1 00:00:00,160 --> 00:00:03,560 Speaker 1: I was skeptical about ordering foundation online. I can't even 2 00:00:03,600 --> 00:00:07,920 Speaker 1: find Imagine stores. Then I discovered il Makiage. Their online 3 00:00:07,960 --> 00:00:11,560 Speaker 1: quiz found my exact shade in seconds. With Try before 4 00:00:11,600 --> 00:00:13,840 Speaker 1: you Buy, you can try your full sized shade at 5 00:00:13,840 --> 00:00:17,240 Speaker 1: home free for fourteen days. But I was obsessed on 6 00:00:17,320 --> 00:00:21,239 Speaker 1: day one. It's so lightweight and natural. It's literally my 7 00:00:21,360 --> 00:00:22,280 Speaker 1: skin and a bottle. 8 00:00:22,880 --> 00:00:26,200 Speaker 2: Take the quiz at ilmackiage dot com slash quiz that's 9 00:00:26,239 --> 00:00:29,760 Speaker 2: I l M a k i age dot com slash quiz, 10 00:00:34,720 --> 00:00:35,199 Speaker 2: momf and. 11 00:00:35,320 --> 00:00:38,440 Speaker 3: Sons water band, I'll take off wonder. 12 00:00:38,640 --> 00:00:42,000 Speaker 4: Luckily enough I got to get tickets and go see 13 00:00:42,000 --> 00:00:42,640 Speaker 4: them live. 14 00:00:42,840 --> 00:00:45,080 Speaker 3: They are one of the best in the world. Do 15 00:00:45,080 --> 00:00:45,479 Speaker 3: you know what? 16 00:00:45,560 --> 00:00:47,960 Speaker 4: And we had such a good check. You actually performed 17 00:00:48,000 --> 00:00:50,400 Speaker 4: with Marcus mumfitt. You wanted to sing, but we had 18 00:00:50,440 --> 00:00:51,880 Speaker 4: such a great time with Marcus. 19 00:00:51,920 --> 00:00:54,840 Speaker 3: He stuck around afterwards at a couple of in the balcony. 20 00:00:55,000 --> 00:00:59,560 Speaker 5: Really originally did don't think twice and they filmed it 21 00:00:59,840 --> 00:01:01,720 Speaker 5: and he said, I don't actually remember that. 22 00:01:01,760 --> 00:01:04,720 Speaker 4: There was a bit of a party backstage, a few 23 00:01:04,800 --> 00:01:08,200 Speaker 4: drinks beforehand. Anyway, I didn't know this, but when we 24 00:01:08,319 --> 00:01:10,399 Speaker 4: rocked up, they said, can you get to the show 25 00:01:10,480 --> 00:01:12,559 Speaker 4: a little bit earlier because what. 26 00:01:12,560 --> 00:01:13,160 Speaker 3: The band do. 27 00:01:13,440 --> 00:01:15,440 Speaker 4: They like to come down and say thank you to 28 00:01:15,440 --> 00:01:18,040 Speaker 4: everyone for supporting them, and they come down for a 29 00:01:18,040 --> 00:01:19,679 Speaker 4: bit of dinner and have a couple of drinks before 30 00:01:19,680 --> 00:01:20,640 Speaker 4: they actually go on stage. 31 00:01:20,680 --> 00:01:24,000 Speaker 3: It's seven o'clock's there and we're waiting. 32 00:01:23,680 --> 00:01:25,120 Speaker 4: There and the band comes in, and you know, you 33 00:01:25,520 --> 00:01:27,280 Speaker 4: get a bit sort of nervous when the band walks 34 00:01:27,280 --> 00:01:29,120 Speaker 4: into the room because you look up to them as 35 00:01:29,160 --> 00:01:32,200 Speaker 4: well and great performers. And I was speaking to Winston, 36 00:01:32,240 --> 00:01:34,679 Speaker 4: one of the band members, and Ben, and then all 37 00:01:34,680 --> 00:01:36,880 Speaker 4: of a sudden, Marcus comes over and gives you a 38 00:01:36,920 --> 00:01:39,440 Speaker 4: bit of a hug and we're having a great chat 39 00:01:39,480 --> 00:01:42,160 Speaker 4: and he's having a couple of drinks beforehand, and he said, mate, 40 00:01:42,200 --> 00:01:43,920 Speaker 4: thank you so much of the chat that you had 41 00:01:43,959 --> 00:01:46,560 Speaker 4: with Whipper and really really enjoyed it and we got 42 00:01:46,560 --> 00:01:50,000 Speaker 4: along really well. And he sort of said to me afterwards, 43 00:01:50,120 --> 00:01:52,400 Speaker 4: he said, stick around. We'll have a beer later on. 44 00:01:53,160 --> 00:01:55,400 Speaker 4: And I'm instantly going, this is amazing. 45 00:01:54,960 --> 00:01:55,560 Speaker 5: But do you reckon? 46 00:01:55,600 --> 00:01:57,440 Speaker 6: It was a token gesture, though, is it like a 47 00:01:57,760 --> 00:01:58,720 Speaker 6: stick around? 48 00:01:58,840 --> 00:01:59,840 Speaker 3: This is what I didn't know. 49 00:02:00,320 --> 00:02:02,080 Speaker 4: I didn't know as he said that to other people 50 00:02:02,120 --> 00:02:04,560 Speaker 4: as well, and we were ushered. Afterwards, one of their 51 00:02:04,560 --> 00:02:06,640 Speaker 4: managers came down and said, guys, can you follow us? 52 00:02:06,640 --> 00:02:08,920 Speaker 4: And we went down into this little room afterwards, and 53 00:02:08,960 --> 00:02:09,680 Speaker 4: there was quite a. 54 00:02:09,600 --> 00:02:10,400 Speaker 3: Few people there. 55 00:02:10,760 --> 00:02:13,200 Speaker 4: So then Marcus comes into the room and everyone's trying 56 00:02:13,240 --> 00:02:14,960 Speaker 4: to chat to Marcus. And I'm thinking, oh, well, this 57 00:02:15,000 --> 00:02:17,919 Speaker 4: is great. We got invited down into here and we're 58 00:02:17,919 --> 00:02:19,640 Speaker 4: having a couple of drinks. He comes over and has 59 00:02:19,639 --> 00:02:22,160 Speaker 4: another chat again, and then he leaves, and I thought, 60 00:02:22,160 --> 00:02:23,680 Speaker 4: oh well, I didn't get to say goodbye. 61 00:02:23,760 --> 00:02:24,280 Speaker 3: But that was it. 62 00:02:24,320 --> 00:02:25,760 Speaker 4: That was it, And I said to the lady we 63 00:02:25,840 --> 00:02:27,239 Speaker 4: might have a couple more drinks. But I said to 64 00:02:27,240 --> 00:02:28,760 Speaker 4: the lady, where's the toilet? And I was about to 65 00:02:28,760 --> 00:02:30,560 Speaker 4: go out of the toilet, and as I was going out, 66 00:02:30,639 --> 00:02:33,560 Speaker 4: the manager was outside the door and grabs me and 67 00:02:33,600 --> 00:02:36,720 Speaker 4: goes fitz Marcus wants you to go back to his 68 00:02:36,880 --> 00:02:38,119 Speaker 4: room and have a beer with him. 69 00:02:38,280 --> 00:02:39,359 Speaker 3: Now, I wanted to get out of. 70 00:02:39,280 --> 00:02:42,120 Speaker 4: There two of you, and I'm like, so then I'm 71 00:02:42,160 --> 00:02:45,120 Speaker 4: looking like the door was ajar to the room and 72 00:02:45,200 --> 00:02:49,120 Speaker 4: I'm looking in and there's my wife bj and this 73 00:02:49,240 --> 00:02:51,880 Speaker 4: girl's looking at me, going no, just you hang on 74 00:02:51,880 --> 00:02:52,520 Speaker 4: a minute, and. 75 00:02:52,440 --> 00:02:54,760 Speaker 3: I'm looking at BJ, I'm looking at the manager. 76 00:02:54,800 --> 00:02:56,880 Speaker 4: I'm looking at BJ, and I looked at the manager 77 00:02:56,880 --> 00:02:59,560 Speaker 4: and I said, let's do this. 78 00:03:00,080 --> 00:03:03,800 Speaker 6: But Sarah is always going to be But you've met 79 00:03:03,880 --> 00:03:06,079 Speaker 6: him multiple times. There is going to be nothing new 80 00:03:06,080 --> 00:03:07,800 Speaker 6: that you guys talk about that's going to change your life. 81 00:03:07,880 --> 00:03:10,480 Speaker 6: You're not going to start holiday to your backstone. 82 00:03:11,120 --> 00:03:13,760 Speaker 5: He's invited his own rooms. 