1 00:00:00,400 --> 00:00:10,360 Speaker 1: Look hello, podcast is it's when I hear Friday the thirteenth. 2 00:00:10,480 --> 00:00:12,719 Speaker 1: But don't worry, nothing scary in this podcast except for 3 00:00:12,800 --> 00:00:15,520 Speaker 1: riddle time. Whipper is also going to get some magical 4 00:00:15,600 --> 00:00:17,560 Speaker 1: secrets out and about if you've ever wondered how some 5 00:00:17,600 --> 00:00:20,640 Speaker 1: of the big magicians do the big tricks. That's coming 6 00:00:20,680 --> 00:00:22,480 Speaker 1: up to you soon. And of course wrap up of 7 00:00:22,520 --> 00:00:25,079 Speaker 1: the week. We've got Swan's Legend, Jude Bolton and for 8 00:00:25,160 --> 00:00:26,240 Speaker 1: Astronoi are coming in four. 9 00:00:26,239 --> 00:00:26,880 Speaker 2: Wrap Up of the week. 10 00:00:26,880 --> 00:00:28,479 Speaker 1: If you want to just go hear that right away, 11 00:00:28,480 --> 00:00:30,479 Speaker 1: we have that as a separate episode for you. 12 00:00:32,240 --> 00:00:34,520 Speaker 2: Let's go to France, now, the country of love. 13 00:00:34,960 --> 00:00:39,520 Speaker 3: If we war, this is what when you talk about 14 00:00:39,560 --> 00:00:46,800 Speaker 3: that in your country of love. It's the international language, 15 00:00:46,840 --> 00:00:49,040 Speaker 3: isn't it, Tom, Don't they call it the internationaleah And. 16 00:00:49,000 --> 00:00:50,800 Speaker 4: That's the language that they speak of the Olympics. 17 00:00:50,840 --> 00:00:53,800 Speaker 3: And to claim that you invented the kiss that is 18 00:00:53,840 --> 00:00:55,440 Speaker 3: the French kiss, big. 19 00:00:55,240 --> 00:00:56,640 Speaker 5: Call or the French fry. 20 00:00:56,720 --> 00:00:58,440 Speaker 3: Were they the first to throw a tongue in someone 21 00:00:58,440 --> 00:00:59,840 Speaker 3: else's mouth or big? 22 00:01:00,080 --> 00:01:03,120 Speaker 2: All mate? Now, but a French is a French kiss, 23 00:01:03,240 --> 00:01:06,800 Speaker 2: open mouth? Yeah, yeah, it is. Okay. 24 00:01:07,560 --> 00:01:10,480 Speaker 6: So this is a story about her name a man 25 00:01:10,640 --> 00:01:15,399 Speaker 6: named Xavier. Xavier worked for a railway services company. He 26 00:01:15,480 --> 00:01:18,400 Speaker 6: was an engineer and he was on the road quite 27 00:01:18,400 --> 00:01:21,919 Speaker 6: a bit, Sarah, and he was on a work trip 28 00:01:22,120 --> 00:01:28,320 Speaker 6: in Paris and he met a complete stranger. 29 00:01:27,840 --> 00:01:30,000 Speaker 2: Who he fell in love and going down at the bar. 30 00:01:31,240 --> 00:01:33,959 Speaker 6: This is the thing though, Xavier was married. So he's 31 00:01:33,959 --> 00:01:35,640 Speaker 6: on the work trip. He's got the kids back home 32 00:01:35,640 --> 00:01:36,679 Speaker 6: as well. The family was. 33 00:01:36,680 --> 00:01:39,320 Speaker 2: There while he was away working, and he's met this 34 00:01:39,400 --> 00:01:40,080 Speaker 2: lady at the bar. 35 00:01:40,640 --> 00:01:41,440 Speaker 3: It just happens. 36 00:01:42,000 --> 00:01:45,399 Speaker 6: He's gone back up to his room and things have 37 00:01:45,440 --> 00:01:46,800 Speaker 6: got hot and steamed. 38 00:01:50,440 --> 00:01:54,520 Speaker 3: Problem always, there's something problem with the train committed to the. 39 00:01:54,480 --> 00:01:58,360 Speaker 7: Railway while they were doing the deed. He had a 40 00:01:58,400 --> 00:02:03,320 Speaker 7: heart attack, God, and died doing what he loved completely. 41 00:02:03,480 --> 00:02:04,680 Speaker 7: Do you know if it was at the starter at 42 00:02:04,680 --> 00:02:05,880 Speaker 7: the end. I just care for him. 43 00:02:05,880 --> 00:02:07,960 Speaker 3: I care for him. Now I've heard the story. I'll 44 00:02:08,000 --> 00:02:08,440 Speaker 3: just told you what was. 45 00:02:09,120 --> 00:02:12,080 Speaker 2: So he has this gone on his wife. 46 00:02:12,400 --> 00:02:17,320 Speaker 6: Okay, his wife sued the company, the railway services company, 47 00:02:18,360 --> 00:02:19,440 Speaker 6: for pulling into the station. 48 00:02:19,880 --> 00:02:23,080 Speaker 2: No, no, that technically, yes, he died at work. He 49 00:02:23,200 --> 00:02:25,040 Speaker 2: died on the job while he was working. 50 00:02:25,520 --> 00:02:30,840 Speaker 6: And they've actually won the case because they've actually won 51 00:02:30,919 --> 00:02:33,040 Speaker 6: because he was on a business trip. It wasn't like 52 00:02:33,120 --> 00:02:35,720 Speaker 6: he died while he was working on a train, but 53 00:02:35,800 --> 00:02:38,520 Speaker 6: because he was away and on a business trip. 54 00:02:38,520 --> 00:02:41,120 Speaker 5: It was during this well, in the office. 55 00:02:41,200 --> 00:02:43,320 Speaker 2: It was all that was part of the trip. It 56 00:02:43,360 --> 00:02:46,640 Speaker 2: was a business trip. So she wins the life insurance. 57 00:02:46,680 --> 00:02:48,680 Speaker 3: But he was clocked off. I mean he was having 58 00:02:48,720 --> 00:02:50,880 Speaker 3: a bit of me time and new time and meantime 59 00:02:50,880 --> 00:02:52,960 Speaker 3: again and you. So he wasn't like he was at 60 00:02:52,960 --> 00:02:58,800 Speaker 3: a work function entertaining clients. He died, so he was 61 00:02:58,880 --> 00:03:00,919 Speaker 3: in his own spare time. Yeah, he chose to cheat 62 00:03:00,960 --> 00:03:02,480 Speaker 3: on his wife in his own spare time. That was 63 00:03:02,520 --> 00:03:04,600 Speaker 3: not work hours, but with a coworker. 64 00:03:04,720 --> 00:03:05,360 Speaker 8: Was it a meeting? 65 00:03:05,840 --> 00:03:07,880 Speaker 4: This is the thing when you go. 66 00:03:07,880 --> 00:03:11,440 Speaker 2: On you actually get paid while you are sleeping as well. 67 00:03:11,440 --> 00:03:13,320 Speaker 2: That's the thing. It's a part of the whole tree. 68 00:03:13,480 --> 00:03:17,040 Speaker 3: Let's paint a more personal story. Let's say you, myself 69 00:03:17,040 --> 00:03:18,799 Speaker 3: and Tommy are sitting in a bar in l a 70 00:03:19,320 --> 00:03:21,280 Speaker 3: and a girl comes up to the bar for a chat. 71 00:03:21,639 --> 00:03:25,160 Speaker 2: She hands out car Nina, I have still. 72 00:03:24,960 --> 00:03:28,960 Speaker 3: Got the cards and it says my name is sexy 73 00:03:29,040 --> 00:03:31,000 Speaker 3: Nina on the card, I'd like to get to know 74 00:03:31,160 --> 00:03:35,760 Speaker 3: you sexiest but with many xes, many many xes, I 75 00:03:35,840 --> 00:03:37,800 Speaker 3: still haven't clocked on. 76 00:03:38,000 --> 00:03:39,920 Speaker 2: She's a big fan of four X Golden. 77 00:03:39,720 --> 00:03:41,400 Speaker 3: That's what it was. And she was also a big 78 00:03:41,400 --> 00:03:44,520 Speaker 3: fan of Thomas Bryan Ivey. So I mean, if if 79 00:03:44,680 --> 00:03:47,320 Speaker 3: on that night, sexy Nina had followed Tom back to 80 00:03:47,400 --> 00:03:50,200 Speaker 3: his room and Tom had died in the beautiful arms 81 00:03:50,200 --> 00:03:53,040 Speaker 3: of sexy Nina, could he have sued no Inger and 82 00:03:53,080 --> 00:03:54,760 Speaker 3: the kids would have got a huge payer. 83 00:03:54,520 --> 00:04:02,320 Speaker 4: Out Nina, which she'd died, that. 84 00:04:02,280 --> 00:04:03,960 Speaker 3: Would have been a different case altogether. 85 00:04:04,080 --> 00:04:05,440 Speaker 2: You don't work. 86 00:04:06,440 --> 00:04:08,640 Speaker 6: Can I just say this though, right, Sarah, that that 87 00:04:08,840 --> 00:04:12,440 Speaker 6: story is true, But like Whippers, he's telling the story 88 00:04:12,480 --> 00:04:13,880 Speaker 6: as if it was so funny. 89 00:04:14,120 --> 00:04:17,680 Speaker 2: We had no idea, Tom had no idea what her intentions. 90 00:04:19,200 --> 00:04:22,000 Speaker 5: Multiple exits, that is the spelling of the words. 91 00:04:23,000 --> 00:04:23,440 Speaker 3: We were. 92 00:04:23,480 --> 00:04:26,279 Speaker 2: We were about an hour in and then Vincy went. 93 00:04:26,200 --> 00:04:27,800 Speaker 3: You know, she was a lady of the night. 94 00:04:30,320 --> 00:04:33,720 Speaker 2: Your king thought she was really friendly. I'm a big fan. 95 00:04:35,279 --> 00:04:36,480 Speaker 2: And they said, how do you know? 96 00:04:36,800 --> 00:04:39,479 Speaker 6: And I said, I booked her in her You know 97 00:04:39,680 --> 00:04:42,240 Speaker 6: else was a sucker for you? Was poor em on 98 00:04:42,400 --> 00:04:43,360 Speaker 6: the Bachelor? 99 00:04:43,560 --> 00:04:45,159 Speaker 3: Didn't she do a great job? Now? 100 00:04:45,279 --> 00:04:48,320 Speaker 6: Okay, we are live on Instagram and Facebook right now 101 00:04:48,320 --> 00:04:50,240 Speaker 6: if you would like to watch this interview. 102 00:04:50,640 --> 00:04:52,400 Speaker 2: Em made a huge move. 103 00:04:52,360 --> 00:04:55,680 Speaker 6: Last night when she decided to open up her feelings 104 00:04:55,800 --> 00:04:56,800 Speaker 6: to Matt the Bachelor. 105 00:04:57,839 --> 00:04:59,320 Speaker 9: Yeah, definitely. 106 00:05:06,760 --> 00:05:08,160 Speaker 2: Not the reaction that you wanted. 107 00:05:10,560 --> 00:05:14,040 Speaker 3: It's such a big thing in anyone's life and normally 108 00:05:14,040 --> 00:05:16,560 Speaker 3: you're not in front of national TV in an audience, 109 00:05:16,600 --> 00:05:18,240 Speaker 3: but to say that isn't it. 110 00:05:18,240 --> 00:05:21,040 Speaker 10: It was a huge, huge step. And yeah, look, I 111 00:05:21,080 --> 00:05:23,480 Speaker 10: think all of Australia knew that I was feeling. 112 00:05:24,560 --> 00:05:26,919 Speaker 3: You had to take that tactical play, didn't you. You 113 00:05:26,960 --> 00:05:28,200 Speaker 3: had to let him know at this stage of the 114 00:05:28,240 --> 00:05:29,160 Speaker 3: game how you're feeling. 