1 00:00:01,440 --> 00:00:07,120 Speaker 1: The magnificent Ryan Tedder. Hello, buddy mate, we have wasted. 2 00:00:07,800 --> 00:00:09,080 Speaker 1: Look at you. You look tan. 3 00:00:09,320 --> 00:00:12,800 Speaker 2: You look healthy and that's not an Australian tan either. 4 00:00:12,800 --> 00:00:17,079 Speaker 2: You're not alowed down here. You know that, No, I know, Okay, 5 00:00:17,120 --> 00:00:18,799 Speaker 2: there's a caplications. I want to ask you for it. 6 00:00:18,880 --> 00:00:21,400 Speaker 2: First of all, can you play for Australians because we're 7 00:00:21,440 --> 00:00:23,799 Speaker 2: in Sydney at the moment, lockdown and it looks like 8 00:00:23,840 --> 00:00:25,520 Speaker 2: we're not even at the peak yet we're going up. 9 00:00:26,239 --> 00:00:30,360 Speaker 1: You performed last night. What is the feel out there? Ryan? 10 00:00:30,680 --> 00:00:32,880 Speaker 1: Do you feel like you're back to normal or is there. 11 00:00:32,760 --> 00:00:35,199 Speaker 2: Still a little bit of that virus bug that you 12 00:00:35,240 --> 00:00:37,120 Speaker 2: can feel looking at you over the shoulder. 13 00:00:38,120 --> 00:00:40,480 Speaker 3: I think you just said it. You're in your last 14 00:00:40,520 --> 00:00:41,360 Speaker 3: statement right there. 15 00:00:42,720 --> 00:00:43,200 Speaker 4: It is. 16 00:00:44,760 --> 00:00:48,320 Speaker 3: Every single day. It's like, you know, like a teeter 17 00:00:48,400 --> 00:00:51,879 Speaker 3: tartar right when you're a kid. Yes, so it feels 18 00:00:52,080 --> 00:00:53,560 Speaker 3: like we're right here. 19 00:00:53,560 --> 00:00:54,480 Speaker 1: And you're balancing. 20 00:00:55,040 --> 00:00:57,480 Speaker 3: At any moment, it's going to go in the two ways. 21 00:00:57,960 --> 00:01:00,320 Speaker 1: Sure, you know. 22 00:01:00,400 --> 00:01:02,480 Speaker 3: I was talking with the head of Live Nation, who's 23 00:01:02,520 --> 00:01:05,600 Speaker 3: the big touring company here, two days ago, asking him 24 00:01:05,640 --> 00:01:08,560 Speaker 3: about traveling around the world. I mean, look, we had 25 00:01:09,080 --> 00:01:12,880 Speaker 3: three weeks planned in Europe in September, Budapest just pulled 26 00:01:12,880 --> 00:01:17,400 Speaker 3: out yep, because now we're being told as Americans that 27 00:01:17,400 --> 00:01:19,800 Speaker 3: that Spain is off the table. We can't go to Spain. 28 00:01:19,800 --> 00:01:26,000 Speaker 3: And so I would say that America, our vaccination rate 29 00:01:26,080 --> 00:01:29,120 Speaker 3: is definitely ahead of a lot of the world. But 30 00:01:29,200 --> 00:01:32,840 Speaker 3: there's America is two different countries. Yeah, and one half 31 00:01:32,880 --> 00:01:36,640 Speaker 3: of the country is still very flippantly anti vax yes, 32 00:01:36,760 --> 00:01:39,600 Speaker 3: So yeah, it depends on where you go in the country. Man, 33 00:01:39,640 --> 00:01:41,679 Speaker 3: if you go to Texas or Florida. Right now, we 34 00:01:41,800 --> 00:01:44,160 Speaker 3: just had another show in Florida, cancel because Florida is 35 00:01:44,200 --> 00:01:46,160 Speaker 3: now exploded with COVID, Like. 36 00:01:46,120 --> 00:01:47,960 Speaker 1: California just doing well. 37 00:01:48,160 --> 00:01:50,960 Speaker 3: California is doing well, and fortunately those are the two 38 00:01:50,960 --> 00:01:52,320 Speaker 3: places I spend the most time in. 39 00:01:52,920 --> 00:01:54,280 Speaker 2: The Other one I want to talk to you about is 40 00:01:54,280 --> 00:01:57,320 Speaker 2: the MIT Gala. I'm fascinated by this aline. It's a 41 00:01:57,400 --> 00:01:58,040 Speaker 2: huge event. 42 00:01:58,160 --> 00:02:00,360 Speaker 1: Is it a good night out? Do you relate so 43 00:02:00,480 --> 00:02:03,320 Speaker 1: rah the celebrities too big ron for you to actually 44 00:02:03,440 --> 00:02:06,720 Speaker 1: enjoy the night? What's it like? All those all. 45 00:02:06,560 --> 00:02:10,200 Speaker 3: Those events to me are stressful. 46 00:02:10,240 --> 00:02:13,160 Speaker 4: I wish I could say they're stress Why they're stressful? 