WEBVTT - A Life and Crimes holiday reading guide

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<v Speaker 1>I'm being stalked, and no one took serious note of it,

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<v Speaker 1>and so then I had to stage my own disappearance

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<v Speaker 1>in order to prove that I was being stalked, to

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<v Speaker 1>bring attention to the problem of being stalked.

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<v Speaker 2>That logic is not what a proof.

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<v Speaker 3>He was very close to the grandfather who also was murdered.

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<v Speaker 2>Oh dear, and becoming a bit of a theme.

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<v Speaker 3>And this young gentleman was the last to see Grandpa.

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<v Speaker 2>Oh my goodness.

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<v Speaker 1>I'm Andrew Rules's Life and Crimes. It's that time of

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<v Speaker 1>year again where we chat about what books to read

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<v Speaker 1>over summer, and possibly even what films to watch or

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<v Speaker 1>any other pastimes that crop up.

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<v Speaker 2>I'm here with the.

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<v Speaker 1>Podcast Long Suffering producer John Burton, whose full name is

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<v Speaker 1>longer than that, and he is going to take part

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<v Speaker 1>in this because I think he's a very keen reader

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<v Speaker 1>and a student of the printer word, among others.

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<v Speaker 3>Welcome John, thank you kindly, among others and among others.

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<v Speaker 3>Today I'll be more talking about documentaries. Documentaries, I think sentries.

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<v Speaker 3>For those of you who are more audio and video wise.

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<v Speaker 1>Oh excellent. That's good, because I'm not terribly wise. And

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<v Speaker 1>what would you recommend our listeners watch or get hold of.

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<v Speaker 3>So there's a few interesting ones that are kicking around

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<v Speaker 3>that are highly regarded, and I highly regard them as well.

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<v Speaker 3>One of them, probably one of the most timely, is

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<v Speaker 3>a documentary on Netflix about Sean puff Daddy Coombs.

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<v Speaker 2>Yeah, I've heard of P Diddy.

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<v Speaker 3>P Diddy, and you may have been enthralled or at

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<v Speaker 3>least seen a passing reference or to the recent trials.

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<v Speaker 3>And I think he's just been convicted and sentenced to

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<v Speaker 3>something like fifty months or something like that. One of

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<v Speaker 3>the weird ways that Americans, you know, run their prison sentences,

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<v Speaker 3>sometimes two hundred years, very strange. But there is a

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<v Speaker 3>new documentary on Netflix called Sean Coombs The Reckoning, and

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<v Speaker 3>it's basically this sort of multi part portrait of his

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<v Speaker 3>rise and fall. It starts off with footage of him

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<v Speaker 3>hold up in a New York apartment, frantically calling his

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<v Speaker 3>attorney and looking over the road to a bunch of

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<v Speaker 3>law enforcement folk who are looking back at him. And

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<v Speaker 3>you always know it's going to be a good documentary

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<v Speaker 3>if they've got that sort of thing, if someone has

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<v Speaker 3>found a piece of vision of the person in question

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<v Speaker 3>in the moment of strife that you know is going

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<v Speaker 3>to engulf their life. You know, someone's onto something they've

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<v Speaker 3>dug somewhere good.

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<v Speaker 1>Yeah, it does have that ring about it. This one

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<v Speaker 1>of It's somewhere sort of a modern cross between O. J.

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<v Speaker 1>Simpson and The Fall of Prince Andrew.

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<v Speaker 3>A bit, a little bit and throughout it it's a

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<v Speaker 3>mo two part series, but it goes through his rise,

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<v Speaker 3>but at every stage there are people, you know, warning,

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<v Speaker 3>you know, the sort.

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<v Speaker 1>Of the the against him about him, about him, that

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<v Speaker 1>he might be a smooth dude and good looking and

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<v Speaker 1>this and that and make money in the music business,

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<v Speaker 1>et cetera. Yes, but deep down he's a gangster with

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<v Speaker 1>some bad habits, deep down done not all that deep

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<v Speaker 1>PABs perhaps not just under the surface.

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<v Speaker 2>And what was his real name is Sean Combs?

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<v Speaker 3>Real name Sean Coombs sort of seen as a bit

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<v Speaker 3>of a wonder kind producer, seen as someone in the

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<v Speaker 3>early nineties that was finger on the pulse youthful music

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<v Speaker 3>and presario knew his way around a recording studio, but

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<v Speaker 3>interestingly was very early is caught up in some worrying things.

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<v Speaker 3>His group organized a charity basketball match which ended up

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<v Speaker 3>in a crush, too many people trying to get in.

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<v Speaker 3>Everyone wanted to be there, multiple people died. This was

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<v Speaker 3>seen by some as the making of him, because he

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<v Speaker 3>got his name out there, even if it was in

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<v Speaker 3>a bad way.

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<v Speaker 1>No such thing as bad publicity in some respects exactly so,

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<v Speaker 1>especially in the rap world.

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<v Speaker 3>No exactly so chouting his rise, but always with that

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<v Speaker 3>little caveat, and the caveats get bigger, the whispers get bigger.

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<v Speaker 1>True, it strikes me, you know, I've been around a

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<v Speaker 1>while and you can see the way that history sort

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<v Speaker 1>of changes, but doesn't change that the rise of the

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<v Speaker 1>rapper group, big money in it, therefore hangers on. You

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<v Speaker 1>have rappers with big mobs of people following them around

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<v Speaker 1>and all, you know, soaking up the money. Of course,

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<v Speaker 1>it's very reminiscent of the old time boxes, you know,

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<v Speaker 1>Liston and Ali and all the rest of them, all the.

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<v Speaker 2>Way back to Joe Lewis. These guys who were.

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<v Speaker 1>Black guys making a lot of money in a sort

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<v Speaker 1>of a new and exciting scene, which while boxing wasn't

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<v Speaker 1>new when it became televised and had radio coverage, etc.

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<v Speaker 1>It became monetized and that meant that boxers were fighting

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<v Speaker 1>for big purses.

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<v Speaker 2>Which gave us those huge.

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<v Speaker 1>Heavyweight events, and it meant that these guys became household

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<v Speaker 1>names and they made millions of dollars instead of not

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<v Speaker 1>making millions of dollars. And it seems to me that

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<v Speaker 1>the rappers are to some extent a bit like that.

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<v Speaker 1>And there's always that suggestion that the boxes are mixed

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<v Speaker 1>up with the mob and with gangsters and with big

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<v Speaker 1>book makers and with dishonest stuff. Always that suggestion from

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<v Speaker 1>that goes all the way back to the bare knuckle

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<v Speaker 1>days really, and the rappers same thing. Where there's easy money,

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<v Speaker 1>there's crooks.

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<v Speaker 3>Well, everyone loves to hang around someone who's rich and

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<v Speaker 3>famous if they can as well.

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<v Speaker 1>So yeah, that deadly mixtures of money, notoriety. You know,

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<v Speaker 1>the girls will follow the guys, all that stuff, It

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<v Speaker 1>all goes together. Yeah, So that's a very fertile feel

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<v Speaker 1>to make a documentary about. What other ones we're looking at?

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<v Speaker 3>So another Netflix one and it's called Fred and Rose West,

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<v Speaker 3>a British horror story.

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<v Speaker 2>Oh yes, Fred West. I'd forgotten about Fred West. It

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<v Speaker 2>is a horror story.

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<v Speaker 3>It is a horror story. And you know, one of

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<v Speaker 3>these ones that may have been on the periphery of

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<v Speaker 3>your knowledge because it was, you know, mid nineties. It

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<v Speaker 3>would have troubled the world pages probably back then, but

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<v Speaker 3>I don't think it was front page material in Australia.

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<v Speaker 1>No, I can recall it clearly. But then again, you know,

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<v Speaker 1>I'm in the business and probably took more of an interest.

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<v Speaker 1>But very strange set up. They almost looked like each other,

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<v Speaker 1>Fred and Rosemary West. There was something very deeply creepy

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<v Speaker 1>about them.

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<v Speaker 3>Absolutely, it should explain the plot. I think Fred West,

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<v Speaker 3>one of his and Ros's children went missing, didn't turn

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<v Speaker 3>up to school, and they found her body under some

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<v Speaker 3>paving stones in the backyard, and Fred was immediately brought

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<v Speaker 3>in for questioning and it unraveled. He thought he was

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<v Speaker 3>smarter than the cops. He had that sort of swagger

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<v Speaker 3>about him, and bit by bit they broke him down

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<v Speaker 3>and found out.

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<v Speaker 2>The true horror of what he was up to.

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<v Speaker 3>I think it was nine or more young women who

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<v Speaker 3>he had murdered, and they were all sort of had

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<v Speaker 3>a very much a type young women, runaways or sort

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<v Speaker 3>of girls who were.

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<v Speaker 2>Floating through life, hard to trace, hard to trace.