83 00:03:13,960 --> 00:03:16,359 Speaker 6: Sarah, woman, you said yes to for life. 84 00:03:16,400 --> 00:03:18,080 Speaker 4: So but Sarah, I was thinking in the back of 85 00:03:18,120 --> 00:03:20,560 Speaker 4: my mind, I'm going, Okay, I'll just have one beer 86 00:03:20,639 --> 00:03:22,120 Speaker 4: and then I'll go back out to be Ja. 87 00:03:22,480 --> 00:03:25,600 Speaker 6: You don't know yourself well enough walking. 88 00:03:25,360 --> 00:03:28,040 Speaker 4: Down there, going I'm just really happy with my decision. 89 00:03:28,080 --> 00:03:32,359 Speaker 4: This beer with Marcus Mum for just me and him. 90 00:03:32,639 --> 00:03:35,840 Speaker 4: I walk in there and the manager goes Marcus's VIZI. 91 00:03:36,200 --> 00:03:38,560 Speaker 4: He looks at me and goes, where's your wife? 92 00:03:38,640 --> 00:03:39,160 Speaker 3: You're idiot? 93 00:03:42,360 --> 00:03:45,040 Speaker 5: Did you say I deliberately dumped it because I thought 94 00:03:45,080 --> 00:03:48,840 Speaker 5: you just wanted the two of us? It's crazy. 95 00:03:50,840 --> 00:03:51,680 Speaker 3: It's time for Sarah. 96 00:03:52,800 --> 00:04:02,000 Speaker 6: Sarah Sarah Aware doesn't like melted cheese friends. 97 00:04:00,720 --> 00:04:01,240 Speaker 7: So true. 98 00:04:01,280 --> 00:04:02,119 Speaker 6: It's my favorite. 99 00:04:03,080 --> 00:04:03,880 Speaker 3: Thanks guys. 100 00:04:03,880 --> 00:04:06,640 Speaker 6: Claire has emailed the show. She's got a problem with 101 00:04:06,680 --> 00:04:08,880 Speaker 6: a girlfriend. So I've been friends with this girl for 102 00:04:08,920 --> 00:04:11,080 Speaker 6: twenty five years, and over the past few years, I've 103 00:04:11,120 --> 00:04:14,840 Speaker 6: seriously started to dislike her many reasons. She's quite selfish, 104 00:04:14,880 --> 00:04:17,640 Speaker 6: she's rude, and I found we have little in comments. 105 00:04:17,839 --> 00:04:21,719 Speaker 6: I've tried distancing myself, declining invites, saying I'm busy, leaving 106 00:04:21,800 --> 00:04:24,719 Speaker 6: long gaps between replies, but she's not taking the hint. 107 00:04:24,760 --> 00:04:27,719 Speaker 6: She's even texting my husband when I don't reply. How 108 00:04:27,760 --> 00:04:29,239 Speaker 6: do you break up with a friend? 109 00:04:29,880 --> 00:04:30,279 Speaker 3: Toughing. 110 00:04:30,279 --> 00:04:31,520 Speaker 5: It is a tough year. 111 00:04:32,360 --> 00:04:34,520 Speaker 4: A lot of history there, it is. And thanks for 112 00:04:34,600 --> 00:04:35,919 Speaker 4: taking my emails there. 113 00:04:36,080 --> 00:04:40,880 Speaker 6: Yeah, named Claire, just to talk about whip. 114 00:04:41,880 --> 00:04:43,280 Speaker 5: I'm right here, guys, I can hear all of that. 115 00:04:43,480 --> 00:04:44,320 Speaker 3: It's a tough one though. 116 00:04:44,360 --> 00:04:46,560 Speaker 6: I mean, people come into your life. Mum always says me, 117 00:04:46,600 --> 00:04:49,680 Speaker 6: a season, a reason, or a lifetime, and maybe this 118 00:04:49,720 --> 00:04:50,400 Speaker 6: one's just run. 119 00:04:50,400 --> 00:04:53,599 Speaker 5: It's a whole season a reason or a lifetime T shirt, 120 00:04:53,880 --> 00:04:54,320 Speaker 5: isn't it. 121 00:04:54,360 --> 00:04:55,960 Speaker 6: I mean it's a lot to put on a T shirt. 122 00:04:56,080 --> 00:04:58,840 Speaker 5: Best season? So, oh my god, I met you over 123 00:04:58,880 --> 00:05:03,120 Speaker 5: the summertime. A reason why are we stuck in this elevator? 124 00:05:04,400 --> 00:05:07,360 Speaker 6: A reason like to help you with something to be 125 00:05:07,480 --> 00:05:09,560 Speaker 6: part of something or a lifetime friends for life. 126 00:05:09,640 --> 00:05:10,240 Speaker 3: This one is. 127 00:05:10,160 --> 00:05:13,440 Speaker 6: Clearly not a lifetime friend. I think you just say 128 00:05:13,480 --> 00:05:15,960 Speaker 6: something to them if they've been rude and selfish, call 129 00:05:16,040 --> 00:05:16,960 Speaker 6: them on it, you. 130 00:05:16,800 --> 00:05:19,000 Speaker 3: Cut them off. Tell people. 131 00:05:19,120 --> 00:05:22,800 Speaker 4: BJ's got this problem with a school friend who treated 132 00:05:22,839 --> 00:05:25,880 Speaker 4: it pretty bad back then, and now she's had a 133 00:05:25,960 --> 00:05:28,000 Speaker 4: child and she wants to get back with bj Agin 134 00:05:28,279 --> 00:05:30,400 Speaker 4: and it's on to her all the time. And it's 135 00:05:30,400 --> 00:05:32,400 Speaker 4: a tough one because what do you do. Do you 136 00:05:32,640 --> 00:05:38,400 Speaker 4: keep replying, because once you start replying, gates open, or do. 137 00:05:38,400 --> 00:05:40,560 Speaker 3: You just let it go? So what she done interesting 138 00:05:41,000 --> 00:05:43,800 Speaker 3: is ignoring? Can you do it? 139 00:05:43,960 --> 00:05:44,960 Speaker 5: Just keep ignoring stuff? 140 00:05:45,560 --> 00:05:46,080 Speaker 3: Just ignore her? 141 00:05:46,480 --> 00:05:49,800 Speaker 6: Don't You can't just watch a friend that you've been friends. 142 00:05:49,520 --> 00:05:54,400 Speaker 5: With twenty interesting? He says. It's kind of gone from 143 00:05:54,600 --> 00:05:58,560 Speaker 5: a lifetime under your mum's theory, yeah, to a season, 144 00:05:58,760 --> 00:06:00,840 Speaker 5: and not often you go from that lifetime to make 145 00:06:00,839 --> 00:06:03,840 Speaker 5: the change back to the season. And the only way 146 00:06:03,920 --> 00:06:06,679 Speaker 5: would come back would be in a reason. So that's 147 00:06:06,680 --> 00:06:09,080 Speaker 5: what she needs to think about. What is the reason 148 00:06:09,200 --> 00:06:14,560 Speaker 5: that I need this person in my lifetime. 149 00:06:15,040 --> 00:06:17,679 Speaker 6: I'm still trying to find the reason for the answer. 150 00:06:18,160 --> 00:06:23,080 Speaker 3: In other ways, to fake your own death. Yes, you're gone. 151 00:06:23,400 --> 00:06:25,800 Speaker 6: I've tried to take your problem seriously and. 152 00:06:25,720 --> 00:06:28,279 Speaker 5: I've told you about that too. How I reckon, you 153 00:06:28,360 --> 00:06:30,400 Speaker 5: need to leave some part of the body in a 154 00:06:30,440 --> 00:06:32,880 Speaker 5: burnt house so that people go. They must have gone 155 00:06:33,000 --> 00:06:35,000 Speaker 5: to hang on what you have to your finger. 156 00:06:34,839 --> 00:06:36,839 Speaker 3: Off, vital clue and true detective through. 157 00:06:37,040 --> 00:06:38,920 Speaker 5: Okay, so she can blow up the house and leave 158 00:06:38,920 --> 00:06:40,680 Speaker 5: the pinky on the front lawns, and to say, the 159 00:06:40,680 --> 00:06:42,680 Speaker 5: place blew up. The rest of the body went, but 160 00:06:42,720 --> 00:06:44,400 Speaker 5: we found her pinky, so she must be gone. 161 00:06:44,440 --> 00:06:45,200 Speaker 6: It's expensive. 162 00:06:46,200 --> 00:06:51,560 Speaker 3: Christmas is given us a cool Carol beautiful. 