WEBVTT - Steph Tisdell Has Quit Stand Up Comedy

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<v Speaker 1>Welcome to First things First, I'm Maddie Mills. My pronouns

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<v Speaker 1>are he and him.

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<v Speaker 2>I'm Brook Blurt and my pronouns are she and her.

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<v Speaker 1>And before we get started, we'd like to acknowledge the

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<v Speaker 1>custodians of the land on which we record, and for

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<v Speaker 1>me today that's the gaddigal people of the orination.

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<v Speaker 2>And for me it's a reundery people of the cooler nation.

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<v Speaker 2>Let's get into it.

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<v Speaker 3>Let's get into it.

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<v Speaker 2>Ooh, what an exciting episode we have.

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<v Speaker 1>Oh, super exciting because off the back of hosting the

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<v Speaker 1>National NATOK Awards on Ghana Country in Adelaide, we have

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<v Speaker 1>Steph Tisdell, who is an author, actress and the best

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<v Speaker 1>stand up comedian in this country. I'm saying it, Ah,

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<v Speaker 1>you stop it right now. You know what, I'm not

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<v Speaker 1>the only person who said that. I had lunch with

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<v Speaker 1>the comedian the other day and they said to my face,

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<v Speaker 1>they said, I was so excited about having you on

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<v Speaker 1>the on the podcast Steph, And they said to me,

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<v Speaker 1>I absolutely love her. She is the best stand up

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<v Speaker 1>comedian in this country and she doesn't do stand up anymore.

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<v Speaker 4>You gonna tell me who said that?

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<v Speaker 3>Oh, I will if you got to dollars.

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<v Speaker 2>Bargaining?

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<v Speaker 1>What that?

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<v Speaker 2>So you're not doing a stand up anymore.

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<v Speaker 4>I can't do it. It's too it's too hard, I think

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<v Speaker 4>to be a black woman in comedy, it's brutal. I

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<v Speaker 4>think being a black profile person in general, you followers

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<v Speaker 4>must cop it too. But I think when you're you know,

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<v Speaker 4>when you're trying to find a funny edge for hard stuff,

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<v Speaker 4>then you're not only open to flat from white fellows,

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<v Speaker 4>but mob too, because it's very hard to make sure

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<v Speaker 4>you're getting getting across the important stuff without saying the

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<v Speaker 4>wrong things or accidentally, you know, just it's so easy

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<v Speaker 4>to try and make a point for people to listen

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<v Speaker 4>to it, and then actually just being disrespectful, making it

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<v Speaker 4>seem like you're laughing at things that are really tough

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<v Speaker 4>for our mop And I just couldn't. I couldn't do

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<v Speaker 4>that anymore. So scared, and there are so many reasons

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<v Speaker 4>why I left. But I'm happy without it, if I'm honest.

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<v Speaker 3>Oh well, that's good to know.

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<v Speaker 1>I mean, like, you know, you've obviously gone on to achieve,

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<v Speaker 1>you know, massive things in your career as well.

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<v Speaker 3>After stand up?

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<v Speaker 1>What is the difference between being on a set and

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<v Speaker 1>a controlled environment to being out there and being so

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<v Speaker 1>vulnerable in front of a crowd. Is it the fact

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<v Speaker 1>that you don't know what you're going to get.

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<v Speaker 4>I think it's some the feeling of collaboration and community.

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<v Speaker 4>I think that's the big I think like support right,

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<v Speaker 4>Like it's it's so weird. I remember I was having

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<v Speaker 4>a chat with somebody about stand up and I tell

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<v Speaker 4>everybody that I ever meet that they should do it

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<v Speaker 4>because I'm a very anxious person, a very soft person,

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<v Speaker 4>and quite insecure, you know, And I kind of always

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<v Speaker 4>just think stand up is the most intimate thing that

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<v Speaker 4>you will ever do. In the least intimate setting, is

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<v Speaker 4>the most vulnerable thing.

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<v Speaker 5>Oh yeah, I can only imagine you're literally like the

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<v Speaker 5>person running into the burning house us.

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<v Speaker 4>But on stage that I won't tell people in your

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<v Speaker 4>daily level, it feels too close. But when you've got

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<v Speaker 4>that sort of that cover of well I'm trying to

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<v Speaker 4>make people laugh, like it feels very outside of yourself.

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<v Speaker 4>But I think it's like it's so lonely because you

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<v Speaker 4>get off stage and you've just put every answer of

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<v Speaker 4>energy that you have in your body into putting an

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<v Speaker 4>energy into the crowd. That's the big thing as well,

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<v Speaker 4>I think is that above anything else, I just want

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<v Speaker 4>to make people feel loved. So you're like burning out

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<v Speaker 4>everything that you got and then afterwards you're really tired

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<v Speaker 4>and people want to yarn to you and they want

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<v Speaker 4>you to be funny, but by then you're not funny,

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<v Speaker 4>Like you've done the funny.

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<v Speaker 2>Yeah, you're gassed out, ye, empty the tank, Like, yeah.

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<v Speaker 4>That's when you're a little nervous self doubt person comes out.

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<v Speaker 4>And then you go to home alone, to little the

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<v Speaker 4>lonely little hotel room and early flights and late nights and.

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<v Speaker 5>It's not as glamorous as you're sort of saying, like,

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<v Speaker 5>it's not anywhere glamorous.

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<v Speaker 3>Yeah, don't you.

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<v Speaker 1>Think that's the Like that's the industry in general, right,

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<v Speaker 1>It's like mirrors sell the dream, Like so much of

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<v Speaker 1>our job is to create, you know, and it's an idea,

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<v Speaker 1>it's a it's a fantasy for people outside of the

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<v Speaker 1>industry to buy into.

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<v Speaker 3>It's like that you've got to get them to drink

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<v Speaker 3>the kool aid.

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<v Speaker 1>Yes, drink the cool But I know that you know,

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<v Speaker 1>you've been on our screens and we've seen you in

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<v Speaker 1>you know a number of different shows, but can you

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<v Speaker 1>give our viewers, our listeners at home a little insight

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<v Speaker 1>to who you are?

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<v Speaker 3>Well, who's your mob? Where you're from?

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<v Speaker 4>Yes, so I'm a very proud you didn't woman. So

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<v Speaker 4>my people are from fine North Queensland on the Athoden Tableland,

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<v Speaker 4>Younger Bar area in particular, Sorr. That's my birds going

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<v Speaker 4>off from the background when I stept to tell and

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<v Speaker 4>I am this year, that's disgusting.

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<v Speaker 2>I'm Nellie, I'm Nellie. There be there.

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<v Speaker 1>I know. I'm happy to get old like wrinkles. That's

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<v Speaker 1>why I'm going to get botox, but I'm happy to get.

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<v Speaker 4>Black.

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<v Speaker 5>Don't crack but he's like, yeah, literally, the boatos will

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<v Speaker 5>fill the cracks.

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<v Speaker 2>You're so fun.

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<v Speaker 1>Someone said on RuPaul's Drag Race. They reckon black, don't crack,

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<v Speaker 1>but do droop.

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<v Speaker 6>That is I mostly grew up in Brisbane, but yeah,

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<v Speaker 6>I was born in man Eiser on like Calcadoon country.

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<v Speaker 4>Now I just kick around in Brisbane. That's me.

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<v Speaker 2>Man Eiser is Calcadoon country, is it.

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<v Speaker 5>Yeah? Yeah, I've been out to man Eyes. I went,

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<v Speaker 5>oh god, I went to a muster that was interesting.

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<v Speaker 2>Really, Yeah, living out on the farm.

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<v Speaker 5>I was like, yeah, okay, I'm going to my yeah, by.

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<v Speaker 3>The master cattle.

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<v Speaker 2>Yeah, yeah, yeah, cattle cows.

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<v Speaker 5>That's what I'm thinking of, cows, my family, Steph.

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<v Speaker 1>One thing that I found really interesting when doing a

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<v Speaker 1>bit of research is the fact that you wanted to

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<v Speaker 1>be a lawyer, which seems so far from where you

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<v Speaker 1>are right now in terms of you know that being

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<v Speaker 1>a lawyer isn't you know, that creative.

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<v Speaker 3>It's more, you know, strategical.

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<v Speaker 2>I suppose what policy and reading, what inspired.

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<v Speaker 3>The change and actually what inspired you to want to

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<v Speaker 3>be a lawyer?

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<v Speaker 4>Do you know what? I think it's it's that age

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<v Speaker 4>old thing. Everything's gonna say is going to make me

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<v Speaker 4>sound like wanka Now.

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<v Speaker 2>No, it's a safe place. This is a safe place.

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<v Speaker 2>We you sound like wankas every day.