115 00:05:29,240 --> 00:05:30,840 Speaker 10: Yeah, I mean, you know, we're at the business end 116 00:05:30,839 --> 00:05:34,000 Speaker 10: of things, and you know he was basically just asking 117 00:05:34,040 --> 00:05:36,440 Speaker 10: everybody to be upfront and honest with her feelings. And 118 00:05:36,720 --> 00:05:38,360 Speaker 10: you know, if you're feeling that way, then yeah, just 119 00:05:38,480 --> 00:05:40,600 Speaker 10: go for it. 120 00:05:39,640 --> 00:05:44,600 Speaker 5: Did you watch back though, and think because you've been 121 00:05:44,680 --> 00:05:45,640 Speaker 5: labeled to cling up? 122 00:05:45,720 --> 00:05:49,400 Speaker 8: Oh I know, but I haven't heard that. 123 00:05:49,560 --> 00:05:50,040 Speaker 3: No, I know. 124 00:05:50,200 --> 00:05:53,040 Speaker 5: But when you've watched it back, have you thought, yeah, okay, 125 00:05:53,120 --> 00:05:54,840 Speaker 5: maybe I've come across like that. 126 00:05:54,960 --> 00:05:56,320 Speaker 8: Oh yeah, I love been dying. 127 00:05:57,160 --> 00:05:59,920 Speaker 3: Have you don't worry about that? What was interesting? I 128 00:06:00,120 --> 00:06:03,120 Speaker 3: think every relationship, there's a moment where you think that 129 00:06:03,240 --> 00:06:05,560 Speaker 3: was the moment that I knew that we were right together. 130 00:06:06,200 --> 00:06:07,920 Speaker 3: Did you have that moment? Because I thought it might 131 00:06:07,960 --> 00:06:09,560 Speaker 3: have been when you were at rush Cutters there and 132 00:06:09,600 --> 00:06:11,799 Speaker 3: you met him and you're running towards each. 133 00:06:11,640 --> 00:06:14,120 Speaker 10: Other and yeah, you know, I was really sweet. He 134 00:06:14,160 --> 00:06:16,160 Speaker 10: said that he had missed me, and I was like, 135 00:06:16,160 --> 00:06:18,919 Speaker 10: oh this is this is going really well. And you know, 136 00:06:18,960 --> 00:06:23,599 Speaker 10: he met my two dogs that so that went really well. 137 00:06:23,760 --> 00:06:26,560 Speaker 10: And yeah, you know we got on we gon't so 138 00:06:26,760 --> 00:06:28,640 Speaker 10: good and used to always have a laugh together. 139 00:06:29,560 --> 00:06:31,240 Speaker 8: You know, a few kisses as well. 140 00:06:31,279 --> 00:06:32,240 Speaker 3: At least she could kiss her. 141 00:06:32,279 --> 00:06:34,039 Speaker 2: At least she didn't try to dry hamp him on 142 00:06:34,080 --> 00:06:34,400 Speaker 2: the beach. 143 00:06:37,160 --> 00:06:39,200 Speaker 8: I'm happy to be labeled a clinger and not a dry. 144 00:06:41,760 --> 00:06:41,960 Speaker 2: Or not. 145 00:06:42,800 --> 00:06:43,760 Speaker 8: I like Abby. 146 00:06:43,839 --> 00:06:46,359 Speaker 10: Yeah, Abby's a good friend of mine, and you know 147 00:06:46,400 --> 00:06:47,839 Speaker 10: she's getting a lot of stick for this. 148 00:06:48,720 --> 00:06:48,840 Speaker 3: Well. 149 00:06:48,880 --> 00:06:50,760 Speaker 2: There was a video that came out last night, so. 150 00:06:50,880 --> 00:06:53,560 Speaker 5: Did you of her watching The Bachelor back and she's 151 00:06:53,560 --> 00:06:54,200 Speaker 5: a bit hammered. 152 00:06:54,240 --> 00:06:56,760 Speaker 6: It was the first episode and it sort of looked 153 00:06:56,760 --> 00:06:58,520 Speaker 6: like she was having a go at Matt and people 154 00:06:58,560 --> 00:07:00,800 Speaker 6: were saying straight away, he's not the winner. 155 00:07:00,920 --> 00:07:02,800 Speaker 5: I think she's just carrying on a bit like she 156 00:07:02,839 --> 00:07:04,839 Speaker 5: was mucking around. She clearly had some drinks. Were you 157 00:07:04,880 --> 00:07:06,200 Speaker 5: there when that video happened? 158 00:07:06,360 --> 00:07:08,440 Speaker 8: No? No, I wasn't there. No. No. 159 00:07:08,680 --> 00:07:11,560 Speaker 6: Can I just say, how funny are your Was it easy? 160 00:07:11,680 --> 00:07:13,400 Speaker 6: Your friend that we got to meet last night? 161 00:07:14,360 --> 00:07:14,560 Speaker 10: Jin? 162 00:07:14,840 --> 00:07:19,320 Speaker 6: Okay, so you you said to Matt you were falling 163 00:07:19,360 --> 00:07:22,400 Speaker 6: in love with him, but you actually brought it up 164 00:07:22,440 --> 00:07:24,880 Speaker 6: with her first. Her reaction was priceless. 165 00:07:25,520 --> 00:07:32,000 Speaker 10: I've actually I have fallen in love with him. 166 00:07:32,280 --> 00:07:35,840 Speaker 8: You've had two dates. 167 00:07:36,040 --> 00:07:36,840 Speaker 3: That's what you're there for. 168 00:07:37,400 --> 00:07:38,680 Speaker 8: That's why she's my best friend. 169 00:07:40,800 --> 00:07:44,080 Speaker 3: Here's the issue we saw last night, the pool action 170 00:07:44,240 --> 00:07:47,800 Speaker 3: between Abby and Matte right hot and heavy. I didn't 171 00:07:47,800 --> 00:07:49,680 Speaker 3: stop awkward when they were just on the banana lounge 172 00:07:49,720 --> 00:07:53,000 Speaker 3: continuing to pash that poor and the messusses are just 173 00:07:53,040 --> 00:07:56,160 Speaker 3: standing there over their head. Then we see the teaser 174 00:07:56,280 --> 00:07:58,600 Speaker 3: what you said before, fits of the grinding on the beach, 175 00:07:58,720 --> 00:08:01,920 Speaker 3: which just looks like it's out of control. If things 176 00:08:01,960 --> 00:08:04,640 Speaker 3: don't end up, if he doesn't end up with Abby, 177 00:08:04,920 --> 00:08:06,720 Speaker 3: well then I still think he's going to need to 178 00:08:06,720 --> 00:08:09,320 Speaker 3: get something out of his system with Abby. Oh, Sarah, 179 00:08:09,400 --> 00:08:10,320 Speaker 3: don't shake your head. 180 00:08:10,160 --> 00:08:13,000 Speaker 5: At me to say yes, I know they hook up. 181 00:08:13,520 --> 00:08:15,920 Speaker 3: No, I want em to give my reading, give a 182 00:08:16,040 --> 00:08:19,440 Speaker 3: reading on their situation. What are you mean, because we 183 00:08:19,480 --> 00:08:22,360 Speaker 3: can't We can't tell from our point of view whether she. 184 00:08:22,440 --> 00:08:25,360 Speaker 5: Is trying that they just need to bump, hug. 185 00:08:25,520 --> 00:08:28,280 Speaker 3: And move on, because I don't think he picks her. 186 00:08:28,560 --> 00:08:30,280 Speaker 3: And then how do you deal with that if you're 187 00:08:30,360 --> 00:08:31,920 Speaker 3: Matt and you've still got that in your system. 188 00:08:32,120 --> 00:08:34,200 Speaker 10: Look, I mean we're locked up for three months, you know, 189 00:08:34,440 --> 00:08:38,520 Speaker 10: so everybody's. 190 00:08:37,640 --> 00:08:41,120 Speaker 4: A lot like that is such a long time, such 191 00:08:41,160 --> 00:08:41,760 Speaker 4: a long. 192 00:08:41,600 --> 00:08:45,320 Speaker 9: Time to explore carus and. 193 00:08:51,080 --> 00:08:52,880 Speaker 8: If she wants to. 194 00:08:53,760 --> 00:08:56,280 Speaker 6: Moments between the girls in the house, do you think 195 00:08:56,320 --> 00:08:57,800 Speaker 6: there could have been a moment when any of the 196 00:08:57,920 --> 00:08:58,880 Speaker 6: girls could have hooked up? 197 00:08:58,880 --> 00:09:00,920 Speaker 2: I mean, you were just saying, three months in the house, 198 00:09:01,240 --> 00:09:01,719 Speaker 2: is it like. 199 00:09:06,280 --> 00:09:09,080 Speaker 10: We we actually we are in bunk bed, you are, 200 00:09:09,960 --> 00:09:10,920 Speaker 10: it's very glamorous. 201 00:09:11,400 --> 00:09:12,680 Speaker 8: No one's getting frisky in a bus. 202 00:09:12,800 --> 00:09:15,040 Speaker 6: So were there any moments where you thought, oh, these 203 00:09:15,080 --> 00:09:17,400 Speaker 6: two are getting caught and heavy here or getting closer 204 00:09:17,440 --> 00:09:17,920 Speaker 6: to each other. 205 00:09:18,200 --> 00:09:20,640 Speaker 8: No, no, I didn't, It didn't. It didn't get that far. 206 00:09:20,880 --> 00:09:23,000 Speaker 10: You know, we're old. Is that really really good friends? 207 00:09:23,440 --> 00:09:26,520 Speaker 10: We were kind of going you know, can be nice to. 208 00:09:26,520 --> 00:09:27,120 Speaker 2: Get some But. 209 00:09:31,160 --> 00:09:33,480 Speaker 6: Can I ask you as well, is it true that 210 00:09:34,440 --> 00:09:37,280 Speaker 6: did Chaneldine offer you a trip to Ireland during. 211 00:09:37,000 --> 00:09:39,439 Speaker 2: The filming and you said, no, I don't want to go? 212 00:09:39,800 --> 00:09:40,440 Speaker 2: Is that right? 213 00:09:40,880 --> 00:09:42,840 Speaker 8: No? No, not not during the filming. 214 00:09:42,880 --> 00:09:44,400 Speaker 2: Okay, after the filming. 215 00:09:46,080 --> 00:09:48,319 Speaker 10: I mean look, I mean I don't have any any 216 00:09:48,360 --> 00:09:52,920 Speaker 10: family over here. And they did say, you know, look 217 00:09:52,960 --> 00:09:54,760 Speaker 10: if you do want to go back home and have 218 00:09:54,840 --> 00:09:59,840 Speaker 10: some support there, which was just so amazing, dreamly grateful 219 00:09:59,840 --> 00:10:02,840 Speaker 10: for that. So that was fantastic. But no, So I 220 00:10:02,880 --> 00:10:04,520 Speaker 10: stayed in Sydney and watched the show. 221 00:10:04,720 --> 00:10:06,880 Speaker 3: Okay, and now now we've got Now we get to 222 00:10:06,880 --> 00:10:09,800 Speaker 3: see the play out Eleanor. Right, he's convinced Eleanor to stay, 223 00:10:10,320 --> 00:10:14,959 Speaker 3: and still he might break her heart like massive effort 224 00:10:15,040 --> 00:10:17,320 Speaker 3: to keep her to stay. Last night she walk out 225 00:10:17,360 --> 00:10:19,800 Speaker 3: of fifteen. Yeah, I mean I'm I mean, I'm out, 226 00:10:19,800 --> 00:10:21,439 Speaker 3: I mean, i'mut alright, I'm in. I've turned up the 227 00:10:21,480 --> 00:10:23,200 Speaker 3: road ceremony. Imagine if he didn't given a. 228 00:10:23,280 --> 00:10:26,679 Speaker 8: Roads last night, he shouldn't have given. It would have 229 00:10:26,760 --> 00:10:28,559 Speaker 8: been great view he It would have been nice to 230 00:10:28,600 --> 00:10:29,200 Speaker 8: have got the roads. 