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Speaker 1: Appod Shay production.

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Speaker 2: On this episode of We Will Always Have Are you

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Speaker 2: a backseat driver? Oh?

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Speaker 1: Can I tell you a funny story?

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Speaker 2: Yes?

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Speaker 1: Right, Ricardo hates it when I'm sitting next to him

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Speaker 1: when he's driving.

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Speaker 2: Really absolutely, do you tell her what to do?

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Speaker 1: No, I'm his helper.

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Speaker 2: I'm help helping him do what, helping him drive maneuver

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Speaker 2: the car from the passenger seat.

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Speaker 1: From the passenger seat. So I'll say, oh, you've got

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Speaker 1: a red light coming up, and you'll go, thank you,

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Speaker 1: my little helper, Thank you so much. I don't think

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Speaker 1: I would have seen that red light.

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Speaker 2: Welcome to the We Will Always Have podcasts with me

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Speaker 2: Christian Hull and Chrissy Hearn and over the next few episodes,

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Speaker 2: we've left Sydney behind and it's time for us to

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Speaker 2: explore my hometown of Brisbane, and Chrisy's phone up to

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Speaker 2: stay with me for a couple of nights. God help me,

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Speaker 2: and we're going to do a bunch of stuff and

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Speaker 2: get ourselves into a whole heap of chaos. So you've

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Speaker 2: been here now for about four days and you've seen

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Speaker 2: some of my ceramic abilities.

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Speaker 1: Yes, I thought you know what I think. I think

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Speaker 1: you've got a natural talent.

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Speaker 2: Stop.

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Speaker 3: Thank you.

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Speaker 2: I don't know about you. Have you ever gone through

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Speaker 2: like just a lull?

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Speaker 1: Yes, my whole life's a lull.

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Speaker 2: What are you talking about. You've just spent the last

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Speaker 2: four days telling us how amazing your life.

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Speaker 1: Oh it is, but like there's always something to do,

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Speaker 1: and I never get to do what I really want

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Speaker 1: to do because there's something other than what I have

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Speaker 1: to do to do.

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Speaker 2: What before Klinger is on calling you you got to

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Speaker 2: go on the cruise.

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Speaker 1: Oh I love the crew, abandon them for But what

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Speaker 1: I find that you tend to do is like we'll

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Speaker 1: be sitting here, we'll be engaged, we'll talk, we'll laugh hysterically,

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Speaker 1: take the piss out of each other, and then okay,

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Speaker 1: you say, okay, that's right, give me back your recording thing, okay,

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Speaker 1: and then you like disappear. Not that I'm just fantastic.

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Speaker 1: And you're out there in your little workshop and your

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Speaker 1: clay's out there and you're tinkering around.

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Speaker 2: So pottery is sort of I've discovered you make up

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Speaker 2: thing that you drive for a little bit, so or

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Speaker 2: come in. We'll record some episodes and then I'll be like, oh,

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Speaker 2: thank God, that's over. I'll go back to my happy

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Speaker 2: place out on and so I've I've made a pie

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Speaker 2: dish while you've been here. I've also made two of

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Speaker 2: these leaf bowls'll just pop out for a little bit.

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Speaker 1: Well, I've a bit inspired. Now I must say, come out.

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Speaker 2: To my studio. I want you to. Okay, I want

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Speaker 2: to give you the tour of the studio. Came out

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Speaker 2: onto the balcony. Now, how much does my door sound

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Speaker 2: like the door from Kavin Kim?

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Speaker 1: All right, okay, I'm going to go through way and

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Speaker 1: then look at all your little bits and bobs. Is

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Speaker 1: that one you made?

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Speaker 2: That's the second piece that I made? Do you describe it? Oh?

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Speaker 1: It's beautiful. It looks to me a lot more skill.

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Speaker 2: Than what you're Hoariously, can I have that? It's a mug.

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Speaker 2: It's like a little espresso mug.

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Speaker 1: Can I have that one?

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Speaker 2: No? Okay, So thoughts Christine? Loving the studio so far?

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Speaker 1: I love the studio. But the thing is I want

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Speaker 1: this one?

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Speaker 2: What What was that? What was that?

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Speaker 1: Oh my god, I'm so sorry, I'm so sorry. Oh no,

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Speaker 1: was that one that you really really liked? Or was

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Speaker 1: that just It's all right, we'll get glue on it, Christian,

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Speaker 1: we'll glue it back together. Look that's okay, it's not

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Speaker 1: Look it's going to be a little bit more difficult.

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Speaker 2: Can you come toward me, okay, come to me slowly

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Speaker 2: to step back into the house please. Now you can

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Speaker 2: just do the rest of seat break from there. You

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Speaker 2: have just shattered. Oh wait, I was I'm going to

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Speaker 2: see if I got that on film.

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Speaker 3: On That's good.

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Speaker 2: Though, Okay, full disclosure. We set that up completely, and

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Speaker 2: I've made a piece for you to break. I want

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Speaker 2: you to try to subtly just accidentally break it. And

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Speaker 2: I was filming. That was the most unsubtle elbow. Okay, anyways,

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Speaker 2: back to regular programming. So you got de I've got

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Speaker 2: that whole setup out here.

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Speaker 1: Did you need a pie dish?

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Speaker 2: So you just wanted to we sort of thing is

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Speaker 2: I buy these dishes from Vinnie's and then you just

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Speaker 2: roll out a slab of clay, slump it over. I

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Speaker 2: just feel so creatively satisfied doing this, and then I've

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Speaker 2: got all of like all these are all the pieces

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Speaker 2: that I've made. I'm not about functional pollery. I'm not

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Speaker 2: particularly like sure I've made this like pie bowl thing,

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Speaker 2: but to me looks like a giant coke bottle lid.

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Speaker 2: So I'm like, maybe I paint it like that.

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Speaker 1: Oh yeah, you can see that. But this is intriguing

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Speaker 1: over here. What you've got happening here? Oh look, it's

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Speaker 1: even growing more from yesterday.

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Speaker 2: Oh, I made a chicka pet and then it into

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Speaker 2: the mouth, so sual. Okay, So I made the chia pet,

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Speaker 2: and I also made for Dad's birthday.

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Speaker 1: I've made a tile Christian and that's their house.

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Speaker 2: I've got it.

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Speaker 1: So that's porcelain, yes, And then do you buy porcelain clay?

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Speaker 2: Dear? Yes?

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Speaker 1: Oh, I didn't know that. I thought it was just okay.

