1 00:00:02,080 --> 00:00:07,280 Speaker 1: Oh, podcast listeners. In this episode, we are going to 2 00:00:07,320 --> 00:00:10,400 Speaker 1: attack another one of Whipper's segments. Yesterday it was songs, 3 00:00:10,400 --> 00:00:12,240 Speaker 1: a song, song song, and today we've got an email 4 00:00:12,480 --> 00:00:16,239 Speaker 1: for quote quote face plus tell me more is back. 5 00:00:17,000 --> 00:00:20,239 Speaker 2: I love a bit of memorabilia myself. I do have 6 00:00:20,280 --> 00:00:22,360 Speaker 2: a couple of bats at home signed by the great 7 00:00:22,440 --> 00:00:23,400 Speaker 2: Sir Donald Bradman. 8 00:00:24,360 --> 00:00:27,160 Speaker 3: So Don did sign quite a bit, though I did. 9 00:00:28,400 --> 00:00:30,680 Speaker 2: He signed everything, that's the thing, so I don't think 10 00:00:30,680 --> 00:00:32,040 Speaker 2: they're worth too much money. 11 00:00:32,560 --> 00:00:36,839 Speaker 4: At my place mate downstairs, you'll find a Fender stratocast 12 00:00:36,880 --> 00:00:40,000 Speaker 4: to sign by Slash, the guitarist from Guns N' Roses. 13 00:00:40,040 --> 00:00:42,800 Speaker 4: Thanks very much, just on the just on the scratch 14 00:00:42,840 --> 00:00:43,599 Speaker 4: plate there. 15 00:00:43,479 --> 00:00:46,600 Speaker 2: Because you're a massive Guns and Roses and I love 16 00:00:46,720 --> 00:00:47,479 Speaker 2: Guns and Roses. 17 00:00:47,560 --> 00:00:50,519 Speaker 4: Usual illusion one and two was just defining in the 18 00:00:50,600 --> 00:00:54,120 Speaker 4: music game. And if you looked at me, if you 19 00:00:54,240 --> 00:00:57,000 Speaker 4: if you looked at me with mccuda line's jacket on them, 20 00:00:57,000 --> 00:00:57,880 Speaker 4: a still see pants. 21 00:00:57,960 --> 00:01:00,720 Speaker 2: It was a great era of a mat And then 22 00:01:00,840 --> 00:01:02,800 Speaker 2: go and see Guns and Roses when they came out 23 00:01:02,800 --> 00:01:03,160 Speaker 2: and play. 24 00:01:03,200 --> 00:01:05,039 Speaker 4: You know that Guns and Roses at the moment aren't 25 00:01:05,040 --> 00:01:06,800 Speaker 4: really guns and Roses what they used to be. Made. 26 00:01:06,840 --> 00:01:08,959 Speaker 4: I think if they lost a lot of fans in 27 00:01:09,040 --> 00:01:13,200 Speaker 4: recent times that it's funny because because you bring. 28 00:01:13,040 --> 00:01:15,800 Speaker 5: Audio to the rest of them hostage. I think that 29 00:01:16,400 --> 00:01:18,560 Speaker 5: changed the feel of the group. 30 00:01:18,840 --> 00:01:21,080 Speaker 4: The audio you bring to the show fits. He will 31 00:01:21,120 --> 00:01:22,680 Speaker 4: also be proof that. 32 00:01:22,520 --> 00:01:24,880 Speaker 3: It is not what it used to be. As they 33 00:01:24,920 --> 00:01:28,560 Speaker 3: struggle live, they got better. They did they were actually 34 00:01:28,600 --> 00:01:29,160 Speaker 3: a good life. 35 00:01:29,520 --> 00:01:33,840 Speaker 4: Mate, got to prove it to you. 36 00:01:34,640 --> 00:01:37,920 Speaker 2: Elvis Presley a lot of memorabilia worth a lot of 37 00:01:37,959 --> 00:01:38,560 Speaker 2: moment money. 38 00:01:38,560 --> 00:01:40,280 Speaker 3: Obviously because he has passed away. 39 00:01:40,520 --> 00:01:43,039 Speaker 2: There's one that's up for sale now that I need 40 00:01:43,080 --> 00:01:47,920 Speaker 2: to ask a couple of questions on the one item. 41 00:01:47,720 --> 00:01:52,080 Speaker 3: Up for sale for Elvis Presley is a It's a 42 00:01:52,240 --> 00:01:54,320 Speaker 3: Right Stone jock strap. 43 00:01:55,200 --> 00:01:58,120 Speaker 2: Okay, so it's a Ryan Stone jockstrap. 44 00:01:58,160 --> 00:01:59,560 Speaker 3: Two questions I have here. 45 00:01:59,680 --> 00:02:04,160 Speaker 2: First of all, is the comfortability of a Ryanstone jockstrap. 46 00:02:04,720 --> 00:02:05,960 Speaker 3: Honestly, Ryan, you. 47 00:02:05,920 --> 00:02:08,000 Speaker 4: Saying is that? Are you saying? It's got like there 48 00:02:08,000 --> 00:02:09,840 Speaker 4: it is little stones. 49 00:02:10,000 --> 00:02:13,360 Speaker 2: Like right at the front of a cup. It's at 50 00:02:13,360 --> 00:02:15,720 Speaker 2: the front of a cup. That's where the Ryan stones up. 51 00:02:15,800 --> 00:02:19,160 Speaker 4: So the part of the jockstap that's actually holding his 52 00:02:19,600 --> 00:02:20,840 Speaker 4: tackle is studded. 53 00:02:20,960 --> 00:02:25,040 Speaker 2: Yeah, it's unlo and then up the top, up the top, 54 00:02:25,080 --> 00:02:27,960 Speaker 2: you've got ep, You've got Elvis Presley in the Blue 55 00:02:28,120 --> 00:02:32,079 Speaker 2: Ryan Stones. So that's the I mean, that's the elastic 56 00:02:32,160 --> 00:02:35,000 Speaker 2: that goes around your waist. The other question I need 57 00:02:35,040 --> 00:02:38,280 Speaker 2: to ask because I instantly thought was this the hot 58 00:02:38,280 --> 00:02:43,440 Speaker 2: Elvis era? Unfortunately it wasn't it was it was it 59 00:02:43,480 --> 00:02:45,600 Speaker 2: was season. 60 00:02:46,560 --> 00:02:48,720 Speaker 3: You can imagine how much sweat and he would have 61 00:02:48,760 --> 00:02:49,680 Speaker 3: done in that strap. 62 00:02:49,800 --> 00:02:52,480 Speaker 4: I would suggest nobody else in the studio has worn 63 00:02:52,480 --> 00:02:55,960 Speaker 4: a jockstrap besides Matt DeGroot some weird stage thinking it 64 00:02:56,000 --> 00:02:57,120 Speaker 4: was a great influence for you. 65 00:02:57,400 --> 00:03:00,040 Speaker 6: Worn one only because there's such a big deal in 66 00:03:00,160 --> 00:03:03,080 Speaker 6: American sports movies that I thought there's obviously something to 67 00:03:03,400 --> 00:03:05,800 Speaker 6: as jockstrap rather than just putting the box in your 68 00:03:05,880 --> 00:03:07,800 Speaker 6: undies when you go out to bat playing cricket. How 69 00:03:07,919 --> 00:03:12,240 Speaker 6: was it that they're just a confusing, sort of unnecessary item. 70 00:03:12,560 --> 00:03:15,040 Speaker 4: Can I ask a question? Would you need to take 71 00:03:15,040 --> 00:03:18,400 Speaker 4: your jockstrap off? Because I don't really understand the configuration 72 00:03:18,440 --> 00:03:20,000 Speaker 4: at the back. Would you need to take it off 73 00:03:20,040 --> 00:03:20,760 Speaker 4: to do number two? 74 00:03:21,880 --> 00:03:22,120 Speaker 7: No? 75 00:03:22,760 --> 00:03:24,960 Speaker 6: No, it's sort of it wraps around your thighs and 76 00:03:25,000 --> 00:03:26,120 Speaker 6: it wraps around your waist. 77 00:03:26,200 --> 00:03:28,040 Speaker 3: Yeah, but it could do appear with your under I 78 00:03:28,080 --> 00:03:30,120 Speaker 3: would still take it off. To be honest with you, 79 00:03:30,280 --> 00:03:31,919 Speaker 3: I wouldn't. I wouldn't ever go at it. 80 00:03:32,120 --> 00:03:32,520 Speaker 7: The box. 81 00:03:34,680 --> 00:03:36,680 Speaker 6: Yeah, the box at the front is probably going to 82 00:03:36,680 --> 00:03:38,800 Speaker 6: be more of a sit down issue than the jockstrap 83 00:03:38,840 --> 00:03:39,280 Speaker 6: at the back. 84 00:03:39,600 --> 00:03:42,000 Speaker 4: Right, Okay, just trying to get my head around them. 85 00:03:42,360 --> 00:03:44,920 Speaker 4: Do you know if Elvis actually performed while wearing it? 86 00:03:45,920 --> 00:03:46,840 Speaker 8: He did? 87 00:03:47,360 --> 00:03:51,960 Speaker 2: Yeah, it's knowing it's going for thirty thousand pounds, so 88 00:03:52,000 --> 00:03:52,880 Speaker 2: what are we talking about? 89 00:03:52,880 --> 00:03:54,880 Speaker 3: Fifty fifty five thousand bucks? 90 00:03:55,200 --> 00:03:58,160 Speaker 4: Has it been washed? Does anybody know? Or is it original? 91 00:03:58,280 --> 00:04:00,360 Speaker 4: Like some of those weird vending machines you might find 92 00:04:00,360 --> 00:04:01,440 Speaker 4: in Japan that sells. 93 00:04:01,240 --> 00:04:03,440 Speaker 6: It would make it more expensive. I would imagine if 94 00:04:03,480 --> 00:04:04,560 Speaker 6: it was not washed, I. 95 00:04:04,560 --> 00:04:07,480 Speaker 4: Original sweat cross, sweatwet. 96 00:04:07,200 --> 00:04:09,760 Speaker 2: Just that poor person that also had to put it together, 97 00:04:10,000 --> 00:04:13,040 Speaker 2: put each individual rhyanstone in. 98 00:04:13,240 --> 00:04:15,760 Speaker 4: And if it was was it custom made for him? 99 00:04:15,800 --> 00:04:18,200 Speaker 4: I would suggest Elvis may have had to present while 100 00:04:18,279 --> 00:04:21,480 Speaker 4: measurements were taken. He would have just been standing there 101 00:04:21,520 --> 00:04:23,440 Speaker 4: on a pair of blue sweatshoes where they measured up 102 00:04:23,480 --> 00:04:25,000 Speaker 4: the area. It's quite a cup ear. 103 00:04:25,760 --> 00:04:29,160 Speaker 2: Early Elvis was hot. You got to admit, my mum 104 00:04:29,200 --> 00:04:32,560 Speaker 2: and dad was. They were so into Elvis and his music. 105 00:04:32,279 --> 00:04:34,080 Speaker 3: And watching his movies as a kid. 106 00:04:34,640 --> 00:04:37,400 Speaker 2: He was when he was a young man, he was 107 00:04:37,440 --> 00:04:40,160 Speaker 2: one of the best looking blokes in the world. And 108 00:04:40,200 --> 00:04:42,520 Speaker 2: you know what, he enjoyed his life. He looked after 109 00:04:42,560 --> 00:04:45,279 Speaker 2: his mother and father, but jeezy ate and he drank 110 00:04:45,760 --> 00:04:48,800 Speaker 2: and he smoked Elvis and by the end, I mean 111 00:04:48,880 --> 00:04:53,120 Speaker 2: when you go out, when you go out, actually you 112 00:04:53,279 --> 00:04:56,280 Speaker 2: go out on the toilet. I mean, you know, you've 113 00:04:56,400 --> 00:04:57,440 Speaker 2: had a fair crack. 114 00:04:57,800 --> 00:05:01,159 Speaker 4: And what we've learnt fits. There's a fair chance he 115 00:05:01,200 --> 00:05:03,840 Speaker 4: may have had the jockstrap on when he died, because 116 00:05:04,520 --> 00:05:07,080 Speaker 4: the group's informancy can sit on the ball with the 117 00:05:07,160 --> 00:05:10,440 Speaker 4: jockstrap on. So he was found with nothing but a 118 00:05:10,520 --> 00:05:12,919 Speaker 4: jockstrap on and a sandwich hanging out of his mouth. 119 00:05:13,680 --> 00:05:13,880 Speaker 3: Dad. 120 00:05:13,960 --> 00:05:16,720 Speaker 6: Someone's listening to this right now, going I wouldn't mind 121 00:05:16,720 --> 00:05:20,039 Speaker 6: getting that. Someone sitting there going, that's what I want. 122 00:05:20,320 --> 00:05:22,280 Speaker 4: Well, come, we open in up thirteen twenty four to ten. 123 00:05:22,400 --> 00:05:25,640 Speaker 4: What weird bit of memorabilia, celebrity memorabilia do I have? 124 00:05:25,920 --> 00:05:30,640 Speaker 2: Well done? You have anything that it's missing? So Donald 125 00:05:30,640 --> 00:05:34,880 Speaker 2: Bradman's signature when we talk into the mic. So you 126 00:05:34,920 --> 00:05:36,960 Speaker 2: can relax quite a bit. But when I go on 127 00:05:37,000 --> 00:05:39,560 Speaker 2: the radio on another radio show, if I'm on the 128 00:05:39,560 --> 00:05:41,800 Speaker 2: phone waiting to go on there, I actually freak out 129 00:05:41,800 --> 00:05:42,000 Speaker 2: a bit. 130 00:05:42,000 --> 00:05:42,960 Speaker 8: And I have done this. 131 00:05:43,480 --> 00:05:45,679 Speaker 4: I know exactly what you're talking about. And you wonder 132 00:05:45,760 --> 00:05:48,200 Speaker 4: why you're nervous, but your heart is racing. 133 00:05:48,279 --> 00:05:48,839 Speaker 3: Yeah. 134 00:05:49,600 --> 00:05:52,320 Speaker 2: I do it with Ray Hadley sometimes and just before 135 00:05:52,360 --> 00:05:54,320 Speaker 2: you're about to go on, I'm on my phone and 136 00:05:54,360 --> 00:05:56,320 Speaker 2: I'm freaking out. Now, a lot of people can do 137 00:05:56,360 --> 00:06:00,240 Speaker 2: that when you ring a radio station. It's funny. I 138 00:06:00,240 --> 00:06:02,720 Speaker 2: think the percentage there's only one or two percent of 139 00:06:02,760 --> 00:06:06,039 Speaker 2: your audience that actually have the courage to ring the 140 00:06:06,080 --> 00:06:08,400 Speaker 2: show and ringing if they have a story. So we 141 00:06:08,480 --> 00:06:11,160 Speaker 2: thank those people that do do it, but there's a 142 00:06:11,200 --> 00:06:14,240 Speaker 2: lot of people that can't do it. But it's funny. 