231 00:10:29,320 --> 00:10:33,280 Speaker 3: Wow, that's right, we have done that with a classic guard. 232 00:10:34,120 --> 00:10:37,360 Speaker 6: All right, well, and thank you very much for coming in. Congratulations, 233 00:10:37,360 --> 00:10:38,160 Speaker 6: thank you for having me. 234 00:10:39,200 --> 00:10:40,640 Speaker 3: I don't think we should do this. How are you 235 00:10:40,640 --> 00:10:42,400 Speaker 3: guys feeling about it? Would you be happy if I 236 00:10:42,400 --> 00:10:44,480 Speaker 3: did the magic tricks revealed? You'd be cool with her? 237 00:10:45,120 --> 00:10:47,000 Speaker 3: Some people don't like it. Some people it's a bit 238 00:10:47,000 --> 00:10:49,160 Speaker 3: of a crowd stopper. People kind of want to know. 239 00:10:49,200 --> 00:10:51,120 Speaker 3: It's like the final of The Bachelor says, you want 240 00:10:51,120 --> 00:10:52,160 Speaker 3: to know, but you don't want to know. 241 00:10:52,600 --> 00:10:54,959 Speaker 5: How you're going to expose really hard like card tricks 242 00:10:55,040 --> 00:10:56,360 Speaker 5: or checking the guy in the box. 243 00:10:56,360 --> 00:10:59,320 Speaker 3: I'm talking big stuff, chopping people in half sword through 244 00:10:59,360 --> 00:11:02,080 Speaker 3: the side. How does the guy levitate? That's kind of 245 00:11:03,240 --> 00:11:03,600 Speaker 3: there's a. 246 00:11:03,520 --> 00:11:06,360 Speaker 2: Great documentry out it's called Deal. I think it is. 247 00:11:06,400 --> 00:11:06,760 Speaker 3: I don't know if. 248 00:11:07,520 --> 00:11:09,760 Speaker 6: Yeah, there's a guy who is a card He's one 249 00:11:09,800 --> 00:11:13,280 Speaker 6: of the biggest card shower in the world, completely blind, 250 00:11:14,160 --> 00:11:17,440 Speaker 6: So he does a whole hour show up there with cards. 251 00:11:17,440 --> 00:11:22,200 Speaker 6: Sarah unbelievable. And the bloke is blind. Sure, all day 252 00:11:22,280 --> 00:11:24,959 Speaker 6: long at home on his couch, he is playing with 253 00:11:25,000 --> 00:11:26,240 Speaker 6: the cards. 254 00:11:25,760 --> 00:11:26,840 Speaker 2: And doing new tricks. 255 00:11:27,040 --> 00:11:27,720 Speaker 3: He's not blind. 256 00:11:28,000 --> 00:11:30,960 Speaker 6: He's been booted out of every he used to go 257 00:11:31,000 --> 00:11:31,720 Speaker 6: to the casino. 258 00:11:31,800 --> 00:11:35,160 Speaker 2: He used to go to casinos and play cards. 259 00:11:35,920 --> 00:11:37,800 Speaker 5: How can you be in a casino playing cards when 260 00:11:37,840 --> 00:11:38,400 Speaker 5: you are blind? 261 00:11:38,559 --> 00:11:44,800 Speaker 6: They could hear them, Sarah, Yeah, that sounds like the 262 00:11:44,880 --> 00:11:45,679 Speaker 6: Ace of Spode. 263 00:11:46,360 --> 00:11:47,760 Speaker 2: No, it doesn't make. 264 00:11:48,120 --> 00:11:50,400 Speaker 3: I mean great trick if you if you're not blind 265 00:11:50,400 --> 00:11:52,000 Speaker 3: to play that card? Should I say so? 266 00:11:52,679 --> 00:11:52,839 Speaker 6: One? 267 00:11:53,280 --> 00:11:53,480 Speaker 2: Yeah? 268 00:11:53,600 --> 00:11:56,480 Speaker 3: Another fake. So you're in a situation where you've convinced 269 00:11:56,520 --> 00:11:58,600 Speaker 3: everybody you're doing magic, but you're just looking at what 270 00:11:58,600 --> 00:12:01,960 Speaker 3: you're doing the entire time. Great trick in itself. 271 00:12:02,080 --> 00:12:05,559 Speaker 6: See that when the television shows with magic as well 272 00:12:05,600 --> 00:12:08,520 Speaker 6: and the illusions, you just go, give me a break 273 00:12:08,600 --> 00:12:11,400 Speaker 6: because obviously you're using You've got mirrors, you can. 274 00:12:11,480 --> 00:12:13,360 Speaker 2: Use whatever you want, the recorder. 275 00:12:13,559 --> 00:12:16,800 Speaker 3: That's the craft. It's the illusion that you're giving. We 276 00:12:16,880 --> 00:12:20,440 Speaker 3: all know that magic really doesn't exist, yes, Sarah, But 277 00:12:20,520 --> 00:12:22,920 Speaker 3: an illusion is another thing. And that's why I like 278 00:12:23,000 --> 00:12:25,360 Speaker 3: the walk on water trick. You've seen this one here 279 00:12:25,400 --> 00:12:27,760 Speaker 3: where someone just that's a shot in front of the 280 00:12:27,760 --> 00:12:30,120 Speaker 3: Houses of Parliament, Big Ben there on the River Thames 281 00:12:30,120 --> 00:12:31,760 Speaker 3: and a bloke's just walking across the lake. 282 00:12:32,360 --> 00:12:33,040 Speaker 2: How does he do it? 283 00:12:33,400 --> 00:12:39,160 Speaker 3: How it's perspectx box and that's just under the surface. 284 00:12:39,240 --> 00:12:41,160 Speaker 2: Of the water, isn't it obviously? 285 00:12:41,559 --> 00:12:43,360 Speaker 3: Or you didn't know that, so it can't be boring. 286 00:12:43,400 --> 00:12:44,520 Speaker 3: Magic trick revealed one? 287 00:12:44,760 --> 00:12:46,120 Speaker 2: Okay, give us another one. 288 00:12:46,640 --> 00:12:47,640 Speaker 5: It's magic. 289 00:12:53,840 --> 00:12:54,719 Speaker 8: It's magic. 290 00:12:54,840 --> 00:12:56,480 Speaker 3: So there's another one you can practice in your pool. 291 00:12:56,559 --> 00:12:58,600 Speaker 3: Just build a perspects box, put it just under the 292 00:12:58,600 --> 00:13:01,160 Speaker 3: surface of the water, and the art and the illusion 293 00:13:01,160 --> 00:13:03,200 Speaker 3: of what the magician does is to look like they're 294 00:13:03,240 --> 00:13:06,760 Speaker 3: stumbling and they're falling and can hardly contain themselves while 295 00:13:06,760 --> 00:13:07,760 Speaker 3: they're actually walking on. 296 00:13:07,840 --> 00:13:10,840 Speaker 6: But see what's holding up the box underneath you at 297 00:13:10,840 --> 00:13:11,640 Speaker 6: the bottom of the pool. 298 00:13:12,040 --> 00:13:13,600 Speaker 5: You'd make it the bottom at the bottom. 299 00:13:14,040 --> 00:13:15,520 Speaker 2: How do they do the one in the Thames? 300 00:13:15,520 --> 00:13:17,320 Speaker 3: You just have a raft underneath and it just be 301 00:13:17,360 --> 00:13:20,200 Speaker 3: submerged and perfectly weighted, so they would calculate when he 302 00:13:20,240 --> 00:13:22,640 Speaker 3: got on that the thing wouldn't sink entirely, and then 303 00:13:22,679 --> 00:13:24,720 Speaker 3: he would just move along the top of the water. 304 00:13:24,800 --> 00:13:26,680 Speaker 5: The problem is most of these people don't have friends, 305 00:13:26,720 --> 00:13:27,360 Speaker 5: so there's no one. 306 00:13:27,240 --> 00:13:27,800 Speaker 9: To see it happen. 307 00:13:27,880 --> 00:13:29,280 Speaker 3: This is the thing, all right? Do you want me 308 00:13:29,320 --> 00:13:31,480 Speaker 3: to ruin this one for you? I'm going to show 309 00:13:31,480 --> 00:13:35,840 Speaker 3: your photo first. The levitating guy right, he looks like 310 00:13:35,920 --> 00:13:36,680 Speaker 3: he's a monk. 311 00:13:36,600 --> 00:13:39,800 Speaker 2: And they're in Pitch Street Ma all the time, and. 312 00:13:39,760 --> 00:13:42,600 Speaker 3: He's the number one, like he makes a lot of money, 313 00:13:42,679 --> 00:13:44,920 Speaker 3: people throwing cash into the hat because he sits there, 314 00:13:44,920 --> 00:13:47,560 Speaker 3: and people go, how are you sitting a meter off 315 00:13:47,600 --> 00:13:50,160 Speaker 3: the ground? You cross legged and you're sitting a meter 316 00:13:50,280 --> 00:13:50,520 Speaker 3: off there. 317 00:13:50,520 --> 00:13:52,679 Speaker 6: There's always a stick in front of him though, so 318 00:13:52,760 --> 00:13:54,079 Speaker 6: that's got something to do with it. 319 00:13:54,200 --> 00:13:54,719 Speaker 4: What is it? 320 00:13:54,800 --> 00:13:58,320 Speaker 3: Well played, Ryan James Fitzgerald. There's a circular base which 321 00:13:58,320 --> 00:14:00,720 Speaker 3: you can't see under the floral display has at the base. 322 00:14:01,360 --> 00:14:03,440 Speaker 3: The weight then goes up the stick's there, which is 323 00:14:03,440 --> 00:14:06,040 Speaker 3: a steel stick inside watch look with what looks like 324 00:14:06,120 --> 00:14:09,319 Speaker 3: a normal walking stick. There's a base around so if 325 00:14:09,360 --> 00:14:12,000 Speaker 3: you were to do like a ring around there, which 326 00:14:12,040 --> 00:14:13,000 Speaker 3: he sits in like. 327 00:14:12,960 --> 00:14:15,120 Speaker 5: A coffee table with you with only one leg. 328 00:14:15,040 --> 00:14:17,000 Speaker 3: That's right. And then there's another bar that goes around 329 00:14:17,040 --> 00:14:19,080 Speaker 3: his back, supporting the rest of his body. But all 330 00:14:19,120 --> 00:14:21,520 Speaker 3: the weight goes down that one stick, which looks like 331 00:14:21,560 --> 00:14:24,080 Speaker 3: a walking stick, but obviously it's a steel rod. 332 00:14:24,400 --> 00:14:27,240 Speaker 5: I wish you hadn't told me that off my logic. 333 00:14:27,800 --> 00:14:30,040 Speaker 3: Yeah, I offered two things at the start of this 334 00:14:30,320 --> 00:14:31,800 Speaker 3: leave if you don't want to hear it, and the 335 00:14:31,920 --> 00:14:33,560 Speaker 3: chance to see it, and you do really well. 336 00:14:33,560 --> 00:14:36,480 Speaker 2: One of them just expose the pool bloke in pit Street. No, 337 00:14:36,680 --> 00:14:38,280 Speaker 2: he's not going to get any money. 