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Speaker 2: Just dug up doll's heads, perfectly made from the ground.

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Speaker 1: No, but I didn't realize. I thought it was just

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Speaker 1: called clay.

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Speaker 2: No, this is porcelain. This is an earthen ware. This

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Speaker 2: is a midfire clay. Oh, and there's a science to this,

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Speaker 2: come back inside. I didn't know that you need maths

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Speaker 2: and science.

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Speaker 1: There's going out the window.

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Speaker 2: What do you need maths and fucking science for? So

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Speaker 2: when I was making the plaster casts, you need maths

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Speaker 2: to work out the volume of the bucket that you're

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Speaker 2: pouring a plaster into and then the you need to

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Speaker 2: work out the volume of the mold that you're putting in.

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Speaker 1: How'd you just buy a mold? Can't you just get

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Speaker 1: someone to do that for you? What do you have

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Speaker 1: to think about it?

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Speaker 2: No, because you can't.

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Speaker 1: Gets rid of the whole creative juice is flowing when

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Speaker 1: you've got to revert back to mat.

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Speaker 2: But I's kind of really loved it. But to be fair,

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Speaker 2: I've typed it into chatch at. Oh see, so this

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Speaker 2: is I know we have a disdain and we shouldn't

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Speaker 2: be using it, but we also probably shouldn't be eating

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Speaker 2: animals and killing and but look, we all do things

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Speaker 2: that are bad. But don't you take chutch a t

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Speaker 2: away from me? Okay? But I put that in and

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Speaker 2: I'll be like, okay, so the bucket is this volume,

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Speaker 2: and I've got this thing and it goes book. This

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Speaker 2: is how much plaster and water you need?

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Speaker 1: Isn't that increased?

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Speaker 2: It is amazing?

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Speaker 1: Now, that's very good.

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Speaker 2: And then the science element, because a lot of the

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Speaker 2: glazers of pottery are just particles of metals and minerals,

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Speaker 2: and so the more you put in, the different colors

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Speaker 2: you get, So it's not just like you think when

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Speaker 2: you came out and just pushed your finger into my

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Speaker 2: bloody clay design. This is easy. It's like maths and science.

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Speaker 2: I'm a genius, is what I'm trying to say.

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Speaker 1: Well, I don't doubt that. However, I didn't think to myself, well,

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Speaker 1: that kind of takes all the fun away from it

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Speaker 1: if you're having to put facts and figures. But now

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Speaker 1: that you've told me what's your next little project, then.

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Speaker 2: The ultimate goal is to have an exhibition.

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Speaker 1: I can totally see that happening.

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Speaker 2: Slip past all those boobs, those things that look like boobs,

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Speaker 2: the closes, and just have them everywhere.

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Speaker 1: But what's the purpose there?

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Speaker 2: It's an art exhibition?

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Speaker 1: Yeah, I know, but I like something with them. See

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Speaker 1: that bust out there, the candle bus. Could you do

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Speaker 1: some of those like that would look fantastic.

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Speaker 2: A naked woman? What about a big penis? What about penis?

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Speaker 2: What if I did a lot of penises.

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Speaker 1: You want people to come to you exhibition, want them

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Speaker 1: to what you want them to come? You want them

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Speaker 1: to buy a ticket.

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Speaker 2: Well, if the penises, they might come, you want.

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Speaker 1: Them to buy a ticket to come to your exits

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Speaker 1: here where you're going with this, and do not to

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Speaker 1: actually go down there. Also evenspied me. Now I think

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Speaker 1: I might find a little hobby. This is my hobby.

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Speaker 2: Are you a backseat driver?

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Speaker 1: Can I tell you a funny story?

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Speaker 2: Yes? Right?

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Speaker 1: Ricardo hates it when I'm sitting next to him when

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Speaker 1: he's driving.

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Speaker 2: Really absolutely, do you tell him what to do?

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Speaker 1: No, I'm his helper.

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Speaker 2: I'm his helper helping him do what.

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Speaker 1: Helping him drive maneuver the car from the passenger seat.

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Speaker 1: From the passenger seat, so I'll say, oh, you've got

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Speaker 1: a red light coming up, and you'll go, thank you,

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Speaker 1: my little helper, thank you so much. I don't think

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Speaker 1: I would have said that mom.

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Speaker 2: Because I'm like, but you're going really fast.

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Speaker 1: Do you put your foot down on the floor like

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Speaker 1: you've got the break in front of you? Mom?

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Speaker 2: Does that when I'm driving? I can?

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Speaker 1: I do that all the time. Yeah, And I'll say

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Speaker 1: to him around about coming up, thank you, my little helper.

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Speaker 1: I don't know how I would have been able to.

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Speaker 2: Turn the wheel. Yeah, I love that. I love see.

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Speaker 2: The passive aggression is my favorite, like, ah, thank you

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Speaker 2: it is red. Luckily, I'm not color blind. I absolutely

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Speaker 2: think it is a huge Well it's not a huge

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Speaker 2: red flag. It's just annoying when people do that, is it?

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Speaker 1: Though?

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Speaker 2: Yes, I think I've got his back.

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Speaker 1: I see it as it doesn't sound like it. We

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Speaker 1: are a team. You have my life in your hands,

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Speaker 1: and I need to be proactively looking for the hazards.

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Speaker 2: Well, that just seems to me like sometimes it doesn't

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Speaker 2: pay attention on the road and.

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Speaker 1: You feel really does the thing is he does?

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Speaker 2: So there's never been an incident.

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Speaker 1: There's never been an accident, which he quite regularly reminds me, Christine,

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Speaker 1: I've never had an accident.

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Speaker 2: Does he backseat drive you?

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Speaker 1: Well, yes he does. He thinks I go a little

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Speaker 1: bit too fast, right, and then he'll be in the

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Speaker 1: Yarus because we've got two cars. I've got the bigger

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Speaker 1: car and then we've got the Yarras, which is like,

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Speaker 1: it's so funny. I was getting into the yarrows and yeah. Look,

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Speaker 1: there's been numerous times where he's been very annoyed with

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Speaker 1: me and he'll be driving like thirty five and I'll go,

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Speaker 1: are you going to hit the speed?

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Speaker 2: Oh?

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Speaker 1: Why is it he going thirty five? Oh?

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Speaker 2: That annoys me so much. I remember we just picked

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Speaker 2: up food, so I was on holidays. Trudy was driving.

