WEBVTT - The "world's oldest lesbian"

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<v Speaker 1>Once you get into it. By the time the Second

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<v Speaker 1>World War breaks out in Europe, the security services are

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<v Speaker 1>very alarmed about anybody with Japanese connections. And I even

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<v Speaker 1>found when I went to the National Archives that there

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<v Speaker 1>are little records of Monty, so they were keeping an

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<v Speaker 1>eye on the classes that she was taking. The things

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<v Speaker 1>that aroused fear and alarm at that time were quite remarkable.

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<v Speaker 2>I'm Jen Kelly from the Herald Son and this is

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<v Speaker 2>in Black and White, a podcast about some of Australia's

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<v Speaker 2>forgotten characters. Today's story is about a woman who came

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<v Speaker 2>to national prominence when she was dubbed the world's oldest

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<v Speaker 2>lesbian after coming out at the age of one hundred

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<v Speaker 2>and three. Her name was Monty Punchin, and her perfect

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<v Speaker 2>diction and manners disguised her wild past as a bad

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<v Speaker 2>girl who once hung out at edgy Melbourne bars and

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<v Speaker 2>secret drag parties, and was monitored in the lead up

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<v Speaker 2>to World War II by security services who suspected her

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<v Speaker 2>Japanese teacher was a spy. The story is told in

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<v Speaker 2>a new book called A Secretive Century Monty Punchin's Australia.

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<v Speaker 2>The author, Tessa Morris, Suzuki is Professor Emerita of History

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<v Speaker 2>at the Australian National University, and she joins us now,

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<v Speaker 2>welcome to the podcast, Tessa, thank you now. Monty Punchin

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<v Speaker 2>had such a long and remarkable life, and I'm sure

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<v Speaker 2>that people who met her in her later life and

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<v Speaker 2>saw this dear old lady with her perfect nineteenth century

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<v Speaker 2>diction would never have imagined that she was once this

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<v Speaker 2>bad girl who frequented edgy bars and was involved in

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<v Speaker 2>secret drag parties of nineteen thirty's Queer Melbourne.

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<v Speaker 1>So she was quite a remarkable woman in her hundreds,

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<v Speaker 1>because she lived to one hundred and six. She certainly

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<v Speaker 1>presented as a very correct speaking, very elderly lady, but

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<v Speaker 1>one with an extremely sharp memory. But she had had

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<v Speaker 1>a remarkable life, and really the remarkable life was still continuing,

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<v Speaker 1>because beneath the very correct surface, the bad girl was

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<v Speaker 1>still definitely there.

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<v Speaker 2>One of the themes that you explore in your book

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<v Speaker 2>is that when you live such a long life as

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<v Speaker 2>Monty did, you live through so much history, and in

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<v Speaker 2>Monte's case, that extends right back to the eighteen eighty

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<v Speaker 2>eight Melbourne Centennial Exhibition. Can you tell us about some

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<v Speaker 2>of the many events that Monty lived through.

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<v Speaker 1>Yeah, So for me, one of the fascinating things about

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<v Speaker 1>her life is that it was so long and she

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<v Speaker 1>lived through so many crucial events in Australia's modern history. So, yes,

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<v Speaker 1>she was present at the eighteen eighty eight Melbourne Centennial Exhibition.

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<v Speaker 1>She actually exhibited some handy work there. She lived through

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<v Speaker 1>the Great Depression of the eighteen nineties, but also the

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<v Speaker 1>Great Depression of the nineteen thirties, through the Boar War,

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<v Speaker 1>the First and the Second World War, the dismissal of

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<v Speaker 1>GoF Whitlam, And she was there and quite actively involved

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<v Speaker 1>in the nineteen eighty eight Bisentenary Exhibition in Brisbane.

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<v Speaker 2>I can't wait to hear more about that later on

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<v Speaker 2>because there's a huge controversy surrounding her involvement in the

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<v Speaker 2>nineteen eighty eight expo in Brisbane. So we'll hear about

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<v Speaker 2>that more later in the episode. And just going back

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<v Speaker 2>to the eighteen eighty eight Melbourne Centennial Exhibition when she

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<v Speaker 2>exhibited she was only six years old when she exhibited

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<v Speaker 2>her handiwork. It's hard to believe, isn't it.

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<v Speaker 1>Yes, it's remarkable. So there was a competition that she

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<v Speaker 1>went in for as a small child, and she produced

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<v Speaker 1>this very fine piece of embroidery which you can still see.

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<v Speaker 1>It's in a museum today and because of that exhibited

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<v Speaker 1>now tell.

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<v Speaker 2>Us more about her early life. Whereabouts did she grow up.

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<v Speaker 1>She grew up mostly in Ballarat. She came from a

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<v Speaker 1>fairly middle class, respectable family in Ballarat. She did also

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<v Speaker 1>spend part of her childhood in Saint Kilda, and her

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<v Speaker 1>grandparents had migrated from Britain during the Gold Rush, so

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<v Speaker 1>it was very much that kind of classical nineteenth century

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<v Speaker 1>white Australian history that she was born into.

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<v Speaker 2>And how old was she when it became obvious that

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<v Speaker 2>she was a bit of a rebel.

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<v Speaker 1>Well, I guess pretty early on. She has a story

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<v Speaker 1>that she tells about when she was a child, she

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<v Speaker 1>liked to dress up in her uncle's clothes or her

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<v Speaker 1>grandfather's clothes, and she was once caught in her grandfather's

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<v Speaker 1>clothes doing carpentry outside the house and her grandmother said,

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<v Speaker 1>you know, no good will come up this child.

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<v Speaker 2>And she got involved with children's theater groups when she

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<v Speaker 2>was reasonably young, didn't she yes.