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<v Speaker 3>And this was at a time the actual murders happened

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<v Speaker 3>in the seventies, but the police investigation and they caught

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<v Speaker 3>up with him in the mid nineties, so they got

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<v Speaker 3>away with it for a long time. The first episode

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<v Speaker 3>is titled Fred, and again, like the Sean Combs docum entry,

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<v Speaker 3>they've got themselves. I think they must have got either

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<v Speaker 3>a police proof of evidence or the record of interview.

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<v Speaker 3>They certainly have a record of interview of him, and

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<v Speaker 3>it seems like it was the first time it's come

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<v Speaker 3>to light, so they've managed to get that. They've also

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<v Speaker 3>got footage of Fred going through his backyard with police

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<v Speaker 3>and going through the paving stones and saying, well, yes,

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<v Speaker 3>she's buried here, and this one's buried here, which is

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<v Speaker 3>quite confronting to look at. It's sort of old, analog,

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<v Speaker 3>grainy footage, but it's very compelling. And so the first

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<v Speaker 3>episode is called Fred, and so Fred obviously was brought

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<v Speaker 3>in and he was in it from the beginning. You know,

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<v Speaker 3>he was not getting free. But the second episode is

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<v Speaker 3>called Rose Rosebary as in the Wife, and it's it's

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<v Speaker 3>all about well, hang on, maybe Fred isn't the sole

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<v Speaker 3>butcher here, maybe his accomplice. And so it goes through

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<v Speaker 3>a Rosa's story, which in itself is upbringing bad married

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<v Speaker 3>Fred when she was fifteen or something, and goes through

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<v Speaker 3>and will.

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<v Speaker 2>Have been abused as a child.

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<v Speaker 3>It's inevitable, and goes through and it paints a picture

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<v Speaker 3>of Fred was not the only monster in this family.

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<v Speaker 1>Yeah, it's a terrible thing. It's probably second only. I

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<v Speaker 1>don't know if you have a hierarchy in these things, really,

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<v Speaker 1>but it's up there with that terrible story which became

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<v Speaker 1>a very brilliant book really about the Moore's murderers. The

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<v Speaker 1>book was called Beyond Belief and the Mores murderers were

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<v Speaker 1>Ian Brady and Myra Hindley, and they have also gone

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<v Speaker 1>into infamy back in the sixties and their crimes. They

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<v Speaker 1>killed a series of children up in Yorkshire and buried

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<v Speaker 1>them out on the moors. But that same aspect of

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<v Speaker 1>folly a French call it where you've got a couple,

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<v Speaker 1>I mean a man and a woman, which is particularly

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<v Speaker 1>sinister and creepy and awful because most of us tend

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<v Speaker 1>to trust a couple. We tend to trust the fact

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<v Speaker 1>that a woman is present, that a couple won't be

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<v Speaker 1>abductors or killers. But when they are how sinister is it?

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<v Speaker 1>Because they can persuade children that they're okay, And children

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<v Speaker 1>who would not get into a car or except the

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<v Speaker 1>live from or whatever from a man alone, will happily

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<v Speaker 1>go when it's a couple.

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<v Speaker 3>And they are the subjects of that really quite chilling

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<v Speaker 3>photo or sets of photos, aren't they where black and white?

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<v Speaker 3>They're both sort of staring into camera, whiteyde and yeah,

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<v Speaker 3>very very creepy.

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<v Speaker 2>Very creepy.

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<v Speaker 1>She had the bleached blonde hair, Mayra Hindley and Ian

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<v Speaker 1>Brady I think his name was. He had the quiff,

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<v Speaker 1>the sort of rock role quick, a lean face like

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<v Speaker 1>a ferrety face, hard looking Scottish in origin, I think.

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<v Speaker 1>And he'd come out of pretty ordinary circumstances in Scotland

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<v Speaker 1>or somewhere, and he'd been adopted out as a child,

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<v Speaker 1>which I have to say is a very common shared

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<v Speaker 1>attribute of a lot of people. I have done a

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<v Speaker 1>lot of bad things. Adopted boys haven't got a great record.

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<v Speaker 1>Mister Stinky was an adopted boy. Paul Stephen Haig, who's

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<v Speaker 1>still in jail in Victoria for killing seven people, is.

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<v Speaker 2>An adopted boy. And on it goes.

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<v Speaker 1>It's quite a long list of monsters and Ian Brady

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<v Speaker 1>was right at the top of it. Don't know about

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<v Speaker 1>Fred West. It would be interesting to know his background

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<v Speaker 1>because it will be very patchy.

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<v Speaker 3>Well, Rose was not his first wife.

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<v Speaker 2>No, what happened to the first one? There?

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<v Speaker 3>I asked, Well, certainly the well and this is where

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<v Speaker 3>it gets particularly horrifying. It he and his first wife

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<v Speaker 3>had a child, and that's one of the more horrific

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<v Speaker 3>parts of the documentary talking about that and how that

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<v Speaker 3>ended up. But to being on a slightly more flippant note,

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<v Speaker 3>Fred did have a very profound quiff.

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<v Speaker 2>He had.

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<v Speaker 3>He had the sort of rush back, crush back, and

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<v Speaker 3>then that that sort of morphed into a kind of

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<v Speaker 3>a nineteen nineties kind of lad look, even though it

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<v Speaker 3>was about, you know, fifties at the time. With the

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<v Speaker 3>lad look, the lad looks, oh yeah, read this.

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<v Speaker 2>Is up in the up in the Midlands or something.

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<v Speaker 3>I want to say, it's it's Canterbury or somewhere like

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<v Speaker 3>yeah yeah. And it was one of these ones where interestingly,

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<v Speaker 3>the documentary starts with a journal and this is always good.

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<v Speaker 3>It's a small town journo who was her first job

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<v Speaker 3>was to cover this thing and she did all the

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<v Speaker 3>right things, she asked the right questions, she did the

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<v Speaker 3>right searches, you know, really good on the ground journalism.

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<v Speaker 3>And then it ends up with a gentleman from the

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<v Speaker 3>tabloids in Fleet Street, I think from the Mirror talking

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<v Speaker 3>about paying jurors for their stories and how that had

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<v Speaker 3>the potential to disrail the eventual conviction.

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<v Speaker 2>Oh yeah, of Rose, Oh god, yeah. And that's on Netflix.

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<v Speaker 2>That's on Netflix.

0:13:21.800 --> 0:13:24.199
<v Speaker 1>Any other really creepy things you're going to watch? Is

0:13:24.240 --> 0:13:25.600
<v Speaker 1>anything just slightly lighter?

0:13:25.679 --> 0:13:28.280
<v Speaker 3>I'll give you one more creepy in one light? How's

0:13:28.320 --> 0:13:32.400
<v Speaker 3>that for creepy? Carmen family murders. The Carmen family murders.

0:13:32.440 --> 0:13:35.320
<v Speaker 3>This is a case I'd never heard of before, but

0:13:36.040 --> 0:13:40.479
<v Speaker 3>neither so. It starts off with a distress at sea

0:13:40.960 --> 0:13:45.480
<v Speaker 3>and the coastguard or someone goes out and they rescue

0:13:45.600 --> 0:13:50.160
<v Speaker 3>this guy who had spent seven days odd on the

0:13:50.280 --> 0:13:55.000
<v Speaker 3>sort of inflatable life raft. His boat had capsized. Sadly

0:13:55.280 --> 0:13:59.640
<v Speaker 3>on that boat. Also, was his mother lost at sea.

0:14:01.760 --> 0:14:07.440
<v Speaker 3>He came from a very wealthy I think Rhode Island family.

0:14:08.520 --> 0:14:12.720
<v Speaker 3>His maternal grandfather was sort of bastion of the Greek

0:14:12.760 --> 0:14:16.920
<v Speaker 3>American community, had pulled himself up by his bootstraps, started

0:14:16.920 --> 0:14:22.040
<v Speaker 3>a business, multi millionaire, the large house, the indoor pool, horses,

0:14:22.200 --> 0:14:27.400
<v Speaker 3>the whole shebang, and his mother. This guy who's rescued

0:14:27.400 --> 0:14:31.480
<v Speaker 3>his mother's lost at sea. The son, the guy who's rescued,

0:14:31.840 --> 0:14:37.840
<v Speaker 3>is on the spectrum or on the neurodiverse spectrum. So

0:14:37.920 --> 0:14:40.520
<v Speaker 3>he quite matter of fact in a lot of the

0:14:40.760 --> 0:14:43.520
<v Speaker 3>lot of his ways, interviewed by police, and his matter

0:14:43.560 --> 0:14:48.400
<v Speaker 3>of fact, and either the police didn't know or didn't

0:14:48.480 --> 0:14:50.560
<v Speaker 3>factor in, or maybe they did factor in his.

