial other thing as well, Like sir, I understand. 87 00:04:02,600 --> 00:04:05,560 Speaker 2: But you know what if you've been engaged eight times 88 00:04:05,600 --> 00:04:07,840 Speaker 2: the ninth time, when Mitch goes, look. 89 00:04:07,840 --> 00:04:08,960 Speaker 1: You know we're getting along. 90 00:04:09,000 --> 00:04:13,200 Speaker 2: We've known each other for seven days now. Yeah, I 91 00:04:13,320 --> 00:04:16,000 Speaker 2: want to marry you can't. She just go you know 92 00:04:16,120 --> 00:04:19,080 Speaker 2: what this is? This is an area in my life 93 00:04:18,960 --> 00:04:20,360 Speaker 2: where I haven't excelled. 94 00:04:20,480 --> 00:04:21,880 Speaker 5: Because she wants to get married. 95 00:04:21,880 --> 00:04:23,080 Speaker 1: She's made it down the iron. 96 00:04:23,279 --> 00:04:25,200 Speaker 3: What I love about this too, How nervous is her 97 00:04:25,320 --> 00:04:28,479 Speaker 3: dad every time there's a knock at the door. Oh no, 98 00:04:28,680 --> 00:04:30,760 Speaker 3: it's not another bloke wanting permission, is it? 99 00:04:32,360 --> 00:04:33,240 Speaker 1: Or Auntie? 100 00:04:34,279 --> 00:04:36,520 Speaker 3: Oh no, don't tell me. There's another one who makes. 101 00:04:36,400 --> 00:04:38,480 Speaker 2: Stress at the ABC And now you're getting married for 102 00:04:38,520 --> 00:04:41,600 Speaker 2: the night time. When it's time to trade laps around 103 00:04:41,640 --> 00:04:43,000 Speaker 2: the supermarket for a trip to. 104 00:04:43,360 --> 00:04:45,200 Speaker 3: Just put me in the direction. The bag's are packed, 105 00:04:45,240 --> 00:04:47,599 Speaker 3: it's time to what if. What if has great deals 106 00:04:47,600 --> 00:04:50,080 Speaker 3: on a range of hotels and holiday rentals, Plus you 107 00:04:50,120 --> 00:04:52,080 Speaker 3: can book flights and car hire. 108 00:04:52,200 --> 00:04:55,720 Speaker 1: Visit what if dot com. What if it's Ozzie for travel. 109 00:04:56,120 --> 00:05:01,840 Speaker 3: It's pun Day Monday, bund me somewhere funun Monday, your 110 00:05:01,960 --> 00:05:10,880 Speaker 3: fun pun hondaynnay. 111 00:05:09,480 --> 00:05:14,440 Speaker 1: Nay. Yeah, she'd struggle for calls in a lockdown, wouldn't you. 112 00:05:14,600 --> 00:05:16,799 Speaker 3: I don't think so, mate, Monday Monday. You now remind 113 00:05:16,800 --> 00:05:18,520 Speaker 3: me of the rules. Yeah, we give you the story. 114 00:05:18,600 --> 00:05:20,320 Speaker 3: You need to come up with a pun for this. 115 00:05:20,360 --> 00:05:22,479 Speaker 3: Today we're doing movie puns. So you need to take 116 00:05:22,800 --> 00:05:26,039 Speaker 3: a movie title and build it into the story that 117 00:05:26,080 --> 00:05:27,599 Speaker 3: I'm about to give you. So this is to do 118 00:05:27,680 --> 00:05:31,200 Speaker 3: with an Indonesian man. He's reportedly facing arrest after boarding 119 00:05:31,200 --> 00:05:35,080 Speaker 3: a flight disguised as his wife. He was dressed as 120 00:05:35,120 --> 00:05:39,880 Speaker 3: a woman. He has COVID nineteen, but his wife does not, 121 00:05:40,160 --> 00:05:43,600 Speaker 3: so he had her passport and her negative COVID test results, 122 00:05:43,640 --> 00:05:46,080 Speaker 3: and he was dressed as a woman. So we asked 123 00:05:46,080 --> 00:05:50,200 Speaker 3: for your movie puns today on what this could be. Fitzy, 124 00:05:50,240 --> 00:05:51,880 Speaker 3: you set off? Are you would like to go first? 125 00:05:55,360 --> 00:05:58,440 Speaker 3: If you've got a movie title pun for this story, 126 00:05:58,480 --> 00:06:00,919 Speaker 3: get involved, give me a drum roll in. 127 00:06:00,960 --> 00:06:03,000 Speaker 1: It, missus doubt flyer? 128 00:06:07,000 --> 00:06:12,240 Speaker 3: Really good? Is it's gone out hard Sarah? 129 00:06:12,279 --> 00:06:18,039 Speaker 5: And there's something strange about Mary? 130 00:06:18,400 --> 00:06:20,919 Speaker 3: Really good, sir strong, So far around the ground. 131 00:06:21,320 --> 00:06:23,719 Speaker 1: First again, what did you go? 132 00:06:24,080 --> 00:06:32,360 Speaker 6: Yes, the classic Armageddon on this plane, dressed as my wife. 133 00:06:37,279 --> 00:06:41,720 Speaker 3: And I'm sure you guys are all familiar with the superhero. 134 00:06:42,320 --> 00:06:50,200 Speaker 3: We all love it. Blonder woman, not wonder Woman, Blonder Woman. Well, 135 00:06:50,240 --> 00:06:52,440 Speaker 3: the blunder is that he dressed as a woman, and 136 00:06:52,480 --> 00:06:55,040 Speaker 3: he has now been arrested. He's been It was bad move, 137 00:06:55,080 --> 00:06:57,760 Speaker 3: It was blunder. 138 00:06:58,600 --> 00:07:03,080 Speaker 5: You're okay, you're nervously drives up to the mic. 139 00:07:03,240 --> 00:07:03,960 Speaker 1: No, no, not at all. 140 00:07:04,000 --> 00:07:07,920 Speaker 4: The Denzel Washington classic Man on Piza that's supposed to 141 00:07:07,960 --> 00:07:08,440 Speaker 4: Man on fire. 142 00:07:08,560 --> 00:07:10,240 Speaker 5: That's terrible. It makes no sense. 143 00:07:10,320 --> 00:07:11,400 Speaker 7: Don't you give. 144 00:07:11,320 --> 00:07:16,320 Speaker 4: Me blond woman, don't give me blonder woman as inbounds 145 00:07:16,320 --> 00:07:18,040 Speaker 4: and man as out. 146 00:07:17,920 --> 00:07:21,880 Speaker 3: About absolutely knocked you for sex. 147 00:07:21,960 --> 00:07:24,280 Speaker 4: I'm so sorry that I chose to make up. 148 00:07:24,680 --> 00:07:28,080 Speaker 3: The fifteenth before we go to Carra, Jess has got 149 00:07:28,080 --> 00:07:30,000 Speaker 3: a couple. I think, Jess, did you have one that 150 00:07:30,040 --> 00:07:32,840 Speaker 3: you wanted to come in and give us? She's worked 151 00:07:32,880 --> 00:07:34,960 Speaker 3: hard over the weekend on this car and hello, what's 152 00:07:34,960 --> 00:07:48,280 Speaker 3: your PUNKA? Thank you? Mark? What's your pun? Buddy? 153 00:07:50,480 --> 00:07:54,040 Speaker 1: Your pants out there? Or what are you doing? Marcos? 154 00:07:55,600 --> 00:07:55,840 Speaker 2: Mark? 155 00:07:56,280 --> 00:07:58,239 Speaker 5: So he's putting a body in it? 156 00:08:00,840 --> 00:08:02,920 Speaker 2: Yeah, that's right, he's just putting someone into the back 157 00:08:02,960 --> 00:08:04,280 Speaker 2: of the boat with Roger Rogerson. 158 00:08:05,120 --> 00:08:06,600 Speaker 1: Jake, what's your pun? Jake? 159 00:08:07,480 --> 00:08:10,320 Speaker 3: Yeah, she's actually the man or. 160 00:08:12,040 --> 00:08:17,640 Speaker 8: Very good, Lovie, she's the man, Jake. 161 00:08:17,680 --> 00:08:19,679 Speaker 3: We're right here, Demi, And what's your movie? 162 00:08:19,720 --> 00:08:20,560 Speaker 1: Pandem? 163 00:08:20,960 --> 00:08:23,560 Speaker 7: I got covid? 