47 00:02:13,560 --> 00:02:15,560 Speaker 3: I don't love stuff like that, like even the Grammys. 48 00:02:15,560 --> 00:02:18,400 Speaker 3: I've been going to the Grammys since two thousand and six, 49 00:02:18,760 --> 00:02:23,160 Speaker 3: and I have I have so much anxiety and stress 50 00:02:23,280 --> 00:02:29,000 Speaker 3: because it's it's too it's sensory overload, right, and it's 51 00:02:29,040 --> 00:02:32,960 Speaker 3: a lot of peacocking. Also, I've been in the music 52 00:02:32,960 --> 00:02:36,480 Speaker 3: industry long enough I worked with enough people that when 53 00:02:36,480 --> 00:02:40,680 Speaker 3: if you throw me in to a room, I'm one 54 00:02:40,720 --> 00:02:43,640 Speaker 3: of the few people in that room that has collaborated 55 00:02:43,760 --> 00:02:48,239 Speaker 3: with like half of the room. And for me, it 56 00:02:48,360 --> 00:02:53,160 Speaker 3: just becomes this like onslaught of conversations. It's like I 57 00:02:53,240 --> 00:02:56,359 Speaker 3: literally all I'm thinking from the moment I get there 58 00:02:56,440 --> 00:02:57,920 Speaker 3: is like, when are we leaving? 59 00:02:58,280 --> 00:03:02,560 Speaker 4: I was like, make can we talk music? We were 60 00:03:02,600 --> 00:03:06,080 Speaker 4: talking the other day about the sky Max and you 61 00:03:06,200 --> 00:03:08,000 Speaker 4: know who I'm talking about. I forgot his last name, 62 00:03:08,000 --> 00:03:11,680 Speaker 4: but he's and how he's He's produced a lot of songs, 63 00:03:11,680 --> 00:03:14,160 Speaker 4: but he has that algorithm or sort of let's call 64 00:03:14,200 --> 00:03:18,760 Speaker 4: it an equation, which is successful for commercial music. Do 65 00:03:18,880 --> 00:03:22,760 Speaker 4: you find that you have your own equation as well? 66 00:03:23,360 --> 00:03:30,639 Speaker 3: To an extent, it's a very Scandinavian ethos. The Swedes, 67 00:03:30,760 --> 00:03:34,440 Speaker 3: especially the Swedish writers of la they all adhere to 68 00:03:35,880 --> 00:03:41,160 Speaker 3: a much more mathematical makes it sound ugly. It's it's 69 00:03:41,200 --> 00:03:43,320 Speaker 3: it's really not. It's very smart, is what it is. 70 00:03:43,800 --> 00:03:46,040 Speaker 3: But it's a it's a way of looking at a 71 00:03:46,080 --> 00:03:50,720 Speaker 3: song and understanding the relationships of the melodies, knowing exactly 72 00:03:51,200 --> 00:03:56,160 Speaker 3: like when certain melodies should start or stop in relationship 73 00:03:56,200 --> 00:03:58,600 Speaker 3: to the beat, Knowing when to repeat something, when not 74 00:03:58,640 --> 00:03:59,320 Speaker 3: to repeat something. 75 00:03:59,360 --> 00:03:59,800 Speaker 4: They're roight. 76 00:04:00,560 --> 00:04:02,440 Speaker 3: Yeah, it's a very help. 77 00:04:02,880 --> 00:04:03,440 Speaker 1: It's it is. 78 00:04:03,520 --> 00:04:06,440 Speaker 3: It is a rule book, and it's helped me tremendously 79 00:04:06,520 --> 00:04:09,680 Speaker 3: over the years. Yes, to know the rules, you also 80 00:04:09,760 --> 00:04:11,200 Speaker 3: have to know when to throw the rule book out 81 00:04:11,240 --> 00:04:14,200 Speaker 3: and break him. Guys like Pharrell Williams, like Happy or 82 00:04:14,240 --> 00:04:18,039 Speaker 3: Get Lucky or Blurredlines would never have existed if he 83 00:04:18,200 --> 00:04:22,400 Speaker 3: was following any rules. The biggest songs I would say this. 84 00:04:22,680 --> 00:04:24,360 Speaker 3: I say some of the biggest hits in the world 85 00:04:25,640 --> 00:04:28,840 Speaker 3: come from not knowing those rules and not adhering to them, 86 00:04:28,880 --> 00:04:33,200 Speaker 3: breaking the rules what Max does in his team. If 87 00:04:33,240 --> 00:04:39,760 Speaker 3: you're if the goal is to consistently sure the highest 88 00:04:39,920 --> 00:04:43,440 Speaker 3: performing songs, then using those rules helps a lot. 89 00:04:43,720 --> 00:04:46,920 Speaker 2: Can I wait, We've We've always asked about your collaborations, 90 00:04:46,960 --> 00:04:48,200 Speaker 2: right every interview that we've done. 91 00:04:48,200 --> 00:04:49,880 Speaker 1: But I want to ask you this questions. 