0:14:52.120 --> 0:14:54.560
<v Speaker 1>Condition. His condition, and that alt is the way he

0:14:55.400 --> 0:14:59.520
<v Speaker 1>doesn't act out the emotions the way most.

0:14:59.320 --> 0:15:02.680
<v Speaker 3>Of us would exactly exactly around the funeral, he's talking

0:15:02.680 --> 0:15:04.800
<v Speaker 3>to reporters and he's being very matter of fact and.

0:15:04.760 --> 0:15:05.640
<v Speaker 2>All that sort of stuff.

0:15:06.560 --> 0:15:12.360
<v Speaker 3>Anyway, so he's interviewed by police. Now we subsequently learned

0:15:12.360 --> 0:15:16.840
<v Speaker 3>that previous to that, previous to this particular tragedy, he

0:15:16.920 --> 0:15:21.040
<v Speaker 3>was very close to the Greek American grandfather that I

0:15:21.080 --> 0:15:23.000
<v Speaker 3>mentioned before, the one who set up the house and

0:15:23.040 --> 0:15:24.280
<v Speaker 3>the forces and wys.

0:15:24.160 --> 0:15:30.120
<v Speaker 2>Of stuff, who also was murdered, Oh dear, and becoming

0:15:30.160 --> 0:15:31.360
<v Speaker 2>a bit of a theme.

0:15:31.800 --> 0:15:36.280
<v Speaker 3>And this young gentleman was the last to see Grandpa

0:15:36.600 --> 0:15:37.640
<v Speaker 3>was the last to see Grandpa.

0:15:37.760 --> 0:15:38.720
<v Speaker 2>Oh my goodness.

0:15:39.080 --> 0:15:41.040
<v Speaker 3>So it sets up and I won't sort of go

0:15:41.120 --> 0:15:47.440
<v Speaker 3>towards the spoiler, but it goes through the various investigations,

0:15:48.000 --> 0:15:49.840
<v Speaker 3>and it's one of those ones where they do it

0:15:50.120 --> 0:15:52.200
<v Speaker 3>a very good job of saying, there is very credible

0:15:52.240 --> 0:15:55.760
<v Speaker 3>evidence on this side, but there's also credible evidence on

0:15:55.920 --> 0:15:59.480
<v Speaker 3>this side, right, And perhaps some of this evidence can

0:15:59.520 --> 0:16:01.880
<v Speaker 3>be explained by his condition.

0:16:01.760 --> 0:16:03.440
<v Speaker 2>Yes, but maybe it's not.

0:16:04.400 --> 0:16:07.640
<v Speaker 1>This is very interesting, isn't it. It's interesting how we

0:16:07.720 --> 0:16:13.200
<v Speaker 1>judge people by their demeanor, and we do it unconsciously. Unconsciously,

0:16:13.960 --> 0:16:17.280
<v Speaker 1>but I would call what you're describing a stronger version

0:16:17.320 --> 0:16:21.040
<v Speaker 1>of the Lindy Chamberlain effect. Lindy Chaplain and her husband

0:16:21.080 --> 0:16:25.280
<v Speaker 1>Michael were slightly unusual people. They were well, they were

0:16:25.440 --> 0:16:29.040
<v Speaker 1>religious for a start, which meant deeply religious, which meant

0:16:29.040 --> 0:16:32.560
<v Speaker 1>they had a certain sort of calmness about bad things

0:16:32.560 --> 0:16:36.040
<v Speaker 1>happening because they believe there was a higher purpose or whatever.

0:16:37.040 --> 0:16:39.560
<v Speaker 1>And they had a calm demeanor when many of us

0:16:39.560 --> 0:16:42.800
<v Speaker 1>would not. So they didn't carry on, they didn't wail,

0:16:42.920 --> 0:16:46.760
<v Speaker 1>they didn't cry, they didn't sob. They were very self contained,

0:16:47.200 --> 0:16:50.640
<v Speaker 1>and that played against them both because people looked at

0:16:50.640 --> 0:16:54.040
<v Speaker 1>them and said, oh, you're not upset enough. We don't

0:16:54.040 --> 0:16:56.120
<v Speaker 1>trust you. We think you did it. And then they

0:16:56.160 --> 0:16:58.880
<v Speaker 1>set out to prove they did it, and then they

0:16:59.240 --> 0:17:03.560
<v Speaker 1>ignored anything that was going to exonerate them, and search

0:17:03.640 --> 0:17:06.800
<v Speaker 1>and searched for any evidence or any witness that they

0:17:06.800 --> 0:17:09.440
<v Speaker 1>could use to make a case against them. It became

0:17:09.480 --> 0:17:13.679
<v Speaker 1>a very one sided investigation merely, I think, largely. I

0:17:13.720 --> 0:17:17.960
<v Speaker 1>think because people took a set against them early, or

0:17:18.000 --> 0:17:21.480
<v Speaker 1>maybe only one or two investigators took a set against

0:17:21.520 --> 0:17:24.800
<v Speaker 1>them early in the piece, and I think that their

0:17:24.840 --> 0:17:26.600
<v Speaker 1>demeanor had a lot to do with it.

0:17:27.400 --> 0:17:31.440
<v Speaker 3>It's interesting in this documentary because the young gentleman at

0:17:31.440 --> 0:17:34.679
<v Speaker 3>the center of it all will be in a police

0:17:34.680 --> 0:17:39.159
<v Speaker 3>interview room and the police will ask him a question,

0:17:39.280 --> 0:17:41.640
<v Speaker 3>you know, what did you think of your mother? And

0:17:41.720 --> 0:17:45.080
<v Speaker 3>he will say, I love my mother very dearly, and

0:17:45.119 --> 0:17:48.440
<v Speaker 3>I probably shouldn't I probably shouldn't say this, but she's

0:17:48.480 --> 0:17:49.760
<v Speaker 3>got a lot of flaws. So she's got a lot

0:17:49.800 --> 0:17:51.479
<v Speaker 3>of flaws, and listop a couple of floors, and then

0:17:51.480 --> 0:17:54.520
<v Speaker 3>he stop himself and say, maybe I shouldn't have said that.

0:17:54.560 --> 0:17:58.560
<v Speaker 2>Should I have said that? Yeah? It builds up a

0:17:58.640 --> 0:17:59.920
<v Speaker 2>very interesting lisk that does.

0:18:00.200 --> 0:18:02.240
<v Speaker 1>Yeah, it is fascinating that because you can see how

0:18:02.240 --> 0:18:06.400
<v Speaker 1>somebody could just with lazy investigators or investigators who jump

0:18:06.440 --> 0:18:09.040
<v Speaker 1>to conclusions, that someone like that could just dig a

0:18:09.040 --> 0:18:13.119
<v Speaker 1>hole for themselves and be manipulated into doing so because

0:18:13.640 --> 0:18:16.080
<v Speaker 1>we're investigators just want to dick the box and say

0:18:16.080 --> 0:18:19.399
<v Speaker 1>we've got a result, we've got a conviction, we've got

0:18:19.440 --> 0:18:22.720
<v Speaker 1>an arrest, and then a conviction. They attempted to go

0:18:22.760 --> 0:18:26.800
<v Speaker 1>with the one they've got in the hand rather than

0:18:27.040 --> 0:18:29.280
<v Speaker 1>one that's out there in the wind that they can't find.

0:18:29.760 --> 0:18:31.400
<v Speaker 2>And we've seen this a lot of times. We do

0:18:31.440 --> 0:18:32.919
<v Speaker 2>see this, don't we have?

0:18:33.560 --> 0:18:36.439
<v Speaker 3>If I can go from the tragic to the comic,

0:18:36.480 --> 0:18:40.679
<v Speaker 3>I'll give you one last recommendation, Andrew and listeners, And

0:18:40.720 --> 0:18:43.200
<v Speaker 3>this is one on ABC I Views, so we'll move

0:18:43.200 --> 0:18:47.720
<v Speaker 3>away from from Netflix. And this is a series. It's

0:18:47.760 --> 0:18:52.439
<v Speaker 3>actually a series that goes across a wide swath of

0:18:52.680 --> 0:18:56.879
<v Speaker 3>human experience and it's called I was Actually there, Oh yes,

0:18:57.240 --> 0:19:00.560
<v Speaker 3>And it's events like the two thousand and four tsunami,

0:19:01.200 --> 0:19:03.720
<v Speaker 3>the nine to eleven. They've got an episode about that,

0:19:03.840 --> 0:19:05.919
<v Speaker 3>someone who's at nine to eleven, all of these sort

0:19:05.960 --> 0:19:07.280
<v Speaker 3>of ones, but the one that I would like to

0:19:07.320 --> 0:19:13.240
<v Speaker 3>bring to your attention, Andrew is one starring one Fairly Arrow.