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<v Speaker 4>I was a bit of an overachiever, you know, like

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<v Speaker 4>I found school really easy, Like I just liked sort

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<v Speaker 4>of academia, I guess, and I think it's one of

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<v Speaker 4>those things when people tell you that you're clever or whatever,

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<v Speaker 4>you go better do something clever. Then you know, oh yeah,

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<v Speaker 4>I knew. I knew that I was just a little weirder,

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<v Speaker 4>a little creative, weirder, but you kind of go, oh, well,

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<v Speaker 4>I could do whatever. And I was so passionate, like

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<v Speaker 4>I grew up. I grew up with so much privilege

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<v Speaker 4>in Brisbane, and I just always thought, man, I've been

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<v Speaker 4>given this privilege. I better do so much for mob

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<v Speaker 4>And I thought, you know, I've had so many opportunities

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<v Speaker 4>that so many of our people don't get. And so

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<v Speaker 4>if I don't, you know, use it to get a

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<v Speaker 4>degree where people will listen to me and I can

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<v Speaker 4>write policy and even enter politics. I was like, I

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<v Speaker 4>want to do stuff because you know, when you grow

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<v Speaker 4>up in a really whiteweb around white follows you speak,

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<v Speaker 4>you grow up you know, knowing how to work walk

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<v Speaker 4>in that world. Yeah, and I thought, well, that's going

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<v Speaker 4>to be my secret superpower, you know, And so I

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<v Speaker 4>wanted to That's why I did what, you know, So

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<v Speaker 4>I studied a jewel of law of journalism and then

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<v Speaker 4>I dropped out two and a half years in to

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<v Speaker 4>a five year degree. Like the idiot that I am.

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<v Speaker 5>Ah, could you ever go back? Would you ever consider

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<v Speaker 5>going back or finishing I can.

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<v Speaker 4>Get every degree that's ever been done in.

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<v Speaker 1>The entire.

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<v Speaker 2>I know, it's so fun. I think.

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<v Speaker 5>I think I already got a degree in so many

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<v Speaker 5>things already in my mind, I'm.

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<v Speaker 2>Like, I can do that.

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<v Speaker 4>TikTok's diagnosing everyone.

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<v Speaker 2>Yeah, yeah, yeah, yeah.

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<v Speaker 4>I just I just I realized it wasn't for me,

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<v Speaker 4>or it wasn't you know, like I was always really

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<v Speaker 4>sort of led by justice and wanting to do good things,

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<v Speaker 4>and I was like, oh, that's right. Law isn't about justice.

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<v Speaker 4>Law is about precedent and law and money and ownership,

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<v Speaker 4>and it just really kind of and I wasn't. I

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<v Speaker 4>didn't do very well at it because you actually had

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<v Speaker 4>to try, because it was all self led learning and yeah,

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<v Speaker 4>be like whatever, I'll just do some work in class,

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<v Speaker 4>and you know, could get by. And all of a sudden,

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<v Speaker 4>it was like, I don't fit here. I went to

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<v Speaker 4>UQ and it's a bit pretentious in a lot of ways,

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<v Speaker 4>you know, and I just went to a public school,

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<v Speaker 4>and I was just like, I don't fit here. I

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<v Speaker 4>honestly had a big breakdown and then went traveling and

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<v Speaker 4>got dared to do stand up as a joke, and

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<v Speaker 4>I just stood up on a chair and a random

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<v Speaker 4>room did some stand up and it went well. And

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<v Speaker 4>that was literally how everything happened. And then it's just

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<v Speaker 4>been one of those things where everything is aligned after

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<v Speaker 4>that moment and it's like, yeah, that wasn't my path.

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<v Speaker 5>That like ripple effect of like that one moment and

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<v Speaker 5>then yeah, taking an opportunity and then keep there's that

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<v Speaker 5>sort of like yeah, the role on a factor from

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<v Speaker 5>that experience.

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<v Speaker 4>Yeah, it was just that thing of like I was

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<v Speaker 4>sort of confronted with I guess all of the ways

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<v Speaker 4>that I needed to decolonize myself because I was in

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<v Speaker 4>this space. Gone, Man, I've been drinking their kool aid

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<v Speaker 4>for a while. Why is nobody Why is nobody up

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<v Speaker 4>in arms about the stuff that we're learning, Like, you know,

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<v Speaker 4>like why is everyone okay with this course that we're

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<v Speaker 4>doing where we're learning how to find loopholes in legal writing?

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<v Speaker 4>Why is everyone okay with policies that only serve to help,

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<v Speaker 4>you know, defend or get big corporations off. Why are

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<v Speaker 4>we learning about this? Why is this course that we

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<v Speaker 4>did about the Constitution? Why are we learning about terrnalius

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<v Speaker 4>in such a fucking lacking in empathy or emotionality, Like

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<v Speaker 4>like it's just a legal term and it was awful.

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<v Speaker 4>I was just like, why is nobody else upset and

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<v Speaker 4>enraged by this? And it just kind of hit everything,

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<v Speaker 4>and I thought, oh, that's right, because you know, growing up,

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<v Speaker 4>you just go, well, I'm I'm just going to make

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<v Speaker 4>sure that I float will survive, or you know, swim here,

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<v Speaker 4>and then you go, oh, I've been swimming like these

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<v Speaker 4>white follows this whole time.

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<v Speaker 3>Well, that's what I wanted to ask.

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<v Speaker 1>You spoke about privilege, you know, and I think that

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<v Speaker 1>that's something that will be, you know, shocking to hear

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<v Speaker 1>for some of our listeners that a black fellow is

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<v Speaker 1>talking about the privilege they had, because a lot of

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<v Speaker 1>the time we get painted with this disadvantage brush, or

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<v Speaker 1>you know, we're talking about the challenges. You so openly

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<v Speaker 1>speak about this privilege that you grew up with.

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<v Speaker 3>What did that look like for you?

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<v Speaker 1>And how have you used it to combat those our

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<v Speaker 1>challenges as a community.

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<v Speaker 4>Well, I think it's one of these things where there's

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<v Speaker 4>it's always a double sided coin, right, because I recognize

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<v Speaker 4>just by one, I'm light skin, Two I grew up

0:11:40.400 --> 0:11:43.959
<v Speaker 4>in a white suburb, so I spoke like white follows.

0:11:44.240 --> 0:11:48.280
<v Speaker 4>And three my parents had a successful business, right, and

0:11:48.360 --> 0:11:53.520
<v Speaker 4>so I could operate in that world without people questioning

0:11:53.559 --> 0:11:55.880
<v Speaker 4>me too much, or at least I didn't question them

0:11:55.960 --> 0:12:00.040
<v Speaker 4>questioning it because you just want to fit right. But

0:12:00.080 --> 0:12:02.520
<v Speaker 4>the other side of that is that it came with

0:12:02.600 --> 0:12:08.840
<v Speaker 4>a lot of negative or the disadvantages. Like I grew

0:12:08.880 --> 0:12:12.240
<v Speaker 4>up in Brisbane, away from country. The suburb that we

0:12:12.240 --> 0:12:14.360
<v Speaker 4>were in didn't have a lot of black ballers in it.

0:12:14.640 --> 0:12:16.440
<v Speaker 4>Me and my brothers were the only black kids at

0:12:16.480 --> 0:12:22.720
<v Speaker 4>the school. It was so whitewashed. If I ever questioned things,

0:12:23.040 --> 0:12:26.000
<v Speaker 4>I was really the odd one out. It required me

0:12:26.040 --> 0:12:27.560
<v Speaker 4>to have a lot of bravery that I didn't know

0:12:27.600 --> 0:12:31.920
<v Speaker 4>how to inhibit at a young age. And it also

0:12:32.000 --> 0:12:36.760
<v Speaker 4>meant that, yeah that I think I had to do

0:12:36.800 --> 0:12:41.880
<v Speaker 4>a lot of the sort of cultural journey exploration.

0:12:42.559 --> 0:12:44.000
<v Speaker 2>Yeah yeah, and it's.

0:12:43.840 --> 0:12:46.680
<v Speaker 4>After you've kind of tried to carve out your identity

0:12:46.679 --> 0:12:50.920
<v Speaker 4>as a person and so then it's kind of tainted

0:12:50.920 --> 0:12:52.760
<v Speaker 4>with this, Oh my god, am I doing this correctly?

0:12:53.320 --> 0:12:56.440
<v Speaker 4>And that's kind of been what's plagued me through my career.