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Speaker 2: We picked up food and we were driving back to

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Speaker 2: the thing, and she was in a deep conversation with me,

223
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Speaker 2: and I'm sitting here starving, and I just kept being

224
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Speaker 2: like fifty because I'm so hungry. She'd be going like

225
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Speaker 2: twenty to sign said seventy and that like, okay, it sixty.

226
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Speaker 2: I'm so hungry. True, I really want to get home

227
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Speaker 2: and eight. Yes, So now I feel bad and I'm

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Speaker 2: like and it's also like little with oil and burning me.

229
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Speaker 1: Are you a left hand driver or right hand driver? Lane?

230
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Speaker 1: Like when you're on a motorway.

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Speaker 2: You can answer that already.

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Speaker 1: Do you feel that you well, I know that because

233
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Speaker 1: you just heaven for if you get in somebody, I.

234
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Speaker 2: Can imagine the right stress and pressure when I get

235
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Speaker 2: into that fast lane. The right hand lane is if

236
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Speaker 2: there's anyone within vision in my rearview mirror, I move over.

237
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Speaker 2: Do you really panic? Yeah? And then if someone if

238
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Speaker 2: I'm unable to move over and someone's getting right up

239
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Speaker 2: my ass, I'll speed up a little bit because I'm like, yeah,

240
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Speaker 2: this is the fast lane. And then it goes from

241
00:13:00,801 --> 00:13:03,441
Speaker 2: that to the right, up my ass, and I'm I

242
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Speaker 2: will intentionally drive so something you you fucking don't get

243
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Speaker 2: up my ass. I'm already doing tech comers over the

244
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Speaker 2: speed and it just give me some room because if

245
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Speaker 2: there's an emergency in a excite, slow right the fuck down.

246
00:13:15,961 --> 00:13:19,241
Speaker 2: Which don't do that, No, don't do that. I sometimes

247
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Speaker 2: have to go Christian to take a breath and let

248
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Speaker 2: this crazy person nowhere near you. They're going to cause

249
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Speaker 2: you to have an accident, like they're going to ruin

250
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Speaker 2: your life, So just let them pass, Let them go.

251
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Speaker 2: I always like to travel in the left lane and

252
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Speaker 2: the slow out of the way of everyone.

253
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Speaker 1: See Max drives in the right hand lane regardless, and

254
00:13:39,121 --> 00:13:42,001
Speaker 1: it drives me insane. So he'll be on a highway,

255
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Speaker 1: there'll be space on the left. He wants to be

256
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Speaker 1: in the right. Oh, and he'll stay in the right.

257
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Speaker 1: I'm like drawing blood.

258
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Speaker 2: Oh God, it's so hard not to say something.

259
00:13:51,561 --> 00:13:56,601
Speaker 1: I want to say something, and then I'll say.

260
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Speaker 2: You can make that fut that's a legal to drive

261
00:13:57,441 --> 00:13:59,161
Speaker 2: in this lane when you can actually drive in the

262
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Speaker 2: left lane, just so you know, just so you're aware,

263
00:14:01,881 --> 00:14:06,441
Speaker 2: Oh God, indicating how you indicate when you want to

264
00:14:06,481 --> 00:14:07,161
Speaker 2: change lanes?

265
00:14:07,201 --> 00:14:10,641
Speaker 1: Well, the rule is two seconds. Yep, you indicate two

266
00:14:10,681 --> 00:14:14,281
Speaker 1: seconds prior to making that move to the lane.

267
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Speaker 2: Do you stick to that?

268
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Speaker 1: Yes, I would say I did.

269
00:14:16,601 --> 00:14:17,921
Speaker 2: Yeah.

270
00:14:18,001 --> 00:14:19,441
Speaker 1: Am I a late indicator?

271
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Speaker 3: No?

272
00:14:20,001 --> 00:14:21,681
Speaker 1: I don't believe I am good?

273
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Speaker 2: Are you? No? I have an indicator on for four

274
00:14:24,521 --> 00:14:27,161
Speaker 2: minutes before I need to turn. Oh dear, maybe not

275
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Speaker 2: for four minutes, but I'm like, this is a red

276
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Speaker 2: flag and if you do this, please change because you're

277
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Speaker 2: a fucking scum human. When you indicate as you.

278
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Speaker 1: Turn, oh, yes, doesn't that just indicate turn?

279
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Speaker 2: I'm like, no, No. The purpose of an indicator is

280
00:14:43,041 --> 00:14:46,321
Speaker 2: in the name. It's to indicate to me that you

281
00:14:46,361 --> 00:14:49,761
Speaker 2: want to come into the lane. Okay, so flick it on.

282
00:14:50,881 --> 00:14:53,881
Speaker 2: I will see now, I'll go, I'll slow down, I'll

283
00:14:53,921 --> 00:14:57,161
Speaker 2: speed up. Or if you're nowhere near me when I'm

284
00:14:57,241 --> 00:15:00,641
Speaker 2: checking when I want to change into a lane, that

285
00:15:00,801 --> 00:15:02,441
Speaker 2: I'm like, all that car over there has the indicator,

286
00:15:02,441 --> 00:15:03,961
Speaker 2: and they're also coming into the lane that I want

287
00:15:04,001 --> 00:15:06,961
Speaker 2: to get into. Going to wait for them? Right? If

288
00:15:06,961 --> 00:15:09,561
Speaker 2: you just fucking veer in as you indicate, it's not

289
00:15:09,601 --> 00:15:12,641
Speaker 2: serving the purpose and it drives me in fucking sane.

290
00:15:13,121 --> 00:15:17,281
Speaker 1: Let's touch on reverse parking. Okay, do you like it

291
00:15:17,321 --> 00:15:20,481
Speaker 1: when somebody because I noticed you when we've driven anywhere

292
00:15:20,481 --> 00:15:22,561
Speaker 1: and I've gotten out of the car, you've been quite

293
00:15:22,641 --> 00:15:24,961
Speaker 1: happy to go back in. Do you need guidance to

294
00:15:25,001 --> 00:15:25,561
Speaker 1: go back in?

295
00:15:25,761 --> 00:15:25,841
Speaker 3: Like?

296
00:15:26,041 --> 00:15:28,601
Speaker 1: Is there spots where you happy to? Because this is

297
00:15:28,601 --> 00:15:31,481
Speaker 1: what Ricardo does for me. Right, he'll get out of

298
00:15:31,481 --> 00:15:38,961
Speaker 1: the car. Yeah, and he'll literally so the car's coming

299
00:15:39,001 --> 00:15:42,281
Speaker 1: in and you'll go, you're right, you're right, and he's

300
00:15:42,321 --> 00:15:48,321
Speaker 1: like bringing a plane in. It's like a little bit more,

301
00:15:48,521 --> 00:15:50,481
Speaker 1: a little bit more, you're right.

