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Speaker 1: Welcome to the podcast. Very exciting today.

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Speaker 2: I'm going to run you through something that's very important

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Speaker 2: to me, and that's the art of flirting.

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Speaker 1: Now.

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Speaker 2: I don't know if you know my track record around

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Speaker 2: the office here of Nova, but over the years I've

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Speaker 2: been pretty busy.

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Speaker 3: Guys.

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Speaker 1: Well, hang on a minute.

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Speaker 2: No, well, I met my wife at work, so that's

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Speaker 2: a start. You would suggest flirting techniques coming up on

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Speaker 2: today's podcast.

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Speaker 3: Cougar.

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Speaker 1: No, my wife is not a cougar, he suggested.

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Speaker 3: What is the starting age of a cougar? For forty? Up?

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Speaker 3: What do you reckon?

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Speaker 4: Right?

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Speaker 5: Cougar's I got told the other day that cougars have

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Speaker 5: the strongest bite of any of the big cats.

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Speaker 2: Yeah right, Do you mean the ones floating around your

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Speaker 2: place or the actual real cougar. Yeah, there's a couple

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Speaker 2: around the old workers and one tried to drag your

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Speaker 2: home one night. Oh yeah, I remember that, big Brother.

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Speaker 3: You're the guy big brother? Can I come home with you?

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Speaker 1: Was she?

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Speaker 3: And I said, Gretel, that is love, of course.

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Speaker 1: Enjoy the podcast. Coming up stuff.

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Speaker 3: Anyone here?

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Speaker 5: A member of the dash Cam Owners Australia Association.

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Speaker 1: No, but it's building quickly.

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Speaker 2: I would have thought, because the amount of footage that

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Speaker 2: does come out where you think how many people do

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Speaker 2: have dash can?

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Speaker 3: It's not bad. So what does it do?

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Speaker 5: So it records because you know you have a certain

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Speaker 5: amount of memory, and then what it just deletes just

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Speaker 5: keeps old memory.

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Speaker 1: Keeps going over. That's not bad, clever.

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Speaker 5: There's a beauty that's come out over the last couple

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Speaker 5: of days. So pea platter is at red lights there

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Speaker 5: and when you're a pea player, you gott to hide

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Speaker 5: it up.

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Speaker 6: Car.

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Speaker 3: I'm trying to work out what he has. It's probably

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Speaker 3: a missing skyline. They like made drag every now and then.

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Speaker 1: If it's lowered, it's got extractors and a spider on

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Speaker 1: the back. That is your perfect car.

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Speaker 5: Olden Commodore pulls up next to it and they're looking

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Speaker 5: at each other and the pea plator starts reving.

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Speaker 1: It out a little bit, right, who's going to win this?

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Speaker 3: Okay?

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Speaker 5: So they start looking at each other and this pea

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Speaker 5: platter goes, it's on here, let's have a drag, yeah, Goline,

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Speaker 5: So the pea play As soon as it goes green, bang,

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Speaker 5: he takes off. Then yeah, and both of them take

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Speaker 5: off and it's pretty even.

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Speaker 3: So the car behind it is filming this set.

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Speaker 5: That person's part of the dash caare Owners Australia Association.

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Speaker 5: So they take off so quickly that within a matter

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Speaker 5: of seconds the cars are gone over the horizon and

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Speaker 5: into the distance. And then two k's down the road,

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Speaker 5: the guy over the dash cam camera drives pass and the.

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Speaker 3: Poor plate has been pulled over.

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Speaker 5: Because the person that he was dragging they were undercover cops.

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Speaker 1: That's a shame, isn't it.

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Speaker 2: You're feeling so good in your car, You've just cleaned it,

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Speaker 2: You're ready to go sho after the boys. You've probably

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Speaker 2: got your own dash can, so you want to see

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Speaker 2: the wind.

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Speaker 3: Just I don't understand why you need to do it.

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Speaker 5: Where the masculinity is in just knocking someone off, just

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Speaker 5: beating them at a red light.

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Speaker 2: I don't get it either, But how much fun would

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Speaker 2: it be if you were an undercover cop pulling up

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Speaker 2: looking at him, firing him up to go mat, I'll

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Speaker 2: take you, yeah, sure, let him dig over the speed.

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Speaker 3: Let's go this.

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Speaker 5: Come on, let's have a crack because I told you

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Speaker 5: I got done speeding on a pushbike. So the cops

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Speaker 5: don't actually have to have a gun to know how

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Speaker 5: fast you're doing. But obviously if they're in their car

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Speaker 5: and they can see that they're doing one hundred and

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Speaker 5: twenty and you're next to them, obviously you're doing the

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Speaker 5: same space.

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Speaker 1: So you tried to drag a cop on your pushbike?

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Speaker 3: Did it?

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Speaker 1: So you were just mouthing off of them at the lights.

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Speaker 1: I just come on, I'll take your mate.

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Speaker 5: I just did a couple of bunny hops and said

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Speaker 5: let's do this, and off we ran. Wow under the

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Speaker 5: young fellow. I don't care where you live, mate, there's

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Speaker 5: always a couple of peanuts on you street.

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Speaker 3: Of course you're always going to cop them.

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Speaker 5: Lower north Shore Willoughby, asked you before meeting. Price in Willoughby.

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Speaker 7: Two point one millions.

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Speaker 2: That's for a house, is it, mate? Now that's fancy stuff, guys.

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Speaker 2: That's what we're talking about here the media.

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Speaker 7: The house price in New South Wales is six hundred

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Speaker 7: and twelve thousand.

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Speaker 2: Yeah right, that's a meal time get up to a

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Speaker 2: mill many suburbs.

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Speaker 3: Yeah right.

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Speaker 5: But see Willoughby is a beautiful, beautiful area. That doesn't

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Speaker 5: stop Wayne Leavitt. You've always got to get one peanut

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Speaker 5: on the street and Wayne's an older bloke.

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Speaker 2: Quite often it is there is a wave, there's a

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Speaker 2: Wayne involved in You've got troubled see, you know.

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Speaker 3: A dodgy Wayne. Give us a call thirteen twenty four

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Speaker 3: to ten. Hope marinaccur doesn't ring in for a brother.

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Speaker 1: One of the old.

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Speaker 8: Classics, James Packer's brother.

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Speaker 9: Is he going to go?

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Speaker 1: Man, if you're going to bring that potty mouth in here, God,

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Speaker 1: have a breather.

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Speaker 3: Oh you're not getting in a barangaroo. No, so Wayne Leavitt.

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Speaker 5: He's a bit older Wayne, He's grumpy. He lives in Willoughby.

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Speaker 5: But everyone on the street says that Wayne just mouths

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Speaker 5: off and everyone.

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Speaker 3: Is sick of him.

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Speaker 5: He throws stuff over the fence and they're over it.

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Speaker 5: And unfortunately you shouldn't resort to this. But Stuart Richmond

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Speaker 5: that also lives on the street, he Wayne was giving

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Speaker 5: him so much crap Stuart that he had got a

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Speaker 5: hockey stick out and had a couple of cracks at

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Speaker 5: old Wayne. I mean this is just an example.

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Speaker 3: Wayne. Wayne's got a potty mouth and he just has

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Speaker 3: a guard everyone.

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Speaker 6: But you just keep looking, mate.

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Speaker 10: I was on the victim in.

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Speaker 11: This team, right, not very nice language, Wayne, both, that's

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Speaker 11: not very nice.

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Speaker 5: So he's just gone around the street and Willoughby and

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Speaker 5: I mean there's some beautiful BMW's and Mercedes there and

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Speaker 5: there's Wayne having a crack.

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Speaker 3: So Stuart's got out the old.

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Speaker 5: Hockey stick and he was asked, he gave him a

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Speaker 5: couple and unfortunately Wayne had to go to hospital. He's

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Speaker 5: all right now. He came back and had another crack

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Speaker 5: at a few people. But then Stewart was asked, you know,

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Speaker 5: why did you do it?

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Speaker 3: And this was his response, he was just carrying on

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Speaker 3: luke quot type.

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Speaker 5: So I made him what, I made him into a

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Speaker 5: pork job with a hockey stick, carrying on like a

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Speaker 5: pork chop.

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Speaker 3: So I tenderized him.

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Speaker 1: Paul, Wayne, do you know this?

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Speaker 2: You know the greatest part about this story is that

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Speaker 2: it's in Willoughby where Channel nine is. Tracy Trace could

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Speaker 2: get out of the seat and come straight down to

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Speaker 2: Wayno's place to do an eyewitness report from there.

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Speaker 3: For it coming exactly.

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Speaker 1: I mean, neighbors going to war is your number one

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Speaker 1: topic on that.

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Speaker 3: Perfect Dicky could come down and do an entertainment report.

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Speaker 2: I mean they could do a fundraiser. They could knock

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Speaker 2: on Wayne's door and do some sort of charity giveaway.

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Speaker 2: Or that's perfect, or a meat Trey raffle.

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Speaker 1: For Wayno that he's been turned into a pork chop.

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Speaker 3: Well look this is another idea.

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Speaker 5: Pork jump on board with Stuart and you know he

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Speaker 5: could be the new face of the pork chop campaigns.

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Speaker 1: There he's still in hospital. We've got Sam Ke, Yeah,

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Speaker 1: we've got Wayna now.

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Speaker 3: And then you've got Stewart. Have we got that what's

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Speaker 3: that tagline by Stewart again?

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Speaker 1: About it?

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Speaker 3: He was just carrying on like a pork shop.

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Speaker 5: So I by pork right now, done, done done.

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Speaker 1: I want to start playing hockey, which is a weird

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Speaker 1: which is a weird twist. There's no question.

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Speaker 2: That's a stupid question, like any question.

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Speaker 9: You know.

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Speaker 2: Dad said to me the other day, I've tried to

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Speaker 2: listen to the podcast. Your mother gives it to me,

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Speaker 2: but I don't get anything out of your show.

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Speaker 1: I'm talking about the podcast and he said, I don't

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Speaker 1: get anything out of the show.

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Speaker 2: I think because of this segment, this makes it an

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Speaker 2: educational program. You'll learn something on the Fitz Show. For

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Speaker 2: the first time.

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Speaker 1: Ever, how's this this morning? We're talking about.

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Speaker 2: This this segment and Tommy says, yeah, but polar bears

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Speaker 2: aren't white.

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Speaker 1: Are they? And I hang on a minute, mate, where

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Speaker 1: is your head at? Please explain yourself.

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Speaker 7: Well, I shocked you this morning, whip, because it's true.

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Speaker 7: Polar bears their skin is actually black.

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Speaker 3: Wow.

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Speaker 7: And their fur isn't white as such, it just looks

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Speaker 7: that way.

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Speaker 3: It's white, mate, their fur.

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Speaker 7: No, their fur has no pigment and it is just

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Speaker 7: a reflection of the area. That is according to Polar

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Speaker 7: Bears International.

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Speaker 1: I've seen the polar bear in a zoo against the

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Speaker 1: dark rock.

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Speaker 7: Yes, but it's white. No, it just looks that way.

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Speaker 7: There is a pigment in the firs.

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Speaker 5: But do you know what this is, okay, challenge for

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Speaker 5: anyone out there, the first person in the world to

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Speaker 5: do it.

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Speaker 3: Shave a polar bear?

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Speaker 2: You reckon, it would be black. It would look like

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Speaker 2: a black bear if you shaved. This is very similar

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Speaker 2: to FITZI. There was a story that when polar bears

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Speaker 2: hunt right sneaking up on their prey, what they do

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Speaker 2: is they put their hand up in front of their

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Speaker 2: nose because the palm of their hand and their nose

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Speaker 2: is the only dark thing, so then it's just white

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Speaker 2: as they sneak towards the prey.

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Speaker 1: Polar bear facts.

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Speaker 3: It's not a question Sharon from windsor what's your question?

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Speaker 12: Hi guys, Oh my god, I love this segment.

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Speaker 9: I've always wanted to know a zebra's white with black

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Speaker 9: stripes or black with white stripes.

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Speaker 3: I would say white with black stripes.

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Speaker 2: Well, the stripes kind of fade off down their legs,

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Speaker 2: don't they and their legs look white.

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Speaker 5: We took some photos of some zebras this time last

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Speaker 5: year when you're in the jungle.

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Speaker 2: I mean, Tommy's going to google it, but it's good

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Speaker 2: that Fitzy's just going to look at photos of zebra.

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Speaker 1: Yeah, a year ago, I don't know.

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Speaker 2: You would assume it was white with black stripes, wouldn't you?

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Speaker 3: Sarah?

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Speaker 1: What do you think?

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Speaker 3: Do you say zebra or zebra?

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Speaker 13: Zebra?

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Speaker 8: Zebra is American zebra?

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Speaker 10: Z tom one of you got okay.

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Speaker 7: So it was previously thought that zebras were white animals

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Speaker 7: with black stripes. However, they've since looked into zebras at

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Speaker 7: birth and it shows that the animal's background color is

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Speaker 7: black and the whites, the white.

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Speaker 3: Stripes, black with white stripes, black with white stripes.

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Speaker 8: Man, it's like.

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Speaker 11: When you lose your hair color and your hair goes

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Speaker 11: what appears to be almost gray.

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Speaker 8: It's stripped of its color.

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Speaker 11: So Tommy's right, it's not white, it's just stripped of color.

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Speaker 9: Now, I think.

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Speaker 3: Jesse from a Voker beach, what's your question, Jess? Yeah,

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Speaker 3: goodness awesome.

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Speaker 5: I was wondering, what's the difference between.

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Speaker 4: Past and.

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Speaker 1: Say that again? Jesse?

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Speaker 5: What's the difference between the words past and past?

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Speaker 3: I like p A s T and p A double

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Speaker 3: s e D.

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Speaker 13: Yeah.

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Speaker 8: Well, one is like you walked past, and one is

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Speaker 8: it was in the.

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Speaker 3: Past if you walk past, How would you spell.

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Speaker 1: That p A s T I walked past, but then

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Speaker 1: you've passed away.

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Speaker 3: P A double s c D different? But you could

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Speaker 3: say that I will could you? Could you say I

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Speaker 3: walked past and do a double s D? Is that

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Speaker 3: still correct?

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Speaker 14: No?

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Speaker 11: If I passed you something this piece of paper, that

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Speaker 11: would be PA double c D.