0:19:14.080 --> 0:19:18.920
<v Speaker 1>I saw this, Oh it is wonderful. Fairly Arrow the

0:19:19.000 --> 0:19:23.440
<v Speaker 1>sort of nightclub singer with the Gold Coast, the Gold Coast,

0:19:23.600 --> 0:19:25.120
<v Speaker 1>a very Gold Coast story, isn't it.

0:19:25.119 --> 0:19:26.159
<v Speaker 2>It is Fairly was.

0:19:26.480 --> 0:19:30.240
<v Speaker 1>She was the big blonde girl who could sing a bit,

0:19:30.400 --> 0:19:34.200
<v Speaker 1>and that took a pretty normal Gold Coast voice from

0:19:34.280 --> 0:19:40.120
<v Speaker 1>the eighties, yeah, eighties, early nineties. And then we see

0:19:40.119 --> 0:19:43.080
<v Speaker 1>Fairly Arrow the way she used today after thirty years

0:19:43.080 --> 0:19:49.320
<v Speaker 1>in America and many many, many years of plastic surgery

0:19:49.520 --> 0:19:53.439
<v Speaker 1>and a different accent. It's sort of shocking in a

0:19:53.560 --> 0:19:57.960
<v Speaker 1>slightly comical way. Well, but fairly what did Fairly do?

0:19:58.119 --> 0:19:58.560
<v Speaker 2>John Well?

0:19:58.680 --> 0:20:01.520
<v Speaker 3>Slightly comic in a engaging way is pretty much the

0:20:02.200 --> 0:20:04.840
<v Speaker 3>way that this documentary. I was not in a newsroom

0:20:04.840 --> 0:20:06.199
<v Speaker 3>at this point. I don't know if that you were

0:20:06.240 --> 0:20:10.280
<v Speaker 3>sent up at any stage to cover this at the time.

0:20:10.359 --> 0:20:12.840
<v Speaker 3>But a Fairly came to police, or came to the

0:20:13.600 --> 0:20:17.280
<v Speaker 3>world's or the world's attention, Australia's attention when she when

0:20:17.320 --> 0:20:19.800
<v Speaker 3>she went missing, presumed kidnapped.

0:20:20.119 --> 0:20:20.960
<v Speaker 2>Presumed kidnapper.

0:20:20.960 --> 0:20:24.480
<v Speaker 3>This was a very very grave thing. The Gold coast

0:20:24.480 --> 0:20:27.560
<v Speaker 3>police pulled out all stops. One of them says in

0:20:27.600 --> 0:20:30.440
<v Speaker 3>the documentary, we had more of these computer terminals put

0:20:30.480 --> 0:20:33.800
<v Speaker 3>into our building in order to try to find Fairly

0:20:34.560 --> 0:20:38.040
<v Speaker 3>Fairly appears two or three days or weeks or.

0:20:37.960 --> 0:20:41.280
<v Speaker 1>Something found on the trust up beside of roads and weak. Yeah,

0:20:41.680 --> 0:20:45.920
<v Speaker 1>but not very well trusted, not overly well trust, not

0:20:46.000 --> 0:20:49.800
<v Speaker 1>knocked about much. No well fed, looked well fed, and

0:20:49.920 --> 0:20:51.320
<v Speaker 1>not that distressed.

0:20:50.840 --> 0:20:53.399
<v Speaker 3>Not that distressed by a couple of young lads who

0:20:53.480 --> 0:20:55.480
<v Speaker 3>were in this documentary. They do a very good job

0:20:55.520 --> 0:21:00.560
<v Speaker 3>in this documentary of finding finding the appropriate people and

0:21:00.800 --> 0:21:03.360
<v Speaker 3>you know fairly. It goes to the to the police

0:21:03.400 --> 0:21:05.920
<v Speaker 3>and they interview on all that sort of stuff. She

0:21:06.040 --> 0:21:09.920
<v Speaker 3>then fronts the media almost immediately to tell her story

0:21:10.000 --> 0:21:13.600
<v Speaker 3>of horror, which is not all that horrible, not all

0:21:13.600 --> 0:21:17.600
<v Speaker 3>that horrible, because she's sort of half smiling because it

0:21:17.640 --> 0:21:20.680
<v Speaker 3>turns out gentle listener, I don't think this is a spoiler.

0:21:21.359 --> 0:21:24.240
<v Speaker 3>It turns out a gentle listener at Fairly and an

0:21:24.280 --> 0:21:27.800
<v Speaker 3>acquaintance of hers, had hashed a plot to hide her

0:21:27.840 --> 0:21:33.399
<v Speaker 3>away in a motel where where she had over the

0:21:33.400 --> 0:21:36.520
<v Speaker 3>course of the time when she was disappitud Pezza, she'd

0:21:36.520 --> 0:21:40.240
<v Speaker 3>get room service. She'd gone out to you know, take

0:21:40.240 --> 0:21:43.440
<v Speaker 3>the bins out, you know. She she'd accepted new towels

0:21:43.480 --> 0:21:44.520
<v Speaker 3>from the new towns.

0:21:44.600 --> 0:21:47.160
<v Speaker 1>I asked for some motels. I think she was having showers,

0:21:47.359 --> 0:21:48.840
<v Speaker 1>all of that sort of thing. And she was staying

0:21:48.880 --> 0:21:52.439
<v Speaker 1>there with a partnering crime if for such as we

0:21:52.520 --> 0:21:56.120
<v Speaker 1>could say, was a friendly fellow, will call him Cowboy

0:21:56.200 --> 0:21:59.120
<v Speaker 1>or something. He did have a nickname like that, and

0:21:59.320 --> 0:22:02.120
<v Speaker 1>he looked to me like a guy that had once

0:22:02.200 --> 0:22:06.840
<v Speaker 1>been ado writer or something. He's a slightly we saw

0:22:06.880 --> 0:22:08.359
<v Speaker 1>the old version of him, but you can tell he

0:22:08.440 --> 0:22:11.000
<v Speaker 1>was a swaggering sort of dude back in the day,

0:22:11.840 --> 0:22:15.680
<v Speaker 1>and you'd be tempted to wonder whether Fairly had done

0:22:15.680 --> 0:22:18.040
<v Speaker 1>a bolt with him. And then said, oh, hang on,

0:22:18.720 --> 0:22:20.359
<v Speaker 1>I want in a bit of trouble here because my

0:22:20.440 --> 0:22:22.800
<v Speaker 1>husband's at home and he's not gonna be happy. Perhaps

0:22:22.840 --> 0:22:26.119
<v Speaker 1>I've been abducted. Perhaps that's how it's got rolling. But

0:22:26.200 --> 0:22:28.639
<v Speaker 1>she sold it to the police and the public, or

0:22:28.680 --> 0:22:32.560
<v Speaker 1>tried to as they didn't take notice of my claims

0:22:32.560 --> 0:22:36.440
<v Speaker 1>that I was being stalked. Yes, I'm being stalked, and

0:22:36.600 --> 0:22:40.600
<v Speaker 1>no one took serious note of it, which might be true,

0:22:40.800 --> 0:22:43.000
<v Speaker 1>and so then I had to stage my own disappearance

0:22:43.000 --> 0:22:46.879
<v Speaker 1>in order to prove that I was being stalked and

0:22:46.920 --> 0:22:51.040
<v Speaker 1>to get attention, to bring attention to the problem of

0:22:51.119 --> 0:22:55.720
<v Speaker 1>being stalked with a false claim. The logic is not waterproof.

0:22:56.600 --> 0:22:59.359
<v Speaker 1>You'll know, it's fairly oh some people in them. We

0:22:59.440 --> 0:23:02.600
<v Speaker 1>could unwoke past to call it sort of blonde logic.

0:23:02.680 --> 0:23:06.359
<v Speaker 1>But it was very silly stuff. And you do wonder

0:23:06.400 --> 0:23:10.880
<v Speaker 1>whether she was covering up a temporary liaison with the cowboy.

0:23:11.440 --> 0:23:13.600
<v Speaker 3>I don't know, I don't know. We should say that

0:23:13.840 --> 0:23:17.200
<v Speaker 3>that fairly ended up being fined. Magistrate did not see

0:23:17.200 --> 0:23:20.320
<v Speaker 3>fit to impose any further sanction on her, but she

0:23:20.480 --> 0:23:23.880
<v Speaker 3>was fined something like twenty thousand dollars back in nineteen

0:23:23.880 --> 0:23:27.080
<v Speaker 3>a lot of money. Whereas I think her we say

0:23:27.119 --> 0:23:30.119
<v Speaker 3>partnering in crimes with air quotes on this one, because

0:23:30.160 --> 0:23:33.840
<v Speaker 3>I believe her friend was in no way But yeah,

0:23:33.960 --> 0:23:36.560
<v Speaker 3>he seemed, by the police or anything like that.

0:23:36.480 --> 0:23:39.600
<v Speaker 1>He seemed to be a fairly harmless fellow and thought

0:23:39.600 --> 0:23:42.160
<v Speaker 1>he was doing her a favor or something. Her husband

0:23:42.240 --> 0:23:42.960
<v Speaker 1>wasn't amused.

