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Speaker 1: Apogee Production.

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Speaker 2: Hey, it's Christian here and I wanted to say a

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Speaker 2: huge thank you for making we will always have such

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Speaker 2: a fun podcast and one that you seem to like,

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Speaker 2: whether you do it folding the laundry or you leave

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Speaker 2: it on for your dog when you go to work. Hey,

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Speaker 2: every listen counts. And for these last few episodes this year,

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Speaker 2: we wanted to share with you some of the best

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Speaker 2: moments that both Christy and I love from the last

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Speaker 2: four seasons.

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Speaker 1: That Ominous Crows a little bit off putting, as were.

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Speaker 3: Well, it's laughing at me, is what it is? Just

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Speaker 3: seeing me struggling up the hill.

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Speaker 1: Just walk to the edge.

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Speaker 3: Oh see, we're doing the edge thing again. At least

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Speaker 3: there's no glass on the bottom. Isn't that fabulous? And

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Speaker 3: to think we were down there last night?

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Speaker 1: Do you want to tell everyone where we are and

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Speaker 1: what you can see?

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Speaker 3: So look, please putting me on the spot. I'm not

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Speaker 3: here from Brisbane where along?

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Speaker 4: As would you shut.

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Speaker 1: The fuck up? Probably what it's saying to you now.

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Speaker 2: We're on a cliff top above Howard Smith warves on

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Speaker 2: the Brisbane River, overlooking the city the story Bridge spot.

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Speaker 2: We have the beautiful wildlife chirping.

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Speaker 4: So I think you were going to say, oh, it's

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Speaker 4: a beautiful day. It's not.

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Speaker 1: That's pretty.

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Speaker 4: What do you mean it's not?

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Speaker 3: I can feel rain drops and I'm thinking myself, I didn't.

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Speaker 2: No, I brought us to this particular spot because I

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Speaker 2: just want you to tell people what the structure is

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Speaker 2: in front of you.

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Speaker 3: I think you've told me last night that that was

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Speaker 3: the story bridge.

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Speaker 4: Yes, is that right?

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Speaker 1: And I just want to then take us back now.

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Speaker 3: If this is the moment you say, Christine, we're climbing

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Speaker 3: up this bridge, we're doing a nighttime tour.

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Speaker 1: You're jumping ahead.

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Speaker 2: You're jumping ahead, so crack it stop, just listen.

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Speaker 1: What was your least.

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Speaker 2: Favorite What was your least favorite moment from our Little

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Speaker 2: Sydney Sir sewn our Sydney episode.

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Speaker 3: Oh, it was my absolute freaking out that I was

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Speaker 3: going to pass out on the bridge on the.

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Speaker 1: Sydney have a bridge. You did not have a great time.

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Speaker 4: I know it was hard. I wasn't the only one, though.

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Speaker 3: I will say that for those that think, oh you

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Speaker 3: did hand a shape, you just need to lose why

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Speaker 3: to be fine?

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Speaker 1: It was not fine? You No, I'm heavier and it was.

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Speaker 3: I was fine, Yeah, PTSD, I see stairs on the

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Speaker 3: side of Yeah.

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Speaker 1: There should be a group up there, so I figured

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Speaker 1: that we could have a do over.

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Speaker 4: No, we're not doing a deal. You're gone by yourself. Man,

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Speaker 4: I'm not gone. I refuse. I'm putting it down. Are

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Speaker 4: you I'm putting down I'm saying no. I'm saying no,

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Speaker 4: I'm not doing it.

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Speaker 1: So you get one no. If you say no to.

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Speaker 4: This, what else am I saying no to?

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Speaker 1: You say no to this or we do option number two?

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Speaker 3: Well, I don't know what option number two is. That's

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Speaker 3: hardly not fair.

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Speaker 2: Do you want to do the bridge then I'm going

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Speaker 2: to be honest. I'm not climbing the bridge.

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Speaker 4: Okay, oh lujah, Yeah, relief.

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Speaker 1: What we're doing right, I would say, yeah, is worse.

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Speaker 2: Oh, you can't say no to it. You can't say

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Speaker 2: you have to do this, you have to do this.

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Speaker 2: We're going to get dinner.

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Speaker 1: Yeah. Have you seen those people eating whilst dangling from

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Speaker 1: a crane.

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Speaker 2: They're sitting at a table and they're eating food and

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Speaker 2: they're like six.

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Speaker 1: Hundred meters in the air. Are we doing that something

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Speaker 1: very similar? Yeah? Off?

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Speaker 4: What building? I'm not off the story bridge.

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Speaker 1: No, no, no, no, no, no, no, it's called Vertigo. He

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Speaker 1: may have seen that.

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Speaker 2: I did it a couple about a year ago. And

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Speaker 2: it's a restaurant attached to the powerhouse, right which we

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Speaker 2: passed on the ferry, which you pointed out to me.

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Speaker 2: So it's it's They say, it's only like forty meters

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Speaker 2: in the air, but it feels like we're dangling off

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Speaker 2: the side to.

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Speaker 3: The questions around that, are we like stationary? Is it

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Speaker 3: flowing around because it's a bit windy today.

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Speaker 1: It's absolutely bolted to the side of the bill.

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Speaker 4: Well, that's all right, that's okay, tick okay.

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Speaker 2: So what I figured was I take you here to

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Speaker 2: the story bridge, you have an absolute freak out, and

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Speaker 2: then I go, you know what, We're not doing that.

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Speaker 2: We're doing this instead. And now you're like, oh great,

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Speaker 2: that's fantastic.

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Speaker 3: Does it have a glass bottom platform? I don't like

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Speaker 3: the glass on the platform?

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Speaker 2: Oh oh no, no, no, there is no platform. We're

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Speaker 2: just sitting on a seat, dangling over the side. Like

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Speaker 2: you look down, there's nothing there. You're in a harness

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Speaker 2: and you're in a seat China, So imagine this cliff here. Yeah, now,

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Speaker 2: imagine a table attached to the side and two chairs,

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Speaker 2: and we precariously climb onto those chairs.