164 00:08:25,840 --> 00:08:30,960 Speaker 3: Covid added another word, and she's Demy's on it? 165 00:08:31,160 --> 00:08:31,880 Speaker 1: What she punk? 166 00:08:32,000 --> 00:08:33,600 Speaker 8: Him? 167 00:08:33,679 --> 00:08:33,839 Speaker 3: Corn? 168 00:08:33,960 --> 00:08:34,800 Speaker 8: Here the sequel? 169 00:08:37,960 --> 00:08:39,720 Speaker 3: It is absolutely good, not bad? 170 00:08:41,120 --> 00:08:42,360 Speaker 1: Why did nobody think of. 171 00:08:42,920 --> 00:08:44,640 Speaker 3: We didn't go there. That's why we needed Kim. 172 00:08:44,840 --> 00:08:46,640 Speaker 1: Thank you, Josh? What's your pun? 173 00:08:49,120 --> 00:08:50,360 Speaker 6: The husband wears Briana? 174 00:08:51,080 --> 00:08:55,160 Speaker 3: Oh the devil? Josh? 175 00:08:55,160 --> 00:08:58,560 Speaker 2: Good on your buddy, Thank you Mark movie pan I need. 176 00:08:58,440 --> 00:09:00,599 Speaker 1: One bri Well. 177 00:09:02,400 --> 00:09:05,359 Speaker 9: Role in the prequel Snakes on a plane. 178 00:09:05,320 --> 00:09:09,280 Speaker 3: Snakes and that's why you're undoing your fly when we're 179 00:09:09,600 --> 00:09:11,480 Speaker 3: pretty early and what your mark you thought we needed 180 00:09:11,640 --> 00:09:14,439 Speaker 3: demonstrated your role? 181 00:09:15,120 --> 00:09:18,560 Speaker 1: These blowing out of the water. What's your part? 182 00:09:18,600 --> 00:09:21,120 Speaker 2: Andrews freakable meat? 183 00:09:24,040 --> 00:09:25,600 Speaker 3: Jess has got on here if she comes. 184 00:09:25,440 --> 00:09:25,880 Speaker 1: Up to the night. 185 00:09:25,920 --> 00:09:26,520 Speaker 3: What have you got? 186 00:09:26,800 --> 00:09:30,040 Speaker 7: I've got forgetting Sarah Marshalls the man. 187 00:09:33,800 --> 00:09:35,480 Speaker 1: It's tough to read which way this room will go 188 00:09:35,760 --> 00:09:39,200 Speaker 1: at any given moment. It's hard to pick it. 189 00:09:39,200 --> 00:09:43,240 Speaker 2: It also plays into your personality man on fire, there 190 00:09:43,320 --> 00:09:44,280 Speaker 2: was a river of bloodstale. 191 00:09:44,400 --> 00:09:45,600 Speaker 1: I need to do with delivery? 192 00:09:45,640 --> 00:09:47,080 Speaker 3: Well not everybody, great job. 193 00:09:47,280 --> 00:09:47,880 Speaker 7: It fits in. 194 00:09:48,480 --> 00:09:49,880 Speaker 1: Can we talk about trees? 195 00:09:50,400 --> 00:09:53,480 Speaker 3: Love to I'm a huge fan. They are the best. 196 00:09:53,520 --> 00:09:53,840 Speaker 9: Honestly. 197 00:09:53,880 --> 00:09:56,880 Speaker 5: If you sit under a massive old tree, it's pretty 198 00:09:56,960 --> 00:10:00,000 Speaker 5: amazing to look at. Do you know why are you laughing, Matthew? 199 00:10:00,240 --> 00:10:03,679 Speaker 1: No, it's just very cool, very cool. You know what 200 00:10:03,720 --> 00:10:03,959 Speaker 1: it is? 201 00:10:04,000 --> 00:10:06,600 Speaker 2: And I think as you get older you appreciate trees more. 202 00:10:06,679 --> 00:10:08,720 Speaker 1: Do you know what tree I always go back to? 203 00:10:08,920 --> 00:10:09,480 Speaker 3: What does it mean? 204 00:10:09,640 --> 00:10:11,119 Speaker 1: The tree that Red. 205 00:10:11,000 --> 00:10:14,680 Speaker 2: Was told to go to? Ensure shank redemption. Remember to 206 00:10:14,800 --> 00:10:17,080 Speaker 2: dig up the little thing under that certain tree. 207 00:10:17,320 --> 00:10:20,240 Speaker 5: I know you set me a protect of watching that film, 208 00:10:20,280 --> 00:10:21,600 Speaker 5: and I thought you were going to quiss me. So 209 00:10:21,640 --> 00:10:25,040 Speaker 5: I watched the two minute highlights on YouTube just in 210 00:10:25,040 --> 00:10:25,480 Speaker 5: case you are. 211 00:10:25,760 --> 00:10:26,760 Speaker 3: But I never watched the. 212 00:10:26,720 --> 00:10:30,360 Speaker 2: Film, Sarah, I couldn't this weekend and do it for 213 00:10:30,360 --> 00:10:31,800 Speaker 2: you Monday. 214 00:10:31,440 --> 00:10:34,360 Speaker 3: And I thought I was Remember he told me I 215 00:10:34,360 --> 00:10:35,920 Speaker 3: had to watch it by Monday. Don't do it for 216 00:10:35,960 --> 00:10:37,920 Speaker 3: show and tell everyone's seening it the only. 217 00:10:37,760 --> 00:10:39,400 Speaker 1: One web dates, don't you run? 218 00:10:39,760 --> 00:10:43,560 Speaker 4: I can't believe you haven't seen gear, Sarah. 219 00:10:43,600 --> 00:10:46,280 Speaker 1: This song here, it's called Brooks was here. 220 00:10:46,320 --> 00:10:47,640 Speaker 3: You won't give it away. 221 00:10:47,840 --> 00:10:49,800 Speaker 1: You will cry so much when you hear it. 222 00:10:50,720 --> 00:10:52,720 Speaker 5: When he's walking on the beach of this So sad 223 00:10:52,840 --> 00:10:53,320 Speaker 5: did see that? 224 00:10:53,480 --> 00:10:53,800 Speaker 1: Sarah? 225 00:10:56,040 --> 00:10:57,760 Speaker 3: Saving for Monday? You know what? There was a tree 226 00:10:57,760 --> 00:11:00,839 Speaker 3: at our park and it was swak growing up, the 227 00:11:00,840 --> 00:11:04,319 Speaker 3: most amazing tree. And I'll never forget. I was in 228 00:11:04,360 --> 00:11:07,280 Speaker 3: love with this girl, and I said, hey, why don't 229 00:11:07,280 --> 00:11:09,840 Speaker 3: we have a picnic. What are you doing on Saturday? 230 00:11:09,840 --> 00:11:11,760 Speaker 3: Why don't we get a rug together and bit of 231 00:11:11,760 --> 00:11:13,280 Speaker 3: food and get out of the park and we'll lye 232 00:11:13,360 --> 00:11:17,040 Speaker 3: under this beautiful tree and we lay there. The next 233 00:11:17,040 --> 00:11:20,480 Speaker 3: thing you know, we started making out heavily under this tree. 234 00:11:20,559 --> 00:11:23,400 Speaker 3: I always thought I had magical powers. I turned around, 235 00:11:23,440 --> 00:11:25,760 Speaker 3: I said, that's the first time I've ever picked up sober. 236 00:11:26,760 --> 00:11:30,560 Speaker 3: But that was the fact that we felt connected through 237 00:11:30,600 --> 00:11:34,440 Speaker 3: the roots of this this tree. We just knew there 238 00:11:34,480 --> 00:11:36,760 Speaker 3: was a special connection through the love and the roots 239 00:11:36,760 --> 00:11:38,120 Speaker 3: and the connection to the ground. 240 00:11:38,240 --> 00:11:42,280 Speaker 4: The thin you're confusing, I think you saw Avatar, and 241 00:11:42,280 --> 00:11:43,240 Speaker 4: I think you're confusing. 242 00:11:45,400 --> 00:11:46,600 Speaker 1: Smoked a malley root. 243 00:11:49,160 --> 00:11:51,760 Speaker 2: That anyone that lives out in the country when you're 244 00:11:51,800 --> 00:11:55,880 Speaker 2: a young teenager. Instead of smoking cigarettes, you smoke old 245 00:11:55,880 --> 00:11:57,679 Speaker 2: malley roots, which are dried up roots. 