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Speaker 1: The Fitz and with a Cake Richie podcast.

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Speaker 2: Look, I don't know if you've had a past life

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Speaker 2: read or whether you feel like you've had one, but

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Speaker 2: quite often they come to light when children talk about them.

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Speaker 2: This is because I suppose as an adult, you can

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Speaker 2: doubt people's stories talking about past lives because you think, well,

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Speaker 2: you know X, Y and Z, do you know a

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Speaker 2: bit about history? You could you could say these things.

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Speaker 1: We're not talking about. This is not where you go

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Speaker 1: on to say, oh, I was eight years old and

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Speaker 1: I found myself in a by the beach in a

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Speaker 1: school uniform, and there was cameras all around me, and

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Speaker 1: I ended up spending nineteen years there twenty So that's

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Speaker 1: sort of that's not the past life you're talking about.

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Speaker 2: No, that would be that would be another chapter of

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Speaker 2: my life.

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Speaker 3: Yeah, our knowledge chapter in thirteen twenty fourteen. If you've

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Speaker 3: had a past life, and we just have to get

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Speaker 3: it right, it is a past life. John Singleton's ringing.

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Speaker 2: For past lives.

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Speaker 1: Sorry, Johnny, old time.

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Speaker 2: That's tomorrow, mate, we'll do that tomorrow. They've they've done

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Speaker 2: this huge study because I guess what they wanted. What

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Speaker 2: they don't want to do is discount the fact that

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Speaker 2: this could be some kind of phenomenon. You know that

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Speaker 2: it's usually put down to a kid's wild imagination until

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Speaker 2: they actually start saying things that are historically.

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Speaker 3: Accurate, factual when they go into detail. That's the scary thing,

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Speaker 3: isn't it.

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Speaker 2: Yeah, Like there's a story here to kind of prove

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Speaker 2: the point is there's a young son. He's standing there,

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Speaker 2: he's pointing to a paddock. He starts talking about being

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Speaker 2: in his gum boots. He remembers being in his gum boots,

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Speaker 2: you know, up to his knees, and he starts stating

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Speaker 2: things that would have been related to a war or

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Speaker 2: somewhere you know that would have happened in that moment,

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Speaker 2: and there would be no other reason for this child

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Speaker 2: to know any of that information. It's also not it's

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Speaker 2: bordering on not being age appropriate, like this kid wouldn't

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Speaker 2: even have seen this kind of vision before. But he

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Speaker 2: seems to be spot on. I think there was this.

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Speaker 2: Wasn't there a story about David Campbell?

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Speaker 1: He had a similar story to me.

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Speaker 2: Didn't his son think he was die?

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Speaker 1: Princess died when Tech was about two. I picked him

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Speaker 1: up out of the cot and it had like an

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Speaker 1: afternoon's sleep. I was carrying him down the stairs and

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Speaker 1: he says to me, I want to go to Paris.

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Speaker 4: Were there last woke in? There's so many other lights

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Speaker 4: around Europe.

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Speaker 1: Ben says to me, I said, Paris, Why do you

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Speaker 1: want to go there? And he said I died in

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Speaker 1: a tunnel there And I went, oh, my god, what

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Speaker 1: is going on here? You're weird kid? He said, yeah,

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Speaker 1: I married this prick called Charles. No, he didn't say

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Speaker 1: that bit, but he, for one, I didn't know that

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Speaker 1: he'd ever heard of Paris. Secondly, I don't think he'd

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Speaker 1: ever knew anything about Diana making this.

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Speaker 3: Have you have you asked him about it since?

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Speaker 4: Have you questioned him now that he's a bit older

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Speaker 4: with not.

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Speaker 2: Really no, But maybe he was a princess die. Maybe

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Speaker 2: he was just a kid that worked in a you know,

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Speaker 2: the tunnels the under the city.

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Speaker 3: You should, but you should, actually, if you do go

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Speaker 3: back there with the family, you should take him through

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Speaker 3: the tunnel just to see if anything jogs his memory.

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Speaker 1: Imagine that, Imagine filming him in the car and he goes, ah,

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Speaker 1: what's going on? He goes it was here.

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Speaker 2: I don't think you should put your child through that. No,

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Speaker 2: don't say that, because he's going to try and take

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Speaker 2: us to Paris and write it off on you know.

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Speaker 1: It's a work trip.

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Speaker 2: It's a worktress. I've had my past I've read, but

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Speaker 2: this is I could have made this up. But it

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Speaker 2: was a woman who did a lot of healing and

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Speaker 2: she'd go out to the In fact, it was a woman.

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Speaker 2: Her name was Lee and she was married to Kenny

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Speaker 2: Everett for about fifteen years. Now. People might not know

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Speaker 2: who Kenny Everett is, and I won't get bogged down

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Speaker 2: in explaining it. Yeah, British bloke, and she read my

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Speaker 2: past life and I did have like a bit of

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Speaker 2: a weird outer body experience because I have a reoccurring

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Speaker 2: dream about being in the gutter and being like a rat,

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Speaker 2: not like a rat like in my like in toll

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Speaker 2: or not out outside Cuba and Oxford Street. That's not

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Speaker 2: a dream, mate.

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Speaker 1: It was two thousand and.

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Speaker 2: Anyway. Yeah, I was a kid, and maybe I died,

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Speaker 2: but you would have just been a weird dream.

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Speaker 1: When they're reoccurring dreams, it's strange, isn't it When you

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Speaker 1: keep having that same thought. So you know, somewhere in

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Speaker 1: your brain that there's something representing that moment or that

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Speaker 1: thing that you keep falling back to in your subconscious.

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Speaker 4: Yeah.

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Speaker 2: But you know what I do know about dreams is

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Speaker 2: there's nothing worth hearing about somebody.

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Speaker 3: It's right, It's right up there with Renolds.

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Speaker 1: Isn't it. We're about to do the back patio. But

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Speaker 1: you should have seen what Timmy did at soccer.

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Speaker 4: But while I've got you.

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Speaker 1: Fits in Whipper with Kate Ritchie is a Nova podcast

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