302
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Speaker 2: Do you know what I've learned is really good? Get

303
00:15:54,561 --> 00:15:56,721
Speaker 2: him to do this? So you bring your hands out

304
00:15:56,761 --> 00:15:59,241
Speaker 2: like you're saying I caught a fish that was this big.

305
00:15:59,481 --> 00:16:02,921
Speaker 2: Oh yes, yeah, this far, this far. And then when

306
00:16:02,961 --> 00:16:05,961
Speaker 2: your hands are touching you stop. Yes, game change. Okay,

307
00:16:06,041 --> 00:16:07,761
Speaker 2: it's a game change. And it also stops it from

308
00:16:07,801 --> 00:16:10,881
Speaker 2: doing this. You're like, yes, I understand, right, Like you're

309
00:16:10,921 --> 00:16:13,641
Speaker 2: waving me and like, yes, that's the plan for this

310
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Speaker 2: whole thing.

311
00:16:14,681 --> 00:16:16,521
Speaker 1: So funny, yeah, so funny.

312
00:16:16,881 --> 00:16:19,841
Speaker 2: Do you give a thank you wave every time?

313
00:16:20,241 --> 00:16:22,441
Speaker 1: And you know what, I had real trauma about this

314
00:16:22,681 --> 00:16:26,201
Speaker 1: because I find the Sydney drivers. They have all but

315
00:16:26,401 --> 00:16:29,921
Speaker 1: lost their god forsaken minds because they no longer use

316
00:16:30,001 --> 00:16:33,841
Speaker 1: their manners when they come into merge into traffic right,

317
00:16:34,241 --> 00:16:37,881
Speaker 1: no wave, nothing, And so you know what I do now,

318
00:16:38,081 --> 00:16:40,361
Speaker 1: I go, I give them away. I give them a

319
00:16:40,401 --> 00:16:41,881
Speaker 1: wave time, I give them away.

320
00:16:41,961 --> 00:16:43,561
Speaker 2: You welcome, no problem.

321
00:16:43,881 --> 00:16:46,001
Speaker 1: And I do that and then I might get one

322
00:16:46,081 --> 00:16:49,201
Speaker 1: or I might not even get a It is the

323
00:16:49,241 --> 00:16:53,521
Speaker 1: height of rudeness. It's not Australian there. It needs to

324
00:16:53,561 --> 00:16:56,881
Speaker 1: be some sort of movement getting people to get their

325
00:16:56,921 --> 00:16:58,161
Speaker 1: manners back into driving.

326
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Speaker 2: I feel like the thank you wave when I was

327
00:16:59,921 --> 00:17:02,321
Speaker 2: younger happened a lot. I really see it, and I

328
00:17:02,401 --> 00:17:04,161
Speaker 2: give it out like it's candy.

329
00:17:04,201 --> 00:17:04,920
Speaker 1: Well you would be.

330
00:17:05,201 --> 00:17:08,041
Speaker 2: Sometimes sometimes there'll be no one there. Thank you to

331
00:17:08,080 --> 00:17:10,400
Speaker 2: the person that's one hundred meters away that let me in,

332
00:17:10,481 --> 00:17:13,561
Speaker 2: like I will thank you wave everyone and their dog.

333
00:17:13,801 --> 00:17:15,721
Speaker 1: I used to love the truck waves where they used

334
00:17:15,761 --> 00:17:19,041
Speaker 1: to do the sidehand out the wind. Get that anymore,

335
00:17:19,080 --> 00:17:23,440
Speaker 1: but doesn't make you feel good. I've been recognized, recognition.

336
00:17:23,080 --> 00:17:28,281
Speaker 2: Recognition, thanks, but it diffuses it instantly diffuses me. I remember,

337
00:17:28,681 --> 00:17:32,640
Speaker 2: there's this lady and she did a shitty indicating job,

338
00:17:32,921 --> 00:17:35,481
Speaker 2: and as she came in, I was like, yeah, fucking

339
00:17:35,961 --> 00:17:38,880
Speaker 2: like I get very aggressive when driving. She put up

340
00:17:38,880 --> 00:17:39,961
Speaker 2: her hand to say thank you, and I was like,

341
00:17:39,961 --> 00:17:41,360
Speaker 2: oh my god, I'm so sorry. Oh I didn't mean

342
00:17:41,400 --> 00:17:44,600
Speaker 2: to call you. And I felt so guilty because she

343
00:17:44,640 --> 00:17:46,840
Speaker 2: came in she said thank you. I'd called her a

344
00:17:46,840 --> 00:17:49,640
Speaker 2: bitch and I was like, oh no, but she diffused me.

345
00:17:49,801 --> 00:17:52,640
Speaker 2: She immediately shut me up by just like, yeah, thank you.

346
00:17:52,640 --> 00:17:53,761
Speaker 2: I really appreciate you letting me in.

347
00:17:53,840 --> 00:17:57,161
Speaker 1: And I remember a situation where this can't cut right

348
00:17:57,201 --> 00:17:59,840
Speaker 1: in front of Rick, right when we were driving right

349
00:17:59,880 --> 00:18:02,640
Speaker 1: in front of him, and Rick went off. Ricardo was

350
00:18:02,840 --> 00:18:05,801
Speaker 1: very vocal, Well, the guy put his hands straight up and.

351
00:18:06,961 --> 00:18:11,601
Speaker 2: Yes, because because what it's saying is is I realized

352
00:18:11,640 --> 00:18:13,400
Speaker 2: that I just cut you off, but I had to.

353
00:18:14,041 --> 00:18:16,480
Speaker 2: You probably didn't see why, But thank you for letting me.

354
00:18:17,721 --> 00:18:22,201
Speaker 1: But do you get road rage extremely that you get

355
00:18:22,321 --> 00:18:23,041
Speaker 1: cranky there?

356
00:18:23,160 --> 00:18:25,481
Speaker 2: I hate confrontation in the.

357
00:18:25,961 --> 00:18:27,440
Speaker 1: Non confrontational person.

358
00:18:28,600 --> 00:18:30,801
Speaker 2: Do you really dreaming?

359
00:18:31,001 --> 00:18:32,600
Speaker 1: So what ticks you off the most?