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<v Speaker 1>So when she was an adult she started performing on

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<v Speaker 1>the stage you know, at school she loved performing. She

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<v Speaker 1>would have loved to have been an actor, but for

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<v Speaker 1>her quite religious, middle class family that was out of

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<v Speaker 1>the question. Becoming a professional actor was out of the question.

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<v Speaker 1>So when she was in her twenties going into her thirties,

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<v Speaker 1>she became a teacher with children's theater and traveled around

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<v Speaker 1>Australia with remarkable children's theater groups.

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<v Speaker 2>Tell us about what she got up to during the

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<v Speaker 2>First World War.

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<v Speaker 1>So during the First World War she was very active

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<v Speaker 1>in the theater. Things kind of changed during the First

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<v Speaker 1>World War. There was a great boom in theatrical activity.

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<v Speaker 1>Rather it might seem rather strange, but you know, at

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<v Speaker 1>that time people in Australia really needed a distraction from

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<v Speaker 1>all the terrible things that were happening around the world.

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<v Speaker 1>So amateur or semi amateur theater flourished in Melbourne in

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<v Speaker 1>other parts of Australia during the First World War and

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<v Speaker 1>Monty was really active in this. And up until then

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<v Speaker 1>her parents had absolutely disapproved of her being on the

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<v Speaker 1>stage in any sort of professional capacity. But during the

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<v Speaker 1>First World War, in a way, the dividing line between

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<v Speaker 1>amateur and professional broke down and there were all these

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<v Speaker 1>groups staging plays to raise money for the Red Cross

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<v Speaker 1>or other war related causes, and suddenly her father was

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<v Speaker 1>very happy for Monty to be on the stage because

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<v Speaker 1>it was all part of the national war effort. So

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<v Speaker 1>she got involved in some extremely interesting theatrical performances during

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<v Speaker 1>those years.

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<v Speaker 2>And she was involved in the pioneering days of radio

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<v Speaker 2>as well, wasn't he.

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<v Speaker 1>That's right? Yes, So very early on she got a

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<v Speaker 1>little slot on radio where she was allowed to really

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<v Speaker 1>choose the content of her short talks, and very interestingly,

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<v Speaker 1>I think she chose to tell a version of Aboriginal

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<v Speaker 1>dream time stories. Now this was a version that had

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<v Speaker 1>been written by a friend of hers in Melbourne. They

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<v Speaker 1>were probably not very close to the original dream Time stories,

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<v Speaker 1>but the fact that she wanted to tell these on

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<v Speaker 1>radio when there was so little content related to Aboriginal

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<v Speaker 1>people seems to be quite pioneering and remarkable for that age.

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<v Speaker 2>Exactly. I mean, it would be such an incredibly normal

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<v Speaker 2>thing to do today, wouldn't it, but ninety years ago

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<v Speaker 2>would be unheard of.

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<v Speaker 1>Yes, Now, thank.

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<v Speaker 2>You very much for telling us about her professional background.

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<v Speaker 2>What was going on in her personal life.

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<v Speaker 1>So she met a young man shortly before the Boer

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<v Speaker 1>War who had wanted her to marry him. She had

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<v Speaker 1>then gone after the Boer War and actually settled in

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<v Speaker 1>South Africa, and at one point he returned and asked

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<v Speaker 1>her to come to South Africa with him, but she

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<v Speaker 1>had decided by then that really relationships with men were

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<v Speaker 1>not for her. So by the time of the First

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<v Speaker 1>World War she was starting to become engaged in a

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<v Speaker 1>relationship which really became the love of her life with

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<v Speaker 1>a Melbourne woman called Debbie Sutton, and this relationship lasted

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<v Speaker 1>into the second half of the nineteen twenties. They lived

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<v Speaker 1>together for a while, but ultimately it broke up and

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<v Speaker 1>it really broke Ponty Punchon's heart.

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<v Speaker 2>Just to put this in context at the time, was

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<v Speaker 2>this something that the two women would have been able

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<v Speaker 2>to tell their friends and family.

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<v Speaker 1>Well, the interesting thing is that at that time Monty

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<v Speaker 1>Punchen and I think, you know, almost everybody of her

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<v Speaker 1>generation they'd never heard the word lesbian. She herself, I guess,

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<v Speaker 1>only starting to work out her own sexuality. But in

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<v Speaker 1>a way, because of that, for two women, you know,

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<v Speaker 1>to live together was not really regarded as at all

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<v Speaker 1>strange or a subject of gossip. It was just assumed

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<v Speaker 1>there were, you know, two maiden ladies sharing a house.

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<v Speaker 1>It didn't seem to have alarmed or concerned her family

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<v Speaker 1>at all, but they didn't really understand the depth of

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<v Speaker 1>the relationship that was developing.

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<v Speaker 2>Now. Monty always had a passion for travel, and she

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<v Speaker 2>always had an interest in learning about people from all

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<v Speaker 2>over the world tell us about her overseas travels.

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<v Speaker 1>So she embarked on a journey to East Asia entirely

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<v Speaker 1>by accident. Really, what had happened was that a friend

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<v Speaker 1>of hers called Marjorie Rieford, had been given a pair

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<v Speaker 1>of tickets for a free trip to Japan, which another

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<v Speaker 1>friend had wanted a ruffle and wasn't able to use. Now,

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<v Speaker 1>a trip to Japan in those days was a really

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<v Speaker 1>big deal. It was a lot sea journey and Marjorie

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<v Speaker 1>needed a companion, so she invited Monty Punchen to come

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<v Speaker 1>with her, and offe went, and it was an eye

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<v Speaker 1>opener for Monty. In the end, she didn't just go

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<v Speaker 1>to Japan. She went on briefly to China, to Korea

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<v Speaker 1>and also to Hong Kong, and it really changed her life.