143 00:06:14,320 --> 00:06:16,520 Speaker 2: When you are waiting there, you could be there for 144 00:06:16,600 --> 00:06:19,960 Speaker 2: quite a long time waiting to get on. So there's 145 00:06:20,000 --> 00:06:21,719 Speaker 2: a lot of people that like to do stuff around 146 00:06:21,760 --> 00:06:25,480 Speaker 2: the house. You've also got to decide whether I don't know, 147 00:06:25,520 --> 00:06:27,880 Speaker 2: there could be some bodily functions that you need to 148 00:06:28,320 --> 00:06:32,200 Speaker 2: get rid of, Sarah before you actually go on the radio. 149 00:06:32,600 --> 00:06:34,919 Speaker 3: C lovely. So this is five double A. 150 00:06:36,400 --> 00:06:40,840 Speaker 2: In Adelaide, South Australia, which is part of Nova Entertainment 151 00:06:40,880 --> 00:06:42,360 Speaker 2: as well, and we love them down there. 152 00:06:42,720 --> 00:06:45,040 Speaker 3: This is Raleigh and Bicks. They do the sports show, 153 00:06:45,080 --> 00:06:45,480 Speaker 3: which is. 154 00:06:45,440 --> 00:06:47,680 Speaker 2: My dream one day to do in the afternoon, just 155 00:06:47,720 --> 00:06:50,239 Speaker 2: talk sport for three hours. And they had this lady 156 00:06:50,279 --> 00:06:56,719 Speaker 2: waiting for quite a while. Now, this happens pretty quickly 157 00:06:56,760 --> 00:06:59,720 Speaker 2: at the start, Sarah, So obviously they threw to a 158 00:07:00,320 --> 00:07:05,120 Speaker 2: quickly and she had to just quickly get rid of something. Okay, 159 00:07:05,120 --> 00:07:08,080 Speaker 2: here we go in three two one. 160 00:07:08,640 --> 00:07:15,640 Speaker 4: You've got to grind it out now, Fion, what happened? 161 00:07:15,680 --> 00:07:24,800 Speaker 9: Then, don't dob it in on him. 162 00:07:29,200 --> 00:07:31,560 Speaker 4: We got all I heard. 163 00:07:31,600 --> 00:07:33,640 Speaker 3: There was bad wind and let's have it just that. 164 00:07:33,800 --> 00:07:39,680 Speaker 3: Just listen to it. But see it's a tough one here. 165 00:07:39,800 --> 00:07:44,320 Speaker 3: Do you go for it before you tough? It's not tough. 166 00:07:44,320 --> 00:07:46,680 Speaker 10: Little fits, mind your manners. You're on hold to go 167 00:07:46,720 --> 00:07:47,800 Speaker 10: on the radio, stasion. 168 00:07:47,600 --> 00:07:48,560 Speaker 3: You go break wind? 169 00:07:48,760 --> 00:07:51,440 Speaker 4: Can't you position yourself possibly so you don't make that 170 00:07:51,560 --> 00:07:52,760 Speaker 4: level of noise. 171 00:07:54,080 --> 00:07:54,400 Speaker 2: For her? 172 00:07:54,480 --> 00:07:57,160 Speaker 4: Then to blame it on the hobby walking past, traditionally 173 00:07:57,720 --> 00:08:00,840 Speaker 4: it would be the dog have one. So she's gone 174 00:08:00,640 --> 00:08:03,040 Speaker 4: on for the hobby. She's never been. 175 00:08:02,920 --> 00:08:06,480 Speaker 2: Married, nerves that it can hit you really quickly, Sarah, 176 00:08:06,520 --> 00:08:08,960 Speaker 2: I don't care what you say. Sometimes you can't maneuver 177 00:08:09,120 --> 00:08:12,600 Speaker 2: quick enough and it's just hard. And you listen as 178 00:08:12,600 --> 00:08:15,040 Speaker 2: soon as they say, fi ownern't you here? 179 00:08:16,360 --> 00:08:18,400 Speaker 4: Do you reckon? I reckon? That was a panic motion. 180 00:08:18,560 --> 00:08:21,000 Speaker 4: She couldn't control her body. Oh my god, I'm I'm 181 00:08:21,000 --> 00:08:26,840 Speaker 4: about to build the radio. Sorry, guys, Oh not good. 182 00:08:26,960 --> 00:08:29,680 Speaker 4: I mean Tom was very nervous and that that was 183 00:08:29,760 --> 00:08:32,840 Speaker 4: extremely nervous. Were you calling a radio station that night 184 00:08:32,960 --> 00:08:35,000 Speaker 4: or what happened? Because you certainly lost control. 185 00:08:35,320 --> 00:08:36,920 Speaker 3: It's certain food for you, isn't it. 186 00:08:37,000 --> 00:08:41,360 Speaker 4: Tom's not any Why have we discussed we had Chinese 187 00:08:41,440 --> 00:08:44,960 Speaker 4: that night and now today I think it was Chinese. 188 00:08:45,320 --> 00:08:47,720 Speaker 4: We don't need to some sweet and sour pork. That 189 00:08:47,720 --> 00:08:48,760 Speaker 4: made me didn't sit too well. 190 00:08:48,800 --> 00:08:51,319 Speaker 2: What happened on our show. It's never happened on our show. 191 00:08:51,480 --> 00:08:53,040 Speaker 2: And I urge anyone. 192 00:08:54,320 --> 00:08:57,400 Speaker 4: Of the calls through, mate, if you've got one in 193 00:08:57,440 --> 00:09:00,360 Speaker 4: the departure out. No, we're better than that. That's a 194 00:09:00,559 --> 00:09:02,120 Speaker 4: terrible We are better than that. 195 00:09:02,840 --> 00:09:09,120 Speaker 3: Disgusting to Okay, thank you taking off. We're preserving another. 196 00:09:11,880 --> 00:09:15,600 Speaker 4: Sorry, guys, as you were, Captain, tell. 197 00:09:15,440 --> 00:09:17,040 Speaker 3: Me more is bad? Is it back? 198 00:09:17,200 --> 00:09:22,240 Speaker 8: Yeah? What, it's really exciting. Actually, so you get to 199 00:09:22,280 --> 00:09:25,360 Speaker 8: take over the show and decide what story you want 200 00:09:25,400 --> 00:09:27,360 Speaker 8: to hear. How good is that? 201 00:09:27,440 --> 00:09:28,760 Speaker 3: Whose story is it this week? 202 00:09:28,880 --> 00:09:32,720 Speaker 8: Well, we don't depend on this person. It's not not pretermed. 203 00:09:32,840 --> 00:09:35,400 Speaker 4: And the idea of tell Me More is because everybody 204 00:09:35,480 --> 00:09:37,520 Speaker 4: has too many great topics. So it means it's going 205 00:09:37,520 --> 00:09:39,800 Speaker 4: to be a strong show. Guys, we're overloaded with things 206 00:09:39,800 --> 00:09:45,040 Speaker 4: to talk about this morning. 207 00:09:45,040 --> 00:09:45,880 Speaker 3: I was excited. 208 00:09:47,160 --> 00:09:49,280 Speaker 4: Who's going to fire it off? Ladies? First, Sarah, here 209 00:09:49,320 --> 00:09:50,520 Speaker 4: we go with your headline. 210 00:09:51,000 --> 00:09:54,880 Speaker 5: Headline reads how one Instagram post could cost this model 211 00:09:54,920 --> 00:09:56,800 Speaker 5: twenty five thousand dollars. 212 00:09:56,880 --> 00:09:58,199 Speaker 3: What did she posts? 213 00:09:58,480 --> 00:10:04,760 Speaker 2: Yeah, okay, my headline reads, I thought your Friday night 214 00:10:04,840 --> 00:10:05,200 Speaker 2: was wild. 215 00:10:05,280 --> 00:10:11,640 Speaker 3: Won't till you hear where this man ended up? Oh? Stories, 216 00:10:11,880 --> 00:10:12,840 Speaker 3: that's just the headline. 217 00:10:13,040 --> 00:10:13,960 Speaker 8: Okay, not across it? 218 00:10:15,360 --> 00:10:18,920 Speaker 6: Oh sorry, mate, put a crown on your dial? Why 219 00:10:18,960 --> 00:10:21,280 Speaker 6: it's impossible for this woman to smile? 220 00:10:24,960 --> 00:10:30,160 Speaker 4: Don't mean ivy, I don't, I don't. 221 00:10:30,320 --> 00:10:31,160 Speaker 8: I don't have a headline. 222 00:10:32,080 --> 00:10:34,240 Speaker 4: You're not recluded in this segment. Sorry, it's been a while. 223 00:10:34,240 --> 00:10:38,840 Speaker 4: I just assumed you across it. That's cool. Short on stories. Okay, 224 00:10:39,000 --> 00:10:43,520 Speaker 4: we go one for you guys. Ossie TV Channel's naked 225 00:10:43,640 --> 00:10:47,720 Speaker 4: scandal ends up with their own PR storm. What happened? 226 00:10:48,640 --> 00:10:51,480 Speaker 4: That was a long one, really really good strong headline. 227 00:10:52,520 --> 00:10:54,360 Speaker 3: What story would you like to hear? Mate? 228 00:10:55,280 --> 00:10:57,120 Speaker 11: Everybody loves and Ossie scandal. 229 00:10:57,160 --> 00:10:58,400 Speaker 2: So I'm gonna have to go with whipper. 230 00:10:59,280 --> 00:11:03,959 Speaker 4: You've got the TV channels naked scandal. It's PR storm, guys. 231 00:11:04,120 --> 00:11:07,960 Speaker 4: I will tell you more. Let's get into guys, such, 232 00:11:08,960 --> 00:11:13,679 Speaker 4: tell me more more, guys, tell me more. I gave 233 00:11:13,720 --> 00:11:16,920 Speaker 4: you the headline. Ozzie TV Channel's naked scandal ends up 234 00:11:16,920 --> 00:11:18,200 Speaker 4: with their own PR storm. 235 00:11:18,280 --> 00:11:19,280 Speaker 3: What happened? 236 00:11:20,440 --> 00:11:23,400 Speaker 4: This is a great storm, great story and very clever. 237 00:11:23,559 --> 00:11:27,800 Speaker 4: Mind youude of a TV station in Ballarat Country, Victoria. 238 00:11:28,160 --> 00:11:30,040 Speaker 4: They asked everybody to do and you know the Dahdy 239 00:11:30,080 --> 00:11:32,559 Speaker 4: Bailey does it as well. You see Timmy Bailey and 240 00:11:32,600 --> 00:11:34,199 Speaker 4: he says, if you've got any pictures, sending them in, 241 00:11:34,240 --> 00:11:36,240 Speaker 4: we'll get them on the big screen. So if there's 242 00:11:36,240 --> 00:11:39,640 Speaker 4: any storms in the area. He encourages everybody to flick 243 00:11:39,720 --> 00:11:42,680 Speaker 4: through what you're seeing out your window at home. Makes 244 00:11:42,679 --> 00:11:44,559 Speaker 4: it really local, mate, puts you in touch with it 245 00:11:44,640 --> 00:11:49,599 Speaker 4: and relatable. The issue. What someone decided to take a 246 00:11:49,760 --> 00:11:52,679 Speaker 4: picture or some footage of a storm, right, so a 247 00:11:52,840 --> 00:11:56,400 Speaker 4: lightning breaking and what they did with the storm and 248 00:11:56,480 --> 00:12:01,080 Speaker 4: the shape of the clouds which the story but which 249 00:12:01,120 --> 00:12:04,599 Speaker 4: you'll see. Bruce Roberts, the host of the of the 250 00:12:04,720 --> 00:12:07,240 Speaker 4: nightly news show, he threw to this image to say, 251 00:12:07,280 --> 00:12:09,000 Speaker 4: have a look at so and so sent in the 252 00:12:09,000 --> 00:12:12,080 Speaker 4: photo of the storm. But they'd put into that, they 253 00:12:12,200 --> 00:12:15,680 Speaker 4: put into storm. That that that image of the pawn star, 254 00:12:15,960 --> 00:12:20,400 Speaker 4: which the adult entertainer that you've seen and he occasionally 255 00:12:20,480 --> 00:12:24,559 Speaker 4: pops up where you have been surprised by someone will 256 00:12:24,559 --> 00:12:26,480 Speaker 4: send your funny. You go to open it and there's 257 00:12:27,520 --> 00:12:29,439 Speaker 4: the adult entertainer. He's sitting on the edge of the 258 00:12:29,679 --> 00:12:32,559 Speaker 4: sitting on the on the bed. Yeah, and he is 259 00:12:33,240 --> 00:12:35,040 Speaker 4: he is quite a big he's quite a big lad. 260 00:12:35,080 --> 00:12:39,760 Speaker 3: And what so what is he what? It's just that 261 00:12:39,960 --> 00:12:42,080 Speaker 3: image of him is mixed. 262 00:12:41,800 --> 00:12:45,520 Speaker 4: Within the clouds. So at first you don't see it. Right, 263 00:12:46,120 --> 00:12:49,760 Speaker 4: someone has gone on their computer at home and I 264 00:12:49,800 --> 00:12:53,040 Speaker 4: don't know photo shopped him into the cloud structure. So 265 00:12:53,240 --> 00:12:56,160 Speaker 4: the blog reading news has no idea behind him in 266 00:12:56,280 --> 00:12:58,720 Speaker 4: what he thought was just a storm rolling through the district. 267 00:12:59,000 --> 00:13:01,080 Speaker 3: Tom's got now I. 268 00:13:02,960 --> 00:13:06,480 Speaker 4: Now you know the guy, Yeah, WARDI his name is 269 00:13:06,840 --> 00:13:11,319 Speaker 4: I think, and he is a really big lad. He 270 00:13:11,480 --> 00:13:13,959 Speaker 4: was in the adult entertainment game for a very long time. 271 00:13:14,000 --> 00:13:16,160 Speaker 3: I think there was an article written He's dead. He 272 00:13:16,320 --> 00:13:17,120 Speaker 3: guys dead to go. 273 00:13:17,320 --> 00:13:22,800 Speaker 4: Yeah, yeah, I don't know what from maybe he overworked. 