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Speaker 3: Oh, they don't actually put us on, and then kind

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Speaker 3: of move us with the crane into position.

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Speaker 1: Oh no, I should say no.

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Speaker 2: So it's like the tables are permanently attached to the

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Speaker 2: side of the building and you climb onto them.

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Speaker 4: Oh, climbing on onto the table.

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Speaker 1: Onto the table.

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Speaker 3: Then you get into the checks harnessed. So I'm going

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Speaker 3: to be yes, falling to my death.

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Speaker 2: No, and then delicious food. Now, let's just take one

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Speaker 2: good look at the story bridge.

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Speaker 3: The story bridge is good, just very excited that I'm

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Speaker 3: not going up at well along it.

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Speaker 2: I've got another surprise for you.

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Speaker 1: So you're not going up at.

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Speaker 4: Tonight, right, so we are going on at.

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Speaker 1: The yes, tomorrow morning.

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Speaker 4: Tomorrow morning. I get now, Christine.

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Speaker 1: We're not going on the bridge. Not after the trauma

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Speaker 1: of Sydney. Absolutely not.

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Speaker 2: I couldn't do that to you.

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Speaker 3: Dangle over excuse me, lie, aye pants on fire. You

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Speaker 3: would absolutely be joyous to see me panicking.

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Speaker 2: No, not not, you were so unwell on the bridge,

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Speaker 2: panicking on the Sydney Tower I and then pretending to

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Speaker 2: push you off so fun.

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Speaker 1: What do you think we're.

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Speaker 4: Oh, we need to eat dinner, aren't we?

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Speaker 3: Isn't that the yes on the side of a building

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Speaker 3: dangling over with my feing over the eggs.

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Speaker 2: Direct It's a restaurant called Vertigo at the Powerhouse. I've

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Speaker 2: taken us here. We're currently standing facing away from the building,

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Speaker 2: and I'm going to ask you to turn around in

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Speaker 2: just a moment and just just have a look at it.

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Speaker 3: Okay, So before you do that, this is what I

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Speaker 3: think is gonna happen, right, I reckon, I'm going to

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Speaker 3: get into one of those really awkward harnesses where it's

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Speaker 3: not going to leave me a lot of room to move,

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Speaker 3: and it's going to be quite restricting. Yes, and then

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Speaker 3: what you've told me, I'm going to have to climb

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Speaker 3: over a table that's in the side of the building

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Speaker 3: or bolted into you'll see it.

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Speaker 2: Yeah, it's bolted onto the side, right, And then we

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Speaker 2: just sit there and we get served a beautiful meal

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Speaker 2: while we contemplate almost dying.

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Speaker 1: Planes.

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Speaker 3: Oh and as we talk, there's a plane going over,

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Speaker 3: but it's quite blowy, so I'm expecting it to be

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Speaker 3: a bit windy up there.

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Speaker 1: Yeah, I'm not sure. When I did, it wasn't too bad.

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Speaker 4: Can I turn around now?

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Speaker 2: I mean, we'll just wait for the gorgeous sounds of

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Speaker 2: the Brisbane Airport twenty away.

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Speaker 4: Isn't that wonderful up up on the way?

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Speaker 1: I feel?

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Speaker 4: Will we be waving?

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Speaker 1: You're going to look at this and you're gonna be

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Speaker 1: like I could do that. That's easy when you get

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Speaker 1: up there?

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Speaker 4: Another story.

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Speaker 1: Okay, okay, I want you to turn around on the

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Speaker 1: count of three.

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Speaker 4: Oh, okay, in three two? What where is it? Oh?

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Speaker 4: Up there?

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Speaker 1: Yeah? Oh? Can you hear them bolting things onto the side?

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Speaker 3: They're moving the chairs. Oh, look at that he's wiping

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Speaker 3: down the table.

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Speaker 1: Very impressed.

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Speaker 3: Well, I kind of thought it was going to be

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Speaker 3: a little bit different than that, No, I did. I

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Speaker 3: thought it was going to be a little bit more out.

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Speaker 3: Oh my god, Oh, this is going to be good fun.

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Speaker 3: We're gonna have a great view up there.

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Speaker 1: We are, we are?

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Speaker 4: So when where do we get?

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Speaker 1: It's fun?

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Speaker 4: So what's that.

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Speaker 3: Over to the left hand side, like a crane type thing?

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Speaker 4: What is that?

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Speaker 1: What is that? What does that look like?

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Speaker 3: Well, that looks to me like a crane of some

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Speaker 3: sort or a pulley. Are they pulling all the food

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Speaker 3: in on that?

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Speaker 1: Are they are? Not the food?

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Speaker 5: Oh?

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Speaker 4: Is that how we get up?

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Speaker 1: That's not how we get up? Oh?

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Speaker 4: Good, okay, I wouldn't have liked that.

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Speaker 1: How we get down? Oh?

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Speaker 3: You see the plank, Yes, it's quite skinny. And then

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Speaker 3: I'm not going to sure if I'm going to be.

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Speaker 4: Balancing that well on that plank.

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Speaker 1: You won't need to. You'll just fall off the plank.

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Speaker 4: So where do they drop you?

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Speaker 1: Then?

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Speaker 3: Just onto the ground down here? But there's tables and

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Speaker 3: stuff there, there's a shipping container.

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Speaker 1: There is just just behind so you jump off.

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Speaker 4: Jump.

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Speaker 2: It's not a slow lower, it's a jump. Who it's

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Speaker 2: like and you're blayd down?

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Speaker 4: What do you mean? Blade? What does blade mean? Blade?

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Speaker 1: That's a common.

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Speaker 3: Word, like a blade of a knife blade bar bar lay.

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Speaker 2: Blay blaye, not blade blaid And so it does sound like.

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Speaker 4: Wiz.

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Speaker 1: So see that.

