1
00:00:00,200 --> 00:00:00,760
Speaker 1: The fizzy.

2
00:00:03,000 --> 00:00:04,680
Speaker 2: Every now and then you get a little Easter eggs

3
00:00:04,720 --> 00:00:08,760
Speaker 2: in the show Little Gifts this hook. Next, one woman

4
00:00:08,800 --> 00:00:11,760
Speaker 2: went to Great Lenks to make spy on her honey.

5
00:00:11,960 --> 00:00:13,119
Speaker 1: Where's the breakdown here?

6
00:00:13,160 --> 00:00:15,040
Speaker 3: And then we try and move as a well old

7
00:00:15,120 --> 00:00:19,480
Speaker 3: machine in here. But when you talk about spy on honey,

8
00:00:19,600 --> 00:00:20,560
Speaker 3: on my honey.

9
00:00:20,680 --> 00:00:22,880
Speaker 2: Honey, you can put the sign I've always wanted a

10
00:00:23,239 --> 00:00:24,680
Speaker 2: bit of spy on my honey.

11
00:00:24,760 --> 00:00:25,599
Speaker 1: That's a little bit odd.

12
00:00:25,720 --> 00:00:28,680
Speaker 2: This is your story, so I don't know what you.

13
00:00:28,720 --> 00:00:32,200
Speaker 3: Were meant to say, spy on her, honey, I believe

14
00:00:32,760 --> 00:00:33,440
Speaker 3: on her hobby?

15
00:00:33,560 --> 00:00:34,440
Speaker 2: Was it.

16
00:00:35,640 --> 00:00:36,200
Speaker 4: You stuff?

17
00:00:36,840 --> 00:00:38,640
Speaker 1: Well, I'm not the one that wrote the sheet, Tom,

18
00:00:38,640 --> 00:00:39,920
Speaker 1: if you want to check your own.

19
00:00:39,760 --> 00:00:42,640
Speaker 4: Word to make spy on her.

20
00:00:43,400 --> 00:00:45,880
Speaker 3: The faulters with Tom, Guys, if we're looking to blame,

21
00:00:46,200 --> 00:00:48,000
Speaker 3: let's move on to a guy called Damo and this

22
00:00:48,080 --> 00:00:49,920
Speaker 3: will all makes sense in a moment's time.

23
00:00:50,400 --> 00:00:51,640
Speaker 1: Damo was in Dublin.

24
00:00:51,840 --> 00:00:54,560
Speaker 3: He loves one off the wood, and the boys had said,

25
00:00:54,600 --> 00:00:55,880
Speaker 3: why don't you come down and we'll.

26
00:00:55,720 --> 00:00:56,640
Speaker 1: Have a couple of bees.

27
00:00:57,240 --> 00:00:59,640
Speaker 3: Anyway, the wife has gone away and she's taken off

28
00:00:59,680 --> 00:01:03,080
Speaker 3: out of hound, but had said to Demo, who promised

29
00:01:03,080 --> 00:01:05,280
Speaker 3: her that he would stay off the grog while she

30
00:01:05,400 --> 00:01:08,759
Speaker 3: was away, because when Demo starts, he doesn't go home early.

31
00:01:08,800 --> 00:01:09,880
Speaker 1: You know what I mean, goes am.

32
00:01:09,760 --> 00:01:10,120
Speaker 2: I right?

33
00:01:11,080 --> 00:01:12,319
Speaker 1: Just me okay?

34
00:01:12,760 --> 00:01:18,240
Speaker 3: Anyway, So for a couple of sharpies gets a message

35
00:01:18,280 --> 00:01:21,559
Speaker 3: from the wife saying, prove to me that you're at home,

36
00:01:21,959 --> 00:01:23,240
Speaker 3: please send me a photo.

37
00:01:23,920 --> 00:01:25,000
Speaker 1: You've married a psycho to.

38
00:01:25,000 --> 00:01:27,880
Speaker 5: Start, you're having to ask for that things aren't clean.

39
00:01:28,000 --> 00:01:29,520
Speaker 3: I mean, how good to her holiday away if she

40
00:01:29,600 --> 00:01:30,199
Speaker 3: needs to check.

41
00:01:30,120 --> 00:01:31,800
Speaker 1: In on her hobby and make sure Demo is not

42
00:01:31,920 --> 00:01:33,479
Speaker 1: scull and pots and trust.

43
00:01:34,560 --> 00:01:36,319
Speaker 2: I've got a couple of those mates when they get

44
00:01:36,319 --> 00:01:38,479
Speaker 2: a phone call when you're out, they have to run

45
00:01:38,720 --> 00:01:41,520
Speaker 2: out of the pub out to where it's a little

46
00:01:41,560 --> 00:01:45,200
Speaker 2: bit quieter to have the conversation. Well they just you know,

47
00:01:45,240 --> 00:01:47,080
Speaker 2: it just doesn't sound like it's too rowdy.

48
00:01:47,200 --> 00:01:48,760
Speaker 1: Yeah, but how.

49
00:01:48,560 --> 00:01:50,040
Speaker 3: Often do you do the one when you're meant to

50
00:01:50,040 --> 00:01:52,080
Speaker 3: be home by a certain time. You'll send a message

51
00:01:52,560 --> 00:01:54,720
Speaker 3: when you're still at the bar saying on the way

52
00:01:55,320 --> 00:01:56,600
Speaker 3: you always doing on the way.

53
00:01:56,440 --> 00:01:57,200
Speaker 1: Before you're on the water.

54
00:01:57,360 --> 00:01:58,320
Speaker 2: That's that's evidence.

55
00:01:58,480 --> 00:02:01,800
Speaker 3: Yeah, when you're in there, you do a two minutes

56
00:02:01,840 --> 00:02:04,520
Speaker 3: away knowing you can blame traffic and by the time

57
00:02:04,640 --> 00:02:05,880
Speaker 3: home it's only fifteen minutes late.

58
00:02:05,920 --> 00:02:08,000
Speaker 1: Can you really get in trouble for being fifteen on

59
00:02:08,120 --> 00:02:08,480
Speaker 1: your way?

60
00:02:08,639 --> 00:02:08,880
Speaker 6: Yeah?

61
00:02:08,919 --> 00:02:10,440
Speaker 2: You do things happen.

62
00:02:10,200 --> 00:02:12,280
Speaker 5: Mate, those expectations aren't managed.

63
00:02:12,320 --> 00:02:16,280
Speaker 3: That's right issue here, Demo getting the message send me

64
00:02:16,280 --> 00:02:17,720
Speaker 3: a photo to make sure you're at home.

65
00:02:17,800 --> 00:02:18,720
Speaker 1: Demo in a.

66
00:02:18,800 --> 00:02:23,840
Speaker 3: Panic, leaves the lads at the bar, bolts home, quickly

67
00:02:23,880 --> 00:02:27,720
Speaker 3: gets into bed and takes.

68
00:02:29,160 --> 00:02:30,440
Speaker 1: Snuggled under the diner.

69
00:02:30,600 --> 00:02:34,280
Speaker 2: Worth it, It's worth the effort, I reckon, Yeah, praying

70
00:02:34,320 --> 00:02:36,560
Speaker 2: for an uber Sarah just to go all the way home?

71
00:02:36,600 --> 00:02:39,040
Speaker 5: Well, hang on, did he go back or was that

72
00:02:39,120 --> 00:02:39,840
Speaker 5: his night done?

73
00:02:39,840 --> 00:02:42,680
Speaker 3: Well, here's the thing, says he walked in the door

74
00:02:42,680 --> 00:02:45,640
Speaker 3: and his daughter was there. He explained to his daughter

75
00:02:45,680 --> 00:02:47,600
Speaker 3: what was going on, and he had to nick upstairs

76
00:02:47,639 --> 00:02:50,360
Speaker 3: and take a quick photo of himself in bed and

77
00:02:50,400 --> 00:02:52,280
Speaker 3: send it to her, saying night honey. He's got the

78
00:02:52,280 --> 00:02:55,560
Speaker 3: dinner up around his neck. He then pulled the diner down.

79
00:02:55,760 --> 00:02:57,600
Speaker 3: He hadn't undressed. He was ready to go back to

80
00:02:57,639 --> 00:02:57,919
Speaker 3: the bar.

81
00:02:58,200 --> 00:02:59,680
Speaker 1: As he's sneaking back out.

82
00:02:59,600 --> 00:03:02,960
Speaker 3: The door, all his daughter takes a photo of him

83
00:03:03,000 --> 00:03:05,760
Speaker 3: going back to the pub and puts it on Twitter.

84
00:03:06,120 --> 00:03:09,000
Speaker 3: Say Dad's tried to sneak home and then go back

85
00:03:09,040 --> 00:03:11,720
Speaker 3: to the pub, and of course the mother was following

86
00:03:12,000 --> 00:03:13,040
Speaker 3: the daughter on Twitter.

87
00:03:13,240 --> 00:03:15,560
Speaker 2: Demo Bustard, this is where you've got to have a

88
00:03:15,600 --> 00:03:17,320
Speaker 2: bit of a relationship with your kids.

89
00:03:17,360 --> 00:03:20,320
Speaker 3: That's where they should have an early offer to the daughter, Right,

90
00:03:20,480 --> 00:03:21,120
Speaker 3: what do you want?

91
00:03:21,280 --> 00:03:23,680
Speaker 1: What do you need? Because this is what's going on now.

92
00:03:23,720 --> 00:03:25,760
Speaker 1: You need to play the game if you want that pony,

93
00:03:25,800 --> 00:03:26,880
Speaker 1: because this is I.

94
00:03:26,840 --> 00:03:29,160
Speaker 2: Mean, I'm having this conversation with the boys at the moment.

95
00:03:29,200 --> 00:03:33,040
Speaker 2: You know, whenever you go somewhere, we go to Kmart, Sarah,

96
00:03:33,200 --> 00:03:35,040
Speaker 2: it's always can we just get something?

97
00:03:35,120 --> 00:03:35,440
Speaker 1: Little?

98
00:03:35,760 --> 00:03:39,040
Speaker 2: Just something? Just can we please? It's twenty two dollars dad?

99
00:03:39,160 --> 00:03:39,640
Speaker 2: Just something?

100
00:03:39,840 --> 00:03:41,360
Speaker 1: Little point every.

101
00:03:41,080 --> 00:03:43,920
Speaker 2: Single time, I'm like, boys, you know what, I'm pretty

102
00:03:43,920 --> 00:03:46,240
Speaker 2: good with you. I look after you, and I feel

103
00:03:46,280 --> 00:03:48,760
Speaker 2: like I've got so many up my slave that when

104
00:03:48,800 --> 00:03:51,240
Speaker 2: you get into your teenagers, you have to look after

105
00:03:51,400 --> 00:03:52,160
Speaker 2: dad somehow.

106
00:03:52,520 --> 00:03:55,080
Speaker 3: What does dad want that he can't have nowt.

107
00:03:56,760 --> 00:03:58,640
Speaker 2: I want him to come to Coachella with me?

108
00:03:59,600 --> 00:04:00,360
Speaker 1: You can is that?

109
00:04:00,440 --> 00:04:04,240
Speaker 3: Over the line in rounding out this story said my

110
00:04:04,320 --> 00:04:07,560
Speaker 3: wife has gone mad. But you don't stop once you've

111
00:04:07,560 --> 00:04:08,480
Speaker 3: started drinking with.

112
00:04:08,480 --> 00:04:14,240
Speaker 1: The boys, wants to be single, is in.

113
00:04:14,160 --> 00:04:16,400
Speaker 3: Bed under the colors and there he is out the door.

114
00:04:17,839 --> 00:04:21,279
Speaker 1: So much fun. Conclusion, nothing to do with the Honting.

115
00:04:21,720 --> 00:04:23,720
Speaker 2: We still haven't spoken about how you guys want to

116
00:04:23,760 --> 00:04:25,760
Speaker 2: go out. And you know, I like talking about funerals

117
00:04:25,760 --> 00:04:27,360
Speaker 2: and all this kind of stuff. I think we need

118
00:04:27,360 --> 00:04:29,839
Speaker 2: to talk about the afterlife. And you know, how are

119
00:04:29,839 --> 00:04:33,000
Speaker 2: we going to do this? And you know there's two options.

120
00:04:33,120 --> 00:04:35,360
Speaker 2: You can either be cremated or you can be buried.

121
00:04:36,040 --> 00:04:39,599
Speaker 2: How's this Washington have just signed off the governor there

122
00:04:39,680 --> 00:04:42,920
Speaker 2: the first government in the world to sign off on this.

123
00:04:43,440 --> 00:04:45,840
Speaker 2: Now you can be recomposed, Sarah.

124
00:04:45,560 --> 00:04:46,160
Speaker 5: What does that mean?

125
00:04:46,320 --> 00:04:47,040
Speaker 1: Recomposed?

126
00:04:48,200 --> 00:04:50,560
Speaker 2: So you go to a special plant when the body

127
00:04:50,640 --> 00:04:54,160
Speaker 2: is finished. It takes about four weeks this process. But

128
00:04:54,200 --> 00:04:56,560
Speaker 2: then you are given back a family member or a

129
00:04:56,600 --> 00:04:59,640
Speaker 2: loved one. You are given that they are given back

130
00:04:59,680 --> 00:05:03,040
Speaker 2: to you, you as a piece of soil, and then

131
00:05:03,080 --> 00:05:04,360
Speaker 2: you can bury that person.

132
00:05:04,440 --> 00:05:05,760
Speaker 1: It's not just a bag of malt malt.

133
00:05:05,960 --> 00:05:07,760
Speaker 5: It it's not really different to ashes.

134
00:05:08,160 --> 00:05:10,880
Speaker 3: I'm on the front garden, guys, Grandpa's in there. No,

135
00:05:11,000 --> 00:05:13,599
Speaker 3: but see then the blood and bone literally well it

136
00:05:13,680 --> 00:05:14,160
Speaker 3: is it's like.