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Speaker 1: But you would walk past p A s T.

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Speaker 2: Right, But then if I said to you, Sair, I

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Speaker 2: walked past you today, it would be PA double s D.

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Speaker 1: I don't know that, wouldn't I walked passed you earlier?

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Speaker 14: Today?

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Speaker 7: I will clean up the mess. Okay, it is quite complicated.

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Speaker 7: It's all about indicating motion and things moving. But I'll

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Speaker 7: just give you some examples to make it easy. So

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Speaker 7: the times when you would use P A S, S

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Speaker 7: E D would be like the car passed me in

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Speaker 7: the left lane or the train passed through the mountainside.

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Speaker 3: That's like I walked past you. It's a verb.

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Speaker 7: So then the other examples of P A S T

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Speaker 7: would be like he sailed past us, or he flew

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Speaker 7: past us. That's confused, or he ran past us, because

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Speaker 7: that's exactly the same. It's it's a movement thing.

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Speaker 1: So I told you had learned something today.

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Speaker 3: It's really difficult.

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Speaker 1: I'm just confused.

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Speaker 3: Jesse, Jesse, you were trading. Yeah, go grab yourself a

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Speaker 3: pine of.

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Speaker 2: Don't ask this questions we don't answer in this segment.

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Speaker 2: Mitch in London, Hello, Hey.

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Speaker 3: Going guys, what's the question?

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Speaker 7: Before I ask my question?

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Speaker 5: What's the chances begin becoming a member?

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Speaker 3: Did you were? You're the first to ask for a

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Speaker 3: very long time. You've got a brother, what? Thank you?

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Speaker 1: Ay?

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Speaker 7: Sweet?

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Speaker 6: My question is who named the Earth, Earth's.

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Speaker 1: Steve. I don't know. I mean it wasn't wasn't found

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Speaker 1: by anyone.

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Speaker 3: I think it was. I think it was Edna Arth.

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Speaker 1: I don't think. I don't think God left us with

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Speaker 1: one word, because he.

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Speaker 11: Would have made some grand Jesus would have said something

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Speaker 11: about the Earth.

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Speaker 2: Well, it's funny that you says any stand up, like

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Speaker 2: on the sixth day or the third day, he made

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Speaker 2: light when you've.

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Speaker 3: Created everything else.

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Speaker 1: He's done everything else, and he did it in the dark.

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Speaker 1: Why wouldn't you have done light on the first day? Mate?

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Speaker 1: You knew what you're doing. What have you got to

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Speaker 1: a point?

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Speaker 6: All?

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Speaker 1: Right?

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Speaker 7: Well, interestingly, Earth is the only planet that wasn't named

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Speaker 7: after a Greek or Roman god. Yes, however, we don't

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Speaker 7: know who named Earth. It's just it comes from English

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Speaker 7: and German words that both mean ground.

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Speaker 1: Jeez, Mitch, this has been some heavy, heavy questions.

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Speaker 2: Yeah, you've gone hard, Mitch. You've learned something they haven't

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Speaker 2: you made.

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Speaker 3: I have made an educational problem. That's the first one

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Speaker 3: that we received where there's no real answer.

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Speaker 5: When you talk about radio industry, television industry, anyone who

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Speaker 5: gets involved, it's about longevity and that can be hard sometimes.

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Speaker 5: This man has spent twenty five years at Channel ten

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Speaker 5: delivering us the new Who's every night on ten Eyewitness News,

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Speaker 5: and you can see it again to night at five pm.

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Speaker 3: It is the magnificent Tim.

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Speaker 10: Oh, thank you boys. Twenty five years without a real job.

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Speaker 10: You're trying to do the same thing.

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Speaker 13: I know you are. I know you are with you.

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Speaker 1: You know what impresses me too, Tommy.

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Speaker 2: I feel like even in the past six months, the

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Speaker 2: flirting as you throw back to Sandra's really increased.

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Speaker 1: I mean, that's winding up in a weather since.

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Speaker 10: My word, I can tell you she's had a deep, deep, intense.

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Speaker 13: Crush on me for fifteen years. It's not easy because

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Speaker 13: I'm married.

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Speaker 10: Yeah, yeah, I'm absolutely professional. And look we've only kissed

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Speaker 10: fighter four or five times. And I mean the wandering

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Speaker 10: hand problem has been addressed by HRM.

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Speaker 13: And apart from that, everything's going really well.

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Speaker 3: You don't consider it a real job. You love your job.

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Speaker 3: I do what to tell everyone out there? What is

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Speaker 3: the day? What is the Tim Bailey's day? When do

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Speaker 3: you get into work?

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Speaker 13: I get into w work about four pm.

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Speaker 3: Wow, yeah, I know.

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Speaker 10: And then I go and talk to the boss Johnny Chaffetti,

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Speaker 10: who's a ripping made of mine, and he lets me

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Speaker 10: know where I'm going wrong in life or I'm going

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Speaker 10: right in life. I go on the TV at five

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Speaker 10: and I get him a cart go home at six.

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Speaker 10: It's a long day, yeah, but you have to bring

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Speaker 10: some energy to it. Mate. I tell you what whip

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Speaker 10: in real life. That beard is beautiful.

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Speaker 1: It's long. It's just everyone. He's asking why the beard

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Speaker 1: and I don't have an answer.

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Speaker 13: And you're the only tool Blake I've ever liked fit.

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Speaker 5: We would make difference to you too. We make a

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Speaker 5: bloody good team. On the footy field, I reckon and

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Speaker 5: they're just tapping the ball.

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Speaker 10: Down, still down the Bailey Bailey books, Whipper takes a snap.

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Speaker 13: Isn't this kid playing for the Swans.

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Speaker 2: We need to apologize because things have got out of

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Speaker 2: hand recently. And it was the Leeds story on Daily

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Speaker 2: Mail last night about your age. Now, it wasn't long

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Speaker 2: ago we were discussing this.

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Speaker 5: Yeah, Daily Marlin actually wrote a story. I think they

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00:16:05,120 --> 00:16:08,720
Speaker 5: made a typea. They made a mistake and they said

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Speaker 5: that you were sixty three years of age.

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Speaker 3: We saw the story and said you're kid and yourself.

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Speaker 3: That is unbelievable.

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Speaker 5: If he's sixty three, he looks amazing. And the amount

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Speaker 5: of sun that you've got over the years, I mean,

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Speaker 5: we could turn you into a suitcase when you pass away, but.

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Speaker 3: We could not believe that you were sixty three years

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Speaker 3: of age.

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Speaker 5: We got you on the show, and then you started

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Speaker 5: running with it and saying telling everyone that you.

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Speaker 3: Were sixty three.

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Speaker 13: Oh, now come on, knock it off, knock it off,

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Speaker 13: knock it off.

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Speaker 3: You gave me a call.

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Speaker 10: I was over the cook Islands and you said, hey,

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Speaker 10: they've got you in at sixty three, and knock off

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Speaker 10: the tan stuff, mate.

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Speaker 13: Not everyone likes looking like a big tall milk bottle.

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00:16:45,920 --> 00:16:46,160
Speaker 3: Yeah.

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Speaker 10: So this this thing that I'm sixty three years of age,

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Speaker 10: it's just not true. I was born in nineteen sixty three.

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Speaker 10: I turned fifty four on Sunday.

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Speaker 1: Maybe that was the confusion.

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Speaker 10: Still, you know, I'm still thirty four. Between the years,

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Speaker 10: I'm pretty good looking, and I'm still a very very

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Speaker 10: good love mine.

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Speaker 1: I was about to say i'd back that up, and

396
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Speaker 1: then he said, love maker, Now I can't.

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Speaker 5: All right, Okay, now twenty five years, what are you like?

398
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Speaker 5: Between the years? Still after twenty five years of weather

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00:17:14,560 --> 00:17:17,639
Speaker 5: Because one thing that we know with you, Timmy, is

400
00:17:17,680 --> 00:17:20,360
Speaker 5: that you love your rhyme, You love your palms. You've

401
00:17:20,400 --> 00:17:23,480
Speaker 5: got quite a few in store. If we throw weather

402
00:17:23,640 --> 00:17:26,440
Speaker 5: terms at you, do you reckon? You'll be able to

403
00:17:26,480 --> 00:17:29,480
Speaker 5: give us a bit like I mean, have you stored

404
00:17:29,480 --> 00:17:31,520
Speaker 5: these in the memory bank for twenty five years?

405
00:17:31,600 --> 00:17:33,680
Speaker 13: Well, we're about to find out, aren't we fit.

406
00:17:33,760 --> 00:17:35,640
Speaker 5: Because I'm a little bit nervous about this, I'm gonna

407
00:17:35,640 --> 00:17:36,840
Speaker 5: throw some big words at you.

408
00:17:37,640 --> 00:17:42,760
Speaker 10: Precipitation, predicted, precipitation, the business of the brawling trips and

409
00:17:42,840 --> 00:17:47,200
Speaker 10: drops across rooftops and crops. Give me something hard to do.

410
00:17:47,280 --> 00:17:50,159
Speaker 1: Well, if I throw just atmosphere out.

411
00:17:50,000 --> 00:17:55,920
Speaker 10: There, the atmosphere around here would be a whole lot

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00:17:55,920 --> 00:17:57,480
Speaker 10: better with a glass of beer.

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00:17:57,960 --> 00:18:01,000
Speaker 1: That's he's not lying either.

414
00:18:01,040 --> 00:18:02,879
Speaker 5: Now we're talking about this. This is a big This

415
00:18:02,960 --> 00:18:05,040
Speaker 5: is a big subject around the world at the moment.

416
00:18:05,119 --> 00:18:07,760
Speaker 3: Climate climate.

417
00:18:08,320 --> 00:18:09,640
Speaker 13: It's like orange, nothing.

418
00:18:09,440 --> 00:18:17,720
Speaker 1: Wrong, Climbate, wouldn't mind it right to steal your job

419
00:18:17,800 --> 00:18:18,720
Speaker 1: to warming up.

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Speaker 10: I've come into a studio to try and find it,

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Speaker 10: the climate, and I can tell you the climate in

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Speaker 10: here would be a lot better if whipper was wearing

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Speaker 10: the over.

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Speaker 1: It I'd put it on.

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00:18:34,240 --> 00:18:40,800
Speaker 3: What about condensation. That's a tough one, dripping.

426
00:18:40,440 --> 00:18:44,240
Speaker 10: With condensation as the heat wave rules the nation.

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Speaker 1: There's a headlines back to you, Sandra.

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00:18:48,000 --> 00:18:49,480
Speaker 3: We've got to get him back for wrap up for

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00:18:49,560 --> 00:18:51,880
Speaker 3: the week. That's what we're going to do. Last one

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Speaker 3: or this is a tough one.

431
00:18:53,680 --> 00:19:02,400
Speaker 10: Drizzle, don't you bloody grizzle? The garden needed some drizzle?

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Speaker 2: There it is and that's why he is the best

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00:19:04,080 --> 00:19:10,000
Speaker 2: ladies and gentlemen right there on the spot live the

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Speaker 2: last couple of words, Availe.

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Speaker 1: He gets to work at four.

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Speaker 3: This is far too.

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00:19:17,440 --> 00:19:20,600
Speaker 5: That's exactly it to me, mate, an absolute pleasure. You've

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00:19:20,600 --> 00:19:22,679
Speaker 5: always helped us out on our show as well. Actually,

439
00:19:22,720 --> 00:19:25,240
Speaker 5: I've got an idea. I'm putting a rap together actually

440
00:19:25,240 --> 00:19:27,320
Speaker 5: with a few news readers. Actually, the last time I

441
00:19:27,320 --> 00:19:29,440
Speaker 5: did do that, though, you got into trouble at Channel ten.

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00:19:29,560 --> 00:19:31,520
Speaker 5: So I've got to get your I've.

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00:19:31,359 --> 00:19:31,800
Speaker 3: Got to get you.

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00:19:32,320 --> 00:19:33,679
Speaker 13: This next one can be a good one.

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00:19:33,760 --> 00:19:35,840
Speaker 5: It's called bust the news, all right, So we'll talk

446
00:19:35,840 --> 00:19:36,959
Speaker 5: to you about that a little bit more.

447
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Speaker 3: But congratulations twenty five years mate.

448
00:19:39,280 --> 00:19:41,600
Speaker 5: I mean that's massive in the industry and We love

449
00:19:41,640 --> 00:19:43,240
Speaker 5: your work here and thank you very much for coming

450
00:19:43,280 --> 00:19:45,280
Speaker 5: on and helping us out in our show, Timmy.

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Speaker 3: Thanks Fitzy. I love it.

452
00:19:46,119 --> 00:19:49,040
Speaker 10: YouTube blogs have got something special going on. Everyone knows that,

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00:19:49,080 --> 00:19:51,760
Speaker 10: and it's nice to just punch in now and again

454
00:19:51,800 --> 00:19:53,040
Speaker 10: and have a bit of fun with you. Thank you

455
00:19:53,160 --> 00:19:55,640
Speaker 10: very much for having me, and thanks anyone out there

456
00:19:55,680 --> 00:19:56,840
Speaker 10: who's ever watched me.

457
00:19:57,359 --> 00:19:58,399
Speaker 1: Jimmy, thank you. Mate.

458
00:19:59,359 --> 00:20:02,439
Speaker 5: John Hoppers in the paper again today and you may

459
00:20:02,480 --> 00:20:03,960
Speaker 5: have seen him on the news last night.

460
00:20:04,000 --> 00:20:05,320
Speaker 3: Hoppers had a bit of a.

461
00:20:05,280 --> 00:20:08,960
Speaker 5: Colorful laugh, passed a bit of a laugh, a bit

462
00:20:08,960 --> 00:20:12,040
Speaker 5: of a you know on his playing career series, is

463
00:20:12,080 --> 00:20:12,480
Speaker 5: he the one.

464
00:20:12,440 --> 00:20:13,639
Speaker 8: That got in trouble for the Finger?

465
00:20:13,720 --> 00:20:17,480
Speaker 5: And yeah, Finger went wondering a couple of times over

466
00:20:17,560 --> 00:20:18,240
Speaker 5: for the footy trip.

467
00:20:18,320 --> 00:20:20,280
Speaker 3: But I didn't know this, but have Hopper.