360
00:18:33,921 --> 00:18:37,120
Speaker 2: It's just the inconsiderateness, Like it's so inconsiderate to not

361
00:18:37,281 --> 00:18:39,680
Speaker 2: use your indicator for its purpose, Like you need to

362
00:18:39,721 --> 00:18:43,521
Speaker 2: tell me that you're turning. It's for both of our safety, right,

363
00:18:43,561 --> 00:18:45,721
Speaker 2: And so that makes me really shitty. Now. I used

364
00:18:45,761 --> 00:18:48,801
Speaker 2: to be a person that just indicated as they turned

365
00:18:48,840 --> 00:18:52,640
Speaker 2: because I didn't want to put other people off, because

366
00:18:52,640 --> 00:18:54,281
Speaker 2: I was like, I need to get in, but you're

367
00:18:54,321 --> 00:18:56,241
Speaker 2: just in your own time, in your own time, don't

368
00:18:56,360 --> 00:18:59,001
Speaker 2: just stop for me. And so the indicator scared me

369
00:18:59,360 --> 00:19:01,281
Speaker 2: because it was like me going, I want to come in,

370
00:19:02,041 --> 00:19:03,681
Speaker 2: let me in, let me in, And I didn't want

371
00:19:03,681 --> 00:19:06,281
Speaker 2: to cause of us, so I wait till I found

372
00:19:06,321 --> 00:19:11,480
Speaker 2: a gap. Yeah, yeah, don't do that. Now I'm just like,

373
00:19:11,561 --> 00:19:13,441
Speaker 2: I'll flick it on before I even look in the mirrors.

374
00:19:13,721 --> 00:19:15,680
Speaker 2: I want to get in, flick it on, let it

375
00:19:15,761 --> 00:19:17,921
Speaker 2: sit for a couple of seconds, then check the mirrors,

376
00:19:18,241 --> 00:19:19,881
Speaker 2: and then go, well, that guy's in my blind spot.

377
00:19:19,880 --> 00:19:21,841
Speaker 2: Because sometimes what I would do is I get so

378
00:19:21,880 --> 00:19:24,561
Speaker 2: angry because I'm like, I'm indicating you, heinous piece of shit,

379
00:19:24,961 --> 00:19:27,080
Speaker 2: let me in. But then I go, well, he actually

380
00:19:27,080 --> 00:19:30,361
Speaker 2: can't see my indicators, so either also down, speed up,

381
00:19:30,840 --> 00:19:33,521
Speaker 2: and because my mirror will be flushing because I've got

382
00:19:33,561 --> 00:19:36,080
Speaker 2: one of those. Yeah, And then when I realize they

383
00:19:36,080 --> 00:19:37,680
Speaker 2: can see that, they just want to get ahead of me.

384
00:19:38,921 --> 00:19:41,360
Speaker 1: So what about those lanes. You know those lanes and

385
00:19:41,400 --> 00:19:46,001
Speaker 1: it's like a slip lane. What really you have to

386
00:19:46,041 --> 00:19:48,241
Speaker 1: merge in is you're in the flow of the traffic,

387
00:19:48,321 --> 00:19:51,520
Speaker 1: Your two lanes are going, you're moving along nicely, and

388
00:19:51,561 --> 00:19:54,160
Speaker 1: then you've got someone in the inside lane on the

389
00:19:54,241 --> 00:19:56,881
Speaker 1: left hand side that's come from a slip lane, that's

390
00:19:56,921 --> 00:20:00,241
Speaker 1: going to merge back into yes, and they just go

391
00:20:00,521 --> 00:20:03,281
Speaker 1: up instead of waiting back where they should have been.

392
00:20:03,640 --> 00:20:07,440
Speaker 1: They think, oh, well, I'm just yes and get.

393
00:20:07,321 --> 00:20:08,681
Speaker 2: Ahead of the heavy traffic.

394
00:20:08,921 --> 00:20:11,720
Speaker 1: Oh that I don't let them in. I get really

395
00:20:11,880 --> 00:20:12,841
Speaker 1: passionate about that.

396
00:20:13,080 --> 00:20:15,921
Speaker 2: I also agree with you, but I also believe there's

397
00:20:15,921 --> 00:20:19,400
Speaker 2: a system in terms of when it is heavy traffic,

398
00:20:19,640 --> 00:20:22,241
Speaker 2: when those lanes are actually full, it's like a zippa.

399
00:20:22,441 --> 00:20:24,561
Speaker 2: It's one for one. When there's roadworks or when the

400
00:20:24,640 --> 00:20:27,761
Speaker 2: stuff like, it's one for one. I fucking hate it

401
00:20:27,840 --> 00:20:30,360
Speaker 2: when people just don't let other people in. I'm like,

402
00:20:30,681 --> 00:20:33,000
Speaker 2: one for one, we're all merging here, We've all got

403
00:20:33,080 --> 00:20:36,041
Speaker 2: to get to the same place. You just let people in.

404
00:20:36,721 --> 00:20:39,761
Speaker 1: See, I'm all for the one for one. Please know

405
00:20:39,840 --> 00:20:40,761
Speaker 1: that I'm all for the one.

406
00:20:40,801 --> 00:20:42,681
Speaker 2: But when the it's heavy traffic and it's an empty lane,

407
00:20:42,761 --> 00:20:43,840
Speaker 2: and you're.

408
00:20:43,481 --> 00:20:46,321
Speaker 1: Coming up the side of me because you see it

409
00:20:46,360 --> 00:20:48,681
Speaker 1: as a quick way to jump ahead as the one

410
00:20:48,761 --> 00:20:51,281
Speaker 1: hundred and fifty five thousand cars that are behind you.

411
00:20:51,441 --> 00:20:52,960
Speaker 1: Then I am not going to let.

412
00:20:52,921 --> 00:20:54,640
Speaker 2: I'm going to throw another spanner in the works. I

413
00:20:54,801 --> 00:20:57,960
Speaker 2: accidentally was in that lane. I came off an on

414
00:20:58,120 --> 00:21:02,201
Speaker 2: ramp and then there was heavy traffic and I was like, oh,

415
00:21:02,481 --> 00:21:04,641
Speaker 2: I'm still going. But then I was sorry, I can't

416
00:21:04,640 --> 00:21:07,601
Speaker 2: stop here. I can't just stop here and get in.

417
00:21:08,241 --> 00:21:09,680
Speaker 2: So I go to the end. But I was awful

418
00:21:09,681 --> 00:21:11,600
Speaker 2: because I was like, I know everyone hates me, right now.

419
00:21:11,840 --> 00:21:14,080
Speaker 1: That's different than that buddy idiot.