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<v Speaker 2>One of the other interesting things about Monty is that

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<v Speaker 2>she was one of the first Australians to study Japanese,

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<v Speaker 2>wasn't she.

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<v Speaker 1>Yes, she was a pioneer in that respect as well.

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<v Speaker 1>She didn't actually, you know, formally study at university, but

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<v Speaker 1>she was one of the first people to take classes

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<v Speaker 1>initially offered on the radio in the nineteen thirties, and

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<v Speaker 1>then she signed up for an evening class at Melbourne University.

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<v Speaker 1>And she was passionate about studying Japanese, even though obviously

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<v Speaker 1>it was very difficult for somebody at that time. You know,

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<v Speaker 1>she'd only had a very brief stay in Japan, and

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<v Speaker 1>she did have much opportunity to talk to people other

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<v Speaker 1>than her teacher, who was Japanese himself.

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<v Speaker 2>But this was the nineteen thirties, so it was in

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<v Speaker 2>some ways a dangerous time to be studying Japanese, and

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<v Speaker 2>it brought her to the attention of security services. Can

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<v Speaker 2>you tell us more about that.

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<v Speaker 1>That's right, yes, So in the early nineteen thirties, the

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<v Speaker 1>relationship with Japan was not so bad and trade was

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<v Speaker 1>booming between Australia and Japan. But by the time you

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<v Speaker 1>get into the late nineteen thirties, of course, there's a

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<v Speaker 1>lot of alarm in Australia about Japan's growing militarism, particularly

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<v Speaker 1>after it had taken over Manchuria, and then there was

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<v Speaker 1>the invasion of China in nineteen thirty seven. So once

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<v Speaker 1>you get into about thirty nine, by the time the

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<v Speaker 1>Second World War breaks out in Europe, the security services

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<v Speaker 1>are very alarmed about anybody with Japanese connections. And I

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<v Speaker 1>even found when I went to the National Archives that

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<v Speaker 1>there are little records of so they were keeping an

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<v Speaker 1>eye on the classes that she was taking and on

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<v Speaker 1>her and rather bravely, I thought. At that point it

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<v Speaker 1>became difficult for the Japanese language group to meet, and

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<v Speaker 1>she actually opened her flat to her apartment and said,

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<v Speaker 1>you know, if you want to come and meet in

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<v Speaker 1>my apartment and talk Japanese here, you're welcome to do that.

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<v Speaker 2>So who was their teacher they would have had a

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<v Speaker 2>Japanese teacher? Was that the person that our security services

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<v Speaker 2>were concerned about? Do you think is that the reason

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<v Speaker 2>that they had come to the attention of security services.

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<v Speaker 1>Well, I think anybody who had any sort of Japanese

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<v Speaker 1>connection was being watched pretty closely. But yeah, her teacher

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<v Speaker 1>was a man known as Moshi in Agaki. It was

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<v Speaker 1>a sort of anglicizedation of his name. He had attracted

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<v Speaker 1>a lot of attention from the security services. There are

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<v Speaker 1>great fat files on him in the archives. There's really

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<v Speaker 1>no evidence that he was doing anything sinister, but he

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<v Speaker 1>did have some connections to cultural agencies and so on

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<v Speaker 1>in Japan, and so the Australian authorities first of all,

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<v Speaker 1>they thought he was a spy, and then they started

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<v Speaker 1>to think that he was deliberately being sent to teach

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<v Speaker 1>Japanese badly, so that Australians wouldn't learn proper Japanese and

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<v Speaker 1>this would weaken their position in their dealings with Japan,

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<v Speaker 1>which I think is a fairly remarkable assumption for them

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<v Speaker 1>to have made.

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<v Speaker 2>Oh how fascinating. So when Monteo opened up her flat,

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<v Speaker 2>did the teacher come to her flat to teach the classes?

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<v Speaker 1>I guess. So it's difficult to tell exactly who came,

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<v Speaker 1>but it's likely that he came. He'd become a good

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<v Speaker 1>friend of hers, and also he was married to an

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<v Speaker 1>Australian and she was a good friend of his wife

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<v Speaker 1>as well.

0:13:54.920 --> 0:13:57.839
<v Speaker 2>And was there any suggestion that the security services were

0:13:57.880 --> 0:14:00.239
<v Speaker 2>following any of the students in the class.

0:14:01.120 --> 0:14:03.520
<v Speaker 1>Yes, I think there were certainly following some of them.

0:14:04.120 --> 0:14:08.480
<v Speaker 1>I think, you know, in a slightly nineteen thirty sexist way,

0:14:08.760 --> 0:14:11.160
<v Speaker 1>they were much more worried by the men than they

0:14:11.200 --> 0:14:13.840
<v Speaker 1>were by the women. So there were a couple of

0:14:13.840 --> 0:14:17.320
<v Speaker 1>other women teachers who were also taking the classes, and

0:14:17.400 --> 0:14:22.000
<v Speaker 1>although they appear in the security records, they don't seem

0:14:22.040 --> 0:14:25.160
<v Speaker 1>to have roused the same level of alarm as the

0:14:25.240 --> 0:14:26.960
<v Speaker 1>men who were studying did.

0:14:28.280 --> 0:14:29.920
<v Speaker 2>Was Monty ever followed herself.

0:14:30.760 --> 0:14:33.640
<v Speaker 1>I couldn't see any records that she'd been followed.

0:14:33.880 --> 0:14:36.120
<v Speaker 2>How fascinating. That must have been so much fun to

0:14:36.120 --> 0:14:38.120
<v Speaker 2>look for all those details in the records.

0:14:38.400 --> 0:14:42.720
<v Speaker 1>It was. It is extraordinary, you know. The things that

0:14:42.880 --> 0:14:46.760
<v Speaker 1>aroused fear and alarm at that time were quite remarkable.