137
00:05:14,120 --> 00:05:17,000
Speaker 5: Blood and bone, but dogs go and eat and rolling.

138
00:05:17,640 --> 00:05:20,080
Speaker 2: It doesn't smell like that. That's blood and bar and

139
00:05:20,080 --> 00:05:22,320
Speaker 2: they have a crack at that stuff. It's just like

140
00:05:22,360 --> 00:05:24,280
Speaker 2: a piece of salt. And I like this because then

141
00:05:24,320 --> 00:05:26,760
Speaker 2: you can take a loved on home but in the backyard,

142
00:05:27,400 --> 00:05:28,960
Speaker 2: and you can plant a new tree.

143
00:05:29,240 --> 00:05:31,320
Speaker 5: But what happens when you study your house.

144
00:05:32,320 --> 00:05:37,440
Speaker 3: Again and Grandpa's in the garden backs down the side

145
00:05:37,480 --> 00:05:38,600
Speaker 3: where I decided to do.

146
00:05:38,560 --> 00:05:40,560
Speaker 7: Veggie, You got to take out a whole kumquat tree

147
00:05:40,600 --> 00:05:41,560
Speaker 7: trying to get them out of there?

148
00:05:44,080 --> 00:05:46,679
Speaker 2: Is it scary? That scary's favorite tree?

149
00:05:47,720 --> 00:05:50,680
Speaker 5: Don't you growing up with a kid to throw.

150
00:05:52,960 --> 00:05:53,560
Speaker 1: Basting?

151
00:05:54,040 --> 00:05:54,520
Speaker 2: Yeah?

152
00:05:54,560 --> 00:05:54,880
Speaker 8: I do.

153
00:05:55,360 --> 00:05:58,000
Speaker 2: And they sound but they're funny to say. It's like

154
00:05:58,040 --> 00:06:04,080
Speaker 2: a kwandong cool grows condo. Cond they're a fruit. It's

155
00:06:04,120 --> 00:06:06,480
Speaker 2: a fruit, but they're really hard to grow, sera like

156
00:06:06,520 --> 00:06:08,200
Speaker 2: it has to be the right temperature.

157
00:06:08,360 --> 00:06:09,560
Speaker 5: Do they taste like something?

158
00:06:09,720 --> 00:06:09,920
Speaker 6: Now?

159
00:06:09,960 --> 00:06:14,679
Speaker 2: You know what Haig sells chocolate condongs and their beauty.

160
00:06:14,720 --> 00:06:17,440
Speaker 1: Do they look like they just peel apart in sections? Today?

161
00:06:17,680 --> 00:06:18,560
Speaker 1: It's like a mandarin.

162
00:06:18,640 --> 00:06:20,680
Speaker 2: There's a stone in the middle. There's not much of

163
00:06:20,720 --> 00:06:24,839
Speaker 2: the meat in the middle of the fruit. But it's you. Actually,

164
00:06:24,880 --> 00:06:27,680
Speaker 2: you can sugar the sugar them and they taste beautiful.

165
00:06:27,720 --> 00:06:28,560
Speaker 1: Our sugar condong.

166
00:06:28,600 --> 00:06:31,120
Speaker 2: Whenever we go around my owning uncle's house, I knock

167
00:06:31,160 --> 00:06:32,120
Speaker 2: off about seven.

168
00:06:31,960 --> 00:06:35,599
Speaker 1: Een Wow that one.

169
00:06:35,880 --> 00:06:38,599
Speaker 2: So this, this is a great idea because obviously we're

170
00:06:38,640 --> 00:06:41,039
Speaker 2: having a problem now as well with cemeteries. There's not

171
00:06:41,200 --> 00:06:44,200
Speaker 2: enough space on earth to keep burying pea.

172
00:06:44,279 --> 00:06:46,160
Speaker 3: Do you know what I couldn't work out the other day.

173
00:06:46,200 --> 00:06:49,080
Speaker 3: And I am far from a mathematician. I know nothing

174
00:06:49,120 --> 00:06:52,240
Speaker 3: about it. But they did the study to say if

175
00:06:52,240 --> 00:06:54,320
Speaker 3: we bury people on top of each other, let's say

176
00:06:54,320 --> 00:06:57,680
Speaker 3: we stack five high.

177
00:06:56,560 --> 00:06:59,680
Speaker 1: It's it's a smaller space.

178
00:07:00,400 --> 00:07:03,000
Speaker 3: Then if you stacked people standing upright and you did

179
00:07:03,080 --> 00:07:06,359
Speaker 3: five along the side. I would have thought it was

180
00:07:06,400 --> 00:07:07,680
Speaker 3: exactly the same.

181
00:07:07,720 --> 00:07:08,320
Speaker 5: Wouldn't it be?

182
00:07:08,600 --> 00:07:10,000
Speaker 2: Doesn't make any sense.

183
00:07:10,360 --> 00:07:11,040
Speaker 1: No, it doesn't.

184
00:07:11,120 --> 00:07:14,800
Speaker 3: But they've said that it's a better formula to stack

185
00:07:14,840 --> 00:07:17,120
Speaker 3: them on top of each other from a space point

186
00:07:17,160 --> 00:07:17,440
Speaker 3: of view.

187
00:07:17,520 --> 00:07:20,760
Speaker 2: Told me as well, I've never understood that that coffins

188
00:07:20,960 --> 00:07:24,200
Speaker 2: just disintegrate after a certain amount of time and the

189
00:07:24,440 --> 00:07:27,360
Speaker 2: coffins don't work. I disagree with that. Some coffins that

190
00:07:27,440 --> 00:07:29,200
Speaker 2: I have seen that are quite stufid but you know

191
00:07:29,200 --> 00:07:30,040
Speaker 2: it would last forever.

192
00:07:30,120 --> 00:07:31,840
Speaker 3: You know what you see when the coffin's coming out

193
00:07:31,880 --> 00:07:33,920
Speaker 3: of the church and they're carrying it on the shoulder

194
00:07:33,920 --> 00:07:36,120
Speaker 3: and it's going into the into the car on the way.

195
00:07:36,560 --> 00:07:40,800
Speaker 1: That's quite often not buried. It's a line. They can

196
00:07:40,960 --> 00:07:43,040
Speaker 1: watch the burial, some of them, you do.

197
00:07:43,160 --> 00:07:45,640
Speaker 3: Yeah, I've never seen one of those lowerings where you

198
00:07:45,680 --> 00:07:47,600
Speaker 3: throw the dirt. I've never been to one of those ones.

199
00:07:47,960 --> 00:07:50,320
Speaker 3: But sometimes it's a liner. It's a particle board or

200
00:07:50,400 --> 00:07:54,240
Speaker 3: chipboard that goes into the ground, so the actual material

201
00:07:54,520 --> 00:07:57,280
Speaker 3: of the coffin rots very quickly and.

202
00:07:57,200 --> 00:07:58,440
Speaker 1: Then you're back into the earth.

203
00:07:58,480 --> 00:08:01,040
Speaker 2: Anyway, No, that's true.

204
00:08:01,120 --> 00:08:01,600
Speaker 3: Old guy.

205
00:08:01,640 --> 00:08:03,360
Speaker 1: He used to do it with a blokoo ran.

206
00:08:03,880 --> 00:08:05,920
Speaker 3: He did the digging for the cemeteries and he would

207
00:08:05,920 --> 00:08:07,280
Speaker 3: often move bodies as well.

208
00:08:07,280 --> 00:08:07,640
Speaker 1: Fits.

209
00:08:08,280 --> 00:08:12,280
Speaker 3: So for the Catholic families that have the big cathedrals bodies, yeah,

210
00:08:12,320 --> 00:08:12,640
Speaker 3: you do.

211
00:08:13,120 --> 00:08:14,240
Speaker 1: So if they didn't.

212
00:08:13,920 --> 00:08:17,720
Speaker 3: Have enough money, they'll they'll buy a plot in the cemetery,

213
00:08:17,960 --> 00:08:20,440
Speaker 3: and when they've got enough money to build the little cathedral,

214
00:08:20,640 --> 00:08:22,160
Speaker 3: they'll move the body from where it is in the

215
00:08:22,200 --> 00:08:25,120
Speaker 3: cemetery in a cheaper plot into the main one. So

216
00:08:25,160 --> 00:08:27,560
Speaker 3: they would dig up the body and move it inside.

217
00:08:27,960 --> 00:08:29,680
Speaker 3: And I'll tell you what, that's a bit of an

218
00:08:29,760 --> 00:08:30,480
Speaker 3: ugly process.

219
00:08:31,680 --> 00:08:33,079
Speaker 1: His arm, Darren, it fell off.

220
00:08:33,840 --> 00:08:36,560
Speaker 2: If that's the thing, you can't then.

221
00:08:36,880 --> 00:08:40,600
Speaker 3: There he was telling me. They're so close to each other.

222
00:08:41,000 --> 00:08:43,359
Speaker 3: He said, he was digging the remains of this blokeout

223
00:08:43,360 --> 00:08:45,840
Speaker 3: to put into the cathedral that had now been built.

224
00:08:46,040 --> 00:08:49,320
Speaker 3: And when he moved the guy, he touched the side

225
00:08:49,360 --> 00:08:52,040
Speaker 3: and an arm fell in from the plot next to him.

226
00:08:52,640 --> 00:08:57,080
Speaker 3: An arm from somebody else fell in in a bag.

227
00:08:57,440 --> 00:08:59,439
Speaker 5: Like you can't just have people just kind.

228
00:08:59,240 --> 00:09:01,319
Speaker 3: Of willing nearly to there they are.

229
00:09:01,520 --> 00:09:03,160
Speaker 1: It's kind of just get created.

230
00:09:04,320 --> 00:09:23,559
Speaker 2: And then it pointed and you.

231
00:09:14,679 --> 00:09:17,559
Speaker 1: Didn't tell me that story. I don't think that happened.

232
00:09:17,200 --> 00:09:20,320
Speaker 2: Which is weird because that was my grandmother. Her voices

233
00:09:20,480 --> 00:09:25,480
Speaker 2: really dropped test test test.

234
00:09:26,200 --> 00:09:29,679
Speaker 9: And now it's time for Tom the overweight looking Russell

235
00:09:29,720 --> 00:09:30,920
Speaker 9: Brandt producer.

236
00:09:31,520 --> 00:09:33,559
Speaker 2: Time Tom Time.

237
00:09:38,559 --> 00:09:42,600
Speaker 9: That Yes and chilly good morning to you, Fitty with

238
00:09:43,400 --> 00:09:48,559
Speaker 9: Sarah and Matthew. How are you tell you stitched.

239
00:09:48,440 --> 00:09:50,360
Speaker 3: Your pants from the wedding on the weekend? Yes, I

240
00:09:50,440 --> 00:09:52,520
Speaker 3: got the back of your pants open.

241
00:09:52,360 --> 00:09:54,120
Speaker 4: Yes, on the downs floor the k.

242
00:09:55,880 --> 00:09:56,080
Speaker 2: Yes.

243
00:09:56,160 --> 00:09:58,720
Speaker 9: No, my my my bottom is back together, so we

244
00:09:58,760 --> 00:10:03,040
Speaker 9: are all set to go for long time. Three incriminating

245
00:10:03,120 --> 00:10:04,000
Speaker 9: questions he answer.

246
00:10:03,800 --> 00:10:05,600
Speaker 4: His other fits in.

247
00:10:05,520 --> 00:10:06,840
Speaker 1: Prison and and.

248
00:10:08,760 --> 00:10:10,320
Speaker 4: Okay mate, thanks Lennar, very.

249
00:10:10,240 --> 00:10:12,239
Speaker 1: Quick from you.

250
00:10:11,880 --> 00:10:13,120
Speaker 4: No, don't go again?

251
00:10:14,679 --> 00:10:19,840
Speaker 9: Okay, oh sure, okay, gold class tickets the prize.

252
00:10:19,840 --> 00:10:24,600
Speaker 4: Will you made me record that rubbish? Then you against me? Yeah?

253
00:10:24,679 --> 00:10:26,600
Speaker 1: My bum Now.

254
00:10:26,679 --> 00:10:28,360
Speaker 9: I'm going to start with says says. This is a

255
00:10:28,360 --> 00:10:30,520
Speaker 9: practice for anyone who hasn't had tom time before now.

256
00:10:30,679 --> 00:10:32,760
Speaker 9: Fits in obviously wrote love songs for their wives. We

257
00:10:32,840 --> 00:10:35,360
Speaker 9: played with was just before now whose diy love song

258
00:10:35,440 --> 00:10:38,800
Speaker 9: was described online by one of our listeners as a

259
00:10:38,920 --> 00:10:43,360
Speaker 9: narcissistic A narcissistic ode to yourself. I'm not sure if

260
00:10:43,400 --> 00:10:45,200
Speaker 9: my ears have ever bled so much?

261
00:10:45,440 --> 00:10:46,160
Speaker 4: What rubbish?

262
00:10:46,320 --> 00:10:48,520
Speaker 5: Loll definitely got to be with that?

263
00:10:48,600 --> 00:10:48,760
Speaker 2: Was it?

264
00:10:48,760 --> 00:10:49,199
Speaker 4: One hundred?

265
00:10:49,400 --> 00:10:52,720
Speaker 9: Well then, thank you for all your comments online about

266
00:10:52,720 --> 00:10:53,120
Speaker 9: the songs.

267
00:10:53,120 --> 00:10:55,040
Speaker 3: That's exactly how this game works.

268
00:10:55,040 --> 00:10:57,520
Speaker 4: All right, so we welcome on board Ashley and Bargo.

269
00:10:57,600 --> 00:10:58,280
Speaker 2: Good morning.

270
00:11:00,360 --> 00:11:03,840
Speaker 3: Pretty much.

271
00:11:06,640 --> 00:11:07,360
Speaker 1: Till tomorrow.