163 00:06:53,520 --> 00:06:56,000 Speaker 8: But the same thing happened to me. I was friends 164 00:06:56,080 --> 00:06:59,119 Speaker 8: with my best express friends for many, many years, twenty 165 00:06:59,120 --> 00:07:04,320 Speaker 8: odd years. Circumstances happened, and I was more hurt that 166 00:07:04,400 --> 00:07:08,080 Speaker 8: she didn't ask me as to why we split up. 167 00:07:08,600 --> 00:07:11,040 Speaker 8: The reason why was because she had a wedding early 168 00:07:11,120 --> 00:07:12,840 Speaker 8: hours of the morning, eight thirty in the morning and 169 00:07:12,920 --> 00:07:15,960 Speaker 8: I didn't attend. Now I wanted her to ask me 170 00:07:16,120 --> 00:07:19,560 Speaker 8: as to why now. My suggestion to Claire is, tell 171 00:07:19,600 --> 00:07:23,240 Speaker 8: this girl straight up, we've going apart. Our friendship isn't 172 00:07:23,720 --> 00:07:26,000 Speaker 8: like it used to be. You're not the same person 173 00:07:26,040 --> 00:07:28,920 Speaker 8: you were when we first met. Be honest, carry on. 174 00:07:29,560 --> 00:07:30,960 Speaker 6: Why weren't you at the wedding. 175 00:07:31,480 --> 00:07:34,560 Speaker 8: Because it was eight thirty in the morning. I had kids, No, no, no, no, 176 00:07:34,680 --> 00:07:36,360 Speaker 8: I had I had kids like I had to get 177 00:07:36,360 --> 00:07:38,880 Speaker 8: them to school. And I explained it to her and 178 00:07:38,960 --> 00:07:39,680 Speaker 8: that wasn't. 179 00:07:39,440 --> 00:07:40,240 Speaker 2: Good enough for her. 180 00:07:40,360 --> 00:07:42,120 Speaker 5: Don't go such a cheap option eight thirty on a 181 00:07:42,160 --> 00:07:44,720 Speaker 5: Monday morning. Yeah, it's not a bad oc to get 182 00:07:44,720 --> 00:07:46,600 Speaker 5: the venue for twenty bucks. I was three am in 183 00:07:46,640 --> 00:07:49,720 Speaker 5: the morning on a Tuesday even it says, you know 184 00:07:49,760 --> 00:07:52,000 Speaker 5: what's interesting. I'm just trying to get gather my thoughts 185 00:07:52,040 --> 00:07:55,400 Speaker 5: here with what Carol's saying is there's actually a reason, 186 00:07:55,440 --> 00:07:57,280 Speaker 5: and I'm not playing on your mum's words. There's a 187 00:07:57,320 --> 00:08:00,400 Speaker 5: reason to break up there right in the situation here 188 00:08:00,400 --> 00:08:02,920 Speaker 5: with Claire, there's not nothing's actually happened. It doesn't have 189 00:08:02,920 --> 00:08:04,080 Speaker 5: an event. 190 00:08:04,960 --> 00:08:07,160 Speaker 3: Girl is treating a very bad Yeah, she. 191 00:08:07,160 --> 00:08:09,240 Speaker 6: Said that she's selfish, rude. They don't have much in 192 00:08:09,240 --> 00:08:11,720 Speaker 6: common anymore. These things just happen, they peter out, So 193 00:08:11,880 --> 00:08:14,280 Speaker 6: just but tell them, have the decency to tell them. 194 00:08:14,640 --> 00:08:17,040 Speaker 4: Well, Clai, if you want to get back in contact 195 00:08:17,040 --> 00:08:18,800 Speaker 4: with us, we can tell you how you can fake 196 00:08:18,840 --> 00:08:19,400 Speaker 4: your own death. 197 00:08:19,440 --> 00:08:21,200 Speaker 3: There there's ways to do it. 198 00:08:21,320 --> 00:08:24,040 Speaker 5: So you know that app where you if the doctor 199 00:08:24,080 --> 00:08:26,960 Speaker 5: says you've got an STI and then it can message 200 00:08:27,000 --> 00:08:28,880 Speaker 5: the people that you may have been in contact with. 201 00:08:29,120 --> 00:08:30,640 Speaker 5: Have one of those for friends you want to be. 202 00:08:30,800 --> 00:08:31,760 Speaker 6: That's a bad idea. 203 00:08:31,920 --> 00:08:33,800 Speaker 5: Claire no longer wants to be a friend. We're just 204 00:08:33,880 --> 00:08:34,520 Speaker 5: letting you know. 205 00:08:35,280 --> 00:08:37,800 Speaker 3: We love this man and it is the magnificent raymar 206 00:08:41,880 --> 00:08:42,439 Speaker 3: new Farm. 207 00:08:43,640 --> 00:08:45,360 Speaker 5: You got everything under control, mate, I have. 208 00:08:45,880 --> 00:08:48,040 Speaker 9: Look just to stay mind. 209 00:08:48,360 --> 00:08:49,120 Speaker 3: What are you doing with it? 210 00:08:49,400 --> 00:08:51,800 Speaker 4: You put your phone on silent there? If you got 211 00:08:51,840 --> 00:08:54,280 Speaker 4: the technology on your phone? Can you take a selfier O? 212 00:08:55,920 --> 00:08:56,000 Speaker 10: What? 213 00:08:57,880 --> 00:08:58,080 Speaker 3: Sure? 214 00:08:58,320 --> 00:09:00,120 Speaker 9: Look, I'm sure there are instructions somewhere you can and 215 00:09:00,200 --> 00:09:01,080 Speaker 9: that for that there is. 216 00:09:02,840 --> 00:09:06,400 Speaker 4: Just quickly. There's a promo going around. Is that your 217 00:09:06,960 --> 00:09:11,120 Speaker 4: ex dead wife coming back? Martha on one of the promos? 218 00:09:11,360 --> 00:09:14,000 Speaker 4: I thought you got rid of her? What's going on there? 219 00:09:14,080 --> 00:09:14,840 Speaker 3: Ray? Oh mate? 220 00:09:14,840 --> 00:09:17,600 Speaker 9: It's a long story, but the shortened version is before 221 00:09:17,640 --> 00:09:21,360 Speaker 9: we shot the pilot thirty one years ago. Elf was 222 00:09:21,400 --> 00:09:27,360 Speaker 9: a lonely widower. Martha had tragically drowned in a fast 223 00:09:27,360 --> 00:09:29,760 Speaker 9: flowing river. We had a funeral, we had the whole 224 00:09:29,840 --> 00:09:32,920 Speaker 9: shooting match and she was gone for all money. But 225 00:09:33,040 --> 00:09:35,560 Speaker 9: it turns out that Martha was a lot better swimmer 226 00:09:35,600 --> 00:09:39,480 Speaker 9: than we thought, and she's resurfaced thirty one years later 227 00:09:40,520 --> 00:09:43,000 Speaker 9: swimming all that time. She has been swimming all that time. 228 00:09:43,040 --> 00:09:44,360 Speaker 9: She could have won a gold medal. 229 00:09:44,160 --> 00:09:45,040 Speaker 3: Of the Rome Olympics. 230 00:09:46,720 --> 00:09:50,480 Speaker 9: But it's play. Martha is played by the lovely Belinda Giblin, 231 00:09:50,520 --> 00:09:53,719 Speaker 9: who has done more work than certainly any warf is. 232 00:09:56,080 --> 00:09:58,880 Speaker 9: She is a wonderful, wonderful person to work with and 233 00:09:58,920 --> 00:09:59,720 Speaker 9: a wonderful actress. 234 00:09:59,720 --> 00:10:02,800 Speaker 11: And it's a great what a tug on the old heart, 235 00:10:02,840 --> 00:10:06,800 Speaker 11: spring strings, springs and whatever you have got in your 236 00:10:06,800 --> 00:10:11,040 Speaker 11: heart is going to be tugged on now because the time. 237 00:10:10,920 --> 00:10:13,000 Speaker 3: Says I've been married how many times? 238 00:10:13,679 --> 00:10:17,160 Speaker 9: Well, Martha, of course. And then the lovely duty none 239 00:10:17,280 --> 00:10:22,640 Speaker 9: or alsa, yeah no, but it's been a long time 240 00:10:22,679 --> 00:10:23,320 Speaker 9: between drinks. 241 00:10:23,360 --> 00:10:26,240 Speaker 11: Now really way over, Judy is ready to go. I 242 00:10:26,280 --> 00:10:27,440 Speaker 11: think Martha's back just. 243 00:10:34,280 --> 00:10:34,839 Speaker 3: Now right. 