468
00:20:21,240 --> 00:20:24,399
Speaker 5: He's part owners in a deli which is next to

469
00:20:24,560 --> 00:20:26,800
Speaker 5: sort of a fruit and ved shop like a supermarket,

470
00:20:26,880 --> 00:20:28,960
Speaker 5: and Hopper gets a bit of a cut from it.

471
00:20:29,000 --> 00:20:29,960
Speaker 3: But he's been having a.

472
00:20:29,960 --> 00:20:34,480
Speaker 5: Few fights with a super fresh supermarket because they've been

473
00:20:34,520 --> 00:20:38,160
Speaker 5: docking his part and he's weekly take taking has been

474
00:20:38,240 --> 00:20:42,119
Speaker 5: dropping each time he's been arguing with his staff and

475
00:20:42,119 --> 00:20:44,040
Speaker 5: what Hopp has done. Is he's gone in there the

476
00:20:44,119 --> 00:20:47,480
Speaker 5: last time demanded some money. They said, Hoppy, you're not

477
00:20:47,520 --> 00:20:47,919
Speaker 5: getting it.

478
00:20:48,000 --> 00:20:49,200
Speaker 1: So he didn't get his pinky eet.

479
00:20:49,280 --> 00:20:51,919
Speaker 5: So he's just scrabbed a coconut water and said all right,

480
00:20:51,960 --> 00:20:54,400
Speaker 5: I'll just have this and walked out. So they've done

481
00:20:54,480 --> 00:20:56,840
Speaker 5: him for shoplifting and he's just he had to go

482
00:20:56,880 --> 00:20:58,120
Speaker 5: to court yesterday, sir.

483
00:20:58,320 --> 00:21:00,320
Speaker 1: So this is funny, is it him coming out of court?

484
00:21:00,640 --> 00:21:03,000
Speaker 3: He's coming out of court. Hop has gone with the

485
00:21:03,000 --> 00:21:03,560
Speaker 3: old hipster.

486
00:21:03,640 --> 00:21:05,880
Speaker 1: Look, how do you describe it?

487
00:21:05,880 --> 00:21:09,280
Speaker 5: It's gone with the old white chinos rolled up halfway

488
00:21:09,359 --> 00:21:12,520
Speaker 5: up his leg, and he's got loafers on.

489
00:21:12,520 --> 00:21:13,160
Speaker 3: Would you say?

490
00:21:13,440 --> 00:21:16,720
Speaker 2: So they're a smart todd and urs loafer there, but

491
00:21:16,760 --> 00:21:20,560
Speaker 2: there are tan yellow loaf It looks like he's about

492
00:21:20,600 --> 00:21:23,560
Speaker 2: to step onto a yacht, a very exclusive yacht. He's

493
00:21:23,560 --> 00:21:25,920
Speaker 2: got a brown jacket that's done up which looks three

494
00:21:25,960 --> 00:21:29,640
Speaker 2: times too small. So I think he's borrowed that very

495
00:21:29,720 --> 00:21:34,240
Speaker 2: sharp tie tied up with a double windsor just a stunning,

496
00:21:34,600 --> 00:21:35,760
Speaker 2: stunning out.

497
00:21:36,040 --> 00:21:37,280
Speaker 3: You gonna have the right body for that.

498
00:21:37,320 --> 00:21:41,200
Speaker 8: Lookdown, it's a little bit maths teacher. Top boating person.

499
00:21:41,920 --> 00:21:43,480
Speaker 3: Josiah who works on the show.

500
00:21:43,640 --> 00:21:45,920
Speaker 5: Josiah does a bit of part time modeling as well,

501
00:21:46,000 --> 00:21:47,640
Speaker 5: and he's a backup dancer too.

502
00:21:48,640 --> 00:21:51,360
Speaker 3: But he's you like this look, don't you. The old.

503
00:21:53,800 --> 00:21:58,920
Speaker 1: Loafers very very it's very made. Its bondo. It's a

504
00:21:59,000 --> 00:22:00,280
Speaker 1: Chino with a loafer.

505
00:22:00,040 --> 00:22:02,040
Speaker 3: Which tries to pull it off every now and then. Well,

506
00:22:02,080 --> 00:22:04,440
Speaker 3: I teach it, actually, mate, No, you don't, mate.

507
00:22:04,600 --> 00:22:06,280
Speaker 8: I give more double bathe than bonds.

508
00:22:06,440 --> 00:22:08,680
Speaker 2: I give the fashion lesson mate. You're right, it's a

509
00:22:08,680 --> 00:22:10,080
Speaker 2: bit more double bays than it says.

510
00:22:10,200 --> 00:22:10,320
Speaker 7: Well.

511
00:22:10,359 --> 00:22:13,159
Speaker 5: See, I've tried it, but I didn't get past the

512
00:22:13,160 --> 00:22:16,359
Speaker 5: front door at home. I've tried to roll up jeans before,

513
00:22:17,760 --> 00:22:19,679
Speaker 5: never worn life as before now.

514
00:22:19,640 --> 00:22:22,120
Speaker 2: But naturally your jeans are too short anyway, because he's

515
00:22:22,119 --> 00:22:22,840
Speaker 2: six foot six.

516
00:22:22,960 --> 00:22:24,720
Speaker 3: The ankle freezers got massive angle.

517
00:22:24,920 --> 00:22:26,960
Speaker 2: I think everyone's been through a stage where they've tried

518
00:22:26,960 --> 00:22:29,760
Speaker 2: a different outfit. I mean, I, for years have tried

519
00:22:29,800 --> 00:22:33,399
Speaker 2: to wear like a big sneaker like Tommy. Remember I

520
00:22:33,400 --> 00:22:38,080
Speaker 2: bought those green sneakers, like traditional rebox sneakers like a

521
00:22:38,160 --> 00:22:43,600
Speaker 2: pump or I've worn well, no, I've tried them as well.

522
00:22:43,640 --> 00:22:45,840
Speaker 2: Set and I've tried to be the cool guy and

523
00:22:46,000 --> 00:22:49,960
Speaker 2: I just the word cool and myself have never mixed. Well,

524
00:22:50,040 --> 00:22:51,000
Speaker 2: they just don't get on.

525
00:22:51,160 --> 00:22:52,600
Speaker 3: You bought a puffer jacket.

526
00:22:53,240 --> 00:22:55,640
Speaker 2: Zip up the front, black puffer jacket with a couple

527
00:22:55,640 --> 00:22:58,080
Speaker 2: of stripes around the neck, and I would wear that

528
00:22:58,440 --> 00:23:03,440
Speaker 2: with my tight jeans and mcgreen sneakers and I don't know,

529
00:23:04,240 --> 00:23:05,080
Speaker 2: you don't know.

530
00:23:06,560 --> 00:23:07,480
Speaker 1: It just doesn't work.

531
00:23:07,600 --> 00:23:11,360
Speaker 3: Lena's given us kill from reevesby What did your boss do? Lena? Oh,

532
00:23:11,400 --> 00:23:12,240
Speaker 3: she's hilarious.

533
00:23:12,240 --> 00:23:15,040
Speaker 7: She came to a work function wearing double denim and

534
00:23:15,080 --> 00:23:16,480
Speaker 7: it had tussels and everything.

535
00:23:16,560 --> 00:23:18,600
Speaker 1: Oh no, was she serious about it or was it

536
00:23:18,680 --> 00:23:19,040
Speaker 1: dress up?

537
00:23:20,000 --> 00:23:20,080
Speaker 6: No?

538
00:23:20,240 --> 00:23:20,919
Speaker 3: She was serious.

539
00:23:21,000 --> 00:23:21,959
Speaker 5: We were killing ourselves.

540
00:23:21,960 --> 00:23:24,280
Speaker 15: We were wondering where she had parked her horse.

541
00:23:24,600 --> 00:23:29,480
Speaker 5: Yeah, you know what, But you read a GQ magazine

542
00:23:29,560 --> 00:23:31,399
Speaker 5: or a Vogue magazine, you know what I mean, And

543
00:23:31,440 --> 00:23:34,000
Speaker 5: you see these models pulling it off, and in the

544
00:23:34,040 --> 00:23:36,600
Speaker 5: back of your mind you go, I'm half a chance.

545
00:23:36,880 --> 00:23:39,040
Speaker 3: Here's it's going to cost me third and hundred bucks

546
00:23:39,040 --> 00:23:41,600
Speaker 3: for that outfit. But I would look amazing. No you won't.

547
00:23:41,680 --> 00:23:43,600
Speaker 2: No, you won't because you're not that person. It's like

548
00:23:43,640 --> 00:23:45,879
Speaker 2: when you see Matt Damon in some awkward clothes and

549
00:23:45,920 --> 00:23:47,880
Speaker 2: you go see I could wear that because Matt Damon does.

550
00:23:47,960 --> 00:23:49,240
Speaker 3: But I'm not Matt Damon.

551
00:23:49,480 --> 00:23:51,920
Speaker 2: That's the difference with this, And I just want to

552
00:23:51,960 --> 00:23:55,600
Speaker 2: say fits it. I mean, you've for the for years

553
00:23:55,880 --> 00:23:58,640
Speaker 2: said that you can't pull off a hat, and it's

554
00:23:58,680 --> 00:24:01,520
Speaker 2: only recently that you found a hat that you do like.

555
00:24:01,560 --> 00:24:03,600
Speaker 2: And it's got sort of a leafy pattern on it.

556
00:24:04,119 --> 00:24:06,000
Speaker 2: And I know you were nervous the first day. You

557
00:24:06,040 --> 00:24:09,560
Speaker 2: wanted in because it looks like a kid's cap you

558
00:24:09,720 --> 00:24:11,879
Speaker 2: maybe got in the show. Looks like you got it

559
00:24:11,920 --> 00:24:12,359
Speaker 2: in the show.

560
00:24:12,520 --> 00:24:14,520
Speaker 3: It just fits my head really well.

561
00:24:16,880 --> 00:24:19,159
Speaker 1: He wants it. He's still waiting by the bottom of

562
00:24:19,240 --> 00:24:19,679
Speaker 1: the slide.

563
00:24:20,200 --> 00:24:22,840
Speaker 3: But I've warned a few times again I.

564
00:24:22,920 --> 00:24:24,760
Speaker 1: Want you to have the confidence to go. I don't

565
00:24:24,760 --> 00:24:28,200
Speaker 1: care what anyone else thinks. I'm wearing that hat.

566
00:24:28,280 --> 00:24:30,320
Speaker 5: It's it's just a tough one. I mean, when you

567
00:24:30,400 --> 00:24:32,560
Speaker 5: gave her a different type of fashion like Cope has

568
00:24:32,600 --> 00:24:34,080
Speaker 5: done yesterday, he's gone for the hipster.

569
00:24:34,359 --> 00:24:35,200
Speaker 3: That's a hipster look.

570
00:24:35,240 --> 00:24:35,879
Speaker 1: Yeah, it's hipster.

571
00:24:36,080 --> 00:24:38,080
Speaker 3: He's got the hair slicked to the sign as well.

572
00:24:38,119 --> 00:24:41,840
Speaker 3: It doesn't look too bad anyway. Where his fingers are.

573
00:24:42,640 --> 00:24:50,800
Speaker 1: In his pocket, which is Lid says finally and has

574
00:24:50,880 --> 00:24:51,560
Speaker 1: spoken out.

575
00:24:51,760 --> 00:24:55,119
Speaker 8: Yeah, that's right. She's talked about her divorce from Brad Pits.

576
00:24:55,160 --> 00:24:56,840
Speaker 8: It's been months now and she's.

577
00:24:56,680 --> 00:24:59,720
Speaker 11: Obviously not been in hiding, but hasn't really got out

578
00:24:59,760 --> 00:25:01,200
Speaker 11: in the kids lately.

579
00:25:01,240 --> 00:25:02,040
Speaker 8: She has, though.

580
00:25:02,280 --> 00:25:05,000
Speaker 11: She did an exclusive interview with the BBC and she

581
00:25:05,119 --> 00:25:07,440
Speaker 11: was asked about the high profile breakup.

582
00:25:08,320 --> 00:25:11,399
Speaker 6: I don't want to say very much about that, except

583
00:25:11,440 --> 00:25:13,919
Speaker 6: to say it was a very difficult time and we

584
00:25:13,960 --> 00:25:16,879
Speaker 6: are a family, and we will always be a family,

585
00:25:17,440 --> 00:25:20,639
Speaker 6: and we will get through this time and hopefully be

586
00:25:20,680 --> 00:25:22,000
Speaker 6: a stronger family for it.

587
00:25:22,280 --> 00:25:24,400
Speaker 2: I'm not sure what that meant to me when I

588
00:25:24,480 --> 00:25:27,280
Speaker 2: first saw it. I first thought, I, she's suggesting this

589
00:25:27,480 --> 00:25:28,719
Speaker 2: hope that they'll get back together.

590
00:25:28,760 --> 00:25:30,960
Speaker 5: Well, I don't think it's about the relationships, but it's

591
00:25:30,960 --> 00:25:32,280
Speaker 5: about Brad still being.

592
00:25:32,080 --> 00:25:33,720
Speaker 3: A part of the family. He's still in the farm.

593
00:25:34,160 --> 00:25:35,880
Speaker 11: Yeah, but the way she says it is like it's

594
00:25:35,920 --> 00:25:37,439
Speaker 11: still up in the air as to whether or not

595
00:25:37,480 --> 00:25:39,720
Speaker 11: he'll be allowed around, and that is kind of under

596
00:25:39,760 --> 00:25:40,560
Speaker 11: question because.

597
00:25:40,359 --> 00:25:45,240
Speaker 8: He only gets visitation under supervision, so he's not allowed.

598
00:25:46,480 --> 00:25:47,399
Speaker 3: Who supervised?

599
00:25:48,720 --> 00:25:50,720
Speaker 1: Give me a break, she.

600
00:25:50,720 --> 00:25:52,119
Speaker 8: Would be so controlling.

601
00:25:52,960 --> 00:25:54,400
Speaker 1: I have we heard from him.

602
00:25:55,320 --> 00:25:57,879
Speaker 8: No, But he did present at what was it the

603
00:25:58,160 --> 00:25:59,879
Speaker 8: Golden Globes. I think it wasn't he got up in.