246 00:11:57,679 --> 00:12:00,680 Speaker 1: From there they learn forever. Makeum, sir? 247 00:12:00,840 --> 00:12:03,280 Speaker 5: Do they have an effect on you? 248 00:12:04,000 --> 00:12:04,559 Speaker 3: Like the money? 249 00:12:05,000 --> 00:12:07,240 Speaker 2: You just it's just like you thought you were really 250 00:12:07,280 --> 00:12:08,920 Speaker 2: cool because you're hanging out with your mates and smoke. 251 00:12:08,960 --> 00:12:12,040 Speaker 3: Don't understand how that works. We've been looking into that lote. 252 00:12:12,040 --> 00:12:14,120 Speaker 1: Tell me we run out twenty four to ten. What's 253 00:12:14,120 --> 00:12:14,920 Speaker 1: your favorite tree? 254 00:12:15,120 --> 00:12:18,640 Speaker 6: Look, it's not the strangest topic we did that the bathroom. 255 00:12:19,679 --> 00:12:22,120 Speaker 2: The reason why Actually, there's a video going a viral 256 00:12:22,120 --> 00:12:26,199 Speaker 2: one at the moment. A satellite picture of Brazil and 257 00:12:26,240 --> 00:12:30,360 Speaker 2: the de forestation from the eighties to now. It's ridiculous. 258 00:12:30,520 --> 00:12:32,760 Speaker 2: It is so ridiculous how many trees they're cutting down. 259 00:12:32,800 --> 00:12:35,880 Speaker 2: That's just in Brazil, they're doing it here in Australia 260 00:12:35,920 --> 00:12:39,480 Speaker 2: as well. It's quite scary. A man this is over 261 00:12:39,480 --> 00:12:41,880 Speaker 2: in the States has been accused of cutting down at 262 00:12:41,960 --> 00:12:44,440 Speaker 2: least one hundred and fifty trees across the road from 263 00:12:44,520 --> 00:12:47,319 Speaker 2: him so he could get a better view on his house. 264 00:12:47,520 --> 00:12:48,800 Speaker 1: That's not new A lot of people do. 265 00:12:48,920 --> 00:12:51,240 Speaker 2: If you've been involved with the story like this thirteen 266 00:12:51,280 --> 00:12:54,200 Speaker 2: twenty fourteen poisoning of a tree, someone getting rid of 267 00:12:54,200 --> 00:12:55,960 Speaker 2: a tree so you've got a better view. This habit 268 00:12:56,000 --> 00:12:59,920 Speaker 2: has also happened to Michael Richards, who played Kramer in Seinfeld. 269 00:13:00,120 --> 00:13:01,959 Speaker 1: Yeah, he's getting sued. 270 00:13:01,679 --> 00:13:05,360 Speaker 2: For eighty thousand dollars at the moment because he's Malibu house. 271 00:13:05,400 --> 00:13:07,280 Speaker 3: Oh you can't tell me he bought the house and 272 00:13:07,320 --> 00:13:09,000 Speaker 3: across the road cut down the tree. 273 00:13:09,080 --> 00:13:11,719 Speaker 1: Someone's cut down the tree so he could see the view. 274 00:13:11,760 --> 00:13:13,640 Speaker 3: But I know you would know this in Perth where 275 00:13:13,720 --> 00:13:15,160 Speaker 3: a lot of a lot of the houses along the 276 00:13:15,200 --> 00:13:17,280 Speaker 3: Swan River there. If there's a tree in your way 277 00:13:17,280 --> 00:13:19,760 Speaker 3: and you cut it down, the council will erect a billboard, 278 00:13:20,400 --> 00:13:23,400 Speaker 3: so they'll put up a big sign to block your view. 279 00:13:23,640 --> 00:13:25,920 Speaker 3: So you are now looking at a billboard or a sign. 280 00:13:26,280 --> 00:13:28,600 Speaker 3: Sid that's what they do. So don't cut down your 281 00:13:28,640 --> 00:13:32,640 Speaker 3: tree and your sued for nail not a copper nail, mate, 282 00:13:32,679 --> 00:13:34,240 Speaker 3: Do not do that at the base of your tree. 283 00:13:34,320 --> 00:13:37,160 Speaker 2: Anyone who cuts down a tree, they always put up 284 00:13:37,160 --> 00:13:37,520 Speaker 2: a new. 285 00:13:37,400 --> 00:13:40,000 Speaker 3: Bill punishment to say that this person chopped down the 286 00:13:40,040 --> 00:13:41,240 Speaker 3: tree and they have been fined. 287 00:13:41,320 --> 00:13:42,959 Speaker 1: What if you live out in the country, No. 288 00:13:43,080 --> 00:13:45,760 Speaker 3: This is the people along the river cut it down 289 00:13:45,800 --> 00:13:48,600 Speaker 3: for the view, so they go for that. Andy from 290 00:13:48,600 --> 00:13:51,000 Speaker 3: Buxton's called through Andy, How are you, buddy good? 291 00:13:51,559 --> 00:13:52,680 Speaker 1: What's your story? Andy? 292 00:13:53,520 --> 00:13:56,160 Speaker 8: Yeah, we'll sell them. My great names placed after she 293 00:13:56,280 --> 00:13:58,240 Speaker 8: died and we put it on the market and we 294 00:13:58,559 --> 00:14:01,320 Speaker 8: rocked up with the real estate. We had a big 295 00:14:01,360 --> 00:14:04,040 Speaker 8: line of pine trees that looked over the mountain and 296 00:14:04,080 --> 00:14:06,880 Speaker 8: the neighbors decided to chop about eighteen pine. 297 00:14:06,640 --> 00:14:10,080 Speaker 1: Trees took their view. 298 00:14:10,200 --> 00:14:14,040 Speaker 8: Andy, Yeah, blocked all of you as the whole mountain river. 299 00:14:14,160 --> 00:14:16,840 Speaker 1: May I love the smell of pine trees? Yeah, it's beautiful. 300 00:14:16,920 --> 00:14:19,800 Speaker 1: Nothing better or cedar. You can't get them back either. 301 00:14:19,840 --> 00:14:22,360 Speaker 3: That's the thing at pine do long fast grow a pine. 302 00:14:22,440 --> 00:14:25,800 Speaker 3: So there's no natural pine plant. There's no natural pine 303 00:14:25,800 --> 00:14:28,400 Speaker 3: forest in Victoria. Fun fact too, Did you want to 304 00:14:28,400 --> 00:14:32,480 Speaker 3: know the answer between softwood and Hardwood's interesting one, guys 305 00:14:32,480 --> 00:14:34,240 Speaker 3: with the two boys at home at the moment, because 306 00:14:34,360 --> 00:14:36,840 Speaker 3: I thought you might understand where I'm coming from here. 307 00:14:37,800 --> 00:14:39,840 Speaker 3: You just start to see little things that you did 308 00:14:39,920 --> 00:14:42,520 Speaker 3: when you were younger in them, and at the same 309 00:14:42,520 --> 00:14:45,760 Speaker 3: time you see things in yourself which you're doing, which 310 00:14:45,760 --> 00:14:48,360 Speaker 3: you saw in your parents. So one, I'm doing a 311 00:14:48,360 --> 00:14:49,640 Speaker 3: lot of the moment, And this is what I was 312 00:14:49,680 --> 00:14:52,280 Speaker 3: told constantly as a kid. You don't know your own strength. 313 00:14:52,840 --> 00:14:55,040 Speaker 3: So I'm saying that one to Ted. So when you 314 00:14:55,080 --> 00:14:58,360 Speaker 3: throw a haymaker at Jack, you don't know your own strength. 315 00:14:58,720 --> 00:15:01,000 Speaker 3: When you run up and Jack lying down and you 316 00:15:01,120 --> 00:15:04,200 Speaker 3: land on him with your knees, you don't understand the 317 00:15:04,280 --> 00:15:05,400 Speaker 3: impact of what that has. 318 00:15:05,480 --> 00:15:06,880 Speaker 1: You had a go to you when you were six, 319 00:15:07,080 --> 00:15:07,400 Speaker 1: I did. 320 00:15:07,560 --> 00:15:10,080 Speaker 2: Yeah, I don't know if the boys have matured as 321 00:15:10,120 --> 00:15:10,760 Speaker 2: quickly as you. 322 00:15:11,440 --> 00:15:14,400 Speaker 3: Jack's getting there, Yeah, Jack's getting there by the time 323 00:15:14,440 --> 00:15:16,960 Speaker 3: he's sick. Got a girlfriend already, He's got a girlfriend. Yeah, 324 00:15:18,120 --> 00:15:20,160 Speaker 3: he's hot wiring cars and he's getting around the streets. 