0:12:56.480 --> 0:13:00.400
<v Speaker 4>I think it's just that identity struggle of I'm who

0:13:00.440 --> 0:13:02.319
<v Speaker 4>I am, and I know that I don't need to

0:13:02.360 --> 0:13:06.960
<v Speaker 4>earn my blackness, but I don't like that it failure

0:13:07.040 --> 0:13:12.920
<v Speaker 4>thinks that my blackness is somehow undermined by what I've

0:13:13.000 --> 0:13:15.640
<v Speaker 4>what I've been through, because actually, my mum was so

0:13:15.679 --> 0:13:18.440
<v Speaker 4>passionate about making sure that we had access to everything

0:13:19.240 --> 0:13:23.280
<v Speaker 4>because of all of the access that that my ancestors

0:13:23.280 --> 0:13:23.679
<v Speaker 4>didn't have.

0:13:24.800 --> 0:13:29.600
<v Speaker 1>You know, yeah, I wonder if you use that insight

0:13:29.679 --> 0:13:31.560
<v Speaker 1>that you had all that privilege that you talk about,

0:13:31.679 --> 0:13:35.240
<v Speaker 1>as you know, weapons within your comedy to make fun

0:13:35.360 --> 0:13:36.760
<v Speaker 1>of white fellas.

0:13:36.800 --> 0:13:44.120
<v Speaker 4>And here's the whole thing, right, It's like, I think

0:13:44.200 --> 0:13:46.520
<v Speaker 4>the what made comedy really hard as well is that

0:13:46.600 --> 0:13:50.439
<v Speaker 4>I remember kind of having this conversation with myself about

0:13:51.000 --> 0:13:56.880
<v Speaker 4>like who's my audience, and going, you know what black

0:13:56.880 --> 0:13:59.360
<v Speaker 4>Father's going to put me? Always I'm black, I know

0:13:59.480 --> 0:14:02.160
<v Speaker 4>what it's like to be black. And then I thought

0:14:03.280 --> 0:14:04.960
<v Speaker 4>the people who I really want to hit between the

0:14:05.000 --> 0:14:08.240
<v Speaker 4>eyes or white follows, but to hid them between the eyes,

0:14:08.280 --> 0:14:10.160
<v Speaker 4>you got to get them to watch. And so it

0:14:10.320 --> 0:14:13.120
<v Speaker 4>was like it was a really hard line to walk of,

0:14:13.200 --> 0:14:15.360
<v Speaker 4>like I don't want to whitewash myself, but at the

0:14:15.360 --> 0:14:18.320
<v Speaker 4>same time, I'm not preaching to the converted, because I

0:14:18.360 --> 0:14:20.680
<v Speaker 4>know that I can go out into the community and

0:14:21.240 --> 0:14:23.280
<v Speaker 4>do whatever I want to do, like because I can,

0:14:23.840 --> 0:14:26.360
<v Speaker 4>I know how to talk with black fallows. But as

0:14:26.400 --> 0:14:29.160
<v Speaker 4>soon as you kind of make a decision almost in

0:14:29.200 --> 0:14:32.560
<v Speaker 4>your head to try and attack the mainstream, it does

0:14:32.600 --> 0:14:37.120
<v Speaker 4>feel like you've lost part of your strength as a

0:14:37.120 --> 0:14:38.680
<v Speaker 4>black woman. But I don't know, it was all of

0:14:38.680 --> 0:14:41.200
<v Speaker 4>that stuff, and it just you know, when it's acting

0:14:41.200 --> 0:14:44.120
<v Speaker 4>and stuff like that, you can put your little sank

0:14:44.160 --> 0:14:47.480
<v Speaker 4>on it, but when it's stand up, every word is

0:14:47.520 --> 0:14:48.000
<v Speaker 4>part of it.

0:14:48.480 --> 0:14:49.120
<v Speaker 3>Yeah.

0:14:49.160 --> 0:14:50.920
<v Speaker 5>I feel like Maddie and I feel the same way

0:14:50.920 --> 0:14:58.120
<v Speaker 5>in that sense, like we know, like we know whoere audience,

0:14:58.240 --> 0:15:02.120
<v Speaker 5>our audience is. We're trying to like get you know,

0:15:03.120 --> 0:15:08.520
<v Speaker 5>the white people to white the white people gathers the

0:15:08.720 --> 0:15:12.760
<v Speaker 5>watchers to listen to the same like our podcast per

0:15:12.760 --> 0:15:15.920
<v Speaker 5>se because as an example, it's like how do we

0:15:16.600 --> 0:15:20.560
<v Speaker 5>not cater ourselves to that? But because like innately we're

0:15:20.840 --> 0:15:23.360
<v Speaker 5>black and we're really proud and we're like, you know,

0:15:23.720 --> 0:15:25.040
<v Speaker 5>we know who we are.

0:15:25.320 --> 0:15:26.920
<v Speaker 2>But it's like, how do we get other people to

0:15:27.000 --> 0:15:31.000
<v Speaker 2>listen like we get really yeah, right.

0:15:31.000 --> 0:15:34.640
<v Speaker 4>Because you've got a normal Like I was laughing when

0:15:34.640 --> 0:15:36.800
<v Speaker 4>I did the broadcast Bernado. I had to laugh because

0:15:36.800 --> 0:15:40.440
<v Speaker 4>I was like, you know, it's real friendly to be

0:15:40.520 --> 0:15:43.720
<v Speaker 4>black right now, like man no galic creative got their

0:15:43.720 --> 0:15:46.960
<v Speaker 4>reusable bags and coals like which is deadly. I love

0:15:47.320 --> 0:15:50.040
<v Speaker 4>from Nongala. But I had to laugh because I was like,

0:15:50.640 --> 0:15:53.640
<v Speaker 4>but still, it's like people don't really know us or

0:15:53.680 --> 0:15:56.520
<v Speaker 4>really listen, right, And so I said, look, you want

0:15:56.520 --> 0:15:58.200
<v Speaker 4>to know how much they don't listen. He's a live

0:15:58.240 --> 0:16:00.560
<v Speaker 4>broadcast on ABC, and I'm going to say and they

0:16:00.640 --> 0:16:05.480
<v Speaker 4>got no rules and the crowd loved it. But people

0:16:05.520 --> 0:16:10.400
<v Speaker 4>at home going swear, yeah, yeah, was.

0:16:10.320 --> 0:16:18.320
<v Speaker 5>It Nookie that said boodoo on? Yes, Yes, that's so funny.

0:16:17.880 --> 0:16:21.720
<v Speaker 3>Quoting and speaks. I'm like, oh gosh, that is amazing.

0:16:21.880 --> 0:16:24.720
<v Speaker 2>That was that was life changing.

0:16:26.560 --> 0:16:28.360
<v Speaker 5>Actually, the funny thing is, you know, I have a

0:16:28.440 --> 0:16:30.920
<v Speaker 5>saying stuff and maybe this is also playing.

0:16:31.560 --> 0:16:32.720
<v Speaker 2>I guess what you're talking is.

0:16:32.720 --> 0:16:37.480
<v Speaker 5>Like I think if you don't laugh, you'll cry, and exactly,

0:16:37.480 --> 0:16:39.200
<v Speaker 5>and I think, like, you know what, just laugh it

0:16:39.200 --> 0:16:41.640
<v Speaker 5>off because you laugh, you won't cry.

0:16:41.960 --> 0:16:44.480
<v Speaker 1>My over here is the full spectrum of emotion. She

0:16:44.560 --> 0:16:47.200
<v Speaker 1>loves to laugh and cry the same time.

0:16:47.520 --> 0:16:50.600
<v Speaker 2>Yes, but I think my dad's y at.

0:16:50.480 --> 0:16:55.600
<v Speaker 5>The moment, and we we I think we quote Uncle

0:16:56.160 --> 0:17:00.360
<v Speaker 5>Ernie didn't go he says something about like when you

0:17:00.400 --> 0:17:04.520
<v Speaker 5>start laughing at yourself, that's when the healing can start.

0:17:06.240 --> 0:17:09.840
<v Speaker 4>Yeah, but it's so true. And like my family, Like

0:17:09.920 --> 0:17:13.720
<v Speaker 4>my family, they're all weirdos. We always laugh at difficult

0:17:13.760 --> 0:17:14.840
<v Speaker 4>but like the harder.

0:17:14.640 --> 0:17:20.000
<v Speaker 2>Ay, even normal normal does not exist. I hate this

0:17:20.040 --> 0:17:20.800
<v Speaker 2>thing of like.

0:17:21.080 --> 0:17:24.920
<v Speaker 5>Being normal, Like I'm it's better.

0:17:24.800 --> 0:17:26.159
<v Speaker 4>Than a normal person.