0:14:46.800 --> 0:14:50.840
<v Speaker 1>Often very small and innocent things caused great alarm to

0:14:50.960 --> 0:14:52.200
<v Speaker 1>the security services.

0:14:53.240 --> 0:14:55.040
<v Speaker 2>We'll be back soon. Do you hear what happened to

0:14:55.120 --> 0:15:06.600
<v Speaker 2>Monty next? So stay with us. Apart from studying Japanese,

0:15:06.720 --> 0:15:10.160
<v Speaker 2>she was also active in the secret gay party scene

0:15:10.200 --> 0:15:13.040
<v Speaker 2>in Melbourne, and they're involved in drag parties as well.

0:15:13.080 --> 0:15:15.080
<v Speaker 2>I'd love you to tell us everything you know about that.

0:15:16.160 --> 0:15:19.720
<v Speaker 1>Yes, so it is a fascinating part of Melbourne. History

0:15:19.760 --> 0:15:23.480
<v Speaker 1>and of Australian history more generally. Monte's story was she

0:15:23.560 --> 0:15:27.480
<v Speaker 1>had quite a few gay friends in the nineteen twenties

0:15:27.520 --> 0:15:29.680
<v Speaker 1>and thirties. Of course they wouldn't have used the word

0:15:29.720 --> 0:15:34.880
<v Speaker 1>gay then, but that's the word we'd use now. And

0:15:35.200 --> 0:15:39.840
<v Speaker 1>I think she found particularly that when her relationship with

0:15:40.080 --> 0:15:43.400
<v Speaker 1>Debbie Sutton, the woman she had absolutely loved, broke up,

0:15:44.160 --> 0:15:48.360
<v Speaker 1>she was really devastated and she couldn't talk about it

0:15:49.640 --> 0:15:54.240
<v Speaker 1>to her family or to most of her friends because

0:15:54.280 --> 0:15:59.040
<v Speaker 1>they didn't understand. But her male gay friends did understand.

0:16:00.680 --> 0:16:03.560
<v Speaker 1>In one of her interviews, she said they really saved

0:16:03.560 --> 0:16:06.320
<v Speaker 1>her life because she could talk to them about the

0:16:06.360 --> 0:16:09.520
<v Speaker 1>relationship and they knew where she was coming from. So

0:16:09.560 --> 0:16:13.400
<v Speaker 1>at that point she became much more engaged in this

0:16:13.480 --> 0:16:17.080
<v Speaker 1>sort of secret gay world in Melbourne, and she started

0:16:17.080 --> 0:16:20.520
<v Speaker 1>attending house parties which were held just sort of out

0:16:20.560 --> 0:16:24.320
<v Speaker 1>in the suburbs of Melbourne in big houses with gardens,

0:16:24.640 --> 0:16:28.720
<v Speaker 1>usually at the weekend, and people could dress up. There

0:16:28.800 --> 0:16:32.400
<v Speaker 1>was even a wedding between two of her male friends,

0:16:32.920 --> 0:16:36.320
<v Speaker 1>and Monty was the best man, dressed up in her

0:16:36.360 --> 0:16:40.280
<v Speaker 1>smart sort of tuxedo and boat high at this wedding.

0:16:40.680 --> 0:16:43.560
<v Speaker 1>So it is quite a fascinating bit of history.

0:16:43.640 --> 0:16:46.240
<v Speaker 2>And so tell us more about So they were drag parties,

0:16:46.280 --> 0:16:48.440
<v Speaker 2>so the women were dressed as men, the men were

0:16:48.520 --> 0:16:49.280
<v Speaker 2>dressed as women.

0:16:49.920 --> 0:16:52.880
<v Speaker 1>Yes, so they often involved dressing up. You know. It

0:16:52.920 --> 0:16:56.200
<v Speaker 1>was just a free space where people could express their

0:16:56.240 --> 0:16:59.760
<v Speaker 1>identity in the way that they wanted. It was of

0:16:59.800 --> 0:17:03.960
<v Speaker 1>course very much hidden away because of course homosexuality was

0:17:03.960 --> 0:17:07.520
<v Speaker 1>a crime at the time, so for the men it

0:17:07.600 --> 0:17:12.200
<v Speaker 1>was very important to keep their sexual identity away from

0:17:12.240 --> 0:17:15.560
<v Speaker 1>the prying eyes of media or you know, the police.

0:17:16.080 --> 0:17:19.119
<v Speaker 2>And Tessa, was there a particular part of Melbourne that

0:17:19.240 --> 0:17:21.520
<v Speaker 2>was a hub for these queer parties.

0:17:22.000 --> 0:17:24.960
<v Speaker 1>The main parties that Monte seems to have gone to

0:17:25.480 --> 0:17:29.719
<v Speaker 1>were at a private house called Lavender Lodge, which was

0:17:29.880 --> 0:17:34.600
<v Speaker 1>Inferntry Gully, so out of the city center. Quite a

0:17:34.640 --> 0:17:38.160
<v Speaker 1>big house apparently where they had these weekend house parties.

0:17:38.680 --> 0:17:41.440
<v Speaker 2>Ah okay, And for those not from Melbourne, that's the

0:17:41.480 --> 0:17:46.840
<v Speaker 2>base of the Dandenong Rangers. Very interesting. Now take us

0:17:46.880 --> 0:17:50.720
<v Speaker 2>forward to World War Two because Monte's knowledge of Japanese

0:17:50.800 --> 0:17:52.959
<v Speaker 2>became quite useful during the war, didn't it.