325 00:15:20,200 --> 00:15:23,200 Speaker 3: He's an absolute rat bag. So I've seen all these 326 00:15:23,200 --> 00:15:24,920 Speaker 3: things that I used to do, and even I'm just 327 00:15:25,240 --> 00:15:28,000 Speaker 3: I'm saying and sounding like my dad at the same time. 328 00:15:28,360 --> 00:15:30,520 Speaker 3: But then I've noticed a couple of things where I've thought, 329 00:15:30,560 --> 00:15:32,720 Speaker 3: oh my god, I did that as a kid. And 330 00:15:32,960 --> 00:15:39,080 Speaker 3: it's just some are concerning, some aren't as concerning. You know, Jack, 331 00:15:39,120 --> 00:15:41,240 Speaker 3: the other night I walked in his snoring. He's lying 332 00:15:41,240 --> 00:15:43,360 Speaker 3: there spread eagle with no pants on and he's snoring. 333 00:15:43,680 --> 00:15:49,320 Speaker 3: Oh God, that is measure right, all these little things. Anyway, 334 00:15:48,680 --> 00:15:53,440 Speaker 3: I got no idea, says yesterday it stepped up right. 335 00:15:53,480 --> 00:15:56,560 Speaker 3: Francesco was asleep, so baby's asleep. Lisa came home from 336 00:15:56,560 --> 00:15:58,240 Speaker 3: the shops and she bought the shopping around the back 337 00:15:58,240 --> 00:16:00,840 Speaker 3: of the house so we could take it up from 338 00:16:00,880 --> 00:16:04,160 Speaker 3: there anyway, So she's bringing the bags around. All of 339 00:16:04,240 --> 00:16:07,160 Speaker 3: a sudden, I'm lifting the bags from downstairs up into 340 00:16:07,200 --> 00:16:10,040 Speaker 3: the kitchen, and then we can't find the boys anywhere, 341 00:16:10,400 --> 00:16:13,440 Speaker 3: can't find them at all, yelling out ted Jack, where 342 00:16:13,440 --> 00:16:14,000 Speaker 3: have you gone? 343 00:16:14,040 --> 00:16:14,400 Speaker 1: Guys? 344 00:16:14,840 --> 00:16:17,320 Speaker 3: Don't go upstairs. Baby's asleep. There's a lot of creeping 345 00:16:17,360 --> 00:16:19,520 Speaker 3: around the house when baby's asleep, as you can imagine 346 00:16:19,560 --> 00:16:23,440 Speaker 3: as a parent. So then finally I heard a giggle 347 00:16:23,480 --> 00:16:27,520 Speaker 3: from around the house, and I thought, hang on a minute, 348 00:16:27,520 --> 00:16:30,800 Speaker 3: what is going on here. I walk around the corner 349 00:16:31,160 --> 00:16:35,160 Speaker 3: and there's Ted, just Ted. He's sitting on a step. 350 00:16:35,560 --> 00:16:39,200 Speaker 3: He's got crumbs all over his face. He's got a 351 00:16:39,280 --> 00:16:43,840 Speaker 3: packet of a dozen small doughnuts and he's made his 352 00:16:43,960 --> 00:16:48,400 Speaker 3: way through four and he's continuing to plow, and I 353 00:16:48,600 --> 00:16:51,120 Speaker 3: just thought, she's grid up. 354 00:16:54,000 --> 00:16:54,680 Speaker 1: Just sadly. 355 00:16:57,320 --> 00:16:58,800 Speaker 3: He must have metabolism. 356 00:16:58,840 --> 00:16:59,640 Speaker 1: Where did you get them from? 357 00:16:59,680 --> 00:17:01,880 Speaker 3: Well, from the shopping that had been left downstairs. He 358 00:17:01,920 --> 00:17:05,440 Speaker 3: saw the opportunity, like a sneaky bin shook to come 359 00:17:05,480 --> 00:17:09,360 Speaker 3: in snatch the donuts, make his way around the side 360 00:17:09,400 --> 00:17:14,800 Speaker 3: of the house. So that was one problem solved. Found him. He's, okay, 361 00:17:14,960 --> 00:17:16,480 Speaker 3: give me the rest of the donuts. Can I have 362 00:17:16,480 --> 00:17:19,920 Speaker 3: one more? No? No, you cannot have one more? Three 363 00:17:19,960 --> 00:17:22,439 Speaker 3: o'clock in the afternoon. Didn't gets cooked at four point thirty. 364 00:17:22,600 --> 00:17:25,560 Speaker 3: Don't eat a whole pack of twelve donuts, I said. 365 00:17:25,680 --> 00:17:28,160 Speaker 3: I worked my way through a tin of twelve Mars 366 00:17:28,240 --> 00:17:30,360 Speaker 3: bars on Christmas Day one time, and I missed lunch 367 00:17:30,400 --> 00:17:32,439 Speaker 3: because I was on the ball. Don't do that. Safety 368 00:17:33,800 --> 00:17:37,400 Speaker 3: Jack still haven't found him? Looking for Jack, I said, Ted, 369 00:17:37,440 --> 00:17:39,399 Speaker 3: were's Jack gone? Has he got the other? Has he 370 00:17:39,440 --> 00:17:43,000 Speaker 3: got more donuts? What's he doing? I walk into the garage. 371 00:17:43,160 --> 00:17:46,560 Speaker 3: There's a mattress against the wall, an old mattress against 372 00:17:46,600 --> 00:17:51,399 Speaker 3: the wall. Behind the mattress, I can hear rustling like 373 00:17:51,440 --> 00:17:54,359 Speaker 3: these kids have never been fed. He's got his mit 374 00:17:54,400 --> 00:17:57,840 Speaker 3: into a packet of Sultan vinegar chips and he's just 375 00:17:58,000 --> 00:18:00,920 Speaker 3: plowing his way through the bag. And I thought, oh 376 00:18:01,000 --> 00:18:06,880 Speaker 3: my god, my boy. It was just like, yeah, it's 377 00:18:06,920 --> 00:18:08,600 Speaker 3: just an excuse to get some ugly kid Joe on 378 00:18:08,640 --> 00:18:08,960 Speaker 3: the show. 379 00:18:10,640 --> 00:18:13,200 Speaker 1: But I just where is this going to end? 380 00:18:13,320 --> 00:18:15,879 Speaker 3: Guys, you don't want to have the eating habits that 381 00:18:15,960 --> 00:18:20,159 Speaker 3: I grew up with. Who then do like? You don't 382 00:18:20,280 --> 00:18:22,320 Speaker 3: know where to shame them? 383 00:18:22,040 --> 00:18:28,439 Speaker 5: They're athletic quantities in moderation already, they're hiding from you. 384 00:18:28,480 --> 00:18:29,320 Speaker 5: They're shame eating. 385 00:18:29,520 --> 00:18:32,440 Speaker 3: I've got it. I've got an issue where I can't stop. 386 00:18:33,080 --> 00:18:35,520 Speaker 3: My intake is huge. 387 00:18:35,880 --> 00:18:36,600 Speaker 1: I'm not joking. 388 00:18:36,640 --> 00:18:38,240 Speaker 3: The excitement levels are massive. 389 00:18:38,320 --> 00:18:42,040 Speaker 2: It's fascinating to watch and for anyone out there, and 390 00:18:42,080 --> 00:18:44,800 Speaker 2: when we have a team lunch and we get. 391 00:18:44,680 --> 00:18:49,320 Speaker 1: Share plates out on the table. Share mates, you watch 392 00:18:50,840 --> 00:18:54,400 Speaker 1: who's the first one straight in? And who will take? 393 00:18:54,520 --> 00:18:57,159 Speaker 1: And who's always the last one? Tommy just to go? 394 00:18:57,280 --> 00:18:59,399 Speaker 1: Does anyone want that last spring? 