420
00:21:14,160 --> 00:21:17,080
Speaker 2: Do you have a reversing camera? Yes? Do you look

421
00:21:17,080 --> 00:21:17,401
Speaker 2: at it?

422
00:21:17,840 --> 00:21:18,120
Speaker 3: Ah?

423
00:21:18,201 --> 00:21:22,840
Speaker 1: Yes, I do, because the Yaris doesn't, right, and then

424
00:21:23,080 --> 00:21:24,241
Speaker 1: the bigger car we do.

425
00:21:24,801 --> 00:21:28,321
Speaker 2: My dad has the sensors, has the reversing cameras top

426
00:21:28,360 --> 00:21:28,840
Speaker 2: of the line.

427
00:21:29,041 --> 00:21:29,640
Speaker 1: Does he use it?

428
00:21:29,801 --> 00:21:32,960
Speaker 2: He doesn't even fucking glance at it. I'm like, Dad,

429
00:21:33,201 --> 00:21:35,321
Speaker 2: it's like I can't say out the back the windows.

430
00:21:35,801 --> 00:21:37,801
Speaker 2: I'm like, yeah, that's because there's a say that the

431
00:21:37,840 --> 00:21:41,521
Speaker 2: ut reversing camera on the dash annoys Mum, too, because

432
00:21:41,561 --> 00:21:43,561
Speaker 2: I was like, I can't say it for close and

433
00:21:43,561 --> 00:21:45,401
Speaker 2: I'm just like, well, if you look at the fucking

434
00:21:45,521 --> 00:21:49,281
Speaker 2: camera with the lines and the beeping and it's literally

435
00:21:49,360 --> 00:21:53,921
Speaker 2: saying stop John, stop John, and it's like you don't

436
00:21:53,921 --> 00:21:56,361
Speaker 2: even need to look around. He goes, but what if

437
00:21:56,360 --> 00:21:59,880
Speaker 2: someone comes out. I'm like, yeah, yeah, this three hundred

438
00:21:59,921 --> 00:22:04,600
Speaker 2: and sixty degree view camera has been designed. He feels

439
00:22:04,600 --> 00:22:08,481
Speaker 2: like looking is safer. Yeah, and I'm like, no, no, no, no, no, Dad,

440
00:22:08,801 --> 00:22:11,281
Speaker 2: don't look. I know that goes against everything you've been taught.

441
00:22:11,400 --> 00:22:14,240
Speaker 2: Look at the monitor because it's actually giving you a

442
00:22:14,281 --> 00:22:16,880
Speaker 2: better view. And then when a car sort of is

443
00:22:16,880 --> 00:22:19,280
Speaker 2: coming and you can't even see it, the monitor goes,

444
00:22:21,160 --> 00:22:23,281
Speaker 2: there's a car coming, and then the car comes, like

445
00:22:23,441 --> 00:22:26,561
Speaker 2: what saw it before? I did? I'm like, please look

446
00:22:26,880 --> 00:22:30,521
Speaker 2: up the matter doesn't do it. And another thing is

447
00:22:30,561 --> 00:22:34,680
Speaker 2: really funny, both Mom and dad mostly Dad will put

448
00:22:34,721 --> 00:22:38,321
Speaker 2: the GPS in. It has to talk to him because

449
00:22:38,321 --> 00:22:42,321
Speaker 2: he doesn't look at the matter, and so it'll be like,

450
00:22:42,921 --> 00:22:47,600
Speaker 2: in five hundred meters, take the third exit. He refuses

451
00:22:47,721 --> 00:22:50,880
Speaker 2: to look at what the third exit is, right, because

452
00:22:50,921 --> 00:22:53,641
Speaker 2: in a roundabout, it's just you know, left, straight ahead, right.

453
00:22:53,681 --> 00:22:56,321
Speaker 2: But some roundabouts. All three of them are like pointing

454
00:22:56,321 --> 00:23:00,601
Speaker 2: straight ahead, and so he's like, oh, I'm like, if

455
00:23:00,640 --> 00:23:03,761
Speaker 2: you look at the fucking blue line on the gurgle mats,

456
00:23:03,801 --> 00:23:07,400
Speaker 2: it tells you he just I can't do it. So

457
00:23:07,521 --> 00:23:12,721
Speaker 2: he loves that talking to him. So oh driving with Dad, Oh, god,

458
00:23:13,080 --> 00:23:15,521
Speaker 2: dung in two hundred, dung in one hundred minutes, Dung,

459
00:23:15,681 --> 00:23:18,440
Speaker 2: you've missed the turn. And it's constantly going off. And

460
00:23:18,481 --> 00:23:23,281
Speaker 2: so Mom likes to have music, so they'll have like

461
00:23:23,681 --> 00:23:28,001
Speaker 2: they'll have either the radio on WSFM or AM talkback,

462
00:23:28,041 --> 00:23:30,561
Speaker 2: so I don't think about the politicians. Was saying. In

463
00:23:30,561 --> 00:23:33,680
Speaker 2: five hundred meters. There was one point where my brother

464
00:23:33,921 --> 00:23:38,561
Speaker 2: called Mum. She puts him on speak she puts him

465
00:23:38,561 --> 00:23:42,120
Speaker 2: on speaker. The AM radio is on, the GPS is talking,

466
00:23:42,201 --> 00:23:46,960
Speaker 2: and my sensory issues were going off because Tim was

467
00:23:47,001 --> 00:23:49,761
Speaker 2: talking the radio on a pole trier and then he

468
00:23:49,801 --> 00:23:51,840
Speaker 2: had gung in four hundred meters and I'm just like,

469
00:23:53,160 --> 00:23:55,281
Speaker 2: and the stress of Dad not being able to look

470
00:23:55,281 --> 00:23:58,441
Speaker 2: at the monitor to work out where he's going. It's

471
00:23:58,441 --> 00:24:01,080
Speaker 2: like he's closing his eyes and he's only listening. And

472
00:24:01,080 --> 00:24:03,321
Speaker 2: I'm like, but there is such there is a fucking

473
00:24:03,801 --> 00:24:08,200
Speaker 2: scale three model future planning of what you need to

474
00:24:08,201 --> 00:24:10,640
Speaker 2: be doing here. If you literally just fig your eyes

475
00:24:10,681 --> 00:24:16,360
Speaker 2: down in your question will be answered. No, I can't

476
00:24:16,400 --> 00:24:19,120
Speaker 2: do that. It drives me up the fucking wall.