272
00:11:07,720 --> 00:11:08,800
Speaker 3: All right, here we go.

273
00:11:11,080 --> 00:11:14,960
Speaker 9: Question of mine, who has become so arrogant that they've

274
00:11:15,000 --> 00:11:17,480
Speaker 9: taken to dropping their rubbish at the feet of other

275
00:11:17,600 --> 00:11:21,080
Speaker 9: staff members, expecting them to pick it. Up and put

276
00:11:21,080 --> 00:11:23,720
Speaker 9: it in the bin for them. This happened in front

277
00:11:23,720 --> 00:11:25,839
Speaker 9: of you, Matt Degrout the other day.

278
00:11:26,000 --> 00:11:30,480
Speaker 2: Can absolutely guarantee this happened. Who would do that?

279
00:11:30,480 --> 00:11:31,199
Speaker 10: It's got to be with.

280
00:11:31,280 --> 00:11:34,800
Speaker 2: Us, absolutely, it was Mat.

281
00:11:35,120 --> 00:11:37,880
Speaker 8: Yeah, he just walked over to me. I was sitting

282
00:11:37,920 --> 00:11:40,280
Speaker 8: in the newsroom and he's come over with a couple

283
00:11:40,280 --> 00:11:43,480
Speaker 8: of minty wrappers, dropped them all at my feet, looked

284
00:11:43,480 --> 00:11:44,880
Speaker 8: at the bin, then walked away.

285
00:11:45,600 --> 00:11:46,240
Speaker 6: What a dog?

286
00:11:47,200 --> 00:11:49,679
Speaker 3: A dog I must have slipped out of my hands.

287
00:11:49,720 --> 00:11:51,520
Speaker 3: Mate to thank you for cleaning up my mess.

288
00:11:51,760 --> 00:11:54,480
Speaker 9: One of the boys had been dubbed in by producer

289
00:11:54,559 --> 00:11:56,200
Speaker 9: Lucy for question number two.

290
00:11:57,160 --> 00:11:57,640
Speaker 2: Here we go.

291
00:11:57,840 --> 00:12:00,960
Speaker 9: This is a quote from producer Lucy's started calling me

292
00:12:01,080 --> 00:12:04,360
Speaker 9: Lucy the rat because he used to have a pet

293
00:12:04,440 --> 00:12:07,360
Speaker 9: rat at school called Lucy, and he said the rat

294
00:12:07,400 --> 00:12:09,439
Speaker 9: and I were quite similar.

295
00:12:11,600 --> 00:12:12,319
Speaker 4: Fits a whip.

296
00:12:12,440 --> 00:12:13,280
Speaker 1: That is horrible?

297
00:12:15,400 --> 00:12:16,240
Speaker 10: Is that luc again?

298
00:12:19,280 --> 00:12:19,520
Speaker 6: Down?

299
00:12:19,960 --> 00:12:25,560
Speaker 2: But that was yeah, Lufy, Lucy Luyt Yeah, in.

300
00:12:25,520 --> 00:12:28,760
Speaker 3: Class, in class, And what do you think, producer Lucy

301
00:12:28,800 --> 00:12:29,520
Speaker 3: looks like a rat?

302
00:12:29,520 --> 00:12:29,640
Speaker 6: One?

303
00:12:29,800 --> 00:12:32,040
Speaker 2: Well, Scott's College has just got a twenty nine million

304
00:12:32,080 --> 00:12:34,200
Speaker 2: dollar library. We used to have Lucy the rabbit.

305
00:12:34,240 --> 00:12:36,960
Speaker 3: Where we are and the neighbors complained about that.

306
00:12:37,080 --> 00:12:40,920
Speaker 2: Dude, My apologies to Lucy. Was a lovely rat and

307
00:12:40,920 --> 00:12:44,800
Speaker 2: we used to feed it. And Lucy doesn't she seems

308
00:12:44,800 --> 00:12:47,920
Speaker 2: so happy just her personality.

309
00:12:47,280 --> 00:12:50,240
Speaker 3: Happy rat, you know those happy ones you see all

310
00:12:50,240 --> 00:12:50,640
Speaker 3: the time.

311
00:12:50,840 --> 00:12:54,160
Speaker 9: That means we go to jaredy west Rde good morning.

312
00:12:55,559 --> 00:12:56,360
Speaker 1: Yeah, you bet.

313
00:12:57,720 --> 00:13:02,760
Speaker 4: My barb right now? Okay, question that is just just

314
00:13:02,800 --> 00:13:03,439
Speaker 4: to stop you there.

315
00:13:03,520 --> 00:13:04,720
Speaker 1: That's not the prize, that's.

316
00:13:04,559 --> 00:13:07,640
Speaker 9: Not the price, nor is it the catchphrase in case

317
00:13:07,640 --> 00:13:08,599
Speaker 9: we're getting it's.

318
00:13:08,360 --> 00:13:10,320
Speaker 2: Going to be tough to send out for Jared.

319
00:13:10,400 --> 00:13:14,480
Speaker 3: Two gold class tickets, all right, Jared, here we go.

320
00:13:15,080 --> 00:13:17,679
Speaker 4: I get this correct win whatever the prize.

321
00:13:17,320 --> 00:13:20,600
Speaker 9: Is, all right now. Lenno obviously is the one pushing

322
00:13:20,600 --> 00:13:22,240
Speaker 9: the buttons right now. And this happened to Leno the

323
00:13:22,240 --> 00:13:27,640
Speaker 9: other day, who keeps saying this phrase to Lenny during

324
00:13:27,679 --> 00:13:28,079
Speaker 9: the show.

325
00:13:28,440 --> 00:13:29,760
Speaker 4: Here's here's here's the phrase.

326
00:13:30,640 --> 00:13:33,800
Speaker 9: Take one last look outside, take a photo if you

327
00:13:33,840 --> 00:13:36,319
Speaker 9: want to, the World's not going to look like that

328
00:13:36,400 --> 00:13:39,400
Speaker 9: when I change the world.

329
00:13:40,640 --> 00:13:46,880
Speaker 3: Who would say that?

330
00:13:47,800 --> 00:13:49,120
Speaker 4: Probably, but not today.

331
00:13:49,200 --> 00:13:52,040
Speaker 2: We are actually going to show it out to Tom's bomb.

332
00:13:57,160 --> 00:14:00,920
Speaker 3: Lena, Well, do two gold classics some Tom's bumb for

333
00:14:01,000 --> 00:14:05,240
Speaker 3: you to tell me wow, what around?

334
00:14:05,920 --> 00:14:09,319
Speaker 2: Yeah, around with the program mate.

335
00:14:09,360 --> 00:14:11,199
Speaker 3: We've been playing this game.

336
00:14:14,320 --> 00:14:15,240
Speaker 1: Every time.

337
00:14:15,480 --> 00:14:18,319
Speaker 3: Give it away. Let's talk about Australia's Got Talent. We

338
00:14:18,360 --> 00:14:20,360
Speaker 3: saw the cues and everybody lining up that show coming

339
00:14:20,400 --> 00:14:24,520
Speaker 3: to Channel seven? Is that right? Agton's got America's Got

340
00:14:24,560 --> 00:14:27,160
Speaker 3: Talent as well underway and Simon Cawl of course leading

341
00:14:27,200 --> 00:14:29,880
Speaker 3: the charge there. I want to introduce you to the

342
00:14:29,960 --> 00:14:32,000
Speaker 3: bloke by the name of Cody. This is unbelievable. And

343
00:14:32,040 --> 00:14:35,400
Speaker 3: you know those standout performances you see each series, whether

344
00:14:35,440 --> 00:14:39,160
Speaker 3: it's Britain's Got Talent or America's Got Talent. This guy

345
00:14:39,520 --> 00:14:41,920
Speaker 3: he walks out onto stage with his mum. He's got

346
00:14:41,920 --> 00:14:45,000
Speaker 3: a walking stick as well because he's blind. He's twenty

347
00:14:45,000 --> 00:14:48,280
Speaker 3: one years old and he has just blown everybody away.

348
00:14:48,320 --> 00:14:49,320
Speaker 1: Have a listened to this moment.

349
00:14:49,560 --> 00:14:53,920
Speaker 11: I want to sing a song for you on the piano, so.

350
00:14:53,960 --> 00:14:56,120
Speaker 2: You gonna tell us a little bit about Cody. Cody

351
00:14:56,680 --> 00:14:58,320
Speaker 2: is blind and artistic.

352
00:14:58,760 --> 00:15:02,640
Speaker 6: Well he started to see and that's when I realized

353
00:15:02,840 --> 00:15:03,760
Speaker 6: he's an entertainer.

354
00:15:04,160 --> 00:15:07,360
Speaker 2: So hawpen.

355
00:15:08,000 --> 00:15:16,560
Speaker 11: So many places in my life and time, I saw

356
00:15:16,880 --> 00:15:20,800
Speaker 11: a lot of songs and I made some.

357
00:15:21,040 --> 00:15:31,280
Speaker 12: Bad big flat number life stages, ten thousand people watching.

358
00:15:32,240 --> 00:15:39,040
Speaker 11: Yeah, we're long now, and I'm saying in a song.

359
00:15:39,400 --> 00:15:42,080
Speaker 1: To you, great effort.

360
00:15:42,160 --> 00:15:43,840
Speaker 2: It's beautiful, great efforts.

361
00:15:44,360 --> 00:15:45,880
Speaker 3: Love when they find those stories.

362
00:15:46,040 --> 00:15:48,360
Speaker 2: It is a tough one when you because obviously that's

363
00:15:48,400 --> 00:15:50,320
Speaker 2: a song that he's very familiar with as well. The

364
00:15:50,400 --> 00:15:52,800
Speaker 2: thing with these talent shows though, they and you know,

365
00:15:52,920 --> 00:15:56,360
Speaker 2: they go viral, they become superstars overnight, but then you

366
00:15:56,480 --> 00:15:58,080
Speaker 2: got to go through to the next round and come

367
00:15:58,160 --> 00:16:00,760
Speaker 2: up with a new song, yep, to build it out.

368
00:16:00,760 --> 00:16:02,720
Speaker 7: Easier for him than the guy who comes on with

369
00:16:02,840 --> 00:16:04,600
Speaker 7: like a ventriloquis dummy or something.

370
00:16:05,120 --> 00:16:06,680
Speaker 3: We've seen it's going no.

371
00:16:07,040 --> 00:16:10,200
Speaker 2: Remember the first season of Australia's Got Talent and the

372
00:16:10,240 --> 00:16:12,760
Speaker 2: guy came out with a gum leaf and sung the

373
00:16:12,840 --> 00:16:14,680
Speaker 2: song with a gum leaf and everybody loves him, the

374
00:16:14,800 --> 00:16:15,320
Speaker 2: old guy.

375
00:16:15,520 --> 00:16:15,720
Speaker 1: Yeah.

376
00:16:16,000 --> 00:16:18,120
Speaker 2: And then round two he just came out and played

377
00:16:18,160 --> 00:16:21,200
Speaker 2: the gum leaf again and made us through round three.

378
00:16:21,760 --> 00:16:22,920
Speaker 2: What do you got for us today?

379
00:16:23,320 --> 00:16:23,920
Speaker 3: The gum leaves.

380
00:16:23,960 --> 00:16:25,200
Speaker 2: I've got a bigger gum loaf.

381
00:16:25,280 --> 00:16:27,440
Speaker 1: I put it into a pot of tea. So your mate,

382
00:16:27,440 --> 00:16:28,200
Speaker 1: we're not interested.

383
00:16:29,280 --> 00:16:32,000
Speaker 2: Selim Mahaja. Now I spoke to you the other day.

384
00:16:32,360 --> 00:16:35,000
Speaker 2: I told you the other day that he's he wants

385
00:16:35,040 --> 00:16:37,800
Speaker 2: a phone. He's bail conditions, he wants to get them changed.

386
00:16:37,800 --> 00:16:39,760
Speaker 2: He's not allowed to have a phone, and he's got

387
00:16:39,840 --> 00:16:41,640
Speaker 2: to stay at home with mum. He wants to move

388
00:16:41,680 --> 00:16:43,920
Speaker 2: out of the house with mum, and he's not allowed

389
00:16:43,960 --> 00:16:46,720
Speaker 2: to leave the house. He has a curfew from nine o'clock,

390
00:16:47,160 --> 00:16:49,640
Speaker 2: so he has to be in the house with mum.

391
00:16:50,360 --> 00:16:52,480
Speaker 2: And I think in the bail conditions as well, Mum

392
00:16:52,560 --> 00:16:55,200
Speaker 2: has to tuck him into bed. He has to have

393
00:16:55,280 --> 00:16:58,080
Speaker 2: his teeth cleaned nine and he's got to be in bed.

394
00:16:58,200 --> 00:16:59,320
Speaker 3: What do I feel like you'd have one of those

395
00:16:59,440 --> 00:17:02,920
Speaker 3: racing cars bit of like a Ferrari racing guard, bet,

396
00:17:03,520 --> 00:17:06,800
Speaker 3: and he'd wear like full length like pajamas, yep, and

397
00:17:06,880 --> 00:17:09,600
Speaker 3: he'd hop into bed or a little racing car pillow.

398
00:17:09,600 --> 00:17:11,800
Speaker 2: And then a wooden chopper comes in.

399
00:17:12,080 --> 00:17:15,240
Speaker 3: Yeah, yeah, yeah, I don't know about that bit, but

400
00:17:15,320 --> 00:17:16,439
Speaker 3: definitely the racing guard bet.

401
00:17:17,720 --> 00:17:20,800
Speaker 2: Okay, So Slim's gone to court yesterday for his bar conditions.