395 00:18:59,520 --> 00:18:59,680 Speaker 7: Roll? 396 00:19:01,760 --> 00:19:02,320 Speaker 1: Three left? 397 00:19:02,440 --> 00:19:04,520 Speaker 3: Will anyone want that last one? And then I told 398 00:19:04,520 --> 00:19:06,800 Speaker 3: you about how we grabbed Grace on the boob not 399 00:19:06,880 --> 00:19:15,119 Speaker 3: long ago, our baby, he grabbed her on the boom. No, no, 400 00:19:16,560 --> 00:19:19,119 Speaker 3: didn't I tell you about that? He grabbed Grace on 401 00:19:19,160 --> 00:19:22,960 Speaker 3: the boob. And then Grace said, no, you shouldn't have 402 00:19:22,960 --> 00:19:25,760 Speaker 3: played the Sting name. Don't play the Sting name. 403 00:19:33,640 --> 00:19:36,320 Speaker 2: When you hear your songs on the radio. We're just 404 00:19:36,320 --> 00:19:38,720 Speaker 2: talking about this off here. It must be amazing Keith 405 00:19:39,160 --> 00:19:41,439 Speaker 2: to hear it. But what I would love to ask 406 00:19:41,600 --> 00:19:43,840 Speaker 2: is when you're a young artist and you went over 407 00:19:43,880 --> 00:19:46,919 Speaker 2: to Tennessee to try your career over there, which is 408 00:19:47,400 --> 00:19:49,960 Speaker 2: so many artists try to do that. But the first time, 409 00:19:50,080 --> 00:19:52,760 Speaker 2: can you remember back with the first time you heard 410 00:19:53,040 --> 00:19:55,600 Speaker 2: one of your songs on the radio, And that's what 411 00:19:55,640 --> 00:19:56,600 Speaker 2: that feeling was like. 412 00:19:56,640 --> 00:20:00,159 Speaker 7: Keith, Well, especially in America. I was, I was. I 413 00:20:00,240 --> 00:20:00,960 Speaker 7: was in Nashville. 414 00:20:02,080 --> 00:20:05,199 Speaker 9: I had a song that had just gone to radio, 415 00:20:06,359 --> 00:20:10,359 Speaker 9: and I was actually driving over to a place to 416 00:20:10,400 --> 00:20:15,000 Speaker 9: go to like a radio seminar where all the radio 417 00:20:15,040 --> 00:20:17,720 Speaker 9: people and everything, and my eyes in my piece of 418 00:20:17,760 --> 00:20:18,280 Speaker 9: crap car. 419 00:20:21,040 --> 00:20:24,280 Speaker 3: You remember what was what was that thing? 420 00:20:24,680 --> 00:20:26,760 Speaker 7: It was like it was like a it was a 421 00:20:27,080 --> 00:20:30,840 Speaker 7: v some sort. Just it was just horrible. 422 00:20:33,080 --> 00:20:35,159 Speaker 9: It was always running out of petrol because I just 423 00:20:35,440 --> 00:20:39,399 Speaker 9: you know, barely keeping up with it and gas garzle 424 00:20:39,440 --> 00:20:40,800 Speaker 9: and I couldn't afford to fill it up. I was 425 00:20:40,800 --> 00:20:42,840 Speaker 9: about to run out of petrol. Fill into a petrol 426 00:20:42,840 --> 00:20:46,520 Speaker 9: station and I'm, you know, putting petrol in the car, 427 00:20:46,880 --> 00:20:50,320 Speaker 9: and they had the speakers, you know, and I heard 428 00:20:50,320 --> 00:20:52,120 Speaker 9: my song was that's awesome. 429 00:20:52,600 --> 00:20:54,040 Speaker 7: Petrol into my rust bucket. 430 00:20:54,080 --> 00:20:55,760 Speaker 3: You would have got this earlier on in your career, 431 00:20:55,760 --> 00:20:57,600 Speaker 3: and it still happens here in the music industry, and 432 00:20:57,640 --> 00:21:00,120 Speaker 3: it's a great eye opener for everyone. But when an 433 00:21:00,160 --> 00:21:02,840 Speaker 3: emerging artist will come in and there'll be an announcement 434 00:21:02,840 --> 00:21:05,680 Speaker 3: at reception, so and so is performing in the boardroom, 435 00:21:05,800 --> 00:21:08,800 Speaker 3: or the kids come in and awkwardly, someone will just 436 00:21:09,080 --> 00:21:11,159 Speaker 3: be on a guitar, but they've invited the staff to 437 00:21:11,160 --> 00:21:13,800 Speaker 3: come and watching twenty people stand there from accounting. Did 438 00:21:13,840 --> 00:21:15,040 Speaker 3: you go through that as well? 439 00:21:15,840 --> 00:21:18,760 Speaker 7: Yes, I call them the conference room auditions of despair. 440 00:21:20,520 --> 00:21:21,200 Speaker 3: Is it horrible? 441 00:21:21,680 --> 00:21:26,400 Speaker 7: It's humiliating. No humiliating. I'll tell you. 442 00:21:27,640 --> 00:21:30,720 Speaker 9: I was with my promo guy at a station in 443 00:21:30,760 --> 00:21:33,560 Speaker 9: iberin America, and we're going to all the stations trying 444 00:21:33,560 --> 00:21:36,800 Speaker 9: to introduce myself to the radio guys. Yeah, And we 445 00:21:36,880 --> 00:21:39,919 Speaker 9: got to the station and my promo guy and the 446 00:21:39,960 --> 00:21:43,280 Speaker 9: manager with the station manager. Station manager said, just go 447 00:21:43,359 --> 00:21:46,080 Speaker 9: into the conference room there and set your guitar up 448 00:21:46,440 --> 00:21:47,080 Speaker 9: and then you. 449 00:21:47,000 --> 00:21:49,920 Speaker 7: Know, we'll be in short, I opened the door and 450 00:21:49,960 --> 00:21:52,320 Speaker 7: they were having a meeting in you they come back 451 00:21:52,400 --> 00:21:55,280 Speaker 7: and having a meeting in there. 452 00:21:55,280 --> 00:21:57,200 Speaker 9: He goes, oh, yeah, yeah, I know, but just slip 453 00:21:57,240 --> 00:22:00,520 Speaker 9: in there, guitar out in the corner. 454 00:22:00,640 --> 00:22:03,240 Speaker 3: Set yourself to be fine. 455 00:22:03,680 --> 00:22:07,240 Speaker 9: So I go back in, open the door, excuse me, 456 00:22:07,240 --> 00:22:09,680 Speaker 9: and I slip in and the guy running the meeting 457 00:22:09,760 --> 00:22:20,600 Speaker 9: is like hello. So I run back out to the 458 00:22:20,680 --> 00:22:22,920 Speaker 9: to the station managing and I'm like, I just want 459 00:22:22,920 --> 00:22:23,200 Speaker 9: to leave. 460 00:22:23,400 --> 00:22:26,040 Speaker 3: I just wanted to get out now, and. 461 00:22:26,000 --> 00:22:27,439 Speaker 9: He goes, no, no, no, come on in and he 462 00:22:27,520 --> 00:22:31,840 Speaker 9: takes me back in like and he goes, guys, guys, guys, 463 00:22:32,520 --> 00:22:34,320 Speaker 9: this is a new artist and he's. 464 00:22:34,160 --> 00:22:37,360 Speaker 7: Just going to play. And the guy, the guy chill, 465 00:22:37,440 --> 00:22:46,440 Speaker 7: the meeting goes, you've lost. 466 00:22:46,200 --> 00:22:52,800 Speaker 9: Them all those gigs that I played in Brisbane. 467 00:22:52,840 --> 00:22:56,119 Speaker 7: The people doing this really came in handy. 468 00:22:56,200 --> 00:22:59,479 Speaker 2: Oh mae, Keith, are you still blown away with some 469 00:22:59,520 --> 00:23:01,280 Speaker 2: of the talent that we do have in this country. 