92 00:04:49,880 --> 00:04:52,919 Speaker 2: As one of the great songwriters of all time, you sell, Fran, 93 00:04:54,160 --> 00:04:58,200 Speaker 2: what's what's the one song that you wish that you wrote? 94 00:04:59,120 --> 00:05:00,080 Speaker 3: Somebody else used to. 95 00:05:00,520 --> 00:05:04,680 Speaker 1: Astrongly and honest? Why? 96 00:05:06,040 --> 00:05:07,120 Speaker 3: Because that. 97 00:05:08,839 --> 00:05:09,440 Speaker 1: He breaks? 98 00:05:09,560 --> 00:05:15,680 Speaker 3: All right, here's again some like like perfect math. Like 99 00:05:15,680 --> 00:05:17,680 Speaker 3: if you're breaking down his song by the rule book, 100 00:05:18,120 --> 00:05:20,599 Speaker 3: the first rule that he breaks is the verses twice 101 00:05:20,600 --> 00:05:23,200 Speaker 3: as long as it should be, should have already been 102 00:05:23,200 --> 00:05:27,839 Speaker 3: into the chorus like, Okay, there's certain things he does 103 00:05:27,839 --> 00:05:31,680 Speaker 3: in there, but his lyrics, the quirkiness of it, the 104 00:05:31,760 --> 00:05:35,479 Speaker 3: fact that it's an anomaly, it's a unicorn record. That 105 00:05:35,640 --> 00:05:40,440 Speaker 3: chorus is so honest and the melody is so good. 106 00:05:40,880 --> 00:05:42,760 Speaker 3: And if you listen to their other songs that are 107 00:05:42,800 --> 00:05:45,520 Speaker 3: hit records that have been influenced by that song. If 108 00:05:45,560 --> 00:05:52,840 Speaker 3: you think about you know, somebody you know, like if 109 00:05:52,880 --> 00:05:59,719 Speaker 3: you think about like Bruno locked out of Heaven. Yes, yes, 110 00:06:00,520 --> 00:06:02,120 Speaker 3: now think about somebody I used to know. 111 00:06:03,240 --> 00:06:05,280 Speaker 1: Okay, that's fascinating. 112 00:06:05,320 --> 00:06:07,760 Speaker 2: I love the way that you look at that. But 113 00:06:08,240 --> 00:06:10,600 Speaker 2: there's so many elements to that song. You are right, 114 00:06:10,720 --> 00:06:13,240 Speaker 2: he is a genius Wally, isn't he? And this is 115 00:06:13,240 --> 00:06:15,479 Speaker 2: what we're still waiting for new music from Wally, but 116 00:06:15,520 --> 00:06:18,320 Speaker 2: this is his thing. He doesn't care what anyone thinks. 117 00:06:18,680 --> 00:06:22,120 Speaker 2: Takes his time. He's a perfectionist. Might be another five 118 00:06:22,160 --> 00:06:25,000 Speaker 2: to ten years before you or another singing from him 119 00:06:25,160 --> 00:06:25,799 Speaker 2: really interesting. 120 00:06:26,040 --> 00:06:27,119 Speaker 1: It doesn't bother him. 121 00:06:27,400 --> 00:06:29,920 Speaker 3: That's definitely my top top five of all time songs 122 00:06:29,960 --> 00:06:31,919 Speaker 3: that I mean. I have other songs I wish I wrote, 123 00:06:32,600 --> 00:06:37,039 Speaker 3: like speaking of Max Martin. My favorite weekend record of 124 00:06:37,040 --> 00:06:38,680 Speaker 3: all time is Can't Film My Face. I wish I 125 00:06:38,680 --> 00:06:39,280 Speaker 3: wrote camp Film. 126 00:06:39,400 --> 00:06:40,440 Speaker 1: Yeah. Sure, what a song. 127 00:06:40,600 --> 00:06:41,520 Speaker 3: That's a perfect song. 128 00:06:41,640 --> 00:06:44,880 Speaker 2: What a song song, Bryan Tedder, we can speak to 129 00:06:44,920 --> 00:06:48,599 Speaker 2: you all day. The new album One Republic's new album 130 00:06:48,720 --> 00:06:50,600 Speaker 2: Human is out now made. 131 00:06:50,640 --> 00:06:52,520 Speaker 1: It's so good to see it. We can't wait to 132 00:06:52,520 --> 00:06:53,160 Speaker 1: have you back here. 133 00:06:53,200 --> 00:06:56,240 Speaker 2: It might be a while, but mate, look after yourself, 134 00:06:56,320 --> 00:06:57,600 Speaker 2: Ran and thanks for coming on the show. 135 00:06:58,080 --> 00:07:01,360 Speaker 3: You two guys, hold down the fort and I'll see 136 00:07:01,400 --> 00:07:02,040 Speaker 3: you when you get out. 137 00:07:02,200 --> 00:07:05,400 Speaker 1: Say right by by. It fits in Whipper