274 00:13:22,679 --> 00:13:23,120 Speaker 3: To the head. 275 00:13:25,520 --> 00:13:28,719 Speaker 4: Certainly was an embarrassment, says this guy has played a 276 00:13:28,760 --> 00:13:32,199 Speaker 4: part in my life. To be honest, I'll never forget 277 00:13:32,240 --> 00:13:34,640 Speaker 4: getting a text message that was sent like a news 278 00:13:34,760 --> 00:13:38,839 Speaker 4: service that Mike Pence had taken over Trump right, and 279 00:13:39,080 --> 00:13:42,200 Speaker 4: without even reading it, thinking I was breaking some exciting news, 280 00:13:42,320 --> 00:13:44,960 Speaker 4: I flicked it straight through to my dad. I then 281 00:13:45,040 --> 00:13:47,000 Speaker 4: went back to click on the article which. 282 00:13:46,920 --> 00:13:50,520 Speaker 3: Just present of this bloke. 283 00:13:51,000 --> 00:13:53,240 Speaker 4: So here would have been John Whipflee. He probably would 284 00:13:53,280 --> 00:13:55,319 Speaker 4: have seen a text message from me thinking it was important, 285 00:13:55,360 --> 00:13:56,800 Speaker 4: pulled over to the side of the ride as he's 286 00:13:56,840 --> 00:13:59,000 Speaker 4: running around town and then hang on a minute. He 287 00:13:59,120 --> 00:14:01,480 Speaker 4: never spoke to me about it. One of those ones 288 00:14:01,520 --> 00:14:02,480 Speaker 4: where you just don't. 289 00:14:03,960 --> 00:14:06,000 Speaker 3: Christine's got it framed up above the bed. 290 00:14:06,160 --> 00:14:07,440 Speaker 4: What are you holding up on the camera. 291 00:14:07,840 --> 00:14:10,400 Speaker 6: It's just a picture of it, and honestly original. The 292 00:14:11,040 --> 00:14:14,720 Speaker 6: one of the clouds that has been redone and very 293 00:14:14,960 --> 00:14:18,800 Speaker 6: just what. I am surprised that they didn't they didn't 294 00:14:18,800 --> 00:14:21,320 Speaker 6: get rid of it so big, he's big. 295 00:14:21,760 --> 00:14:24,800 Speaker 8: His what would you call it his manhood? 296 00:14:24,880 --> 00:14:26,320 Speaker 7: Yeah, it looks like a lightning bulb. 297 00:14:26,680 --> 00:14:28,920 Speaker 4: He's right there, it does look like a lightning bulb. 298 00:14:29,560 --> 00:14:31,800 Speaker 4: Well under everybody involved, Tommy, can we get that on 299 00:14:31,880 --> 00:14:33,680 Speaker 4: our socials for everyone to have a look at or 300 00:14:34,160 --> 00:14:35,400 Speaker 4: don't put that sort of stuff up? 301 00:14:35,480 --> 00:14:39,040 Speaker 8: I can't do it on the work socials, but it 302 00:14:39,160 --> 00:14:39,720 Speaker 8: doesn't mind me. 303 00:14:39,880 --> 00:14:41,720 Speaker 7: The other day, do you know what wod for? 304 00:14:42,840 --> 00:14:48,480 Speaker 4: Laugh over? Funny laugh? 305 00:14:49,720 --> 00:14:53,840 Speaker 8: Slightly related here, someone hacked into my mum's My mum 306 00:14:53,960 --> 00:14:56,040 Speaker 8: was on a zoom call with a scene of your 307 00:14:56,080 --> 00:14:59,840 Speaker 8: way yesterday and someone hacked into it and started sharing 308 00:15:00,040 --> 00:15:02,080 Speaker 8: pornographic image to your mom. 309 00:15:02,600 --> 00:15:06,080 Speaker 2: Yeah, it's happened. There was a zoom meeting with the 310 00:15:06,240 --> 00:15:09,520 Speaker 2: school and someone else popped up. But see, this is 311 00:15:09,600 --> 00:15:11,040 Speaker 2: the thing a lot of people. You've got to put 312 00:15:11,040 --> 00:15:14,600 Speaker 2: it on private because anyone can pop. 313 00:15:14,440 --> 00:15:14,960 Speaker 8: In and just go. 314 00:15:15,640 --> 00:15:17,800 Speaker 4: Guys turns into chat roulette, does it? 315 00:15:18,000 --> 00:15:20,560 Speaker 8: Yeah? Well my mom, my mum got an education. She 316 00:15:20,800 --> 00:15:24,240 Speaker 8: was shot. There were sharing scone recipes and suddenly looking 317 00:15:24,320 --> 00:15:25,520 Speaker 8: at them big brother. 318 00:15:27,880 --> 00:15:32,880 Speaker 4: Rosemary hasn't been seen for days. To be honest, she 319 00:15:33,000 --> 00:15:33,280 Speaker 4: bought a. 320 00:15:33,320 --> 00:15:36,360 Speaker 3: Caravan and you've got to meet it with the Water 321 00:15:36,360 --> 00:15:37,119 Speaker 3: of the Spoon. 322 00:15:40,920 --> 00:15:41,960 Speaker 8: Eighteen, which I thought was. 323 00:15:46,240 --> 00:15:48,840 Speaker 2: Don't get me wrong, I love myself a little bit 324 00:15:48,880 --> 00:15:51,680 Speaker 2: of at Low's mom. 325 00:15:52,880 --> 00:15:54,440 Speaker 3: It's just cheap, you know what I mean. I don't 326 00:15:54,480 --> 00:15:55,720 Speaker 3: mind a bit of cotton on as well. 327 00:15:56,480 --> 00:15:58,200 Speaker 2: Leno you we were talking about this the other day 328 00:15:58,240 --> 00:16:00,400 Speaker 2: where we let know and Leno's You've come to the 329 00:16:00,480 --> 00:16:04,760 Speaker 2: conclusion that you know what, you can buy five cheap teos. 330 00:16:04,880 --> 00:16:07,080 Speaker 2: They don't last you as long, but you know what, 331 00:16:07,200 --> 00:16:09,440 Speaker 2: they're that cheap sair that you could just go back 332 00:16:09,480 --> 00:16:11,640 Speaker 2: in another six months and get another five more. 333 00:16:11,760 --> 00:16:13,360 Speaker 10: Well that one or H and M. We have a 334 00:16:13,440 --> 00:16:14,000 Speaker 10: lot of H and. 335 00:16:15,560 --> 00:16:17,280 Speaker 7: A T O YAHDG. 336 00:16:18,120 --> 00:16:20,480 Speaker 4: You do what's the one you paid eleven bucks for? 337 00:16:20,600 --> 00:16:21,640 Speaker 4: Because they're good, aren't they? 338 00:16:21,840 --> 00:16:25,000 Speaker 7: A Uniclo? You're never going to go wrong with Uni. 339 00:16:25,120 --> 00:16:25,280 Speaker 6: Tom. 340 00:16:25,320 --> 00:16:28,200 Speaker 3: You're a big Uniclo puffy vest man, aren't you. 341 00:16:28,400 --> 00:16:30,080 Speaker 8: I was in there the other day. They checked my 342 00:16:30,200 --> 00:16:32,479 Speaker 8: temperature as I walked in, but I found. 343 00:16:32,360 --> 00:16:37,440 Speaker 6: Weird moment they got you were crooked, but I got 344 00:16:37,480 --> 00:16:41,080 Speaker 6: some grape bargains that's great, Tom, that's awesome. 345 00:16:41,120 --> 00:16:42,960 Speaker 2: Now, Sarah, I'm going to throw this out there to 346 00:16:43,000 --> 00:16:45,720 Speaker 2: Winnie because it's a bit sad. Unfortunately we lost Cooper. 347 00:16:45,920 --> 00:16:47,800 Speaker 2: I don't know if Cooper would have liked wearing this, 348 00:16:47,960 --> 00:16:50,280 Speaker 2: but I would have loved it. This is the big 349 00:16:50,360 --> 00:16:53,720 Speaker 2: mam there. And you can also get for your dog. 350 00:16:54,160 --> 00:16:59,920 Speaker 2: This is amazing. The same type of flannel let shirt. Yes, matching, 351 00:17:00,160 --> 00:17:03,400 Speaker 2: So a matching flannel it shirt that you can get 352 00:17:03,560 --> 00:17:08,320 Speaker 2: with your dog flannels dog flannels for fifteen dollars ninety. 353 00:17:08,160 --> 00:17:11,359 Speaker 10: Five that I'm going out today to get one for 354 00:17:11,480 --> 00:17:12,760 Speaker 10: game and the dog. 355 00:17:13,040 --> 00:17:13,520 Speaker 3: Awesome. 356 00:17:14,000 --> 00:17:18,200 Speaker 4: Anybody that puts their dog in a jacket, oh, come on, they. 357 00:17:18,119 --> 00:17:20,000 Speaker 10: Don't like to get wet. We've got We've got a 358 00:17:20,040 --> 00:17:21,119 Speaker 10: little raincoat for winning. 359 00:17:21,440 --> 00:17:25,439 Speaker 4: Their bodies are covered in hair and fur for a reason, 360 00:17:25,640 --> 00:17:29,320 Speaker 4: because they've been They've adapted to the outdoors there because 361 00:17:29,400 --> 00:17:35,600 Speaker 4: dogs are naturally wild and they don't need your I 362 00:17:35,680 --> 00:17:39,320 Speaker 4: mean Cooper was covered in fur, thick like dreadlock fur. 363 00:17:39,680 --> 00:17:42,520 Speaker 4: Beautiful coat mate, ready for any season a day like this. 364 00:17:42,920 --> 00:17:44,240 Speaker 3: I mean I didn't get him to wear it, but 365 00:17:44,320 --> 00:17:46,040 Speaker 3: BJ would get him to wear a raincoat. 366 00:17:46,600 --> 00:17:46,800 Speaker 10: Yeah. 367 00:17:46,960 --> 00:17:49,560 Speaker 4: Absolutely, if you're wearing a raincoat. 368 00:17:49,600 --> 00:17:50,840 Speaker 3: It's Birberry as well. 369 00:17:52,760 --> 00:17:53,320 Speaker 8: From blows. 370 00:17:53,840 --> 00:17:56,000 Speaker 4: If you're wearing a raincoat so the dog comes back 371 00:17:56,000 --> 00:17:58,240 Speaker 4: into the house and doesn't put water everywhere, I get it. 372 00:17:58,440 --> 00:18:01,359 Speaker 4: If you're wearing a flannel, right, if your dogs are 373 00:18:01,480 --> 00:18:02,879 Speaker 4: a flannel it to keep warm. 374 00:18:03,240 --> 00:18:05,320 Speaker 10: That's just fashion, Darling, that's fashion. 375 00:18:05,640 --> 00:18:08,040 Speaker 4: That's a harsh fashion flannel. 376 00:18:08,520 --> 00:18:11,280 Speaker 6: You're just the most whipfley thing you've ever done fits 377 00:18:11,400 --> 00:18:12,560 Speaker 6: or your family has ever done. 378 00:18:12,640 --> 00:18:15,119 Speaker 7: Have a Burberry dog coat. I think you've shut out 379 00:18:15,160 --> 00:18:18,480 Speaker 7: of the whipfy client. If you've gone, I think way 380 00:18:18,560 --> 00:18:19,040 Speaker 7: fell for that. 381 00:18:19,160 --> 00:18:21,480 Speaker 3: Do you reckon? You reckon? I get myself. 382 00:18:24,359 --> 00:18:28,920 Speaker 7: Review think about that? 383 00:18:29,040 --> 00:18:31,800 Speaker 3: Do you reckon I've ever stepped foot into a Burbery store? 384 00:18:31,880 --> 00:18:34,040 Speaker 7: You idiots? That is the weakened. 385 00:18:35,359 --> 00:18:37,560 Speaker 3: If you take the out of it, it is it 386 00:18:37,720 --> 00:18:40,920 Speaker 3: sounds very key we doesn't it. That is the weakened 387 00:18:41,080 --> 00:18:42,240 Speaker 3: there with in your eyes. 388 00:18:44,119 --> 00:18:46,800 Speaker 4: Wow, that's a loose second coming upscribe. 389 00:18:48,840 --> 00:18:50,919 Speaker 3: Can we get many on any chance? 390 00:18:51,400 --> 00:18:52,280 Speaker 8: Not many? If anything? 391 00:18:52,840 --> 00:18:53,320 Speaker 3: Thursday? 392 00:18:54,040 --> 00:18:55,359 Speaker 8: Yeah, is it even in the system? 393 00:19:02,280 --> 00:19:06,399 Speaker 3: If any many many odds of getting this song on 394 00:19:06,560 --> 00:19:07,040 Speaker 3: the radio? 395 00:19:07,440 --> 00:19:12,199 Speaker 4: Not many. Just keep it going while he's singing. If 396 00:19:12,240 --> 00:19:15,200 Speaker 4: you could get that in for Thursday. Tell me God 397 00:19:15,920 --> 00:19:18,400 Speaker 4: some more music I'd like to submit for Thursday's throwbacks, 398 00:19:18,400 --> 00:19:20,280 Speaker 4: Tommy would be some Madonna if we can get that 399 00:19:20,440 --> 00:19:23,000 Speaker 4: in one of the great songs, four and a half 400 00:19:23,119 --> 00:19:26,560 Speaker 4: seconds to stay the world minutes seconds. 401 00:19:26,560 --> 00:19:27,159 Speaker 8: I sped it up. 402 00:19:27,200 --> 00:19:28,160 Speaker 3: People got to sing of the song. 403 00:19:29,560 --> 00:19:31,200 Speaker 4: It wasn't one of the biggest songs, was it? 404 00:19:31,800 --> 00:19:32,440 Speaker 8: Holidays? 405 00:19:32,480 --> 00:19:36,200 Speaker 3: Her best buy? An absolute mom mate, like a prayer, 406 00:19:37,359 --> 00:19:38,919 Speaker 3: Like a prayer was huge. 407 00:19:41,400 --> 00:19:42,720 Speaker 10: Material. 408 00:19:42,880 --> 00:19:46,040 Speaker 3: Girl. Yeah, LENI amazing what we've got. 409 00:19:46,200 --> 00:19:47,879 Speaker 4: David loves a little bit of Madonna. 410 00:19:47,920 --> 00:19:48,080 Speaker 3: Here. 411 00:19:48,160 --> 00:19:50,639 Speaker 4: He'll be playing all the hot Madonna tracks through to 412 00:19:50,760 --> 00:19:53,280 Speaker 4: nine o'clock this morning. The man, the myth, the Lenin. 