1 00:00:01,400 --> 00:00:04,240 Speaker 1: When Vance Joey walks into issue with a guitar, you 2 00:00:04,280 --> 00:00:05,520 Speaker 1: know you're in for a good time. 3 00:00:05,720 --> 00:00:06,280 Speaker 2: How good is that? 4 00:00:06,320 --> 00:00:07,520 Speaker 1: Put your hands together for bed? 5 00:00:10,680 --> 00:00:12,080 Speaker 2: Well, mate, we had to get your back. 6 00:00:12,119 --> 00:00:13,720 Speaker 1: You're only on the show last week, but I had 7 00:00:13,720 --> 00:00:16,680 Speaker 1: to get you back because you had the spicy cough. 8 00:00:16,720 --> 00:00:17,680 Speaker 1: But you're all sweet now. 9 00:00:18,200 --> 00:00:20,439 Speaker 2: Yeah. I'm fully better, fully recovered and ready to go. 10 00:00:20,560 --> 00:00:20,680 Speaker 1: Man. 11 00:00:20,760 --> 00:00:23,160 Speaker 3: I wanted to apologize. I feel like last time we spoke, 12 00:00:23,239 --> 00:00:26,680 Speaker 3: I sort of turned it into more about me with 13 00:00:26,680 --> 00:00:28,840 Speaker 3: gabrielle Gaite and learning to play some Nirvana in the 14 00:00:28,880 --> 00:00:32,480 Speaker 3: park and what did I say, Gabriel the show? 15 00:00:32,520 --> 00:00:34,800 Speaker 2: Yeah Gabriel, but it's yeah, it's his son. 16 00:00:35,800 --> 00:00:37,800 Speaker 1: Vince knows more about. 17 00:00:39,720 --> 00:00:40,159 Speaker 2: Than you do. 18 00:00:40,159 --> 00:00:43,240 Speaker 3: It's not about me, mate, but it's great to see 19 00:00:43,240 --> 00:00:46,600 Speaker 3: you in here. I've got a Maton actually, yeah, which 20 00:00:46,600 --> 00:00:53,400 Speaker 3: I love is a guitar. I mean we went up 21 00:00:53,400 --> 00:00:55,000 Speaker 3: in the same suburb. We both go for the balls 22 00:00:55,040 --> 00:00:57,160 Speaker 3: and we both have Maton's. But it's not about me. 23 00:00:57,240 --> 00:00:59,440 Speaker 3: Gus Vance today, No. 24 00:00:59,240 --> 00:00:59,920 Speaker 4: No, Advance. 25 00:01:00,080 --> 00:01:02,280 Speaker 1: You have been performing quite a bit this week. It's 26 00:01:02,320 --> 00:01:05,560 Speaker 1: been unbelievable. You went on Sunrise, How do you go? 27 00:01:05,640 --> 00:01:07,959 Speaker 1: I do love those performances. And you're going to be 28 00:01:08,000 --> 00:01:10,160 Speaker 1: performing for us today and we thank you very much. 29 00:01:10,520 --> 00:01:12,800 Speaker 1: But that little and you've done it on talk shows 30 00:01:12,920 --> 00:01:17,920 Speaker 1: across America and some huge audiences when you'll finished your 31 00:01:17,959 --> 00:01:21,880 Speaker 1: song and the host comes over, Yeah, what what your 32 00:01:21,920 --> 00:01:23,039 Speaker 1: conversation there? 33 00:01:23,319 --> 00:01:25,959 Speaker 2: I mean, it can vary, and usually sometimes it's just 34 00:01:25,959 --> 00:01:27,680 Speaker 2: they come over and they kind of shake your hand 35 00:01:27,680 --> 00:01:29,479 Speaker 2: in your wave, and then sometimes you have a couple 36 00:01:29,520 --> 00:01:31,800 Speaker 2: of a couple of minutes chat. It's always fun, like 37 00:01:31,920 --> 00:01:33,679 Speaker 2: you know, even in those situations like you're up there 38 