244 00:10:34,920 --> 00:10:37,440 Speaker 4: One thing that we haven't noticed when you come in 245 00:10:37,480 --> 00:10:40,760 Speaker 4: here is you don't have any bo problems. You don't stink, 246 00:10:40,800 --> 00:10:44,520 Speaker 4: you're a very hygienis. You're the raymar Aroma. We we 247 00:10:44,559 --> 00:10:46,839 Speaker 4: love it. We feel that we feel at home when 248 00:10:46,840 --> 00:10:49,720 Speaker 4: you're in the studio, but you have brought out a ragrance, 249 00:10:49,800 --> 00:10:53,800 Speaker 4: which this is unbelievable. You've got your own fragrance. 250 00:10:53,520 --> 00:10:55,200 Speaker 9: Now, Ray absolutely mate. 251 00:10:55,280 --> 00:10:59,480 Speaker 5: It's called ragrance number one, number one, which number one 252 00:10:59,520 --> 00:11:01,000 Speaker 5: suggests there's more covering. 253 00:11:01,160 --> 00:11:06,360 Speaker 9: Well, who knows, mate, but it's it's a very wonderful 254 00:11:06,440 --> 00:11:07,120 Speaker 9: little number. 255 00:11:07,320 --> 00:11:09,000 Speaker 3: You've got some in right, I've. 256 00:11:08,840 --> 00:11:12,800 Speaker 9: Got some rights. You can have a bit of a go. Look, 257 00:11:12,840 --> 00:11:15,880 Speaker 9: I mean you know when you think about it, George Clooney, 258 00:11:16,000 --> 00:11:20,040 Speaker 9: Chris Hemsworth, ramar, I mean what we've all got something 259 00:11:20,040 --> 00:11:20,760 Speaker 9: in common, haven't we? 260 00:11:21,120 --> 00:11:22,480 Speaker 3: Off the tongue, well, we're all men. 261 00:11:25,720 --> 00:11:27,440 Speaker 4: What has it got in there? A bit of old spice, 262 00:11:27,480 --> 00:11:28,520 Speaker 4: bit of brute thirty three? 263 00:11:28,840 --> 00:11:32,199 Speaker 9: I know we didn't mix with any other previously arranged 264 00:11:32,320 --> 00:11:36,400 Speaker 9: or produced fragrances right off the bloody out of a 265 00:11:38,240 --> 00:11:42,360 Speaker 9: mixed brand new. Absolutely fantastic and look it smells good, 266 00:11:42,440 --> 00:11:44,520 Speaker 9: it doesn't, and there are many good things about it, 267 00:11:44,920 --> 00:11:49,400 Speaker 9: one being it's unisex. Okay, so if somebody in a 268 00:11:49,480 --> 00:11:52,000 Speaker 9: room shouts me too, that doesn't mean they're going to 269 00:11:52,000 --> 00:11:57,040 Speaker 9: take you a court. They just want some ragrance, Okay, Yeah. 270 00:11:56,600 --> 00:11:58,480 Speaker 5: Fits, I've just gone to both sides of the cheek 271 00:11:58,559 --> 00:12:01,559 Speaker 5: with the Ragrance and it smells like raymar. 272 00:12:01,520 --> 00:12:03,560 Speaker 4: Go to Ragrance dot com but a you can buy 273 00:12:03,600 --> 00:12:06,600 Speaker 4: it for fifteen bucks. All proceeds go to cure cancer. 274 00:12:06,760 --> 00:12:09,040 Speaker 3: You're a legend. Were love you mate, Thanks for coming in. 275 00:12:09,120 --> 00:12:09,840 Speaker 9: Thank you very much. 276 00:12:09,880 --> 00:12:25,800 Speaker 5: Guys says if you're going to clap, you clap in 277 00:12:25,880 --> 00:12:29,480 Speaker 5: time with riddle time ruin the segment and happen to 278 00:12:29,559 --> 00:12:30,800 Speaker 5: play last person? 279 00:12:31,440 --> 00:12:32,560 Speaker 3: Did you say clap game? 280 00:12:34,040 --> 00:12:39,360 Speaker 5: Great years. We are streaming live on Instagram so you'll 281 00:12:39,400 --> 00:12:43,359 Speaker 5: be able to see my Tommy tribute t shirt as well. Unauthorized, 282 00:12:43,440 --> 00:12:45,840 Speaker 5: but you do look good in the images of Thomas 283 00:12:46,280 --> 00:12:47,120 Speaker 5: ivy tom. 284 00:12:46,960 --> 00:12:48,959 Speaker 3: Have you ever thought about getting a lawyer? You could 285 00:12:49,000 --> 00:12:49,439 Speaker 3: sue for. 286 00:12:49,400 --> 00:12:51,640 Speaker 12: That as it's all part of my big court case 287 00:12:51,640 --> 00:12:52,240 Speaker 12: at the end of the year. 288 00:12:52,240 --> 00:12:56,720 Speaker 4: Again, great content front air as well. Tommy suing Whipper 289 00:12:57,200 --> 00:12:58,880 Speaker 4: We cross live to the courtroom. 290 00:12:59,280 --> 00:13:02,680 Speaker 3: Would we stream as well? Castree could do a headline 291 00:13:02,679 --> 00:13:03,080 Speaker 3: off from. 292 00:13:05,360 --> 00:13:08,480 Speaker 5: Here we go first Riddle play along m DG. How 293 00:13:08,480 --> 00:13:09,240 Speaker 5: the numbers. 294 00:13:09,280 --> 00:13:14,760 Speaker 13: Thirty five thousand, just three. 295 00:13:14,600 --> 00:13:16,640 Speaker 3: For up to sixty they doubled it at this rate, 296 00:13:16,679 --> 00:13:17,040 Speaker 3: it could be one. 297 00:13:19,679 --> 00:13:24,320 Speaker 5: Rosie is suffering from a dangerous disease. Her family decides 298 00:13:24,360 --> 00:13:26,000 Speaker 5: she should undergo an operation. 299 00:13:26,360 --> 00:13:27,280 Speaker 3: There's a cream for it. 300 00:13:30,120 --> 00:13:30,680 Speaker 5: You're right, mate? 301 00:13:30,880 --> 00:13:33,240 Speaker 3: Is this is this a person? Is this the first 302 00:13:33,280 --> 00:13:35,000 Speaker 3: riddle or a personal doing a rave? 303 00:13:35,160 --> 00:13:39,400 Speaker 12: Because I've got one for one here, name Christie. 304 00:13:40,240 --> 00:13:40,679 Speaker 3: Let's go. 305 00:13:41,160 --> 00:13:44,960 Speaker 5: Rosie is suffering from a dangerous disease. Her family decides 306 00:13:45,000 --> 00:13:47,680 Speaker 5: she should undergo an operation, but Rosie is not told 307 00:13:47,920 --> 00:13:51,320 Speaker 5: or consulted. The operation will be done by somebody who's 308 00:13:51,400 --> 00:13:55,760 Speaker 5: never operated. I'm a human before. Why isn't Rosie told? 309 00:13:57,960 --> 00:13:58,600 Speaker 6: She's a dog? 310 00:13:59,520 --> 00:14:00,240 Speaker 5: Sarah and girl? 311 00:14:00,320 --> 00:14:00,480 Speaker 3: Right? 312 00:14:01,440 --> 00:14:02,040 Speaker 14: Is that right? 313 00:14:02,160 --> 00:14:03,400 Speaker 9: I was texting. 314 00:14:05,200 --> 00:14:10,160 Speaker 5: Christine joke was probably the world the winner from last week? 315 00:14:10,240 --> 00:14:11,200 Speaker 6: I'm always the winner? 316 00:14:11,240 --> 00:14:12,439 Speaker 5: Feedback DJ. 317 00:14:14,000 --> 00:14:17,160 Speaker 13: Zero Someone said be nice? Could we make this segment 318 00:14:17,240 --> 00:14:19,200 Speaker 13: nice for everyone? Because Whippers lost weight? 319 00:14:20,000 --> 00:14:23,600 Speaker 5: No, I mean my left breast. That's a terrible angle. 320 00:14:25,440 --> 00:14:28,440 Speaker 3: Underscore you Whipper? Have you lost weight? Question mark? 321 00:14:28,520 --> 00:14:30,760 Speaker 5: Yes, I have, Casey and I love you. Here we 322 00:14:30,800 --> 00:14:31,760 Speaker 5: go for the second riddle. 323 00:14:31,840 --> 00:14:33,040 Speaker 3: Good luck, chuckers. 324 00:14:33,200 --> 00:14:37,800 Speaker 5: I'm a fruit. I'm tasty. I'm tasty and provide lots 325 00:14:37,800 --> 00:14:43,080 Speaker 5: of energy. You can also find me on a calendar. 326 00:14:47,360 --> 00:14:48,200 Speaker 12: Can I hear it again? 327 00:14:48,480 --> 00:14:52,640 Speaker 3: Date? Ryan J. 328 00:14:57,800 --> 00:15:03,280 Speaker 5: Hasn't been improved. Well, don't don't make that bit the 329 00:15:03,320 --> 00:15:07,240 Speaker 5: best part of the segmentment. We wouldn't have the sting. 