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Speaker 4: The two crany things the police.

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Speaker 2: Yeah, they're like an automatic WHI So what it does

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Speaker 2: is you jump?

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Speaker 4: Oh, I can't see we're jumping and eating comes into it?

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Speaker 1: Eating then jumping?

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Speaker 3: Well, why would I do that when I can just

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Speaker 3: get a lift down? Why can't I just get a lift.

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Speaker 3: I'm not sailing.

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Speaker 1: In the air. Why do many of the things that we.

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Speaker 4: Do, Well, that's quite true. That's why why I go

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Speaker 4: to a bluey.

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Speaker 2: Yeah, so you jump and that automatically senses that you've jumped,

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Speaker 2: and then it's sort of.

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Speaker 4: Look, you're using that word jump again. I'm not all

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Speaker 4: jumping gistfully.

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Speaker 2: Fall off, falling gently, leap forward.

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Speaker 4: No, no, oh, look he's come down.

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Speaker 1: That's what that's what's going to happen.

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Speaker 4: Oh my god, he did that effortlessly.

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Speaker 1: Easy. You can do it, But you can do it.

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Speaker 3: Oh, babes, I don't know if I'm going to be

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Speaker 3: that graceful. But that's not blading down.

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Speaker 4: That blay. That's not blading down.

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Speaker 1: Imagine that's a rock climbing wall.

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Speaker 4: Olive day, damn it down for me.

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Speaker 1: I know quite well what it means.

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Speaker 2: After trying my best to describe what blay means and

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Speaker 2: having no luck, I took us over to the front

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Speaker 2: desk of Vertigo, where we got harnessed up by the

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Speaker 2: gorgeous Jess. She ran through the rules and she told

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Speaker 2: us what we were going to be expecting, and then

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Speaker 2: she led us round the back of the building to

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Speaker 2: a staircase where we ascended ready to take our seats

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Speaker 2: at the top.

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Speaker 4: Of the building.

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Speaker 6: No, no, see that's what it's called. It's called absiling, Christian.

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Speaker 6: It's not blading. Do you know what blaye is? Yes, yes,

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Speaker 6: thank you.

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Speaker 4: So normally it's.

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Speaker 7: When there's a person at the bottom and as you

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Speaker 7: fall they catch you and they.

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Speaker 4: Do all of your rooms for you.

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Speaker 1: At the top, so there's no casses as the bottom.

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Speaker 3: It's just a machine that captures you.

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Speaker 8: So for the old people that don't know what's belaying,

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Speaker 8: oh my god, I've made it to the top.

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Speaker 2: Okay, so almost at the top were hello.

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Speaker 4: Darling, hell are you? It wasn't the trick.

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Speaker 1: I'd like to.

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Speaker 2: Take us back a mere fifteen minutes ago when Christine said.

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Speaker 4: Oh, this is going to be good fun.

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Speaker 1: Well, as soon.

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Speaker 2: As we got to the top, she had a bit

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Speaker 2: of a freak out, and Sam, who was our waiter

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00:12:42,681 --> 00:12:46,001
Speaker 2: and our safety demonstrator, told us exactly what he needed

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Speaker 2: us to do in order to get.

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Speaker 1: Onto the tables.

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Speaker 2: Christine then she.

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Speaker 4: Okay, let's say that again.

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Speaker 3: I'm going to turn around, I'm going to slide onto

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Speaker 3: the chair and then you're going to.

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Speaker 4: Lower me, are you that's exactly it? All right? Well,

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Speaker 4: here we go.

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Speaker 3: Well doesn't look like that as much there though you

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Speaker 3: might need to Are you lowering it now?

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Speaker 7: No?

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Speaker 1: Yep, very squishy, Well done, here we go.

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Speaker 4: Oh, my frozen shild is not coping with this.

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Speaker 1: Okay, So.

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Speaker 4: Okay, just a momento.

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Speaker 2: I'm going to try to do my best to describe

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Speaker 2: exactly how you get in and on the table because

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Speaker 2: it is so easy, right, but when you're seventeen meters

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Speaker 2: in the air, it's really fucking scary. So what you

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Speaker 2: have to do is you have to climb and sit

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Speaker 2: on the edge of the building. Now this is like

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Speaker 2: a fiberglass coated brick, so you're sitting on the edge

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Speaker 2: and your feet sort of hang out, and then the

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Speaker 2: chair is lifted to be the same height as the

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Speaker 2: edge of the powerhouse, which is the building we're on.

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Speaker 2: So you shuffle forward onto the chair and then you

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Speaker 2: sort of on and then Sam will lower the chair

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00:14:08,001 --> 00:14:11,201
Speaker 2: down and then you have to physically turn your body

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00:14:11,361 --> 00:14:15,241
Speaker 2: into the table, which will appear sort of as you

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00:14:15,321 --> 00:14:18,921
Speaker 2: lower it. And as a side note, the vision of

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Speaker 2: this is absolutely hysterical and it will be posted on

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00:14:23,441 --> 00:14:25,601
Speaker 2: both of our instagrams. All you have to do is

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00:14:25,681 --> 00:14:28,881
Speaker 2: follow at Christy fifty and Cranky or at Christian Hull

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Speaker 2: to see just how much Christine hated this whole experience.

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Speaker 4: Hang on, okay, just a moment.

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Speaker 1: Screw forward onto the seat?

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Speaker 4: Yeah, but what if I slide off.

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Speaker 1: Brick?

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00:14:46,601 --> 00:14:51,721
Speaker 3: Okay, okay, and now you'll be low it.

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Speaker 4: I can't. I can't say forward.

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Speaker 1: Now just a little bit more because your harness is

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Speaker 1: going to get stuck.

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Speaker 4: Okay, how's that a little bit more?

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00:15:00,921 --> 00:15:05,961
Speaker 1: Just push up? Yeah, so little going, keep going on

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Speaker 1: because there's a barges here.