0:17:53.359 --> 0:17:57.000
<v Speaker 1>Yes, So during the war she was recruited to be

0:17:57.040 --> 0:18:01.320
<v Speaker 1>a warden at the intern camp that was set up

0:18:01.320 --> 0:18:08.840
<v Speaker 1>in Tatura in rural Victoria to house Japanese civilians enemy

0:18:08.880 --> 0:18:12.879
<v Speaker 1>aliens as they were called then. It was a huge camp.

0:18:12.920 --> 0:18:18.520
<v Speaker 1>It also had sections which held other enemy aliens, Italians

0:18:18.600 --> 0:18:21.639
<v Speaker 1>and Germans and so on, but Monty was in the

0:18:21.720 --> 0:18:26.119
<v Speaker 1>Japanese section. She seems to have been had mainly to

0:18:26.200 --> 0:18:32.320
<v Speaker 1>teach the children of Japanese internees. But in fact, the

0:18:32.359 --> 0:18:36.880
<v Speaker 1>slight difficulty was that I think the authorities probably overestimated

0:18:37.040 --> 0:18:40.520
<v Speaker 1>how much Japanese she knew, so she'd studied very hard,

0:18:40.600 --> 0:18:44.240
<v Speaker 1>but her Japanese was not really good enough to teach

0:18:44.280 --> 0:18:48.960
<v Speaker 1>classes to native Japanese speakers, so she ended up more,

0:18:49.200 --> 0:18:52.280
<v Speaker 1>you know, taking the children on outings and generally kind

0:18:52.280 --> 0:18:56.160
<v Speaker 1>of looking after the welfare of the Japanese civilians who

0:18:56.200 --> 0:18:59.119
<v Speaker 1>were interned in these camps. And I think one of

0:18:59.160 --> 0:19:02.840
<v Speaker 1>the important things to remember is that when you talk

0:19:02.920 --> 0:19:07.959
<v Speaker 1>about Japanese being in turn during the war, many of

0:19:07.960 --> 0:19:10.919
<v Speaker 1>them were not Japanese as we would understand it today,

0:19:11.040 --> 0:19:16.760
<v Speaker 1>because Taiwanese and Koreans were treated as Japanese because they

0:19:16.760 --> 0:19:19.920
<v Speaker 1>were part of the Japanese Empire. And then there were

0:19:19.960 --> 0:19:24.439
<v Speaker 1>also quite a number of Australian and other women married

0:19:24.440 --> 0:19:28.920
<v Speaker 1>to Japanese men, including some Aboriginal Australian women, and they

0:19:28.920 --> 0:19:32.520
<v Speaker 1>and their children were also all in turn during the war.

0:19:32.520 --> 0:19:35.520
<v Speaker 2>And Monte continued teaching after the war, didn't she.

0:19:36.080 --> 0:19:39.880
<v Speaker 1>Yeah, So after the war she moved on to something

0:19:39.920 --> 0:19:43.800
<v Speaker 1>that was perhaps not entirely different, but in a very

0:19:43.840 --> 0:19:48.840
<v Speaker 1>different setting. She went to work in Bonnagilla, which was

0:19:49.000 --> 0:19:53.680
<v Speaker 1>the reception center set up for new migrants who came

0:19:53.720 --> 0:19:58.159
<v Speaker 1>immediately after the war. Many of these were refugees, displaced

0:19:58.160 --> 0:20:05.240
<v Speaker 1>people from Central Europe, and she really enjoyed working there.

0:20:05.960 --> 0:20:08.800
<v Speaker 1>She found the atmosphere completely different, of course, from the

0:20:08.920 --> 0:20:14.359
<v Speaker 1>rather repressive atmosphere of working in an internment camp. Although

0:20:14.560 --> 0:20:19.520
<v Speaker 1>conditions in Bonagilla and also Summer's Camp, which was another

0:20:20.080 --> 0:20:23.120
<v Speaker 1>reception center that she worked in, the conditions there were

0:20:23.160 --> 0:20:28.280
<v Speaker 1>not great. It was fairly tough for most of the migrants.

0:20:28.359 --> 0:20:30.760
<v Speaker 1>It was just such a relief, you know, to have

0:20:30.800 --> 0:20:34.520
<v Speaker 1>got out of the dangerous situation that they'd been in Europe.

0:20:35.640 --> 0:20:39.560
<v Speaker 1>And Monty made very good friends with a number of

0:20:39.600 --> 0:20:42.919
<v Speaker 1>the people that she taught in these reception centers and

0:20:42.960 --> 0:20:45.080
<v Speaker 1>went on being friends with them for the rest of

0:20:45.119 --> 0:20:45.520
<v Speaker 1>her life.

0:20:46.640 --> 0:20:49.320
<v Speaker 2>She must have absolutely loved being a teacher, because she

0:20:49.440 --> 0:20:52.080
<v Speaker 2>continued teaching for decades more, didn't she.

0:20:52.400 --> 0:20:56.320
<v Speaker 1>Well, the interesting thing is that she was ambivalent about teaching.

0:20:56.720 --> 0:21:01.240
<v Speaker 1>She really didn't like conventional school teaching. In fact, sometimes

0:21:01.280 --> 0:21:03.960
<v Speaker 1>you know in her interviews she would say she hated it.

0:21:04.560 --> 0:21:08.160
<v Speaker 1>She didn't like having to discipline people, and I don't

0:21:08.160 --> 0:21:13.959
<v Speaker 1>think she liked being disciplined herself. But she enjoyed teaching adults,

0:21:14.400 --> 0:21:18.639
<v Speaker 1>and she enjoyed teaching in more relaxed settings. So she

0:21:18.680 --> 0:21:22.680
<v Speaker 1>had loved teaching the theater children before the First World War,

0:21:23.640 --> 0:21:26.119
<v Speaker 1>and later on in her life she went on to

0:21:26.200 --> 0:21:30.359
<v Speaker 1>teach in an English school in the New Hebrides Vanuatu

0:21:30.440 --> 0:21:33.800
<v Speaker 1>as we would say today, And again that was a

0:21:33.880 --> 0:21:37.320
<v Speaker 1>very small school. She ran the entire school and she

0:21:37.359 --> 0:21:41.040
<v Speaker 1>could make her own kind of happy teaching atmosphere, and

0:21:41.080 --> 0:21:44.080
<v Speaker 1>she loved teaching there as well. She was already in

0:21:44.160 --> 0:21:47.200
<v Speaker 1>her seventies by that time, so that was quite remarkable

0:21:47.240 --> 0:21:47.800
<v Speaker 1>in itself.