330 00:15:07,320 --> 00:15:10,000 Speaker 5: So let's celebrate all of it together. 331 00:15:10,120 --> 00:15:12,840 Speaker 3: Play it loud. Can we do a separate segment? 332 00:15:12,920 --> 00:15:18,920 Speaker 5: Idle? That's good, you're idiots. Here we go for the 333 00:15:18,960 --> 00:15:22,040 Speaker 5: third riddle. This is such a beauty. It's going to 334 00:15:22,120 --> 00:15:26,200 Speaker 5: make you think. Can you name three consecutive days without 335 00:15:26,360 --> 00:15:31,520 Speaker 5: using the words Monday, Tuesday, Wednesday, Thursday, Friday, Saturday or Sunday? 336 00:15:31,960 --> 00:15:36,760 Speaker 13: Today, tomorrow, the day after today, tomorrow, the day after. Yeah, 337 00:15:36,760 --> 00:15:37,960 Speaker 13: that's three consecutive days. 338 00:15:38,240 --> 00:15:40,120 Speaker 5: Is that three consecutive words? The day after? 339 00:15:40,880 --> 00:15:41,240 Speaker 9: Okay? 340 00:15:43,280 --> 00:15:46,160 Speaker 3: I just you're going to shoot tomorrow. 341 00:15:47,680 --> 00:15:50,240 Speaker 9: Come on, come on, starlight. 342 00:15:50,960 --> 00:15:52,480 Speaker 5: He took the groups of polish. 343 00:15:52,520 --> 00:15:59,920 Speaker 3: There is the winner. I like a bed that's really fun. 344 00:16:00,240 --> 00:16:02,280 Speaker 15: I need something a little softer than that. 345 00:16:02,400 --> 00:16:02,880 Speaker 3: Rest easy. 346 00:16:02,920 --> 00:16:04,280 Speaker 14: Did the sleep number three sixty? Smart? 347 00:16:04,280 --> 00:16:04,440 Speaker 1: Bet? 348 00:16:04,480 --> 00:16:06,440 Speaker 14: You can both adjust your comfort with your sleep number seven? 349 00:16:06,480 --> 00:16:08,040 Speaker 5: Can it really help me fall asleep faster? 350 00:16:08,240 --> 00:16:08,440 Speaker 3: Yes? 351 00:16:08,520 --> 00:16:09,600 Speaker 14: By chantly warming your feet? 352 00:16:09,640 --> 00:16:11,280 Speaker 3: Okay, but can it help keep us asleep? 353 00:16:11,360 --> 00:16:13,400 Speaker 14: It senses your movements. I'd automatically adjust to keep you 354 00:16:13,440 --> 00:16:16,320 Speaker 14: effortless be comfortable. Sleep number proven quality sleep is life 355 00:16:16,400 --> 00:16:18,800 Speaker 14: changing sleep. It's our biggest sale of the year. Where 356 00:16:18,800 --> 00:16:20,920 Speaker 14: all beds are on sale, say fifty percent on the 357 00:16:20,920 --> 00:16:23,720 Speaker 14: Sleep Number three sixty limited edition smart bet only for 358 00:16:23,720 --> 00:16:26,200 Speaker 14: a limited time. To learn more, go to sleep number 359 00:16:26,200 --> 00:16:31,280 Speaker 14: dot com. 360 00:16:31,920 --> 00:16:42,440 Speaker 4: We have the magnificent Julia Morris in the studia. 361 00:16:43,800 --> 00:16:48,640 Speaker 7: You don't know how much Dad whip away on a buffet. 362 00:16:53,480 --> 00:16:55,440 Speaker 3: Yea good guy. 363 00:16:55,560 --> 00:16:55,760 Speaker 4: We have. 364 00:16:58,400 --> 00:16:58,840 Speaker 3: First day? 365 00:16:59,080 --> 00:17:02,040 Speaker 9: Okay with eyes, Okay with that. Let's do this, Sarah 366 00:17:02,160 --> 00:17:05,840 Speaker 9: j all right, I do love this song. 367 00:17:07,160 --> 00:17:14,879 Speaker 6: Sarah andgilta Julia Morris, Welcome to the heat. Hotter than 368 00:17:14,920 --> 00:17:17,200 Speaker 6: Chris with his shirt off, Smell the defeat. He won't 369 00:17:17,240 --> 00:17:20,159 Speaker 6: see the jungle dressed in bling. A group of celebrities 370 00:17:20,200 --> 00:17:22,480 Speaker 6: you were supposed to bring, but the message all lost 371 00:17:22,680 --> 00:17:25,359 Speaker 6: along the way. Instead we've got Richard Reed and Jackie 372 00:17:25,440 --> 00:17:29,080 Speaker 6: Lamby in a blaze of glory pity. This show is 373 00:17:29,160 --> 00:17:32,600 Speaker 6: going to ruin. That story Whipper a fat and ball. 374 00:17:33,000 --> 00:17:35,200 Speaker 6: That story has been told and told and told. But 375 00:17:35,320 --> 00:17:37,879 Speaker 6: I doubt you know this about Michael Whipley love to 376 00:17:37,920 --> 00:17:41,200 Speaker 6: hammer his sheets, not like that, just with Pete Holidays 377 00:17:41,200 --> 00:17:43,520 Speaker 6: in a hospital gown, be broken knees looking like a 378 00:17:43,560 --> 00:17:46,479 Speaker 6: wobbly clown. We know his brain is always going berserk 379 00:17:46,720 --> 00:17:48,440 Speaker 6: and most of the office just thinks. 380 00:17:48,240 --> 00:17:48,800 Speaker 9: He's a jerk. 381 00:17:49,359 --> 00:17:52,360 Speaker 6: Back to whips and his first love Melissa marry first sight, 382 00:17:52,840 --> 00:17:55,040 Speaker 6: no what hitter who claims and the kissed in his 383 00:17:55,119 --> 00:17:57,440 Speaker 6: free rain trover. Let's hope for her sake, he didn't 384 00:17:57,440 --> 00:17:58,320 Speaker 6: throw the leg over. 385 00:18:00,040 --> 00:18:02,040 Speaker 10: It was. 386 00:18:03,680 --> 00:18:05,640 Speaker 6: I know you only got that for free this year. 387 00:18:07,240 --> 00:18:11,159 Speaker 3: Yes, right face surround it that you can do it. 388 00:18:11,320 --> 00:18:11,840 Speaker 3: You can do it. 389 00:18:14,960 --> 00:18:16,800 Speaker 5: It's not your first mate. 390 00:18:22,080 --> 00:18:24,080 Speaker 7: My name is Lady Jay and I'm here to rap. 391 00:18:24,240 --> 00:18:26,480 Speaker 7: If you want to compete, maybe grab a nap. You 392 00:18:26,520 --> 00:18:28,800 Speaker 7: see my words and my jam it's a virtual smack 393 00:18:28,840 --> 00:18:31,000 Speaker 7: and my rhythms all wig wigged wiggedy wig wag. 394 00:18:31,040 --> 00:18:32,000 Speaker 3: It's like wag. 395 00:18:33,520 --> 00:18:34,080 Speaker 10: And smack. 396 00:18:34,280 --> 00:18:36,520 Speaker 3: Who hey, ron. 397 00:18:38,600 --> 00:18:42,160 Speaker 7: Start so you make me battle? Sarah, who's the essence 398 00:18:42,200 --> 00:18:44,639 Speaker 7: of cool? Well, stand by pizzas you're about to get 399 00:18:44,640 --> 00:18:47,840 Speaker 7: to school girl for all the right reasons. I'm about 400 00:18:47,840 --> 00:18:49,119 Speaker 7: to prove that I can wrap it all of the 401 00:18:49,200 --> 00:18:50,520 Speaker 7: seasons like winter. 402 00:18:54,200 --> 00:18:54,760 Speaker 3: And spring. 403 00:18:57,720 --> 00:19:01,080 Speaker 7: So Sarah, my dear, your hashtag bless for having a child. 404 00:19:01,160 --> 00:19:03,400 Speaker 7: But to say the fun is done is putting it mild. 405 00:19:03,800 --> 00:19:06,639 Speaker 7: Having one You don't feel the effects. Having too is 406 00:19:06,720 --> 00:19:09,280 Speaker 7: running a crache with your ex. It's like really bad. 407 00:19:10,400 --> 00:19:13,480 Speaker 3: It's not good. There is nothing to look forward. 408 00:19:14,920 --> 00:19:16,000 Speaker 10: But anyway, that's okay. 409 00:19:17,040 --> 00:19:19,520 Speaker 3: So tell us what your birth plan is all about. 