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Speaker 3: I'm a big girl, so I might no, No, you're okay, Okay,

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00:15:11,041 --> 00:15:11,521
Speaker 3: there we go.

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Speaker 1: Okay, there we go. Well done, Christine.

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Speaker 4: What's now?

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Speaker 1: Turn in face the table, Sam.

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Speaker 4: I don't know if this is for me.

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Speaker 1: Oh yeah, okay.

320
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Speaker 4: The thing between my legs is very unpressul. So what

321
00:15:45,801 --> 00:15:46,441
Speaker 4: happens now?

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00:15:46,721 --> 00:15:47,641
Speaker 1: You can let you can?

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00:15:47,761 --> 00:15:51,961
Speaker 4: Let you can't eat dinner? Got one handful.

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Speaker 1: Let's go with the building, Christie.

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Speaker 4: I can't not right now. I'll do it when you

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Speaker 4: get on.

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Speaker 1: Okay, all right, but I need you to feel me.

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Speaker 1: Get on, Come on, you can do it.

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Speaker 3: Okay, so just tell me I'm not going anywhere that

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00:16:08,961 --> 00:16:12,881
Speaker 3: I'm completely and I'm going to hang on to that.

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00:16:13,321 --> 00:16:14,841
Speaker 4: This is so great.

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00:16:15,721 --> 00:16:17,161
Speaker 1: You were down and being like, oh yeah, it's just

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00:16:17,161 --> 00:16:19,401
Speaker 1: a fun meal a side of the things. I'll be fine.

334
00:16:20,001 --> 00:16:21,081
Speaker 1: You have to use your phone. I can't give you.

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00:16:21,241 --> 00:16:23,441
Speaker 4: I'm going to oh right, Oh god, here we go.

336
00:16:24,561 --> 00:16:27,721
Speaker 7: We're trying all the things I'm looking not even holding on.

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00:16:29,041 --> 00:16:30,361
Speaker 4: Don't don't bring it to my mind.

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Speaker 1: Now. I'm going to do it and try not to

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Speaker 1: be as dramatic as Christie.

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00:16:36,761 --> 00:16:43,801
Speaker 4: I was good. I wasn't dramatic. Oh God, don't don't

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Speaker 4: come to you me. Well that's a true.

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Speaker 1: O my.

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Speaker 5: Ship.

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Speaker 1: Okay, how cam learning absurbased.

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00:17:09,721 --> 00:17:11,920
Speaker 4: Let's just take a penet. Just see that.

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00:17:18,281 --> 00:17:22,681
Speaker 1: Jesus shoveling thought. I'm right on the edge more. Oh god,

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00:17:22,681 --> 00:17:23,161
Speaker 1: you're not wrong.

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Speaker 4: This is bullshit.

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Speaker 1: Sam.

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Speaker 9: Okay, Okay, this fucking idea was this yours?

351
00:17:36,041 --> 00:17:37,440
Speaker 4: This is all yours.

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00:17:37,640 --> 00:17:39,640
Speaker 1: Okay, okay, Sam, give us.

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Speaker 2: The alcohol plates, fine, everything's fine, just give us ad.

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00:17:50,281 --> 00:17:55,121
Speaker 4: I think we're getting too old. Can I stop recording

355
00:17:56,080 --> 00:17:56,921
Speaker 4: recording something?

356
00:17:57,001 --> 00:17:57,360
Speaker 7: Something that.

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00:18:00,241 --> 00:18:02,681
Speaker 1: The glasses? Okay, let's just relaxing.

358
00:18:02,681 --> 00:18:04,360
Speaker 4: My hands out feeling a little bit sweaty.

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00:18:05,160 --> 00:18:11,561
Speaker 1: Oh there's no alcohol in his glass? Ye, can't you

360
00:18:11,640 --> 00:18:12,201
Speaker 1: up to speed?

361
00:18:12,281 --> 00:18:15,160
Speaker 2: We left off seventeen meters high in the air, about

362
00:18:15,160 --> 00:18:18,041
Speaker 2: to be served our dinner at a restaurant that clings

363
00:18:18,041 --> 00:18:21,440
Speaker 2: to the side of the Brisbane Powerhouse called Verdigo. So

364
00:18:21,561 --> 00:18:24,440
Speaker 2: Christina and I are up there. We've just made it

365
00:18:24,521 --> 00:18:28,761
Speaker 2: in and now it's time to eat dinner before inevitably

366
00:18:28,921 --> 00:18:33,600
Speaker 2: taking the seventeen meters plunge off the side of the

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00:18:33,640 --> 00:18:34,801
Speaker 2: building to get down.

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00:18:34,880 --> 00:18:36,160
Speaker 1: Oh, just don't fire.

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00:18:35,921 --> 00:18:38,961
Speaker 2: It at us, would be great. Please can you fire

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00:18:39,001 --> 00:18:40,600
Speaker 2: it off the side of the building or that's not allowed?

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00:18:40,761 --> 00:18:46,080
Speaker 3: I would get so much, don't We wouldn't say anything.

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00:18:47,840 --> 00:18:59,561
Speaker 2: Oh, cheers, you've got two hands, Christine, go with the building.

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00:19:02,160 --> 00:19:04,041
Speaker 1: Oh all that is.

374
00:19:06,241 --> 00:19:06,401
Speaker 7: Now?

375
00:19:06,441 --> 00:19:06,681
Speaker 4: Sam?

376
00:19:06,761 --> 00:19:09,001
Speaker 3: Tell me about you. Is this your full time job?

377
00:19:09,041 --> 00:19:13,880
Speaker 3: Is this your passion putting people in harnesses across the building?

378
00:19:14,080 --> 00:19:14,600
Speaker 4: In life?

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00:19:14,640 --> 00:19:17,080
Speaker 7: Sporting people? Black line here?

380
00:19:17,521 --> 00:19:18,280
Speaker 1: Good job for it.

381
00:19:18,481 --> 00:19:20,880
Speaker 7: No, we're on here Friday since Saturday. So I do

382
00:19:20,961 --> 00:19:22,481
Speaker 7: this of you.