604
00:26:00,240 --> 00:26:02,800
Speaker 11: I'm really cheered when he was presenting an award, so

605
00:26:02,840 --> 00:26:05,479
Speaker 11: you sort of feel like Hollywood's sing behind him.

606
00:26:05,800 --> 00:26:09,480
Speaker 5: When I heard from Doug Pitt, because I'm really worried

607
00:26:09,520 --> 00:26:10,880
Speaker 5: that he won't mobile.

608
00:26:10,680 --> 00:26:13,840
Speaker 1: He won't get another Virgin Mobile contract if bradon Anne

609
00:26:13,840 --> 00:26:15,560
Speaker 1: aren't together. I don't know. Tommy and Chase.

610
00:26:16,040 --> 00:26:16,960
Speaker 3: We spoke to Doug.

611
00:26:18,200 --> 00:26:20,919
Speaker 5: He came in here and remember we spoke to his

612
00:26:20,960 --> 00:26:22,720
Speaker 5: cousin arm Pit.

613
00:26:24,960 --> 00:26:25,720
Speaker 1: Where were you, sir?

614
00:26:26,520 --> 00:26:33,639
Speaker 8: Just in awe of the dad jobs jabs package and.

615
00:26:33,720 --> 00:26:36,480
Speaker 11: Chris Jenner has sat down with Ellen Degenerous and she's

616
00:26:36,520 --> 00:26:39,520
Speaker 11: talking about the Keeping Up with the Kardashians. The next

617
00:26:39,560 --> 00:26:42,240
Speaker 11: season is about to launch in the US and out here,

618
00:26:43,040 --> 00:26:45,800
Speaker 11: and she says that because they started filming again and

619
00:26:45,880 --> 00:26:47,959
Speaker 11: Kim was sort of in the vicinity of the family

620
00:26:48,000 --> 00:26:50,480
Speaker 11: and dealing with the paras drama, she says, this is

621
00:26:50,480 --> 00:26:53,400
Speaker 11: why you'll actually get to see and hear Kim talk

622
00:26:53,400 --> 00:26:54,080
Speaker 11: about it a lot.

623
00:26:54,160 --> 00:26:56,320
Speaker 8: I don't know for me. It raises a few questions.

624
00:26:56,520 --> 00:26:59,960
Speaker 11: Kim apparently goes into detailed moment by moment of what happened,

625
00:27:01,000 --> 00:27:03,440
Speaker 11: and Chris says that this is how it changed their lives.

626
00:27:03,800 --> 00:27:08,080
Speaker 9: It's remarkable to listen to her tell the story, and

627
00:27:08,119 --> 00:27:11,160
Speaker 9: she does that because she just thinks that it might

628
00:27:12,080 --> 00:27:14,800
Speaker 9: also bring some awareness. And you know, it's changed the

629
00:27:14,800 --> 00:27:17,480
Speaker 9: way we live our lives and just the way we

630
00:27:17,520 --> 00:27:20,080
Speaker 9: take care of our kids and my grandchildren. And so

631
00:27:20,160 --> 00:27:21,160
Speaker 9: it's been a process.

632
00:27:21,760 --> 00:27:23,520
Speaker 1: Yeah, kind of moved on from that, haven't we.

633
00:27:23,520 --> 00:27:25,080
Speaker 8: Well, it's the funny thing, is she.

634
00:27:27,520 --> 00:27:30,080
Speaker 1: Hey, sleepyhead? Why so sleepy?

635
00:27:30,800 --> 00:27:33,800
Speaker 12: Oh, it's because your mattress is a bag of potatoes

636
00:27:33,840 --> 00:27:37,320
Speaker 12: and scrap metal. You should try a nectar mattress with

637
00:27:37,440 --> 00:27:40,640
Speaker 12: award winning layers of comfort. You can sleep easy knowing

638
00:27:40,680 --> 00:27:44,359
Speaker 12: you've got incredible value. Mattresses start at just four hundred

639
00:27:44,359 --> 00:27:46,879
Speaker 12: and ninety nine dollars and you get hundreds of dollars

640
00:27:46,880 --> 00:27:49,800
Speaker 12: in accessories thrown in, as well as a three hundred

641
00:27:49,800 --> 00:27:52,880
Speaker 12: and sixty five night home trial and a forever warranty.

642
00:27:54,119 --> 00:27:59,520
Speaker 12: Go to nectorsleep dot com.

643
00:28:00,080 --> 00:28:02,280
Speaker 8: Stuff like that. And obviously this was a horrible thing.

644
00:28:02,320 --> 00:28:04,960
Speaker 11: I'm not discounting that, but the way they speak about

645
00:28:05,000 --> 00:28:06,680
Speaker 11: it and the way they let the cameras be all

646
00:28:06,680 --> 00:28:09,000
Speaker 11: over it, and the way you've got Mum on Ellen

647
00:28:09,160 --> 00:28:12,000
Speaker 11: telling that story. And then this was Kim Kardashi in

648
00:28:12,080 --> 00:28:14,639
Speaker 11: yesterday putting on Snapchat and obviously it doesn't sound like

649
00:28:14,680 --> 00:28:19,160
Speaker 11: her because she'd put a mouse filter on and she's

650
00:28:19,200 --> 00:28:23,440
Speaker 11: talking about how she spent her day.

651
00:28:22,240 --> 00:28:26,960
Speaker 10: Chess and we worked on stretch mics today and I

652
00:28:27,040 --> 00:28:31,080
Speaker 10: feel so excited, so scanty.

653
00:28:32,440 --> 00:28:38,520
Speaker 2: So mum's crying of what happened to her daughter, and

654
00:28:38,560 --> 00:28:41,040
Speaker 2: she's not getting her stretch marks worked, and she got her.

655
00:28:40,920 --> 00:28:47,160
Speaker 8: Belly button fixed. Apparently that gets destroyed after babies. Yeah,

656
00:28:47,240 --> 00:28:50,360
Speaker 8: it's a hard one. Finally fits. I reckon, you're gonna

657
00:28:50,360 --> 00:28:51,880
Speaker 8: love this story. Lindsey Lowen.

658
00:28:52,840 --> 00:28:56,520
Speaker 11: So she has jumped on Instagram to campaign to be

659
00:28:56,560 --> 00:28:58,960
Speaker 11: in a remake of The Little Mermaids, So the Disney

660
00:28:58,960 --> 00:29:01,040
Speaker 11: classic and I know we've they've remade, you know, the

661
00:29:01,120 --> 00:29:01,840
Speaker 11: Jungle Book.

662
00:29:01,680 --> 00:29:04,560
Speaker 3: That I do, the Lion burial, burial.

663
00:29:04,800 --> 00:29:05,440
Speaker 8: It's close.

664
00:29:06,120 --> 00:29:10,800
Speaker 11: Anyway, she has started. She's she's campaigning desperately. She's claiming

665
00:29:10,840 --> 00:29:13,080
Speaker 11: that she's already got it, saying I will sing again.

666
00:29:13,200 --> 00:29:18,920
Speaker 11: Disney refusing to comment because no, they haven't. She she's

667
00:29:19,400 --> 00:29:22,760
Speaker 11: she's campaigning toward the director She's said that her sister

668
00:29:22,800 --> 00:29:24,320
Speaker 11: Ali can sing the theme song.

669
00:29:24,400 --> 00:29:26,640
Speaker 8: She's worked out who would play the villain in it.

670
00:29:26,720 --> 00:29:27,640
Speaker 1: It's not your movie.

671
00:29:27,800 --> 00:29:28,560
Speaker 8: Yeah, it's not good.

672
00:29:28,800 --> 00:29:31,000
Speaker 3: Just give it to her though, like she she was

673
00:29:31,120 --> 00:29:35,760
Speaker 3: not a bad actor. I mean Parent Trap, it's a

674
00:29:35,760 --> 00:29:36,440
Speaker 3: great film.

675
00:29:36,560 --> 00:29:36,760
Speaker 7: Yeah.

676
00:29:36,760 --> 00:29:38,800
Speaker 8: Well in Mean Girls she was very good. And she's

677
00:29:38,800 --> 00:29:39,480
Speaker 8: also jumped on.

678
00:29:39,560 --> 00:29:42,360
Speaker 11: In the last few hours, she's hassling the Mean Girl's

679
00:29:42,400 --> 00:29:43,560
Speaker 11: producer for a sequel.

680
00:29:43,880 --> 00:29:45,360
Speaker 8: I'm smelling a bit of desperation.

681
00:29:46,960 --> 00:29:50,760
Speaker 5: I had my first gum tree experience last night. So

682
00:29:51,200 --> 00:29:54,000
Speaker 5: my old bike I got a new bike upgraded, and

683
00:29:54,120 --> 00:29:56,480
Speaker 5: because myle bike's around about four or five years old

684
00:29:57,240 --> 00:29:59,480
Speaker 5: and it's a good it was a good bikes here,

685
00:30:00,120 --> 00:30:02,240
Speaker 5: lot of cays, a lot of love went into that bike.

686
00:30:02,280 --> 00:30:04,360
Speaker 8: You know, A few times didn't fell off.

687
00:30:04,480 --> 00:30:06,640
Speaker 5: Yeah, remember I came in that day and my elbow

688
00:30:06,720 --> 00:30:09,520
Speaker 5: and my head was all scratched and took a couple

689
00:30:09,520 --> 00:30:12,520
Speaker 5: of layers of skin off. So I had to get

690
00:30:12,600 --> 00:30:15,400
Speaker 5: rid of it. It was a hybrid bike, it was

691
00:30:15,600 --> 00:30:18,840
Speaker 5: a racer bike. So I got it for around about

692
00:30:18,840 --> 00:30:21,960
Speaker 5: seven hundred bucks and I'd had it for that long

693
00:30:22,200 --> 00:30:24,440
Speaker 5: and so BJ said, well, let's just put it up

694
00:30:24,440 --> 00:30:26,080
Speaker 5: on gum tree. Let's get rid of it. And I said,

695
00:30:26,120 --> 00:30:27,320
Speaker 5: I don't want to get rid of it. I like

696
00:30:27,400 --> 00:30:27,840
Speaker 5: this bike.

697
00:30:27,960 --> 00:30:29,240
Speaker 1: You can't hold onto everything, mate.

698
00:30:29,280 --> 00:30:31,719
Speaker 5: And she said, well, why don't we put it up

699
00:30:31,760 --> 00:30:34,560
Speaker 5: for three hundred and fifty And she said, you've got

700
00:30:34,600 --> 00:30:36,840
Speaker 5: to be stern on this as well. Don't go under

701
00:30:36,880 --> 00:30:39,240
Speaker 5: three hundred, right, Let's have a little bit of room

702
00:30:39,320 --> 00:30:42,280
Speaker 5: to negotiate with. So then we get a phone call

703
00:30:42,320 --> 00:30:45,840
Speaker 5: from Steve from Marubra. Steve's a sparky, young, sparky, good

704
00:30:45,840 --> 00:30:49,040
Speaker 5: looking guyt morning, Steve, Hey, Steve a going I told

705
00:30:49,080 --> 00:30:51,280
Speaker 5: him to tune in this morning because I told him

706
00:30:51,280 --> 00:30:53,760
Speaker 5: you're going to be on the radio, Steve. So Steve

707
00:30:53,840 --> 00:30:56,120
Speaker 5: goes all right. I just died his seat for him.

708
00:30:56,120 --> 00:30:57,960
Speaker 5: I said, Steve, this is the only thing that I

709
00:30:58,040 --> 00:30:59,520
Speaker 5: need to tell you. It probably needs a little bit

710
00:30:59,520 --> 00:31:01,920
Speaker 5: of a tune because there's one gear on the bike

711
00:31:02,320 --> 00:31:04,960
Speaker 5: that it doesn't lock into that gear. So what it

712
00:31:05,000 --> 00:31:07,680
Speaker 5: does it either goes up a gear or down a gear.

713
00:31:07,680 --> 00:31:09,800
Speaker 5: It just doesn't lock into one gear. He goes all right,

714
00:31:09,840 --> 00:31:10,760
Speaker 5: No worry drops out.

715
00:31:10,880 --> 00:31:11,440
Speaker 3: Steve off.

716
00:31:11,480 --> 00:31:13,240
Speaker 5: He goes off on the bike for a bit of

717
00:31:13,240 --> 00:31:15,320
Speaker 5: a ride. I go back inside and play with the

718
00:31:15,360 --> 00:31:18,600
Speaker 5: kids for a bit for about ten minutes. Steve doesn't

719
00:31:18,640 --> 00:31:22,680
Speaker 5: come back for quite a while. We's Steve gone, and

720
00:31:22,720 --> 00:31:26,840
Speaker 5: then finally Steve rocks. He rocks back walking the bike.

721
00:31:27,640 --> 00:31:27,880
Speaker 3: Mate.

722
00:31:27,920 --> 00:31:32,320
Speaker 5: The chain came off about eight hundred meters down the road,

723
00:31:32,880 --> 00:31:35,960
Speaker 5: so then I put I'm so sorry, Steve, I feel

724
00:31:36,000 --> 00:31:36,840
Speaker 5: so embarrassed.

725
00:31:37,280 --> 00:31:38,520
Speaker 3: I put the chain back.

726
00:31:38,480 --> 00:31:41,440
Speaker 5: On and there's just grease all over my hands. Steve

727
00:31:41,520 --> 00:31:43,760
Speaker 5: goes to take off again. The chain comes off again.

728
00:31:45,480 --> 00:31:47,400
Speaker 5: I put it back on. I said, sorry, Steve, It's

729
00:31:47,440 --> 00:31:53,000
Speaker 5: never done this for me before. Sure never broke down

730
00:31:53,040 --> 00:31:56,840
Speaker 5: like this before. So Steve takes off again another two

731
00:31:56,920 --> 00:32:00,160
Speaker 5: hundred meters down the road, walks back up again, the

732
00:32:00,280 --> 00:32:01,400
Speaker 5: chains come off again.

733
00:32:01,440 --> 00:32:04,680
Speaker 2: I promise you, Steve. One lady owner only takes to

734
00:32:04,720 --> 00:32:07,120
Speaker 2: the shops on the weekend. I've hardly ever ridden.