00:01:33,680 --> 00:01:35,720 Speaker 2: doing a sound check for you get like ten seconds 39 00:01:35,959 --> 00:01:38,360 Speaker 2: and then like the person's like, okay, now, now now. 40 00:01:38,440 --> 00:01:41,200 Speaker 2: And then like when they were calling the drummer my 41 00:01:41,280 --> 00:01:43,520 Speaker 2: drummer Edin, he like missed the que and the guy's like, 42 00:01:43,560 --> 00:01:45,600 Speaker 2: oh my god. And when I say go, you go 43 00:01:45,760 --> 00:01:47,720 Speaker 2: and he's like yeah, but they were talking. So it's 44 00:01:47,760 --> 00:01:49,560 Speaker 2: always like a bit of a commotion. But I love that. 45 00:01:49,680 --> 00:01:51,000 Speaker 2: It's just a funny, weird energy. 46 00:01:51,040 --> 00:01:53,440 Speaker 4: And who did you feel the warmest with because you've 47 00:01:53,440 --> 00:01:56,720 Speaker 4: done Ellen, You've done did you do Fallon No idea, 48 00:01:56,760 --> 00:02:04,520 Speaker 4: I've done jim Other, Jimmy Gordon, Colbert Conan, But. 49 00:02:04,520 --> 00:02:07,080 Speaker 2: Yeah, who was probably who I had the most of 50 00:02:07,080 --> 00:02:08,440 Speaker 2: a moment with I feel like I had a nice 51 00:02:08,720 --> 00:02:12,480 Speaker 2: moment with Colbert and then the other guys I don't 52 00:02:12,480 --> 00:02:14,959 Speaker 2: know who. It was Today's show in America, and it's 53 00:02:14,960 --> 00:02:16,960 Speaker 2: like a crew, and I feel like they've woken up 54 00:02:16,960 --> 00:02:19,240 Speaker 2: at three am. By nine fifty when we're playing, they're 55 00:02:19,240 --> 00:02:21,959 Speaker 2: like basically delirious, and they just it's like they're just 56 00:02:22,000 --> 00:02:25,399 Speaker 2: don't even care. They're playing fast and loose, they're talking. So, yeah, 57 00:02:25,480 --> 00:02:27,040 Speaker 2: it's funny being around these people. 58 00:02:27,160 --> 00:02:29,160 Speaker 3: What about the what about the awkward ones? Probably more 59 00:02:29,160 --> 00:02:30,519 Speaker 3: when you were starting out where you had to do 60 00:02:30,639 --> 00:02:32,799 Speaker 3: sort of corporates or turn up to an office and go, hey, 61 00:02:32,840 --> 00:02:35,320 Speaker 3: we've got this guy vance joined the kitchen. If anyone's interested, 62 00:02:35,639 --> 00:02:37,519 Speaker 3: then you know three people are there. The fourth is 63 00:02:37,560 --> 00:02:38,400 Speaker 3: making a mir life. 64 00:02:38,680 --> 00:02:40,560 Speaker 2: Yeah, I've done a few of those. I did one 65 00:02:40,840 --> 00:02:42,560 Speaker 2: in we were just talking a bit about it, but 66 00:02:42,639 --> 00:02:45,320 Speaker 2: I was I was in America. I went into a 67 00:02:45,400 --> 00:02:47,160 Speaker 2: radio station. They had no idea who I was, and 68 00:02:47,200 --> 00:02:50,120 Speaker 2: I didn't know I was coming, and so I came 69 00:02:50,160 --> 00:02:53,240 Speaker 2: there with my euklearlian guitar and they kind of tried 70 00:02:53,280 --> 00:02:55,040 Speaker 2: to kind of move around and kind of make it 71 00:02:55,080 --> 00:02:57,040 Speaker 2: seem like they were ready and they come and play 72 00:02:57,080 --> 