470 00:23:01,880 --> 00:23:04,439 Speaker 9: I haven't done this show since the first season, and 471 00:23:05,240 --> 00:23:07,879 Speaker 9: you know, my first thought was, is there anybody left? 472 00:23:08,359 --> 00:23:09,159 Speaker 3: Yeah? 473 00:23:10,320 --> 00:23:12,680 Speaker 9: Have we seen everyone? Of course, you know, there's great 474 00:23:12,680 --> 00:23:16,280 Speaker 9: talent thing born every day. But I was amazed not 475 00:23:16,320 --> 00:23:19,520 Speaker 9: just the level of it, but how many singers were 476 00:23:19,560 --> 00:23:24,000 Speaker 9: really unique. Sure, sure, because you know, I'm sick of 477 00:23:24,000 --> 00:23:26,320 Speaker 9: people that go, oh, she sings just like Adele and 478 00:23:26,480 --> 00:23:28,720 Speaker 9: my first well, that's a shame. 479 00:23:31,800 --> 00:23:34,840 Speaker 7: Ye that doesn't sound like anyone. 480 00:23:35,200 --> 00:23:37,000 Speaker 3: So that's the thing, and that is that what you're 481 00:23:37,040 --> 00:23:40,280 Speaker 3: hoping to find is somebody that blows you away, where 482 00:23:40,280 --> 00:23:42,680 Speaker 3: you think, finally we have something different and unique here. 483 00:23:43,160 --> 00:23:45,919 Speaker 7: Yeah, yeah, totally just different and unique. 484 00:23:45,960 --> 00:23:48,600 Speaker 1: Absolutely Well, Keith, We appreciate you coming on the show. 485 00:23:49,280 --> 00:23:49,879 Speaker 7: Nice to talk to you. 486 00:23:49,960 --> 00:23:56,240 Speaker 3: Guys. Got a list of the most annoying hated phrases 487 00:23:56,320 --> 00:23:59,320 Speaker 3: guys that we have in the common English language on 488 00:23:59,359 --> 00:24:01,240 Speaker 3: a day to day basis, and they're those ones that 489 00:24:01,280 --> 00:24:02,879 Speaker 3: are thrown around every day and you hear them and 490 00:24:02,880 --> 00:24:04,359 Speaker 3: you go, oh my god, are you even listening to 491 00:24:04,359 --> 00:24:08,520 Speaker 3: what you're saying? Because I agree sometimes when you default 492 00:24:08,560 --> 00:24:11,560 Speaker 3: to a saying like everything happens for a reason, you've 493 00:24:11,640 --> 00:24:14,120 Speaker 3: just switched off, like you know that you can throw 494 00:24:14,119 --> 00:24:15,680 Speaker 3: it out there at any time and it will fill 495 00:24:15,680 --> 00:24:19,040 Speaker 3: a silence, but you don't actually care what you're saying anymore. 496 00:24:19,080 --> 00:24:22,240 Speaker 3: That one is dismissive specifically though the top five, along 497 00:24:22,240 --> 00:24:25,040 Speaker 3: with everything happens for a reason. I think positive is 498 00:24:25,080 --> 00:24:29,880 Speaker 3: another one you know that's lost my job. Think positive, 499 00:24:30,320 --> 00:24:34,040 Speaker 3: try and be gracious, huge dog, and you want me 500 00:24:34,080 --> 00:24:35,040 Speaker 3: to think positive. 501 00:24:35,560 --> 00:24:37,240 Speaker 1: Everything happens for a reason. It does. 502 00:24:37,680 --> 00:24:40,080 Speaker 3: Why I've got permachue goes straight to the casino. 503 00:24:40,400 --> 00:24:40,800 Speaker 1: You've got. 504 00:24:43,480 --> 00:24:47,240 Speaker 3: Another different one, lucky for bird poos on you, not 505 00:24:47,400 --> 00:24:49,320 Speaker 3: dog pool on your foot. And you should always. 506 00:24:49,000 --> 00:24:51,399 Speaker 1: Want to believe anymore. You should learn from your mistake. 507 00:24:51,440 --> 00:24:54,840 Speaker 3: You should learn from you. Oh wow, he's rolling them out. 508 00:24:55,320 --> 00:24:57,399 Speaker 3: You're overthinking it, guys, is onst. 509 00:24:57,200 --> 00:25:01,520 Speaker 5: You say that, you say it to excess. 510 00:25:01,720 --> 00:25:02,720 Speaker 3: You're overthinking it. 511 00:25:03,200 --> 00:25:07,080 Speaker 2: No, because I'm not in your in your mind, we're 512 00:25:07,080 --> 00:25:08,600 Speaker 2: overthinking it, but we're not. 513 00:25:08,840 --> 00:25:11,320 Speaker 1: No, but else around you. 514 00:25:11,600 --> 00:25:15,480 Speaker 3: Because I'm a shocker for overthinking things, right, I'm very 515 00:25:15,480 --> 00:25:19,280 Speaker 3: good at overthinking things. So sometimes you need someone outside 516 00:25:19,280 --> 00:25:21,400 Speaker 3: of your own head to let you know that you're overthinking. 517 00:25:21,880 --> 00:25:23,560 Speaker 5: The way you say it, though, is very much like 518 00:25:23,600 --> 00:25:25,560 Speaker 5: I don't want to talk about it anymore. So it's 519 00:25:25,800 --> 00:25:26,960 Speaker 5: you're overthinking it. 520 00:25:27,080 --> 00:25:29,639 Speaker 3: It's sick of the topic. You're overthinking it. 521 00:25:29,680 --> 00:25:31,600 Speaker 6: Still have to agree to disagree on that one. 522 00:25:34,320 --> 00:25:38,120 Speaker 3: Welcome, don what's your phrase? Buddy? 523 00:25:38,400 --> 00:25:40,400 Speaker 7: It is what it is? 524 00:25:42,119 --> 00:25:43,719 Speaker 3: Do you know that what we're laughing about the other day, 525 00:25:43,760 --> 00:25:46,240 Speaker 3: dom is when people say, well the reality is, well, 526 00:25:46,280 --> 00:25:48,640 Speaker 3: hang on a minute, there's not one reality. We don't 527 00:25:48,640 --> 00:25:50,640 Speaker 3: go to a safe and unlock the reality to check 528 00:25:50,680 --> 00:25:53,280 Speaker 3: what it is. My reality might be very different to 529 00:25:53,359 --> 00:25:57,680 Speaker 3: your reality. That's perspective, that's right. So you can't go, well, 530 00:25:57,720 --> 00:26:01,040 Speaker 3: the reality is just there's not one. 531 00:26:02,600 --> 00:26:04,840 Speaker 1: It is what it is. Would be used quite a 532 00:26:04,840 --> 00:26:05,640 Speaker 1: bit in lockdown. 533 00:26:05,760 --> 00:26:08,200 Speaker 3: Mate, it is what it is. So much I can 534 00:26:08,240 --> 00:26:11,359 Speaker 3: do about it if you can't change it, mate, Andrew, 535 00:26:11,359 --> 00:26:13,359 Speaker 3: And welcome to the show. What phrase don't you like? 536 00:26:14,359 --> 00:26:16,640 Speaker 8: I don't like It's all happen in good time? 537 00:26:17,119 --> 00:26:22,000 Speaker 2: Oh yeah, all, don't worry about it, Do not worry 538 00:26:22,040 --> 00:26:22,439 Speaker 2: about it. 539 00:26:22,520 --> 00:26:23,720 Speaker 1: That's fine. 540 00:26:23,960 --> 00:26:26,840 Speaker 3: All the time's running out. When is it going to happen? 541 00:26:26,880 --> 00:26:30,040 Speaker 3: Because time is ticking? Andrew thank him. Mandy, what's the 542 00:26:30,080 --> 00:26:37,600 Speaker 3: phrase just saying? Just saying? How annoying is that? Mandy? 543 00:26:37,640 --> 00:26:45,920 Speaker 3: I agree completely When you say that, it's like saying 544 00:26:45,920 --> 00:26:48,720 Speaker 3: I'm dropping a bomb, but then I'm backing out of 545 00:26:48,760 --> 00:26:52,680 Speaker 3: the bomb that I've just dropped, and I'm almost desensitizing 546 00:26:52,720 --> 00:26:58,879 Speaker 3: what I've said. Disclaimer. Yeah, by saying just saying. 