735
00:32:07,040 --> 00:32:10,360
Speaker 5: I said, Steve. I'm so sorry, mate. What do you

736
00:32:10,360 --> 00:32:12,000
Speaker 5: want to do? I said, if you want to tell

737
00:32:12,000 --> 00:32:14,640
Speaker 5: me to get stuffed, I totally understand. What do you

738
00:32:14,640 --> 00:32:16,120
Speaker 5: want to do? And he goes, I really need a

739
00:32:16,120 --> 00:32:16,480
Speaker 5: bike to.

740
00:32:16,440 --> 00:32:16,960
Speaker 3: Get to work.

741
00:32:17,160 --> 00:32:17,920
Speaker 1: That one doesn't work.

742
00:32:18,000 --> 00:32:20,680
Speaker 3: Yeah, I said, Steve, give me fifty bucks and get

743
00:32:20,680 --> 00:32:21,040
Speaker 3: out of you.

744
00:32:21,960 --> 00:32:24,680
Speaker 5: I sold my boset, and then I had to walk

745
00:32:24,720 --> 00:32:26,600
Speaker 5: back into the house and bej goes, how did you

746
00:32:26,640 --> 00:32:29,920
Speaker 5: go three hundred? I'll be happy with three hundred. I

747
00:32:30,040 --> 00:32:34,800
Speaker 5: walk in with a pineapple. I was so embarrassed. Good negotiate, Steve.

748
00:32:34,920 --> 00:32:36,800
Speaker 5: You take it to the shop, mate, and you're going

749
00:32:36,840 --> 00:32:39,240
Speaker 5: to probably have to pay a couple hundred bucks anyway.

750
00:32:39,240 --> 00:32:41,640
Speaker 3: Just give me fibby bucks. You know the worst thing

751
00:32:41,640 --> 00:32:42,280
Speaker 3: about it, sir.

752
00:32:42,680 --> 00:32:46,040
Speaker 5: My first two cars ever in my life I both

753
00:32:46,160 --> 00:32:49,960
Speaker 5: sold for fifty dollars each as well because they both

754
00:32:50,000 --> 00:32:53,480
Speaker 5: weren't going right. The one got flogged and they tried

755
00:32:53,480 --> 00:32:55,920
Speaker 5: to drive it down on the beach and they wedged

756
00:32:55,960 --> 00:33:00,360
Speaker 5: it between two piles. That was mc kingswood and Madatson.

757
00:33:00,280 --> 00:33:01,640
Speaker 3: That wasn't so.

758
00:33:01,720 --> 00:33:05,920
Speaker 5: I've sold three things in my life for fifty dollars each,

759
00:33:06,240 --> 00:33:09,920
Speaker 5: two cars and a great hybrid road vine.

760
00:33:09,960 --> 00:33:11,560
Speaker 2: I just don't know if you should have brought that up,

761
00:33:11,560 --> 00:33:13,480
Speaker 2: because if you decide you want to sell anything else

762
00:33:13,520 --> 00:33:15,040
Speaker 2: in your house, whatever price.

763
00:33:14,840 --> 00:33:16,800
Speaker 5: You put on it, people are only doing up with

764
00:33:17,200 --> 00:33:21,720
Speaker 5: good luck with bite, Steve, Pete Evans love Pete. We

765
00:33:21,800 --> 00:33:25,080
Speaker 5: get Paleo Pete in quite a bit, and Pete's spoken

766
00:33:25,080 --> 00:33:27,360
Speaker 5: about his diet over the years. A day, remember that,

767
00:33:27,440 --> 00:33:29,040
Speaker 5: A day in the life of Pete Evans and what

768
00:33:29,080 --> 00:33:29,960
Speaker 5: he eats throughout.

769
00:33:29,720 --> 00:33:31,240
Speaker 1: The day They activated almonds.

770
00:33:31,680 --> 00:33:34,520
Speaker 5: He's just shared an Instagram post of his daughter, Indy's

771
00:33:34,520 --> 00:33:38,479
Speaker 5: breakfast before school. We're going to go through it right now.

772
00:33:38,840 --> 00:33:45,080
Speaker 5: According to the caption, her breakfast is organic eggs, broccolini, letters, avocado,

773
00:33:45,320 --> 00:33:48,640
Speaker 5: fish eggs, sour kraut, and the eggs are topped with

774
00:33:48,920 --> 00:33:49,719
Speaker 5: Jimmy Cury.

775
00:33:50,120 --> 00:33:52,960
Speaker 3: Jimmy Cury. What's Jimmy Cury? Never heard of this? Never

776
00:33:52,960 --> 00:33:53,400
Speaker 3: heard of it.

777
00:33:53,920 --> 00:33:56,840
Speaker 1: Everything was sort of fine ish, I mean, full on breakfast.

778
00:33:57,000 --> 00:33:59,200
Speaker 3: There's bacon in there. Sorry, there is bacon.

779
00:33:59,240 --> 00:34:02,760
Speaker 11: She gets bacon, acon and fish eggs, well, fish eggs combination.

780
00:34:03,560 --> 00:34:06,520
Speaker 5: Well, okay, the girl's favorite food is fish eggs, so

781
00:34:06,520 --> 00:34:07,560
Speaker 5: we get a jar every week.

782
00:34:07,680 --> 00:34:08,160
Speaker 3: Is a treat.

783
00:34:08,600 --> 00:34:11,000
Speaker 5: They have a teaspoon on their breakfast a few days

784
00:34:11,000 --> 00:34:15,120
Speaker 5: a week. Indulgence doesn't always have to mean that.

785
00:34:15,080 --> 00:34:17,680
Speaker 1: It's sweet sour kraut.

786
00:34:17,760 --> 00:34:18,239
Speaker 3: What is that?

787
00:34:18,480 --> 00:34:19,799
Speaker 1: Because no, it's not.

788
00:34:19,960 --> 00:34:21,080
Speaker 3: No, it's cabbage, isn't it.

789
00:34:21,080 --> 00:34:24,160
Speaker 2: It's like, yeah, it's like shredded veggies in a jar.

790
00:34:24,320 --> 00:34:26,120
Speaker 2: My wife turned up at home with it the other day,

791
00:34:26,160 --> 00:34:29,320
Speaker 2: and it's like this rainbow colored label that says.

792
00:34:29,160 --> 00:34:31,560
Speaker 1: Power Sour crawt Organic Vegan.

793
00:34:33,200 --> 00:34:35,319
Speaker 2: I can't understand any of it, but there's a touch

794
00:34:35,320 --> 00:34:37,480
Speaker 2: of Pete Evans that sneaks into our house on.

795
00:34:37,440 --> 00:34:38,200
Speaker 1: A daily basis.

796
00:34:38,200 --> 00:34:42,200
Speaker 2: Oh yeah, okay, get eggs and kale and there's a

797
00:34:42,200 --> 00:34:45,880
Speaker 2: lot of kinwar and all of the above superferds and

798
00:34:45,960 --> 00:34:46,720
Speaker 2: power nutrition.

799
00:34:46,840 --> 00:34:49,480
Speaker 11: And do you feel awkward eating a baby fish in

800
00:34:49,520 --> 00:34:50,520
Speaker 11: an egg?

801
00:34:50,840 --> 00:34:51,080
Speaker 1: Yeah?

802
00:34:51,120 --> 00:34:56,080
Speaker 3: I don't know about that. There's no real taste to it,

803
00:34:56,719 --> 00:34:59,160
Speaker 3: spectacular about it. It's quite gross.

804
00:34:59,480 --> 00:35:01,399
Speaker 1: Is that what you say when he says fish eggs

805
00:35:01,400 --> 00:35:02,080
Speaker 1: as he mean caveat?

806
00:35:02,160 --> 00:35:04,359
Speaker 3: Well, that's what That's what caviar is, isn't it.

807
00:35:04,360 --> 00:35:05,320
Speaker 1: It is fish eggs.

808
00:35:05,440 --> 00:35:07,680
Speaker 3: But see I think those fish eggs are a bit bigger.

809
00:35:08,320 --> 00:35:11,960
Speaker 3: They look like it. Get at the Royal East to

810
00:35:12,080 --> 00:35:14,760
Speaker 3: show little you got to mind me things?

811
00:35:14,960 --> 00:35:16,320
Speaker 1: Tell me they put them on canterapose.

812
00:35:16,480 --> 00:35:20,560
Speaker 7: Yes, salmon caviar is the fanciest version of the fishing.

813
00:35:20,719 --> 00:35:23,439
Speaker 3: Right, Okay, you know what I've done.

814
00:35:23,480 --> 00:35:26,839
Speaker 5: I've put a song together of Pete Evans's Breakfast Thank You,

815
00:35:26,920 --> 00:35:29,880
Speaker 5: and I had to put it up against the FITZI

816
00:35:29,920 --> 00:35:34,359
Speaker 5: and whipper listeners are Trade's breakfast? Do you guys know

817
00:35:34,640 --> 00:35:37,960
Speaker 5: I've been in radio thirteen years and my favorite phone

818
00:35:38,000 --> 00:35:41,400
Speaker 5: topic of all time is what traders have for breakfast?

819
00:35:41,719 --> 00:35:42,960
Speaker 1: To meet Pie a canavert.

820
00:35:43,040 --> 00:35:46,200
Speaker 5: And We've had so many calls over the years, and

821
00:35:46,239 --> 00:35:48,440
Speaker 5: I want to thank to all the traders who have

822
00:35:48,600 --> 00:35:50,920
Speaker 5: rung this station and told us what they have for breakfast,

823
00:35:50,960 --> 00:35:52,680
Speaker 5: because now I've put you in the song.

824
00:35:52,800 --> 00:35:55,720
Speaker 3: So this is Pete Evans versus the Trade's breakfast.

825
00:35:56,200 --> 00:35:59,560
Speaker 14: It's time for breakfast, the most important meal of the

826
00:36:00,760 --> 00:36:05,520
Speaker 14: I'm with Pete. Heavans with goutfi shakes on display. He

827
00:36:05,680 --> 00:36:07,680
Speaker 14: comes a training he's.

828
00:36:07,520 --> 00:36:12,440
Speaker 3: Just stabbed off at BP kicking day off. This is

829
00:36:12,640 --> 00:36:13,880
Speaker 3: what he presents to me.

830
00:36:14,520 --> 00:36:16,279
Speaker 14: Double of cans of Red Bull and a block of

831
00:36:16,360 --> 00:36:17,280
Speaker 14: crunchy chocolate.

832
00:36:17,960 --> 00:36:19,440
Speaker 3: What back to.

833
00:36:19,480 --> 00:36:23,640
Speaker 14: Paleo Pete with his salmon and some sour crowd. I'd

834
00:36:23,680 --> 00:36:26,360
Speaker 14: love some fruit loots, but he looks really angry and

835
00:36:26,360 --> 00:36:29,240
Speaker 14: he tells me to throw it out into devo.

836
00:36:29,719 --> 00:36:31,439
Speaker 3: He's a chippy who is off.

837
00:36:31,520 --> 00:36:35,719
Speaker 14: He's nun when he tells me how every morning he

838
00:36:35,840 --> 00:36:36,760
Speaker 14: runs his guts.

839
00:36:41,200 --> 00:36:42,280
Speaker 3: Who are these plays?

840
00:36:42,920 --> 00:36:44,759
Speaker 14: He's disgusted as he.

841
00:36:44,840 --> 00:36:50,359
Speaker 5: Cracks another rock, anygig, I activate almonds as Pete takes.

842
00:36:50,080 --> 00:36:55,399
Speaker 3: Me down a pig, I'll get that. Who is at

843
00:36:55,440 --> 00:37:02,960
Speaker 3: the door. It's keV the sparky What what the exacts

844
00:37:03,000 --> 00:37:03,160
Speaker 3: of me?

845
00:37:04,160 --> 00:37:05,000
Speaker 4: That's horrible.

846
00:37:05,480 --> 00:37:10,239
Speaker 14: I grab some water, but Pete wants at alkalies. Oh

847
00:37:10,320 --> 00:37:13,840
Speaker 14: he's more treaties who unfortunately they should.

848
00:37:13,560 --> 00:37:16,120
Speaker 5: Be breath the last morning, they'll get a large bag

849
00:37:16,200 --> 00:37:18,480
Speaker 5: of sol mini tips and then the boys are usually

850
00:37:18,560 --> 00:37:19,439
Speaker 5: tubbing and get a six.

851
00:37:21,120 --> 00:37:22,319
Speaker 3: That's I'm spaceless.

852
00:37:22,640 --> 00:37:25,640
Speaker 14: The moral of the story is you really are what

853
00:37:25,920 --> 00:37:30,880
Speaker 14: you eat. So that just proves that both parties are full.

854
00:37:30,680 --> 00:37:35,160
Speaker 1: Of sheet, holy sheet.

855
00:37:35,440 --> 00:37:39,200
Speaker 3: So there we go. Thank you to all the traades. Look,

856
00:37:39,239 --> 00:37:39,640
Speaker 3: we're just.

857
00:37:39,680 --> 00:37:41,839
Speaker 2: Havingly alive because they're rolling through a couple of these

858
00:37:41,880 --> 00:37:45,000
Speaker 2: techniques and signs that someone is flirting.

859
00:37:45,280 --> 00:37:48,080
Speaker 1: Oh I love this so much because you can overthink

860
00:37:48,120 --> 00:37:50,759
Speaker 1: it and overstudy it for until the cows come home.

861
00:37:50,800 --> 00:37:53,080
Speaker 2: But you know, if you're single out there, grab a

862
00:37:53,120 --> 00:37:55,800
Speaker 2: pen and paper and write down a couple of these tips.

863
00:37:56,160 --> 00:37:58,719
Speaker 1: First off, he's giving you three looks in quick succession.

864
00:37:58,800 --> 00:38:01,360
Speaker 2: They say is tip number one, So you know, first

865
00:38:01,440 --> 00:38:03,480
Speaker 2: is the stranger look where you actually realize that there's

866
00:38:03,520 --> 00:38:06,279
Speaker 2: somebody there. The next one is where they passed the

867
00:38:06,320 --> 00:38:08,400
Speaker 2: line of vision. And if he looks back for the

868
00:38:08,440 --> 00:38:10,480
Speaker 2: third time, then bang, you know there's a level of

869
00:38:10,520 --> 00:38:13,000
Speaker 2: interest worth chasing third time.