00:02:59,040 Speaker 2: for Brian and I went into this guy's cubicle. It 73 00:02:59,080 --> 00:03:01,240 Speaker 2: was like just in an and I sat in the 74 00:03:01,240 --> 00:03:03,359 Speaker 2: corner of his cubicle and played him this song called 75 00:03:03,360 --> 00:03:06,000 Speaker 2: from Afar, which is like about unrequited love, just the 76 00:03:06,000 --> 00:03:08,760 Speaker 2: two of you, just a two little petitioned area, just 77 00:03:08,800 --> 00:03:10,440 Speaker 2: the two of us, awkward, and it's like, you know, like, 78 00:03:10,480 --> 00:03:12,839 Speaker 2: where do you look like? I'm I would rather be 79 00:03:12,880 --> 00:03:15,640 Speaker 2: singing than actually listening, because it's my worst nightmare to 80 00:03:15,680 --> 00:03:18,680 Speaker 2: have to be that close to someone who's like singing emotionally. 81 00:03:18,720 --> 00:03:20,720 Speaker 3: It's like, did you shut your eyes when you performed? 82 00:03:21,080 --> 00:03:22,560 Speaker 2: I don't know what I did that. Maybe I went 83 00:03:22,600 --> 00:03:24,080 Speaker 2: out of my body. Maybe it's some of those out 84 00:03:24,120 --> 00:03:25,640 Speaker 2: of body like guy in. 85 00:03:25,639 --> 00:03:28,520 Speaker 3: A good kisser, because that feels like it would have 86 00:03:28,520 --> 00:03:31,360 Speaker 3: been the natural nextent you've shared something special together. 87 00:03:31,520 --> 00:03:32,480 Speaker 2: Yeah, he was. 88 00:03:32,560 --> 00:03:34,239 Speaker 1: Do you want to hear other performances at the moment, 89 00:03:34,280 --> 00:03:36,240 Speaker 1: because I don't know if you are you interested in 90 00:03:36,320 --> 00:03:39,080 Speaker 1: seeing the new Elvis movie that's coming out or you're a. 91 00:03:38,960 --> 00:03:42,160 Speaker 2: Fan of Elvis. I actually I haven't got I mean 92 00:03:42,200 --> 00:03:44,600 Speaker 2: I would see it, but I'm might just wait around 93 00:03:44,640 --> 00:03:47,880 Speaker 2: till Yeah. Yeah, I'm not on are my guitarists say, 94 00:03:47,960 --> 00:03:50,200 Speaker 2: he's like, he's like he's too good looking. 95 00:03:51,000 --> 00:03:55,680 Speaker 1: Yeah looking, killed it, But he loves Elvis. You were 96 00:03:55,680 --> 00:03:58,280 Speaker 1: inspired by Elvis growing up. There's a lot of Elves 97 00:03:58,280 --> 00:03:58,760 Speaker 1: in the house. 98 00:03:58,800 --> 00:04:02,280 Speaker 3: I actually have a guitar teach called Steve. And Steve 99 00:04:02,400 --> 00:04:05,960 Speaker 3: said to me, mate, I reckon, Sorry, I'm back onto me. 100 00:04:06,080 --> 00:04:09,680 Speaker 3: I reckon, you could do a great Elvis act, like 101 00:04:09,800 --> 00:04:11,440 Speaker 3: a great Elvis impersonation. 