402
00:17:20,840 --> 00:17:23,000
Speaker 2: He needs a phone. He wants a phone now. It

403
00:17:23,040 --> 00:17:25,119
Speaker 2: says here he was in good spirits when he arrived,

404
00:17:25,200 --> 00:17:28,000
Speaker 2: smiling as he walked into the courtroom. As the matter

405
00:17:28,080 --> 00:17:31,040
Speaker 2: drew closer to the end, Mahaja began to rub his

406
00:17:31,160 --> 00:17:33,280
Speaker 2: temples and at times put his head in his hands,

407
00:17:33,400 --> 00:17:37,720
Speaker 2: appearing very tired. Okay, so he's saying that he's being

408
00:17:37,800 --> 00:17:40,040
Speaker 2: harassed by the media, which is fair enough. Wherever you

409
00:17:40,119 --> 00:17:43,160
Speaker 2: see Salim go, there's cameras in his face. So that's

410
00:17:43,200 --> 00:17:46,720
Speaker 2: why he said he needs the phone. He just says, look,

411
00:17:46,800 --> 00:17:48,720
Speaker 2: I just need the phone so I can get into

412
00:17:48,840 --> 00:17:52,480
Speaker 2: contact with police, or I can ring the media and say, look,

413
00:17:52,760 --> 00:17:53,040
Speaker 2: can you.

414
00:17:53,400 --> 00:17:54,879
Speaker 1: Leave me alone? Leave me alone.

415
00:17:54,920 --> 00:17:58,240
Speaker 2: I'm just sick of this now. The judge then said,

416
00:17:58,960 --> 00:18:02,000
Speaker 2: you stated that you generally don't speak to the media,

417
00:18:02,359 --> 00:18:05,640
Speaker 2: only spoken once or twice, like you've done a proper inca.

418
00:18:05,880 --> 00:18:06,080
Speaker 1: Sure.

419
00:18:07,080 --> 00:18:10,719
Speaker 2: Salim agreed with the judge, and then the judge said, well,

420
00:18:10,880 --> 00:18:13,080
Speaker 2: is it correct that you traveled when you were released

421
00:18:13,119 --> 00:18:16,240
Speaker 2: from Kerma jail. You traveled to Sydney in a sixty

422
00:18:16,320 --> 00:18:21,440
Speaker 2: minutes van. Salim then said, oh, I can't disclose that

423
00:18:21,560 --> 00:18:23,120
Speaker 2: it's private and confidential.

424
00:18:23,240 --> 00:18:23,600
Speaker 1: Here we go.

425
00:18:23,880 --> 00:18:27,640
Speaker 2: Judge Bennett then forced Mahaja to answer, and he said, yep,

426
00:18:27,840 --> 00:18:30,760
Speaker 2: I was in the van. Mahaja denied that there were

427
00:18:30,760 --> 00:18:34,600
Speaker 2: any cameras in the van. A nine spokeswoman said yesterday

428
00:18:34,640 --> 00:18:37,400
Speaker 2: that the station had been in talks with Salim Mahaja

429
00:18:37,480 --> 00:18:41,000
Speaker 2: over the past year to tell his story on sixty minutes.

430
00:18:42,160 --> 00:18:43,879
Speaker 2: Selling you story on sixty minutes?

431
00:18:44,880 --> 00:18:47,440
Speaker 3: Would you tune in like a people gathering in front

432
00:18:47,440 --> 00:18:49,479
Speaker 3: of the TV to go have look what Slim's got

433
00:18:49,520 --> 00:18:49,800
Speaker 3: to say?

434
00:18:49,880 --> 00:18:51,160
Speaker 1: Now for a laugh?

435
00:18:51,320 --> 00:18:53,879
Speaker 3: Maybe, and so we can play back grabs on the

436
00:18:53,960 --> 00:18:56,680
Speaker 3: show and have a bit of a pistol. But I

437
00:18:56,880 --> 00:18:59,680
Speaker 3: don't think anybody serious is going God, I need to

438
00:18:59,840 --> 00:19:02,720
Speaker 3: find out the dirt on this amazing story.

439
00:19:02,800 --> 00:19:04,520
Speaker 7: Well, if they're going to break down his story though,

440
00:19:04,640 --> 00:19:06,160
Speaker 7: are we going to see the staircase?

441
00:19:06,320 --> 00:19:08,320
Speaker 5: Is Tiger going to come back and do a reenactment?

442
00:19:08,440 --> 00:19:09,240
Speaker 2: It's not a little.

443
00:19:10,760 --> 00:19:12,280
Speaker 5: And I want to see legitimate footage.

444
00:19:12,640 --> 00:19:15,880
Speaker 2: Well, it's like keeping what was that one about the Kardashians?

445
00:19:16,240 --> 00:19:20,840
Speaker 2: Know what's about the O? J. Simpson storys? Who would

446
00:19:20,880 --> 00:19:26,040
Speaker 2: play Salim? Channel ten could pick this up for pilot week?

447
00:19:26,400 --> 00:19:29,560
Speaker 2: What the story of Salim? Or a reality show?

448
00:19:30,160 --> 00:19:31,919
Speaker 1: You're doing already?

449
00:19:32,000 --> 00:19:34,679
Speaker 3: Reality shirt? Roxy is a better story than Salemon?

450
00:19:36,400 --> 00:19:39,280
Speaker 2: Just how's this one as well? You know how he

451
00:19:39,359 --> 00:19:41,760
Speaker 2: has to go back to court? For the other case.

452
00:19:42,000 --> 00:19:45,280
Speaker 2: I think that was the car crash where he faked it. Yeah,

453
00:19:45,320 --> 00:19:49,000
Speaker 2: he faked it. He's got to go. He's going to

454
00:19:49,080 --> 00:19:50,320
Speaker 2: go to Kuma for that one.

455
00:19:51,240 --> 00:19:52,320
Speaker 3: That's the jail. Yeah.

456
00:19:52,960 --> 00:19:55,119
Speaker 2: Now, let me get this right. It's in the south

457
00:19:55,160 --> 00:19:58,240
Speaker 2: of New South Wales. Now the quickest route to Kuma

458
00:19:58,880 --> 00:20:01,960
Speaker 2: is through the Act. Because of his strict bail conditions,

459
00:20:02,200 --> 00:20:04,760
Speaker 2: he's not allowed to leave New South Wales. So it

460
00:20:04,840 --> 00:20:07,679
Speaker 2: says here to go to his court case, he has

461
00:20:07,760 --> 00:20:11,240
Speaker 2: to drive five hours and fourteen minutes around the Act

462
00:20:11,359 --> 00:20:13,800
Speaker 2: because he's not allowed to New South Wales. He just

463
00:20:13,880 --> 00:20:15,359
Speaker 2: said to the judge, is there any way that I

464
00:20:15,400 --> 00:20:17,879
Speaker 2: could just go through Canberra. It's going to take me

465
00:20:17,960 --> 00:20:20,919
Speaker 2: three hours and fifty eight minutes and the judges said no, no, you.

466
00:20:21,000 --> 00:20:22,600
Speaker 1: Could go around me for hour.

467
00:20:23,440 --> 00:20:25,600
Speaker 2: The other thing as well, he was asked about a

468
00:20:25,640 --> 00:20:29,520
Speaker 2: string of disciplinary matters that have said to have occurred

469
00:20:29,520 --> 00:20:32,680
Speaker 2: in jail. I didn't know this. He failed four drug tests.

470
00:20:34,119 --> 00:20:37,160
Speaker 2: He failed this one is what. There was drugs found

471
00:20:37,200 --> 00:20:40,119
Speaker 2: in his cell where he said the sleeping tablets belonged

472
00:20:40,119 --> 00:20:42,320
Speaker 2: to his cell mate. This is the big one. He

473
00:20:42,440 --> 00:20:45,120
Speaker 2: failed to comply with the direction as he was unable

474
00:20:45,160 --> 00:20:46,399
Speaker 2: to use a sewing machine.

475
00:20:47,960 --> 00:20:51,000
Speaker 3: You should always when you're going into prison, do a

476
00:20:51,080 --> 00:20:52,240
Speaker 3: couple of hours on the Jinomi.

477
00:20:52,320 --> 00:20:54,359
Speaker 1: First going on what's going on in prison?

478
00:20:54,920 --> 00:20:57,280
Speaker 3: Actually failed I am sewing tests.

479
00:20:57,440 --> 00:21:00,720
Speaker 2: I would watch the sixty years pass sewing test.

480
00:21:01,200 --> 00:21:03,520
Speaker 1: That's the thing. How you expected to know how to

481
00:21:03,680 --> 00:21:06,359
Speaker 1: use a sewing machine? I mean prison because I'm an idiot.

482
00:21:06,920 --> 00:21:09,040
Speaker 3: Don't expect me to use a sewing machine.

483
00:21:09,160 --> 00:21:11,640
Speaker 1: What are you using it for too? Just to saw

484
00:21:11,680 --> 00:21:12,760
Speaker 1: that shive into your shirt?

485
00:21:12,880 --> 00:21:13,560
Speaker 2: Or what are you's doing?

486
00:21:13,800 --> 00:21:17,520
Speaker 3: Or first class on that. First thing Salem needs to

487
00:21:17,560 --> 00:21:20,560
Speaker 3: do is go straight to the salon and get some

488
00:21:20,680 --> 00:21:24,840
Speaker 3: more botox because he was unrecognizable when he came out

489
00:21:24,840 --> 00:21:26,680
Speaker 3: of prison the other day. He was fat in his bow,

490
00:21:26,720 --> 00:21:28,240
Speaker 3: he had worn off stairs and we all know what

491
00:21:28,359 --> 00:21:28,920
Speaker 3: that feels like.

492
00:21:29,040 --> 00:21:35,879
Speaker 2: I mean, I'm not I'm saying. I'm saying that he's muscle.

493
00:21:35,920 --> 00:21:37,520
Speaker 2: He's got a group of mates in there. They've been

494
00:21:37,560 --> 00:21:39,600
Speaker 2: in the pump house, and he's bench pressed at one hundred.

495
00:21:39,720 --> 00:21:42,280
Speaker 3: He's looking Maybe he was trying to sew a new

496
00:21:42,440 --> 00:21:45,080
Speaker 3: zip into his pants, that's what he was trying to

497
00:21:45,119 --> 00:21:45,920
Speaker 3: do with the Genomi.

498
00:21:47,920 --> 00:21:50,080
Speaker 2: Well, it'd be interesting to see if we see a

499
00:21:50,119 --> 00:21:52,360
Speaker 2: promo for sixty minutes over the next couple of weeks.

500
00:21:52,400 --> 00:21:55,280
Speaker 2: All Right, one prank that you got me with a

501
00:21:55,320 --> 00:21:58,240
Speaker 2: few years ago, which I'm still scarred by because I

502
00:21:58,400 --> 00:22:00,560
Speaker 2: was a massive fan, was the Lily on prank that

503
00:22:00,640 --> 00:22:01,159
Speaker 2: you did on me.

504
00:22:01,359 --> 00:22:02,320
Speaker 1: That's why I got your beauty.

505
00:22:02,440 --> 00:22:05,159
Speaker 2: You know, I'm a huge fan of Lily Allen, and

506
00:22:05,280 --> 00:22:08,040
Speaker 2: which was an even biggest story when we had Andy

507
00:22:08,160 --> 00:22:10,640
Speaker 2: Lee and recently had no idea that Andy had hooked

508
00:22:10,680 --> 00:22:12,359
Speaker 2: up with Lily went out in a couple of dates,

509
00:22:12,680 --> 00:22:15,320
Speaker 2: believe it, and Andy had actually written a song for

510
00:22:15,480 --> 00:22:17,960
Speaker 2: Lily Allen that we played quite a bit on the show.

511
00:22:18,280 --> 00:22:19,680
Speaker 1: Look, I think he may.

512
00:22:19,640 --> 00:22:21,920
Speaker 3: Have emailed at the time, but never heard a thing.

513
00:22:22,240 --> 00:22:24,880
Speaker 3: And that's why in our mind started to tick.

514
00:22:24,960 --> 00:22:27,360
Speaker 1: I mean, imagine if Andy.

515
00:22:27,160 --> 00:22:29,720
Speaker 3: Lee received a call out of the blue and it

516
00:22:29,880 --> 00:22:32,520
Speaker 3: was Lily again, the same Lily that called you out

517
00:22:32,560 --> 00:22:32,960
Speaker 3: of the blue.

518
00:22:33,119 --> 00:22:37,359
Speaker 2: We haven't received the response at all from Lily Allen

519
00:22:37,520 --> 00:22:40,480
Speaker 2: or her management in regards to Andy song, so we

520
00:22:40,600 --> 00:22:42,800
Speaker 2: thought that we would get the girl back who actually

521
00:22:42,840 --> 00:22:45,920
Speaker 2: played Lily Allen and stitched me up, Sarah, who worked

522
00:22:45,960 --> 00:22:48,359
Speaker 2: in our sales department down in Novas she's welcome back. Now,

523
00:22:48,560 --> 00:22:50,920
Speaker 2: welcome to the show.

524
00:22:51,160 --> 00:22:53,040
Speaker 3: Thanks guys, high how's everything been? Lee?

525
00:22:53,080 --> 00:22:53,560
Speaker 1: Everything good?

526
00:22:54,080 --> 00:22:57,879
Speaker 13: Yeah, you know, just producing my latest album, That'll do.

527
00:22:59,600 --> 00:23:02,040
Speaker 2: I'm a massive Lily Allen fan and you you had

528
00:23:02,119 --> 00:23:04,440
Speaker 2: me hook line and Sinker last time, and I know

529
00:23:04,560 --> 00:23:07,159
Speaker 2: you enjoyed that so much. Would you be prepared to

530
00:23:07,240 --> 00:23:08,760
Speaker 2: maybe have a bit of a crack at Andy Lee

531
00:23:08,800 --> 00:23:10,720
Speaker 2: if we gave him a call? Totally?

532
00:23:11,000 --> 00:23:11,040
Speaker 14: So?

533
00:23:11,119 --> 00:23:11,920
Speaker 1: Where are you from?