413 00:19:53,400 --> 00:19:56,639 Speaker 4: Thank you, David. Let's go to this photo that the 414 00:19:57,040 --> 00:20:00,280 Speaker 4: Madonna has posted and I'll tell you what. Can you 415 00:20:00,320 --> 00:20:01,679 Speaker 4: bring it up in your packskuys, have a look at 416 00:20:01,720 --> 00:20:04,480 Speaker 4: the image. There she is in a bra and what 417 00:20:04,640 --> 00:20:08,000 Speaker 4: looks like a G string. She's sixty one. And I'll 418 00:20:08,000 --> 00:20:09,399 Speaker 4: tell you what if I've got a body like that 419 00:20:09,480 --> 00:20:12,080 Speaker 4: when I'm sixty one, well I've taken a different turn 420 00:20:12,119 --> 00:20:15,000 Speaker 4: in life. But I am as fit as a fiddle 421 00:20:15,040 --> 00:20:18,639 Speaker 4: because that is extraordinary. What a great effort from a Donna. 422 00:20:19,600 --> 00:20:21,879 Speaker 4: She goes on to say that the post that she 423 00:20:21,960 --> 00:20:25,560 Speaker 4: put up on Instagram says current wardrobe sitch. She then 424 00:20:25,640 --> 00:20:27,800 Speaker 4: goes on to say that if anybody is offended by this, 425 00:20:28,000 --> 00:20:31,879 Speaker 4: I've graduated from the University of zero f's given, so 426 00:20:32,040 --> 00:20:33,640 Speaker 4: you're not going to offend me if you think I'm 427 00:20:33,680 --> 00:20:35,080 Speaker 4: exposing far too much here. 428 00:20:35,160 --> 00:20:37,360 Speaker 3: Where's that university? Is that tough time? 429 00:20:38,000 --> 00:20:38,760 Speaker 4: I think it's Canberra. 430 00:20:40,440 --> 00:20:41,640 Speaker 3: Got a scholarship there, mate. 431 00:20:42,640 --> 00:20:44,640 Speaker 4: Going by Tom's wardrobe, people have got in there too. 432 00:20:46,119 --> 00:20:48,080 Speaker 4: But thirteen twenty four to ten. I mean, if you 433 00:20:48,119 --> 00:20:49,840 Speaker 4: look at the image, she's just in the bra and 434 00:20:49,880 --> 00:20:53,720 Speaker 4: the andes there extremely fit. Is she having a cigarette? No, 435 00:20:53,840 --> 00:20:56,000 Speaker 4: that's just a hand looking like that. I thought she 436 00:20:56,080 --> 00:20:56,800 Speaker 4: might have been having. 437 00:20:56,680 --> 00:20:59,600 Speaker 7: A gas cigarette and a bottle, but it's her underwear. 438 00:21:00,240 --> 00:21:03,720 Speaker 4: She's tolling right, Okay, Sure, she's just kicking back on 439 00:21:03,800 --> 00:21:07,639 Speaker 4: the lounge in front of the window. Liz Hurley's doing 440 00:21:07,680 --> 00:21:09,399 Speaker 4: a lot of the same guys. She's not afraid of 441 00:21:09,400 --> 00:21:12,040 Speaker 4: a swimwear shot. Madonna's coming at the age of sixty one. 442 00:21:12,119 --> 00:21:13,360 Speaker 4: Liz Hurley is at fifty four. 443 00:21:13,760 --> 00:21:17,840 Speaker 10: Look, kids, take her son takes the photo, so you 444 00:21:17,920 --> 00:21:20,159 Speaker 10: know he's on board. Where's Rocco in all this? Is 445 00:21:20,240 --> 00:21:21,440 Speaker 10: he just dying of shame? 446 00:21:21,520 --> 00:21:24,200 Speaker 4: In a question who took the photo of Madonna and 447 00:21:24,280 --> 00:21:25,639 Speaker 4: her reg Grundies, It's. 448 00:21:25,520 --> 00:21:26,240 Speaker 7: A great question. 449 00:21:27,200 --> 00:21:28,640 Speaker 10: Two year old boyfriend or something. 450 00:21:28,760 --> 00:21:33,840 Speaker 2: So she Liz Hurley wore a very famous dress that 451 00:21:34,000 --> 00:21:36,960 Speaker 2: she wore in a red carpet Sarah with Hugh Grant, 452 00:21:37,040 --> 00:21:39,320 Speaker 2: and I think it was something like twenty odd years ago. 453 00:21:39,480 --> 00:21:42,120 Speaker 2: And she still fits in, and I mean that she's hot. 454 00:21:42,480 --> 00:21:44,200 Speaker 2: That's a big plus, isn't it. When you can go 455 00:21:44,320 --> 00:21:47,280 Speaker 2: back to your wardrobe and you still fit into That's 456 00:21:47,320 --> 00:21:47,920 Speaker 2: a real wink. 457 00:21:48,080 --> 00:21:48,240 Speaker 3: Tom. 458 00:21:48,720 --> 00:21:53,400 Speaker 8: That happened for not much, only sometimes, But I'm proud when. 459 00:21:54,640 --> 00:21:56,359 Speaker 3: You don't fit into the formal dresses. 460 00:21:58,920 --> 00:22:04,320 Speaker 4: Thirteen twenty four, I'd love to know if you've had 461 00:22:04,359 --> 00:22:07,320 Speaker 4: to tell your mum, maybe just to cover it up 462 00:22:07,320 --> 00:22:09,440 Speaker 4: a little bit. I mean, if your mum was to 463 00:22:09,520 --> 00:22:12,000 Speaker 4: be doing some social media shots like Madge, of course 464 00:22:12,080 --> 00:22:15,800 Speaker 4: you'd probably disowner. But if there's a level too far 465 00:22:15,920 --> 00:22:20,440 Speaker 4: that your mum goes to with maybe mini skirts possibly plunging. 466 00:22:20,160 --> 00:22:23,600 Speaker 10: Necklines, didn't you And I'm not being disrespectful. 467 00:22:23,000 --> 00:22:24,280 Speaker 4: No, please respect my mom. 468 00:22:24,760 --> 00:22:29,440 Speaker 2: On the Golden slipper. Yeah, we went to rose Hill. 469 00:22:30,320 --> 00:22:32,359 Speaker 2: We went to rose Hill and it was an over event. 470 00:22:32,440 --> 00:22:35,800 Speaker 2: Remember Tommy, we had with all the Nova listeners there 471 00:22:35,920 --> 00:22:38,480 Speaker 2: and they were coming over and we're having a couple 472 00:22:38,520 --> 00:22:40,399 Speaker 2: of drinks with the listeners and stuff like that. I 473 00:22:40,440 --> 00:22:42,560 Speaker 2: think a couple of guys actually got a texture out 474 00:22:42,680 --> 00:22:44,560 Speaker 2: asking for an autograph and I. 475 00:22:44,640 --> 00:22:46,320 Speaker 3: Went to go do it, and then next thing you know, 476 00:22:47,720 --> 00:22:48,960 Speaker 3: they were asking Christine. 477 00:22:49,320 --> 00:22:51,800 Speaker 4: Well, at one stage John went missing and then we 478 00:22:51,920 --> 00:22:56,120 Speaker 4: found him down Mum's cleavage. Look, that was far too 479 00:22:56,240 --> 00:22:59,359 Speaker 4: much on the day, Ryan, I remember. I remember it 480 00:22:59,440 --> 00:23:02,480 Speaker 4: was about three and we decided to get a cardboard 481 00:23:02,640 --> 00:23:05,480 Speaker 4: Nova boy that was hanging around and just pop it 482 00:23:05,600 --> 00:23:09,240 Speaker 4: down her front. Respect respect it says Well. I was 483 00:23:09,280 --> 00:23:11,240 Speaker 4: trying not to distract the horses. A couple of the 484 00:23:11,280 --> 00:23:14,160 Speaker 4: horses were bolting into the rails. Everyone was completely thrown 485 00:23:14,560 --> 00:23:17,840 Speaker 4: by what was going on. And Christine has had a 486 00:23:17,880 --> 00:23:21,640 Speaker 4: couple of incidents like that. At mum's wedding, Sorry, at 487 00:23:21,720 --> 00:23:24,280 Speaker 4: my sister's wedding, I was the MC and I had 488 00:23:24,359 --> 00:23:26,720 Speaker 4: to make reference once again to the cleavage that had 489 00:23:26,800 --> 00:23:29,800 Speaker 4: joined us today because and Louise there was a fight 490 00:23:29,880 --> 00:23:32,440 Speaker 4: between the bride and the mother of the bride that 491 00:23:33,119 --> 00:23:35,000 Speaker 4: she was showing too much and she was a distraction 492 00:23:35,160 --> 00:23:38,080 Speaker 4: on the day. So I mean, I'm happy to dub 493 00:23:38,160 --> 00:23:40,080 Speaker 4: my mum. And I don't know if Claire Fizzle's ever 494 00:23:40,160 --> 00:23:44,119 Speaker 4: been one for the plunger, but she's never it's not 495 00:23:44,280 --> 00:23:50,040 Speaker 4: a nice plunging neckline. So that's respectful. That's definitely respectful. 496 00:23:51,160 --> 00:23:53,600 Speaker 4: I mean, Gail is a short skirt wearer when she 497 00:23:53,720 --> 00:23:55,320 Speaker 4: hits the golf course. We know that much. 498 00:23:56,119 --> 00:23:58,840 Speaker 5: Hey whips, can I just flag here? What's my mum's name? 499 00:23:58,880 --> 00:24:01,000 Speaker 5: Because I noted when my but we talk about parents, 500 00:24:01,080 --> 00:24:04,119 Speaker 5: you don't come to mind. So what's one of my parents' names? 501 00:24:04,520 --> 00:24:04,720 Speaker 4: Fix? 502 00:24:05,560 --> 00:24:06,040 Speaker 10: Nineties? 503 00:24:06,880 --> 00:24:07,719 Speaker 4: VICKI and David? 504 00:24:08,160 --> 00:24:08,920 Speaker 10: Okay, well done? 505 00:24:10,680 --> 00:24:10,920 Speaker 8: Safe? 506 00:24:11,520 --> 00:24:13,480 Speaker 4: Are you suggesting that David? And it's to be told 507 00:24:13,560 --> 00:24:14,399 Speaker 4: to cover up a little bit? 508 00:24:14,560 --> 00:24:17,560 Speaker 10: Are you wearing a hot bo and you know you 509 00:24:17,680 --> 00:24:19,040 Speaker 10: know how a kilt works. 510 00:24:19,280 --> 00:24:21,600 Speaker 4: At your wedding? Did he have anything under the kilt? 511 00:24:22,320 --> 00:24:24,600 Speaker 10: You'd never wear anything under the kilt. That's not how 512 00:24:24,640 --> 00:24:25,920 Speaker 10: the traditional Scott's do it. 513 00:24:26,119 --> 00:24:26,960 Speaker 4: No, you don't do that. 514 00:24:27,440 --> 00:24:29,440 Speaker 10: No, you never wear under it. That's going against the 515 00:24:29,760 --> 00:24:31,159 Speaker 10: whole island tradition. 516 00:24:31,600 --> 00:24:32,720 Speaker 3: If the jewels is wedding. 517 00:24:32,800 --> 00:24:36,480 Speaker 4: You think they'd be a break. I like a bed 518 00:24:36,520 --> 00:24:37,399 Speaker 4: that's really firm. 519 00:24:37,560 --> 00:24:39,560 Speaker 8: I need something a little softer than that. 520 00:24:39,760 --> 00:24:41,800 Speaker 12: Rest easy. Did the sleep number three sixty smart bet? 521 00:24:41,800 --> 00:24:43,760 Speaker 12: You can both adjust your comfort with your sleep number seven? 522 00:24:43,800 --> 00:24:45,360 Speaker 4: Can it really help me fall asleep faster? 523 00:24:45,600 --> 00:24:45,760 Speaker 3: Yes? 524 00:24:45,880 --> 00:24:46,960 Speaker 12: By gently warming your feet? 525 00:24:47,000 --> 00:24:47,240 Speaker 4: Okay? 526 00:24:47,280 --> 00:24:48,600 Speaker 7: But can it help keep us asleep? 527 00:24:48,680 --> 00:24:51,200 Speaker 12: It senses your movements and automatically adjust to keep you effortless, 528 00:24:51,240 --> 00:24:54,320 Speaker 12: be comfortable. Sleep number proven quality sleep is life changing sleep. 529 00:24:54,760 --> 00:24:56,600 Speaker 12: It's our biggest sale of the year. Where all beds 530 00:24:56,640 --> 00:24:58,760 Speaker 12: are on sale. Say fifty percent on the Sleep number 531 00:24:58,760 --> 00:25:01,680 Speaker 12: three sixty limited editions that only for a limited time. 532 00:25:02,040 --> 00:25:03,920 Speaker 12: To learn more, go to sleep number dot com. 533 00:25:08,560 --> 00:25:15,280 Speaker 2: The old wedding can be frustrating and also extremely stressful, 534 00:25:15,400 --> 00:25:17,720 Speaker 2: and I want to hear from you. Thirteen twenty four ten. 535 00:25:18,320 --> 00:25:20,119 Speaker 2: We do have a lot of problems with in laws 536 00:25:20,160 --> 00:25:23,159 Speaker 2: at weddings. Did the in laws or one of the 537 00:25:23,240 --> 00:25:26,080 Speaker 2: in laws ruin your wedding? How did they upset you 538 00:25:26,600 --> 00:25:28,520 Speaker 2: on the biggest day of your life? Give us a 539 00:25:28,560 --> 00:25:31,800 Speaker 2: call thirteen twenty four ten. Now we all know that 540 00:25:31,840 --> 00:25:33,320 Speaker 2: you've got to be on time if you're a part 541 00:25:33,359 --> 00:25:34,919 Speaker 2: of the wedding and you're a part of the family. 542 00:25:35,000 --> 00:25:35,679 Speaker 3: You've got to be there. 543 00:25:35,680 --> 00:25:38,840 Speaker 2: You've got to dress smart. And one of the number 544 00:25:38,920 --> 00:25:41,320 Speaker 2: one rules as well, Sarah, is that you do not 545 00:25:41,480 --> 00:25:44,120 Speaker 2: wear white. If you are a female, do not take 546 00:25:44,160 --> 00:25:46,000 Speaker 2: the focus away from the bridgrainant. 547 00:25:46,320 --> 00:25:47,120 Speaker 3: It's her day. 548 00:25:48,520 --> 00:25:51,600 Speaker 2: Did anyone, I suppose from what I was wearing at 549 00:25:51,680 --> 00:25:54,680 Speaker 2: your wedding, Sarah? But were you disappointed? Were you disappointed 550 00:25:54,720 --> 00:25:57,480 Speaker 2: with anyone? Did your bride bride's aids give you any 551 00:25:57,520 --> 00:25:59,600 Speaker 2: grief at all with the dresses that they had to wear? 552 00:25:59,680 --> 00:25:59,960 Speaker 3: Sarah? 