870
00:38:13,080 --> 00:38:14,399
Speaker 3: That's keeno, man.

871
00:38:14,480 --> 00:38:16,399
Speaker 1: Well, isn't the idea that it's love at first sight?

872
00:38:16,719 --> 00:38:17,359
Speaker 1: Do you know what I mean?

873
00:38:18,400 --> 00:38:22,799
Speaker 5: Once tis as you're walking away, You don't look back

874
00:38:22,840 --> 00:38:23,640
Speaker 5: three times?

875
00:38:23,680 --> 00:38:26,399
Speaker 3: What would look? He's looking again? Is he looking again?

876
00:38:26,560 --> 00:38:26,600
Speaker 11: He?

877
00:38:26,840 --> 00:38:27,920
Speaker 1: Is he really looking again?

878
00:38:28,320 --> 00:38:30,320
Speaker 3: And then you get home and there he's in the driveway.

879
00:38:30,360 --> 00:38:32,720
Speaker 1: Look again, he was outside the window.

880
00:38:32,840 --> 00:38:34,399
Speaker 3: Won't go for a shower up a tree.

881
00:38:36,320 --> 00:38:38,120
Speaker 1: But he hasn't used his third look to give him

882
00:38:38,160 --> 00:38:40,120
Speaker 1: a chance. He's trying to make a point.

883
00:38:40,239 --> 00:38:41,879
Speaker 3: I just have to keep looking at you as you're

884
00:38:41,880 --> 00:38:42,520
Speaker 3: walking away.

885
00:38:42,640 --> 00:38:44,719
Speaker 1: This is a weird one. He pulls he socks up.

886
00:38:45,080 --> 00:38:47,560
Speaker 1: Now the idea is that you are just yourself. Pull

887
00:38:47,640 --> 00:38:48,279
Speaker 1: your socks up.

888
00:38:48,680 --> 00:38:51,839
Speaker 2: It means you're trying to make sure that she realizes

889
00:38:51,920 --> 00:38:54,320
Speaker 2: that you care for your appearance at that moment in time.

890
00:38:55,080 --> 00:38:59,200
Speaker 5: Now, it doesn't pull your socks up. Has been educated.

891
00:38:59,320 --> 00:39:02,000
Speaker 5: That's the kids have been taught their whole life. I'll

892
00:39:02,040 --> 00:39:04,600
Speaker 5: pull you off your bum and pull your socks up,

893
00:39:04,680 --> 00:39:05,719
Speaker 5: do something with your life.

894
00:39:05,960 --> 00:39:06,880
Speaker 8: But that is true.

895
00:39:06,920 --> 00:39:08,960
Speaker 11: When you're told to pull your socks up, it's about

896
00:39:09,040 --> 00:39:12,319
Speaker 11: straightening up your appearance. If someone does it instinctively, they're

897
00:39:12,440 --> 00:39:13,480
Speaker 11: very aware.

898
00:39:13,160 --> 00:39:15,839
Speaker 8: Of how they look and trying to look their best.

899
00:39:15,560 --> 00:39:17,040
Speaker 3: In front of nothing to do with that.

900
00:39:18,760 --> 00:39:20,959
Speaker 2: I actually took it literally. I thought you they meant

901
00:39:21,000 --> 00:39:23,480
Speaker 2: pull your socks up. You're tighten your socks, drag them

902
00:39:23,560 --> 00:39:24,040
Speaker 2: up your knee.

903
00:39:24,160 --> 00:39:24,719
Speaker 8: But they do.

904
00:39:26,280 --> 00:39:27,240
Speaker 3: No.

905
00:39:27,719 --> 00:39:30,520
Speaker 2: You figure of seeing somebody and then they're bending over

906
00:39:30,600 --> 00:39:31,640
Speaker 2: pulling up their socks.

907
00:39:32,239 --> 00:39:34,480
Speaker 8: Well that's different. If you pust someone in the street

908
00:39:34,480 --> 00:39:35,080
Speaker 8: who's been.

909
00:39:35,920 --> 00:39:41,640
Speaker 3: At is looking at me. She can't see you now

910
00:39:41,680 --> 00:39:43,959
Speaker 3: because you're under the bar doing your socks.

911
00:39:44,000 --> 00:39:48,040
Speaker 2: He's a weird one pointing down below. If he wants

912
00:39:48,040 --> 00:39:50,400
Speaker 2: his hands on his hips and his fingers are splayed

913
00:39:50,440 --> 00:39:55,040
Speaker 2: and pointing towards you know what, he's subconsciously wanting you

914
00:39:55,120 --> 00:39:56,080
Speaker 2: to look at it.

915
00:39:56,640 --> 00:39:57,480
Speaker 8: No, he's not.

916
00:39:59,400 --> 00:40:01,879
Speaker 3: In your back as well, hanging and they're just like.

917
00:40:01,880 --> 00:40:02,920
Speaker 1: That with your hands.

918
00:40:03,400 --> 00:40:04,200
Speaker 8: What if you're a girl.

919
00:40:04,920 --> 00:40:09,160
Speaker 2: I don't know that girls could do that too, So

920
00:40:09,239 --> 00:40:15,080
Speaker 2: I don't know if his feets are pointing towards you.

921
00:40:15,120 --> 00:40:17,600
Speaker 2: What about this he's touching his face often, especially as

922
00:40:17,600 --> 00:40:18,680
Speaker 2: he looks at you.

923
00:40:18,680 --> 00:40:20,799
Speaker 8: You do that all the time, looking at you. You

924
00:40:20,840 --> 00:40:23,200
Speaker 8: were just grabbing your beard and pulling it at me.

925
00:40:23,200 --> 00:40:26,319
Speaker 2: Before we'll start to read the signs. Look where my

926
00:40:26,320 --> 00:40:28,600
Speaker 2: hands a look where my hands are pointing as I

927
00:40:28,600 --> 00:40:29,360
Speaker 2: pull up my socks.

928
00:40:29,760 --> 00:40:34,720
Speaker 3: There's too much going on down just to worry about.

929
00:40:34,960 --> 00:40:36,799
Speaker 3: There's a check list, so if you're at a bar,

930
00:40:36,880 --> 00:40:37,440
Speaker 3: I don't want.

931
00:40:37,280 --> 00:40:39,000
Speaker 1: To go through these check Lease hang in a minute.

932
00:40:39,320 --> 00:40:41,319
Speaker 1: We're back to the eyes again, his eyes moving a

933
00:40:41,360 --> 00:40:45,600
Speaker 1: triangle and as you get closer the triangle becomes bigger.

934
00:40:45,640 --> 00:40:49,040
Speaker 1: What that means he's looking like he's dizzy. He's cheering,

935
00:40:49,360 --> 00:40:50,040
Speaker 1: cheering his face.

936
00:40:50,280 --> 00:40:51,040
Speaker 3: He's just kicked in.

937
00:40:51,120 --> 00:40:53,719
Speaker 2: No, I didn't write this. He's looking at your mouth loads.

938
00:40:54,120 --> 00:40:55,480
Speaker 2: I'm couldn't put that word in there.

939
00:40:55,719 --> 00:40:58,560
Speaker 1: He's looking your mouth a lot is what I would

940
00:40:58,560 --> 00:41:01,480
Speaker 1: have written. I'm going off the sheet is okay.

941
00:41:01,520 --> 00:41:07,560
Speaker 5: So staring at your man's a dead giveaway from gosh.

942
00:41:07,480 --> 00:41:10,920
Speaker 1: He's blinking a lot. It's this blinking come into flirting.

943
00:41:11,000 --> 00:41:11,960
Speaker 1: So you just blinked at me.

944
00:41:12,080 --> 00:41:15,799
Speaker 11: And if you're blinking, your eyes are darting back and

945
00:41:15,840 --> 00:41:17,439
Speaker 11: forth and touching.

946
00:41:17,120 --> 00:41:20,080
Speaker 3: Your affected by drugs.

947
00:41:20,160 --> 00:41:21,000
Speaker 8: Yeah, I'm not going.

948
00:41:21,480 --> 00:41:25,480
Speaker 2: He's got your pinned up against the wall. Sometimes it's

949
00:41:25,480 --> 00:41:28,400
Speaker 2: officially called blocking, using your body to create a private

950
00:41:28,560 --> 00:41:31,760
Speaker 2: space and establish a boundary around you and the person

951
00:41:31,800 --> 00:41:35,400
Speaker 2: you fancy. So that's like cornering one at the Christmas party.

952
00:41:35,480 --> 00:41:39,160
Speaker 2: That's adjument cutting one from the pack. Right as the

953
00:41:39,160 --> 00:41:43,600
Speaker 2: injured wilde bee scared attacked by the crocodile.

954
00:41:43,320 --> 00:41:43,839
Speaker 3: Just as she.

955
00:41:45,800 --> 00:41:47,279
Speaker 2: And you get tased in the back and you're on

956
00:41:47,320 --> 00:41:48,680
Speaker 2: the ground, you're having a fit in your eyes are

957
00:41:48,719 --> 00:41:51,520
Speaker 2: darting and triangles again walking.

958
00:41:51,560 --> 00:41:53,160
Speaker 3: I still love you?

959
00:41:53,719 --> 00:41:56,200
Speaker 1: And what's this one? Number ten? He keeps squeezing his

960
00:41:56,440 --> 00:41:56,960
Speaker 1: bottle of.

961
00:41:56,920 --> 00:41:59,040
Speaker 3: Beer or can you can't?

962
00:41:59,120 --> 00:42:00,959
Speaker 1: How can that be right?

963
00:42:01,000 --> 00:42:02,840
Speaker 2: If you're standing there and all of a sudden the

964
00:42:02,880 --> 00:42:05,080
Speaker 2: can that you're drinking from you just crushing your hand

965
00:42:05,480 --> 00:42:06,480
Speaker 2: as you're staring.

966
00:42:06,160 --> 00:42:06,640
Speaker 1: At a woman.

967
00:42:07,560 --> 00:42:10,960
Speaker 2: I don't think that's your's' that's your top ten take

968
00:42:11,000 --> 00:42:11,759
Speaker 2: from all what you will.

969
00:42:11,880 --> 00:42:13,400
Speaker 8: That's one of your more horrible lists.

970
00:42:13,440 --> 00:42:15,799
Speaker 2: Don't do don't do them all at once. I mean,

971
00:42:15,880 --> 00:42:17,399
Speaker 2: pick one or two and go with it.

972
00:42:17,520 --> 00:42:20,920
Speaker 5: But then it's confusing for anyone reading that list to know, like,

973
00:42:20,960 --> 00:42:23,680
Speaker 5: because you'll have ladies, go away now and go Okay,

974
00:42:23,719 --> 00:42:25,080
Speaker 5: that list that whip are read out?

975
00:42:25,560 --> 00:42:27,480
Speaker 3: Okay, is that guy looking at me? Let me go

976
00:42:27,520 --> 00:42:28,280
Speaker 3: through the checklist.

977
00:42:28,480 --> 00:42:30,600
Speaker 5: You've got about twelve things on the hand it's pointing

978
00:42:30,640 --> 00:42:31,080
Speaker 5: down below.

979
00:42:31,080 --> 00:42:33,640
Speaker 1: I've been cornered like I did. Are in the in

980
00:42:33,680 --> 00:42:34,160
Speaker 1: the lift?

981
00:42:34,480 --> 00:42:37,080
Speaker 8: Have you seen do that? Sometimes in the lift? It

982
00:42:37,200 --> 00:42:37,840
Speaker 8: is a bit odd.

983
00:42:38,080 --> 00:42:40,000
Speaker 1: Yeah, I know you because it.

984
00:42:39,960 --> 00:42:41,720
Speaker 8: Makes me uncomfortable and you think that's funny.

985
00:42:41,760 --> 00:42:46,120
Speaker 3: But just last you do it back to him as well.

986
00:42:47,360 --> 00:42:50,800
Speaker 3: Give sometimes you guys on my lap.

987
00:42:51,000 --> 00:42:54,560
Speaker 1: That was the guys about to explode.

988
00:42:54,760 --> 00:42:56,399
Speaker 8: Yes, I'm going to you.

989
00:42:56,440 --> 00:42:59,200
Speaker 3: Guys are like you're in a marriage.

990
00:42:59,520 --> 00:43:01,440
Speaker 8: But I said, if my tushy taps for you for.

991
00:43:01,600 --> 00:43:04,960
Speaker 5: You argue, you laugh, You sit on each other's laps,

992
00:43:05,040 --> 00:43:06,800
Speaker 5: You corner each other in a list.

993
00:43:06,719 --> 00:43:07,680
Speaker 1: Called sexual tension.

994
00:43:07,680 --> 00:43:10,359
Speaker 3: Then you scream at each other. What are we doing?

995
00:43:10,360 --> 00:43:11,759
Speaker 3: We bought you a diamond ring.

996
00:43:11,800 --> 00:43:13,839
Speaker 1: What are we doing with wasting our time with these

997
00:43:13,880 --> 00:43:14,400
Speaker 1: other people?

998
00:43:14,480 --> 00:43:14,680
Speaker 15: Sir?

999
00:43:14,880 --> 00:43:16,799
Speaker 8: No, I'm pretty happy in my actual right.

1000
00:43:17,000 --> 00:43:18,839
Speaker 3: I love you talk about it back.

1001
00:43:18,960 --> 00:43:21,520
Speaker 5: Talk about one man who doesn't need to flirt anymore

1002
00:43:21,560 --> 00:43:23,880
Speaker 5: because he is in l O V e.

1003
00:43:25,800 --> 00:43:25,840
Speaker 9: G.

1004
00:43:26,080 --> 00:43:29,960
Speaker 3: You'd be due soon, mate, not far away to drop.

1005
00:43:29,719 --> 00:43:34,560
Speaker 4: The knee many big statement to give us a date

1006
00:43:34,920 --> 00:43:40,040
Speaker 4: rough absolutely unacceptable to usk someone that when you guys

1007
00:43:40,080 --> 00:43:42,760
Speaker 4: were dating with your most boys, it's about yeah.

1008
00:43:43,360 --> 00:43:46,359
Speaker 2: But I start by start subtling and say you thought

1009
00:43:46,360 --> 00:43:46,920
Speaker 2: about it.

1010
00:43:47,080 --> 00:43:48,720
Speaker 3: Your your girlfriend is amazing.