534
00:23:12,520 --> 00:23:14,560
Speaker 13: I'm from a place called Bromley in South London.

535
00:23:14,680 --> 00:23:16,000
Speaker 3: Okay, where's Lily Allen from?

536
00:23:16,160 --> 00:23:16,600
Speaker 4: I don't know.

537
00:23:16,680 --> 00:23:17,440
Speaker 13: I think North London.

538
00:23:18,320 --> 00:23:20,440
Speaker 2: Is there a difference between the accents or not?

539
00:23:20,560 --> 00:23:22,399
Speaker 13: Really only if you live there you might hear it.

540
00:23:22,560 --> 00:23:24,600
Speaker 13: But Australian that's.

541
00:23:24,560 --> 00:23:25,560
Speaker 1: Really good, Tommy.

542
00:23:25,640 --> 00:23:28,080
Speaker 2: Where is where our home is? Shenandy At the moment

543
00:23:28,080 --> 00:23:29,080
Speaker 2: they're recording.

544
00:23:28,880 --> 00:23:32,160
Speaker 9: You, they're filming and currently and I've got this. I've

545
00:23:32,240 --> 00:23:35,960
Speaker 9: just been sent a photo there on set in Las Vegas,

546
00:23:37,720 --> 00:23:40,639
Speaker 9: challenges together there. You can see them there right now?

547
00:23:41,359 --> 00:23:41,560
Speaker 2: Sure?

548
00:23:41,640 --> 00:23:41,959
Speaker 1: All right?

549
00:23:42,119 --> 00:23:46,000
Speaker 2: So we just thought, well he'd be blown away. Look

550
00:23:46,040 --> 00:23:49,520
Speaker 2: we haven't. We don't know what angle to go by, sair.

551
00:23:49,720 --> 00:23:51,880
Speaker 2: So I think you just got to try to convince

552
00:23:52,000 --> 00:23:54,320
Speaker 2: him that you are, Lily, and you're ringing him out

553
00:23:54,359 --> 00:23:56,720
Speaker 2: of the blue after about ten years. He'd be so excited.

554
00:23:56,760 --> 00:23:57,679
Speaker 2: This could freak him out.

555
00:23:57,760 --> 00:23:58,920
Speaker 1: They hooked up a couple of times.

556
00:23:58,960 --> 00:24:00,000
Speaker 2: Sir, that's true.

557
00:24:00,119 --> 00:24:00,600
Speaker 1: It's okay.

558
00:24:00,800 --> 00:24:02,080
Speaker 2: Are you ready to go? I remember it?

559
00:24:02,160 --> 00:24:05,240
Speaker 1: Well, yeah, alright, here we go.

560
00:24:05,320 --> 00:24:08,080
Speaker 2: All right, we've got to endo his number overseas. Let's

561
00:24:08,080 --> 00:24:16,439
Speaker 2: give him a call now, Andy.

562
00:24:18,119 --> 00:24:18,600
Speaker 13: It's Lily.

563
00:24:20,920 --> 00:24:23,080
Speaker 10: Oh, how are you good?

564
00:24:23,160 --> 00:24:23,480
Speaker 13: How are you?

565
00:24:24,440 --> 00:24:24,640
Speaker 6: Long?

566
00:24:24,760 --> 00:24:25,800
Speaker 10: Long time no speak.

567
00:24:26,000 --> 00:24:28,200
Speaker 13: I've just been hearing lately that you've been talking about

568
00:24:28,240 --> 00:24:28,800
Speaker 13: me quite a lot.

569
00:24:29,960 --> 00:24:31,920
Speaker 10: And there's a few things I've talked about you once

570
00:24:33,200 --> 00:24:35,520
Speaker 10: and then it spiraled out of control and I wanted

571
00:24:35,520 --> 00:24:37,720
Speaker 10: to apologize if that's caused you to strip.

572
00:24:38,119 --> 00:24:39,040
Speaker 4: No, No, not at all.

573
00:24:39,119 --> 00:24:40,760
Speaker 15: There's just a couple of things that I've been quite

574
00:24:40,800 --> 00:24:44,360
Speaker 15: confused about. First of all, why didn't you just send

575
00:24:44,400 --> 00:24:47,080
Speaker 15: me the song? It was the perfect time to send it.

576
00:24:47,359 --> 00:24:49,800
Speaker 15: I was going through quite a rough patch and I

577
00:24:49,880 --> 00:24:50,400
Speaker 15: loved the song.

578
00:24:50,440 --> 00:24:53,720
Speaker 10: I would have loved it well, I emailed. You had

579
00:24:53,760 --> 00:24:55,760
Speaker 10: never heard that, so I wasn't even convinced I had

580
00:24:55,840 --> 00:24:58,000
Speaker 10: your details to be able to send you anything.

581
00:24:58,119 --> 00:24:59,680
Speaker 15: I know, as I said, I was going for a

582
00:24:59,720 --> 00:25:01,400
Speaker 15: bit of a rough patch, but I think I'm seeing

583
00:25:01,440 --> 00:25:03,199
Speaker 15: a bit more clearly now. And you know why did

584
00:25:03,240 --> 00:25:05,320
Speaker 15: you send Why did you decide to release it now?

585
00:25:05,880 --> 00:25:07,040
Speaker 15: It was years ago you were me.

586
00:25:07,240 --> 00:25:10,640
Speaker 10: No, I didn't No, I I I this isn't Lily,

587
00:25:10,920 --> 00:25:12,760
Speaker 10: This isn't Lily. Someone's breaking.

588
00:25:13,880 --> 00:25:14,800
Speaker 13: No, No, this is Lily.

589
00:25:16,359 --> 00:25:17,680
Speaker 10: No, it's not good.

590
00:25:17,800 --> 00:25:18,680
Speaker 6: You had me for a moment.

591
00:25:18,920 --> 00:25:19,879
Speaker 13: Why do you think it's not me?

592
00:25:22,000 --> 00:25:25,720
Speaker 10: Because you don't sound like you anyway. I gotta run bye.

593
00:25:27,720 --> 00:25:31,119
Speaker 2: I thought you had you definitely starts here. You were

594
00:25:31,160 --> 00:25:32,680
Speaker 2: doing really really well.

595
00:25:33,240 --> 00:25:33,680
Speaker 1: What are we do?

596
00:25:33,800 --> 00:25:33,840
Speaker 2: We?

597
00:25:33,960 --> 00:25:36,960
Speaker 1: Ringing back, don't don't.

598
00:25:37,440 --> 00:25:39,159
Speaker 4: Don't break? I think definitely.

599
00:25:40,320 --> 00:25:43,480
Speaker 2: From Hamish, Hamish know that this is He's just sent me.

600
00:25:43,440 --> 00:25:46,760
Speaker 4: A photo of Andy on the phone to Lily.

601
00:25:47,760 --> 00:25:50,360
Speaker 2: Let's ring him back, ringing back, keep going.

602
00:25:58,760 --> 00:26:00,399
Speaker 13: Hello Andy, Lily.

603
00:26:01,080 --> 00:26:01,880
Speaker 2: This is ridiculous.

604
00:26:01,920 --> 00:26:03,919
Speaker 13: You should be apanogizing to me, not hanging up.

605
00:26:05,400 --> 00:26:08,280
Speaker 10: It's not you. Is it Fitty and Whip or is

606
00:26:08,400 --> 00:26:09,600
Speaker 10: someone else the other family?

607
00:26:09,640 --> 00:26:14,600
Speaker 2: It's hard? We almost.

608
00:26:17,960 --> 00:26:20,760
Speaker 4: Oh, did we have you at the start?

609
00:26:20,920 --> 00:26:21,040
Speaker 2: End?

610
00:26:21,880 --> 00:26:22,320
Speaker 5: Totally?

611
00:26:22,560 --> 00:26:23,000
Speaker 2: Totally?

612
00:26:23,200 --> 00:26:26,359
Speaker 10: I mean the Fay thing was just very similar to

613
00:26:27,720 --> 00:26:31,000
Speaker 10: how We're a little called back like two years later.

614
00:26:31,040 --> 00:26:33,160
Speaker 10: It was a very similar vibe out of the blue

615
00:26:33,280 --> 00:26:36,680
Speaker 10: phone call on an unknown but then it just didn't

616
00:26:36,720 --> 00:26:39,879
Speaker 10: sound like her, and I also felt for the oldest

617
00:26:39,920 --> 00:26:41,920
Speaker 10: trick in the book. I picked up an unknown number.

618
00:26:45,800 --> 00:26:48,679
Speaker 2: And it was we were like, She's is a bit

619
00:26:48,760 --> 00:26:51,640
Speaker 2: of a mix between Lily Allen and also.

620
00:26:51,560 --> 00:26:54,280
Speaker 1: Adele in there as well. He's got half funny. Haven't

621
00:26:54,280 --> 00:26:54,920
Speaker 1: looked up with Adele?

622
00:26:54,960 --> 00:26:55,360
Speaker 6: Have you mate?

623
00:26:55,359 --> 00:26:56,280
Speaker 1: We'll call you back again.

624
00:26:56,520 --> 00:26:57,640
Speaker 10: I have made most of her.

625
00:27:00,080 --> 00:27:01,720
Speaker 3: And that's Vegas, buddy.

626
00:27:01,760 --> 00:27:03,920
Speaker 10: Everything good, yeah, really good, tym. And I'm about to

627
00:27:04,000 --> 00:27:06,520
Speaker 10: walk into another sheet that he has nothing about, so

628
00:27:06,560 --> 00:27:07,480
Speaker 10: I'm about to describe it.

629
00:27:09,359 --> 00:27:11,040
Speaker 1: So Lily loves the song.

630
00:27:11,280 --> 00:27:13,400
Speaker 2: I thought you had we had you at the start, mate,

631
00:27:13,400 --> 00:27:14,280
Speaker 2: but you got to swell it?

632
00:27:14,320 --> 00:27:16,600
Speaker 10: Do Andy really got me when the garb was down.

633
00:27:17,280 --> 00:27:18,560
Speaker 10: Hope all's going to swell jed.

634
00:27:18,760 --> 00:27:19,960
Speaker 1: Yeah, good buddy.

635
00:27:20,680 --> 00:27:23,320
Speaker 10: Obviously your producing team doesn't have enough clout in your show.

636
00:27:24,240 --> 00:27:26,240
Speaker 10: Actually get the real one on. You've thought about it

637
00:27:26,280 --> 00:27:28,960
Speaker 10: for an entire week and you came that's about it.

638
00:27:29,359 --> 00:27:32,879
Speaker 3: That's about it. Take it easy, ye.

639
00:27:33,920 --> 00:27:36,320
Speaker 2: Catching your partner cheating it's a big one. We've spoken

640
00:27:36,359 --> 00:27:38,040
Speaker 2: about it quite a bit on this show. What do

641
00:27:38,119 --> 00:27:41,440
Speaker 2: you do in that situation. I've spoken about this, Sarah.

642
00:27:41,640 --> 00:27:44,000
Speaker 2: I would take a deep breath and then you I

643
00:27:44,080 --> 00:27:47,080
Speaker 2: would start to plan the revenge attack. That would actually

644
00:27:47,119 --> 00:27:49,360
Speaker 2: be a good business. I suppose if you could start

645
00:27:49,400 --> 00:27:51,479
Speaker 2: a business so you caught your partner chating, so you'd

646
00:27:51,520 --> 00:27:53,520
Speaker 2: come in from E to us yep, and we can

647
00:27:53,600 --> 00:27:55,080
Speaker 2: work out how you can expose them.

648
00:27:55,320 --> 00:27:58,320
Speaker 3: But here's the best idea. Thanks so much for coming in, Ryan.

649
00:27:58,800 --> 00:28:01,320
Speaker 3: I think we should make I we should buy a billboard.

650
00:28:01,440 --> 00:28:02,320
Speaker 3: You could do something like that.

651
00:28:03,640 --> 00:28:07,400
Speaker 2: Well, this is a viral. One recently was the girl

652
00:28:07,560 --> 00:28:10,000
Speaker 2: who waited until her twenty first birthday. She had to

653
00:28:10,040 --> 00:28:13,480
Speaker 2: wait six months for this one found she found a

654
00:28:13,560 --> 00:28:16,159
Speaker 2: bit of sex thing going on between her partner and

655
00:28:16,320 --> 00:28:19,440
Speaker 2: another girl, one of her friends, Sarah. She waited six

656
00:28:19,560 --> 00:28:22,639
Speaker 2: months for her twenty first birthday to then do a

657
00:28:22,680 --> 00:28:25,600
Speaker 2: bit of a PowerPoint presentation with all the family and

658
00:28:25,720 --> 00:28:29,159
Speaker 2: friends there, exposing the guy. Great effort to wait to

659
00:28:29,280 --> 00:28:31,200
Speaker 2: be patient for six months.

660
00:28:32,560 --> 00:28:33,400
Speaker 5: With them for six months.

661
00:28:33,400 --> 00:28:36,400
Speaker 2: Well this is the thing. But see that's where there's

662
00:28:36,520 --> 00:28:40,760
Speaker 2: that element of just revenge. And if you can have

663
00:28:40,920 --> 00:28:42,120
Speaker 2: that and it's done.

664
00:28:42,000 --> 00:28:43,680
Speaker 1: So publicly, you've got everybody together.

665
00:28:43,880 --> 00:28:46,280
Speaker 3: The parents are there and here's the moment to shame,

666
00:28:46,760 --> 00:28:48,080
Speaker 3: and you've just done it so well.

667
00:28:48,160 --> 00:28:50,600
Speaker 2: It's such a drop the micro I mean to give

668
00:28:50,720 --> 00:28:53,680
Speaker 2: someone a second chance. I do believe people I do

669
00:28:53,880 --> 00:28:56,640
Speaker 2: deserve second chances. But you've also you've got to earn

670
00:28:56,720 --> 00:28:57,560
Speaker 2: that second chance.