338 00:14:37,800 --> 00:14:39,240 Speaker 5: So you I'm not giving him a fiver. 339 00:14:39,240 --> 00:14:41,720 Speaker 3: And now what about this one? You know when you 340 00:14:41,760 --> 00:14:43,560 Speaker 3: see those ones and they stick a knife, they put 341 00:14:43,600 --> 00:14:46,440 Speaker 3: the assistant into the box and then they stick the 342 00:14:46,520 --> 00:14:48,360 Speaker 3: knife through and you go, hang on a minute, it's 343 00:14:48,360 --> 00:14:50,840 Speaker 3: like working impossible because I can see the knife come 344 00:14:50,880 --> 00:14:52,840 Speaker 3: out the other side of the box. How do you 345 00:14:52,960 --> 00:14:55,360 Speaker 3: do that because you would be killing the person inside. 346 00:14:55,760 --> 00:14:58,040 Speaker 3: It's because you see the box from front on and 347 00:14:58,080 --> 00:15:00,640 Speaker 3: the person's in it. What they do. Box is actually 348 00:15:00,640 --> 00:15:03,360 Speaker 3: made up of three boxes, so from the side it 349 00:15:03,360 --> 00:15:07,160 Speaker 3: would look like staggered boxes with somebody's body bent in it. 350 00:15:07,200 --> 00:15:09,080 Speaker 3: But from the front on it just looks like a 351 00:15:09,120 --> 00:15:11,680 Speaker 3: straight box that might be a foot deep, and the 352 00:15:11,680 --> 00:15:15,120 Speaker 3: person's jammed inside, almost like a coffin that's upright. But 353 00:15:15,200 --> 00:15:17,240 Speaker 3: from the side you've got gaps and you can stick 354 00:15:17,280 --> 00:15:18,360 Speaker 3: the knives all the way through. 355 00:15:18,560 --> 00:15:23,240 Speaker 5: Question when they spin the box on stage, how is 356 00:15:23,280 --> 00:15:32,680 Speaker 5: that happening? Don't take my singing Giar, well done, guys. 357 00:15:32,040 --> 00:15:37,080 Speaker 3: I don't know that reddle time still to come guys, 358 00:15:37,360 --> 00:15:38,880 Speaker 3: that's a later in the show today, I've been an 359 00:15:38,960 --> 00:15:42,640 Speaker 3: educational show from what I've been delivering, Goss. Not only 360 00:15:42,680 --> 00:15:45,240 Speaker 3: did I do magic tricks revealed earlier in the day. 361 00:15:45,520 --> 00:15:48,040 Speaker 3: Now I'm about to do phrases that you've been getting wrong. 362 00:15:48,080 --> 00:15:50,200 Speaker 3: We did words the other day. Nicolina, who works on 363 00:15:50,240 --> 00:15:52,040 Speaker 3: the show, seems to get every second word wrong, but 364 00:15:52,080 --> 00:15:54,000 Speaker 3: we love it to death. How are you, Nick? Thanks 365 00:15:54,040 --> 00:15:56,200 Speaker 3: for turning up again today. Okay, let's go through a 366 00:15:56,200 --> 00:15:58,680 Speaker 3: couple of phrases. And everybody makes mistakes, even when you're 367 00:15:58,680 --> 00:16:00,600 Speaker 3: out and about stairs. A common one you might hear 368 00:16:00,720 --> 00:16:05,000 Speaker 3: is somebody ordering a couple couple of expresso martinis that's 369 00:16:05,200 --> 00:16:06,960 Speaker 3: talking about come really quick. 370 00:16:06,920 --> 00:16:07,880 Speaker 5: Or a cappuccino. 371 00:16:08,360 --> 00:16:10,040 Speaker 3: What is it? It's one word, isn't it. 372 00:16:10,040 --> 00:16:10,720 Speaker 5: It's a cappuccin. 373 00:16:10,840 --> 00:16:14,600 Speaker 3: Cappuccino? You say, cappuccina of Chino. Please, you know the pants, 374 00:16:14,640 --> 00:16:17,160 Speaker 3: those really smart pants that you might with a boat shoe. 375 00:16:17,400 --> 00:16:19,560 Speaker 3: Get a cup of those blues, yes, a cup of 376 00:16:19,600 --> 00:16:22,960 Speaker 3: gino to wet your appetite. I had no idea it 377 00:16:23,040 --> 00:16:25,440 Speaker 3: is wet your appetite, But wet is spelled w h 378 00:16:25,640 --> 00:16:28,960 Speaker 3: E T. Yes, so it's not because I think it's 379 00:16:29,000 --> 00:16:31,880 Speaker 3: related to food quite throwing water on it. No, you're not. 380 00:16:32,160 --> 00:16:34,280 Speaker 3: It's to wet your appetite, which is just to sharpen 381 00:16:34,360 --> 00:16:36,560 Speaker 3: or spike your interest in something. It's not that you're 382 00:16:36,600 --> 00:16:41,520 Speaker 3: salivating over something, therefore wetting your appetite. Learn so much 383 00:16:41,560 --> 00:16:44,400 Speaker 3: in thirteen twenty fourteen, feel free to get involved here 384 00:16:44,600 --> 00:16:48,880 Speaker 3: becon call. You're familiar with that one you beccon call, 385 00:16:48,960 --> 00:16:51,880 Speaker 3: beck and call. A lot of people say becon call, 386 00:16:52,080 --> 00:16:55,680 Speaker 3: as in B E C K O N becon call. 387 00:16:56,680 --> 00:16:57,600 Speaker 5: Where does it come from? 388 00:16:57,640 --> 00:16:57,840 Speaker 2: Do you know? 389 00:16:59,520 --> 00:17:00,480 Speaker 3: Give men here from? 390 00:17:01,320 --> 00:17:03,520 Speaker 2: Your driver is always in your meccan call. 391 00:17:03,600 --> 00:17:05,919 Speaker 3: Yeah. The word back is just a shortened version of beckon. 392 00:17:06,000 --> 00:17:08,480 Speaker 3: So it's easy to understand why people get excess. 393 00:17:08,520 --> 00:17:11,720 Speaker 5: Okay, one that you always do. You like to say 394 00:17:11,840 --> 00:17:13,119 Speaker 5: I'm taken back. 395 00:17:13,280 --> 00:17:14,080 Speaker 3: Yeah, I'm taken back. 396 00:17:14,160 --> 00:17:15,280 Speaker 5: No, it's taken aback. 397 00:17:15,600 --> 00:17:17,080 Speaker 3: I don't like that turn of phrase. 398 00:17:17,160 --> 00:17:18,080 Speaker 8: Okay, but it's real. 399 00:17:18,440 --> 00:17:20,000 Speaker 3: But when people say just I don't like. 400 00:17:19,960 --> 00:17:22,440 Speaker 8: That, so I don't do it, so that then it's changing. 401 00:17:22,480 --> 00:17:22,720 Speaker 2: Wish. 402 00:17:23,880 --> 00:17:29,960 Speaker 3: I don't think it's right. I've been taken aback, But you're. 403 00:17:29,840 --> 00:17:33,120 Speaker 5: Not saying I've been taken back like I would. 404 00:17:32,920 --> 00:17:35,480 Speaker 3: Say I'm quite taken back by the way she said 405 00:17:35,520 --> 00:17:38,720 Speaker 3: something different. That's how I say taken back, So I 406 00:17:38,720 --> 00:17:41,480 Speaker 3: wouldn't go I'm quite taken aback by the way she 407 00:17:41,560 --> 00:17:41,919 Speaker 3: said that. 408 00:17:42,560 --> 00:17:44,760 Speaker 5: You're saying I've been taken back. Then I've been taken 409 00:17:44,800 --> 00:17:46,320 Speaker 5: back to I've. 410 00:17:46,240 --> 00:17:48,120 Speaker 3: Been taken back like I've been back. 411 00:17:48,359 --> 00:17:50,680 Speaker 5: This is like the one you do that Really. 412 00:17:51,240 --> 00:17:53,040 Speaker 2: I really loved her. She got rid of me six 413 00:17:53,040 --> 00:17:54,480 Speaker 2: months ago. But she's taken back. 414 00:17:54,680 --> 00:17:57,160 Speaker 3: She hasn't taken it the way. She hasn't taken aback. 415 00:17:57,280 --> 00:18:00,800 Speaker 5: The one that you do all the time is instead 416 00:18:00,840 --> 00:18:03,480 Speaker 5: of saying, like, on reflection, I think this, you say 417 00:18:03,560 --> 00:18:06,880 Speaker 5: in reflection. I think in reflection is looking in the mirror. 418 00:18:06,840 --> 00:18:11,760 Speaker 3: And I'm happy with that reflection. The other one is 419 00:18:11,800 --> 00:18:13,720 Speaker 3: when people do and I know that I say it 420 00:18:13,760 --> 00:18:18,199 Speaker 3: differently as well, but everybody says I've gone to go 421 00:18:18,400 --> 00:18:21,640 Speaker 3: off of to go off of something. You know, when 422 00:18:21,640 --> 00:18:24,600 Speaker 3: people put that into a sentence, how would you would 423 00:18:24,640 --> 00:18:27,640 Speaker 3: you say it, I've gone off of the idea. 424 00:18:28,240 --> 00:18:29,800 Speaker 5: Wouldn't you just say I've gone off the idea? 425 00:18:29,840 --> 00:18:31,560 Speaker 3: People do it all the time. Though I've gone off 426 00:18:31,600 --> 00:18:32,600 Speaker 3: of the idea, you. 427 00:18:32,600 --> 00:18:35,440 Speaker 5: Are just butchering the English language. 428 00:18:36,160 --> 00:18:37,960 Speaker 3: And that's what you're learning here. What about this one 429 00:18:38,160 --> 00:18:42,920 Speaker 3: people say to all intensive purposes, for all intensive No, 430 00:18:43,080 --> 00:18:49,240 Speaker 3: it's to all intents and purposes, not intensive purposes. No idea, 431 00:18:49,960 --> 00:18:52,120 Speaker 3: but in the but it's another one. Yeah, yeah, it's 432 00:18:52,119 --> 00:18:54,160 Speaker 3: bud and not. But we've had that on the shop 433 00:18:54,160 --> 00:18:56,399 Speaker 3: before bottom and this was to do with the to 434 00:18:56,440 --> 00:18:58,639 Speaker 3: do with the botanical term says were you're preventing a 435 00:18:58,680 --> 00:19:01,080 Speaker 3: bud from developing into a beautiful flanner. 436 00:19:01,240 --> 00:19:03,080 Speaker 2: There's amazing stories behind these. 437 00:19:02,920 --> 00:19:08,439 Speaker 3: Aren't they. Escapegoat? Oh yeah, escapegoat. It's not an escapegoat 438 00:19:09,400 --> 00:19:12,119 Speaker 3: someone the bloody gate open again. It's an escapegoat. 439 00:19:12,320 --> 00:19:16,520 Speaker 2: Nick in Paramatta. You've recently realized the saying, have you? Nick? Yeah? 440 00:19:16,560 --> 00:19:18,919 Speaker 11: I always thought the same was played by year, but 441 00:19:18,960 --> 00:19:20,560 Speaker 11: it's actually played by year. 442 00:19:20,720 --> 00:19:22,320 Speaker 3: Yeah, played by years. 443 00:19:25,320 --> 00:19:28,560 Speaker 2: Yeah, man, I might wear a flannelweight from the nineties. 