547 00:26:57,640 --> 00:27:01,200 Speaker 1: It's like starting a sentence with I'm not but I'll 548 00:27:01,200 --> 00:27:01,639 Speaker 1: tell you what. 549 00:27:02,040 --> 00:27:04,440 Speaker 5: Everything after before the word does. 550 00:27:06,359 --> 00:27:10,320 Speaker 3: Are the people's bios when they write my opinion is 551 00:27:10,800 --> 00:27:12,440 Speaker 3: my opinion? Is mine? Or whatever I write? 552 00:27:12,880 --> 00:27:17,520 Speaker 2: Is it some not my employees, employees my. 553 00:27:19,680 --> 00:27:23,040 Speaker 1: What's my own views? But my views are my own? Yeah? 554 00:27:23,119 --> 00:27:25,920 Speaker 3: I mean who else were they going to be? I 555 00:27:26,160 --> 00:27:26,960 Speaker 3: don't understand what. 556 00:27:28,440 --> 00:27:31,199 Speaker 2: I was following you just to hope work out what 557 00:27:31,240 --> 00:27:32,160 Speaker 2: your boss was thinking. 558 00:27:32,160 --> 00:27:35,520 Speaker 3: I thought you were going to someone else. Hello, Greg, 559 00:27:35,720 --> 00:27:38,480 Speaker 3: give us the phrase, how are you guys? 560 00:27:39,080 --> 00:27:41,240 Speaker 8: When your stuff up? It's even doctors get sick. 561 00:27:42,359 --> 00:27:46,240 Speaker 3: Even doctors get near that before even doctors get saying, Greg, 562 00:27:46,280 --> 00:27:48,120 Speaker 3: you know the one. I'm throwing out a lot at home, 563 00:27:48,160 --> 00:27:50,000 Speaker 3: and I do it and least it's just sick to 564 00:27:50,040 --> 00:27:52,840 Speaker 3: death of it. I'll say, no one makes a mistake deliberately, 565 00:27:53,800 --> 00:27:57,679 Speaker 3: because that's removing the blame from yourself, like you're broadening 566 00:27:57,680 --> 00:28:00,000 Speaker 3: it to gay mate, No one makes a mistake deliberately. 567 00:28:00,200 --> 00:28:03,119 Speaker 1: You would have so many of these cliches. 568 00:28:02,920 --> 00:28:04,440 Speaker 5: With you, all your self help. 569 00:28:04,480 --> 00:28:06,359 Speaker 6: Whipper has another one that he likes to which is 570 00:28:06,400 --> 00:28:09,800 Speaker 6: Bono doesn't play drums, doesn't play the drums, which is. 571 00:28:10,080 --> 00:28:18,159 Speaker 10: Stick to you, Tom, do you have stuck that on 572 00:28:19,160 --> 00:28:20,520 Speaker 10: when you know that's not mine? 573 00:28:20,680 --> 00:28:24,359 Speaker 2: That would be to do the things that you put No, 574 00:28:25,160 --> 00:28:26,119 Speaker 2: doesn't play the drums. 575 00:28:26,359 --> 00:28:29,080 Speaker 3: Caret what you do well and do it often doesn't 576 00:28:29,080 --> 00:28:30,120 Speaker 3: play the drums. 577 00:28:29,800 --> 00:28:33,800 Speaker 2: Mate, Haby Monday City, it's fits and we let's talk 578 00:28:33,880 --> 00:28:35,240 Speaker 2: police business. 579 00:28:36,080 --> 00:28:38,640 Speaker 3: This is an interesting one. I didn't realize it was 580 00:28:38,720 --> 00:28:41,480 Speaker 3: part of the training. But when police a policeman pulls 581 00:28:41,520 --> 00:28:44,000 Speaker 3: you over, they ask you the one question, are you 582 00:28:44,080 --> 00:28:47,880 Speaker 3: aware of why you've been pulled over? I didn't realize 583 00:28:47,920 --> 00:28:50,080 Speaker 3: this was tactical. I just thought, well, I didn't think 584 00:28:50,120 --> 00:28:52,000 Speaker 3: the policeman would come up and go, how's your day going? 585 00:28:52,520 --> 00:28:55,160 Speaker 5: It is that to trick you into revealing other things 586 00:28:55,200 --> 00:28:57,479 Speaker 5: you've done wrong, Like when they say at work, you know, 587 00:28:57,640 --> 00:29:00,360 Speaker 5: what did you think of the show today? Give an 588 00:29:00,360 --> 00:29:01,840 Speaker 5: answer and they go, well, that's not the worst. 589 00:29:02,000 --> 00:29:04,080 Speaker 3: I mean with the radio police arrive, that's right. 590 00:29:04,280 --> 00:29:07,320 Speaker 2: First two years of radio right, And luckily I was 591 00:29:07,440 --> 00:29:10,240 Speaker 2: green and I was a sponge in trying to learn 592 00:29:10,360 --> 00:29:14,080 Speaker 2: and so beating up. But Jason Stavely was my boss, 593 00:29:14,120 --> 00:29:15,960 Speaker 2: and every day he would come in after the show 594 00:29:16,040 --> 00:29:18,600 Speaker 2: and go, so, what did you think of the show today? 595 00:29:18,920 --> 00:29:20,560 Speaker 3: Sounds a little loaded question. 596 00:29:20,720 --> 00:29:23,120 Speaker 2: It ended up being the running joke was every day 597 00:29:23,160 --> 00:29:25,200 Speaker 2: we would go that was the best show that we've 598 00:29:25,240 --> 00:29:25,600 Speaker 2: ever done. 599 00:29:27,200 --> 00:29:29,160 Speaker 1: And you go, really, all right, well let's go to 600 00:29:29,200 --> 00:29:30,680 Speaker 1: six thirty four and see. 601 00:29:30,480 --> 00:29:32,920 Speaker 5: How I murdered that you would when you always do 602 00:29:33,000 --> 00:29:34,080 Speaker 5: the what would you change? 603 00:29:34,080 --> 00:29:36,280 Speaker 3: What's the first thing you would change? Sides the obvious? 604 00:29:36,320 --> 00:29:39,000 Speaker 3: Besides the obvious? What's the first thing you change about yourself? 605 00:29:39,040 --> 00:29:42,320 Speaker 3: Sair doesn't feel loaded at all? 606 00:29:42,520 --> 00:29:43,760 Speaker 1: Are you honest with cops? 607 00:29:43,880 --> 00:29:45,800 Speaker 2: You've got to be pretty honest and just go, yeah, 608 00:29:45,800 --> 00:29:48,440 Speaker 2: look I was speeding, I understand, and I've also got 609 00:29:48,480 --> 00:29:50,760 Speaker 2: four hundred thousand dollars from drug money in the book. 610 00:29:50,800 --> 00:29:54,320 Speaker 3: There's three there's three sawn off shotguns in the glove 611 00:29:54,360 --> 00:29:56,480 Speaker 3: box y officer just if. 612 00:29:56,360 --> 00:29:58,680 Speaker 1: You cannot look at that dead bondy and then me great. 613 00:29:58,880 --> 00:30:00,800 Speaker 4: So it's not just being a smart I honestly thought 614 00:30:00,840 --> 00:30:04,080 Speaker 4: they'd being a smart ass because when they just wanted to. 615 00:30:04,120 --> 00:30:07,920 Speaker 5: Get fined for not indicating Yeah, okay. 616 00:30:08,120 --> 00:30:10,280 Speaker 3: Look, yeah, yeah, you definitely lose it. You definitely lose 617 00:30:10,320 --> 00:30:11,200 Speaker 3: a point. 618 00:30:11,040 --> 00:30:13,080 Speaker 5: To do you if you turn a corner about it? 619 00:30:13,120 --> 00:30:15,440 Speaker 5: Because sometimes I can't bother to the indicator. 620 00:30:15,800 --> 00:30:18,200 Speaker 3: Stop signed too quickly says you'll lose a point if 621 00:30:18,240 --> 00:30:20,000 Speaker 3: you don't have your lights on at night. Briefly, you'll 622 00:30:20,000 --> 00:30:20,560 Speaker 3: lose a point. 