0:23:43.280 --> 0:23:45.160
<v Speaker 3>Her husband, who was a member of the singing group

0:23:45.200 --> 0:23:48.480
<v Speaker 3>the Kinsman, was he Yes, who you know it's funny

0:23:48.480 --> 0:23:50.760
<v Speaker 3>because you know they do what they do when they

0:23:50.760 --> 0:23:54.080
<v Speaker 3>grab all of the archival TV. And there's him in

0:23:54.119 --> 0:23:58.280
<v Speaker 3>his singing group on family Feud or right, and there

0:23:58.359 --> 0:24:02.880
<v Speaker 3>she is singing pop song with someone else on very

0:24:02.960 --> 0:24:06.200
<v Speaker 3>very daytime television at eleven am.

0:24:08.240 --> 0:24:09.119
<v Speaker 2>It's very much that.

0:24:09.600 --> 0:24:14.240
<v Speaker 1>It's a very Gold Coast nineteen eighties cheesy story in

0:24:14.240 --> 0:24:18.639
<v Speaker 1>every way it is. It's it could almost a good

0:24:18.840 --> 0:24:21.480
<v Speaker 1>The Coen Brothers could make it into a very funny film.

0:24:21.680 --> 0:24:25.480
<v Speaker 3>There's a sort of itonia or something like that.

0:24:25.760 --> 0:24:31.640
<v Speaker 1>Yes, it issue yea, and fairly as she was then,

0:24:32.200 --> 0:24:38.000
<v Speaker 1>it was sort of funny. She's this naive bit, daffy

0:24:38.640 --> 0:24:44.600
<v Speaker 1>bit and sort of likable in a way, a bit naughty,

0:24:44.840 --> 0:24:46.120
<v Speaker 1>you know all of that.

0:24:46.760 --> 0:24:49.040
<v Speaker 2>Anyway, it's spelt the end for us.

0:24:49.040 --> 0:24:52.560
<v Speaker 1>She went around basically being interviewed by everybody then, and

0:24:52.600 --> 0:24:55.000
<v Speaker 1>they would put her on pay some money to come on,

0:24:55.280 --> 0:24:58.000
<v Speaker 1>which she needed to pay the police to pay for

0:24:58.040 --> 0:25:01.160
<v Speaker 1>the cost, she think. And so she go on Willithy

0:25:01.240 --> 0:25:06.040
<v Speaker 1>or something and be absolutely grilled and crucified, which had

0:25:06.080 --> 0:25:08.840
<v Speaker 1>to happen naturally, and then she get a payment for

0:25:08.880 --> 0:25:11.480
<v Speaker 1>that and that to help pay off the debt.

0:25:11.600 --> 0:25:14.520
<v Speaker 2>And now thirty years later. She's a bit unhappy about that.

0:25:14.560 --> 0:25:16.600
<v Speaker 1>She says she thought it was a little bit of

0:25:16.640 --> 0:25:19.400
<v Speaker 1>an overreaction and she's really only trying to bring attention

0:25:19.520 --> 0:25:20.120
<v Speaker 1>to being.

0:25:20.160 --> 0:25:23.240
<v Speaker 2>She says, stooked, which she never knows she might have.

0:25:23.160 --> 0:25:26.840
<v Speaker 3>Been, never know anyway, Andrew, that is the sum total

0:25:26.880 --> 0:25:30.159
<v Speaker 3>of my recommendations. And our listeners aren't really here to

0:25:30.200 --> 0:25:31.240
<v Speaker 3>listen to me, so oh.

0:25:31.400 --> 0:25:35.760
<v Speaker 1>Yes, well they do want to hear about that stuff. Well, books,

0:25:35.840 --> 0:25:37.960
<v Speaker 1>I'm going to have a little bit of a dip

0:25:38.000 --> 0:25:44.400
<v Speaker 1>into the self publishing phenomenon. Crime writing particularly attracts a

0:25:44.440 --> 0:25:49.560
<v Speaker 1>big range of writers from you know, wonderful writers because

0:25:49.600 --> 0:25:52.080
<v Speaker 1>in the end, a lot of writing is about crimes

0:25:52.080 --> 0:25:55.280
<v Speaker 1>of some sort, you know Shakespeare, These a lot of

0:25:55.320 --> 0:25:59.680
<v Speaker 1>things are right through though, to especially in true crime,

0:26:00.160 --> 0:26:04.480
<v Speaker 1>to the rankest I mean rankest of amateurs, and they

0:26:04.520 --> 0:26:06.359
<v Speaker 1>all think they can do it. And in these days,

0:26:06.359 --> 0:26:09.880
<v Speaker 1>because the technology is simple and easy and everyone's got

0:26:09.880 --> 0:26:13.960
<v Speaker 1>a laptop, so anybody can publish some sort of true

0:26:13.960 --> 0:26:16.800
<v Speaker 1>crime thing, ll do a podcast or whatever it is.

0:26:17.359 --> 0:26:19.720
<v Speaker 1>And so we have a range of books out on

0:26:20.520 --> 0:26:23.639
<v Speaker 1>the market, and I see many of them which are

0:26:23.720 --> 0:26:28.840
<v Speaker 1>either pretty rough homemade books done by amateurs. Some are

0:26:28.880 --> 0:26:31.760
<v Speaker 1>a bit better than that. They've gone to a vanity

0:26:31.800 --> 0:26:35.160
<v Speaker 1>publisher who's helped do a bit better cover and knock

0:26:35.200 --> 0:26:38.159
<v Speaker 1>it into shape a bit. And some are better again

0:26:38.840 --> 0:26:42.800
<v Speaker 1>and intrigued by this phenomenon, and a couple of them

0:26:42.840 --> 0:26:46.520
<v Speaker 1>are quite worth reading. Now there's one out called eleven Minutes,

0:26:46.560 --> 0:26:49.600
<v Speaker 1>which is a very good title. It's pretty sharp.

0:26:50.000 --> 0:26:52.480
<v Speaker 2>This one. It's quite well conceived by a guy called

0:26:52.520 --> 0:26:54.199
<v Speaker 2>Gregory M. Carroll.

0:26:54.320 --> 0:26:58.280
<v Speaker 1>And Gregory M. Carroll has a surname which is intriguing

0:26:58.359 --> 0:27:03.560
<v Speaker 1>because it is shared with a long dead armed robber

0:27:04.080 --> 0:27:09.520
<v Speaker 1>and probably killer in Melbourne called Ianravel Carrol. And Ian

0:27:10.040 --> 0:27:13.960
<v Speaker 1>Carroll was a boxer and a gunman who was without

0:27:14.080 --> 0:27:17.560
<v Speaker 1>doubt one of the half a dozen people who did

0:27:17.600 --> 0:27:20.560
<v Speaker 1>the Great Bookie Robbery in nineteen seventy six as I

0:27:20.600 --> 0:27:24.919
<v Speaker 1>think it was, and that was the Victorian Club in

0:27:24.960 --> 0:27:28.160
<v Speaker 1>the city in Melbourne. Great Bookly robbery, very well known.

0:27:28.200 --> 0:27:31.240
<v Speaker 1>We've talked about it many times in the podcast. A

0:27:31.280 --> 0:27:36.080
<v Speaker 1>big amount of cash officially one point three million, unofficially

0:27:36.280 --> 0:27:40.680
<v Speaker 1>maybe five or six million dollars in cash untraceable. It

0:27:40.760 --> 0:27:44.639
<v Speaker 1>has attracted a lot of time and attention and stuff

0:27:44.680 --> 0:27:48.720
<v Speaker 1>over the years and what we didn't know was that

0:27:49.080 --> 0:27:54.920
<v Speaker 1>Ian Carroll who ended up dead within within two or

0:27:54.960 --> 0:28:00.399
<v Speaker 1>three years because he had an argument with mad Dog Cox,

0:28:00.600 --> 0:28:03.040
<v Speaker 1>the guy that we call mad Dog Cox, whose real

0:28:03.119 --> 0:28:07.359
<v Speaker 1>name was not mad Dog nor Cox, and Cox shot

0:28:07.400 --> 0:28:10.520
<v Speaker 1>him dead down at Matalizer I think it was, and

0:28:11.680 --> 0:28:15.840
<v Speaker 1>legged it. And Carol was one of these very heavy

0:28:15.920 --> 0:28:18.760
<v Speaker 1>hitters and a good crook as they call him, mixed

0:28:18.840 --> 0:28:21.280
<v Speaker 1>up with the Paterson Dockers and the whole thing in

0:28:21.280 --> 0:28:25.880
<v Speaker 1>the boxing gym's and classic Melbourne crook. But his brother, Gregory,

0:28:27.080 --> 0:28:30.200
<v Speaker 1>his little brother, Gregory, has written this book. And Gregory

0:28:30.440 --> 0:28:34.360
<v Speaker 1>was a straight guy who wasn't a crook. He went

0:28:34.400 --> 0:28:37.520
<v Speaker 1>into the legit world and did whatever he did, and

0:28:38.520 --> 0:28:41.160
<v Speaker 1>quite a smart guy. And he's ended up i think

0:28:41.200 --> 0:28:45.800
<v Speaker 1>in retirement writing this book, which is basically about the

0:28:45.840 --> 0:28:48.680
<v Speaker 1>Great Bookie Robbery, which is why he's called eleven minutes

0:28:48.720 --> 0:28:53.160
<v Speaker 1>because that's how long it took, and he's amalgamated quite clever.