553 00:26:00,520 --> 00:26:03,280 Speaker 5: They weren't stoked, but then sisters are quite wingy like that. 554 00:26:03,520 --> 00:26:05,680 Speaker 5: But no, I was a little less stoked when you 555 00:26:05,800 --> 00:26:11,440 Speaker 5: rocked in with a Cutoffslanelad's shirt halfway shirts halfway through 556 00:26:11,480 --> 00:26:13,800 Speaker 5: a ceremony, the door slams, and I looked to the 557 00:26:13,880 --> 00:26:15,480 Speaker 5: back of the church and go, oh. 558 00:26:15,440 --> 00:26:22,200 Speaker 4: Yeah, isn't it amazing that no one else is allowed 559 00:26:22,240 --> 00:26:24,159 Speaker 4: to wear white because the bride's wearing white, Although if 560 00:26:24,160 --> 00:26:26,280 Speaker 4: it's a black tie wedding, the groom is happy for 561 00:26:26,400 --> 00:26:32,320 Speaker 4: every other bloke to wear exactly what he's wearing, exactly 562 00:26:32,760 --> 00:26:35,800 Speaker 4: the same outfit, rinse and repeat. 563 00:26:35,960 --> 00:26:39,359 Speaker 3: Well, Deborah was getting Deborah was getting married to Brian. 564 00:26:39,480 --> 00:26:42,840 Speaker 2: This is over in the UK and dev doesn't get 565 00:26:42,840 --> 00:26:45,280 Speaker 2: along with her mother in law at all, and she 566 00:26:45,400 --> 00:26:47,600 Speaker 2: didn't on the day of the wedding Sarah, because Mum. 567 00:26:47,560 --> 00:26:49,280 Speaker 3: Decided to rock up in a white dress. 568 00:26:49,600 --> 00:26:53,560 Speaker 2: Oh dear. Obviously in the photos. She was so upset 569 00:26:53,640 --> 00:26:56,560 Speaker 2: in the photos she thought, how do I fix this? 570 00:26:56,840 --> 00:27:00,760 Speaker 2: She said, be patient, Deborah, be patient? A bad idea 571 00:27:00,800 --> 00:27:02,800 Speaker 2: is what she did. When she got the photos back. 572 00:27:02,880 --> 00:27:06,639 Speaker 2: She got the wedding photographer to change every shot. Mum's 573 00:27:06,720 --> 00:27:08,880 Speaker 2: dress went from white to red. 574 00:27:09,280 --> 00:27:10,639 Speaker 8: Also, I've got her beauty. 575 00:27:12,000 --> 00:27:15,200 Speaker 2: One will remember the mother in white on the day 576 00:27:15,320 --> 00:27:18,880 Speaker 2: because every single photo that dress has been changed to red. 577 00:27:19,000 --> 00:27:21,600 Speaker 3: Score. It caused a bit of a stir, but that's. 578 00:27:21,480 --> 00:27:24,320 Speaker 4: What any reaction from the mother in law. And when 579 00:27:24,400 --> 00:27:25,760 Speaker 4: she saw the photos. 580 00:27:25,440 --> 00:27:27,160 Speaker 3: There was blow ups, blow ups. 581 00:27:27,320 --> 00:27:29,000 Speaker 2: This is what I love about weddings. I mean, that's 582 00:27:29,040 --> 00:27:30,959 Speaker 2: the entertainment when families blissed. 583 00:27:31,359 --> 00:27:33,520 Speaker 4: Everybody knows who the bride is on the day, right 584 00:27:33,720 --> 00:27:35,800 Speaker 4: because you're there because you know them, because you're either 585 00:27:35,840 --> 00:27:36,720 Speaker 4: a very close. 586 00:27:36,520 --> 00:27:37,280 Speaker 8: Family or friend. 587 00:27:37,440 --> 00:27:39,400 Speaker 4: If someone else wears the dress that's got a little 588 00:27:39,400 --> 00:27:43,760 Speaker 4: bit of white on it does it really matter sensitive? 589 00:27:44,280 --> 00:27:45,119 Speaker 3: Well do you know what? 590 00:27:45,160 --> 00:27:46,800 Speaker 10: It comes down to the bride? And to be fair, 591 00:27:46,880 --> 00:27:48,639 Speaker 10: I wouldn't care because I couldn't tell you what anyone 592 00:27:48,680 --> 00:27:50,640 Speaker 10: else on the day either day with that's the thing. 593 00:27:50,840 --> 00:27:52,879 Speaker 5: But if you were wearing a long white dress, if 594 00:27:52,920 --> 00:27:55,560 Speaker 5: it were formal, it's probably a little bit on the nose. 595 00:27:55,840 --> 00:27:57,440 Speaker 10: But you just look like you're trying too hard. 596 00:27:57,520 --> 00:27:59,880 Speaker 2: Mattie's giving a skirl from Woodford. What did your pair 597 00:28:00,119 --> 00:28:04,879 Speaker 2: still on your wedding day, Maddie, Maddy, Maddie, Yeah, Maddie, 598 00:28:04,920 --> 00:28:05,240 Speaker 2: you're there. 599 00:28:07,440 --> 00:28:08,440 Speaker 3: Oh geez. 600 00:28:08,520 --> 00:28:13,720 Speaker 2: That Maddie Maddie written up on the board is very 601 00:28:13,840 --> 00:28:17,560 Speaker 2: similar to Len. But Lynn will hear your story as well? Well, 602 00:28:22,840 --> 00:28:23,679 Speaker 2: I can't hear. 603 00:28:25,720 --> 00:28:29,359 Speaker 13: To go at everybody else the. 604 00:28:32,520 --> 00:28:35,080 Speaker 10: Fastest, Lenny, come back a bit? 605 00:28:35,200 --> 00:28:36,960 Speaker 4: Sorry, what will do? 606 00:28:37,560 --> 00:28:40,720 Speaker 3: We might come back to you in a couple of years. 607 00:28:42,280 --> 00:28:46,920 Speaker 1: Were still Maddie Lyn story. 608 00:28:47,720 --> 00:28:48,400 Speaker 13: One years ago? 609 00:28:49,560 --> 00:28:50,640 Speaker 4: I'm still going. 610 00:28:53,080 --> 00:28:59,320 Speaker 13: There all but anyway, choose We got the bit we want, got. 611 00:28:59,200 --> 00:29:01,960 Speaker 4: The bit we wanted, and I missed ninety percent of it, 612 00:29:02,040 --> 00:29:02,800 Speaker 4: but I love the end. 613 00:29:03,680 --> 00:29:05,680 Speaker 8: Just a quick one to bring up with you, says 614 00:29:05,720 --> 00:29:07,760 Speaker 8: I know this time yesterday you were talking about the 615 00:29:07,840 --> 00:29:09,920 Speaker 8: drama behind song songs a song song. 616 00:29:11,440 --> 00:29:14,680 Speaker 4: Up in here yesterday. I was absolutely torn another one 617 00:29:14,760 --> 00:29:18,000 Speaker 4: for Sarah suggesting that songs a song song song I'd 618 00:29:18,200 --> 00:29:21,040 Speaker 4: ripped off because it had been played another interview format. 619 00:29:21,200 --> 00:29:25,320 Speaker 8: I'm like two years ago discuss and I'm. 620 00:29:25,160 --> 00:29:28,000 Speaker 11: Going to be playing a game of song association, which 621 00:29:28,120 --> 00:29:30,200 Speaker 11: is where I'm showing a word and I. 622 00:29:30,280 --> 00:29:34,400 Speaker 8: Have ten seconds to sing a song that that has 623 00:29:34,480 --> 00:29:35,000 Speaker 8: that word in it. 624 00:29:35,560 --> 00:29:36,760 Speaker 12: So here we go. 625 00:29:37,240 --> 00:29:38,040 Speaker 3: That's Complaine. 626 00:29:38,240 --> 00:29:42,320 Speaker 4: That is rip off song association. What a terrible name 627 00:29:42,360 --> 00:29:42,800 Speaker 4: for a game. 628 00:29:43,560 --> 00:29:46,480 Speaker 3: Terrible. Now your song titles at. 629 00:29:47,880 --> 00:29:50,440 Speaker 4: What I'm doing far more catchy again, and we've got 630 00:29:50,480 --> 00:29:53,640 Speaker 4: the mass singer coming up after that's hid and sing 631 00:29:53,760 --> 00:29:55,200 Speaker 4: Mate now relaunched that. 632 00:29:55,400 --> 00:29:57,200 Speaker 8: One of the other games. It actually is coming up 633 00:29:57,240 --> 00:30:02,320 Speaker 8: almost this time tomorrow. Quote quote face. I've had an 634 00:30:02,360 --> 00:30:05,680 Speaker 8: email overnight and I want to bring this across your desk. 635 00:30:05,760 --> 00:30:06,000 Speaker 3: Guys. 636 00:30:07,240 --> 00:30:09,400 Speaker 8: Hi, my name is Aaron. I'm one of three people 637 00:30:09,440 --> 00:30:12,240 Speaker 8: in the podcast group. Don't bowl there. 638 00:30:13,960 --> 00:30:14,880 Speaker 4: A bowling podcast? 639 00:30:15,200 --> 00:30:16,480 Speaker 3: Cricket? Is it to do with cricket? 640 00:30:16,520 --> 00:30:20,320 Speaker 8: I don't know, I don't know, Bucky says. He says, 641 00:30:20,360 --> 00:30:22,040 Speaker 8: as a regular fit scene with listener in the morning 642 00:30:22,120 --> 00:30:24,120 Speaker 8: is one of my favorite segments is quote unit, quote face, 643 00:30:24,520 --> 00:30:27,760 Speaker 8: and I'm looking to in court. It's Aaron. I'm looking 644 00:30:27,880 --> 00:30:32,560 Speaker 8: to incorporate it into our podcast. I don't do it, Aaron, 645 00:30:32,640 --> 00:30:34,960 Speaker 8: and I want to make sure there are no copyright 646 00:30:35,040 --> 00:30:40,160 Speaker 8: issues before we do it. If there are copyright issues, 647 00:30:40,560 --> 00:30:42,800 Speaker 8: can you advise on how we get around it? Or 648 00:30:43,880 --> 00:30:47,440 Speaker 8: would Whipper like to host the segment himself in our podcast? 649 00:30:51,320 --> 00:30:53,320 Speaker 4: Look, it is registered. 650 00:30:54,360 --> 00:30:55,400 Speaker 8: Do you want to talk to Aaron. 651 00:30:55,960 --> 00:30:58,719 Speaker 3: Let's listen to Whipper. Let's talk to Aaron in man. 652 00:30:58,880 --> 00:30:59,520 Speaker 3: I Hi, Aaron. 653 00:31:00,240 --> 00:31:01,400 Speaker 11: Hey, you guys here you going. 654 00:31:01,640 --> 00:31:05,520 Speaker 3: Apparently dropping the ball with the podcast there dropping the ball. 655 00:31:06,560 --> 00:31:09,680 Speaker 11: Yeah, so now we're there's three of us, were all 656 00:31:09,720 --> 00:31:12,880 Speaker 11: avid listeners of our sitting. We love all segments that 657 00:31:12,960 --> 00:31:15,880 Speaker 11: you guys have, so yeah, just thought we'd incorporate a 658 00:31:15,920 --> 00:31:17,160 Speaker 11: few of it into our podcast. 659 00:31:17,200 --> 00:31:18,880 Speaker 9: Hopefully it's really clever. 660 00:31:19,280 --> 00:31:21,800 Speaker 4: At the moment, the license fee stands at around twenty 661 00:31:21,880 --> 00:31:24,200 Speaker 4: dollars a quote, So look, I can come on as 662 00:31:24,240 --> 00:31:27,240 Speaker 4: a hosting fee as well. And do you want to 663 00:31:27,360 --> 00:31:29,680 Speaker 4: use the actual name of the segment as well quite 664 00:31:29,720 --> 00:31:30,440 Speaker 4: a quote face. 665 00:31:31,240 --> 00:31:35,840 Speaker 11: Yeah, absolutely so we definitely like to associate with such 666 00:31:35,880 --> 00:31:41,240 Speaker 11: a high class segment like, yeah, class, Aaron. 667 00:31:41,000 --> 00:31:42,280 Speaker 4: He's a hashtag smart funny. 668 00:31:42,400 --> 00:31:44,480 Speaker 3: Is it a cricket cricketing podcast? 669 00:31:45,000 --> 00:31:48,200 Speaker 8: Aaron, Yeah, it isn't. 670 00:31:48,240 --> 00:31:48,680 Speaker 11: It isn't. 671 00:31:48,760 --> 00:31:52,920 Speaker 10: Almost nothing to do with sport. 672 00:31:53,040 --> 00:31:56,000 Speaker 11: Aaron, Yeah, it does to do. It is to do 673 00:31:56,120 --> 00:31:59,400 Speaker 11: with sport. But we like to sort of change it 674 00:31:59,480 --> 00:32:01,360 Speaker 11: up a bit and try and try and meet different 675 00:32:01,440 --> 00:32:05,720 Speaker 11: listeners and incorporate different sort of segments and and and 676 00:32:06,000 --> 00:32:08,440 Speaker 11: so that's how we feel. We just get it. Get 677 00:32:08,480 --> 00:32:09,000 Speaker 11: it that way. 678 00:32:10,320 --> 00:32:12,440 Speaker 4: Do you have a favorite quote, mate, just off the 679 00:32:12,680 --> 00:32:13,480 Speaker 4: top of your head that. 680 00:32:14,960 --> 00:32:18,600 Speaker 11: One of my favorite movies is Rocky So and I did, 681 00:32:18,600 --> 00:32:21,200 Speaker 11: it would probably be up there rock Yeah. 682 00:32:22,360 --> 00:32:23,960 Speaker 3: I would have got that. I would have got it. 683 00:32:25,640 --> 00:32:31,600 Speaker 4: Redemption Well, Aaron, Tom is my manager. Tom will negotiate 684 00:32:32,240 --> 00:32:32,600 Speaker 4: for you. 685 00:32:33,000 --> 00:32:36,400 Speaker 8: I guess timing and question then to the to the 686 00:32:36,480 --> 00:32:39,719 Speaker 8: team in here is if quoting quote Face goes into 687 00:32:39,760 --> 00:32:41,720 Speaker 8: a podcast, does that remove it from the radio? 