444 00:19:28,640 --> 00:19:34,080 Speaker 2: Year played by years. A flannelt Well. 445 00:19:34,119 --> 00:19:41,560 Speaker 3: We thought you were all right, little little. 446 00:19:42,760 --> 00:19:45,400 Speaker 2: Little little well yeah. Yeah. 447 00:19:50,520 --> 00:19:54,520 Speaker 3: Welcome guys, it's real time for your Friday. I'm okay, 448 00:19:54,600 --> 00:19:57,080 Speaker 3: I think I'm okay. We are streaming live on Facebook, 449 00:19:57,119 --> 00:19:59,280 Speaker 3: which is great news. How's everybody feeling about Riddle Time? 450 00:19:59,320 --> 00:20:02,320 Speaker 9: Today struggling not as much as Ian. Who's coming to 451 00:20:02,359 --> 00:20:05,800 Speaker 9: us from Berry Springs Tavern in Northern Territories. 452 00:20:07,280 --> 00:20:10,080 Speaker 3: Friday and ripping through a couple of four xes for 453 00:20:10,160 --> 00:20:13,800 Speaker 3: Brecky anybody else chuinning in from different parts of the world. 454 00:20:13,800 --> 00:20:16,879 Speaker 3: We welcome you internationally to Riddle Time, which is a 455 00:20:16,960 --> 00:20:21,600 Speaker 3: global radio segment. Congratulations on the over Entertainment Network for that. 456 00:20:21,960 --> 00:20:24,439 Speaker 4: Still but Damien in Namibia listening. 457 00:20:26,080 --> 00:20:29,040 Speaker 2: I think he's still over there looking for his wife. 458 00:20:29,400 --> 00:20:30,280 Speaker 2: An email from. 459 00:20:32,400 --> 00:20:34,800 Speaker 3: Runs into fingers Cross in thirteen twenty fourteen. If you 460 00:20:34,800 --> 00:20:35,960 Speaker 3: would like to play a long Are you ready for 461 00:20:35,960 --> 00:20:36,639 Speaker 3: your first riddle? 462 00:20:36,880 --> 00:20:37,400 Speaker 2: Here we go. 463 00:20:40,000 --> 00:20:43,359 Speaker 3: I can never be stolen from you. I am owned 464 00:20:43,440 --> 00:20:48,320 Speaker 3: by everyone. Some have more, some have less. What am 465 00:20:48,320 --> 00:20:49,959 Speaker 3: I credit? 466 00:20:52,240 --> 00:20:52,840 Speaker 8: Dignity? 467 00:20:53,040 --> 00:20:53,919 Speaker 3: You can still credit? 468 00:20:54,119 --> 00:20:55,040 Speaker 2: Can't still dignity? 469 00:20:56,480 --> 00:20:57,680 Speaker 3: No, it's not dignity. 470 00:20:58,760 --> 00:20:59,960 Speaker 5: Some have more, some have less. 471 00:21:00,119 --> 00:21:01,520 Speaker 3: It's not a silly idea. Sets. 472 00:21:01,560 --> 00:21:02,360 Speaker 5: I'm looking at you. 473 00:21:02,800 --> 00:21:04,360 Speaker 3: I have mine, you have. 474 00:21:06,160 --> 00:21:10,040 Speaker 9: By ken Ben has already guessed the notebook regardless of question. 475 00:21:10,080 --> 00:21:15,480 Speaker 3: I think he submitted that that's quite quote face. Okay, 476 00:21:15,520 --> 00:21:17,679 Speaker 3: first riddle again. I can never be stolen from you. 477 00:21:17,880 --> 00:21:20,680 Speaker 3: I am owned by everyone. Some have more, some have less. 478 00:21:20,720 --> 00:21:22,240 Speaker 3: What am I Ron, You're not even trying? 479 00:21:22,720 --> 00:21:25,040 Speaker 2: No, sorry, you've switched out, which is great. 480 00:21:27,240 --> 00:21:29,359 Speaker 6: Looking at the ashes highlights from last night, you know 481 00:21:29,400 --> 00:21:31,560 Speaker 6: they're right for which is not. 482 00:21:33,320 --> 00:21:36,000 Speaker 4: A lot of people on Instagram saying no sound as 483 00:21:36,040 --> 00:21:36,600 Speaker 4: the answer. 484 00:21:36,840 --> 00:21:40,320 Speaker 5: Oh that he's backing out? 485 00:21:41,720 --> 00:21:44,120 Speaker 2: Where's that in the world? Tom is no sound? 486 00:21:45,280 --> 00:21:48,680 Speaker 9: Joseph on Facebook has thrown hair as an option. 487 00:21:48,920 --> 00:21:51,560 Speaker 4: No, you can take what about time? 488 00:21:51,760 --> 00:21:54,000 Speaker 2: No time? 489 00:21:54,760 --> 00:21:56,399 Speaker 3: You need a lot of it to get the answer. 490 00:21:56,400 --> 00:21:58,520 Speaker 6: Hailey's given us a cool Please put us out of 491 00:21:58,520 --> 00:21:59,320 Speaker 6: our misery, Hailey. 492 00:22:00,040 --> 00:22:00,960 Speaker 2: Is it someone's names? 493 00:22:01,720 --> 00:22:04,200 Speaker 3: No, it's not like that you. 494 00:22:04,200 --> 00:22:05,360 Speaker 2: Can steal someone's name. 495 00:22:05,400 --> 00:22:07,000 Speaker 3: Of course you can well, but no they can't. 496 00:22:07,040 --> 00:22:11,879 Speaker 4: Still yours Instagram saying imagination, you're all dancing in the 497 00:22:11,920 --> 00:22:12,480 Speaker 4: right area. 498 00:22:13,000 --> 00:22:15,040 Speaker 3: Dance floor is full at the mic, they're actually all right. 499 00:22:15,080 --> 00:22:17,280 Speaker 3: I want to welcome one more onto the dance floor. 500 00:22:17,920 --> 00:22:22,440 Speaker 3: Any idea, Michael and Liverpool, any idea? Yes, it is. 501 00:22:22,600 --> 00:22:25,679 Speaker 3: You've got to make it knowledge. You can never be 502 00:22:25,680 --> 00:22:28,280 Speaker 3: stolen from your own by everyone somehow. What am I? 503 00:22:28,320 --> 00:22:31,080 Speaker 3: What I make? All? Right? Second? Reddle, guys, I am 504 00:22:31,160 --> 00:22:35,000 Speaker 3: really touched but often held and if you're smart you'll 505 00:22:35,080 --> 00:22:40,439 Speaker 3: use me well what am I rarely touched but often held, 506 00:22:40,520 --> 00:22:44,320 Speaker 3: and if you're smart you'll use me well a torch. No, 507 00:22:47,160 --> 00:22:50,040 Speaker 3: it's not a cough either. Now that he's finished watching 508 00:22:50,080 --> 00:22:51,600 Speaker 3: the cricket, he's just going to cough on the Mic 509 00:22:52,280 --> 00:22:54,160 Speaker 3: takes for your help today. Mic'soft mate. 510 00:22:54,600 --> 00:22:56,159 Speaker 2: I am really. 511 00:22:55,680 --> 00:22:57,880 Speaker 3: Touched but often held, and if you're smart you use 512 00:22:57,960 --> 00:22:58,359 Speaker 3: me well. 513 00:23:01,920 --> 00:23:04,480 Speaker 9: Lee's in sam Burger's territory. Back in the UK. 514 00:23:07,040 --> 00:23:09,520 Speaker 4: Ponty Smacks on Instagram says, nice haircut, whip. 515 00:23:09,640 --> 00:23:11,120 Speaker 5: That is an awesome. 516 00:23:11,320 --> 00:23:15,960 Speaker 3: Smack smack back it up, great haircut? Any idea, guys, 517 00:23:16,000 --> 00:23:17,600 Speaker 3: I'll give you the ddle one more time. I am 518 00:23:17,720 --> 00:23:20,520 Speaker 3: rarely touched but often held, and if you're smart you 519 00:23:20,840 --> 00:23:23,520 Speaker 3: use me well. What am I Nick in bass Hill? 520 00:23:23,600 --> 00:23:25,280 Speaker 3: Any idea? Hey, guys? 521 00:23:25,520 --> 00:23:27,400 Speaker 2: The answer so yes it is Nick. 522 00:23:27,640 --> 00:23:33,400 Speaker 3: Well none body tongue your tongue says touch. 523 00:23:33,520 --> 00:23:34,360 Speaker 5: That's quite good. 524 00:23:34,600 --> 00:23:37,800 Speaker 3: Hold you don't, Yeah, you hold your tongue. If you're 525 00:23:37,800 --> 00:23:38,760 Speaker 3: smart you use it well. 526 00:23:39,640 --> 00:23:43,399 Speaker 4: Smart easy, getting worse. What's a smart tongue? 527 00:23:44,040 --> 00:23:45,080 Speaker 5: Well, what's a dumb tongue? 528 00:23:45,240 --> 00:23:45,440 Speaker 2: Yeah? 529 00:23:45,600 --> 00:23:47,000 Speaker 3: I mean if you have my knowledge from the first 530 00:23:47,080 --> 00:23:49,040 Speaker 3: riddle and a smart tongue, Tommy, you would have known 531 00:23:49,080 --> 00:23:50,240 Speaker 3: the answer. Your fall. 532 00:23:50,400 --> 00:23:55,920 Speaker 9: Damn guest breath, it sounds working down. 533 00:23:56,280 --> 00:23:59,280 Speaker 2: We're staying in the world. Here we go, Harry Buckerbridge, 534 00:24:00,160 --> 00:24:01,240 Speaker 2: worst riddle yet. 535 00:24:03,280 --> 00:24:07,040 Speaker 3: You obviously didn't know. Harry, don't be ahater. Here we go. 536 00:24:07,480 --> 00:24:10,920 Speaker 3: I can be told and can make you crazy. Most 537 00:24:10,920 --> 00:24:17,040 Speaker 3: people don't like me. No, most people don't like me 538 00:24:17,080 --> 00:24:19,560 Speaker 3: and think I'm harmful? What am I for? The final 539 00:24:19,680 --> 00:24:20,680 Speaker 3: riddle on your Friday? 540 00:24:20,800 --> 00:24:21,320 Speaker 2: Say it again? 541 00:24:21,760 --> 00:24:25,280 Speaker 3: I can be I can be told and can make 542 00:24:25,359 --> 00:24:28,040 Speaker 3: you crazy. Most people don't like me and think that 543 00:24:28,080 --> 00:24:31,199 Speaker 3: I'm harmful? What am I? 544 00:24:31,119 --> 00:24:32,080 Speaker 2: I can be told? 545 00:24:33,640 --> 00:24:39,880 Speaker 3: You tell a story, a riddle and an opinion? 546 00:24:40,000 --> 00:24:41,440 Speaker 9: Is the offer put up by Mad? 547 00:24:41,680 --> 00:24:44,399 Speaker 3: No, not crazy though, Mad, You're in the right area. 548 00:24:45,320 --> 00:24:46,719 Speaker 9: Kim has suggested lies. 549 00:24:47,480 --> 00:24:48,320 Speaker 2: Can you have taken out the. 550 00:24:52,920 --> 00:24:53,199 Speaker 9: Tell me? 551 00:24:55,400 --> 00:24:55,760 Speaker 2: We didn't. 552 00:24:55,760 --> 00:24:56,639 Speaker 4: We did offer a price. 553 00:24:57,080 --> 00:24:58,080 Speaker 2: We need to talk about. 554 00:24:58,080 --> 00:24:58,320 Speaker 3: Sure. 555 00:24:58,400 --> 00:25:02,159 Speaker 2: Mendis and Kimmy like on off? Are they on? Are 556 00:25:02,200 --> 00:25:02,600 Speaker 2: they off? 557 00:25:02,640 --> 00:25:05,760 Speaker 6: We know their big hit song Senorita and Sarah was 558 00:25:05,760 --> 00:25:07,280 Speaker 6: at the VMA Awards. 559 00:25:07,359 --> 00:25:09,000 Speaker 5: Oh yeah, but they were getting hot and heavy. 