0:17:26.800 --> 0:17:32.120
<v Speaker 1>Who who Yeah, yeah, I mean, I just love when

0:17:32.160 --> 0:17:35.080
<v Speaker 1>black follows are together. Like I had an experience where,

0:17:35.320 --> 0:17:37.560
<v Speaker 1>you know, I was at an award show and I

0:17:37.560 --> 0:17:39.600
<v Speaker 1>was feeling quite uncomfortable. I was feeling like a bit

0:17:39.640 --> 0:17:41.119
<v Speaker 1>out of place. This was not long ago, this a

0:17:41.160 --> 0:17:42.920
<v Speaker 1>couple of weeks ago, and I was feeling like, oh,

0:17:42.960 --> 0:17:44.440
<v Speaker 1>I really didn't want to be there. But as soon

0:17:44.480 --> 0:17:47.520
<v Speaker 1>as I found my crew, I laughed. It was you know,

0:17:47.680 --> 0:17:51.800
<v Speaker 1>the poorer. It was Barker and Barker's Barker's mob who

0:17:51.800 --> 0:17:54.399
<v Speaker 1>were there. We laughed for a good hour straight. I

0:17:54.560 --> 0:17:58.200
<v Speaker 1>left there just on a high, like I had taken

0:17:58.280 --> 0:18:03.240
<v Speaker 1>drugs and black Joy for me, like filled my cup

0:18:03.280 --> 0:18:05.680
<v Speaker 1>immediately and I could, like I swear, I could live

0:18:05.720 --> 0:18:07.600
<v Speaker 1>off that feeling for the rest of my life.

0:18:07.640 --> 0:18:13.320
<v Speaker 4>Like you mentioned their uncle Ernie Dingo, funniest moment I

0:18:13.359 --> 0:18:15.600
<v Speaker 4>went to the Logis a couple of years ago, that

0:18:15.840 --> 0:18:19.560
<v Speaker 4>infamous annoying interview that we had was up with You, Maddie,

0:18:20.000 --> 0:18:22.359
<v Speaker 4>where I was like I found I didn't know I

0:18:22.440 --> 0:18:24.560
<v Speaker 4>was being recorded. I was like, I just suck this

0:18:24.720 --> 0:18:25.640
<v Speaker 4>dress it just a bit.

0:18:26.240 --> 0:18:28.800
<v Speaker 2>Yes, Yes, that was me.

0:18:30.880 --> 0:18:33.040
<v Speaker 4>When I was feeling really like out of place.

0:18:33.119 --> 0:18:34.800
<v Speaker 3>And it was on the Gold Coast, wasn't it.

0:18:35.000 --> 0:18:35.960
<v Speaker 4>Yeah? Yeah, Gold Coast.

0:18:36.040 --> 0:18:36.840
<v Speaker 3>Yeah.

0:18:36.880 --> 0:18:40.280
<v Speaker 4>And then we're in the we're in the hotel like

0:18:40.520 --> 0:18:42.840
<v Speaker 4>waiting to they got the limos to pick us up

0:18:42.840 --> 0:18:44.760
<v Speaker 4>and that, and we're in the hotel and I'm kind

0:18:44.760 --> 0:18:49.120
<v Speaker 4>of standing there alone and Uncle Ernie walks downstairs. Hey,

0:18:49.600 --> 0:18:58.200
<v Speaker 4>my face into one corner and we were all just laughing.

0:18:58.440 --> 0:19:01.240
<v Speaker 4>And then when we rock up there it was me,

0:19:02.640 --> 0:19:06.760
<v Speaker 4>Tony Armstrong, Dead Maulman, and I think it was just

0:19:06.880 --> 0:19:09.520
<v Speaker 4>us through somebody else anyway. And they had these little

0:19:09.560 --> 0:19:12.720
<v Speaker 4>golden golf carts with people all dressed up in golf

0:19:13.000 --> 0:19:14.479
<v Speaker 4>and we were like, we're getting in one of them,

0:19:14.520 --> 0:19:16.240
<v Speaker 4>and everybody else was ignoring them, and I was like,

0:19:16.400 --> 0:19:18.119
<v Speaker 4>we're getting in one of them. So we jump in

0:19:18.160 --> 0:19:21.240
<v Speaker 4>and we're waving up the window going goodbybe plans and

0:19:21.240 --> 0:19:24.040
<v Speaker 4>then we realised the golf cart drove us for forty

0:19:24.080 --> 0:19:26.080
<v Speaker 4>meters and it was the most embarrassed. It was like

0:19:26.160 --> 0:19:27.679
<v Speaker 4>as slow as everybody walking.

0:19:31.680 --> 0:19:34.359
<v Speaker 3>That is myiconic.

0:19:35.480 --> 0:19:37.119
<v Speaker 1>You know when you do see a black collow in

0:19:37.160 --> 0:19:39.560
<v Speaker 1>that space or in the in this industry, there is

0:19:39.560 --> 0:19:42.439
<v Speaker 1>that safe element of all look, let's band together. You know,

0:19:42.520 --> 0:19:45.320
<v Speaker 1>we can protect each other in this vibe, in this moment.

0:19:45.359 --> 0:19:47.639
<v Speaker 1>But for you in comedy, it must be even worse.

0:19:47.680 --> 0:19:49.879
<v Speaker 1>I mean, as a First Nations woman in comedy, does it,

0:19:50.280 --> 0:19:53.120
<v Speaker 1>you know, get any more isolating than that? Well?

0:19:53.160 --> 0:19:54.760
<v Speaker 4>I mean like I did a lot of touring with

0:19:54.840 --> 0:19:57.479
<v Speaker 4>the Aboriginal comedy All Stars, which was my favorite thing

0:19:57.520 --> 0:20:00.800
<v Speaker 4>in the whole world. Like there's a comedian and Crepinery

0:20:01.800 --> 0:20:05.000
<v Speaker 4>and Andy Saunders as well, and their real mentors to

0:20:05.040 --> 0:20:10.000
<v Speaker 4>me just uncles who who just you know. I always

0:20:10.000 --> 0:20:14.239
<v Speaker 4>had this fear that I wasn't I'd left it too

0:20:14.359 --> 0:20:18.400
<v Speaker 4>late to fit or something because of how I grew

0:20:18.480 --> 0:20:20.680
<v Speaker 4>up or something. And they were like, no, you don't know.

0:20:20.720 --> 0:20:24.160
<v Speaker 4>And your blackness is like that's in your blood, that's

0:20:24.200 --> 0:20:26.640
<v Speaker 4>in your skin, your bones, your spirit, like your old

0:20:26.640 --> 0:20:30.240
<v Speaker 4>people give you that and so they kind of, you know,

0:20:30.359 --> 0:20:33.200
<v Speaker 4>really celebrated the diversity that we had within the group,

0:20:33.760 --> 0:20:36.120
<v Speaker 4>and that was something I was really passionate about as well.

0:20:36.119 --> 0:20:38.280
<v Speaker 4>It's like, we have a lot of MOB who do

0:20:38.359 --> 0:20:43.320
<v Speaker 4>grow up in metropolitan areas feeling disconnected and it doesn't

0:20:43.440 --> 0:20:47.000
<v Speaker 4>undermine our blackness and who we are and the ways

0:20:47.000 --> 0:20:51.439
<v Speaker 4>we represent MOB because it's not our fault that policies.

0:20:52.000 --> 0:20:54.520
<v Speaker 4>You know that there was choices that had to be

0:20:54.840 --> 0:20:57.320
<v Speaker 4>you know, I mean, you guys get it. But I

0:20:57.400 --> 0:20:59.639
<v Speaker 4>got to deal with the All Stars a lot, and

0:20:59.680 --> 0:21:02.720
<v Speaker 4>that was I felt the best, you know, But when

0:21:02.720 --> 0:21:06.879
<v Speaker 4>it came to touring with like White Fellows or I

0:21:06.920 --> 0:21:09.800
<v Speaker 4>had this really funny moment. Man, it was so cringe.

0:21:10.440 --> 0:21:13.840
<v Speaker 4>I was doing Melbourne Comedy Festival road show and we

0:21:13.880 --> 0:21:17.600
<v Speaker 4>were going to CALGOOLEI which has that famous big super

0:21:17.640 --> 0:21:20.720
<v Speaker 4>pit or whatever. Yeah, I have a big hole, yeah,

0:21:20.760 --> 0:21:23.400
<v Speaker 4>the big hole. And so everyone goes, oh, we've been

0:21:23.440 --> 0:21:26.280
<v Speaker 4>to the biggest hole in Australia and also the super pit.

0:21:27.080 --> 0:21:31.600
<v Speaker 4>I said, right as a joke, I said, yeah, We've

0:21:31.600 --> 0:21:34.919
<v Speaker 4>been to the biggest hole with the biggest hole, and

0:21:34.960 --> 0:21:37.119
<v Speaker 4>everyone thought that I was calling out to a manager

0:21:37.160 --> 0:21:42.840
<v Speaker 4>a slut and I was like guys.