671
00:28:57,920 --> 00:29:00,400
Speaker 5: You are the only person I know who doesn't believe

672
00:29:00,440 --> 00:29:02,560
Speaker 5: in second chance. It's been cheating. You don't have a

673
00:29:02,640 --> 00:29:03,280
Speaker 5: gray area.

674
00:29:03,520 --> 00:29:05,240
Speaker 2: You've got to get them to do something, don't you

675
00:29:05,760 --> 00:29:08,920
Speaker 2: Like this guy over in Columbia now he has got

676
00:29:08,960 --> 00:29:12,560
Speaker 2: caught cheating on his wife. And she said, look, I

677
00:29:12,680 --> 00:29:15,360
Speaker 2: can't do this. There's too much guilt. I can't look

678
00:29:15,400 --> 00:29:18,480
Speaker 2: at your face anymore. He said, please, We've got kids,

679
00:29:18,560 --> 00:29:22,000
Speaker 2: We've got family. I'm so sorry. I've had a few drinks.

680
00:29:22,640 --> 00:29:25,440
Speaker 1: I didn't mean it innocent. You're looking at it the

681
00:29:25,520 --> 00:29:26,000
Speaker 1: wrong way.

682
00:29:26,600 --> 00:29:28,920
Speaker 2: It was I was with her in the bed, but

683
00:29:29,440 --> 00:29:34,240
Speaker 2: it wasn't I'm a doctor. She said, all right, I'll

684
00:29:34,280 --> 00:29:37,880
Speaker 2: give you a second chance. If you jump on the

685
00:29:37,960 --> 00:29:40,320
Speaker 2: top of my car, completely naked and old, drive you

686
00:29:40,400 --> 00:29:42,400
Speaker 2: down the main highway and you have to tell people

687
00:29:42,520 --> 00:29:45,400
Speaker 2: down the road what you've done. This often happens in China. Now,

688
00:29:45,480 --> 00:29:49,160
Speaker 2: these are the photos here there is. It looks like

689
00:29:49,280 --> 00:29:51,600
Speaker 2: he's having an affair with the car, and it looks

690
00:29:51,640 --> 00:29:52,480
Speaker 2: like he's really.

691
00:29:54,360 --> 00:29:54,720
Speaker 1: Of the car.

692
00:29:55,680 --> 00:29:58,000
Speaker 2: It is dangerous. She's been arrested as well.

693
00:29:58,080 --> 00:30:01,400
Speaker 5: Unfortunately, what's he harnessed on with We just don't know.

694
00:30:01,800 --> 00:30:03,600
Speaker 5: Is it a really hot day and he's laying face

695
00:30:03,680 --> 00:30:05,600
Speaker 5: down on the top of a car like that burns.

696
00:30:06,560 --> 00:30:10,160
Speaker 2: No, he's screwed on somehow, But I've got no idea

697
00:30:10,960 --> 00:30:14,840
Speaker 2: some sort of nut thirteen, twenty fourteen. If this has

698
00:30:14,880 --> 00:30:17,400
Speaker 2: happened to you before, have you given someone a second chance?

699
00:30:17,440 --> 00:30:19,160
Speaker 2: But they have to prove themselves. I think the number

700
00:30:19,160 --> 00:30:20,960
Speaker 2: one thing you would have to do ring that person

701
00:30:21,080 --> 00:30:22,800
Speaker 2: right now. I want to hear it, and I want

702
00:30:22,840 --> 00:30:23,640
Speaker 2: you to apologize.

703
00:30:23,640 --> 00:30:25,360
Speaker 3: I told you about that maid of mine who got caught,

704
00:30:25,680 --> 00:30:28,160
Speaker 3: and she said the girlfriend at the time, and they

705
00:30:28,160 --> 00:30:29,400
Speaker 3: were looking to get engaged, so.

706
00:30:29,480 --> 00:30:31,080
Speaker 1: The relationship was that serious.

707
00:30:31,640 --> 00:30:33,760
Speaker 3: She said, Okay, well, what we're going to do now

708
00:30:33,960 --> 00:30:35,960
Speaker 3: is go straight over to my parents' house and you're

709
00:30:35,960 --> 00:30:37,280
Speaker 3: going to sit down and tell them.

710
00:30:37,160 --> 00:30:37,800
Speaker 1: What you've done.

711
00:30:38,400 --> 00:30:41,400
Speaker 3: And he's just and he is showing there, yeah he

712
00:30:41,520 --> 00:30:44,280
Speaker 3: did it, and what they say, and he sort of

713
00:30:44,360 --> 00:30:46,120
Speaker 3: took the high ground and said you know I have

714
00:30:46,240 --> 00:30:49,400
Speaker 3: stuffed up, but I'm I'm here to let everybody know,

715
00:30:49,560 --> 00:30:51,680
Speaker 3: so we can everyone's aware of it, and we can

716
00:30:51,760 --> 00:30:52,000
Speaker 3: move on.

717
00:30:52,600 --> 00:30:53,400
Speaker 2: Now, what's for dinner?

718
00:30:53,640 --> 00:30:55,400
Speaker 5: And can I get a beer?

719
00:30:55,520 --> 00:30:58,480
Speaker 3: He's at the backfridge and it's work there, has it?

720
00:30:58,880 --> 00:31:01,840
Speaker 3: They gave each other, they've got three kids, and they

721
00:31:01,920 --> 00:31:02,920
Speaker 3: moved on from that moment.

722
00:31:03,080 --> 00:31:05,680
Speaker 2: But see, the family don't forgive and forget.

723
00:31:05,800 --> 00:31:09,040
Speaker 3: Like there's been a couple of situations with our friends

724
00:31:09,080 --> 00:31:11,360
Speaker 3: and some of them say it's even brought them closer

725
00:31:11,400 --> 00:31:14,560
Speaker 3: together because now that that moment or that sort of

726
00:31:14,640 --> 00:31:20,040
Speaker 3: feeling of God, anything dodgy happening has been removed because

727
00:31:20,080 --> 00:31:22,800
Speaker 3: the guy in the relationship knows how bad it was

728
00:31:22,880 --> 00:31:25,000
Speaker 3: when he was caught that he won't do it again.

729
00:31:25,160 --> 00:31:28,160
Speaker 7: So hold on your That comment comes from the guys

730
00:31:28,240 --> 00:31:30,360
Speaker 7: who have cheated have told you that the cheating has

731
00:31:30,440 --> 00:31:31,080
Speaker 7: made them closer.

732
00:31:31,160 --> 00:31:31,880
Speaker 4: Correct, No, it.

733
00:31:31,960 --> 00:31:34,840
Speaker 3: Comes from her mother actually, who said they're tighter now

734
00:31:35,040 --> 00:31:38,240
Speaker 3: than beforehand. Come because of what they've now been through together.

735
00:31:38,480 --> 00:31:40,600
Speaker 2: Do you see if there's kids involved, do you sit

736
00:31:40,640 --> 00:31:45,200
Speaker 2: the kids down if they're at a certain age the

737
00:31:45,280 --> 00:31:45,760
Speaker 2: wrong way?

738
00:31:48,120 --> 00:31:50,320
Speaker 3: If you've got photos of dad on top of a

739
00:31:50,440 --> 00:31:51,760
Speaker 3: car getting around?

740
00:31:51,840 --> 00:31:53,760
Speaker 2: How do you remove that? I want you to tell

741
00:31:53,880 --> 00:31:56,520
Speaker 2: the kids they're going to be in the car. You're

742
00:31:56,560 --> 00:31:57,040
Speaker 2: on top of it.

743
00:31:57,120 --> 00:32:01,080
Speaker 1: You're completely naked, you're a god.

744
00:32:01,200 --> 00:32:01,760
Speaker 6: What else you got?

745
00:32:04,560 --> 00:32:04,680
Speaker 1: Well?

746
00:32:04,720 --> 00:32:07,080
Speaker 2: The origin sides were picked this week. We've got our

747
00:32:07,160 --> 00:32:09,720
Speaker 2: first State of Origin next Wednesday night. We need to

748
00:32:09,760 --> 00:32:12,040
Speaker 2: speak to this man who represented the great New South

749
00:32:12,080 --> 00:32:14,040
Speaker 2: Wales Mickey and as well going to the show. Okay,

750
00:32:15,360 --> 00:32:16,760
Speaker 2: everyone there, we're going good.

751
00:32:16,800 --> 00:32:18,080
Speaker 3: Buddy, you're in the car, are you man?

752
00:32:18,880 --> 00:32:21,120
Speaker 6: I am mate on going to work.

753
00:32:21,640 --> 00:32:22,920
Speaker 1: Coming into the studio.

754
00:32:23,280 --> 00:32:25,280
Speaker 2: Don't tell me you're going down to the road. Are

755
00:32:25,280 --> 00:32:28,480
Speaker 2: you going to? Are you catching flights to camera to go?

756
00:32:28,760 --> 00:32:29,840
Speaker 2: Look after those boys?

757
00:32:29,880 --> 00:32:30,280
Speaker 1: Are you me?

758
00:32:31,160 --> 00:32:32,760
Speaker 6: And then one day wait boys?

759
00:32:32,840 --> 00:32:35,320
Speaker 14: So it's been good fun. Actually I now draw it

760
00:32:35,400 --> 00:32:36,240
Speaker 14: down some days.

761
00:32:36,080 --> 00:32:36,960
Speaker 6: It's not just have a bit of.

762
00:32:38,520 --> 00:32:40,120
Speaker 14: Kids, it's not have a bit of quiet time.

763
00:32:40,560 --> 00:32:41,920
Speaker 3: What's your favorite spot in camera?

764
00:32:42,040 --> 00:32:42,240
Speaker 1: Mick?

765
00:32:44,120 --> 00:32:50,880
Speaker 6: Oh, Bruce, it's one straight and straight in.

766
00:32:51,000 --> 00:32:53,480
Speaker 3: Yeah, you're how many bars that they got there? They've

767
00:32:53,480 --> 00:32:54,560
Speaker 3: got a good local.

768
00:32:57,400 --> 00:32:59,960
Speaker 2: We need to talk about. Can wait? Please talk about

769
00:33:00,200 --> 00:33:02,880
Speaker 2: the mental game in State of Origin? I think we've

770
00:33:02,960 --> 00:33:05,360
Speaker 2: got them. When Kenny Wilders comes out and he talks

771
00:33:05,360 --> 00:33:09,200
Speaker 2: about the war has been it has been set now

772
00:33:09,280 --> 00:33:11,920
Speaker 2: and they're not a lauding mentioned the word New South Wales,

773
00:33:12,120 --> 00:33:14,880
Speaker 2: which means the media mentioned it even more. Do you

774
00:33:15,000 --> 00:33:17,440
Speaker 2: think mentally we've got the Queenslanders.

775
00:33:18,720 --> 00:33:21,160
Speaker 14: I definitely think that it's something that we haven't seen

776
00:33:21,200 --> 00:33:23,840
Speaker 14: for a long time. I mean, I really like Queensland

777
00:33:23,920 --> 00:33:26,000
Speaker 14: side with so big. I think it's going to be

778
00:33:26,320 --> 00:33:28,760
Speaker 14: a really tough series. But yeah, I think New South

779
00:33:28,800 --> 00:33:32,360
Speaker 14: walesa I mean I remember the periods when they had,

780
00:33:32,560 --> 00:33:34,360
Speaker 14: you know, the likes of Smith and lock Here and

781
00:33:34,480 --> 00:33:36,800
Speaker 14: Thirst and and all these guys. And when Meningi used

782
00:33:36,800 --> 00:33:39,840
Speaker 14: to talk, he just looked so calm and composed with

783
00:33:39,960 --> 00:33:41,080
Speaker 14: the artillery.

784
00:33:40,680 --> 00:33:41,120
Speaker 6: That he had.

785
00:33:41,640 --> 00:33:44,200
Speaker 14: And at the moment, yeah, I mean, you know, whilst

786
00:33:44,200 --> 00:33:46,200
Speaker 14: they've got a great side, I must admit that, you know,

787
00:33:46,320 --> 00:33:48,920
Speaker 14: everything's north of the Wader looks a little bit. They

788
00:33:49,000 --> 00:33:52,120
Speaker 14: look a little bit nervous and like they're trying to

789
00:33:52,720 --> 00:33:55,160
Speaker 14: sell to themselves a bit of confidence made.

790
00:33:55,160 --> 00:33:57,040
Speaker 2: It's so good to see all these young fellows in

791
00:33:57,080 --> 00:33:58,960
Speaker 2: the New South Wales side. I saw an interview the

792
00:33:59,000 --> 00:34:00,959
Speaker 2: other day with Cameron Marray from The Rabbit Ears. You've

793
00:34:00,960 --> 00:34:03,520
Speaker 2: got pain heus as well. Mit, can you remember your

794
00:34:03,560 --> 00:34:06,120
Speaker 2: first Origin and going into that camp? I mean, how

795
00:34:06,200 --> 00:34:08,040
Speaker 2: freaked out were you with some of the legends that

796
00:34:08,080 --> 00:34:08,560
Speaker 2: you played with.

797
00:34:09,520 --> 00:34:10,560
Speaker 6: Yeah, it was unreal, to.

798
00:34:10,600 --> 00:34:12,960
Speaker 14: Be honest, I remember back then, I used to announce

799
00:34:12,960 --> 00:34:15,960
Speaker 14: it in the middle of the halftime Monday night game,

800
00:34:16,000 --> 00:34:17,799
Speaker 14: and I remember I was.

801
00:34:17,800 --> 00:34:18,839
Speaker 6: Playing at Brookville over.

802
00:34:18,920 --> 00:34:21,839
Speaker 14: I remember walking off and having some Canterbury supporters hanging

803
00:34:21,880 --> 00:34:22,279
Speaker 14: over the.