688 00:32:42,160 --> 00:32:42,200 Speaker 4: No? 689 00:32:42,400 --> 00:32:46,560 Speaker 3: No, No, I have another suggestion, Tommy. There we go. 690 00:32:47,640 --> 00:32:50,920 Speaker 2: Aaron hosts the next quoting MC quote face. Now, hang 691 00:32:51,000 --> 00:32:53,000 Speaker 2: on a minute, Aaron, would you come on the Fit 692 00:32:53,640 --> 00:32:57,040 Speaker 2: Show and would you be the host of Quoting quote Face. 693 00:32:57,040 --> 00:32:58,800 Speaker 2: We're doing it tomorrow time tomorrow eight o'clock. 694 00:32:59,040 --> 00:33:00,719 Speaker 3: Aaron, could you do it for us tomorrow? 695 00:33:01,560 --> 00:33:02,280 Speaker 11: Yeah, I can do that. 696 00:33:02,520 --> 00:33:05,880 Speaker 8: You Wow, we just got rid of our hosts. 697 00:33:06,080 --> 00:33:09,640 Speaker 4: Aaron. We look, we'll go through the terms after nine o'clock. 698 00:33:09,720 --> 00:33:11,960 Speaker 4: We haven't locked this in yet because obviously I'm passionate 699 00:33:11,960 --> 00:33:13,840 Speaker 4: about quite a bit close face, and we'll have to 700 00:33:13,840 --> 00:33:15,000 Speaker 4: wait and see how it plays out. 701 00:33:15,120 --> 00:33:21,640 Speaker 7: So good, Yeah, it's kind of like it's a bit 702 00:33:21,680 --> 00:33:24,360 Speaker 7: of a chore. I suppose. I suppose I can come 703 00:33:24,440 --> 00:33:26,720 Speaker 7: on and yeah, do your segments, like, all. 704 00:33:26,680 --> 00:33:27,400 Speaker 3: Right, I know. 705 00:33:28,960 --> 00:33:33,080 Speaker 4: Just to clarify, we've still got Riddle Time happening on Friday. 706 00:33:33,160 --> 00:33:34,360 Speaker 4: I'm still the host of that. 707 00:33:34,600 --> 00:33:37,200 Speaker 8: Yeah, you keep Riddle Time and song song. But tomorrow 708 00:33:37,880 --> 00:33:40,960 Speaker 8: Aaron from men I from the Don't Ball There podcast 709 00:33:41,120 --> 00:33:43,800 Speaker 8: is hosting quote un comments, What a time to be 710 00:33:43,880 --> 00:33:45,040 Speaker 8: a live on. 711 00:33:46,120 --> 00:33:49,959 Speaker 4: How's this for a great celebration story? Twelve factory workers 712 00:33:50,080 --> 00:33:54,959 Speaker 4: got together and they have for the last ten years 713 00:33:55,240 --> 00:33:59,080 Speaker 4: used the same lotto numbers and then Bengo Bengo. The 714 00:33:59,240 --> 00:34:02,000 Speaker 4: one point two million dollar jack pot goes to the 715 00:34:02,080 --> 00:34:02,920 Speaker 4: factory workers. 716 00:34:04,280 --> 00:34:06,640 Speaker 3: To it is that you've got to split that between twelve, 717 00:34:06,720 --> 00:34:07,200 Speaker 3: do you mate? 718 00:34:07,200 --> 00:34:09,360 Speaker 4: They also picked up Division one, and they picked up 719 00:34:09,400 --> 00:34:11,040 Speaker 4: Division three as well. 720 00:34:11,600 --> 00:34:14,320 Speaker 3: Is that extraordinary? Will train your life without it? 721 00:34:14,360 --> 00:34:17,200 Speaker 4: One hundred and twelve thousand dollars they took home, all 722 00:34:17,360 --> 00:34:19,439 Speaker 4: celebrating as they stormed out the door. 723 00:34:19,600 --> 00:34:22,439 Speaker 3: Wish you could offload a couple of workers that haven't 724 00:34:22,480 --> 00:34:24,319 Speaker 3: been involved with it for a while, though, you'd look 725 00:34:24,360 --> 00:34:26,000 Speaker 3: into every situation. 726 00:34:26,560 --> 00:34:28,560 Speaker 4: And in these sort of stories too, there's always the 727 00:34:28,600 --> 00:34:30,320 Speaker 4: guy who goes, well, hang on a minute, I actually 728 00:34:30,320 --> 00:34:32,120 Speaker 4: bought the tickets, so I own it, and he's prepared 729 00:34:32,120 --> 00:34:34,000 Speaker 4: to sacrifice all the friendships just. 730 00:34:34,040 --> 00:34:34,799 Speaker 3: To take the cash. 731 00:34:35,600 --> 00:34:38,200 Speaker 4: Then there's the other guy who's normally included, but he 732 00:34:38,440 --> 00:34:41,240 Speaker 4: wasn't included. Those stories come out of these group tickets. 733 00:34:41,360 --> 00:34:44,440 Speaker 2: There's always well, there's always one that hasn't paid for 734 00:34:44,560 --> 00:34:45,440 Speaker 2: a while as well. 735 00:34:45,760 --> 00:34:49,920 Speaker 3: Yeah, mate, and then I was going to pay it. 736 00:34:50,400 --> 00:34:52,239 Speaker 4: And then there's Damo who had a sick day on 737 00:34:52,320 --> 00:34:54,480 Speaker 4: the day they won, so he didn't actually have a ticket, 738 00:34:54,560 --> 00:34:57,239 Speaker 4: so should he get the money as well? What I 739 00:34:57,360 --> 00:34:59,600 Speaker 4: do like about this story is on the spot, three 740 00:34:59,680 --> 00:35:02,240 Speaker 4: of them down tools and walk straight out the door. 741 00:35:03,480 --> 00:35:05,719 Speaker 7: Because one grand's not going to get you all. 742 00:35:05,680 --> 00:35:07,719 Speaker 5: That far down the road, or I don't know, what 743 00:35:07,840 --> 00:35:10,200 Speaker 5: they had outstanding. I think that was something to clear 744 00:35:10,239 --> 00:35:12,680 Speaker 5: your debts. You can tell that boss you don't like 745 00:35:12,719 --> 00:35:13,120 Speaker 5: where to go. 746 00:35:14,360 --> 00:35:17,200 Speaker 3: Yeah, true, you've got to stick. You got working still. 747 00:35:17,600 --> 00:35:20,120 Speaker 4: If they've paid off the house, or they just decided, 748 00:35:20,160 --> 00:35:21,880 Speaker 4: you know what, I'm only in this job and I 749 00:35:22,000 --> 00:35:24,839 Speaker 4: need a holiday. Right about now is the perfect time 750 00:35:24,920 --> 00:35:26,480 Speaker 4: to go. Stuff it, because I was going to tell 751 00:35:26,520 --> 00:35:28,560 Speaker 4: the boss whether i'd won one hundred and twelve thousand 752 00:35:28,680 --> 00:35:31,640 Speaker 4: or not, which is what three of them have done. 753 00:35:31,760 --> 00:35:34,080 Speaker 4: Tools down straight out the door, didn't turn up the 754 00:35:34,160 --> 00:35:37,480 Speaker 4: next day, and haven't returned to the factory. Awesome, thurteen 755 00:35:37,480 --> 00:35:39,279 Speaker 4: twenty four ten. If you've just walked out and that 756 00:35:39,440 --> 00:35:41,759 Speaker 4: was the way you quit, and you've just done the 757 00:35:41,880 --> 00:35:45,919 Speaker 4: storm out, you don't need to say anything. You don't 758 00:35:45,920 --> 00:35:48,399 Speaker 4: even send an email, you don't thank anybody for their time, 759 00:35:48,680 --> 00:35:50,400 Speaker 4: don't even hand your security pass back. 760 00:35:50,440 --> 00:35:51,240 Speaker 7: You're just gone. 761 00:35:51,440 --> 00:35:52,600 Speaker 4: I'd love that story. 762 00:35:52,719 --> 00:35:54,440 Speaker 3: I did that to mister Bellamy. I told you that 763 00:35:54,480 --> 00:35:56,200 Speaker 3: at Franklin's, I just had enough. 764 00:35:56,400 --> 00:35:58,920 Speaker 2: He was getting stuck into me too much, and I 765 00:35:59,080 --> 00:36:02,879 Speaker 2: took my apron as the checkout chicks eerah, And as 766 00:36:02,960 --> 00:36:06,120 Speaker 2: I stormed out, everyone was like just the gasps I 767 00:36:06,280 --> 00:36:09,200 Speaker 2: was getting from my fellow employees, liked, what you were doing? 768 00:36:09,320 --> 00:36:11,279 Speaker 3: Going to do it? Is he going to do? He's 769 00:36:11,320 --> 00:36:11,920 Speaker 3: going to stand up? 770 00:36:11,960 --> 00:36:16,960 Speaker 2: And as I walked out slowly, the doors open there 771 00:36:17,320 --> 00:36:19,279 Speaker 2: and I remember turning around. It was one of the 772 00:36:19,480 --> 00:36:23,760 Speaker 2: best moments ever. Looked straight at him, the old planet 773 00:36:23,800 --> 00:36:24,920 Speaker 2: knife bird came out. 774 00:36:25,000 --> 00:36:27,919 Speaker 14: I just stuck up my middle finger and I could 775 00:36:27,960 --> 00:36:30,040 Speaker 14: see one of the girls just looked at me and 776 00:36:30,160 --> 00:36:35,000 Speaker 14: with this amazing just express side face, like you've done it, 777 00:36:35,120 --> 00:36:35,840 Speaker 14: You've made. 778 00:36:35,680 --> 00:36:39,719 Speaker 4: It, You've done it for We flicked him the big Brother, 779 00:36:40,080 --> 00:36:43,200 Speaker 4: and I feel like the only missing thing was everybody 780 00:36:43,280 --> 00:36:45,240 Speaker 4: standing there and then the slow clap would. 781 00:36:45,080 --> 00:36:46,920 Speaker 2: Have stand for the rest of the staff in the 782 00:36:47,040 --> 00:36:49,960 Speaker 2: peach year in your name. People were crying, you know. 783 00:36:50,080 --> 00:36:52,120 Speaker 3: It was a movement. It was a revolution, man. 784 00:36:52,640 --> 00:36:56,960 Speaker 6: I remember of those that missed the said pocket knife bird, 785 00:36:57,040 --> 00:36:59,360 Speaker 6: not just pocket knife, because if you just pocket knife 786 00:36:59,400 --> 00:37:03,080 Speaker 6: on him, that is a very different sort of situation created. 787 00:37:03,280 --> 00:37:05,399 Speaker 4: It's the one finger salute. He did not pull out 788 00:37:05,400 --> 00:37:05,800 Speaker 4: a knife. 789 00:37:06,680 --> 00:37:07,400 Speaker 3: I wouldn't do that. 790 00:37:07,840 --> 00:37:10,120 Speaker 4: Hold the arrest. I used to work in an rs 791 00:37:10,280 --> 00:37:14,200 Speaker 4: L and my job was an ash trays and the 792 00:37:14,400 --> 00:37:19,440 Speaker 4: ashtray says it was the ashtrays between the pokey machines. 793 00:37:19,960 --> 00:37:22,640 Speaker 4: Did your dad own the RSL or what was Yeah, 794 00:37:22,680 --> 00:37:26,279 Speaker 4: we own rs L as a family when we owned 795 00:37:26,280 --> 00:37:27,360 Speaker 4: the return service like for. 796 00:37:27,400 --> 00:37:30,240 Speaker 2: A long time, you picking up ashtrays in an RSL, 797 00:37:30,360 --> 00:37:31,640 Speaker 2: you would have been disgusted. 798 00:37:31,920 --> 00:37:34,160 Speaker 4: It was terrible, mate. I couldn't believe what I'd lower 799 00:37:34,239 --> 00:37:36,799 Speaker 4: myself to do. If it's you're dead right, because I'm 800 00:37:37,000 --> 00:37:40,640 Speaker 4: extremely high brow, so I would have to clean out 801 00:37:40,680 --> 00:37:44,239 Speaker 4: your right sair the ash tray. Paul Bears just wasn't 802 00:37:44,400 --> 00:37:47,399 Speaker 4: great at it and wasn't that interested. And it came 803 00:37:47,440 --> 00:37:50,640 Speaker 4: to the point where she said, we definitely need you 804 00:37:50,719 --> 00:37:52,640 Speaker 4: for Friday night, there's an event here at the r 805 00:37:52,840 --> 00:37:58,920 Speaker 4: s L. And I knew that I'd had enough. And Barry, 806 00:37:59,000 --> 00:38:01,640 Speaker 4: who lived around the court, it was having a fiftieth mate. 807 00:38:01,800 --> 00:38:06,439 Speaker 4: There wasn't anything to do with the diggers. Come on, mate, 808 00:38:06,480 --> 00:38:10,000 Speaker 4: your little hand scrub scrub that tray for us. And 809 00:38:10,160 --> 00:38:12,560 Speaker 4: I said, see your Friday night. I will be there, 810 00:38:12,760 --> 00:38:15,359 Speaker 4: knowing there was no way I was returning walking out 811 00:38:15,440 --> 00:38:15,799 Speaker 4: that door. 812 00:38:16,040 --> 00:38:19,239 Speaker 3: Forget about it, mate, start a revolution, man, I did it. 813 00:38:19,400 --> 00:38:23,400 Speaker 4: Not one person realized or called or cared. Can We 814 00:38:23,560 --> 00:38:28,719 Speaker 4: just thank everybody. Thank everybody for their support, their emails, 815 00:38:28,800 --> 00:38:31,800 Speaker 4: their messages, their cards, their flowers, their baskets of fruit, 816 00:38:32,320 --> 00:38:36,160 Speaker 4: everybody that said congratulations on your great effort to break 817 00:38:36,200 --> 00:38:38,879 Speaker 4: the world record for the longest hot wheels track. It's 818 00:38:38,920 --> 00:38:39,480 Speaker 4: been emotional. 819 00:38:39,520 --> 00:38:40,719 Speaker 3: I think it's disappointing. 