477
00:24:19,600 --> 00:24:21,281
Speaker 1: What are your parents like with technology?

478
00:24:21,721 --> 00:24:24,441
Speaker 2: I want to cut my face off.

479
00:24:25,521 --> 00:24:27,480
Speaker 1: Because you're in the industry. Do they just think that

480
00:24:27,600 --> 00:24:32,401
Speaker 1: you know everything and everything about any tech question? Computer? Phone?

481
00:24:32,961 --> 00:24:35,360
Speaker 2: Now? But here's the thing is their children do know

482
00:24:35,441 --> 00:24:38,640
Speaker 2: anything and everything. They're not asking like, oh, I'd like

483
00:24:38,721 --> 00:24:43,241
Speaker 2: to configure and code and new software program No, how

484
00:24:43,281 --> 00:24:46,561
Speaker 2: do I log into my Spotify? It's like, oh god,

485
00:24:46,921 --> 00:24:49,801
Speaker 2: oh it was connect to Bluetooth. But they call you.

486
00:24:50,120 --> 00:24:52,161
Speaker 2: I'm like, do I push this one? I'm like, we're

487
00:24:52,160 --> 00:24:54,000
Speaker 2: on the phone, Mum, I can't see what you're touching.

488
00:24:54,400 --> 00:24:55,600
Speaker 2: Is it this one that I'm pushing?

489
00:24:56,761 --> 00:24:57,080
Speaker 1: Mom?

490
00:24:57,281 --> 00:24:59,920
Speaker 2: This is an audio phone call. Put me on FaceTime

491
00:25:00,001 --> 00:25:02,401
Speaker 2: and they go on FaceTime this one. I'm like, Mum,

492
00:25:02,481 --> 00:25:05,001
Speaker 2: the camera is pointing at you. I can't see what's

493
00:25:05,160 --> 00:25:05,561
Speaker 2: going on.

494
00:25:05,761 --> 00:25:07,481
Speaker 1: Do you lose your patience or.

495
00:25:08,360 --> 00:25:11,960
Speaker 2: My patience is gone? When one goes, I can't lock

496
00:25:12,041 --> 00:25:17,001
Speaker 2: into Spotify. I'm going through a tunnel called him. You've

497
00:25:17,001 --> 00:25:19,281
Speaker 2: got three other children to choose from. I can do

498
00:25:19,321 --> 00:25:21,441
Speaker 2: it when I'm in person, because I can.

499
00:25:21,441 --> 00:25:22,401
Speaker 1: Just do it.

500
00:25:22,441 --> 00:25:25,561
Speaker 2: But when they call. Now that my brothers have kids,

501
00:25:25,801 --> 00:25:28,881
Speaker 2: they're visiting quite regularly to mom and Dad's, so they

502
00:25:28,921 --> 00:25:31,521
Speaker 2: just write a list. I've accidentally locked out of Spotify,

503
00:25:31,521 --> 00:25:34,041
Speaker 2: I've got my password and or it's not Look I

504
00:25:34,041 --> 00:25:36,240
Speaker 2: should give them more credit, especially Mum. She knows what

505
00:25:36,281 --> 00:25:39,120
Speaker 2: she's doing with that stuff. It was Dad was like,

506
00:25:39,640 --> 00:25:42,640
Speaker 2: how do I get binge on the television? And I go,

507
00:25:43,041 --> 00:25:44,680
Speaker 2: I actually don't know because I don't know what television

508
00:25:44,721 --> 00:25:49,521
Speaker 2: you've got. And I'm like, oh, it's so simple, but

509
00:25:49,801 --> 00:25:51,961
Speaker 2: it's gonna be so complicated. And then I feel bad

510
00:25:51,961 --> 00:25:53,600
Speaker 2: because I'm like all he wants to do is what

511
00:25:53,721 --> 00:25:57,561
Speaker 2: she shows, and I want to help, and I'm like, oh,

512
00:25:57,681 --> 00:26:00,201
Speaker 2: this is where I go. I cannot wait for AI

513
00:26:00,921 --> 00:26:03,641
Speaker 2: because I just want Dad to be like I I

514
00:26:03,681 --> 00:26:06,241
Speaker 2: turn on this and it just does it for you.

515
00:26:06,400 --> 00:26:09,521
Speaker 2: It just makes technology work. And I think AI is

516
00:26:09,561 --> 00:26:14,160
Speaker 2: going to revolutionize, especially when we're like bloody love of age,

517
00:26:14,521 --> 00:26:15,160
Speaker 2: love it AI.

518
00:26:15,721 --> 00:26:18,920
Speaker 1: I know which child to ring for what? Right? So

519
00:26:19,160 --> 00:26:21,561
Speaker 1: once I was feeling I couldn't get hold of Max,

520
00:26:21,600 --> 00:26:23,920
Speaker 1: and I couldn't get hold of Jack. Oh god, and

521
00:26:24,001 --> 00:26:25,880
Speaker 1: I had a TV question.

522
00:26:26,120 --> 00:26:28,241
Speaker 2: Charlie is too scary, and I thought, oh, do.

523
00:26:28,241 --> 00:26:32,961
Speaker 1: I really want to put myself? I did?

524
00:26:32,600 --> 00:26:33,840
Speaker 2: I did.

525
00:26:34,201 --> 00:26:36,880
Speaker 1: I thought, oh god, I really want to watch this.

526
00:26:37,001 --> 00:26:38,760
Speaker 1: I'm just going to have to ring and right. And

527
00:26:38,801 --> 00:26:41,680
Speaker 1: I say, Newlison, I want to watch this, which remote

528
00:26:41,721 --> 00:26:48,801
Speaker 1: do I? He goes, bitch, I don't know. He goes

529
00:26:49,080 --> 00:26:51,441
Speaker 1: just ring Max. I said, well, I've tried to ring.

530
00:26:51,360 --> 00:26:54,961
Speaker 2: Max right, every other family member that on my list.

531
00:26:55,080 --> 00:26:57,241
Speaker 1: I need you to do this, and then all I'll

532
00:26:57,241 --> 00:27:00,521
Speaker 1: ask him a social media question. I'll say how do

533
00:27:00,640 --> 00:27:03,281
Speaker 1: I do this? Or I had bitch, I don't know.

534
00:27:03,400 --> 00:27:07,281
Speaker 1: I said, hello, you've got hext it because you want.

535
00:27:07,241 --> 00:27:10,600
Speaker 2: To, because this is what you studied this inniversity for me.