0:21:43.080 --> 0:21:44.560
<v Speaker 2>My felabanta.

0:21:44.880 --> 0:21:47.320
<v Speaker 4>Yeah, so look that everyone gave me and I was like, no,

0:21:47.400 --> 0:21:53.600
<v Speaker 4>I'm not being disrespectful, I'm calling yeah.

0:21:52.119 --> 0:21:52.359
<v Speaker 1>This is.

0:21:54.080 --> 0:21:55.879
<v Speaker 2>If the moon fans not getting IM jagging.

0:21:57.720 --> 0:21:59.840
<v Speaker 4>The other thing I think as well, though, right, is

0:22:00.080 --> 0:22:03.960
<v Speaker 4>like it would always happen. I'd get really nervous in

0:22:04.080 --> 0:22:08.040
<v Speaker 4>certain places because we know when. And I was trying

0:22:08.040 --> 0:22:09.480
<v Speaker 4>to explain to somebody the other day, I was like,

0:22:10.680 --> 0:22:12.920
<v Speaker 4>it's a sixth sense that people go, oh, I didn't

0:22:12.920 --> 0:22:15.280
<v Speaker 4>notice anything. You go. We know the difference between a

0:22:15.320 --> 0:22:18.760
<v Speaker 4>look that is suspicious and a look that is just

0:22:18.880 --> 0:22:21.159
<v Speaker 4>seize you as normal. And there are places that you

0:22:21.200 --> 0:22:23.240
<v Speaker 4>go to that are racist towns. And we know because

0:22:23.240 --> 0:22:25.760
<v Speaker 4>all the black fellas aren't in the city center. And

0:22:25.800 --> 0:22:29.439
<v Speaker 4>we know because it almost feels really segregated, right, And yes,

0:22:29.880 --> 0:22:32.080
<v Speaker 4>there's a lot of rural towns in Australia like that.

0:22:32.640 --> 0:22:34.760
<v Speaker 4>And when you go out and gigging them, as soon

0:22:34.760 --> 0:22:37.120
<v Speaker 4>as you enter the town, you're taking note of everything

0:22:37.560 --> 0:22:40.280
<v Speaker 4>and then you go, what's the audience look like if

0:22:40.280 --> 0:22:42.960
<v Speaker 4>they're white and conservatives? You know that when you stand

0:22:43.000 --> 0:22:44.800
<v Speaker 4>up and I always used to open with your name

0:22:44.840 --> 0:22:47.320
<v Speaker 4>and name stare from a proud Aboriginal woman. The amount

0:22:47.359 --> 0:22:50.200
<v Speaker 4>of times that I could see eyes rolling or here

0:22:50.240 --> 0:22:55.080
<v Speaker 4>we go. How do you feel confident and deliver jokes?

0:22:55.240 --> 0:22:57.639
<v Speaker 4>And I know that my jokes were good or that

0:22:57.680 --> 0:23:02.680
<v Speaker 4>they would work, but the level of anxiety, fear and

0:23:02.800 --> 0:23:05.160
<v Speaker 4>nervousness that I would have before a gig, I knew

0:23:05.160 --> 0:23:09.560
<v Speaker 4>I couldn't share with the other like, you know, non

0:23:09.640 --> 0:23:12.439
<v Speaker 4>Indigenous people in the lineup. It was really hard because

0:23:12.520 --> 0:23:18.080
<v Speaker 4>you don't want to sound like that person who's always saying, oh,

0:23:18.200 --> 0:23:20.000
<v Speaker 4>it's about race or something, and it's like a lot

0:23:20.040 --> 0:23:23.200
<v Speaker 4>of the time it fucking is, but you feel scared

0:23:23.240 --> 0:23:26.199
<v Speaker 4>to tell somebody what you're really thinking because you just

0:23:26.280 --> 0:23:28.240
<v Speaker 4>hear that, oh, it's not about race, and you're like,

0:23:29.119 --> 0:23:31.880
<v Speaker 4>you wouldn't know because you do.

0:23:31.960 --> 0:23:33.240
<v Speaker 3>Not know what that feels like.

0:23:33.760 --> 0:23:37.320
<v Speaker 1>You know, it's like there's it's being an Aboriginal person.

0:23:37.520 --> 0:23:40.040
<v Speaker 1>I feel like there's the you know, I always say

0:23:40.040 --> 0:23:42.240
<v Speaker 1>the thing I'm most proud of is being a black fellow.

0:23:42.320 --> 0:23:44.399
<v Speaker 1>You know, there's no other feeling in the world that

0:23:44.440 --> 0:23:47.800
<v Speaker 1>I can explain or that I felt that feels like

0:23:47.880 --> 0:23:50.520
<v Speaker 1>that pride, you know, like there's just nothing to replace it.

0:23:50.800 --> 0:23:53.160
<v Speaker 1>But then at the other end of that spectrum, there

0:23:53.400 --> 0:23:58.240
<v Speaker 1>is that feeling of always feeling like your identity will

0:23:58.359 --> 0:24:02.040
<v Speaker 1>be you know, questioned or you're not even questioned, but

0:24:02.160 --> 0:24:05.080
<v Speaker 1>there will there will always be a level to a

0:24:05.119 --> 0:24:08.480
<v Speaker 1>conversation or a perception based on your identity. If you

0:24:08.520 --> 0:24:11.400
<v Speaker 1>are a black fire, it's like you know that it's

0:24:11.400 --> 0:24:14.560
<v Speaker 1>a double end sword really but you know, but I

0:24:14.600 --> 0:24:17.159
<v Speaker 1>also think that there's people like you who you know,

0:24:17.200 --> 0:24:19.840
<v Speaker 1>making waves in the industry for us that are changing

0:24:19.880 --> 0:24:22.920
<v Speaker 1>those perceptions and perspectives. I feel like, you know every time,

0:24:24.040 --> 0:24:26.399
<v Speaker 1>but it is you know, I saw you in that

0:24:26.480 --> 0:24:29.000
<v Speaker 1>Netflix film with Delta Gudroom. You know, like you know,

0:24:29.160 --> 0:24:33.760
<v Speaker 1>it's like seeing people cut through to the mainstream and

0:24:33.800 --> 0:24:37.840
<v Speaker 1>be on screen with people who have a very captive

0:24:38.240 --> 0:24:41.880
<v Speaker 1>Caucasian mainstream audience, you know, and but able to show

0:24:41.920 --> 0:24:44.240
<v Speaker 1>a different side to our community. I think that that's

0:24:44.560 --> 0:24:47.359
<v Speaker 1>a lot of the you know, to speak about Natok

0:24:47.440 --> 0:24:49.200
<v Speaker 1>but the fire, keep the fire burning, you know, that's

0:24:49.200 --> 0:24:51.960
<v Speaker 1>what my fire is. It's about changing that perception or

0:24:52.440 --> 0:24:53.840
<v Speaker 1>perspective on our community.

0:24:54.440 --> 0:24:56.440
<v Speaker 4>I think it's that thing, right, and there's so many

0:24:56.440 --> 0:24:59.439
<v Speaker 4>different ways that we we can do things, and you know,

0:24:59.480 --> 0:25:02.439
<v Speaker 4>something really passionate about them passionate about the moment is

0:25:02.480 --> 0:25:05.840
<v Speaker 4>this idea of like diversity within diversity, we're not all

0:25:05.880 --> 0:25:08.240
<v Speaker 4>telling the same stories, and we also don't believe in

0:25:08.280 --> 0:25:11.200
<v Speaker 4>advocating in the same way. My way have always been

0:25:12.480 --> 0:25:16.480
<v Speaker 4>be in the game to change the game. And unfortunately,

0:25:16.520 --> 0:25:19.359
<v Speaker 4>as black people and new followers will agree with this.

0:25:19.480 --> 0:25:21.760
<v Speaker 4>But to be considered good, we have to be so

0:25:21.920 --> 0:25:25.080
<v Speaker 4>fucking exceptional, do you know what I mean? Like, you know,

0:25:25.560 --> 0:25:27.680
<v Speaker 4>I was saying somebody the other day, I said, when

0:25:27.720 --> 0:25:32.080
<v Speaker 4>it comes to you know, like you I was talking

0:25:32.080 --> 0:25:35.320
<v Speaker 4>to another black comedian and said, don't aim to be

0:25:35.400 --> 0:25:39.000
<v Speaker 4>the best blackfellow. The funniest black father is that aim

0:25:39.080 --> 0:25:43.359
<v Speaker 4>to be the best full stop. Because we can be

0:25:43.440 --> 0:25:47.240
<v Speaker 4>loved by mob regardless. But for us to like change

0:25:47.280 --> 0:25:50.600
<v Speaker 4>people's minds, we have to be better than what their

0:25:50.640 --> 0:25:54.359
<v Speaker 4>best is. And that is so much pressure, but it

0:25:54.520 --> 0:25:59.040
<v Speaker 4>is powerful. And yeah, you know, like theres a lot

0:25:59.040 --> 0:26:01.160
<v Speaker 4>of people who go, no, fuck them, fuck the game

0:26:01.240 --> 0:26:04.480
<v Speaker 4>right off. Yeah, play our own race, And I get

0:26:04.480 --> 0:26:07.919
<v Speaker 4>that and I respect it, but it's just, you know,

0:26:08.040 --> 0:26:10.760
<v Speaker 4>it's it's I guess it's not the way that I

0:26:10.800 --> 0:26:15.200
<v Speaker 4>have sort of faced the world. Yeah, I get.