0:21:48.080 --> 0:21:49.880
<v Speaker 2>And then she continued into her eighties.

0:21:50.080 --> 0:21:53.080
<v Speaker 1>Yes, so she went back to Japan in her eighties

0:21:53.160 --> 0:21:57.320
<v Speaker 1>and taught English in Japan for several months.

0:21:57.280 --> 0:21:59.399
<v Speaker 2>And then beyond there. What did she do after that?

0:22:00.119 --> 0:22:04.280
<v Speaker 1>Beyond that, she was still teaching, you know, private classes.

0:22:04.920 --> 0:22:09.840
<v Speaker 1>She taught Japanese private classes, certainly into her nineties, possibly

0:22:09.880 --> 0:22:12.760
<v Speaker 1>into her hundreds, I'm not quite sure about that. And

0:22:12.800 --> 0:22:17.680
<v Speaker 1>she also taught some English language classes for foreigners living

0:22:17.760 --> 0:22:22.320
<v Speaker 1>in Melbourne, including some Japanese people. And in addition to that,

0:22:23.000 --> 0:22:28.000
<v Speaker 1>she became quite an active host for foreign students coming

0:22:28.080 --> 0:22:33.600
<v Speaker 1>to Australia. And as Australia gradually started to open up

0:22:33.640 --> 0:22:38.359
<v Speaker 1>more to Asia, we had the Colombo Scheme and students

0:22:38.400 --> 0:22:42.680
<v Speaker 1>from Japan, Indonesia and other parts of Asia started coming

0:22:42.720 --> 0:22:46.600
<v Speaker 1>to Australia. Monty was very active in hosting and helping them.

0:22:47.040 --> 0:22:50.160
<v Speaker 2>And she actually received an award from the Japanese government

0:22:50.240 --> 0:22:52.359
<v Speaker 2>for all the work that she'd done over the years,

0:22:52.400 --> 0:22:53.800
<v Speaker 2>didn't she Yes.

0:22:54.400 --> 0:22:57.679
<v Speaker 1>She received an award that she was extremely proud of

0:22:58.840 --> 0:23:02.399
<v Speaker 1>for her role as a sort of informal ambassador in

0:23:02.440 --> 0:23:04.320
<v Speaker 1>a way between Australia and Japan.

0:23:04.960 --> 0:23:07.200
<v Speaker 2>Now take us forward to the take us to the

0:23:07.560 --> 0:23:11.040
<v Speaker 2>nineteen eighties and the controversy that we mentioned at the

0:23:11.040 --> 0:23:14.359
<v Speaker 2>beginning when she was when she was appointed as a

0:23:14.480 --> 0:23:18.960
<v Speaker 2>roving ambassador for Brisbane Expo eighty eight. It's also bizarre

0:23:19.000 --> 0:23:21.200
<v Speaker 2>it's actually a little bit hard to believe. But could

0:23:21.240 --> 0:23:23.400
<v Speaker 2>you take us through the events of nineteen eighty five.

0:23:23.960 --> 0:23:27.280
<v Speaker 1>Yes, So there she was. She was one hundred and three,

0:23:28.200 --> 0:23:34.000
<v Speaker 1>and she was this marvelous old lady who had a

0:23:34.040 --> 0:23:38.879
<v Speaker 1>great memory, was a great speaker. She had been involved

0:23:38.960 --> 0:23:43.359
<v Speaker 1>in the Expo one hundred years earlier, and she had

0:23:43.440 --> 0:23:46.040
<v Speaker 1>this great connection to Japan. And this was the time

0:23:46.160 --> 0:23:51.560
<v Speaker 1>when Queensland was busy developing ties economic ties with Japan,

0:23:52.040 --> 0:23:55.880
<v Speaker 1>encouraging Japanese investment in tourism and real estate and so on.

0:23:56.600 --> 0:24:01.000
<v Speaker 1>So she looked like the perfect person to a roving

0:24:01.040 --> 0:24:05.880
<v Speaker 1>ambassador for Brisbane's Expo eighty eight. And she was invited

0:24:05.920 --> 0:24:08.840
<v Speaker 1>to do that, and she was delighted and very happy

0:24:08.880 --> 0:24:14.520
<v Speaker 1>to accept. But then there was a little controversy because

0:24:15.320 --> 0:24:20.160
<v Speaker 1>shortly before she'd been issued this invitation, she'd already given

0:24:20.760 --> 0:24:25.000
<v Speaker 1>an interview to a gay magazine where she talked about

0:24:25.119 --> 0:24:28.240
<v Speaker 1>her relationships with women, and particularly the fact that she'd

0:24:28.280 --> 0:24:31.800
<v Speaker 1>had this great love affair with Debbie in the nineteen twenties.

0:24:32.000 --> 0:24:35.560
<v Speaker 2>Sorry, just to clarify, was this the first time that

0:24:35.640 --> 0:24:37.760
<v Speaker 2>she had ever come out as a lesbian.