0:28:53.240 --> 0:28:56.880
<v Speaker 1>He's called it a novel and he's twisted the facts around.

0:28:57.440 --> 0:29:00.880
<v Speaker 1>The facts were a bit rubbery anyway about the Bookie robbery.

0:29:01.080 --> 0:29:05.720
<v Speaker 1>There's facts and these assumptions, and there's claims and counterclaims,

0:29:06.240 --> 0:29:09.400
<v Speaker 1>but he has the advantage of having known his brother,

0:29:10.000 --> 0:29:13.959
<v Speaker 1>so he perhaps had some sort of insight into his

0:29:14.160 --> 0:29:17.360
<v Speaker 1>character and the character of the people he ran with,

0:29:18.000 --> 0:29:18.640
<v Speaker 1>and he's been.

0:29:18.480 --> 0:29:23.719
<v Speaker 4>Able to apply that to the whole booky rob robbery story.

0:29:23.960 --> 0:29:26.640
<v Speaker 4>But he's also closely studied all the stuff that's been

0:29:26.680 --> 0:29:30.280
<v Speaker 4>written and said about it in the past and amalgamated

0:29:30.320 --> 0:29:34.120
<v Speaker 4>it into one pretty good readable book. Now, it would

0:29:34.120 --> 0:29:35.280
<v Speaker 4>be improved.

0:29:35.040 --> 0:29:38.400
<v Speaker 1>If it were edited a bit better, but it's pacey

0:29:39.000 --> 0:29:43.680
<v Speaker 1>and easy to read and tough, un laconic. The dialogue

0:29:43.720 --> 0:29:47.400
<v Speaker 1>is sparse but pretty good. It's sort of believable. It's

0:29:47.440 --> 0:29:50.600
<v Speaker 1>not lots and lots of it. It's pretty sharp, and

0:29:51.480 --> 0:29:53.200
<v Speaker 1>I mean, you could sit here and pick holes in it,

0:29:53.240 --> 0:29:55.840
<v Speaker 1>but I don't see any point in doing that. It's

0:29:55.920 --> 0:29:59.680
<v Speaker 1>quite a good read for what is essentially a vanity publishing,

0:29:59.760 --> 0:30:02.840
<v Speaker 1>self pubblished thing. It's at the top end of it,

0:30:03.000 --> 0:30:06.800
<v Speaker 1>and I'd suggest that it's probably very close to being

0:30:06.840 --> 0:30:10.720
<v Speaker 1>as readable as Brian Brown The Actors books, which are

0:30:10.720 --> 0:30:14.240
<v Speaker 1>in his dotage. Brian Brown, who's now in his seventies,

0:30:15.080 --> 0:30:19.000
<v Speaker 1>is knocking out these best sellers that are rough, tough

0:30:19.120 --> 0:30:22.080
<v Speaker 1>crime books, and I think the first one was called

0:30:22.120 --> 0:30:25.600
<v Speaker 1>Sweet Jimmy a couple of years ago, and he's done

0:30:25.600 --> 0:30:27.640
<v Speaker 1>some more because he's been quite successful. And of course

0:30:27.680 --> 0:30:29.760
<v Speaker 1>the fact that he is Brian Brown and has a

0:30:29.800 --> 0:30:33.160
<v Speaker 1>profile and he is who he is means he can

0:30:33.200 --> 0:30:35.800
<v Speaker 1>sell books. And they're quite readable and they're quite good.

0:30:36.200 --> 0:30:40.840
<v Speaker 1>But Brian Brown has written them using the knowledge he

0:30:40.840 --> 0:30:43.760
<v Speaker 1>has of the film industry, so he sketches stuff in

0:30:43.840 --> 0:30:48.040
<v Speaker 1>pretty fast, and his dialogue he's there, and it's pretty

0:30:48.080 --> 0:30:52.600
<v Speaker 1>sparse and tough, and they're pretty good. They're not literature.

0:30:52.760 --> 0:30:55.080
<v Speaker 1>None of this stuff is you know, Elmore Leonard let

0:30:55.160 --> 0:31:00.720
<v Speaker 1>Alone anything better. But it's pretty readable and pretty good,

0:31:00.760 --> 0:31:03.560
<v Speaker 1>and you can see that it would easily translate into

0:31:03.720 --> 0:31:08.440
<v Speaker 1>film or a streamer into some sort of film. And

0:31:08.560 --> 0:31:12.000
<v Speaker 1>I think that Gregory Carroll's book isn't far behind Brian Brown,

0:31:12.000 --> 0:31:14.840
<v Speaker 1>but of course Brian Brown will always outsell Gregory Carroll

0:31:14.840 --> 0:31:18.760
<v Speaker 1>because one's a big time actrum Month's not. There have

0:31:18.960 --> 0:31:22.400
<v Speaker 1>been some other self published books. We've done one on

0:31:22.440 --> 0:31:26.000
<v Speaker 1>the podcast. It is called Bandit or Priest, written by

0:31:26.000 --> 0:31:29.720
<v Speaker 1>a man who calls himself Fabian Christian. That is about

0:31:30.000 --> 0:31:32.640
<v Speaker 1>a case we've covered in the podcast, and we took

0:31:32.720 --> 0:31:36.680
<v Speaker 1>the Fabian Christian about a robbery, a real life robbery

0:31:36.680 --> 0:31:39.080
<v Speaker 1>that happened in the nineteen eighties in the Ara.

0:31:39.000 --> 0:31:44.120
<v Speaker 4>Valley, probably Australia's biggest robbery, because it was of.

0:31:44.320 --> 0:31:49.720
<v Speaker 1>Gems, opals, diamonds, gold stuff, all sorts of stuff which

0:31:50.640 --> 0:31:53.680
<v Speaker 1>could have been worth anything up to thirty million then

0:31:53.720 --> 0:31:57.120
<v Speaker 1>in the eighties, and which now, of course you'd say

0:31:57.120 --> 0:32:01.160
<v Speaker 1>with inflation, might have been worth a hundred million whatever.

0:32:02.240 --> 0:32:04.280
<v Speaker 1>If those valuations.

0:32:03.720 --> 0:32:07.200
<v Speaker 2>Are right, it would be by far Australia's biggest ever.

0:32:07.120 --> 0:32:12.280
<v Speaker 1>Robbery, and yet it's one that's largely forgotten. No one

0:32:12.360 --> 0:32:17.760
<v Speaker 1>was killed, although it did attract tragedy. As we heard

0:32:17.960 --> 0:32:22.520
<v Speaker 1>in the recent podcast, the wife of the robbed man

0:32:22.840 --> 0:32:28.040
<v Speaker 1>died of fright within months of the robbery, and the

0:32:28.120 --> 0:32:30.640
<v Speaker 1>husband the robbed man, the wealthy man that was robbed,

0:32:30.960 --> 0:32:34.360
<v Speaker 1>he died of a heart condition fairly soon after as well.

0:32:34.400 --> 0:32:38.240
<v Speaker 1>So it wrecked their family. This robbery not a great book,

0:32:38.320 --> 0:32:40.920
<v Speaker 1>not a great piece of writing. But again it's a

0:32:40.960 --> 0:32:46.200
<v Speaker 1>novel based heavily on a true story, and therefore it

0:32:46.200 --> 0:32:48.880
<v Speaker 1>has some currency and it's worth it. It's a good

0:32:48.920 --> 0:32:50.160
<v Speaker 1>one to read on the beach.

0:32:50.560 --> 0:32:53.680
<v Speaker 3>And listeners will have I think just heard that they

0:32:53.720 --> 0:32:55.560
<v Speaker 3>will have by the time this comes out.