623 00:30:20,600 --> 00:30:21,480 Speaker 5: That's dangerous. 624 00:30:21,920 --> 00:30:24,640 Speaker 3: It means that there's no accusation from the officer. So 625 00:30:25,160 --> 00:30:27,080 Speaker 3: it's giving you the chance to share what you think 626 00:30:27,080 --> 00:30:29,280 Speaker 3: you may have been pulled over. Yes, it sounds loaded, 627 00:30:29,320 --> 00:30:32,080 Speaker 3: but at the same time, if there's no accusation, then 628 00:30:32,120 --> 00:30:34,760 Speaker 3: the driver might not be as defensive. If you're walking 629 00:30:34,800 --> 00:30:36,680 Speaker 3: up going, why didn't you stop at the stop sign? Mate? 630 00:30:37,080 --> 00:30:39,320 Speaker 3: You know, So it's to avoid that kind of reaction. 631 00:30:39,880 --> 00:30:42,080 Speaker 3: They also say it's the opportunity for the policeman to 632 00:30:42,120 --> 00:30:45,920 Speaker 3: evaluate your personality and the character of the driver right 633 00:30:45,960 --> 00:30:48,480 Speaker 3: to see if they become a little bit defensive. Once again, 634 00:30:49,200 --> 00:30:50,120 Speaker 3: what are you reckon? You're doing? 635 00:30:50,160 --> 00:30:50,520 Speaker 1: Mate? 636 00:30:50,840 --> 00:30:52,720 Speaker 3: So you don't get any of that loaded attitude. 637 00:30:53,040 --> 00:30:55,040 Speaker 1: Is that when they get their tasers out. I'm not 638 00:30:55,160 --> 00:30:56,200 Speaker 1: at that stage. 639 00:30:56,600 --> 00:30:58,760 Speaker 3: Did you see the footage of the New Zealand policeman. 640 00:31:01,520 --> 00:31:03,880 Speaker 3: He's not threatening the guy in the car, but he 641 00:31:03,960 --> 00:31:07,080 Speaker 3: gets out the baton, the extendable batman. He's outside the 642 00:31:07,120 --> 00:31:11,479 Speaker 3: window and he's just tapping on the window, staring at 643 00:31:11,480 --> 00:31:17,240 Speaker 3: the gun and the guy that car's filming him, laughing. 644 00:31:16,480 --> 00:31:17,360 Speaker 1: What are you doing? 645 00:31:17,760 --> 00:31:20,160 Speaker 2: There are a lot of people that join the force 646 00:31:21,040 --> 00:31:22,560 Speaker 2: for a sense of power. 647 00:31:22,840 --> 00:31:28,880 Speaker 1: They're the dangerous ones. Okay, That's all. 648 00:31:28,960 --> 00:31:31,240 Speaker 5: I was thinking was they are. In the States. I 649 00:31:31,280 --> 00:31:33,920 Speaker 5: think that's a huge cultural issue. 650 00:31:34,520 --> 00:31:37,800 Speaker 3: But when you're brought up here in Australia, the policeman. 651 00:31:38,560 --> 00:31:39,120 Speaker 1: Do you know what? 652 00:31:39,720 --> 00:31:42,680 Speaker 2: Remember we did this Tommy ages ago and I went 653 00:31:42,720 --> 00:31:46,800 Speaker 2: out to the police training. It was first of all, 654 00:31:46,800 --> 00:31:48,479 Speaker 2: I had that heavy weights and I had to do 655 00:31:48,520 --> 00:31:50,000 Speaker 2: that circuit which was I. 656 00:31:50,000 --> 00:31:51,920 Speaker 1: Couldn't breathe sounds unbelievable. 657 00:31:52,240 --> 00:31:54,400 Speaker 2: But the second one is that split second with a 658 00:31:54,400 --> 00:31:58,480 Speaker 2: cop right they have three options, the baton, the taser, 659 00:31:58,760 --> 00:32:01,760 Speaker 2: and the gun, and they have to make a decision, 660 00:32:01,840 --> 00:32:04,960 Speaker 2: the right decision in a split second when someone's coming 661 00:32:05,000 --> 00:32:05,280 Speaker 2: at them. 662 00:32:05,320 --> 00:32:06,360 Speaker 1: Which one do I use? 663 00:32:06,640 --> 00:32:08,800 Speaker 3: I mean, if you're full and if your life is 664 00:32:08,840 --> 00:32:10,760 Speaker 3: in threat, you can understand why the office spoils the 665 00:32:10,800 --> 00:32:13,920 Speaker 3: gun out and you can understand also why they aim 666 00:32:13,960 --> 00:32:15,200 Speaker 3: for the largest part of the body. 667 00:32:15,240 --> 00:32:17,120 Speaker 2: Well that's the thing because I said to the guy, 668 00:32:17,160 --> 00:32:18,680 Speaker 2: I just get the gun out straight away. 669 00:32:18,720 --> 00:32:23,000 Speaker 3: And I mean you're dealing with someone that's jaywalking, so 670 00:32:23,600 --> 00:32:24,960 Speaker 3: just slow down. 671 00:32:25,080 --> 00:32:30,600 Speaker 1: There, and you don't want to indicate. Get down, Give me. 672 00:32:30,560 --> 00:32:31,960 Speaker 3: Your badge back, give me a back. Have you ever 673 00:32:32,000 --> 00:32:34,800 Speaker 3: done the dog the dog attack. 674 00:32:36,080 --> 00:32:38,360 Speaker 1: You? 675 00:32:39,160 --> 00:32:40,120 Speaker 3: Yeah, I've done it before. 676 00:32:40,160 --> 00:32:41,600 Speaker 1: You did it out at home bush. 677 00:32:41,360 --> 00:32:44,200 Speaker 3: And it is so intimidating when you put on the 678 00:32:44,240 --> 00:32:46,680 Speaker 3: big sleeve, the big arm and sleeve and they have 679 00:32:46,760 --> 00:32:49,760 Speaker 3: a Rottwiler or a German shepherd, you know, one hundred 680 00:32:49,840 --> 00:32:52,040 Speaker 3: meters away and this thing comes in it over forty 681 00:32:52,080 --> 00:32:55,000 Speaker 3: k is an hour and launches onto your arm. The 682 00:32:55,040 --> 00:32:57,280 Speaker 3: dogs are powerful. Well played. 683 00:32:57,560 --> 00:32:59,520 Speaker 1: We should do that again. That was really enjoyable. 684 00:33:00,440 --> 00:33:02,680 Speaker 6: Without the armor, well, what we could do. 685 00:33:02,640 --> 00:33:05,520 Speaker 3: Is get like a small pattern smaller around now, matt 686 00:33:05,560 --> 00:33:08,320 Speaker 3: Dagroot's neck and see what do you mean? 687 00:33:08,720 --> 00:33:09,720 Speaker 1: I was sitting over here. 688 00:33:09,760 --> 00:33:11,960 Speaker 4: I had nothing to do with this and just now. 689 00:33:12,400 --> 00:33:12,880 Speaker 1: We can do it. 690 00:33:13,000 --> 00:33:15,600 Speaker 2: You are You're an adrenaline and junkie, though you would 691 00:33:15,640 --> 00:33:17,160 Speaker 2: like it, Mattie degreat it's pretty fall on. 692 00:33:17,240 --> 00:33:20,320 Speaker 4: When that dog again with I think you're talking about 693 00:33:20,320 --> 00:33:20,800 Speaker 4: something different. 694 00:33:20,800 --> 00:33:22,080 Speaker 1: I think we just wants to kill me with the 695 00:33:22,160 --> 00:33:22,560 Speaker 1: dog now. 696 00:33:22,680 --> 00:33:24,440 Speaker 3: I would love to see you try and read through 697 00:33:24,480 --> 00:33:26,240 Speaker 3: the news when we set the dog onto. 698 00:33:25,960 --> 00:33:34,280 Speaker 11: You fits in with the show is a Nova podcast. 699 00:33:34,600 --> 00:33:37,360 Speaker 11: For more great comedy shows like this, head to Nova 700 00:33:37,480 --> 00:33:39,520 Speaker 11: podcast dot com dot are you