0:24:38.040 --> 0:24:43.199
<v Speaker 1>Yes, so that in the first article, which appeared just

0:24:43.240 --> 0:24:46.239
<v Speaker 1>before she was appointed. She did come out, but they

0:24:46.280 --> 0:24:50.439
<v Speaker 1>didn't identify her by name. There was a photograph of

0:24:50.520 --> 0:24:52.800
<v Speaker 1>her with the article, so I guess her friends knew

0:24:52.840 --> 0:24:56.640
<v Speaker 1>who it was, but she wasn't identified by name. But then,

0:24:57.000 --> 0:25:01.119
<v Speaker 1>just after she was appointed as the roving as, she

0:25:01.680 --> 0:25:05.840
<v Speaker 1>came out with another interview where she was named and

0:25:06.080 --> 0:25:11.240
<v Speaker 1>as you can imagine, the Joe Biagi Petersen government was appalled.

0:25:12.320 --> 0:25:15.719
<v Speaker 1>Joe was not known for his friendliness to gay people.

0:25:16.080 --> 0:25:21.720
<v Speaker 1>In fact, he was quite rapidly homophobic, and so there

0:25:21.800 --> 0:25:25.320
<v Speaker 1>was quite a kerfuffle. In the end, they decided not

0:25:25.359 --> 0:25:28.600
<v Speaker 1>to cancel her appointment because that would probably have looked

0:25:28.640 --> 0:25:32.199
<v Speaker 1>even worse, but it certainly caused a good deal of

0:25:32.240 --> 0:25:35.439
<v Speaker 1>controversy and was the subject of some newspaper articles and

0:25:35.480 --> 0:25:36.359
<v Speaker 1>so on at the time.

0:25:37.680 --> 0:25:40.239
<v Speaker 2>Tell us more about the controversy. She became known as

0:25:40.280 --> 0:25:43.000
<v Speaker 2>the world's oldest lesbian. That was the first thing that happened,

0:25:43.040 --> 0:25:46.200
<v Speaker 2>and she has been known that way ever since. Really

0:25:46.200 --> 0:25:48.160
<v Speaker 2>that sort of a monika. That's stark, hasn't it.

0:25:48.520 --> 0:25:51.359
<v Speaker 1>Yes, that's right, and it's a name that she was

0:25:51.520 --> 0:25:55.560
<v Speaker 1>a bit ambivalent about. So she chose to come out.

0:25:55.720 --> 0:25:59.520
<v Speaker 1>By this time, she had a lot of younger gay

0:25:59.560 --> 0:26:02.480
<v Speaker 1>friends were very much active, you know, in the gay

0:26:02.560 --> 0:26:06.280
<v Speaker 1>rights movement of the nineteen seventies and eighties, and this

0:26:06.359 --> 0:26:10.240
<v Speaker 1>had been an eye opener for her. She loved their

0:26:10.280 --> 0:26:14.560
<v Speaker 1>company and she wanted to talk about her own experiences,

0:26:15.080 --> 0:26:18.840
<v Speaker 1>but she also didn't like being labeled. On a number

0:26:18.880 --> 0:26:22.880
<v Speaker 1>of occasions, she said she didn't really like being labeled

0:26:22.960 --> 0:26:27.280
<v Speaker 1>lesbian because she just didn't like labels in general. And

0:26:28.240 --> 0:26:32.400
<v Speaker 1>she didn't want to talk too much to the media

0:26:32.480 --> 0:26:35.560
<v Speaker 1>about her private life because she'd grown up in an

0:26:35.600 --> 0:26:38.560
<v Speaker 1>age when that was really regarded as not being the

0:26:38.560 --> 0:26:40.280
<v Speaker 1>proper thing to do. You know, you could talk to

0:26:40.320 --> 0:26:42.720
<v Speaker 1>your friends about it, but you didn't want to go

0:26:42.800 --> 0:26:46.919
<v Speaker 1>into the details of your private sexual life with the

0:26:47.000 --> 0:26:48.280
<v Speaker 1>media and in public.

0:26:48.920 --> 0:26:51.199
<v Speaker 2>Now, there's a great quote from the I mean, there

0:26:51.200 --> 0:26:54.200
<v Speaker 2>were obviously lots of newspaper reports about this whole controversy,

0:26:54.359 --> 0:26:56.960
<v Speaker 2>but there's a particularly good quote from a Sydney Morning

0:26:57.000 --> 0:26:59.800
<v Speaker 2>Herald story about it. Can you tell us about that one?

0:27:00.400 --> 0:27:04.639
<v Speaker 1>So there was a headline in one of the articles

0:27:04.680 --> 0:27:09.640
<v Speaker 1>which said something along the lines of Sir Joe wishes

0:27:09.680 --> 0:27:14.320
<v Speaker 1>his roving ambassador could be a little less gay. So

0:27:15.160 --> 0:27:18.840
<v Speaker 1>clearly you know, people were quite amused by this whole event,

0:27:19.920 --> 0:27:22.600
<v Speaker 1>and you know, I felt as I was reading it,

0:27:22.800 --> 0:27:24.800
<v Speaker 1>reading about it, that I would have loved to have

0:27:24.920 --> 0:27:28.040
<v Speaker 1>seen Sir Joe's face when he heard the news.

0:27:29.600 --> 0:27:32.240
<v Speaker 2>Now, now Monty did go on to attend the eighty

0:27:32.280 --> 0:27:33.399
<v Speaker 2>eight Expert, didn't she?

0:27:34.200 --> 0:27:36.919
<v Speaker 1>Yes, she did. By that time. Of course she was

0:27:37.000 --> 0:27:40.200
<v Speaker 1>really very old and she had had a few health issues,

0:27:40.240 --> 0:27:44.320
<v Speaker 1>although her health had been pretty remarkable, but she attended.