560 00:25:09,240 --> 00:25:10,679 Speaker 6: They did get a little bit hot and heavy, but 561 00:25:10,720 --> 00:25:12,520 Speaker 6: everyone was questioning it is it real? 562 00:25:13,000 --> 00:25:15,720 Speaker 2: It didn't look like it was passionate enough or was 563 00:25:15,760 --> 00:25:16,560 Speaker 2: it too full on? 564 00:25:17,280 --> 00:25:20,080 Speaker 5: Well, every paparazzi shot of them since they got together. 565 00:25:20,119 --> 00:25:22,960 Speaker 5: They're at like a restaurant or they're we having no one. 566 00:25:23,040 --> 00:25:24,000 Speaker 2: You did the tongue. 567 00:25:23,800 --> 00:25:24,720 Speaker 5: Kiss over breakfast. 568 00:25:24,840 --> 00:25:27,360 Speaker 3: They just meet through this song like two artists coming 569 00:25:27,359 --> 00:25:29,680 Speaker 3: together put together a song on all of a sudden, guys, 570 00:25:29,720 --> 00:25:32,800 Speaker 3: don't record this. We're making out for the next three hours, 571 00:25:32,840 --> 00:25:33,520 Speaker 3: I think. 572 00:25:33,400 --> 00:25:36,160 Speaker 5: Because she only became single recently. Because remember we had 573 00:25:36,160 --> 00:25:38,320 Speaker 5: her boyfriend in here. Who was that the guy who 574 00:25:38,400 --> 00:25:40,040 Speaker 5: was on the Channel seven dating. 575 00:25:39,840 --> 00:25:41,920 Speaker 3: S Matthew Hussey. 576 00:25:42,280 --> 00:25:44,240 Speaker 2: That's right, he was at actual Dating. 577 00:25:44,440 --> 00:25:47,119 Speaker 3: He was the dating expert and they just started dating. 578 00:25:47,240 --> 00:25:48,879 Speaker 3: He was a bit recall from me. 579 00:25:49,200 --> 00:25:51,639 Speaker 6: Okay, So anyway, they've put up a video yesterday and 580 00:25:51,640 --> 00:25:53,920 Speaker 6: it's up on the fifty were for Instagram account right now. 581 00:25:53,920 --> 00:25:55,560 Speaker 2: You can go check it out. It's pretty full on, all, 582 00:25:55,560 --> 00:25:56,520 Speaker 2: aren't so? 583 00:25:56,520 --> 00:25:56,600 Speaker 12: So? 584 00:25:56,960 --> 00:25:58,880 Speaker 2: Shawney. They're in the hotel room. 585 00:25:59,000 --> 00:26:03,359 Speaker 6: Sawney starts and okay, this is what he says before 586 00:26:03,400 --> 00:26:05,200 Speaker 6: they go into a wait. 587 00:26:05,080 --> 00:26:07,200 Speaker 3: What do you got message coming through a from new wife? 588 00:26:07,280 --> 00:26:08,360 Speaker 3: Could you have some milk? 589 00:26:08,400 --> 00:26:12,359 Speaker 2: I'm in a bit of trouble all right here we go, oh, no, 590 00:26:12,440 --> 00:26:13,280 Speaker 2: he's a good trouble. 591 00:26:14,480 --> 00:26:17,520 Speaker 13: We saw like on Twitter and stuff, you guys seeing 592 00:26:17,520 --> 00:26:21,240 Speaker 13: stuff about the way we're kissing and how it looks weird, 593 00:26:21,280 --> 00:26:23,000 Speaker 13: like we kiss like fish. 594 00:26:23,080 --> 00:26:25,480 Speaker 14: Yeah, oh really hurt our feelings. 595 00:26:26,040 --> 00:26:28,359 Speaker 3: We just want to show you how we really kiss. 596 00:26:31,760 --> 00:26:34,160 Speaker 2: And then they go, oh, she's licking his. 597 00:26:34,280 --> 00:26:35,720 Speaker 3: Face so he's on her chin. 598 00:26:36,040 --> 00:26:36,800 Speaker 5: You don't do that. 599 00:26:36,920 --> 00:26:40,680 Speaker 6: If you've seen step brothers, Oh my god before there's 600 00:26:40,720 --> 00:26:43,399 Speaker 6: a scene at the patioc and they just go for it. 601 00:26:43,960 --> 00:26:47,520 Speaker 5: Just opportunity for them to publicize themselves making out. 602 00:26:47,520 --> 00:26:49,960 Speaker 3: Come together on the fifteen for Instagram there right now, 603 00:26:50,080 --> 00:26:52,080 Speaker 3: right now, that is like a bulldog getting custard. 604 00:26:52,119 --> 00:26:52,720 Speaker 2: That was wild. 605 00:26:52,720 --> 00:26:55,160 Speaker 6: I would like to celebrate the horrible kiss this morning, 606 00:26:55,240 --> 00:26:56,040 Speaker 6: and I think should. 607 00:26:56,119 --> 00:26:59,240 Speaker 2: Everyone's had one in their lives before thirteen twenty fourteen. 608 00:26:59,320 --> 00:26:59,920 Speaker 2: Get involved. 609 00:27:00,000 --> 00:27:03,080 Speaker 6: It's usually your first you're in experience. You don't know 610 00:27:03,119 --> 00:27:04,720 Speaker 6: how hard to go in. Do you go in at 611 00:27:04,720 --> 00:27:07,040 Speaker 6: an angle? If you've got a huge nose? Is that 612 00:27:07,040 --> 00:27:10,120 Speaker 6: played a difference? Colesaw is always in the way as well. 613 00:27:10,119 --> 00:27:11,399 Speaker 6: Do you use the tongue? 614 00:27:11,560 --> 00:27:14,160 Speaker 3: The best tip you would have to give somebody if 615 00:27:14,160 --> 00:27:16,200 Speaker 3: they were just getting into kissing for the first time 616 00:27:16,520 --> 00:27:19,040 Speaker 3: would be to try and match the rhythm and technique 617 00:27:19,040 --> 00:27:20,040 Speaker 3: of the person you're kissing. 618 00:27:20,200 --> 00:27:20,679 Speaker 8: But what if you. 619 00:27:22,400 --> 00:27:23,399 Speaker 3: Compliment the dance? 620 00:27:23,480 --> 00:27:24,440 Speaker 2: How do you not? You don't? 621 00:27:24,680 --> 00:27:25,320 Speaker 3: What do you mean? 622 00:27:25,440 --> 00:27:27,760 Speaker 2: So that means they have to lead. 623 00:27:29,080 --> 00:27:32,080 Speaker 3: You just the situation, the situation. This is why you 624 00:27:32,119 --> 00:27:37,000 Speaker 3: want any good mate. You can't argue that this is 625 00:27:37,040 --> 00:27:38,920 Speaker 3: not the right thing to do. So what you need 626 00:27:38,960 --> 00:27:41,080 Speaker 3: to feel the rhythm of what the other person is doing. 627 00:27:42,040 --> 00:27:43,240 Speaker 3: That's what you need to do. 628 00:27:43,359 --> 00:27:45,520 Speaker 5: If you run at me and start jabbing your tongue 629 00:27:45,560 --> 00:27:50,360 Speaker 5: in my mind relaxed kiss and you're doing aggressive kiss, 630 00:27:50,720 --> 00:27:52,400 Speaker 5: You've got to slow back and I've got to step 631 00:27:52,440 --> 00:27:54,119 Speaker 5: up a bit, so we meet halfway. 632 00:27:55,240 --> 00:27:55,680 Speaker 3: For a while. 633 00:27:55,720 --> 00:27:58,880 Speaker 2: That you never go in aggressively, you only go in softly. 634 00:27:59,760 --> 00:28:01,919 Speaker 3: I remember a girl that I kissed one time. It 635 00:28:01,960 --> 00:28:04,280 Speaker 3: was the first time we kissed, and it was aggressive, 636 00:28:04,400 --> 00:28:06,119 Speaker 3: like it was over the top for what it. 637 00:28:06,080 --> 00:28:08,680 Speaker 2: Was, and it was like, had you open your presence, 638 00:28:08,720 --> 00:28:10,760 Speaker 2: then it. 639 00:28:10,560 --> 00:28:15,440 Speaker 15: Was a wild time. You know when you see those 640 00:28:15,560 --> 00:28:19,399 Speaker 15: you know those National geographic you know when there's a 641 00:28:19,440 --> 00:28:21,640 Speaker 15: frog and it's just trying to get a fly off 642 00:28:21,680 --> 00:28:24,560 Speaker 15: a rock and the tongue comes out sort of three meters, 643 00:28:24,600 --> 00:28:27,119 Speaker 15: That's what it was like, and a lot. 644 00:28:27,000 --> 00:28:29,600 Speaker 5: Of saliva is the result of too much tongue. And 645 00:28:29,680 --> 00:28:32,040 Speaker 5: so my first she had to do the wipe after a. 646 00:28:33,520 --> 00:28:33,879 Speaker 3: Story. 647 00:28:35,160 --> 00:28:37,760 Speaker 6: We put up barriers at our year seven graduation in 648 00:28:37,840 --> 00:28:40,480 Speaker 6: the corner of the room, and all the couples that 649 00:28:40,520 --> 00:28:43,120 Speaker 6: were together before we left primary school to go to 650 00:28:43,200 --> 00:28:46,080 Speaker 6: high school had to go over into the corner and 651 00:28:46,120 --> 00:28:50,080 Speaker 6: everyone watched whilst you kissed for the first. 652 00:28:49,800 --> 00:28:52,800 Speaker 2: Time, and then everyone would count to see how long you. 653 00:28:52,720 --> 00:28:55,640 Speaker 6: Would go for ame. And I remember Tanya van here 654 00:28:55,720 --> 00:28:57,760 Speaker 6: she did like a minute thirty and I was going. 655 00:28:57,720 --> 00:29:01,640 Speaker 2: Whoa, that's ridiculous. Stuck down cash. 656 00:29:01,360 --> 00:29:05,240 Speaker 6: His tongue was it was had come off by the 657 00:29:05,320 --> 00:29:07,120 Speaker 6: end of it. So then when I went in with 658 00:29:07,200 --> 00:29:09,760 Speaker 6: Kate Ridley, I just went too hard to ear. 659 00:29:09,920 --> 00:29:12,000 Speaker 3: Okay, well you thought it was a spread, did you? Well? 660 00:29:12,000 --> 00:29:12,360 Speaker 3: I did. 661 00:29:13,160 --> 00:29:15,560 Speaker 6: Someone did yell out and I told you this, No, 662 00:29:15,720 --> 00:29:17,800 Speaker 6: someone yelled out from the from a distance. 663 00:29:19,520 --> 00:29:19,960 Speaker 3: You don't. 664 00:29:20,880 --> 00:29:21,840 Speaker 2: Is that what I have to do? 665 00:29:22,200 --> 00:29:22,680 Speaker 5: Literally? 666 00:29:22,720 --> 00:29:26,520 Speaker 3: No, Like it was an instruction to do a little 667 00:29:26,520 --> 00:29:27,680 Speaker 3: Cole saw at the time as well. 668 00:29:27,800 --> 00:29:31,160 Speaker 6: That was the last time I ever saw again. 669 00:29:31,280 --> 00:29:32,760 Speaker 3: Is it fair to point out if you're going in 670 00:29:32,760 --> 00:29:34,680 Speaker 3: for the kiss. If you do have a coal sort, 671 00:29:34,760 --> 00:29:37,680 Speaker 3: it's a slight and the person may have not noticed. Is 672 00:29:37,720 --> 00:29:40,520 Speaker 3: it the right thing to do? Just got a little 673 00:29:40,520 --> 00:29:41,360 Speaker 3: flag there on the lip? 674 00:29:41,440 --> 00:29:43,760 Speaker 2: Michelle in loftus. What's your story, Michelle? 