1011
00:43:48,840 --> 00:43:50,800
Speaker 5: I had to pull her aside one day and said, corner,

1012
00:43:51,000 --> 00:43:54,120
Speaker 5: you are right, what's going on?

1013
00:43:54,160 --> 00:43:54,680
Speaker 3: Are you?

1014
00:43:54,719 --> 00:43:56,839
Speaker 1: Are you punching You're clearly punching.

1015
00:43:56,640 --> 00:43:58,680
Speaker 16: Well because you don't want it to be the time

1016
00:43:58,760 --> 00:44:01,239
Speaker 16: that people expect it will have, especially her.

1017
00:44:01,440 --> 00:44:03,319
Speaker 3: And so if you guys say when are you're looking?

1018
00:44:03,320 --> 00:44:05,440
Speaker 3: When are you going to do it? All? Make you

1019
00:44:05,520 --> 00:44:06,560
Speaker 3: push it back away?

1020
00:44:06,960 --> 00:44:08,439
Speaker 11: No, no, no, it'll be when you're in the UK

1021
00:44:08,480 --> 00:44:10,280
Speaker 11: seeing Harry Potters, not in Europe.

1022
00:44:10,280 --> 00:44:14,040
Speaker 3: She's made that a firm note. Stage with Harry though,

1023
00:44:14,160 --> 00:44:16,520
Speaker 3: is something that I have thought about you.

1024
00:44:17,520 --> 00:44:18,799
Speaker 1: What you're ext it right.

1025
00:44:19,280 --> 00:44:22,040
Speaker 2: He went the angle of when you're not expecting it

1026
00:44:22,080 --> 00:44:23,840
Speaker 2: and you had gastro and you're in bed.

1027
00:44:23,600 --> 00:44:24,880
Speaker 8: And then he said we have to come back to

1028
00:44:24,880 --> 00:44:25,120
Speaker 8: it now.

1029
00:44:25,160 --> 00:44:26,839
Speaker 2: But I'm just saying that's what you need to do. Matter,

1030
00:44:26,920 --> 00:44:28,520
Speaker 2: you need to be on the tourilet or something. So

1031
00:44:28,560 --> 00:44:30,400
Speaker 2: she doesn't know that it's about to happen, and then

1032
00:44:30,400 --> 00:44:31,480
Speaker 2: all of a sudden.

1033
00:44:31,440 --> 00:44:35,160
Speaker 16: Your official advice is wait until she has gastro yep

1034
00:44:35,200 --> 00:44:35,880
Speaker 16: and proposed.

1035
00:44:35,920 --> 00:44:36,279
Speaker 3: Why not?

1036
00:44:37,680 --> 00:44:40,640
Speaker 5: You have to be somewhere where you're hardly ever, like

1037
00:44:40,680 --> 00:44:41,760
Speaker 5: an opening or something.

1038
00:44:42,600 --> 00:44:43,240
Speaker 1: The media.

1039
00:44:45,920 --> 00:44:49,160
Speaker 5: Very very excited about this new movie, Australian movie coming

1040
00:44:49,160 --> 00:44:52,360
Speaker 5: out called Jasper Jones. It's in Cinema's March the second,

1041
00:44:52,360 --> 00:44:55,280
Speaker 5: and we've got two stars of this movie, Hugo Weaving

1042
00:44:55,320 --> 00:44:59,680
Speaker 5: an Ara my welcome boy. I mean, this is a

1043
00:45:00,320 --> 00:45:03,319
Speaker 5: movie because everyone thinks that Jasper Jones is up for

1044
00:45:03,560 --> 00:45:05,880
Speaker 5: he murdered this young girl. But you're the one that

1045
00:45:06,000 --> 00:45:09,680
Speaker 5: actually has to convince this young boy, Charlie Buckton, that

1046
00:45:09,760 --> 00:45:10,600
Speaker 5: you didn't do it.

1047
00:45:10,680 --> 00:45:13,279
Speaker 3: So that's what this movie is all about, isn't it? Yeah,

1048
00:45:13,320 --> 00:45:13,600
Speaker 3: it is.

1049
00:45:13,680 --> 00:45:16,000
Speaker 7: It's it follows us in this journey of us like

1050
00:45:16,120 --> 00:45:17,600
Speaker 7: trying to figure out who did it.

1051
00:45:17,640 --> 00:45:20,440
Speaker 3: And that's when mad Jack comes in. Well see that

1052
00:45:20,800 --> 00:45:21,719
Speaker 3: there's Hugo again.

1053
00:45:21,760 --> 00:45:23,880
Speaker 5: Every time we speak to Hugo, he's always playing a

1054
00:45:23,920 --> 00:45:24,600
Speaker 5: mad someone.

1055
00:45:25,320 --> 00:45:28,360
Speaker 3: He's got the bead, he's always a little bit scary.

1056
00:45:28,400 --> 00:45:32,120
Speaker 3: Is this is another scary character that you're plase.

1057
00:45:31,440 --> 00:45:35,280
Speaker 15: He's actually interesting. Both Jasper Jones and mad Jack Lionel

1058
00:45:35,800 --> 00:45:39,240
Speaker 15: are kind of outsiders. Everyone thinks they did they always

1059
00:45:39,239 --> 00:45:42,239
Speaker 15: did it. If anything went wrong, it's it's because of them.

1060
00:45:42,760 --> 00:45:45,480
Speaker 15: So mad Jack's this guy, madman who lives on the hill.

1061
00:45:45,560 --> 00:45:48,760
Speaker 15: Everyone thinks he's murdered this girl. Everyone thinks he's strung

1062
00:45:48,840 --> 00:45:51,319
Speaker 15: up some woman and bled her to death. Worked in

1063
00:45:51,360 --> 00:45:54,680
Speaker 15: the avatore. You know, that's all the stories. But actually

1064
00:45:54,719 --> 00:45:57,840
Speaker 15: when you meet mad Jack, he's just Jack Lionel.

1065
00:45:57,960 --> 00:46:00,200
Speaker 3: Yeah, right, he's just a normal Just to go over

1066
00:46:00,280 --> 00:46:02,000
Speaker 3: the story, you just got to get rid of the bed.

1067
00:46:03,000 --> 00:46:05,279
Speaker 5: Last time, we start to Hugo, right, Hugo tells this,

1068
00:46:05,280 --> 00:46:08,200
Speaker 5: this is an amazing story. He actually made a citizen's

1069
00:46:08,280 --> 00:46:11,960
Speaker 5: arrests one time. A junkie had taken this woman's handbag

1070
00:46:12,000 --> 00:46:14,239
Speaker 5: and you chased him down and take it until.

1071
00:46:16,880 --> 00:46:19,000
Speaker 15: Yeah, he was I was on the ground holding under

1072
00:46:19,040 --> 00:46:20,480
Speaker 15: his leg and he was kicking me. I was going,

1073
00:46:20,480 --> 00:46:21,520
Speaker 15: what am I doing it? Yeah?

1074
00:46:22,040 --> 00:46:24,600
Speaker 5: Okay, okay, this is going to spin you out because

1075
00:46:24,600 --> 00:46:27,560
Speaker 5: the other day it may be your appearance. We do

1076
00:46:27,640 --> 00:46:30,200
Speaker 5: a segment on this shots called ah that's interesting and

1077
00:46:30,239 --> 00:46:33,160
Speaker 5: basically all it is if you've seen a celebrity doing

1078
00:46:33,200 --> 00:46:34,560
Speaker 5: something completely normal.

1079
00:46:34,640 --> 00:46:36,120
Speaker 3: You just got to give us a call. So it

1080
00:46:36,160 --> 00:46:38,279
Speaker 3: could be Richard Wilkins down at the local wall. He's

1081
00:46:38,320 --> 00:46:39,360
Speaker 3: buying some groceries.

1082
00:46:39,600 --> 00:46:40,919
Speaker 15: We saw Richard Wilkins this morning.

1083
00:46:41,800 --> 00:46:44,880
Speaker 3: I saw Richard morning. He was standing. He was standing

1084
00:46:44,880 --> 00:46:49,040
Speaker 3: there in a room. He was, well, you've won gold

1085
00:46:49,080 --> 00:46:54,719
Speaker 3: class to go and see your own murder. How is this?

1086
00:46:55,040 --> 00:46:55,719
Speaker 3: We've got a call.

1087
00:46:55,880 --> 00:46:59,960
Speaker 5: The other day someone saw a celebrity doing something completely normal.

1088
00:47:00,320 --> 00:47:02,480
Speaker 5: I saw Hugo living in Paddington.

1089
00:47:02,600 --> 00:47:04,799
Speaker 13: He came into a shop I worked at and I

1090
00:47:04,840 --> 00:47:05,720
Speaker 13: followed him around.

1091
00:47:05,560 --> 00:47:07,359
Speaker 6: Because you looked homeless, and I thought he was going

1092
00:47:07,400 --> 00:47:08,000
Speaker 6: to deal.

1093
00:47:07,840 --> 00:47:14,080
Speaker 5: Something that's great, Like he was following you around, going

1094
00:47:14,120 --> 00:47:15,840
Speaker 5: oh my god, this guy is going to steal something

1095
00:47:15,840 --> 00:47:17,000
Speaker 5: from the short store.

1096
00:47:16,760 --> 00:47:17,719
Speaker 3: Because I look home.

1097
00:47:19,360 --> 00:47:23,480
Speaker 15: I live in Paddington. My home is in Paddington.

1098
00:47:27,360 --> 00:47:30,400
Speaker 3: To collect, Can I just say Tony collect for me?

1099
00:47:30,840 --> 00:47:34,440
Speaker 5: Is the greatest crier in the world.

1100
00:47:33,800 --> 00:47:35,720
Speaker 15: She's great in this film.

1101
00:47:35,840 --> 00:47:39,080
Speaker 3: Oh man, when she cries. I cry. What do you

1102
00:47:39,160 --> 00:47:41,160
Speaker 3: think of when you cry in a movie? You go

1103
00:47:41,280 --> 00:47:42,160
Speaker 3: because you've had to cry?

1104
00:47:42,920 --> 00:47:45,640
Speaker 15: Yeah, I don't try to think consciously about stuff. Just

1105
00:47:45,680 --> 00:47:48,240
Speaker 15: try and you're just trying to be where the characters

1106
00:47:48,239 --> 00:47:50,239
Speaker 15: actually you can wear with the characters thing. You're just

1107
00:47:50,280 --> 00:47:53,160
Speaker 15: trying to be there. Yeah, they're usually awful stories and

1108
00:47:53,400 --> 00:47:56,600
Speaker 15: awful things. So there's a reason why anyone cries, and

1109
00:47:56,680 --> 00:47:58,879
Speaker 15: you just got to try and be in contact with that.

1110
00:47:58,840 --> 00:48:01,800
Speaker 3: Because you can. You can cry. You well up very well.

1111
00:48:02,719 --> 00:48:03,799
Speaker 1: Actually, exciding to.

1112
00:48:07,360 --> 00:48:09,640
Speaker 2: Sarah, I want to jump onto something you mentioned the

1113
00:48:09,680 --> 00:48:12,200
Speaker 2: other day. I haven't been out of stuff thinking about it.

1114
00:48:12,560 --> 00:48:16,239
Speaker 1: Nominated for fourteen Academy Awards Land.

1115
00:48:16,560 --> 00:48:20,120
Speaker 11: Yes, you didn't like it, No, I thought it was overrated.

1116
00:48:20,160 --> 00:48:22,920
Speaker 11: I mean, you think of the great musicals over the years.

1117
00:48:22,680 --> 00:48:23,719
Speaker 8: And that is not one.

1118
00:48:23,880 --> 00:48:26,239
Speaker 2: Can I just say on that topic, I want to

1119
00:48:26,320 --> 00:48:30,200
Speaker 2: say thank you and well done on having the bravery

1120
00:48:30,320 --> 00:48:33,120
Speaker 2: to come out and say I didn't like that movie.

1121
00:48:33,239 --> 00:48:36,759
Speaker 2: She's not the only one, you know what, There's so

1122
00:48:36,880 --> 00:48:39,399
Speaker 2: many people that love a movie and everybody just says

1123
00:48:39,440 --> 00:48:41,520
Speaker 2: they love it because everyone else is saying they love it,

1124
00:48:41,560 --> 00:48:43,120
Speaker 2: and they don't actually put their hand up and say,

1125
00:48:43,160 --> 00:48:46,200
Speaker 2: you know what, I reckon it was crap. Samuel Jackson's

1126
00:48:46,200 --> 00:48:48,759
Speaker 2: come out to support you. He walked out of the

1127
00:48:48,760 --> 00:48:51,719
Speaker 2: movie twenty minutes in. I've gone to see a lot

1128
00:48:51,760 --> 00:48:53,840
Speaker 2: of the movies that are up for the gongs with

1129
00:48:53,880 --> 00:48:56,960
Speaker 2: the Oscars, which is next Monday, and he said this

1130
00:48:57,120 --> 00:48:57,680
Speaker 2: was the worst.

1131
00:48:57,800 --> 00:48:59,000
Speaker 1: I was gone twenty minutes.

1132
00:48:59,040 --> 00:49:01,879
Speaker 3: In musicals are tough.

1133
00:49:01,960 --> 00:49:05,000
Speaker 11: The way you talk about Lion fits which actually is

1134
00:49:05,080 --> 00:49:07,200
Speaker 11: line up for Best Picture, I'm not sure, but the

1135
00:49:07,200 --> 00:49:09,920
Speaker 11: way they've been competing in many of these awards shows

1136
00:49:09,960 --> 00:49:10,720
Speaker 11: those two films.

1137
00:49:10,840 --> 00:49:11,479
Speaker 8: The way you.

1138
00:49:11,400 --> 00:49:14,360
Speaker 11: Speak about Line and how it moved you, I could

1139
00:49:14,440 --> 00:49:17,279
Speaker 11: never compare with La La Land, which is won all

1140
00:49:17,360 --> 00:49:18,160
Speaker 11: these awards.

1141
00:49:18,440 --> 00:49:21,600
Speaker 8: To me, they would just be no, no, But that's

1142
00:49:21,640 --> 00:49:22,120
Speaker 8: what I'm saying.

1143
00:49:22,120 --> 00:49:25,640
Speaker 3: The passion with which fits Line will change your life.