383
00:19:22,761 --> 00:19:25,960
Speaker 2: It's worth pointing out as Chrissy flirts with Sam that

384
00:19:26,160 --> 00:19:32,761
Speaker 2: one Sam said he was a microbiologist and Christine had

385
00:19:32,801 --> 00:19:35,961
Speaker 2: absolutely no idea what that was. So I let her

386
00:19:36,080 --> 00:19:38,561
Speaker 2: just talk herself in a hole there that's going to

387
00:19:38,600 --> 00:19:41,001
Speaker 2: come back to bite her later in the episode. But

388
00:19:41,080 --> 00:19:43,760
Speaker 2: I also wanted to point out that Christine is gripping

389
00:19:43,761 --> 00:19:46,321
Speaker 2: onto the side of the building. So you can sit

390
00:19:46,400 --> 00:19:48,880
Speaker 2: down at the table and look at each other in

391
00:19:48,921 --> 00:19:49,481
Speaker 2: the eyes, and.

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Speaker 1: You can be quite comfortable.

393
00:19:50,600 --> 00:19:52,440
Speaker 2: You can talk with your hands. You don't need to

394
00:19:52,441 --> 00:19:55,960
Speaker 2: be gripping on for dear life. But Christine was angled.

395
00:19:56,001 --> 00:20:00,120
Speaker 2: Her entire body was facing away from the view and

396
00:20:00,201 --> 00:20:03,080
Speaker 2: toward the building, and she was gripping onto the side

397
00:20:03,400 --> 00:20:07,161
Speaker 2: while talking to Sam. It was my mission to make

398
00:20:07,241 --> 00:20:09,920
Speaker 2: her feel comfortable and to try to get her to

399
00:20:10,001 --> 00:20:12,640
Speaker 2: let go of the building and at least face me.

400
00:20:13,120 --> 00:20:16,600
Speaker 2: And I managed to do that and then for twenty minutes,

401
00:20:16,921 --> 00:20:19,281
Speaker 2: and then what I wanted for her to do was

402
00:20:19,360 --> 00:20:21,640
Speaker 2: to clap. You've let go of the side of the

403
00:20:21,681 --> 00:20:24,561
Speaker 2: building and you're now gripping onto the scaffolding on the

404
00:20:24,600 --> 00:20:28,281
Speaker 2: side of the building. We've made more steps, Christine, lovely

405
00:20:28,360 --> 00:20:32,041
Speaker 2: young man, I want you to just do what I do.

406
00:20:32,241 --> 00:20:37,880
Speaker 4: Okay, oh god, n come on, okay, let's go.

407
00:20:38,481 --> 00:20:40,640
Speaker 1: Okay, we'll do this one for high find Oh not

408
00:20:40,801 --> 00:20:41,481
Speaker 1: so cold.

409
00:20:43,360 --> 00:20:48,240
Speaker 2: Now with your hands, clap with your own hands.

410
00:20:49,080 --> 00:20:50,561
Speaker 1: No, no, no, that's in front of you.

411
00:20:51,160 --> 00:20:54,721
Speaker 7: How are you going to eat? We have a seemingly

412
00:20:54,761 --> 00:20:56,961
Speaker 7: a lot of very talented customers who come up here,

413
00:20:57,681 --> 00:20:59,480
Speaker 7: and a very good at eating with one hand. So

414
00:20:59,521 --> 00:21:01,481
Speaker 7: you're going to be in good tay, Sam.

415
00:21:01,160 --> 00:21:02,920
Speaker 1: Can you please encourage her to clap?

416
00:21:03,120 --> 00:21:03,200
Speaker 7: So?

417
00:21:03,321 --> 00:21:04,561
Speaker 4: How long will this last?

418
00:21:04,600 --> 00:21:04,680
Speaker 5: For?

419
00:21:08,281 --> 00:21:08,721
Speaker 1: Okay?

420
00:21:08,880 --> 00:21:11,000
Speaker 7: You could stay for hours if you're so desired.

421
00:21:11,241 --> 00:21:13,281
Speaker 1: I well, I think I think when you say as

422
00:21:13,321 --> 00:21:14,521
Speaker 1: long as you wanted to, I think.

423
00:21:14,400 --> 00:21:15,961
Speaker 4: Christian is better looking at that way.

424
00:21:16,840 --> 00:21:19,521
Speaker 1: She's ready to go. I'm here for the longhorn. I'm

425
00:21:19,561 --> 00:21:21,721
Speaker 1: actually the glorif I take away.

426
00:21:24,521 --> 00:21:26,840
Speaker 2: The first time I did this, I was you you

427
00:21:27,001 --> 00:21:30,240
Speaker 2: just stop gripping onto that, for dear life, your shoulder

428
00:21:30,281 --> 00:21:32,481
Speaker 2: will it'll be more relaxed because.

429
00:21:32,201 --> 00:21:35,521
Speaker 1: You're like this, and you'll be taxed up. Oh and

430
00:21:35,561 --> 00:21:39,521
Speaker 1: there goes the sun. Oh that's gorgeous.

431
00:21:40,801 --> 00:21:43,400
Speaker 7: The sunset, I think tonight, So that's lovely.

432
00:21:45,360 --> 00:21:52,440
Speaker 3: This is where I always question the placement of the

433
00:21:52,521 --> 00:21:53,241
Speaker 3: tatlering what.

434
00:21:53,201 --> 00:21:54,281
Speaker 4: Do you use first?

435
00:21:55,640 --> 00:21:59,041
Speaker 1: Microbiologist? I've clearly got that idea. It is microbiology.

436
00:21:59,080 --> 00:22:04,080
Speaker 10: Microbology, yes, so what type of microbiology do you like

437
00:22:04,201 --> 00:22:09,840
Speaker 10: the most specifically in plants because humans are scary?