536
00:27:10,640 --> 00:27:12,801
Speaker 1: You have a hexit and you're telling me you can't

537
00:27:12,840 --> 00:27:13,080
Speaker 1: do it.

538
00:27:13,681 --> 00:27:18,120
Speaker 2: You ever hexit it. I get so frustrated that technology,

539
00:27:18,721 --> 00:27:21,920
Speaker 2: the iPhone sometimes air drop doesn't work. I don't know

540
00:27:21,961 --> 00:27:25,080
Speaker 2: why it's not picking up a computer. I think technology

541
00:27:25,120 --> 00:27:28,881
Speaker 2: in general can be really it's fucking brilliant, but it's

542
00:27:28,921 --> 00:27:31,920
Speaker 2: also so temperamental. I just go to YouTube now, so

543
00:27:31,961 --> 00:27:33,161
Speaker 2: it's not just an age thing.

544
00:27:33,400 --> 00:27:35,640
Speaker 1: I just put it into YouTube. Whatever I want to know,

545
00:27:35,840 --> 00:27:38,241
Speaker 1: I put it into YouTube. Someone's made a video.

546
00:27:38,481 --> 00:27:41,001
Speaker 2: It's also a Reddit thread. Hi, I'm having this issue?

547
00:27:41,001 --> 00:27:42,921
Speaker 2: How do I fix it? And then you read all

548
00:27:42,961 --> 00:27:45,600
Speaker 2: through the comments. That happens a lot. There are often

549
00:27:45,640 --> 00:27:48,840
Speaker 2: really specific things that will happen, Like I'm trying to

550
00:27:48,880 --> 00:27:51,360
Speaker 2: log into a certain thing on Spotify, but it keeps

551
00:27:51,400 --> 00:27:54,321
Speaker 2: telling me there's this four or five era and then

552
00:27:54,360 --> 00:27:56,840
Speaker 2: someone's like, oh, yeah, it turns out that if your

553
00:27:57,041 --> 00:27:59,801
Speaker 2: phone's on silent, it won't work. And I'm like, that

554
00:27:59,840 --> 00:28:01,521
Speaker 2: doesn't sound right, so I take my phone off silent.

555
00:28:01,640 --> 00:28:06,440
Speaker 2: Oh it was really like, it's just weird shit like that.

556
00:28:05,761 --> 00:28:07,521
Speaker 1: When in doubt refer to YouTube.

557
00:28:07,640 --> 00:28:07,840
Speaker 2: Yeah.

558
00:28:08,160 --> 00:28:11,880
Speaker 1: Can we talk about Reddit in my capacity? What's your thoughts,

559
00:28:11,921 --> 00:28:13,440
Speaker 1: feelings and emotions about Reddit?

560
00:28:14,281 --> 00:28:14,721
Speaker 2: Love it?

561
00:28:14,840 --> 00:28:15,080
Speaker 3: Why?

562
00:28:15,761 --> 00:28:18,001
Speaker 1: Reddit purpose is for what?

563
00:28:19,001 --> 00:28:23,200
Speaker 2: It's just like a world community notice board. So I

564
00:28:23,281 --> 00:28:27,600
Speaker 2: find me nasty, Well, see you're on the mean side.

565
00:28:27,640 --> 00:28:32,080
Speaker 2: Like I subscribe to threads for my local area Brisbane, Sydney. Yeah,

566
00:28:32,120 --> 00:28:34,160
Speaker 2: they put stuff of like oh this has just happened

567
00:28:34,160 --> 00:28:36,840
Speaker 2: on my train line or there's a tree down here,

568
00:28:37,481 --> 00:28:39,561
Speaker 2: So it's like one than going all those Facebook groups

569
00:28:39,801 --> 00:28:42,361
Speaker 2: like I find Reddit has compiled a really good for

570
00:28:42,561 --> 00:28:46,480
Speaker 2: you page for me basically, right, Yeah, I mean Reddit's

571
00:28:46,481 --> 00:28:49,521
Speaker 2: also full of all that TikTok snark shit. I don't

572
00:28:49,561 --> 00:28:51,921
Speaker 2: use it for that. Well, I mean I've definitely got

573
00:28:51,961 --> 00:28:53,401
Speaker 2: on some of it because I'm like, well, what are

574
00:28:53,441 --> 00:28:54,720
Speaker 2: people saying about this person?

575
00:28:55,121 --> 00:28:56,520
Speaker 1: Have you ever left a comment?

576
00:28:57,041 --> 00:28:57,281
Speaker 2: No?

577
00:28:57,681 --> 00:28:57,881
Speaker 1: Never?

578
00:28:58,121 --> 00:28:58,161
Speaker 2: No?

579
00:28:58,241 --> 00:28:58,521
Speaker 3: No.

580
00:28:58,841 --> 00:29:02,681
Speaker 2: I mean I'm on Reddit as yourself. I mean, I'm

581
00:29:02,721 --> 00:29:05,321
Speaker 2: on OnlyFans, but I use Reddit and Twitter as a

582
00:29:05,361 --> 00:29:07,681
Speaker 2: tool to promote only fans, so I'm on the not

583
00:29:07,761 --> 00:29:10,241
Speaker 2: so for work reddit. Right, dicks out Reddit?

584
00:29:10,801 --> 00:29:15,401
Speaker 1: Okay, never google me, just by the way, never google you.

585
00:29:16,321 --> 00:29:18,041
Speaker 2: Or never google image. Never do that.

586
00:29:18,321 --> 00:29:20,721
Speaker 1: Oh really not good.

587
00:29:21,041 --> 00:29:27,681
Speaker 2: No. On the next episode of We Will Always Have

588
00:29:28,121 --> 00:29:30,121
Speaker 2: how often should you wash your underwear?

589
00:29:31,881 --> 00:29:32,561
Speaker 1: Is that a question?

590
00:29:32,801 --> 00:29:35,401
Speaker 2: This question has been written in by someone that isn't me?

591
00:29:36,001 --> 00:29:38,441
Speaker 2: How often? How I'm just.

592
00:29:38,441 --> 00:29:40,841
Speaker 1: Asking this is just I'm blowing away that this is

593
00:29:40,961 --> 00:29:41,721
Speaker 1: even a discussion.

594
00:29:42,041 --> 00:29:45,440
Speaker 2: Not right? How could this person anonymously write this in?

595
00:29:45,641 --> 00:29:49,681
Speaker 2: That's disgusting. Well, I think thanks for asking this question anonymously.

596
00:29:50,441 --> 00:29:51,921
Speaker 1: You're going to say every other week