0:27:44.440 --> 0:27:47.840
<v Speaker 1>She had a very good woman friend whom she was

0:27:47.880 --> 0:27:50.600
<v Speaker 1>living with at the time, Margaret Taylor, who went along

0:27:50.640 --> 0:27:54.560
<v Speaker 1>with her and helped her. She went to the expo twice,

0:27:55.359 --> 0:27:59.399
<v Speaker 1>and she also made a final trip to Japan, you know,

0:27:59.560 --> 0:28:04.080
<v Speaker 1>in very old age, again accompanied by Margaret, where she

0:28:04.119 --> 0:28:06.639
<v Speaker 1>talked about she had just published her memoirs and she

0:28:06.720 --> 0:28:09.760
<v Speaker 1>talked about her memoirs to Japanese audiences.

0:28:10.440 --> 0:28:12.720
<v Speaker 2>Was that after Expoadia because she was one of one

0:28:12.800 --> 0:28:15.000
<v Speaker 2>hundred and five years old at the time of Expo

0:28:15.080 --> 0:28:17.480
<v Speaker 2>eighty eight, So did she go to Japan after that?

0:28:17.840 --> 0:28:20.000
<v Speaker 1>So it was around the same time, Yes, when she

0:28:20.080 --> 0:28:21.080
<v Speaker 1>was one hundred and five.

0:28:21.720 --> 0:28:24.480
<v Speaker 2>Obviously she held Japan very dear to her heart.

0:28:25.240 --> 0:28:29.320
<v Speaker 1>Yes, yes, she loved Japan and one of the really

0:28:29.320 --> 0:28:32.800
<v Speaker 1>important things was that she had reconnected with some of

0:28:32.840 --> 0:28:36.560
<v Speaker 1>the people who had been interned in Tatua Camp during

0:28:36.600 --> 0:28:39.400
<v Speaker 1>the war, and for them, I think it was very

0:28:39.480 --> 0:28:43.200
<v Speaker 1>important to reconnect with her. It was sort of an

0:28:43.240 --> 0:28:47.320
<v Speaker 1>act of reconciliation in a way between Australia and Japan

0:28:47.680 --> 0:28:51.840
<v Speaker 1>at a time when you know, Australia's connections with Asia

0:28:51.880 --> 0:28:55.160
<v Speaker 1>and particularly with Japan were starting to flourish.

0:28:55.600 --> 0:28:59.160
<v Speaker 2>Amazing And how would you like Monty to be remembered, Oh.

0:28:59.120 --> 0:29:03.720
<v Speaker 1>I think she should be remembered as a remarkable woman.

0:29:05.240 --> 0:29:08.040
<v Speaker 1>Not always a conventionally good woman. She could be quite

0:29:08.120 --> 0:29:12.880
<v Speaker 1>naughty at times. She told her story in her own

0:29:12.920 --> 0:29:18.160
<v Speaker 1>inimitable way, and sometimes it wasn't exactly the way that

0:29:18.240 --> 0:29:22.840
<v Speaker 1>it's recorded in the official records. But she was such

0:29:22.880 --> 0:29:27.600
<v Speaker 1>a character. She was so open to new ideas and

0:29:27.640 --> 0:29:31.200
<v Speaker 1>new influences, and that was the thing that she really stressed,

0:29:31.200 --> 0:29:35.560
<v Speaker 1>particularly in her old age, how important it is not

0:29:35.760 --> 0:29:39.320
<v Speaker 1>to be afraid of people who are different or of

0:29:39.360 --> 0:29:43.600
<v Speaker 1>the outside world, but to engage and listen to others.

0:29:44.120 --> 0:29:46.400
<v Speaker 1>And that was what she did right the way through

0:29:46.440 --> 0:29:48.920
<v Speaker 1>her life, and I think that's what made her life

0:29:49.160 --> 0:29:52.560
<v Speaker 1>such a rich life and such an interesting one to

0:29:52.640 --> 0:29:53.800
<v Speaker 1>follow for a historian.

0:29:54.160 --> 0:29:57.600
<v Speaker 2>And your book is now Tessa a Secretive Century Monty

0:29:57.640 --> 0:30:00.920
<v Speaker 2>Punchen's Australia, Congratulations and things. Thanks for sharing the story

0:30:00.960 --> 0:30:01.640
<v Speaker 2>with us today.

0:30:01.920 --> 0:30:03.120
<v Speaker 1>Thank you, it's been a pleasure.

0:30:10.120 --> 0:30:12.720
<v Speaker 2>Thanks for listening. This has been In Black and White,

0:30:12.840 --> 0:30:16.800
<v Speaker 2>a podcast about some of Australia's forgotten characters, written and

0:30:16.880 --> 0:30:20.560
<v Speaker 2>hosted by me Jen Kelly, edited by Harry Hughes and

0:30:20.600 --> 0:30:23.960
<v Speaker 2>produced by John Tyburton. You can find all the stories

0:30:23.960 --> 0:30:27.720
<v Speaker 2>and photos associated with our episodes at haroldsun dot com

0:30:27.760 --> 0:30:32.960
<v Speaker 2>dot au slash ibaw. If you've enjoyed this podcast, we'd

0:30:33.040 --> 0:30:36.320
<v Speaker 2>love you to leave a five star rating on Apple Podcasts.

0:30:36.720 --> 0:30:40.040
<v Speaker 2>Even better, leave a review. It's one simple way you

0:30:40.040 --> 0:30:42.280
<v Speaker 2>can help us get the word out to more listeners.

0:30:42.880 --> 0:30:46.360
<v Speaker 2>Any comments or questions please email me at In Black

0:30:46.440 --> 0:30:51.920
<v Speaker 2>and White at Heroldsun dot com dot au. Any clarifications

0:30:52.040 --> 0:30:55.520
<v Speaker 2>or updates will appear in the show notes for each episode,

0:30:56.000 --> 0:30:58.640
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