804
00:34:22,280 --> 00:34:27,440
Speaker 2: Tunnel just screaming the origin and then spitting on you.

805
00:34:27,640 --> 00:34:32,000
Speaker 3: Yeah, you know what.

806
00:34:32,120 --> 00:34:33,759
Speaker 6: To be honest, I was that excited it was.

807
00:34:33,880 --> 00:34:36,480
Speaker 14: It made the next forty minutes really difficult to play.

808
00:34:38,080 --> 00:34:40,600
Speaker 14: Look that, there's nothing like it. You know, your your

809
00:34:40,640 --> 00:34:42,719
Speaker 14: little boy sitting there dreaming one day that you get

810
00:34:42,760 --> 00:34:44,799
Speaker 14: the chance, and before you know it, you're standing there.

811
00:34:45,480 --> 00:34:48,320
Speaker 14: I mean, I'm in a sky blue jersey with you know,

812
00:34:48,400 --> 00:34:50,239
Speaker 14: all your family standing in front of you, and you

813
00:34:50,280 --> 00:34:52,200
Speaker 14: can just feel the tears rolling there in your face,

814
00:34:52,320 --> 00:34:55,040
Speaker 14: and it's just it's it's a unique experience.

815
00:34:55,080 --> 00:34:55,880
Speaker 6: There's nothing like it.

816
00:34:56,640 --> 00:34:58,200
Speaker 3: Make a little off the topic. You're not going to

817
00:34:58,239 --> 00:35:01,120
Speaker 3: see rocket Man tonight by on each ansty Elton John movie,

818
00:35:01,200 --> 00:35:01,680
Speaker 3: are you mate?

819
00:35:02,480 --> 00:35:04,759
Speaker 14: No? I love Bahomi and Rhapsody, But once I heard

820
00:35:04,840 --> 00:35:06,640
Speaker 14: your garbage was getting performed.

821
00:35:09,480 --> 00:35:15,800
Speaker 2: Yeah, clip will be playing Advent Cinemas tonight before Rocketman

822
00:35:15,960 --> 00:35:19,360
Speaker 2: is being screened screened. We've have performed yesterday on the

823
00:35:19,440 --> 00:35:21,320
Speaker 2: Morning show. Have you heard the song Meet? What do

824
00:35:21,400 --> 00:35:22,360
Speaker 2: you think thoughts?

825
00:35:23,400 --> 00:35:25,400
Speaker 6: Can we hear it again? I'd love to hear it again,

826
00:35:26,080 --> 00:35:26,600
Speaker 6: so you'd.

827
00:35:26,520 --> 00:35:27,120
Speaker 3: Never ask me?

828
00:35:28,719 --> 00:35:32,279
Speaker 1: Catch you, mate, I'll play that the raiders.

829
00:35:32,000 --> 00:35:32,480
Speaker 2: Today, Meet.

830
00:35:32,560 --> 00:35:39,080
Speaker 6: That'll fire him, that'll wake the dead.

831
00:35:39,400 --> 00:35:42,080
Speaker 3: Yeah, thanks mate, I'll take that as a positive.

832
00:35:42,200 --> 00:35:43,399
Speaker 2: What was your wedding song?

833
00:35:43,520 --> 00:35:43,719
Speaker 6: Meet?

834
00:35:43,800 --> 00:35:45,440
Speaker 2: What did you? What did you do the waltz too?

835
00:35:45,560 --> 00:35:47,479
Speaker 2: Can you remember, mate?

836
00:35:47,520 --> 00:35:50,640
Speaker 14: You know what our wedding song? We were back then

837
00:35:50,719 --> 00:35:54,480
Speaker 14: when recorded discs were still all.

838
00:35:54,440 --> 00:35:55,520
Speaker 1: Those round things.

839
00:35:55,760 --> 00:35:57,399
Speaker 6: Yeah, remember those?

840
00:35:58,800 --> 00:36:01,000
Speaker 14: We ended up ended up dancing.

841
00:36:00,800 --> 00:36:07,240
Speaker 6: To a letter. No, no, no, the whole New world.

842
00:36:08,280 --> 00:36:10,680
Speaker 2: You have got to get footage of Micannis dancing.

843
00:36:11,440 --> 00:36:12,399
Speaker 6: Was it filmed, Mick?

844
00:36:17,800 --> 00:36:17,920
Speaker 2: Oh?

845
00:36:17,960 --> 00:36:19,920
Speaker 3: Hang on, here we go, Mick.

846
00:36:20,000 --> 00:36:21,360
Speaker 1: Let's take you back to that moment.

847
00:36:24,239 --> 00:36:25,040
Speaker 4: Did you really?

848
00:36:25,200 --> 00:36:27,440
Speaker 2: We've got to get footage of that, mecause the missus

849
00:36:27,520 --> 00:36:28,960
Speaker 2: got that. We'll have to track that down.

850
00:36:29,480 --> 00:36:33,800
Speaker 6: I don't know, trying not, I was praying not.

851
00:36:34,480 --> 00:36:36,279
Speaker 3: We'll look after that, buddy, all right.

852
00:36:36,360 --> 00:36:39,160
Speaker 2: You can go check out Mick on Fox still all

853
00:36:39,239 --> 00:36:41,200
Speaker 2: this week in with the RL and obviously the big

854
00:36:41,239 --> 00:36:43,840
Speaker 2: State of Origin next week. Always appreciate your time, Legend,

855
00:36:43,840 --> 00:36:44,480
Speaker 2: thanks for coming on.

856
00:36:48,360 --> 00:36:49,880
Speaker 3: Let's rip into this a couple of weeks ago. This

857
00:36:50,040 --> 00:36:53,880
Speaker 3: is exciting. We gave we gave away a huge prize.

858
00:36:55,120 --> 00:36:56,759
Speaker 2: Hello, hello is this cap?

859
00:36:57,239 --> 00:36:57,839
Speaker 1: Oh my god?

860
00:36:58,560 --> 00:37:02,960
Speaker 2: Do you need a holiday cake so so badly? Pack

861
00:37:03,000 --> 00:37:06,920
Speaker 2: your bloody bags your character you go, oh my.

862
00:37:07,040 --> 00:37:14,840
Speaker 3: God, you're working your kid up. Tears from Kate and

863
00:37:14,880 --> 00:37:16,640
Speaker 3: Manly there does have a one year old and wanted

864
00:37:16,680 --> 00:37:18,400
Speaker 3: to get out of the country as a.

865
00:37:18,520 --> 00:37:21,880
Speaker 2: P Spice Girls in Manchester. I think this is the

866
00:37:21,960 --> 00:37:23,080
Speaker 2: third show they played.

867
00:37:23,719 --> 00:37:25,560
Speaker 3: Yeah, let's have to listen to a little bit of

868
00:37:25,600 --> 00:37:39,239
Speaker 3: the show here. That's Kate singing love it, she joins us.

869
00:37:39,320 --> 00:37:40,759
Speaker 1: Right now the show is just wrapped up.

870
00:37:40,800 --> 00:37:49,000
Speaker 16: Hello, Kate, boys, I'm really it was phenomenal.

871
00:37:49,280 --> 00:37:50,600
Speaker 2: So how long ago?

872
00:37:50,840 --> 00:37:51,759
Speaker 1: How long ago was it?

873
00:37:51,880 --> 00:37:52,080
Speaker 2: Kate?

874
00:37:53,040 --> 00:37:55,040
Speaker 16: I'm still glittered as the gods right now? It just

875
00:37:55,120 --> 00:37:57,040
Speaker 16: got in it like an hour ago.

876
00:37:57,800 --> 00:38:00,719
Speaker 1: What's Manchester like, Kate? Oh?

877
00:38:00,920 --> 00:38:06,240
Speaker 5: You know, did the gig lose anything without posh Spice?

878
00:38:06,239 --> 00:38:06,600
Speaker 13: Do you think?

879
00:38:06,719 --> 00:38:07,719
Speaker 5: Or with the girls? Pretty good?

880
00:38:08,719 --> 00:38:11,800
Speaker 16: Not even they didn't like. They kind of mentioned that

881
00:38:11,880 --> 00:38:13,960
Speaker 16: they did pretty well, like it was.

882
00:38:14,239 --> 00:38:14,759
Speaker 9: It was kind of.

883
00:38:14,800 --> 00:38:17,160
Speaker 16: Softly mentioned, like you know, we're still the five of

884
00:38:17,239 --> 00:38:18,799
Speaker 16: us who'll always be the Flice Girls.

885
00:38:18,880 --> 00:38:20,480
Speaker 12: But yeah, it was.

886
00:38:20,880 --> 00:38:24,000
Speaker 16: It was so unreal. It was so well done. I mean,

887
00:38:24,040 --> 00:38:25,759
Speaker 16: if it ever comes to Australia, it's just going to

888
00:38:25,840 --> 00:38:26,080
Speaker 16: go off.

889
00:38:26,760 --> 00:38:29,520
Speaker 2: In the first couple of gigs that they did, there

890
00:38:29,560 --> 00:38:31,799
Speaker 2: were sound issues, Kate, and there was a few people

891
00:38:31,880 --> 00:38:34,120
Speaker 2: blowing up. How is the sound on this one?

892
00:38:35,200 --> 00:38:37,279
Speaker 16: No, it was I think I think the fact that

893
00:38:38,080 --> 00:38:40,680
Speaker 16: I had such bad feedback them and it was.

894
00:38:40,760 --> 00:38:41,400
Speaker 17: It was totally.

895
00:38:41,480 --> 00:38:44,720
Speaker 16: It was unreal. Honestly. There was maybe maybe a few.

896
00:38:44,640 --> 00:38:49,960
Speaker 3: Bung notes that would have been scary sideless Kate.

897
00:38:50,040 --> 00:38:51,880
Speaker 1: Did you end up taking your hubby or your girlfriend?

898
00:38:53,280 --> 00:38:53,400
Speaker 12: Uh?

899
00:38:53,640 --> 00:38:54,279
Speaker 11: No, neither.

900
00:38:59,239 --> 00:38:59,520
Speaker 3: I don't know.

901
00:38:59,600 --> 00:39:02,280
Speaker 1: Hobbies looking after the bub at home? That is awesome.

902
00:39:02,560 --> 00:39:04,680
Speaker 16: I just got a phone call that she's got hand,

903
00:39:04,719 --> 00:39:05,319
Speaker 16: foot and mouth.

904
00:39:06,640 --> 00:39:12,359
Speaker 3: Extend Extend your stay mate, go and see another Spirls show,

905
00:39:15,120 --> 00:39:16,080
Speaker 3: the Capriscars.

906
00:39:18,440 --> 00:39:19,359
Speaker 2: When are you coming home?

907
00:39:19,400 --> 00:39:19,480
Speaker 14: Ok?

908
00:39:19,680 --> 00:39:20,319
Speaker 2: When do you fly.

909
00:39:22,320 --> 00:39:24,080
Speaker 16: In next? Next Monday?

910
00:39:27,400 --> 00:39:31,440
Speaker 2: Your sleep in Manchester and go to the.

911
00:39:36,320 --> 00:39:40,360
Speaker 3: Seasons over, go to the football museum, then see what

912
00:39:40,480 --> 00:39:41,160
Speaker 3: the season was.

913
00:39:43,920 --> 00:39:48,680
Speaker 2: Okay, well done, good girl, enjoy your time over there,

914
00:39:48,880 --> 00:39:51,640
Speaker 2: good luck, and have a great twenty four hour trip

915
00:39:51,719 --> 00:39:52,120
Speaker 2: back home.

916
00:39:53,360 --> 00:39:57,440
Speaker 16: Yeah yeah, thank you guys so much. Honestly, it's it's

917
00:39:57,480 --> 00:39:59,120
Speaker 16: like dreams come through people.

918
00:39:58,920 --> 00:40:03,920
Speaker 3: On the I love you bye bye, but no, you

919
00:40:04,000 --> 00:40:05,479
Speaker 3: hang up first, you hang up.

920
00:40:08,400 --> 00:40:10,560
Speaker 2: One for you yesterday, mate, huge, it was amazing.

921
00:40:10,960 --> 00:40:12,879
Speaker 3: I mean a big thank you to Larry and Carle

922
00:40:13,000 --> 00:40:14,600
Speaker 3: for having me on the morning show. They're at Channel

923
00:40:14,640 --> 00:40:17,160
Speaker 3: seven and the city nervous when I'm you know, I've

924
00:40:17,480 --> 00:40:21,960
Speaker 3: obviously performed the song intimately to my wife last week,

925
00:40:22,000 --> 00:40:23,680
Speaker 3: which you would have seen when she was seeing Pilates.

926
00:40:23,719 --> 00:40:25,800
Speaker 3: But second of that, to do a live TV appearance,

927
00:40:25,960 --> 00:40:27,239
Speaker 3: knowing that the world.

928
00:40:27,120 --> 00:40:28,880
Speaker 1: Wants to hear this song, how do you figure out

929
00:40:28,880 --> 00:40:29,320
Speaker 1: appreciate it?

930
00:40:29,400 --> 00:40:32,759
Speaker 2: Shattered that? I mean, obviously you've the Fitz WHI Show,

931
00:40:32,760 --> 00:40:35,480
Speaker 2: you represent us on that show, the Morning Show, you

932
00:40:35,600 --> 00:40:37,640
Speaker 2: go on there regularly. Is he trying to take your

933
00:40:37,640 --> 00:40:38,080
Speaker 2: spot here?

934
00:40:38,239 --> 00:40:40,880
Speaker 8: Or are you a bit I was actually mostly encouraged

935
00:40:40,920 --> 00:40:42,560
Speaker 8: the way that the segment rolled out to know that

936
00:40:42,680 --> 00:40:44,480
Speaker 8: if at any time I'm on the show, I just

937
00:40:44,520 --> 00:40:47,239
Speaker 8: want to get up and start performing that seems to

938
00:40:47,320 --> 00:40:49,600
Speaker 8: be allowed to happen because you just sort of just

939
00:40:50,080 --> 00:40:53,120
Speaker 8: got up and wandered over and then started performed.