438
00:22:10,041 --> 00:22:13,801
Speaker 7: Yeah, but we need to feed the humans and a

439
00:22:13,840 --> 00:22:17,360
Speaker 7: third of food waste is a direct result of infections

440
00:22:17,481 --> 00:22:20,961
Speaker 7: pre and post harvest. So if we can stop all

441
00:22:21,001 --> 00:22:23,561
Speaker 7: of the plants dying or getting invested in.

442
00:22:23,801 --> 00:22:28,041
Speaker 2: The water micro did you say micro so the little

443
00:22:28,041 --> 00:22:30,360
Speaker 2: tiny microscope to look at the biology?

444
00:22:30,441 --> 00:22:31,880
Speaker 4: Thought you meant the water.

445
00:22:32,521 --> 00:22:34,961
Speaker 2: Do you know what? I can't believe you had no idea?

446
00:22:35,001 --> 00:22:38,161
Speaker 2: What a microbiology? Do you know when when Sam said microbiology,

447
00:22:38,160 --> 00:22:40,361
Speaker 2: I was like, she's got no idea.

448
00:22:41,521 --> 00:22:43,080
Speaker 1: No, you have to look at a microscope. So well,

449
00:22:43,120 --> 00:22:44,360
Speaker 1: the little tiny cells.

450
00:22:44,120 --> 00:22:48,120
Speaker 3: And Sam I had you in a wetsuit looking at seaweed.

451
00:22:48,441 --> 00:22:50,561
Speaker 7: And that's why you said you didn't expect it. That

452
00:22:50,600 --> 00:22:51,161
Speaker 7: makes so much?

453
00:22:51,801 --> 00:22:59,041
Speaker 1: What's that? What's what would you call? Marine? Look? Biologists? Okay, fair,

454
00:22:59,160 --> 00:22:59,641
Speaker 1: fair enough?

455
00:23:00,001 --> 00:23:02,360
Speaker 4: Micro that's so good, well done.

456
00:23:02,600 --> 00:23:05,481
Speaker 3: So okay, So we've wrecked the planet and we're going

457
00:23:05,481 --> 00:23:08,360
Speaker 3: to be eating what type of plants for the next

458
00:23:08,600 --> 00:23:09,241
Speaker 3: thirty years?

459
00:23:09,241 --> 00:23:10,321
Speaker 4: Do you think before your.

460
00:23:11,761 --> 00:23:15,120
Speaker 2: Oh god, we're going to soil and green were literally

461
00:23:15,160 --> 00:23:16,281
Speaker 2: you know, have you seen soilent?

462
00:23:16,321 --> 00:23:16,561
Speaker 1: Green?

463
00:23:17,041 --> 00:23:19,360
Speaker 7: Is something that's not ideal it's black.

464
00:23:19,481 --> 00:23:20,640
Speaker 4: It's black soil, isn't it?

465
00:23:20,921 --> 00:23:23,480
Speaker 2: Soil and green actually turns out to be humans, but

466
00:23:23,521 --> 00:23:26,961
Speaker 2: it's supposed to be soy square soy food because we

467
00:23:27,041 --> 00:23:29,400
Speaker 2: run out of food as a human population, and then

468
00:23:29,441 --> 00:23:32,080
Speaker 2: they run out of soy, so they start using people

469
00:23:32,120 --> 00:23:35,400
Speaker 2: to make soilent green, and then the guy discovers.

470
00:23:35,001 --> 00:23:37,880
Speaker 1: That it's it's people che and that's the end of.

471
00:23:37,880 --> 00:23:40,041
Speaker 2: The movie, and no one finds out that they're eating people,

472
00:23:41,120 --> 00:23:43,281
Speaker 2: and thus the human population continues.

473
00:23:43,640 --> 00:23:47,441
Speaker 1: Soilent Green credits role. It's a good it's a good movie.

474
00:23:48,840 --> 00:23:54,600
Speaker 1: Hitch people, Hitch paplet poor seth same if we just

475
00:23:54,880 --> 00:23:56,561
Speaker 1: if you just need to hurry us along with doing it.

476
00:23:56,921 --> 00:24:00,521
Speaker 7: You're sofa, We're so dead tonight O polishing cutlery.

477
00:24:00,640 --> 00:24:05,961
Speaker 1: Oh perfect, one more time, Christine, you can do it.

478
00:24:08,961 --> 00:24:11,641
Speaker 4: Once. I have another one of those. Okay, I am,

479
00:24:11,721 --> 00:24:13,201
Speaker 4: I feel like I am warming out.

480
00:24:13,481 --> 00:24:14,281
Speaker 1: You definitely are you.

481
00:24:14,281 --> 00:24:16,681
Speaker 2: You've gone from death gripping the sign of the building

482
00:24:17,080 --> 00:24:18,201
Speaker 2: to now the scaffolding.

483
00:24:18,281 --> 00:24:20,841
Speaker 1: And then it will just be what.

484
00:24:20,801 --> 00:24:23,761
Speaker 4: Is natural about what we're doing currently? There is nothing

485
00:24:23,961 --> 00:24:25,721
Speaker 4: natural about what we're doing.

486
00:24:26,120 --> 00:24:29,920
Speaker 2: We're having a for you once in a lifetime experience

487
00:24:29,961 --> 00:24:31,721
Speaker 2: for me a lifetime.

488
00:24:32,640 --> 00:24:33,081
Speaker 1: Second time.

489
00:24:33,321 --> 00:24:36,321
Speaker 2: This is like shark diving. First time I did shark diving. Oh,

490
00:24:36,400 --> 00:24:39,080
Speaker 2: that was fucking awful. Second time. I could have stayed

491
00:24:39,080 --> 00:24:42,961
Speaker 2: in there too. When I did the vertigo the first time,

492
00:24:43,080 --> 00:24:45,561
Speaker 2: I hated it. I couldn't stand it. I was absolutely

493
00:24:45,561 --> 00:24:47,041
Speaker 2: not I love.