0:32:55.960 --> 0:33:00.360
<v Speaker 1>I hope so Fabian Christian is the author, and not

0:33:00.720 --> 0:33:05.000
<v Speaker 1>totally his full name. He has a different surname, but

0:33:05.040 --> 0:33:07.760
<v Speaker 1>it's worth a look. And I noticed it's another one

0:33:07.800 --> 0:33:11.320
<v Speaker 1>on my desk. This is Father Teacher, Child Killer, the

0:33:11.360 --> 0:33:15.920
<v Speaker 1>Abduction of Louise Bell and Michael Black, and it's by

0:33:16.160 --> 0:33:20.160
<v Speaker 1>Michael Madigan. And that is another sort of self published

0:33:20.160 --> 0:33:25.320
<v Speaker 1>type book or reasonably amateurs sort of book that is

0:33:25.360 --> 0:33:28.760
<v Speaker 1>a real story about a true case that some people

0:33:29.440 --> 0:33:32.760
<v Speaker 1>might find quite interesting. So we're looking at the sort

0:33:32.800 --> 0:33:34.680
<v Speaker 1>of knock about end of the spectrum here.

0:33:35.040 --> 0:33:36.800
<v Speaker 2>This literature. It ain't.

0:33:37.000 --> 0:33:40.560
<v Speaker 1>But if it's literature you want, John, yes, I suggest

0:33:40.640 --> 0:33:42.960
<v Speaker 1>having a look at some from overseas. There is an

0:33:42.960 --> 0:33:47.000
<v Speaker 1>Irish author, a very big deal Irish author called John

0:33:47.080 --> 0:33:50.640
<v Speaker 1>Boyne b O, Y and A and John Boyne, among

0:33:50.840 --> 0:33:54.080
<v Speaker 1>many other books, and he's written some big bestsellers. This

0:33:54.440 --> 0:33:59.680
<v Speaker 1>big deal he's written a series called the Elements series,

0:33:59.720 --> 0:34:02.680
<v Speaker 1>I think, and it's four books Earth, Wind, Air, and

0:34:02.840 --> 0:34:07.080
<v Speaker 1>Fire in whichever order. I actually think the first one

0:34:07.120 --> 0:34:10.759
<v Speaker 1>might be Water in the series. But each of these

0:34:10.800 --> 0:34:13.759
<v Speaker 1>books they're not terribly long, they're less than one hundred

0:34:13.800 --> 0:34:16.920
<v Speaker 1>thousand words, they might be eighty thousand, and each of

0:34:17.000 --> 0:34:17.680
<v Speaker 1>them they all.

0:34:17.560 --> 0:34:18.359
<v Speaker 2>Look like each other.

0:34:18.400 --> 0:34:22.640
<v Speaker 1>These books, they've got a similar design theme and they

0:34:22.640 --> 0:34:26.400
<v Speaker 1>all link. So the main protagonist in the first book,

0:34:26.960 --> 0:34:30.640
<v Speaker 1>he's a woman who leaves her husband, who's a disgraced politician,

0:34:30.680 --> 0:34:33.480
<v Speaker 1>and she cuts her hair and wears sippy clothes and

0:34:33.520 --> 0:34:35.399
<v Speaker 1>no makeup, and she goes and lives on a little

0:34:35.440 --> 0:34:40.160
<v Speaker 1>island off off Ireland to get away from publicity. And

0:34:40.200 --> 0:34:43.319
<v Speaker 1>there she runs into local people and so on, has

0:34:43.360 --> 0:34:45.680
<v Speaker 1>an affair with a young guy, and all this stuff

0:34:46.120 --> 0:34:48.600
<v Speaker 1>very readable, very good, and got a bit of edging

0:34:48.640 --> 0:34:50.360
<v Speaker 1>on it. It's quite edgy, and there's a bit of

0:34:50.400 --> 0:34:54.120
<v Speaker 1>blood in it because she's here because her husband has

0:34:54.160 --> 0:34:56.880
<v Speaker 1>turned out to be a criminal, you know, he's a

0:34:56.960 --> 0:35:00.000
<v Speaker 1>child molester in fact, and it's a very believable scenario

0:35:00.840 --> 0:35:06.440
<v Speaker 1>with a crime subplot. Then the second book, it picks

0:35:06.520 --> 0:35:09.560
<v Speaker 1>up one of the young guys from the island who

0:35:09.640 --> 0:35:11.799
<v Speaker 1>leaves that island to go to Dublin and then to

0:35:11.880 --> 0:35:16.960
<v Speaker 1>London or somewhere. He becomes a professional football player soccer player,

0:35:17.440 --> 0:35:23.400
<v Speaker 1>and tells his story, which is involves a crime involves them.

0:35:23.680 --> 0:35:25.480
<v Speaker 2>He's a gay kid who's.

0:35:25.680 --> 0:35:29.480
<v Speaker 1>Playing soccer just to make money, but he's trying to

0:35:29.520 --> 0:35:32.359
<v Speaker 1>impress one of his co players, and one of the

0:35:32.360 --> 0:35:36.480
<v Speaker 1>co players, this co player rapes a girl and it's

0:35:36.520 --> 0:35:40.759
<v Speaker 1>a moral dilemma crime story. It's quite riveting. And then

0:35:40.840 --> 0:35:43.719
<v Speaker 1>the third book interlocks with the first two, and so

0:35:43.800 --> 0:35:46.799
<v Speaker 1>on and so on. So each of these books interlocks

0:35:46.800 --> 0:35:49.800
<v Speaker 1>with the other, and yet each one has a different

0:35:50.040 --> 0:35:55.160
<v Speaker 1>main protagonist. Right, So I think it's a great series

0:35:55.160 --> 0:35:58.000
<v Speaker 1>to get hold of that having read one, you will

0:35:58.000 --> 0:36:02.960
<v Speaker 1>want to read the other three. Recommend John Boyne's Elements

0:36:03.000 --> 0:36:07.640
<v Speaker 1>series earth Wind, Fire and Watar, which sounds like an

0:36:07.719 --> 0:36:09.920
<v Speaker 1>old sort of progressive rock album, doesn't not.

0:36:10.120 --> 0:36:11.799
<v Speaker 3>Oh I was going to ask, is this a new

0:36:12.000 --> 0:36:14.040
<v Speaker 3>series of books or has this around for.

0:36:14.040 --> 0:36:16.480
<v Speaker 1>A little bit, around a little while. It wasn't published yesterday,

0:36:16.600 --> 0:36:20.000
<v Speaker 1>but it's not old. But John Boyn has been around

0:36:20.000 --> 0:36:21.960
<v Speaker 1>a long time and has sold a lot of books

0:36:21.960 --> 0:36:25.560
<v Speaker 1>and won big awards. He's a very big deal in

0:36:25.600 --> 0:36:29.480
<v Speaker 1>the Northern hemisphere. Irish writing is really kicking goals at

0:36:29.520 --> 0:36:30.040
<v Speaker 1>the minute.

0:36:30.360 --> 0:36:33.320
<v Speaker 3>Well, we had on the show the author of The Chain,

0:36:33.719 --> 0:36:35.040
<v Speaker 3>which did a while.

0:36:34.840 --> 0:36:39.000
<v Speaker 1>Adrian McKinty, Irish guy who lived in Melbourne and was

0:36:39.600 --> 0:36:41.880
<v Speaker 1>a friend of one of our former colleagues, David Power,

0:36:41.880 --> 0:36:46.160
<v Speaker 1>who worked with us great and good friends. And Adrian

0:36:46.400 --> 0:36:48.799
<v Speaker 1>is from I think it was from the North of

0:36:48.840 --> 0:36:52.040
<v Speaker 1>Ireland perhaps, and he lived in Melbourne because I think

0:36:52.080 --> 0:36:54.759
<v Speaker 1>his wife was an academic who worked here, and I

0:36:54.800 --> 0:36:57.200
<v Speaker 1>think he was driving ubers or taxis or something and

0:36:57.320 --> 0:37:01.160
<v Speaker 1>writing at the same time now in America and has

0:37:01.200 --> 0:37:04.400
<v Speaker 1>had a had a bit of a hit with a

0:37:04.480 --> 0:37:07.360
<v Speaker 1>couple of books, I think, and I may have kicked

0:37:07.400 --> 0:37:08.160
<v Speaker 1>on I hope.

0:37:08.440 --> 0:37:10.680
<v Speaker 3>Yes, Indeed, the chain sort of blew up.

0:37:10.800 --> 0:37:15.920
<v Speaker 1>The chain was. Yeah, it was a very well constructed thriller,

0:37:16.440 --> 0:37:19.640
<v Speaker 1>very American, and you could see that it would film

0:37:19.719 --> 0:37:22.360
<v Speaker 1>very well, very tense and tight, a couple.

0:37:22.200 --> 0:37:24.200
<v Speaker 3>Of different points of view, which is always fun.

0:37:24.480 --> 0:37:26.600
<v Speaker 2>Yeah. True, it was as if you know, it was

0:37:26.880 --> 0:37:28.600
<v Speaker 2>very well done, as if a computer did it.

0:37:28.640 --> 0:37:32.120
<v Speaker 3>Really it was very sharp, although we should say, just

0:37:32.160 --> 0:37:34.480
<v Speaker 3>for the benefit of listeners, have written before the time

0:37:34.480 --> 0:37:35.000
<v Speaker 3>of AI.