1144
00:49:26,239 --> 00:49:28,080
Speaker 3: That is a moving movie.

1145
00:49:28,360 --> 00:49:31,960
Speaker 5: Even Hacksaw Ridge to watch that story, that's unbelievable.

1146
00:49:32,200 --> 00:49:33,600
Speaker 2: I mean, you tipped me into one, and I went

1147
00:49:33,640 --> 00:49:38,560
Speaker 2: along to see it, and I walked out. Birdman, Well,

1148
00:49:38,800 --> 00:49:44,040
Speaker 2: make Birdman was created for the artist in the Hollywood

1149
00:49:44,480 --> 00:49:45,240
Speaker 2: movie industry.

1150
00:49:45,280 --> 00:49:47,000
Speaker 3: But that's why they did something different.

1151
00:49:47,040 --> 00:49:49,960
Speaker 2: They did something different for the people within the industry.

1152
00:49:50,200 --> 00:49:53,640
Speaker 2: That was not a Hollywood film written and produced for

1153
00:49:53,719 --> 00:49:58,560
Speaker 2: the general public film. Yes, the public spoke about it

1154
00:49:58,760 --> 00:50:01,120
Speaker 2: enough to get people to go, like myself, to pay

1155
00:50:01,120 --> 00:50:03,160
Speaker 2: for it and walked out disappointed.

1156
00:50:03,640 --> 00:50:04,280
Speaker 1: I've spoken.

1157
00:50:04,320 --> 00:50:06,759
Speaker 3: Well, that's the other one.

1158
00:50:06,760 --> 00:50:08,960
Speaker 11: That's a bit of a stinker always, I think is Greace.

1159
00:50:09,120 --> 00:50:10,840
Speaker 11: And I know you guys get really angry at me.

1160
00:50:10,880 --> 00:50:14,680
Speaker 11: And I'm sticking with musicals. I'm con overrated film.

1161
00:50:14,960 --> 00:50:20,080
Speaker 16: You are too is Oh you've absolutely discredited yourself, not

1162
00:50:20,160 --> 00:50:25,480
Speaker 16: just the movie Space musical, I mean yourself a rotten tomato?

1163
00:50:25,880 --> 00:50:31,920
Speaker 1: Can I say this one? The Revenant? Good film? About film?

1164
00:50:32,080 --> 00:50:34,040
Speaker 1: Great film? I'm not sure about that.

1165
00:50:34,120 --> 00:50:36,080
Speaker 3: Good film, an amazing film.

1166
00:50:36,080 --> 00:50:39,000
Speaker 1: Too slow, man, oh man, too slow?

1167
00:50:39,120 --> 00:50:41,600
Speaker 7: Well, he's turned off The Revenant. The other did you

1168
00:50:41,719 --> 00:50:42,920
Speaker 7: because it was too loud?

1169
00:50:43,480 --> 00:50:50,279
Speaker 1: Because what if you want to doub in a movie

1170
00:50:50,320 --> 00:50:54,239
Speaker 1: everyone loves, but you hated it? My grandpa into the studio, mate,

1171
00:50:54,280 --> 00:50:56,240
Speaker 1: Dallas bis club? Is that what it was called?

1172
00:50:56,480 --> 00:50:57,080
Speaker 8: That was great?

1173
00:50:57,760 --> 00:50:58,240
Speaker 3: Mate?

1174
00:50:58,520 --> 00:51:03,440
Speaker 5: The other one, I'm Goslin's best movie ever. Drive an

1175
00:51:03,480 --> 00:51:07,399
Speaker 5: amazing movie. It's brutal, that is.

1176
00:51:08,880 --> 00:51:11,759
Speaker 2: He because I said I hated it because someone said,

1177
00:51:11,800 --> 00:51:13,440
Speaker 2: come and see this movie. It's like fast than the

1178
00:51:13,440 --> 00:51:16,600
Speaker 2: Furious and what's called drive?

1179
00:51:16,640 --> 00:51:18,239
Speaker 3: Seen her fast than the Furious.

1180
00:51:18,080 --> 00:51:21,839
Speaker 1: Na Because I knew what it would be like. I've

1181
00:51:21,880 --> 00:51:22,760
Speaker 1: got a rough idea.

1182
00:51:23,120 --> 00:51:26,040
Speaker 3: It was just what's fast and the few is like fast.

1183
00:51:25,800 --> 00:51:28,719
Speaker 1: Cars, guns, chasing all of that and.

1184
00:51:30,239 --> 00:51:34,960
Speaker 5: Drive Drive was just slow and like, well it was

1185
00:51:35,320 --> 00:51:38,080
Speaker 5: slow you struggle to use your brain.

1186
00:51:38,480 --> 00:51:39,520
Speaker 1: Parts of the Caribbean.

1187
00:51:39,680 --> 00:51:40,320
Speaker 3: Great film.

1188
00:51:41,239 --> 00:51:45,000
Speaker 5: First one turn Allison in Borkham Hills. You agree with Sarah?

1189
00:51:45,080 --> 00:51:47,320
Speaker 3: What what? What one? Don't you agree with? Alison?

1190
00:51:47,800 --> 00:51:47,960
Speaker 14: Oh?

1191
00:51:48,040 --> 00:51:49,239
Speaker 7: No, Greece too is?

1192
00:51:53,080 --> 00:51:53,600
Speaker 8: I love it?

1193
00:51:53,840 --> 00:51:56,239
Speaker 11: I have this soundtrack and I jump around in my

1194
00:51:56,360 --> 00:52:00,000
Speaker 11: kitchen in Cool Rider Climbing the Ladder?

1195
00:52:00,239 --> 00:52:02,680
Speaker 3: Yeah, And was Michelle Fiffer who was the guy in it?

1196
00:52:03,400 --> 00:52:07,280
Speaker 8: He didn't really go on to do other things that Maxwell.

1197
00:52:07,480 --> 00:52:10,160
Speaker 5: That was like Jason Bateman did Team Wolf too, and

1198
00:52:10,320 --> 00:52:12,000
Speaker 5: just absolutely burying.

1199
00:52:11,760 --> 00:52:13,960
Speaker 1: The Teen Wolf. Now that was a good film growing up.

1200
00:52:14,120 --> 00:52:15,760
Speaker 1: That was a great, great film.

1201
00:52:15,880 --> 00:52:17,960
Speaker 11: I watched Titanic the other day just because it was

1202
00:52:18,000 --> 00:52:21,000
Speaker 11: on Foxtel. Got halfway and I used to love it

1203
00:52:21,040 --> 00:52:24,759
Speaker 11: when it first came out. So boring, man, you take

1204
00:52:24,840 --> 00:52:26,359
Speaker 11: three hours to sink that thing?

1205
00:52:28,880 --> 00:52:29,759
Speaker 8: It's going down?

1206
00:52:30,840 --> 00:52:33,040
Speaker 1: What are you suggesting they should have opened with the

1207
00:52:33,600 --> 00:52:37,480
Speaker 1: sinking scene? This is going to end?

1208
00:52:38,000 --> 00:52:39,759
Speaker 3: Well, what is your favorite movie of all time?

1209
00:52:39,840 --> 00:52:39,960
Speaker 7: Then?

1210
00:52:40,560 --> 00:52:42,719
Speaker 8: I don't know. Now I shouldn't have made somebody yeah

1211
00:52:43,200 --> 00:52:45,640
Speaker 8: I love actually or something? No, that was pretty rubbish.

1212
00:52:46,480 --> 00:52:49,560
Speaker 1: Who Dubb was one of the greatest films of all time.

1213
00:52:50,360 --> 00:52:52,000
Speaker 3: You know that just some.

1214
00:52:54,360 --> 00:52:56,000
Speaker 2: You got to be a happy birthday music Jake, Can

1215
00:52:56,080 --> 00:52:57,719
Speaker 2: you find that film? I want to celebrate a man

1216
00:52:57,760 --> 00:53:00,880
Speaker 2: called Doug Cunningham. He lives in the car and I

1217
00:53:00,920 --> 00:53:03,799
Speaker 2: want to say happy one hundredth birthday to Doug.

1218
00:53:03,920 --> 00:53:07,880
Speaker 3: Oh, so that's true, mate. Does the Queen still send

1219
00:53:07,880 --> 00:53:08,560
Speaker 3: out a few letters?

1220
00:53:08,640 --> 00:53:11,120
Speaker 2: Yep, and you get it for your anniversary too, if

1221
00:53:11,160 --> 00:53:14,120
Speaker 2: you've been married for fifty years. My grandmother's got quite

1222
00:53:14,160 --> 00:53:17,040
Speaker 2: a few notes from the Queen, but it's more just

1223
00:53:17,800 --> 00:53:18,680
Speaker 2: a protocol and.

1224
00:53:18,719 --> 00:53:20,840
Speaker 1: What she actually does. It's just the official stuff that

1225
00:53:20,880 --> 00:53:21,760
Speaker 1: comes through. Nothing.

1226
00:53:21,840 --> 00:53:24,839
Speaker 3: Person, What does your grandmother work for the coin?

1227
00:53:24,960 --> 00:53:27,600
Speaker 2: No, it's just like happy anniversary fifty years and then

1228
00:53:27,880 --> 00:53:30,279
Speaker 2: I don't know what she got another one for. It's

1229
00:53:30,320 --> 00:53:31,560
Speaker 2: like when you hit one hundred and you just get

1230
00:53:31,600 --> 00:53:36,160
Speaker 2: work your post. It's not actually hey, normal, how's your hip?

1231
00:53:36,239 --> 00:53:37,680
Speaker 2: Hope the arthritis is going well?

1232
00:53:38,600 --> 00:53:39,680
Speaker 3: Some prune juice? Yeah?

1233
00:53:39,719 --> 00:53:41,080
Speaker 8: Do you have to register for that?

1234
00:53:41,360 --> 00:53:42,040
Speaker 1: I don't think so.

1235
00:53:42,719 --> 00:53:45,200
Speaker 8: She just keep a track of everybody.

1236
00:53:45,080 --> 00:53:47,080
Speaker 1: Counts through the Council and the government.

1237
00:53:47,239 --> 00:53:53,640
Speaker 2: That's your lying paperwork, documentation, official's ancestry dot com ancestry

1238
00:53:53,640 --> 00:53:54,120
Speaker 2: dot com.

1239
00:53:54,160 --> 00:53:56,120
Speaker 3: It's a pretty boring job, isn't it.

1240
00:53:56,719 --> 00:53:59,200
Speaker 5: Guys finally got a job with the Royals, working at

1241
00:53:59,200 --> 00:53:59,960
Speaker 5: Buckingham Palace.

1242
00:54:00,040 --> 00:54:02,520
Speaker 3: What are you doing? I reply to everyone who writes

1243
00:54:02,560 --> 00:54:03,200
Speaker 3: to the Queen?

1244
00:54:04,800 --> 00:54:06,960
Speaker 2: I remember Georgie who sings for us. On a Friday,

1245
00:54:07,160 --> 00:54:09,319
Speaker 2: she wrote to the Queen inviting No she wrote to

1246
00:54:09,320 --> 00:54:12,120
Speaker 2: Will and Kate invite for the wedding to hit her

1247
00:54:12,200 --> 00:54:14,800
Speaker 2: wedding and they wrote back, thanks very much, but we're busy.

1248
00:54:15,239 --> 00:54:16,600
Speaker 1: It's got on them to get back to her.

1249
00:54:16,760 --> 00:54:18,400
Speaker 5: Probably would have been good to have him there to

1250
00:54:18,400 --> 00:54:20,160
Speaker 5: make that wedding a bit more interesting.

1251
00:54:20,840 --> 00:54:22,680
Speaker 1: Mate, you weren't the one stuck in the worst seat

1252
00:54:22,719 --> 00:54:23,200
Speaker 1: in the house.

1253
00:54:23,200 --> 00:54:25,600
Speaker 8: Excuse me, said next to me? And every time you

1254
00:54:25,640 --> 00:54:28,600
Speaker 8: bring it up.

1255
00:54:27,640 --> 00:54:29,320
Speaker 2: She deliberately put me in the worst one so I

1256
00:54:29,320 --> 00:54:30,759
Speaker 2: couldn't heckle when she was up there.

1257
00:54:31,320 --> 00:54:35,120
Speaker 1: Nasty, nasty, good planning anyway. This guy, Doug Cunningham, he's

1258
00:54:35,120 --> 00:54:37,399
Speaker 1: a World War Two veteran. He's a superstar mate, he's

1259
00:54:37,400 --> 00:54:40,920
Speaker 1: officially he was a British Army officer and he tells

1260
00:54:40,920 --> 00:54:41,840
Speaker 1: a story.

1261
00:54:41,640 --> 00:54:43,360
Speaker 2: When he was at war, they said, what are you

1262
00:54:43,360 --> 00:54:45,279
Speaker 2: going to do? When the war ends, and one bloke said,

1263
00:54:45,280 --> 00:54:46,600
Speaker 2: I'm going to get married and I'm going to have

1264
00:54:46,640 --> 00:54:49,480
Speaker 2: ten children. Another one wanted to go to university, and

1265
00:54:49,520 --> 00:54:51,399
Speaker 2: they all had different things that they wanted to do.

1266
00:54:51,960 --> 00:54:55,000
Speaker 2: And then he said response to that, he said, you

1267
00:54:55,000 --> 00:54:57,160
Speaker 2: know what I want to live to. I'm one hundred

1268
00:54:57,400 --> 00:55:01,040
Speaker 2: and at my party, I want a hundred girls. What

1269
00:55:01,160 --> 00:55:04,040
Speaker 2: are you know Dougs turned a hundred. He's told a

1270
00:55:04,120 --> 00:55:06,560
Speaker 2: lady down to the local checkout of the supermarket for the

1271
00:55:06,560 --> 00:55:07,200
Speaker 2: same story.

1272
00:55:08,040 --> 00:55:10,839
Speaker 1: She's gone and rounded up a hundred local women.

1273
00:55:10,880 --> 00:55:14,840
Speaker 2: And Dougs turned a hundred with a hundred girls, a

1274
00:55:15,560 --> 00:55:18,160
Speaker 2: cake life complete for Doug Cunning.

1275
00:55:18,520 --> 00:55:21,560
Speaker 8: Now this is fitzy and whipper.