675 00:29:44,280 --> 00:29:45,160 Speaker 5: Hi, how are you going? 676 00:29:45,400 --> 00:29:45,560 Speaker 3: Good? 677 00:29:45,840 --> 00:29:46,000 Speaker 2: Good? 678 00:29:46,200 --> 00:29:47,760 Speaker 3: Hanging in there, Michelle. 679 00:29:48,720 --> 00:29:49,440 Speaker 2: What's your story? 680 00:29:49,440 --> 00:29:51,000 Speaker 3: Matey? 681 00:29:51,080 --> 00:29:57,600 Speaker 2: How you going? Michelle? I'm good. 682 00:29:58,160 --> 00:29:59,280 Speaker 9: So when I met. 683 00:29:59,120 --> 00:30:02,280 Speaker 14: My now husband, we're very happily married with two kids. 684 00:30:02,320 --> 00:30:03,400 Speaker 14: We met in a nightclub. 685 00:30:03,480 --> 00:30:06,440 Speaker 11: Line. I paid to get into him, to. 686 00:30:06,400 --> 00:30:09,440 Speaker 14: Get in the night give me some money back, and 687 00:30:09,480 --> 00:30:10,840 Speaker 14: I said, no, I don't want my money. 688 00:30:10,880 --> 00:30:11,560 Speaker 5: I want to kiss. 689 00:30:11,680 --> 00:30:14,440 Speaker 14: Oh kissed me like a fish in. 690 00:30:14,400 --> 00:30:15,160 Speaker 5: A washing recess. 691 00:30:16,240 --> 00:30:19,880 Speaker 3: No. No, And then you told him, Michelle, did you 692 00:30:19,920 --> 00:30:20,640 Speaker 3: stay with him? 693 00:30:20,680 --> 00:30:24,760 Speaker 2: Michelle, we're still happily married. Yeah, he knows. 694 00:30:24,760 --> 00:30:25,520 Speaker 14: I'm proud of that. 695 00:30:25,600 --> 00:30:28,400 Speaker 3: So he's a good kissing How is he phenomenal? 696 00:30:28,520 --> 00:30:29,080 Speaker 16: Phenomenal? 697 00:30:30,080 --> 00:30:32,560 Speaker 2: What was the name of the nightclub? Michelle hunters? 698 00:30:32,840 --> 00:30:33,160 Speaker 5: Oh? 699 00:30:33,240 --> 00:30:37,520 Speaker 3: Yeah, on the hills? All right, Jenny and Jenny and Chatswood, 700 00:30:37,520 --> 00:30:41,160 Speaker 3: welcome to the show. What happened during your kiss was that? 701 00:30:41,240 --> 00:30:41,800 Speaker 14: Jenny? 702 00:30:42,040 --> 00:30:46,400 Speaker 3: Go ahead, and it's tough. It's awesome. Really well, thanks. 703 00:30:46,480 --> 00:30:50,840 Speaker 14: Jan I was traveling around Canada as you do when 704 00:30:50,840 --> 00:30:53,480 Speaker 14: you're younger, and I kissed the boy and he tried 705 00:30:53,520 --> 00:30:57,520 Speaker 14: to actually clean my teeth with his tongue. There was 706 00:30:57,680 --> 00:31:00,600 Speaker 14: tongue was up in between the tongue and the teeth 707 00:31:00,600 --> 00:31:02,719 Speaker 14: and the gums and under the lip, and I just 708 00:31:02,800 --> 00:31:05,000 Speaker 14: pulled away and I was like, what are you doing? 709 00:31:05,040 --> 00:31:06,479 Speaker 14: And I told him that's not okay. 710 00:31:06,680 --> 00:31:08,120 Speaker 2: See, I think it is. 711 00:31:08,720 --> 00:31:12,040 Speaker 6: A lot of the guys just going to what a 712 00:31:12,080 --> 00:31:13,400 Speaker 6: confidence do you have. 713 00:31:13,320 --> 00:31:15,080 Speaker 2: To teach a lot of guys saying like. 714 00:31:15,080 --> 00:31:16,240 Speaker 9: Did you saying? 715 00:31:16,880 --> 00:31:21,040 Speaker 5: I'm just is that what you're getting into? 716 00:31:21,440 --> 00:31:21,840 Speaker 8: Friday? 717 00:31:21,840 --> 00:31:22,000 Speaker 3: Man? 718 00:31:22,520 --> 00:31:24,360 Speaker 2: Do you find it embarrassing when you have to get 719 00:31:24,480 --> 00:31:29,680 Speaker 2: come over here? Let me have a chat to you. 720 00:31:27,760 --> 00:31:31,440 Speaker 5: Know you, just as Whip said, you just rhythm each 721 00:31:31,480 --> 00:31:31,920 Speaker 5: time you go. 722 00:31:32,280 --> 00:31:34,800 Speaker 3: The worst things I've ever seen was at the pub 723 00:31:34,840 --> 00:31:36,960 Speaker 3: and there would have been a table of ten of us. 724 00:31:37,120 --> 00:31:41,440 Speaker 3: We all decided to have a shot of tequila. Crazy 725 00:31:41,920 --> 00:31:44,120 Speaker 3: the guy and the girl, they're the only couple that 726 00:31:44,200 --> 00:31:46,400 Speaker 3: had a shot of tequila. He went in and they 727 00:31:46,440 --> 00:31:48,720 Speaker 3: started pashing. She threw up in his mast. 728 00:31:51,240 --> 00:31:56,560 Speaker 2: Where this was, and the just went down the door. 729 00:31:58,480 --> 00:32:00,600 Speaker 2: You know what we're having a cross and chair Michelle. 730 00:32:00,640 --> 00:32:02,160 Speaker 3: At this time I met Tom Inger. 731 00:32:02,280 --> 00:32:05,480 Speaker 4: That's not who was your first? 732 00:32:07,880 --> 00:32:10,840 Speaker 6: Very exciting this morning wrap up of the week. It's 733 00:32:10,880 --> 00:32:12,640 Speaker 6: going to be a bit competitive this morning. It might 734 00:32:12,640 --> 00:32:15,240 Speaker 6: get a bit physical here in the studio because there's 735 00:32:15,280 --> 00:32:16,400 Speaker 6: a couple of blokes. 736 00:32:16,120 --> 00:32:17,760 Speaker 2: In here who are ready to go now. 737 00:32:17,840 --> 00:32:20,960 Speaker 6: They are on the new show The Real Dirty Dancing, 738 00:32:21,320 --> 00:32:23,720 Speaker 6: which is coming to Channel seven in late September. 739 00:32:23,720 --> 00:32:24,400 Speaker 2: I haven't been given a. 740 00:32:24,440 --> 00:32:27,239 Speaker 6: Date yet, but I'm so excited about this because from 741 00:32:27,280 --> 00:32:29,840 Speaker 6: the Sydney Swans he will be dancing Jude Bolton and 742 00:32:29,920 --> 00:32:36,520 Speaker 6: for using. 743 00:32:33,480 --> 00:32:36,760 Speaker 3: Lads, let's go back to the start of when the 744 00:32:36,800 --> 00:32:38,680 Speaker 3: phone call came through and said, hey, have you guys 745 00:32:38,680 --> 00:32:40,720 Speaker 3: seen the movie Dirty Dancing? We want to do it 746 00:32:40,720 --> 00:32:43,640 Speaker 3: again for us. What what were you thinking? 747 00:32:44,640 --> 00:32:46,040 Speaker 2: I was like, what film again? 748 00:32:46,120 --> 00:32:48,920 Speaker 3: No, I was you're a fan of the film. 749 00:32:49,080 --> 00:32:52,080 Speaker 17: Now, I'm a fan of Patrick Swayze's. 750 00:32:52,440 --> 00:32:54,200 Speaker 2: You know, you're more a roadhouse sort of guy. 751 00:32:54,800 --> 00:32:57,960 Speaker 17: Yeah, I'm more of ay, But you know, it is 752 00:32:58,000 --> 00:33:00,760 Speaker 17: an iconic film and you know when I heard the 753 00:33:00,840 --> 00:33:03,000 Speaker 17: format and the idea, I thought, you know, this could 754 00:33:03,000 --> 00:33:03,680 Speaker 17: be a lot of fun. 755 00:33:03,920 --> 00:33:08,360 Speaker 6: So so boys, dude, you have to recreate every single 756 00:33:08,440 --> 00:33:14,280 Speaker 6: step in that iconic dance move the whole even the lift. 757 00:33:14,720 --> 00:33:16,520 Speaker 16: Yeah, like that's that's the whole premises. 758 00:33:16,560 --> 00:33:18,600 Speaker 2: Who's going to do the lift? 759 00:33:18,720 --> 00:33:19,360 Speaker 3: It's full on? 760 00:33:20,560 --> 00:33:22,920 Speaker 2: So boys, can you tell us who else is in it? 761 00:33:23,360 --> 00:33:26,800 Speaker 2: Who's the other there's Jamie Jury, yes, Sheridan. 762 00:33:27,240 --> 00:33:31,680 Speaker 17: Sheridan just says this guy Jude Jessica Row, Jessica Row, 763 00:33:32,280 --> 00:33:34,280 Speaker 17: Stephane right right and edw. 764 00:33:35,480 --> 00:33:37,280 Speaker 3: But you actually went back to the hall Is that 765 00:33:37,360 --> 00:33:39,160 Speaker 3: right where the movie was shown. 766 00:33:39,200 --> 00:33:40,560 Speaker 2: It's likely time warp. 767 00:33:40,400 --> 00:33:40,840 Speaker 3: Isn't it. Man? 768 00:33:40,960 --> 00:33:41,320 Speaker 2: It is. 769 00:33:41,400 --> 00:33:44,800 Speaker 17: We went back to the Mountain Lodge in West Virginia. 770 00:33:44,880 --> 00:33:47,479 Speaker 2: Actually, it's about twenty minutes from the West Virginia. 771 00:33:48,680 --> 00:33:50,760 Speaker 17: So we went up this mountain which is like thirty 772 00:33:50,840 --> 00:33:52,880 Speaker 17: five hundred meters above sea level. 773 00:33:53,040 --> 00:33:55,080 Speaker 2: Is it Hicks feel up there? Or is it you 774 00:33:57,280 --> 00:33:58,600 Speaker 2: give me one of them? 775 00:34:02,680 --> 00:34:04,400 Speaker 3: Did you say, this is just a great chance to 776 00:34:04,440 --> 00:34:06,120 Speaker 3: get the shirt off made and just show that the 777 00:34:06,200 --> 00:34:06,960 Speaker 3: rigs still got it. 778 00:34:07,040 --> 00:34:09,680 Speaker 16: But well, I just thought I'd get across the US 779 00:34:09,800 --> 00:34:12,120 Speaker 16: and get away from the kids for a week and 780 00:34:11,719 --> 00:34:17,440 Speaker 16: then a little bit, I know, suddenly just yeah, grinding, 781 00:34:17,480 --> 00:34:20,360 Speaker 16: It was a lot of grinding, grinding. 782 00:34:20,480 --> 00:34:26,040 Speaker 2: You mean hustling or grind you were grinding for as 783 00:34:26,080 --> 00:34:27,520 Speaker 2: well at the time. 784 00:34:28,680 --> 00:34:31,600 Speaker 6: Did did you boys take it seriously though? Or you're 785 00:34:31,600 --> 00:34:32,640 Speaker 6: having a few drinks every night? 786 00:34:36,480 --> 00:34:38,560 Speaker 17: It was a bit of both, like you know, like 787 00:34:38,719 --> 00:34:41,359 Speaker 17: I wasn't expecting this cyborg. 788 00:34:42,840 --> 00:34:50,160 Speaker 5: I took it like it was camera in the face, no. 789 00:34:50,160 --> 00:34:54,200 Speaker 17: Cameras And the most challenging part of the ordeal, I 790 00:34:54,239 --> 00:34:57,880 Speaker 17: mean the experience was they put all the boys in 791 00:34:57,920 --> 00:35:00,799 Speaker 17: the same cabin, so all kind of sharing the same 792 00:35:00,880 --> 00:35:01,399 Speaker 17: living room. 793 00:35:01,440 --> 00:35:03,680 Speaker 8: So it was it was fun and it was it was. 794 00:35:03,880 --> 00:35:04,600 Speaker 3: Like a frat house. 