0:37:35.600 --> 0:37:37.759
<v Speaker 1>Yes, true, no, no, no, not at all. I know

0:37:37.840 --> 0:37:41.040
<v Speaker 1>it wasn't, but it's just really well grafted together.

0:37:41.200 --> 0:37:43.680
<v Speaker 2>Absolutely. What else is on your reading list?

0:37:44.360 --> 0:37:47.879
<v Speaker 1>My reading list? I should plug someone that we might

0:37:48.000 --> 0:37:51.800
<v Speaker 1>talk to in the new year. The evergreen Australian journalist

0:37:51.880 --> 0:37:56.640
<v Speaker 1>and author. Gideon Hague now Gideon Hague, is a man

0:37:56.719 --> 0:38:00.480
<v Speaker 1>of prodigious writing talents and a brain as big as Tasma,

0:38:00.760 --> 0:38:03.080
<v Speaker 1>with whom I worked when he was a slip of

0:38:03.120 --> 0:38:06.560
<v Speaker 1>a boy many years ago at another place, and he

0:38:06.719 --> 0:38:09.840
<v Speaker 1>was a pale faced, thin little guy that used to

0:38:09.880 --> 0:38:13.200
<v Speaker 1>smoke too much, and I had a worried look and

0:38:13.400 --> 0:38:17.640
<v Speaker 1>always very very fine writer. He's become a most accomplished

0:38:17.960 --> 0:38:22.800
<v Speaker 1>writer as a fully fledged adult writer, A great writer

0:38:22.880 --> 0:38:25.680
<v Speaker 1>about cricket, particularly which is a passion of his, but

0:38:25.800 --> 0:38:29.919
<v Speaker 1>also about other things. And sometimes he's done some very

0:38:29.920 --> 0:38:34.279
<v Speaker 1>interesting books about relatively small subjects. I think he did

0:38:34.280 --> 0:38:37.239
<v Speaker 1>one on the history of the office, the office in Australia.

0:38:37.640 --> 0:38:41.640
<v Speaker 1>I think the office as in the office, an office building.

0:38:41.320 --> 0:38:41.560
<v Speaker 4>I mean.

0:38:42.800 --> 0:38:45.720
<v Speaker 1>And did he do one about the car industry or something.

0:38:46.120 --> 0:38:49.520
<v Speaker 1>I haven't read them all, of course, but he did

0:38:49.880 --> 0:38:55.359
<v Speaker 1>one called Certain Missions about a murder in Melbourne in.

0:38:55.320 --> 0:38:57.720
<v Speaker 2>The fifties that was a very big deal.

0:38:57.560 --> 0:39:01.520
<v Speaker 1>In the fifties about a young woman who was murdered

0:39:01.560 --> 0:39:04.799
<v Speaker 1>fair body found down at Port Melbourne or somewhere under

0:39:04.840 --> 0:39:08.120
<v Speaker 1>a boat, and the man charged with it was a

0:39:08.440 --> 0:39:15.239
<v Speaker 1>very popular well spoken, handsome radio announcer, and it was

0:39:15.360 --> 0:39:18.360
<v Speaker 1>a phenomenon at the time. My mother told me about it.

0:39:18.520 --> 0:39:20.640
<v Speaker 1>She said, you know, people were queuing up to go

0:39:20.760 --> 0:39:23.720
<v Speaker 1>to court to see this, this radio announcer in court.

0:39:24.480 --> 0:39:28.200
<v Speaker 1>Gideon wrote a very interesting book about that. His latest

0:39:28.239 --> 0:39:33.760
<v Speaker 1>offering is one called who is Wallace and Wallace Mister Wallace,

0:39:34.360 --> 0:39:38.080
<v Speaker 1>I remember this story happening at the time. Mister Wallace

0:39:38.880 --> 0:39:43.560
<v Speaker 1>lived and was jailed or locked up sorry in the

0:39:43.800 --> 0:39:51.080
<v Speaker 1>Arradale Asylum for the criminally Insane at Ararat for sixty

0:39:51.120 --> 0:39:54.480
<v Speaker 1>something years. He went in there in early middle age

0:39:54.880 --> 0:39:58.000
<v Speaker 1>after shooting a man in King Street, Melbourne in the

0:39:58.080 --> 0:40:02.480
<v Speaker 1>nineteen twenties. He shot him in the nineteen twenties somebody,

0:40:02.640 --> 0:40:05.320
<v Speaker 1>I think, two young men tried to bounce him about

0:40:05.360 --> 0:40:07.960
<v Speaker 1>something he said. He told him not to smoke in

0:40:07.960 --> 0:40:11.279
<v Speaker 1>a cafe and they waited for him outside and we're

0:40:11.320 --> 0:40:12.759
<v Speaker 1>going to give him a hard time, and he pulled

0:40:12.760 --> 0:40:15.480
<v Speaker 1>a revolver out and shot one of them. Now, he

0:40:15.560 --> 0:40:19.400
<v Speaker 1>didn't defend himself in court terribly well. He wasn't well defended.

0:40:20.040 --> 0:40:24.759
<v Speaker 1>He was found not guilty by virtue of insanity. He

0:40:24.920 --> 0:40:27.759
<v Speaker 1>wasn't overly insane, although he did say things like I

0:40:27.840 --> 0:40:31.360
<v Speaker 1>own Brazil and things like that, but he didn't act crazy.

0:40:32.080 --> 0:40:33.480
<v Speaker 2>And he ended up locked up.

0:40:34.120 --> 0:40:37.040
<v Speaker 1>Until he died at one hundred and six one hundred

0:40:37.080 --> 0:40:39.960
<v Speaker 1>and seven, and he became quite famous in the last

0:40:40.000 --> 0:40:44.320
<v Speaker 1>decade of his life as the oldest effectively the oldest

0:40:44.320 --> 0:40:48.200
<v Speaker 1>prisoner anywhere in the western world, because he'd been locked

0:40:48.280 --> 0:40:53.279
<v Speaker 1>up for virtually a well for life, really, and that

0:40:53.440 --> 0:40:56.319
<v Speaker 1>was more than sixty years. And in the end he

0:40:56.360 --> 0:40:58.719
<v Speaker 1>was totally institutionalized. But he had a nice suit on

0:40:59.480 --> 0:41:01.919
<v Speaker 1>and eat the same food every day. He would play

0:41:02.000 --> 0:41:05.520
<v Speaker 1>chess and beat everybody in the place, and sometimes he

0:41:05.560 --> 0:41:09.360
<v Speaker 1>would smoke a pipe and they call him mister Wallace

0:41:10.160 --> 0:41:12.120
<v Speaker 1>to his face, and old Bill.

0:41:12.560 --> 0:41:13.279
<v Speaker 2>Behind his back.

0:41:13.360 --> 0:41:15.480
<v Speaker 1>Some people would call him Mensies because he looked like

0:41:16.080 --> 0:41:19.319
<v Speaker 1>Sir Robert Mensi had the big bushy eyebrows. That is

0:41:19.360 --> 0:41:23.839
<v Speaker 1>a most unusual book about a most unusual man. And

0:41:24.040 --> 0:41:28.400
<v Speaker 1>like Gideon's other sort of crime related books, it's small

0:41:28.440 --> 0:41:32.400
<v Speaker 1>but sort of perfect in its way. And if you

0:41:32.480 --> 0:41:36.360
<v Speaker 1>want something unusual, get hold of that and a couple

0:41:36.360 --> 0:41:40.239
<v Speaker 1>of the others. And that John brings us to the end.

0:41:40.160 --> 0:41:42.960
<v Speaker 2>Of our holiday. God, because we've rabbit it on far

0:41:43.000 --> 0:41:55.560
<v Speaker 2>too long. Thank you, Andrew, it's a pleasure. Thanks for listening.

0:41:56.000 --> 0:41:58.960
<v Speaker 1>Life and Crimes is a Sunday Herald Sun production for

0:41:59.120 --> 0:42:04.400
<v Speaker 1>true Crimeersustralia. Our producer is Johnty Burton. For my columns,

0:42:04.400 --> 0:42:08.960
<v Speaker 1>features and more, go to Heroldsun dot com dot au

0:42:09.440 --> 0:42:12.440
<v Speaker 1>forward slash Andrew rule one word.

0:42:12.920 --> 0:42:15.960
<v Speaker 2>For advertising inquiries, go to news.

0:42:15.760 --> 0:42:19.560
<v Speaker 4>Podcasts sold at news dot com dot au.

0:42:20.360 --> 0:42:24.320
<v Speaker 2>That is all one word news podcasts sold

0:42:24.880 --> 0:42:28.920
<v Speaker 1>And if you want further information about this episode, links

0:42:29.200 --> 0:42:30.640
<v Speaker 1>are in the description.