494
00:24:46,921 --> 00:24:47,680
Speaker 4: The jet boat.

495
00:24:48,600 --> 00:24:50,241
Speaker 2: You like the jets Oh, the jet boat was great,

496
00:24:50,281 --> 00:24:52,961
Speaker 2: apart from when I slammed into you and broke your brib.

497
00:24:54,600 --> 00:24:58,521
Speaker 1: Oh, that sunsetting is gorgeous, just lovely up here.

498
00:24:58,880 --> 00:25:01,521
Speaker 4: Look at the No, thank you, you don't have to

499
00:25:01,521 --> 00:25:01,921
Speaker 4: look down.

500
00:25:01,921 --> 00:25:05,721
Speaker 1: I'm pointing at that city. Escape Christine. It's like turn

501
00:25:05,761 --> 00:25:09,801
Speaker 1: your head one inch. No, No, that's your ball actual head,

502
00:25:12,481 --> 00:25:13,281
Speaker 1: isn't it beautiful?

503
00:25:13,321 --> 00:25:16,041
Speaker 4: Look? I can see the story bridge over here from there.

504
00:25:16,921 --> 00:25:20,001
Speaker 4: The city's sunny beautiful.

505
00:25:20,640 --> 00:25:22,201
Speaker 1: Now would you like me to tell you the good

506
00:25:22,241 --> 00:25:22,761
Speaker 1: news now?

507
00:25:23,041 --> 00:25:26,121
Speaker 4: Or here we go? You couldn't let me sit here.

508
00:25:32,801 --> 00:25:37,801
Speaker 2: Sam, We have just been served tomatoes and siparata.

509
00:25:39,761 --> 00:25:40,200
Speaker 1: What is this?

510
00:25:40,321 --> 00:25:40,721
Speaker 4: Sam?

511
00:25:41,201 --> 00:25:44,201
Speaker 7: Is a Tomatica craiser with mozzarella.

512
00:25:44,640 --> 00:25:51,121
Speaker 4: Beautiful looks and I'm sure tastes of ne rest.

513
00:25:51,481 --> 00:25:53,880
Speaker 1: Oh yes, please, I would love some more wine. Thank you.

514
00:25:54,561 --> 00:25:57,041
Speaker 3: I look forward to the day where we could just

515
00:25:57,080 --> 00:26:00,960
Speaker 3: sit maybe at this beautiful high end tea house and

516
00:26:01,001 --> 00:26:05,041
Speaker 3: we can just you know, have the layered cakes and sandwiches.

517
00:26:05,080 --> 00:26:09,840
Speaker 4: Were just sick. I just wanted to take a spathing that.

518
00:26:10,241 --> 00:26:12,921
Speaker 1: When I said, do you want to come to Brice

519
00:26:12,921 --> 00:26:16,921
Speaker 1: springing reports and podcast episodes? I'll organized and stuff? You said, absolutely,

520
00:26:16,961 --> 00:26:18,080
Speaker 1: you do whatever.

521
00:26:18,321 --> 00:26:21,640
Speaker 3: You mean on all the way in because I know

522
00:26:21,681 --> 00:26:22,721
Speaker 3: I'm going to have a good time.

523
00:26:22,761 --> 00:26:26,761
Speaker 4: But I would just like more of a what the

524
00:26:26,801 --> 00:26:27,641
Speaker 4: size of that fly?

525
00:26:28,360 --> 00:26:36,601
Speaker 1: Oh my god? It a book get bigger up here?

526
00:26:40,201 --> 00:26:42,761
Speaker 1: But you didn't answer my question, would you like the

527
00:26:42,761 --> 00:26:45,880
Speaker 1: good news after? When you do? You want to have

528
00:26:45,921 --> 00:26:51,920
Speaker 1: finished the champagne? Let me have a mouthful? Really? I

529
00:26:51,921 --> 00:27:05,161
Speaker 1: mean mm hmmm. Go, So tomorrow we are doing something.

530
00:27:06,481 --> 00:27:09,400
Speaker 3: We're going up there fucking bridge.

531
00:27:10,160 --> 00:27:11,960
Speaker 4: We're going on the story.

532
00:27:12,041 --> 00:27:16,801
Speaker 1: Yeah we are, Yeah, we are, Yeah, the story. We're

533
00:27:16,840 --> 00:27:18,321
Speaker 1: going on the story bridge.

534
00:27:19,961 --> 00:27:25,160
Speaker 3: Okay, thoughts, feelings, emotions, you are I will give you.

535
00:27:26,281 --> 00:27:28,961
Speaker 1: Well, no, I think we both get Do we want

536
00:27:29,001 --> 00:27:29,561
Speaker 1: one or two?

537
00:27:30,041 --> 00:27:33,200
Speaker 2: Absolutely? Not cards for the duration for the lifetime of that.

538
00:27:33,281 --> 00:27:37,401
Speaker 2: We will always have podcast. What do you mean where

539
00:27:37,441 --> 00:27:39,840
Speaker 2: you can just play a card and I won't say anything.

540
00:27:39,840 --> 00:27:41,121
Speaker 4: Oh, I love that.

541
00:27:41,241 --> 00:27:45,601
Speaker 1: Do we want one or two? Oh two two? So

542
00:27:45,681 --> 00:27:47,601
Speaker 1: you can play your no card if at any.

543
00:27:47,441 --> 00:27:53,041
Speaker 2: Point, But we've got a bridge climb tomorrow.

544
00:27:54,721 --> 00:27:56,160
Speaker 1: If you don't do it, I'll do it.

545
00:27:58,481 --> 00:28:02,001
Speaker 4: Well. I can say charogophically, you.

546
00:28:02,001 --> 00:28:04,041
Speaker 1: Can what you can't.

547
00:28:04,441 --> 00:28:08,041
Speaker 2: You can't chargotically.

548
00:28:11,400 --> 00:28:13,481
Speaker 1: You go on say karagotically.

549
00:28:14,080 --> 00:28:15,401
Speaker 4: Look I'm looking at it.