795 00:35:04,640 --> 00:35:06,080 Speaker 2: It was a frat house and it was great. 796 00:35:06,239 --> 00:35:08,520 Speaker 6: Just on the Champagne showers the bolts to you the 797 00:35:08,600 --> 00:35:10,200 Speaker 6: champagne store. 798 00:35:11,120 --> 00:35:15,800 Speaker 16: Many about fifteen times. 799 00:35:14,760 --> 00:35:17,560 Speaker 6: We've done it on this show many time. 800 00:35:17,960 --> 00:35:20,560 Speaker 2: But the song Champagne Showers by L MFA. 801 00:35:20,920 --> 00:35:24,279 Speaker 6: You claim it red who you were drinking with red 802 00:35:24,320 --> 00:35:28,040 Speaker 6: food over in Vegas, La La La, and you at 803 00:35:28,080 --> 00:35:29,080 Speaker 6: a nightclub. 804 00:35:28,719 --> 00:35:31,399 Speaker 2: You started the champagne showers champ bolts. That's right. 805 00:35:31,600 --> 00:35:34,279 Speaker 16: Well, just spraad it over over the dance floor and 806 00:35:34,600 --> 00:35:38,680 Speaker 16: I remember Nick Malchesky catching champagne the roof glasses and 807 00:35:38,960 --> 00:35:40,319 Speaker 16: six months later the song came out. 808 00:35:40,360 --> 00:35:45,600 Speaker 6: You were yelling out, champagne showers, red foods flogged. 809 00:35:46,400 --> 00:35:49,399 Speaker 2: The whole thing should have been a bit of corner that. Yeah, 810 00:35:49,520 --> 00:35:51,200 Speaker 2: surely Roy somewhere. 811 00:35:52,360 --> 00:35:54,520 Speaker 6: Okay, so you can dance. We both know that you 812 00:35:54,600 --> 00:35:56,719 Speaker 6: can dance. You both in good nick. That's great, But 813 00:35:56,840 --> 00:35:59,240 Speaker 6: how do you go in the hip hop genre? 814 00:36:01,600 --> 00:36:04,480 Speaker 2: This is real. It's not my realm, mate, you can 815 00:36:04,680 --> 00:36:07,080 Speaker 2: rap man told me it was. Look, I'm a fan 816 00:36:07,160 --> 00:36:07,759 Speaker 2: of hip hop. 817 00:36:07,800 --> 00:36:09,280 Speaker 3: I'm a fan of that genre. 818 00:36:09,520 --> 00:36:11,800 Speaker 2: I've always been a fan of that. But you know, 819 00:36:12,040 --> 00:36:15,640 Speaker 2: it isn't It's a craft. So you can't just walk 820 00:36:15,760 --> 00:36:18,319 Speaker 2: up to it and say, you know, just like footy. 821 00:36:18,239 --> 00:36:18,560 Speaker 12: You can't. 822 00:36:18,880 --> 00:36:20,360 Speaker 2: I can play footy? Why not yet on the. 823 00:36:20,400 --> 00:36:26,480 Speaker 3: Weekend, As it turns out, you can't. I'm still going 824 00:36:26,560 --> 00:36:28,680 Speaker 3: plastive bluff all right. 825 00:36:28,880 --> 00:36:30,960 Speaker 6: So we're going to be doing it to this j 826 00:36:31,200 --> 00:36:35,480 Speaker 6: C classic hard knock life hate song, which was requested 827 00:36:35,520 --> 00:36:36,919 Speaker 6: by a good mate of our, Scott Daole. 828 00:36:36,960 --> 00:36:38,480 Speaker 2: He said, do it. Let's do it to this song. 829 00:36:38,680 --> 00:36:40,120 Speaker 2: Come on, all right, you're gonna have to kick it 830 00:36:40,160 --> 00:36:42,880 Speaker 2: off all right, stick around. 831 00:36:43,040 --> 00:36:44,920 Speaker 6: It is wrap up of the week Jude Bolton for 832 00:36:45,000 --> 00:36:48,879 Speaker 6: Asdarani versus FITZI and we next we've been speaking about 833 00:36:48,880 --> 00:36:50,279 Speaker 6: Shawn Mendes's. 834 00:36:49,960 --> 00:36:52,359 Speaker 2: Kiss with Camilla Cabeo the whole show. 835 00:36:52,520 --> 00:36:53,160 Speaker 3: It was full on. 836 00:36:53,560 --> 00:36:56,520 Speaker 6: It was horrible, open mouth, a lot of tongues going on, 837 00:36:56,719 --> 00:36:59,799 Speaker 6: Sarah licking of so much time didn't do themselves any 838 00:37:00,400 --> 00:37:02,560 Speaker 6: but mix giving us a call from appened good morning, Michael. 839 00:37:03,200 --> 00:37:06,279 Speaker 11: Hey legend, what do you want to say, buddy? Oh, 840 00:37:06,320 --> 00:37:08,200 Speaker 11: I heard you guy the Tory about and just asked 841 00:37:08,200 --> 00:37:11,239 Speaker 11: for the first kisses back in back in year eleven one. Now, 842 00:37:11,320 --> 00:37:13,600 Speaker 11: beautiful wife Britt and I having a bit of a 843 00:37:13,680 --> 00:37:17,279 Speaker 11: makeout session on the couch. Next minute, this gets a 844 00:37:17,280 --> 00:37:20,800 Speaker 11: little bit raunchy as all. By the way, sucking a 845 00:37:21,000 --> 00:37:25,359 Speaker 11: tongue and split whatever that string eating is underneath your tongue. 846 00:37:28,560 --> 00:37:30,440 Speaker 11: It was a bit of a bit of blood as well, 847 00:37:30,480 --> 00:37:32,600 Speaker 11: and sure thing, next minute she's a bit of a fainter, 848 00:37:32,760 --> 00:37:34,239 Speaker 11: and yeah, she fainted on the couch. 849 00:37:34,520 --> 00:37:38,120 Speaker 3: Oh no, God, you've got a real impact on women. 850 00:37:37,960 --> 00:37:38,360 Speaker 2: Meg. 851 00:37:39,840 --> 00:37:42,839 Speaker 11: Ye to make I guess to make matters worse as well. 852 00:37:43,160 --> 00:37:45,279 Speaker 11: The parents are out in the backyard and I had 853 00:37:45,320 --> 00:37:47,319 Speaker 11: to go and get him from the backyard and tell 854 00:37:47,320 --> 00:37:48,480 Speaker 11: her to explain why she fainted. 855 00:37:48,680 --> 00:37:50,440 Speaker 3: I've just been with your daughter on the couch and 856 00:37:50,520 --> 00:37:54,320 Speaker 3: she's bleeding, she's and she's now she's fainting. 857 00:37:55,280 --> 00:37:56,440 Speaker 2: At least she's still together. 858 00:37:56,560 --> 00:37:56,759 Speaker 3: Mate. 859 00:37:57,080 --> 00:37:59,080 Speaker 2: How years has that been now? Michael? 860 00:38:00,080 --> 00:38:00,759 Speaker 11: Fifteen years? 861 00:38:00,840 --> 00:38:02,560 Speaker 2: Congratulations, story, isn't it? 862 00:38:02,719 --> 00:38:03,040 Speaker 16: You know what? 863 00:38:03,200 --> 00:38:04,920 Speaker 3: When I when we took that call Sarah, I thought 864 00:38:04,960 --> 00:38:06,640 Speaker 3: it might have been someone with a story about hooking 865 00:38:06,719 --> 00:38:08,960 Speaker 3: up with you. Might have been one of those two 866 00:38:09,080 --> 00:38:10,360 Speaker 3: or three brothers that you hooked up with. 867 00:38:10,560 --> 00:38:11,040 Speaker 5: There were two. 868 00:38:15,600 --> 00:38:17,800 Speaker 3: If you've hooked up with Sarah, give us a call. 869 00:38:21,600 --> 00:38:22,520 Speaker 5: Short thanks. 870 00:38:22,640 --> 00:38:25,480 Speaker 2: We tried to get the guy from Bathurst Uni. 871 00:38:30,000 --> 00:38:31,719 Speaker 5: I think he still lives in Singapore. 872 00:38:31,800 --> 00:38:33,279 Speaker 2: How close were we to getting him? 873 00:38:33,320 --> 00:38:37,120 Speaker 4: Some Well, the first time I rang, he answered with 874 00:38:37,200 --> 00:38:40,200 Speaker 4: his toe and I said where I was from? And 875 00:38:40,280 --> 00:38:42,480 Speaker 4: he hung up and he never answered after that? 876 00:38:43,239 --> 00:38:46,080 Speaker 3: Was that a reaction to his reflection of what happened 877 00:38:46,120 --> 00:38:46,560 Speaker 3: with Sarah? 878 00:38:47,320 --> 00:38:47,360 Speaker 11: Like? 879 00:38:47,560 --> 00:38:48,120 Speaker 3: Is he thinking of. 880 00:38:48,320 --> 00:38:51,640 Speaker 2: God's seen him? His name? I'm not telling him As 881 00:38:51,680 --> 00:38:54,440 Speaker 2: he moved to Singapore to get away from that story. 882 00:38:54,200 --> 00:38:55,960 Speaker 5: I would hardly think he'd relocate. 883 00:38:56,560 --> 00:39:00,520 Speaker 3: The sing Singaporean toes are so good over there. You 884 00:39:00,640 --> 00:39:02,600 Speaker 3: love a penny, he loves Singapore. 885 00:39:03,960 --> 00:39:06,600 Speaker 2: Ready to go horizing, Can we get Georgie you need 886 00:39:08,680 --> 00:39:12,360 Speaker 2: is George. Congratulations things she's taken. 887 00:39:12,200 --> 00:39:16,840 Speaker 3: Away baby, Oscar, thank you there he's Oscar. Go and 888 00:39:16,880 --> 00:39:21,000 Speaker 3: George because he was down the road and back again. 889 00:39:21,200 --> 00:39:28,319 Speaker 2: George, how's Oscar? You're a pair, Oscar. How's he going? 890 00:39:31,880 --> 00:39:32,839 Speaker 9: How's Oscar going? 891 00:39:37,960 --> 00:39:44,399 Speaker 13: You would say the biggest giff, keep singing, Je You've 892 00:39:44,400 --> 00:40:03,279 Speaker 13: got Thank you, Bobby, don't even reacts. 893 00:39:56,520 --> 00:40:04,239 Speaker 3: With I like a bed that's really firm. I mean 894 00:40:04,320 --> 00:40:05,960 Speaker 3: something a little softer than that. 895 00:40:06,160 --> 00:40:06,640 Speaker 2: Rest easy? 896 00:40:06,680 --> 00:40:08,400 Speaker 12: Did the Sleep number three sixty smart bet You can 897 00:40:08,440 --> 00:40:10,200 Speaker 12: both adjust your comfort with your Sleep number seer. 898 00:40:10,239 --> 00:40:11,799 Speaker 13: Can it really help me fall asleep faster? 899 00:40:12,000 --> 00:40:12,160 Speaker 3: Yes? 900 00:40:12,280 --> 00:40:13,359 Speaker 12: By gently warming your feet? 901 00:40:13,360 --> 00:40:15,000 Speaker 2: Okay, but can it help keep us asleep? 902 00:40:15,120 --> 00:40:17,680 Speaker 12: It senses your movements. I'd automatically adjust to keep you effortlessly. 903 00:40:18,160 --> 00:40:21,279 Speaker 12: Sleep Number proven quality sleep is life changing sleep. It's 904 00:40:21,320 --> 00:40:23,120 Speaker 12: our biggest sale of the year. 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