820 00:38:40,960 --> 00:38:43,040 Speaker 4: It has been moving. It was a great warm up 821 00:38:43,080 --> 00:38:45,400 Speaker 4: day at tarrong Azero. We thank the people there, the 822 00:38:45,480 --> 00:38:50,120 Speaker 4: starffe the animals, thank you for being their mate, waving 823 00:38:50,160 --> 00:38:52,799 Speaker 4: a flag, teaching my kids the word mongrelm and going home. 824 00:38:53,480 --> 00:38:57,080 Speaker 4: That was awesome. Thanks for help. But, like I said, 825 00:38:57,160 --> 00:38:59,200 Speaker 4: an awesome warm up day. The hot wheel dream is 826 00:38:59,280 --> 00:39:01,880 Speaker 4: still alive. Seven hundred meters is the record we need 827 00:39:01,960 --> 00:39:04,839 Speaker 4: to break. Guys, currently stands at six hundred and sixty three. 828 00:39:05,640 --> 00:39:08,400 Speaker 4: Scouting Sydney at the moment for different track locations for 829 00:39:08,440 --> 00:39:12,239 Speaker 4: Attemp number two, and we're starting to look good. We're 830 00:39:12,360 --> 00:39:15,239 Speaker 4: just strilling down on a couple of spots where we 831 00:39:15,400 --> 00:39:19,399 Speaker 4: feel it could work well. Clearance is the next thing 832 00:39:19,960 --> 00:39:21,920 Speaker 4: and making sure that we've ticked everything off, but. 833 00:39:22,000 --> 00:39:24,799 Speaker 3: So give us options. What's the sure where we looking. 834 00:39:25,239 --> 00:39:28,520 Speaker 4: Yeah, there's some good spots. There's a few around the city. 835 00:39:29,320 --> 00:39:33,800 Speaker 4: There's a couple towards the west. I can't reveal it 836 00:39:34,280 --> 00:39:36,840 Speaker 4: due to people demanding that they're there. We can't have 837 00:39:36,880 --> 00:39:37,440 Speaker 4: too many peoples. 838 00:39:37,760 --> 00:39:41,080 Speaker 8: The good thing is that even though you didn't achieve 839 00:39:42,239 --> 00:39:43,439 Speaker 8: last week, good test. 840 00:39:43,640 --> 00:39:44,160 Speaker 4: Yeah, the. 841 00:39:46,120 --> 00:39:50,600 Speaker 8: Hot Wheels hotline is still open. Great, which I'd forgotten 842 00:39:50,640 --> 00:39:54,520 Speaker 8: that it was nine triple nine six. We actually got 843 00:39:54,560 --> 00:39:57,400 Speaker 8: a call yesterday with this suggestion, would you like to hear? 844 00:39:57,760 --> 00:39:57,960 Speaker 4: Sure? 845 00:39:58,320 --> 00:40:02,040 Speaker 9: Yeah, Tom doing Why don't you just go straight your 846 00:40:02,080 --> 00:40:04,680 Speaker 9: pink instead of doing these twists and turns. I think 847 00:40:04,719 --> 00:40:06,920 Speaker 9: I could do a better job. I'm really tempted to 848 00:40:07,040 --> 00:40:09,279 Speaker 9: just go and buy themself and just buy some track 849 00:40:09,480 --> 00:40:10,320 Speaker 9: and do it myself. 850 00:40:11,239 --> 00:40:13,240 Speaker 8: Just go straight. 851 00:40:13,920 --> 00:40:17,040 Speaker 3: Well, can we get the track to that guy? 852 00:40:19,520 --> 00:40:21,719 Speaker 4: I think you're missing the idea fits as a show. 853 00:40:21,800 --> 00:40:24,520 Speaker 4: We're going to break the world. Everyone together to. 854 00:40:24,680 --> 00:40:28,320 Speaker 6: Actually call the hot line, just calling to criticize, like 855 00:40:28,440 --> 00:40:30,560 Speaker 6: the only real hot line call you got. 856 00:40:31,000 --> 00:40:32,600 Speaker 4: I didn't say that it wasn't criticism. 857 00:40:32,800 --> 00:40:35,719 Speaker 2: I mean he did call me a peanut, which you 858 00:40:35,800 --> 00:40:39,439 Speaker 2: know what the tough thing was. I mean, your kid's 859 00:40:39,480 --> 00:40:41,160 Speaker 2: got to spend a day at to Wrongoll, which was 860 00:40:41,200 --> 00:40:44,040 Speaker 2: an amazing game. Yeah, but for them to get into 861 00:40:44,120 --> 00:40:47,919 Speaker 2: the car the rangy and to know that their dad 862 00:40:47,920 --> 00:40:48,960 Speaker 2: had failed for the day. 863 00:40:49,920 --> 00:40:52,120 Speaker 3: That was a sight that that really hit me. 864 00:40:52,400 --> 00:40:54,960 Speaker 4: But what what I saw it as is a great 865 00:40:55,080 --> 00:40:58,120 Speaker 4: lesson for the kids to say, not everything plays out 866 00:40:58,680 --> 00:41:00,200 Speaker 4: the way you want to on the day, and this 867 00:41:00,239 --> 00:41:01,839 Speaker 4: is going to happen as you grow up throughout your life. 868 00:41:01,960 --> 00:41:04,480 Speaker 4: But what you can do is remain focus and know 869 00:41:04,600 --> 00:41:07,800 Speaker 4: the target is still in sight and rethink the steps 870 00:41:07,840 --> 00:41:10,080 Speaker 4: you need to take to achieve that. So that's what 871 00:41:10,239 --> 00:41:14,840 Speaker 4: this week's all about. Maybe they're still yelling out mongrel. 872 00:41:15,000 --> 00:41:17,080 Speaker 4: I got caught a mongrel yesterday when I picked them 873 00:41:17,160 --> 00:41:19,120 Speaker 4: up from school. Thanks mate, put the bag in the 874 00:41:19,239 --> 00:41:22,120 Speaker 4: back of your mongrel, is what I got from my kids. 875 00:41:22,239 --> 00:41:23,520 Speaker 3: Awesome, Well do both? 876 00:41:23,640 --> 00:41:24,200 Speaker 8: Thank you for what? 877 00:41:24,600 --> 00:41:26,080 Speaker 3: If you want me to go to Scott's I can 878 00:41:26,120 --> 00:41:27,719 Speaker 3: get up and say a few words if you want. 879 00:41:28,280 --> 00:41:28,880 Speaker 4: You're author. 880 00:41:29,440 --> 00:41:31,480 Speaker 3: We've spoken about this plenty of times. I love this 881 00:41:31,560 --> 00:41:32,120 Speaker 3: subject though. 882 00:41:32,160 --> 00:41:34,440 Speaker 2: But if you have got a brand new mobile number 883 00:41:35,080 --> 00:41:38,920 Speaker 2: and you keep getting messages and phone call from Pete, 884 00:41:38,960 --> 00:41:41,880 Speaker 2: phone calls from people on here from your thirteen twenty fourteen, 885 00:41:42,480 --> 00:41:46,239 Speaker 2: who's number did you adopt? Who have you got now? 886 00:41:46,360 --> 00:41:49,080 Speaker 2: And who keeps ringing, you give us a call. This 887 00:41:49,239 --> 00:41:51,640 Speaker 2: woman over in the States, in California. Her name is 888 00:41:51,680 --> 00:41:54,239 Speaker 2: Lindsay Tucker, twenty five years of age. She's a skincare 889 00:41:54,320 --> 00:41:58,719 Speaker 2: consultant who has adopted a brand new phone number, which 890 00:41:58,840 --> 00:42:02,439 Speaker 2: is great. The thing is, though she had to ask 891 00:42:02,520 --> 00:42:05,400 Speaker 2: her Mum, I keep getting these text messages Mum, and 892 00:42:05,440 --> 00:42:08,360 Speaker 2: I was also now starting to get phone calls for this. 893 00:42:08,520 --> 00:42:10,440 Speaker 3: Guy called Elon Musk. 894 00:42:10,840 --> 00:42:11,200 Speaker 8: Awesome. 895 00:42:11,400 --> 00:42:14,160 Speaker 2: I don't know who this is, Mum's George just dropped. 896 00:42:14,920 --> 00:42:17,560 Speaker 2: On an average day, Tucker receives at least three calls 897 00:42:17,680 --> 00:42:21,160 Speaker 2: or texts intended for Elon Mush from people who haven't 898 00:42:21,239 --> 00:42:25,640 Speaker 2: been informed of his change in number. So some of 899 00:42:25,680 --> 00:42:29,920 Speaker 2: the caller conversations that she's got A woman text her 900 00:42:30,360 --> 00:42:33,040 Speaker 2: volunteering to go to space with SpaceX. 901 00:42:33,960 --> 00:42:37,280 Speaker 3: She got sent some blueprints for a new bionic limb. 902 00:42:38,800 --> 00:42:42,719 Speaker 2: Former Walt Disney executive John Lasseida texted who he thought 903 00:42:42,880 --> 00:42:46,799 Speaker 2: was Elon Mask to praise his newly purchased Tesla, calling 904 00:42:46,840 --> 00:42:47,839 Speaker 2: it Elon well done. 905 00:42:47,920 --> 00:42:51,239 Speaker 5: This is a magnificence that's pretty awesome when you look 906 00:42:51,239 --> 00:42:54,200 Speaker 5: at the contacts this person will now have, or she's. 907 00:42:54,080 --> 00:42:58,520 Speaker 2: An aspiring actress Sarah. She said, at the start, I 908 00:42:58,560 --> 00:43:01,279 Speaker 2: thought maybe I'll change my number. But then I've got 909 00:43:01,360 --> 00:43:04,360 Speaker 2: some great, great digits here that I could hold on. 910 00:43:04,440 --> 00:43:08,240 Speaker 4: Hey, elon astronaut number one ready for launch on Friday. 911 00:43:09,080 --> 00:43:10,600 Speaker 4: Let me know where Kennedy Space Center is. 912 00:43:10,719 --> 00:43:11,640 Speaker 8: That would be awesome. 913 00:43:12,440 --> 00:43:14,719 Speaker 5: Ers, you could get in touch with him using this 914 00:43:14,880 --> 00:43:17,040 Speaker 5: as the reason, Like I've got a heap of messages 915 00:43:17,120 --> 00:43:17,880 Speaker 5: to pass on to you. 916 00:43:18,120 --> 00:43:21,480 Speaker 2: Yeah, well, like the mailman, mate, the John Lassiter one, 917 00:43:22,080 --> 00:43:24,200 Speaker 2: he's the Walt Disney executive. 918 00:43:24,560 --> 00:43:27,839 Speaker 3: Wow with that one. What you would do is go, mate, 919 00:43:27,880 --> 00:43:30,800 Speaker 3: I'm so glad you're enjoying the car. Enjoy it. Or 920 00:43:31,640 --> 00:43:33,160 Speaker 3: if there's anything that I can do for you. 921 00:43:33,320 --> 00:43:36,640 Speaker 2: Actually, John, while i've got you, I've got a young 922 00:43:36,760 --> 00:43:39,160 Speaker 2: girl that we've sort of been taking under my wing. 923 00:43:39,280 --> 00:43:41,480 Speaker 3: I was wondering if there's any chance you could get 924 00:43:41,480 --> 00:43:42,640 Speaker 3: a job at Walt Disney. 925 00:43:43,280 --> 00:43:45,759 Speaker 4: That's not bad, that's not bad. And if you've got 926 00:43:45,800 --> 00:43:48,520 Speaker 4: the blueprints for bionic arm as well, then you could 927 00:43:48,520 --> 00:43:50,239 Speaker 4: say to the guy, look old, release this or just 928 00:43:50,280 --> 00:43:51,920 Speaker 4: cut me twenty percent of the deal. Guys, you know 929 00:43:51,960 --> 00:43:52,319 Speaker 4: what I mean. 930 00:43:52,840 --> 00:43:56,319 Speaker 6: Like, it's also a brutal way to learn that you're 931 00:43:56,400 --> 00:43:59,759 Speaker 6: clearly not in elong circle, because he'd obviously send a 932 00:43:59,800 --> 00:44:02,400 Speaker 6: text out to you the thirty or forty people who 933 00:44:02,400 --> 00:44:03,920 Speaker 6: he wants to have the new numbers. 934 00:44:04,160 --> 00:44:06,480 Speaker 7: This is a new one. But if you didn't get it, 935 00:44:07,080 --> 00:44:09,800 Speaker 7: you know now that you're not in his in his 936 00:44:09,920 --> 00:44:10,600 Speaker 7: close circles. 937 00:44:11,000 --> 00:44:11,319 Speaker 4: You're out. 938 00:44:11,719 --> 00:44:12,080 Speaker 7: You're out. 939 00:44:12,280 --> 00:44:14,839 Speaker 2: Amanda's giving a girl from West Pennett Hills. What phone 940 00:44:14,880 --> 00:44:16,040 Speaker 2: calls are you getting, Amanda? 941 00:44:16,480 --> 00:44:18,520 Speaker 13: Oh, it's my four fourteen. 942 00:44:18,200 --> 00:44:18,919 Speaker 6: Year old daughter. 943 00:44:19,120 --> 00:44:22,040 Speaker 13: She's getting a phone call from the psychiatric hospital. 944 00:44:22,200 --> 00:44:26,440 Speaker 3: Oh you are that's unfortunate, saying what a man? What 945 00:44:26,520 --> 00:44:27,160 Speaker 3: are they saying? 946 00:44:27,880 --> 00:44:31,200 Speaker 13: Oh, she's missing her appointments and then he needs to 947 00:44:31,280 --> 00:44:35,880 Speaker 13: call them back urgently and not keep keeping her promises 948 00:44:36,000 --> 00:44:37,520 Speaker 13: to the hospital and the units. 949 00:44:37,640 --> 00:44:41,600 Speaker 4: And how intense is she going to change her number? 950 00:44:42,440 --> 00:44:42,680 Speaker 3: Well? 951 00:44:44,280 --> 00:44:46,800 Speaker 13: I think she changed. He's worried about all the friends 952 00:44:46,880 --> 00:44:50,400 Speaker 13: not having a phone number. So I don't know, after 953 00:44:50,560 --> 00:44:52,640 Speaker 13: pay text all the time, you haven't paid her after 954 00:44:52,760 --> 00:44:53,920 Speaker 13: pay Yeah right. 955 00:44:54,080 --> 00:44:57,200 Speaker 2: It's also that's obviously a patient who's gone into hiding 956 00:44:57,239 --> 00:44:58,960 Speaker 2: and going I just I'm sick of the phone calls. 