0:26:15.119 --> 0:26:18.680
<v Speaker 3>Yeah, I also think that you know that our community.

0:26:18.240 --> 0:26:20.879
<v Speaker 1>Is a small part of you know, an audience, you

0:26:20.920 --> 0:26:24.280
<v Speaker 1>know what I mean in terms of percentage wise. You know,

0:26:24.600 --> 0:26:26.679
<v Speaker 1>we have a whole world out there that you know,

0:26:27.320 --> 0:26:30.400
<v Speaker 1>can learn and be educated from having an interaction with us,

0:26:30.640 --> 0:26:33.000
<v Speaker 1>rather than, as you said earlier on in the episode,

0:26:33.000 --> 0:26:35.720
<v Speaker 1>you know, preaching to the converted. Sometimes when I'm on

0:26:35.760 --> 0:26:38.600
<v Speaker 1>an ITV and I'm showing my you know, black joy

0:26:38.640 --> 0:26:41.400
<v Speaker 1>through entertainment, I think I hope white fellows are watching

0:26:41.480 --> 0:26:44.080
<v Speaker 1>this because it does show a different side to our

0:26:44.080 --> 0:26:46.440
<v Speaker 1>community because as much as it is for Black fellows

0:26:46.480 --> 0:26:49.199
<v Speaker 1>as well, especially in IV, you know, for us to

0:26:49.320 --> 0:26:54.320
<v Speaker 1>get that injection of community and inspiration and entertainment through

0:26:54.359 --> 0:26:59.080
<v Speaker 1>that channel. I also feel like sometimes when you're preaching

0:26:59.119 --> 0:27:01.560
<v Speaker 1>to the converter that like an empty churl sign by

0:27:01.640 --> 0:27:05.360
<v Speaker 1>some sometimes, you know, like it's like just echoing.

0:27:05.600 --> 0:27:07.080
<v Speaker 3>Yeah, yeah.

0:27:07.160 --> 0:27:07.880
<v Speaker 2>I feel like that.

0:27:08.000 --> 0:27:10.879
<v Speaker 5>Dad and I had a conversation at the Melbourne Markets

0:27:10.960 --> 0:27:15.439
<v Speaker 5>yesterday and we were just talking as strangers and this

0:27:15.960 --> 0:27:18.480
<v Speaker 5>there was a couple before us that said to Dad like,

0:27:18.520 --> 0:27:20.240
<v Speaker 5>oh is that Brook from the Bachelorette?

0:27:21.040 --> 0:27:22.320
<v Speaker 2>Are you her? Dad? Et cetera.

0:27:22.960 --> 0:27:25.240
<v Speaker 5>And then there's another couple that came and then this

0:27:25.359 --> 0:27:28.720
<v Speaker 5>lady was just like, oh no, we loved you and

0:27:29.040 --> 0:27:30.840
<v Speaker 5>you were our favorite, like we wanted to be rooting

0:27:30.840 --> 0:27:32.560
<v Speaker 5>for you, and we just thought you were a very

0:27:32.600 --> 0:27:35.520
<v Speaker 5>genuine person and blah blah blah, like nothing about like

0:27:35.600 --> 0:27:38.480
<v Speaker 5>my identity, like nothing about who I was, but like

0:27:38.520 --> 0:27:41.120
<v Speaker 5>being a good person. And I think that's also the thing,

0:27:41.200 --> 0:27:44.280
<v Speaker 5>is like yes, you like, you know, showing up black,

0:27:44.400 --> 0:27:47.040
<v Speaker 5>you're proud and all this stuff, but like just showing

0:27:47.119 --> 0:27:48.800
<v Speaker 5>up as a good person as well.

0:27:48.880 --> 0:27:51.160
<v Speaker 2>Like yeah, like.

0:27:51.160 --> 0:27:54.200
<v Speaker 5>I just was like, okay, like if that changes someone's perception,

0:27:54.280 --> 0:27:56.479
<v Speaker 5>and that's just something like so small, and it's just

0:27:56.520 --> 0:27:58.800
<v Speaker 5>like and then they find out later they're like, oh

0:27:58.880 --> 0:28:02.440
<v Speaker 5>she's black, Like then they're like oh cool, like moving

0:28:02.480 --> 0:28:04.280
<v Speaker 5>you know, moving on, Like I don't know. This's just

0:28:04.280 --> 0:28:09.400
<v Speaker 5>something about like you know, making time, changing people's perceptions,

0:28:09.440 --> 0:28:13.479
<v Speaker 5>but just at the core, being a deadly good person,

0:28:13.600 --> 0:28:14.240
<v Speaker 5>you know, Like.

0:28:14.320 --> 0:28:18.000
<v Speaker 4>Yeah, absolutely, that's the thing. That's what this is what

0:28:18.040 --> 0:28:22.240
<v Speaker 4>black fellows know. We know because man, we're the best.

0:28:22.440 --> 0:28:25.359
<v Speaker 2>We've got good morals, we've got good values.

0:28:26.760 --> 0:28:32.080
<v Speaker 4>And respect and love love you know the amount that

0:28:32.119 --> 0:28:34.640
<v Speaker 4>we say love. You'll meet somebody one one time ago

0:28:34.640 --> 0:28:38.120
<v Speaker 4>all right, love you on by like realtious part.

0:28:38.200 --> 0:28:40.360
<v Speaker 2>We're not afraid to say it. This is the thing

0:28:41.600 --> 0:28:44.560
<v Speaker 2>white people afraid to say the L word. And I'm like, rah,

0:28:44.560 --> 0:28:45.720
<v Speaker 2>it's just like love.

0:28:46.040 --> 0:28:49.720
<v Speaker 5>Like I don't know what your interpretational language change of

0:28:49.800 --> 0:28:52.360
<v Speaker 5>what love means in your mom, but like you know,

0:28:52.440 --> 0:28:54.440
<v Speaker 5>love is just so universal and I'm like, why this

0:28:54.600 --> 0:28:55.920
<v Speaker 5>mom so scared to say it?

0:28:56.440 --> 0:28:56.680
<v Speaker 4>Yeah?

0:28:56.720 --> 0:28:59.840
<v Speaker 2>I say love you every day the phone.

0:29:00.200 --> 0:29:03.760
<v Speaker 1>Last night I was on a voice a video called

0:29:03.840 --> 0:29:05.480
<v Speaker 1>to my brothers and at the end, we always say

0:29:05.520 --> 0:29:05.800
<v Speaker 1>love you.

0:29:05.840 --> 0:29:07.760
<v Speaker 3>And my partner is.

0:29:07.720 --> 0:29:10.920
<v Speaker 1>Surprised by that because he's one once his dad you know,

0:29:11.000 --> 0:29:13.560
<v Speaker 1>never used that term ever with his family. But also

0:29:13.600 --> 0:29:15.560
<v Speaker 1>his siblings never say to each other either, So it's

0:29:15.640 --> 0:29:19.560
<v Speaker 1>like crazy in black fellow family units, that word is

0:29:19.760 --> 0:29:22.240
<v Speaker 1>you know, used so often, and it feels warm, it

0:29:22.240 --> 0:29:23.520
<v Speaker 1>feels yeah.

0:29:23.400 --> 0:29:27.280
<v Speaker 5>It feels connected like it it's like a string between

0:29:27.320 --> 0:29:28.200
<v Speaker 5>you and that person.

0:29:28.360 --> 0:29:29.920
<v Speaker 2>Like that's yeah, do you know what I mean?

0:29:30.000 --> 0:29:33.640
<v Speaker 5>Like that's how I see it, Like it's yeah, yeah,

0:29:33.720 --> 0:29:35.240
<v Speaker 5>I've never been afraid to use the word.

0:29:35.240 --> 0:29:36.400
<v Speaker 2>I mean, I'll die.

0:29:36.400 --> 0:29:40.920
<v Speaker 5>It would be my last word that I say.