940
00:40:53,239 --> 00:40:56,680
Speaker 3: Probably ask for the general feedback on the song so far, MDG.

941
00:40:57,920 --> 00:40:59,480
Speaker 1: Well, I it's been stuck in yours.

942
00:40:59,520 --> 00:41:03,080
Speaker 8: Well, Tom was just singing the last break. It is

943
00:41:03,120 --> 00:41:06,880
Speaker 8: frustratingly catchy. So so they were on the couch. Firstly,

944
00:41:06,960 --> 00:41:08,879
Speaker 8: Kylie did ask Lisa because you did, as you say,

945
00:41:08,920 --> 00:41:11,319
Speaker 8: walked into the pilates class and just and just hit

946
00:41:11,400 --> 00:41:11,719
Speaker 8: it with it.

947
00:41:11,800 --> 00:41:14,040
Speaker 2: Basically, and this was how she felt during it.

948
00:41:14,640 --> 00:41:15,799
Speaker 1: So you're sitting there.

949
00:41:15,719 --> 00:41:16,840
Speaker 5: In this pilates class.

950
00:41:16,920 --> 00:41:20,279
Speaker 3: Yes, right, the romantic lyrics or what was it that

951
00:41:20,400 --> 00:41:22,520
Speaker 3: sort of wood you do you think that all the

952
00:41:22,680 --> 00:41:24,520
Speaker 3: dance moves the dance.

953
00:41:24,320 --> 00:41:28,560
Speaker 1: Moves a moose snuckle as well. Yes, it was exactly

954
00:41:29,200 --> 00:41:31,680
Speaker 1: my pants a little bit hot. I would say it was.

955
00:41:33,719 --> 00:41:35,600
Speaker 8: I don't know what morning television is like, but that's

956
00:41:35,640 --> 00:41:42,080
Speaker 8: not appropriate. And so you then stood up and saying, now,

957
00:41:42,200 --> 00:41:45,040
Speaker 8: I would like to ask those who also saw it,

958
00:41:45,160 --> 00:41:48,280
Speaker 8: but do we think that there is a small lipsy

959
00:41:48,320 --> 00:41:49,319
Speaker 8: in controversy here.

960
00:41:55,280 --> 00:41:56,279
Speaker 1: Microphone now.

961
00:41:59,080 --> 00:41:59,359
Speaker 2: The time.

962
00:42:02,320 --> 00:42:05,279
Speaker 3: There's a backing track with some vocals on it, but

963
00:42:05,400 --> 00:42:08,879
Speaker 3: the performance was live, the vocals were live. How dare

964
00:42:09,000 --> 00:42:10,000
Speaker 3: you suggest that I.

965
00:42:13,640 --> 00:42:14,799
Speaker 2: Jack and Turd now look away.

966
00:42:14,920 --> 00:42:16,959
Speaker 9: It's time for Dad to break out those dance moves

967
00:42:17,040 --> 00:42:20,399
Speaker 9: one more time, singing the hit one wants to see

968
00:42:20,480 --> 00:42:23,000
Speaker 9: this the a side of a new single.

969
00:42:23,440 --> 00:42:23,719
Speaker 6: Like Me.

970
00:42:33,920 --> 00:42:38,920
Speaker 8: Fresh, Confess Your Reason, very good Systems.

971
00:42:42,680 --> 00:42:43,000
Speaker 1: It's not.

972
00:42:46,360 --> 00:42:46,520
Speaker 6: Now.

973
00:42:46,560 --> 00:42:49,479
Speaker 8: You can see it's on the fits with the Facebook page.

974
00:42:49,480 --> 00:42:51,800
Speaker 8: It's also on Instagram. I don't know if the Morning

975
00:42:51,880 --> 00:42:53,120
Speaker 8: Show have put it on their own.

976
00:42:54,520 --> 00:42:56,840
Speaker 3: Definitely would have. I mean, if this is a competition

977
00:42:56,920 --> 00:42:59,040
Speaker 3: between your love song and my love song, I would

978
00:42:59,120 --> 00:43:01,200
Speaker 3: suggest holds me in pretty good stead.

979
00:43:01,520 --> 00:43:02,040
Speaker 1: Wouldn't you say?

980
00:43:02,600 --> 00:43:04,239
Speaker 8: Well, there's one man who has had a phoebit to

981
00:43:04,320 --> 00:43:08,320
Speaker 8: do with talent and talent shows across this country and

982
00:43:08,440 --> 00:43:10,319
Speaker 8: he got to see it firsthand.

983
00:43:11,000 --> 00:43:15,399
Speaker 17: Larry Mda, I thought you were going to introduce guys at.

984
00:43:15,320 --> 00:43:18,719
Speaker 2: That are you? Are you just about to go into

985
00:43:18,800 --> 00:43:19,760
Speaker 2: the counseling session?

986
00:43:20,239 --> 00:43:25,200
Speaker 17: Lads will hardly are still broken. But you know the

987
00:43:25,239 --> 00:43:28,280
Speaker 17: good thing is we've all forgotten about Madonna's performance at Eurovision.

988
00:43:30,280 --> 00:43:33,120
Speaker 3: I don't suggest Liz, what a what a great moment?

989
00:43:33,280 --> 00:43:35,200
Speaker 3: And tell me this much. When Lisa and I walked

990
00:43:35,239 --> 00:43:37,239
Speaker 3: out of there. How was the sort of the crew

991
00:43:37,440 --> 00:43:39,760
Speaker 3: on set where they kind of looking around going wow,

992
00:43:39,880 --> 00:43:41,400
Speaker 3: that was really something I.

993
00:43:41,440 --> 00:43:46,319
Speaker 17: Can hear dry reaching. Mostly everyone got involved. We were

994
00:43:46,320 --> 00:43:47,640
Speaker 17: singing it for hours and hours.

995
00:43:48,120 --> 00:43:48,600
Speaker 6: You got it.

996
00:43:48,880 --> 00:43:50,880
Speaker 17: The hair on the back of Kylie's neck was standing.

997
00:43:54,040 --> 00:43:56,640
Speaker 2: Ladz. You would have had some amazing performances on the

998
00:43:56,719 --> 00:43:58,880
Speaker 2: morning show over the years. Can you give us some.

999
00:43:59,600 --> 00:44:01,439
Speaker 2: Who are the ones that have stuck out in your mind?

1000
00:44:03,960 --> 00:44:07,280
Speaker 6: Sorry, look at a bit early.

1001
00:44:07,120 --> 00:44:10,640
Speaker 17: Boy for that. There's nothing quite like that what we

1002
00:44:10,800 --> 00:44:14,439
Speaker 17: saw yesterday. It had Gangam style, it had Englebert hump,

1003
00:44:14,480 --> 00:44:19,520
Speaker 17: and it had everything like nothing urning underneath. Have we

1004
00:44:19,640 --> 00:44:21,200
Speaker 17: seen in morning TV?

1005
00:44:21,320 --> 00:44:22,200
Speaker 1: And we love.

1006
00:44:23,800 --> 00:44:27,359
Speaker 3: Lads? Did the producers suggested all that they wanted more

1007
00:44:27,520 --> 00:44:29,680
Speaker 3: or could be getting back or do an ob and

1008
00:44:29,760 --> 00:44:32,080
Speaker 3: he could perform outside on a stage or anything like that.

1009
00:44:33,480 --> 00:44:37,440
Speaker 17: I wasn't hearing anything quite like that. It was more

1010
00:44:37,520 --> 00:44:39,600
Speaker 17: like get him off, wrap it up, wrap it up.

1011
00:44:40,200 --> 00:44:42,399
Speaker 17: But you know that could mean something else.

1012
00:44:42,480 --> 00:44:44,799
Speaker 3: You know, it was fun funny too, Laz your main man,

1013
00:44:44,840 --> 00:44:46,640
Speaker 3: they're the producer on the show. I said to him

1014
00:44:46,680 --> 00:44:49,279
Speaker 3: before we went in there and went to air. You know,

1015
00:44:49,360 --> 00:44:51,480
Speaker 3: I'm so pumped to sing the song, and he said,

1016
00:44:51,520 --> 00:44:54,919
Speaker 3: you realize you're just doing a verse and then a chorus.

1017
00:44:55,000 --> 00:44:57,080
Speaker 1: I went, now we're roll out. The whole song went

1018
00:44:58,239 --> 00:44:58,600
Speaker 1: on time.

1019
00:45:00,520 --> 00:45:02,840
Speaker 17: My favorite, my favorite bit of the whole performance was

1020
00:45:03,239 --> 00:45:06,080
Speaker 17: fludging your long STU free wide beautiful, Lisa, just for you.

1021
00:45:06,560 --> 00:45:08,040
Speaker 17: I need to get him home and get him in

1022
00:45:08,080 --> 00:45:08,920
Speaker 17: the shower right now.

1023
00:45:09,400 --> 00:45:17,840
Speaker 2: Yeah, yeah, I guess, sorry, Les, So good to have

1024
00:45:18,160 --> 00:45:18,480
Speaker 2: the show.

1025
00:45:20,719 --> 00:45:28,160
Speaker 9: Thanks jarmyiment.

1026
00:45:26,239 --> 00:45:28,520
Speaker 2: Ratings come through yet? Did they drop off or have

1027
00:45:28,600 --> 00:45:30,280
Speaker 2: you heard yet on how they went yesterday?

1028
00:45:30,480 --> 00:45:33,239
Speaker 17: No, Mate seven hasn't seen these ratings to be openly

1029
00:45:33,320 --> 00:45:33,840
Speaker 17: the Olympics.

1030
00:45:35,320 --> 00:45:36,480
Speaker 6: There it is, there, it is.

1031
00:45:36,600 --> 00:45:38,240
Speaker 3: We will wait to a nine o'clock for the numbers

1032
00:45:38,280 --> 00:45:38,719
Speaker 3: to come through.

1033
00:45:38,840 --> 00:45:39,640
Speaker 1: Thanks for joining us.

1034
00:45:43,239 --> 00:45:46,000
Speaker 8: A legend so fits now the attention turns to you

1035
00:45:46,960 --> 00:45:51,760
Speaker 8: because with his public performance was national television. That's pretty strong.

1036
00:45:53,040 --> 00:45:55,239
Speaker 2: We want I don't know, I don't have a performance.

1037
00:45:55,480 --> 00:45:57,879
Speaker 8: That's okay because you already have a video clip, yes,

1038
00:45:58,120 --> 00:46:00,400
Speaker 8: a film clip yes, which you did when you recorded,

1039
00:46:00,440 --> 00:46:04,960
Speaker 8: which is smart because the biggest movie possibly in the

1040
00:46:05,000 --> 00:46:08,719
Speaker 8: world right now is Rocketman. One of the greatest vocalists

1041
00:46:08,760 --> 00:46:11,960
Speaker 8: of all time featured for two hours We want to

1042
00:46:12,000 --> 00:46:15,719
Speaker 8: see if you can get your video clip up alongside it.

1043
00:46:16,120 --> 00:46:19,400
Speaker 8: We want to see if you So you need to

1044
00:46:19,480 --> 00:46:24,640
Speaker 8: get your video clip played just before Rocket Man. Don't

1045
00:46:24,840 --> 00:46:27,640
Speaker 8: seven o'clock tonight at Event Cinemas.

1046
00:46:27,719 --> 00:46:32,000
Speaker 1: Doesn't Rocketman start tonight tonight? It's open today.

1047
00:46:34,000 --> 00:46:37,360
Speaker 8: Seven o'clock is the main screening at Events Cinemas tonight,

1048
00:46:37,480 --> 00:46:39,600
Speaker 8: and we want you to get your video clip played

1049
00:46:40,640 --> 00:46:42,480
Speaker 8: just before Rocketman's screens tonight.

1050
00:46:49,200 --> 00:46:50,000
Speaker 2: How good would that?

1051
00:46:50,200 --> 00:46:51,920
Speaker 1: I mean to have the race caller in there too,

1052
00:46:52,160 --> 00:46:56,040
Speaker 1: Darren doing his bit. That's a great lead in the last.

1053
00:46:55,840 --> 00:46:59,120
Speaker 2: Time I saw people walking out of a cinema with Snowtown,

1054
00:46:59,239 --> 00:47:00,840
Speaker 2: I think this could happening in tonight.

1055
00:47:01,440 --> 00:47:07,000
Speaker 4: So locked in George Street Event Cinemas, I think is

1056
00:47:07,080 --> 00:47:08,160
Speaker 4: so ready to go.

1057
00:47:08,440 --> 00:47:16,840
Speaker 2: Queen of the Skies around all right, you can go

1058
00:47:16,920 --> 00:47:18,719
Speaker 2: to the Fay of Facebook Pride. You want to go

1059
00:47:18,840 --> 00:47:20,880
Speaker 2: see Wheepers performance and you say this.

1060
00:47:25,840 --> 00:47:30,360
Speaker 18: Check the weather rap, activate my base shield, order a pizza,

1061
00:47:31,400 --> 00:47:34,040
Speaker 18: and save a galaxy on the brink of war as

1062
00:47:34,200 --> 00:47:37,600
Speaker 18: forces by for control of the Alpha and Paeda quadrants.

1063
00:47:38,400 --> 00:47:42,000
Speaker 18: Download Star Trek Fleet Command today. Join millions of players

1064
00:47:42,040 --> 00:47:45,480
Speaker 18: and forge alliances defeat their enemies and build an epic

1065
00:47:45,600 --> 00:47:49,760
Speaker 18: fleet to dominate the galaxy. Download Star trek Fleet Command

1066
00:47:49,920 --> 00:47:53,480
Speaker 18: free on the App Store, Google Play Star trek Fleet Command.

1067
00:47:53,920 --> 00:47:54,839
Speaker 2: You have the con