410 00:19:19,840 --> 00:19:21,520 Speaker 9: Mine was getting this mother baby. 411 00:19:22,280 --> 00:19:24,760 Speaker 7: Put yourself into a birth in center where the brick 412 00:19:24,800 --> 00:19:27,600 Speaker 7: he is a pokey bowl without it was center like curiously, 413 00:19:28,359 --> 00:19:29,960 Speaker 7: it's not tasty. 414 00:19:31,160 --> 00:19:33,320 Speaker 3: With the crying and the pooing and the needing the kids. 415 00:19:33,359 --> 00:19:34,560 Speaker 9: I'm not talking about the baby. 416 00:19:34,600 --> 00:19:36,480 Speaker 3: I'm in fitsy and well you'll miss. 417 00:19:36,359 --> 00:19:38,760 Speaker 7: This madness and ump and down as you chill them 418 00:19:38,760 --> 00:19:40,920 Speaker 7: with your babies on the pressure cut floor. We love 419 00:19:41,000 --> 00:19:43,400 Speaker 7: your sins. You are stylin grace. We won't just miss 420 00:19:43,400 --> 00:19:45,920 Speaker 7: your photo, but we'll miss your face. So hurry back 421 00:19:46,119 --> 00:19:48,399 Speaker 7: from maternity leave because when the boys are left alone 422 00:19:48,440 --> 00:19:49,399 Speaker 7: and makes the audience he. 423 00:19:54,119 --> 00:19:59,920 Speaker 3: It's not good to come back. So that's my rap. 424 00:20:00,080 --> 00:20:01,120 Speaker 3: Hope it wasn't too mean. 425 00:20:01,200 --> 00:20:03,399 Speaker 7: It's a new style of apple batting hitting the scene. 426 00:20:03,480 --> 00:20:04,840 Speaker 9: It's old school, news school. 427 00:20:04,880 --> 00:20:05,760 Speaker 5: It's back in the room. 428 00:20:05,920 --> 00:20:07,520 Speaker 9: It's time for me to go drop the mic. 429 00:20:07,600 --> 00:20:20,600 Speaker 10: And boy, I'm speaking of someone who needs an app. 430 00:20:25,080 --> 00:20:28,280 Speaker 3: Not even a fair fight. Absolutely cover Julian. 431 00:20:36,560 --> 00:20:40,680 Speaker 4: Lady, you can podcast this show, but you would know 432 00:20:41,480 --> 00:20:44,320 Speaker 4: interview anyway, but it has been turned into a podcast 433 00:20:44,720 --> 00:20:46,480 Speaker 4: and the man behind it is the magnificent and. 434 00:20:47,480 --> 00:20:48,879 Speaker 9: Good morning, good morning. 435 00:20:48,960 --> 00:20:50,240 Speaker 16: Thank you for that roundom of clause. 436 00:20:50,640 --> 00:20:53,120 Speaker 4: It is the best thing about it. We love interviews 437 00:20:53,160 --> 00:20:55,280 Speaker 4: so much in the way that you tackle your guests 438 00:20:55,320 --> 00:20:55,879 Speaker 4: on there as well. 439 00:20:55,920 --> 00:20:58,600 Speaker 5: We literally, I just want to point that out. They're 440 00:20:58,600 --> 00:21:01,800 Speaker 5: all welcome coming from the side I got high. 441 00:21:01,880 --> 00:21:04,760 Speaker 4: Sometimes, do you in the podcast, because I always love 442 00:21:04,800 --> 00:21:07,280 Speaker 4: a good podcast and hearing them set up the interview 443 00:21:07,320 --> 00:21:10,080 Speaker 4: at the start, do you actually reflect on the interview 444 00:21:10,119 --> 00:21:12,840 Speaker 4: and do you get to say what you really think 445 00:21:12,920 --> 00:21:13,760 Speaker 4: about that person? 446 00:21:14,840 --> 00:21:15,040 Speaker 8: Yes? 447 00:21:15,160 --> 00:21:15,600 Speaker 9: Sometimes. 448 00:21:15,640 --> 00:21:18,159 Speaker 16: But also the beauty about a podcast, because I'm a 449 00:21:18,200 --> 00:21:20,280 Speaker 16: big fan too, is I can actually tell a story 450 00:21:20,359 --> 00:21:24,240 Speaker 16: behind the interview because there's always strange moments and strange negotiations, 451 00:21:24,280 --> 00:21:27,080 Speaker 16: and sometimes in an interview, like there's a ine ofview 452 00:21:27,160 --> 00:21:30,840 Speaker 16: Daniel John's last year, which was fascinating, an extraordinary conversation, 453 00:21:31,520 --> 00:21:33,600 Speaker 16: and there was a bit where that it was a 454 00:21:33,760 --> 00:21:36,440 Speaker 16: very he was very anxious and everybody watching was like, 455 00:21:36,520 --> 00:21:39,080 Speaker 16: oh my god. And it was so quiet in the 456 00:21:39,119 --> 00:21:41,880 Speaker 16: studio I could actually hear the air conditioning, and I'm thinking, 457 00:21:42,280 --> 00:21:44,560 Speaker 16: I wonder if Daniel can hear the air conditioning. God, 458 00:21:44,600 --> 00:21:46,119 Speaker 16: I hope he's not getting freaked out. And then he 459 00:21:46,200 --> 00:21:50,399 Speaker 16: said I can hear that, and I think, oh my god, no, he's. 460 00:21:50,280 --> 00:21:52,080 Speaker 3: Probably making a song out of it in his head. 461 00:21:52,080 --> 00:21:54,480 Speaker 3: I think you have even mentioned that there was so 462 00:21:54,640 --> 00:21:55,240 Speaker 3: much going. 463 00:21:55,080 --> 00:21:57,240 Speaker 16: On and going on in his head. So that's the 464 00:21:57,280 --> 00:21:59,280 Speaker 16: beauty about a podcast. I can sort of take you 465 00:21:59,359 --> 00:22:02,320 Speaker 16: inside the stuff you never actually understand on television because 466 00:22:02,320 --> 00:22:04,359 Speaker 16: we edit it all and make it look really smooth 467 00:22:04,400 --> 00:22:06,000 Speaker 16: and lovely and make me look tall and handsome. 468 00:22:06,280 --> 00:22:09,520 Speaker 6: Obviously, Daniel Johons is someone who enjoyed interviewing who would 469 00:22:09,560 --> 00:22:10,800 Speaker 6: be one of the toughest. 470 00:22:10,520 --> 00:22:12,840 Speaker 16: Though we had to come across well, and again an 471 00:22:12,880 --> 00:22:15,280 Speaker 16: example of what a podcast can do. So interviewing Chaer, 472 00:22:15,320 --> 00:22:17,480 Speaker 16: who was my first interview last year in the first 473 00:22:17,760 --> 00:22:20,119 Speaker 16: long form miny I've done for about a decade, and 474 00:22:20,400 --> 00:22:21,920 Speaker 16: I was so looking forward to it. She's got a 475 00:22:22,000 --> 00:22:24,200 Speaker 16: huge life, and I should start this by saying she 476 00:22:24,480 --> 00:22:27,760 Speaker 16: was great, except it's in a hotel room. It wasn't 477 00:22:27,760 --> 00:22:31,840 Speaker 16: a hotel room. We got a room, and so it's 478 00:22:31,840 --> 00:22:33,880 Speaker 16: always a bit weird. When it's in a hotel room 479 00:22:33,960 --> 00:22:37,280 Speaker 16: and in she walks with her entourage and I say, 480 00:22:37,359 --> 00:22:39,560 Speaker 16: it's great to meet you, and she looks fantastic. I say, 481 00:22:39,680 --> 00:22:42,080 Speaker 16: we got an hour, you know, we can really relax 482 00:22:42,119 --> 00:22:43,920 Speaker 16: and enjoy this, and she just looks at me and says, 483 00:22:44,160 --> 00:22:46,760 Speaker 16: an hour. That's my idea of a nightmare. And then 484 00:22:47,560 --> 00:22:50,159 Speaker 16: she mutters to herself. I should have given away interviews 485 00:22:50,160 --> 00:22:51,920 Speaker 16: a long time ago. I'm thinking this is going to 486 00:22:51,920 --> 00:22:52,240 Speaker 16: be a lot. 487 00:22:53,160 --> 00:22:57,120 Speaker 5: Yeah, have you had many like what happens with us? Especially, 488 00:22:57,240 --> 00:22:59,879 Speaker 5: you know when people like one direction maturing. We'd sit 489 00:23:00,000 --> 00:23:01,760 Speaker 5: down for an interview and there's one hundred eyes from 490 00:23:01,800 --> 00:23:04,000 Speaker 5: the record label on you, and at times questions would 491 00:23:04,000 --> 00:23:06,159 Speaker 5: be pulled and people would jump in and stop, Yeah. 492 00:23:06,200 --> 00:23:06,440 Speaker 3: Does that? 493 00:23:06,520 --> 00:23:07,280 Speaker 5: Has that happened? 