0:29:43.560 --> 0:29:45.120
<v Speaker 4>I had to laugh, right. I used to have this

0:29:45.200 --> 0:29:48.520
<v Speaker 4>job like before I started doing anything that I'm doing now,

0:29:48.560 --> 0:29:50.640
<v Speaker 4>I used to work for this social media company, like

0:29:50.680 --> 0:29:55.680
<v Speaker 4>doing social media stuff and like just posting shit. But

0:29:56.120 --> 0:29:58.560
<v Speaker 4>we were in Woolen Gabber in Brisbane and the first

0:29:58.600 --> 0:30:00.680
<v Speaker 4>I started working there, they said, oh, we'll go for lunch,

0:30:00.720 --> 0:30:02.960
<v Speaker 4>you know, to welcome you. And it's been walking down

0:30:03.000 --> 0:30:06.080
<v Speaker 4>the street there's black follows everywhere. I'm going, hey, younk, hey,

0:30:06.360 --> 0:30:11.160
<v Speaker 4>you know it waits everyone like like everyone that's how Yeah.

0:30:11.200 --> 0:30:14.080
<v Speaker 4>We pull up to the fucking to lunch and they go, wow,

0:30:14.160 --> 0:30:15.920
<v Speaker 4>how do you know everyone here? And I was like,

0:30:16.040 --> 0:30:21.680
<v Speaker 4>I don't know anyone, Like you don't feel family. They're

0:30:21.720 --> 0:30:23.560
<v Speaker 4>black follows and they're like and what does that mean?

0:30:23.600 --> 0:30:25.920
<v Speaker 4>And I was like, you just say hello and recognize

0:30:25.920 --> 0:30:28.400
<v Speaker 4>each other. You just acknowledge each other. Yeah, it was

0:30:28.440 --> 0:30:31.400
<v Speaker 4>really beautiful. You're like, yeah, that's because you follow has

0:30:31.440 --> 0:30:35.640
<v Speaker 4>got no feelings. No, you don't know trying to another fucker.

0:30:37.160 --> 0:30:41.000
<v Speaker 1>Finally, I love the black experience, like it's so unique

0:30:41.040 --> 0:30:41.800
<v Speaker 1>to our community.

0:30:41.840 --> 0:30:43.720
<v Speaker 3>It's like you walk through as you say, you walk.

0:30:43.560 --> 0:30:45.640
<v Speaker 1>Through a town and say hey aren't hey aren't and

0:30:45.680 --> 0:30:50.360
<v Speaker 1>then like white fellows be like are you related to everyone?

0:30:50.920 --> 0:30:53.680
<v Speaker 5>And calling your uncles and Auntie's mom and dad. Did

0:30:53.680 --> 0:30:55.920
<v Speaker 5>you guys do that as well? Like your aunties were

0:30:56.000 --> 0:30:57.440
<v Speaker 5>just your other mom, like another mom.

0:30:57.640 --> 0:31:00.880
<v Speaker 1>Yeah, yeah, yeah, like my aunties call me son, yeah,

0:31:02.240 --> 0:31:05.240
<v Speaker 1>son son. But before we go, Steph though, I wanted

0:31:05.240 --> 0:31:08.000
<v Speaker 1>to talk about the book. Yes, tell us about the book.

0:31:08.520 --> 0:31:10.800
<v Speaker 1>What is you know what's in it? But what has

0:31:10.800 --> 0:31:11.360
<v Speaker 1>it been like.

0:31:11.840 --> 0:31:12.560
<v Speaker 3>You know, writing it?

0:31:13.360 --> 0:31:16.240
<v Speaker 4>So the book is pretty much exactly about this stuff.

0:31:16.680 --> 0:31:18.760
<v Speaker 4>It's I guess to kind of put myself in the

0:31:18.760 --> 0:31:23.520
<v Speaker 4>brain of me as a teenager, I guess, and I

0:31:23.640 --> 0:31:25.480
<v Speaker 4>just thought about all of those lessons, like I was

0:31:25.520 --> 0:31:27.960
<v Speaker 4>saying before, when you become really aware of how much

0:31:28.000 --> 0:31:32.520
<v Speaker 4>you need to decolonize your own self. But I gave

0:31:32.600 --> 0:31:36.520
<v Speaker 4>that to my character in her final year of school,

0:31:36.840 --> 0:31:38.960
<v Speaker 4>where she's deciding what she wants to do in the world.

0:31:39.040 --> 0:31:42.280
<v Speaker 4>She wants to change the world, and then is suddenly

0:31:43.080 --> 0:31:48.640
<v Speaker 4>really confronted with the fact that her world or the

0:31:48.640 --> 0:31:50.880
<v Speaker 4>world doesn't see her the same way that it sees

0:31:50.920 --> 0:31:53.480
<v Speaker 4>her peers in a way that she's she's never really

0:31:53.520 --> 0:31:57.080
<v Speaker 4>allowed herself or wanted to ever notice before. And the

0:31:57.200 --> 0:31:59.280
<v Speaker 4>kind of the catalyst for it is that they kinship

0:31:59.320 --> 0:32:02.560
<v Speaker 4>adopt her cousin, which is a huge thing that we

0:32:02.760 --> 0:32:06.360
<v Speaker 4>never talk about. Kinship adoption is I don't think it

0:32:06.360 --> 0:32:08.680
<v Speaker 4>doesn't touch a black life, like you know what I mean,

0:32:08.720 --> 0:32:11.520
<v Speaker 4>Like there are so many black fellows who cousin brother,

0:32:11.600 --> 0:32:13.760
<v Speaker 4>you know what I mean, or cousins to that kind

0:32:13.800 --> 0:32:15.880
<v Speaker 4>of thing, and it's I think it's a really beautiful

0:32:15.880 --> 0:32:19.560
<v Speaker 4>part of our community and one that, yeah, that we

0:32:19.640 --> 0:32:22.640
<v Speaker 4>don't talk about a lot. And so I kind of

0:32:22.680 --> 0:32:26.120
<v Speaker 4>wanted to have this, you know, this catalyst of this

0:32:26.720 --> 0:32:30.880
<v Speaker 4>taking in a cousin who's lived that opposite life kind

0:32:30.920 --> 0:32:35.920
<v Speaker 4>of super connected but without the same opportunities versus disconnected

0:32:35.960 --> 0:32:39.239
<v Speaker 4>with all the opportunities, and recognizing the things they have

0:32:39.280 --> 0:32:43.640
<v Speaker 4>in common and maybe don't and the identity issues and yeah,

0:32:43.640 --> 0:32:46.720
<v Speaker 4>and so she sort of becomes the girl. It's a

0:32:46.720 --> 0:32:50.480
<v Speaker 4>fictional young adult book, and she suddenly becomes very aware

0:32:50.520 --> 0:32:54.240
<v Speaker 4>of kind of oh, why do you see him differently?

0:32:54.400 --> 0:32:56.840
<v Speaker 4>Oh my god, actually you've all seen me differently as well,

0:32:57.120 --> 0:32:59.760
<v Speaker 4>and kind of having to confront the way that the

0:32:59.760 --> 0:33:04.080
<v Speaker 4>city systems, you know, kind of see her different. Just

0:33:04.560 --> 0:33:06.719
<v Speaker 4>she has to confront all of those things. She becomes

0:33:06.760 --> 0:33:11.400
<v Speaker 4>incredibly rebellious. She has her first love. You know, she

0:33:11.480 --> 0:33:14.760
<v Speaker 4>goes off the rails bit and then kind of has

0:33:14.800 --> 0:33:17.239
<v Speaker 4>to reconcile how do I want to move forward as

0:33:17.240 --> 0:33:20.080
<v Speaker 4>a proud black woman? And she goes on like a

0:33:20.120 --> 0:33:24.160
<v Speaker 4>cultural journey and yeah, it's just about being a teenager

0:33:24.200 --> 0:33:25.840
<v Speaker 4>trying to fit in while you're also trying to figure

0:33:25.840 --> 0:33:27.240
<v Speaker 4>out exactly who the fuck you are.

0:33:27.760 --> 0:33:32.880
<v Speaker 5>So is this written for teenage? There's this like teenage fiction.