102 00:04:12,040 --> 00:04:16,000 Speaker 1: What happened is that we surprised him yesterday, fans, and 103 00:04:16,040 --> 00:04:19,880 Speaker 1: this is what happened. He had no idea how he 104 00:04:19,960 --> 00:04:21,640 Speaker 1: had an Elvis suit ready to go, and he had 105 00:04:21,680 --> 00:04:24,840 Speaker 1: to perform blue suede shoes in front of everyone here 106 00:04:24,839 --> 00:04:27,479 Speaker 1: at Nova. And we would like to get your thoughts on. 107 00:04:27,520 --> 00:04:29,680 Speaker 3: And here it is when you compone my house and 108 00:04:29,839 --> 00:04:33,279 Speaker 3: steal my car, drink my lick upon an old food job. 109 00:04:33,520 --> 00:04:35,480 Speaker 3: We're doing a thing I thought you want to know, 110 00:04:35,960 --> 00:04:40,239 Speaker 3: but only laugh them shoes and don't you I step 111 00:04:40,360 --> 00:04:43,560 Speaker 3: up my little swap all my blue runners were. 112 00:04:48,000 --> 00:04:52,040 Speaker 2: It's it's pretty good walk. It's not bad, isn't that's 113 00:04:52,120 --> 00:04:52,480 Speaker 2: so good? 114 00:04:52,520 --> 00:04:54,960 Speaker 3: It upset me that you chose the outfit from when 115 00:04:54,960 --> 00:04:57,760 Speaker 3: he was overweight and just before he died. I could 116 00:04:57,800 --> 00:05:00,560 Speaker 3: have been at young Elvis, but you went with fat 117 00:05:00,680 --> 00:05:02,760 Speaker 3: die on the on the toilet with a hamburger in 118 00:05:02,800 --> 00:05:04,400 Speaker 3: your hand, nervous last. 119 00:05:04,160 --> 00:05:06,960 Speaker 1: Week when you were here. This is an interesting one 120 00:05:07,080 --> 00:05:11,120 Speaker 1: because we were talking about jingles and we got this 121 00:05:11,279 --> 00:05:14,120 Speaker 1: out of you. Next time we see you, just a 122 00:05:14,240 --> 00:05:16,400 Speaker 1: quick little fits in and whipper jingle like. 123 00:05:16,480 --> 00:05:18,320 Speaker 2: I doesn't have to do that, It doesn't have to 124 00:05:18,400 --> 00:05:20,360 Speaker 2: be long. I'll kind of go into the music room 125 00:05:20,440 --> 00:05:21,960 Speaker 2: and just see you know how I get inspired. 126 00:05:22,040 --> 00:05:24,600 Speaker 3: You can't say we're be tired either. That's lazy whipped. 127 00:05:25,240 --> 00:05:27,000 Speaker 2: Oh my god, that will have taken me a long 128 00:05:27,080 --> 00:05:28,040 Speaker 2: time to arrive. 129 00:05:28,480 --> 00:05:29,720 Speaker 1: Straight back and whipper again. 130 00:05:29,839 --> 00:05:30,320 Speaker 3: Sorry about that. 131 00:05:30,560 --> 00:05:34,200 Speaker 1: And the reason the reason why vance we did this 132 00:05:34,440 --> 00:05:37,080 Speaker 1: is because this blew this blew us away. We this 133 00:05:37,320 --> 00:05:39,520 Speaker 1: was the last minute. We got a phone call saying 134 00:05:39,600 --> 00:05:42,200 Speaker 1: Elton John would like to chat to you about his 135 00:05:42,839 --> 00:05:44,640 Speaker 1: his single that he brought out and went to number 136 00:05:44,640 --> 00:05:48,160 Speaker 1: one here in Australia. And he as soon as we 137 00:05:48,279 --> 00:05:52,080 Speaker 1: got on to our zoom call, he started doing this. 138 00:05:52,600 --> 00:05:54,600 Speaker 2: By the way, I was singing when I was talking 139 00:05:54,640 --> 00:05:57,160 Speaker 2: to you, and fitz and whipper fitsy and we're per 140 00:05:57,279 --> 00:05:59,080 Speaker 2: has and yeah, oh. 141 00:05:59,040 --> 00:05:59,800 Speaker 4: But the song. 142 00:06:04,920 --> 00:06:12,920 Speaker 2: Wow, wow one hundred years perhaps. Yeah, it's a great name. 143 00:06:13,240 --> 00:06:13,800 Speaker 1: So there you go. 144 00:06:14,160 --> 00:06:16,080 Speaker 2: So we've just been using that. We need a new 145 00:06:16,120 --> 00:06:18,040 Speaker 2: one though. Wow, this big shoes to film? 146 00:06:18,080 --> 00:06:18,880 Speaker 1: It is big shoes? 