494 00:23:07,960 --> 00:23:11,119 Speaker 3: Do you have to submit your questions to your very No? 495 00:23:11,359 --> 00:23:13,760 Speaker 16: I don't, but I did have that happen once, and 496 00:23:13,920 --> 00:23:17,600 Speaker 16: in the most extreme circumstances, interviewing President Clinton in London, 497 00:23:17,960 --> 00:23:20,879 Speaker 16: flowing halfway around the world, had been said, we had 498 00:23:20,920 --> 00:23:23,240 Speaker 16: half an hour, and he has just been moved literally 499 00:23:23,280 --> 00:23:25,560 Speaker 16: from one room to the next, interview to interview. He 500 00:23:25,720 --> 00:23:28,240 Speaker 16: was getting all these Monica Lewinsky questions so he was 501 00:23:28,400 --> 00:23:32,280 Speaker 16: really cranky. Yeah, this is huge pressure because half an. 502 00:23:32,240 --> 00:23:33,440 Speaker 5: Hour that was it. 503 00:23:34,280 --> 00:23:36,280 Speaker 16: Yeah, No, I actually didn't. I didn't want talk to 504 00:23:36,280 --> 00:23:38,920 Speaker 16: you about Monica. But about fifteen minutes in I could 505 00:23:38,960 --> 00:23:43,720 Speaker 16: see over his shoulder, my producer and his person basically 506 00:23:43,920 --> 00:23:46,640 Speaker 16: almost in a physical question. I'm thinking something is going 507 00:23:46,720 --> 00:23:48,760 Speaker 16: on here. And then she steps in front of the 508 00:23:48,800 --> 00:23:51,600 Speaker 16: camera at this person and goes, that's it. Times up 509 00:23:52,320 --> 00:23:54,080 Speaker 16: fifteen minutes, and I said, well, we were told we 510 00:23:54,160 --> 00:23:56,040 Speaker 16: half half an hour, We're flying halfway around the world. 511 00:23:56,400 --> 00:23:59,359 Speaker 16: I've got one more question. And she looks at Clinton 512 00:23:59,359 --> 00:24:01,480 Speaker 16: and he says, that's a So I asked my next 513 00:24:01,560 --> 00:24:06,520 Speaker 16: five questions. But it was that was a moment of 514 00:24:06,600 --> 00:24:10,159 Speaker 16: extreme pressure because we had nothing to know, we had 515 00:24:10,160 --> 00:24:12,040 Speaker 16: a show to fill, and if we have fifteen minutes, 516 00:24:12,040 --> 00:24:14,840 Speaker 16: it would have been did he engage? He did absolutely. 517 00:24:14,840 --> 00:24:16,520 Speaker 16: In fact, by the end of it, he didn't want 518 00:24:16,520 --> 00:24:21,240 Speaker 16: to wrap up and his mind wasting, which was like, yes, yes, Clinton, 519 00:24:21,359 --> 00:24:22,119 Speaker 16: Natzi take that. 520 00:24:23,280 --> 00:24:24,159 Speaker 3: We got it. 521 00:24:25,080 --> 00:24:27,640 Speaker 4: Full control over it, though, Andrew, are there certain guests 522 00:24:27,640 --> 00:24:29,440 Speaker 4: that say we want to see it before you're allowed 523 00:24:29,480 --> 00:24:30,639 Speaker 4: to wear No. 524 00:24:30,840 --> 00:24:33,880 Speaker 16: Sometimes we do get guests, I mean, like Chris Martin 525 00:24:33,920 --> 00:24:36,639 Speaker 16: from Coldplay, who turned out to be great his company. 526 00:24:36,680 --> 00:24:39,240 Speaker 16: It's usually the people, not the person themselves, but the 527 00:24:39,280 --> 00:24:42,520 Speaker 16: person's people. They said, you can't ask anything about Apple 528 00:24:42,640 --> 00:24:43,320 Speaker 16: or about Gwyneth. 529 00:24:43,400 --> 00:24:44,320 Speaker 3: This is way back. 530 00:24:44,800 --> 00:24:46,600 Speaker 16: And we said, look, we're not going to make a 531 00:24:46,640 --> 00:24:48,679 Speaker 16: welter of it, but we can't not you know, it's 532 00:24:48,760 --> 00:24:51,000 Speaker 16: his life. But if he doesn't want to do the show, 533 00:24:51,040 --> 00:24:53,000 Speaker 16: well that's okay. And in the end they said yes, 534 00:24:53,080 --> 00:24:55,199 Speaker 16: And I did ask a few questions. I asked him 535 00:24:55,200 --> 00:24:57,200 Speaker 16: about Monica Lewinsky and what he thought he was doing. 536 00:24:59,040 --> 00:25:01,399 Speaker 4: This is why, this is why the podcast will be 537 00:25:01,560 --> 00:25:03,680 Speaker 4: even better, Andrew, because this is the stuff that we'll 538 00:25:03,680 --> 00:25:04,120 Speaker 4: get to see. 539 00:25:05,080 --> 00:25:06,919 Speaker 3: Yeah, we love your work, Mane. Thank you very much 540 00:25:06,920 --> 00:25:07,280 Speaker 3: for coming. 541 00:25:07,280 --> 00:25:09,880 Speaker 5: Guys, thanks, thanks, and we love him to death. 542 00:25:09,920 --> 00:25:11,639 Speaker 3: Joel Crazy, good morning. 543 00:25:11,800 --> 00:25:12,360 Speaker 17: How's it going. 544 00:25:12,560 --> 00:25:14,520 Speaker 3: What was your performance? Did you do a performance in 545 00:25:14,600 --> 00:25:15,560 Speaker 3: high school? Joel? 546 00:25:15,680 --> 00:25:16,159 Speaker 14: What was you? 547 00:25:16,520 --> 00:25:18,920 Speaker 3: Did you do a performance? Maybe? What sort of question 548 00:25:19,040 --> 00:25:20,920 Speaker 3: is that? Did I do a performance in high school? 549 00:25:20,960 --> 00:25:21,960 Speaker 3: Which which one got me to? 550 00:25:22,800 --> 00:25:24,440 Speaker 17: Well, you know, I was the drama captain of my 551 00:25:24,520 --> 00:25:25,000 Speaker 17: high school. 552 00:25:25,040 --> 00:25:25,560 Speaker 3: You're shocked. 553 00:25:25,680 --> 00:25:29,240 Speaker 17: I can hear your jaws hitting the floor and get this, 554 00:25:29,359 --> 00:25:31,480 Speaker 17: So drama captain I was also the drama captain for 555 00:25:31,600 --> 00:25:33,760 Speaker 17: three years because no one wanted to take me on, 556 00:25:34,320 --> 00:25:35,800 Speaker 17: so I had a quite I was like, you know, 557 00:25:35,840 --> 00:25:37,439 Speaker 17: I was like the iron lady of the drama department. 558 00:25:37,600 --> 00:25:39,560 Speaker 17: We went through six drama teachers while I was the 559 00:25:39,600 --> 00:25:41,200 Speaker 17: drama captain because they all getting pitty. 560 00:25:41,400 --> 00:25:44,240 Speaker 5: You were so good to me, yeah, just so elked. 561 00:25:44,440 --> 00:25:45,879 Speaker 17: Well, they'd rock up on the first day and I 562 00:25:45,960 --> 00:25:47,439 Speaker 17: was already there, you know, I'd been the summer there, 563 00:25:47,520 --> 00:25:50,399 Speaker 17: and you know, each teacher like, hello, good morning, Renee. 564 00:25:50,600 --> 00:25:51,919 Speaker 17: I can take it from here. Maybe you go get 565 00:25:52,000 --> 00:25:55,320 Speaker 17: us some copies. Anyway, Grade twelve school production that you 566 00:25:55,359 --> 00:25:57,360 Speaker 17: asked about Charlie and the Chocolate Factory. 567 00:25:57,840 --> 00:26:01,840 Speaker 3: Guess what role I was you Willie Wonka, Oh I 568 00:26:02,160 --> 00:26:05,159 Speaker 3: wish Charlie. Well you think so? 569 00:26:05,480 --> 00:26:07,960 Speaker 17: I was Charlie understudy. 