957 00:44:58,960 --> 00:45:01,359 Speaker 3: I'm going to change my number. But some four inch 958 00:45:01,440 --> 00:45:04,760 Speaker 3: year old girls coping out you're supposed to be here today? 959 00:45:05,480 --> 00:45:08,320 Speaker 4: Well, I mean guys. Sebastian sent around a message the 960 00:45:08,400 --> 00:45:11,279 Speaker 4: other day saying, guys, here is my new number. My 961 00:45:11,440 --> 00:45:14,200 Speaker 4: old number is getting smashed by random, so please save 962 00:45:14,280 --> 00:45:16,320 Speaker 4: this to the new one. So just to let you know, 963 00:45:16,400 --> 00:45:18,880 Speaker 4: if any of guys mates listening, the new number. 964 00:45:18,719 --> 00:45:24,279 Speaker 2: Is now for one mate, say it will just send 965 00:45:24,360 --> 00:45:28,120 Speaker 2: it to Daily Mail. Shall I tell you what a 966 00:45:28,200 --> 00:45:30,759 Speaker 2: current affair you suck me in? When I hear a 967 00:45:30,840 --> 00:45:31,560 Speaker 2: primo like this. 968 00:45:31,640 --> 00:45:34,440 Speaker 8: Year today tonight on a current affair, you're the one 969 00:45:34,520 --> 00:45:35,080 Speaker 8: that I want. 970 00:45:35,520 --> 00:45:39,000 Speaker 7: Nina, she was sexing me in the morning and lunch. 971 00:45:38,840 --> 00:45:43,799 Speaker 4: And my hopelessly do voted messages from a fake Olivia. 972 00:45:43,280 --> 00:45:44,920 Speaker 3: They say, okay, I'm atting you up through it. 973 00:45:45,160 --> 00:45:48,600 Speaker 1: No, we turn the tables on this international cock our 974 00:45:48,800 --> 00:45:51,680 Speaker 1: secret parcel steep. I don't know if that's Ken Cash 975 00:45:51,760 --> 00:45:56,120 Speaker 1: Delivery loves a web of Las unraveled. I want to 976 00:45:56,400 --> 00:45:57,760 Speaker 1: send them in thank. 977 00:45:57,640 --> 00:46:03,279 Speaker 7: Of a current affair with Tracy Grimms tonight on, Yes, is. 978 00:46:03,280 --> 00:46:07,560 Speaker 4: Not a current affair? Or sixty minutes? That was very fair? 979 00:46:07,640 --> 00:46:11,279 Speaker 4: That was very good, mate? Is this the voiceover guy 980 00:46:11,320 --> 00:46:13,319 Speaker 4: that comes in to read this stuff? He must think 981 00:46:13,320 --> 00:46:17,000 Speaker 4: he's getting stitched up every time. Little voiceover for Acio. 982 00:46:17,200 --> 00:46:19,520 Speaker 3: That guy who does that voice would have to be 983 00:46:19,560 --> 00:46:22,560 Speaker 3: a millionaire. Tom. He's in there every day that he 984 00:46:22,680 --> 00:46:23,319 Speaker 3: can be given. 985 00:46:23,800 --> 00:46:25,760 Speaker 8: He did the headline off with you guys, do remember? 986 00:46:26,320 --> 00:46:28,920 Speaker 4: Yeah, they'd hand him the script and he'd go, all right, 987 00:46:29,200 --> 00:46:31,440 Speaker 4: this is obviously a joke. I assume this is a joke. 988 00:46:31,440 --> 00:46:33,399 Speaker 4: Where's the real one? Guys, No, that's the story we're 989 00:46:33,480 --> 00:46:33,840 Speaker 4: running with. 990 00:46:34,000 --> 00:46:36,719 Speaker 3: So okay, it's Nino Martinetti is his name. 991 00:46:36,840 --> 00:46:40,800 Speaker 2: Now, he's a cinematographer, and he's I must admit, Sarah, 992 00:46:41,239 --> 00:46:44,080 Speaker 2: he's met Olivia before. He did a movie with her, right, 993 00:46:44,120 --> 00:46:46,799 Speaker 2: and got a photo with her. But as if she's 994 00:46:46,960 --> 00:46:48,919 Speaker 2: this was years and years ago, as if she's gonna 995 00:46:49,160 --> 00:46:51,000 Speaker 2: So he put the photo up on the internet on 996 00:46:51,120 --> 00:46:54,680 Speaker 2: a Living Newton John fan page, right, and some woman's 997 00:46:54,760 --> 00:46:58,759 Speaker 2: grabbed some woman's grabbed it and started messaging him as 998 00:46:58,960 --> 00:47:03,000 Speaker 2: Dame Olivia, and he thinks it's her, right, So he's 999 00:47:03,040 --> 00:47:07,440 Speaker 2: getting He starts this text conversation with who he thinks 1000 00:47:07,560 --> 00:47:10,759 Speaker 2: is Olivia Newton John. Wow, I'm thinking, come on, Nino, 1001 00:47:11,360 --> 00:47:11,960 Speaker 2: think about this. 1002 00:47:12,520 --> 00:47:16,360 Speaker 3: She got there? Then, I'm thinking Nino doesn't mind a 1003 00:47:16,440 --> 00:47:17,320 Speaker 3: bit of Nino. 1004 00:47:17,840 --> 00:47:22,280 Speaker 12: When he said this, she starts with, oh, you're so handsome, 1005 00:47:22,360 --> 00:47:25,000 Speaker 12: you know, I mean, Okay, A lot of the women 1006 00:47:25,160 --> 00:47:27,239 Speaker 12: to me that I'm some, so I believe her. You know, 1007 00:47:27,400 --> 00:47:30,719 Speaker 12: I don't want to sound in moest, but honestly, I 1008 00:47:30,800 --> 00:47:31,800 Speaker 12: think it's the lift they like. 1009 00:47:31,960 --> 00:47:33,760 Speaker 3: Okay, So then okay. 1010 00:47:33,920 --> 00:47:36,399 Speaker 2: Then they went through the text messages that this woman 1011 00:47:36,560 --> 00:47:38,439 Speaker 2: was sending as Olivia Newton John. 1012 00:47:38,520 --> 00:47:40,640 Speaker 3: So this is done in a voice, but this is 1013 00:47:40,719 --> 00:47:42,280 Speaker 3: one of the text messages. 1014 00:47:42,360 --> 00:47:43,840 Speaker 12: Since the time we started chatting. 1015 00:47:44,160 --> 00:47:47,440 Speaker 5: I cry a little less, laugh a little harder, and 1016 00:47:47,600 --> 00:47:49,880 Speaker 5: smile all the more just because I have you. 1017 00:47:50,480 --> 00:47:53,279 Speaker 2: Okay, Nino, if you're getting if you think that that's 1018 00:47:53,320 --> 00:47:56,640 Speaker 2: Olivia Newton John, you got to check yourself, bro Okay. 1019 00:47:57,320 --> 00:48:00,400 Speaker 2: Then this is where it starts to get really sad, Sarah, 1020 00:48:00,480 --> 00:48:03,520 Speaker 2: because Nino starts forking out a bit of cash. 1021 00:48:03,920 --> 00:48:07,759 Speaker 15: Nino arranged his meeting through Dame Olivia's management and now 1022 00:48:07,920 --> 00:48:11,080 Speaker 15: had to pay six thousand dollars for the privilege. 1023 00:48:11,640 --> 00:48:14,640 Speaker 2: So she was writing text messages like I cry a 1024 00:48:14,680 --> 00:48:16,640 Speaker 2: little less because I have you in my life. 1025 00:48:16,719 --> 00:48:19,960 Speaker 3: But if you want to catch up, just transfer transfer 1026 00:48:20,160 --> 00:48:23,520 Speaker 3: six grand. Then it blows. Then the money blows out 1027 00:48:23,560 --> 00:48:24,120 Speaker 3: even more. 1028 00:48:25,160 --> 00:48:29,200 Speaker 15: All up, he transferred thirteen thousand dollars, but the meeting 1029 00:48:29,400 --> 00:48:30,840 Speaker 15: with Olivia never. 1030 00:48:30,760 --> 00:48:34,200 Speaker 4: Came through, so poor Nino finding Nino. 1031 00:48:34,840 --> 00:48:37,680 Speaker 3: So this is the thing. So what they did. 1032 00:48:37,880 --> 00:48:40,520 Speaker 2: He tracked down and said, look, I want to deliver 1033 00:48:40,680 --> 00:48:42,799 Speaker 2: this money to I want to have you got an 1034 00:48:42,800 --> 00:48:46,200 Speaker 2: Australian address. I can deliver the money. So the person 1035 00:48:46,320 --> 00:48:49,400 Speaker 2: that's the fake Olivia Newton John says, deliver it to 1036 00:48:49,560 --> 00:48:53,319 Speaker 2: this address. It was in Melbourne, and so Nino went 1037 00:48:53,360 --> 00:48:55,240 Speaker 2: to the cops. The cops didn't want to do anything 1038 00:48:55,280 --> 00:48:58,040 Speaker 2: about it. So what do you do next? You go 1039 00:48:58,160 --> 00:49:01,160 Speaker 2: to Aca May set up a bit of a sting. 1040 00:49:01,480 --> 00:49:04,360 Speaker 2: Now this is where it gets really, really weird, because 1041 00:49:04,400 --> 00:49:07,919 Speaker 2: he leaves the money in a letterbox out the front 1042 00:49:07,960 --> 00:49:11,200 Speaker 2: of her house in Melbourne, and this little old lady 1043 00:49:11,280 --> 00:49:14,280 Speaker 2: comes out to collect it. And don't you think Aca 1044 00:49:14,480 --> 00:49:17,239 Speaker 2: was straight onto it? They come running down, sure, sure, 1045 00:49:17,400 --> 00:49:19,160 Speaker 2: but see then they it's this is the. 1046 00:49:19,280 --> 00:49:23,160 Speaker 3: Real sad thing. Because she was getting catfished. 1047 00:49:24,160 --> 00:49:28,200 Speaker 2: So her name was John, her name was Mary Bussetil, 1048 00:49:28,880 --> 00:49:32,360 Speaker 2: and she'd been speaking to a guy called Sergeant Major 1049 00:49:32,480 --> 00:49:36,440 Speaker 2: Samuel Spencer from the US Army, which was a stolen 1050 00:49:36,560 --> 00:49:39,440 Speaker 2: identity and she was trying to get money so she 1051 00:49:39,560 --> 00:49:42,920 Speaker 2: could transfer more money to her soldier that she's in 1052 00:49:43,040 --> 00:49:44,160 Speaker 2: love within the States. 1053 00:49:44,760 --> 00:49:50,320 Speaker 3: What then listen to this Sarah like, she got stitched 1054 00:49:50,360 --> 00:49:53,319 Speaker 3: up so much, this poor old lady that she had 1055 00:49:53,400 --> 00:49:55,319 Speaker 3: to transfer in bitcoins. 1056 00:49:55,880 --> 00:49:59,799 Speaker 15: That's right, This Melbourne grandma was turned into a money mule, 1057 00:50:00,160 --> 00:50:04,239 Speaker 15: tricked into withdrawing cash and taking it to a bitcoin 1058 00:50:04,480 --> 00:50:09,560 Speaker 15: atm inside a Kensington bottle shop. Despite the scam warnings 1059 00:50:09,600 --> 00:50:12,640 Speaker 15: on the screen, Mary perched up next to the Pino 1060 00:50:12,719 --> 00:50:16,880 Speaker 15: Noir and punched Nino's money into an online oblivion. 1061 00:50:17,480 --> 00:50:20,919 Speaker 2: So she's given this bloke is sarge at this fake 1062 00:50:21,040 --> 00:50:23,960 Speaker 2: sergeant in the US is saying, yeah, just send if 1063 00:50:24,000 --> 00:50:26,040 Speaker 2: you could send money, but just do it in bitcoin. 1064 00:50:26,760 --> 00:50:30,160 Speaker 2: And she's and she's all Nino's money. The thirteen thousand 1065 00:50:30,160 --> 00:50:31,360 Speaker 2: dollars all went into bitcoin. 1066 00:50:31,760 --> 00:50:33,919 Speaker 4: Is there any chance Nino and the old lady could 1067 00:50:33,960 --> 00:50:34,319 Speaker 4: hook up? 1068 00:50:34,400 --> 00:50:38,600 Speaker 2: Well, this is what I was thinking, But this is 1069 00:50:38,680 --> 00:50:43,760 Speaker 2: how it ends. So she's been stitched up by someone 1070 00:50:43,840 --> 00:50:47,439 Speaker 2: in the US. Right, and then she's explained to from 1071 00:50:47,480 --> 00:50:50,960 Speaker 2: the ACA reporter that you have been taking money from 1072 00:50:51,040 --> 00:50:54,960 Speaker 2: poor Nino. Right, He thought that he was talking to 1073 00:50:55,080 --> 00:50:58,120 Speaker 2: Olivia Newton John. This is what the grandma had to say. 1074 00:50:58,760 --> 00:51:01,240 Speaker 3: So, what did you think he was doing with Olivia 1075 00:51:01,320 --> 00:51:01,959 Speaker 3: Newton Jordan? 1076 00:51:03,960 --> 00:51:04,960 Speaker 4: Similar to what you're doing? 1077 00:51:06,080 --> 00:51:09,000 Speaker 3: She basically said, was he seriously? 1078 00:51:09,680 --> 00:51:13,160 Speaker 4: And Olivia shut and John Shouse you a bitcoin research 1079 00:51:14,040 --> 00:51:15,520 Speaker 4: just I see I at you. 1080 00:51:16,239 --> 00:51:26,560 Speaker 16: We check the weather, rap, activate my bass shield, order 1081 00:51:26,680 --> 00:51:30,200 Speaker 16: a pizza, and save a galaxy on the brink of 1082 00:51:30,280 --> 00:51:33,440 Speaker 16: war as forces by for control of the Alpha and 1083 00:51:33,560 --> 00:51:38,440 Speaker 16: Vada quadrants. Download Star trek Fleet Command today. Join millions 1084 00:51:38,480 --> 00:51:41,760 Speaker 16: of players and forge alliances, defeat their enemies, and build 1085 00:51:41,840 --> 00:51:45,799 Speaker 16: an epic fleet to dominate the galaxy. Download Star trek 1086 00:51:45,920 --> 00:51:49,279 Speaker 16: Fleet Command free on the App Store, Google Play Star 1087 00:51:49,360 --> 00:51:50,400 Speaker 16: trek Fleet Command. 1088 00:51:50,800 --> 00:51:51,759 Speaker 3: You have the Cahn