0:33:32.880 --> 0:33:36.680
<v Speaker 4>It's a coming of age story. Yeah, young like it's ya,

0:33:36.840 --> 0:33:39.320
<v Speaker 4>but I think it kind of can can cross a

0:33:39.360 --> 0:33:42.800
<v Speaker 4>few different demographics. But I think the whole thing is

0:33:42.880 --> 0:33:45.720
<v Speaker 4>I just really wanted to show I remember, like it's

0:33:45.840 --> 0:33:47.920
<v Speaker 4>you know, it always happens like, oh, it's not that bad. Oh,

0:33:47.960 --> 0:33:50.680
<v Speaker 4>so somebody accidentally said, can you do a welcome to

0:33:50.720 --> 0:33:53.120
<v Speaker 4>country instead of an acknowledgment of country? And you're like, no,

0:33:53.200 --> 0:33:54.760
<v Speaker 4>it is that bad because it's the death of a

0:33:54.840 --> 0:33:59.400
<v Speaker 4>thousand cuts. Yeah, it's the undermining of your identity every

0:33:59.480 --> 0:34:02.280
<v Speaker 4>single day, every single hour, with each new person that

0:34:02.320 --> 0:34:06.000
<v Speaker 4>you meet, and it does change who you are and

0:34:06.040 --> 0:34:10.759
<v Speaker 4>how you perceive yourself and how you feel perceived. And

0:34:11.239 --> 0:34:14.759
<v Speaker 4>so I wanted to kind of show the nuance and

0:34:14.920 --> 0:34:19.440
<v Speaker 4>the growing up trying to break the shackles of either

0:34:20.640 --> 0:34:22.440
<v Speaker 4>well that you felt that you had to walk between

0:34:22.480 --> 0:34:26.839
<v Speaker 4>and just go I'm both in neither or like I'm both, and.

0:34:26.840 --> 0:34:28.759
<v Speaker 2>You're both accepting both and living.

0:34:28.880 --> 0:34:31.680
<v Speaker 5>Yeah, exactly, which I think young people like I work

0:34:31.719 --> 0:34:34.000
<v Speaker 5>with them and I see them go through that journey,

0:34:34.200 --> 0:34:37.799
<v Speaker 5>and you being able to articulate a story that they

0:34:37.800 --> 0:34:41.560
<v Speaker 5>would see themselves so much in is just so powerful.

0:34:41.640 --> 0:34:43.440
<v Speaker 5>Like we always say saying that you can't be what

0:34:43.480 --> 0:34:45.680
<v Speaker 5>you can't see, and so you've got to read and

0:34:46.160 --> 0:34:49.200
<v Speaker 5>read and see other people's stories as well, because that

0:34:49.239 --> 0:34:51.239
<v Speaker 5>can help you on your journey. And I think that's

0:34:51.440 --> 0:34:54.880
<v Speaker 5>just amazing stuff. I'm so excited. What's the book called, Sorry,

0:34:55.520 --> 0:34:56.319
<v Speaker 5>it's called The Skin.

0:34:56.400 --> 0:34:57.400
<v Speaker 4>I'm in the Skin.

0:34:57.400 --> 0:34:59.919
<v Speaker 3>I am for pre order at the end of the month,

0:35:00.080 --> 0:35:00.920
<v Speaker 3>the right all preorder.

0:35:01.360 --> 0:35:03.280
<v Speaker 4>It comes out on the first of August. It's available

0:35:03.320 --> 0:35:04.279
<v Speaker 4>for pre order right now.

0:35:04.680 --> 0:35:04.960
<v Speaker 5>Yay.

0:35:05.560 --> 0:35:06.360
<v Speaker 2>That's exciting.

0:35:07.200 --> 0:35:10.120
<v Speaker 4>Yeah, and it's you know, it's I'm actually really proud

0:35:10.160 --> 0:35:12.640
<v Speaker 4>of it. When I've got a cultural editor to go

0:35:12.719 --> 0:35:14.279
<v Speaker 4>through it for me, because I never want to do

0:35:14.320 --> 0:35:15.799
<v Speaker 4>the wrong thing. And she read it and she was like,

0:35:16.360 --> 0:35:18.120
<v Speaker 4>see if I feel so seen? And I was like,

0:35:18.840 --> 0:35:23.000
<v Speaker 4>oh you know so long. I hope that it can

0:35:23.040 --> 0:35:25.080
<v Speaker 4>make a make a bit of a difference. And I

0:35:25.120 --> 0:35:28.000
<v Speaker 4>hope more than anything that not even the kids read it.

0:35:28.040 --> 0:35:30.480
<v Speaker 4>I hope that teachers read it because it's about that.

0:35:30.719 --> 0:35:32.799
<v Speaker 5>Well, they put it in schools and they can, like

0:35:32.920 --> 0:35:36.759
<v Speaker 5>you know, read it. The non indigenous kids can read

0:35:36.760 --> 0:35:40.759
<v Speaker 5>it as well, like you know, and understand what these feelings,

0:35:40.840 --> 0:35:41.759
<v Speaker 5>these feelings are like.

0:35:42.400 --> 0:35:44.800
<v Speaker 4>And it touches on some really heavy shit too.

0:35:44.760 --> 0:35:47.800
<v Speaker 5>So good good we need to be It's truth telling.

0:35:48.920 --> 0:35:52.000
<v Speaker 5>So will you be doing a tour a book tour

0:35:52.560 --> 0:35:53.960
<v Speaker 5>as well the release?

0:35:54.080 --> 0:35:54.239
<v Speaker 1>Yes?

0:35:54.600 --> 0:35:58.120
<v Speaker 5>Yes, okay, okay, So it's available for pre order.

0:35:58.640 --> 0:36:02.560
<v Speaker 2>It's out in August the first of August. You're doing

0:36:02.560 --> 0:36:04.120
<v Speaker 2>a tour as well?

0:36:04.680 --> 0:36:11.240
<v Speaker 1>Yes, and a TV series and a feature film next imagine.

0:36:11.960 --> 0:36:13.200
<v Speaker 4>I want to be in that.

0:36:13.360 --> 0:36:16.880
<v Speaker 2>Thanks, okay, I put my hand up. I'll play the

0:36:16.920 --> 0:36:17.720
<v Speaker 2>friend of the friend.

0:36:18.640 --> 0:36:21.160
<v Speaker 4>No, no, you play you get some botox now you'd

0:36:21.160 --> 0:36:21.560
<v Speaker 4>be ready.

0:36:21.960 --> 0:36:25.839
<v Speaker 2>I done.

0:36:27.080 --> 0:36:29.560
<v Speaker 4>Don't even know. Your age could be fourteen or forty,

0:36:29.560 --> 0:36:32.560
<v Speaker 4>I wouldn't have Thank you, thank you, black Dunk Crack.

0:36:32.640 --> 0:36:33.839
<v Speaker 3>But do drop soon.

0:36:36.040 --> 0:36:38.799
<v Speaker 1>Oh Step, We've absolutely loved having you on. Thank you

0:36:38.840 --> 0:36:40.719
<v Speaker 1>for taking the time to be on our podcast. We

0:36:40.719 --> 0:36:42.680
<v Speaker 1>are a big fan, so this is you know, surreal

0:36:42.719 --> 0:36:43.040
<v Speaker 1>for us.

0:36:43.400 --> 0:36:46.719
<v Speaker 4>Thank you. You follows are the best and you look

0:36:46.800 --> 0:36:49.080
<v Speaker 4>the most. You're disgusting to look at.

0:36:50.040 --> 0:36:51.399
<v Speaker 3>We've got a face for radio, don't.

0:36:52.680 --> 0:36:54.839
<v Speaker 2>Oh, that's why we got that botox.

0:36:55.000 --> 0:36:57.719
<v Speaker 3>You know, Black talks that we.

0:36:57.800 --> 0:37:03.240
<v Speaker 2>Gotta look at ourselves all the time. I love you, love.

0:37:03.080 --> 0:37:07.239
<v Speaker 3>You to love you too. That what steps will make

0:37:07.239 --> 0:37:08.200
<v Speaker 3>sure you gon and support her?

0:37:08.280 --> 0:37:10.200
<v Speaker 1>You know, get that book, go and see whenever you

0:37:10.239 --> 0:37:12.520
<v Speaker 1>get to get a chance, watch the show she's in.

0:37:12.640 --> 0:37:15.800
<v Speaker 3>She's an absolute you know stella talent.

0:37:17.760 --> 0:37:20.840
<v Speaker 5>And if you want us to cover anything on the

0:37:20.880 --> 0:37:23.240
<v Speaker 5>pod on next episode, let us.

0:37:23.120 --> 0:37:25.040
<v Speaker 2>Know, reach out via our socials.

0:37:25.120 --> 0:37:27.320
<v Speaker 5>My handle is that brooked up learn and Maddie's is

0:37:27.400 --> 0:37:30.279
<v Speaker 5>handled is that it's Maddie Mills and we'll see you

0:37:30.320 --> 0:37:30.759
<v Speaker 5>next week.

0:37:30.960 --> 0:37:31.320
<v Speaker 2>Bye.

0:37:31.560 --> 0:37:34.200
<v Speaker 1>You can't handle the truth.