570 00:26:09,520 --> 00:26:10,480 Speaker 9: Only three shows. 571 00:26:10,760 --> 00:26:11,560 Speaker 3: It was only three. 572 00:26:11,440 --> 00:26:16,879 Speaker 5: Shows that you were drama captain for three years. 573 00:26:17,200 --> 00:26:19,159 Speaker 17: Did you ever did you ever think that was the 574 00:26:19,320 --> 00:26:21,560 Speaker 17: teachers taking it out on me, making me of the understudy. 575 00:26:22,000 --> 00:26:23,479 Speaker 17: There was only three shows. He's not going to take 576 00:26:23,520 --> 00:26:24,959 Speaker 17: the show off. I mean he did, but he had 577 00:26:24,960 --> 00:26:25,920 Speaker 17: a mysterious fall. 578 00:26:27,800 --> 00:26:32,080 Speaker 5: Big Stairs thought. Because you know the story behind Tommy 579 00:26:32,119 --> 00:26:34,840 Speaker 5: Irvey and the best dressed toward that he won. Tommy 580 00:26:35,160 --> 00:26:37,000 Speaker 5: went a long and it was book day, wasn't it? 581 00:26:37,000 --> 00:26:38,159 Speaker 5: And who did you go dressed as? 582 00:26:38,800 --> 00:26:42,120 Speaker 12: I went as Charlie, Charlie from my favorite book, Charlie 583 00:26:42,119 --> 00:26:43,199 Speaker 12: from Charlie Chocolate Factory. 584 00:26:44,040 --> 00:26:46,840 Speaker 3: However, Joel, I was a very overweight kid. 585 00:26:47,800 --> 00:26:51,280 Speaker 12: And so when I won, yes, they got me up 586 00:26:51,320 --> 00:26:54,680 Speaker 12: on stage and the certificate said congratulations Augustus. 587 00:26:57,320 --> 00:26:58,560 Speaker 3: Up the chocolate pipe. 588 00:27:01,760 --> 00:27:05,280 Speaker 5: And that was I don't know, the first moment of 589 00:27:05,359 --> 00:27:06,040 Speaker 5: true love. 590 00:27:08,040 --> 00:27:13,560 Speaker 3: Chocolate Waterfall in the film. Now can we talk about 591 00:27:13,960 --> 00:27:14,520 Speaker 3: is it true? 592 00:27:14,560 --> 00:27:18,240 Speaker 4: There's a whisper going around that sand Our dar Rude 593 00:27:18,480 --> 00:27:21,080 Speaker 4: is going to be performing at Eurovision, the man behind 594 00:27:21,119 --> 00:27:22,280 Speaker 4: the song Sandstorm. 595 00:27:22,359 --> 00:27:23,360 Speaker 3: Is that that's true? 596 00:27:23,680 --> 00:27:26,280 Speaker 17: Yes, I think it's I think if my memory is incorrect, 597 00:27:26,320 --> 00:27:29,639 Speaker 17: he's representing Finland because they think about Eurovision if you 598 00:27:30,359 --> 00:27:31,760 Speaker 17: if you wanted to, we would never do that as 599 00:27:31,760 --> 00:27:33,400 Speaker 17: a country, but if we wanted to and had the money, 600 00:27:33,440 --> 00:27:35,240 Speaker 17: we could go, Hey, Beyonce, do you want to represent us? 601 00:27:35,320 --> 00:27:38,040 Speaker 17: They didn't necessarily have to be from your country. San Marino, 602 00:27:38,400 --> 00:27:41,000 Speaker 17: which has a population of like four people, often bringing 603 00:27:41,040 --> 00:27:43,760 Speaker 17: an American to represent them because they're out there out 604 00:27:43,760 --> 00:27:44,280 Speaker 17: of contestants. 605 00:27:44,280 --> 00:27:47,280 Speaker 3: Everyone's done it. There's no more in the population. 606 00:27:47,560 --> 00:27:51,080 Speaker 4: No, no, it's it's a It's a great stage though, 607 00:27:51,160 --> 00:27:54,359 Speaker 4: because you know, hundreds of millions of people watch your vision. 608 00:27:54,400 --> 00:27:56,040 Speaker 4: It's great to get your song out there, so there'll 609 00:27:56,040 --> 00:27:57,600 Speaker 4: be a lot of performers that want to get involved. 610 00:27:57,680 --> 00:28:00,639 Speaker 17: Oh and a lot of European countries love it. So 611 00:28:00,680 --> 00:28:02,400 Speaker 17: even if you don't make the top ten, you're still 612 00:28:02,400 --> 00:28:03,840 Speaker 17: a superstar of them and you can just you know, 613 00:28:04,080 --> 00:28:05,840 Speaker 17: spend the next few years touring there. Maybe you'll be 614 00:28:05,880 --> 00:28:07,760 Speaker 17: playing ourselves, but you know you still got. 615 00:28:08,359 --> 00:28:10,280 Speaker 4: Also you're back with showing me the movie on Channel 616 00:28:10,320 --> 00:28:12,720 Speaker 4: ten as well. I am Brook satchwell Is. 617 00:28:12,920 --> 00:28:14,520 Speaker 3: We love Brook. We've had her on the show plenty 618 00:28:14,560 --> 00:28:16,760 Speaker 3: of times. She's got a mouth girl. And you're very 619 00:28:16,840 --> 00:28:18,320 Speaker 3: close to Brook, aren't you. Well. 620 00:28:18,600 --> 00:28:20,320 Speaker 17: Brook and I, you know, pretty good mates and we've 621 00:28:20,359 --> 00:28:22,800 Speaker 17: worked together for years. And then a few years back 622 00:28:22,920 --> 00:28:26,000 Speaker 17: she was doing the play The Play That Goes Wrong, 623 00:28:26,480 --> 00:28:29,600 Speaker 17: and I took my now boyfriend on our first date 624 00:28:29,680 --> 00:28:31,240 Speaker 17: to see it because I said, oh, this would be 625 00:28:31,240 --> 00:28:33,000 Speaker 17: a good gauge to see what he laughs at. Turns 626 00:28:33,040 --> 00:28:34,439 Speaker 17: out a lot of slapstick, so I don't know how 627 00:28:34,440 --> 00:28:37,000 Speaker 17: I feel about that. And Brooke was in the show, 628 00:28:37,119 --> 00:28:39,000 Speaker 17: and then afterwards, I said, oh, babe, we're going to 629 00:28:39,400 --> 00:28:41,480 Speaker 17: We're going to meet my friend Brooks for a drink 630 00:28:41,520 --> 00:28:43,320 Speaker 17: after the show, and she came along and in true 631 00:28:43,520 --> 00:28:46,000 Speaker 17: brook satul actor style, just spoke at us for two hours. 632 00:28:46,320 --> 00:28:48,440 Speaker 17: But I really was so greatful because we were on 633 00:28:48,480 --> 00:28:50,000 Speaker 17: a first date, so we had nothing to say to 634 00:28:50,040 --> 00:28:50,320 Speaker 17: each other. 635 00:28:50,400 --> 00:28:52,520 Speaker 5: We were so nervous, and we got to thank her 636 00:28:52,560 --> 00:28:53,600 Speaker 5: for that, and then there was a kiss at the 637 00:28:53,680 --> 00:28:54,120 Speaker 5: end of the night. 638 00:28:54,440 --> 00:28:55,880 Speaker 17: Absolutely me and brook. 639 00:28:59,400 --> 00:28:59,600 Speaker 5: Over. 640 00:29:03,680 --> 00:29:08,240 Speaker 15: Check the weather, rap, activate my base shield, order a pizza, 641 00:29:09,280 --> 00:29:11,880 Speaker 15: and save a galaxy on the brink of war as 642 00:29:12,080 --> 00:29:15,480 Speaker 15: forces vy for control of the Alpha and Pieda quadrants. 643 00:29:16,240 --> 00:29:19,880 Speaker 15: Download Star Trek Fleet Command today. Join millions of players 644 00:29:19,920 --> 00:29:23,360 Speaker 15: and forge alliances, defeat their enemies, and build an epic 645 00:29:23,480 --> 00:29:25,200 Speaker 15: fleet to dominate the galaxy. 646 00:29:25,600 --> 00:29:26,960 Speaker 3: Download Star Trek. 647 00:29:26,880 --> 00:29:30,240 Speaker 15: Fleet Command free on the App Store, Google Play Star 648 00:29:30,360 --> 00:29:32,720 Speaker 15: Trek Fleet Command. You have the Khan