147 00:06:18,920 --> 00:06:20,160 Speaker 3: Have you put some thought into it? 148 00:06:20,440 --> 00:06:23,720 Speaker 2: Honestly, when I'm when I said that, I think I 149 00:06:23,839 --> 00:06:27,040 Speaker 2: was kind of just paying the service to yeah doing it. 150 00:06:27,160 --> 00:06:29,800 Speaker 2: And then and then when my manager Rachel is like, 151 00:06:29,960 --> 00:06:32,800 Speaker 2: so fitting you know the jingles, to like figure the 152 00:06:32,880 --> 00:06:34,800 Speaker 2: jingle out because it's happening in two days, I was like. 153 00:06:38,839 --> 00:06:42,000 Speaker 1: I think I've got I've tested COVID again. 154 00:06:43,160 --> 00:06:55,680 Speaker 2: We're gonna remember the lines fits he loves his rock 155 00:06:55,760 --> 00:06:59,760 Speaker 2: and roll with a please guitar with seb get. When 156 00:06:59,800 --> 00:07:02,920 Speaker 2: they asked me for a jingle, I couldn't see me. 157 00:07:04,760 --> 00:07:09,039 Speaker 2: The best boys on the radio ways fits in Whipple. 158 00:07:09,240 --> 00:07:09,880 Speaker 1: That's good. 159 00:07:11,800 --> 00:07:21,920 Speaker 2: Coming down the radio. It's fits in coming down radio. 160 00:07:26,560 --> 00:07:31,480 Speaker 3: Yeah. I feel like I've made it. I feel like 161 00:07:31,640 --> 00:07:32,160 Speaker 3: I've made it. 162 00:07:32,240 --> 00:07:32,640 Speaker 1: Do you know what? 163 00:07:32,760 --> 00:07:34,040 Speaker 2: I didn't know where he was going to go. 164 00:07:34,600 --> 00:07:35,320 Speaker 1: That was actual. 165 00:07:35,400 --> 00:07:38,120 Speaker 2: That's catchy. Tell me you like it, Leno, it's great. 166 00:07:38,160 --> 00:07:39,920 Speaker 2: We're going to play it every ad break start of 167 00:07:39,960 --> 00:07:40,560 Speaker 2: every ad break. 168 00:07:40,640 --> 00:07:42,360 Speaker 3: Many thanks Joey, you're a genius. 169 00:07:42,600 --> 00:07:45,200 Speaker 1: Loving the new album in our own sweet time, and 170 00:07:45,320 --> 00:07:47,560 Speaker 1: he's going to be back in September. Mate, Can I 171 00:07:47,720 --> 00:07:49,640 Speaker 1: just say all last week we're giving away tickets to 172 00:07:50,000 --> 00:07:51,600 Speaker 1: the Opera House to come and see you, and it 173 00:07:51,680 --> 00:07:53,920 Speaker 1: went crazy on the phone. So mate, that's going to 174 00:07:53,960 --> 00:07:55,400 Speaker 1: be a very very special show. 175 00:07:55,640 --> 00:07:58,200 Speaker 2: Yeah, it's I cannot wait for that, mate. 176 00:07:58,520 --> 00:08:00,720 Speaker 1: If you want to go get your tickets, they're available 177 00:08:00,800 --> 00:08:04,000 Speaker 1: up Frontier Teering for his his gig at the Opera House, 178 00:08:04,480 --> 00:08:07,200 Speaker 1: Vance Joy, thanks for coming in legend pleasure, Thanks Buddy, 179 00:08:07,360 --> 00:08:09,000 Speaker 1: Thanks guys and Whipper