550
00:28:15,961 --> 00:28:19,200
Speaker 3: I don't think that it's as high or as intense

551
00:28:19,360 --> 00:28:21,401
Speaker 3: as the Sydney Harborough, which you.

552
00:28:21,400 --> 00:28:29,880
Speaker 4: Thought and look like it's too wise, does not matter.

553
00:28:30,080 --> 00:28:30,921
Speaker 1: It's two of them.

554
00:28:31,521 --> 00:28:36,160
Speaker 2: It's two peaks, the storage bridges, one peak down and

555
00:28:36,281 --> 00:28:37,080
Speaker 2: up another peak.

556
00:28:38,241 --> 00:28:40,841
Speaker 1: So you'll do the bridge the bridge, but I want it.

557
00:28:40,921 --> 00:28:44,641
Speaker 4: No one, No more bridges. I'm not doing any more bridges.

558
00:28:44,761 --> 00:28:49,481
Speaker 3: I've been very generous and today tomorrow will be my second.

559
00:28:49,481 --> 00:28:52,321
Speaker 4: You can have much uncooked.

560
00:28:52,761 --> 00:28:56,521
Speaker 3: I passed a source, but not I am not doing

561
00:28:56,521 --> 00:28:57,361
Speaker 3: any more bridges.

562
00:28:57,561 --> 00:28:58,440
Speaker 1: That's it done.

563
00:28:59,281 --> 00:29:01,521
Speaker 4: Look at me, I mean it no more.

564
00:29:02,041 --> 00:29:03,921
Speaker 1: Well I've got another.

565
00:29:05,081 --> 00:29:07,041
Speaker 4: You've got another piece of news.

566
00:29:08,721 --> 00:29:12,521
Speaker 1: Oh and that is what I'm Jackie. We're not doing

567
00:29:12,521 --> 00:29:13,200
Speaker 1: the story bridge.

568
00:29:13,441 --> 00:29:14,921
Speaker 4: We're not.

569
00:29:17,241 --> 00:29:20,321
Speaker 1: I love building you up and seeing you absolutely.

570
00:29:19,801 --> 00:29:21,041
Speaker 4: Go freaking.

571
00:29:25,441 --> 00:29:25,881
Speaker 1: Regrets.

572
00:29:26,121 --> 00:29:31,841
Speaker 4: One regret going from one. All right, so come on,

573
00:29:32,601 --> 00:29:35,521
Speaker 4: come on, hand on heart. Are we doing the bridge?

574
00:29:37,241 --> 00:29:41,841
Speaker 4: Hand on heart? No, you need to look at me,

575
00:29:41,881 --> 00:29:44,121
Speaker 4: eye contact, hand on heart. We're not doing the bridge.

576
00:29:45,041 --> 00:29:45,921
Speaker 4: We're doing the bridge.

577
00:29:45,921 --> 00:29:52,961
Speaker 1: You're fucking lying to me, Causine, we are not doing

578
00:29:53,001 --> 00:29:53,521
Speaker 1: the bridge.

579
00:29:55,081 --> 00:29:56,321
Speaker 4: All right, Well I'm reading you.

580
00:29:58,121 --> 00:30:01,241
Speaker 1: This is I am living my absolute terrain.

581
00:30:01,841 --> 00:30:03,961
Speaker 4: So we're not doing the bridge. So what are we doing?

582
00:30:03,961 --> 00:30:06,081
Speaker 1: Then? I put it in the schedule.

583
00:30:06,561 --> 00:30:08,521
Speaker 3: Well, I don't have what I do have access to

584
00:30:08,561 --> 00:30:11,601
Speaker 3: my phone to stand by, right, let me go back

585
00:30:11,761 --> 00:30:14,321
Speaker 3: because and you're right a really so we need to

586
00:30:14,361 --> 00:30:15,561
Speaker 3: talk about your emails.

587
00:30:16,081 --> 00:30:18,361
Speaker 4: We don't have to do that right now. Your emails

588
00:30:18,441 --> 00:30:20,921
Speaker 4: are so long. Do you do that in one city?

589
00:30:21,121 --> 00:30:22,841
Speaker 4: That would take me a week to do that.

590
00:30:22,881 --> 00:30:25,161
Speaker 1: It's two paragraphs, Christine, what.

591
00:30:26,761 --> 00:30:27,921
Speaker 2: Are you well?

592
00:30:28,041 --> 00:30:31,041
Speaker 1: No, to be fair, I've seen your replies. Exclamation point,

593
00:30:31,121 --> 00:30:33,761
Speaker 1: that's it. That's your reply, and I go.

594
00:30:35,321 --> 00:30:40,201
Speaker 3: That would be my my Okay, So what's today? Today's Friday?

595
00:30:41,801 --> 00:30:46,921
Speaker 3: Now tomorrow we've got recording session at ten am. Okay,

596
00:30:48,001 --> 00:30:54,240
Speaker 3: We've got then one thirty lunch, three pm. It's a

597
00:30:54,241 --> 00:30:58,921
Speaker 3: long lunch obviously, three pm we're doing some more recording.

598
00:31:00,601 --> 00:31:03,681
Speaker 4: Five pm cooking. So there's nothing much on tomorrow is

599
00:31:03,721 --> 00:31:04,841
Speaker 4: what I'm looking.

600
00:31:04,521 --> 00:31:06,841
Speaker 2: Into these This, this activity that we're doing right now

601
00:31:07,681 --> 00:31:12,601
Speaker 2: is the last activity great apart from obviously the story bridge.

602
00:31:12,761 --> 00:31:15,161
Speaker 4: But the story bridge that you're lying to me.

603
00:31:15,281 --> 00:31:18,561
Speaker 1: No, we're not doing the story bridge. Oh wow, wow, Christine,

604
00:31:20,281 --> 00:31:23,361
Speaker 1: Oh my god, what's wrong? I asked me when the

605
00:31:23,401 --> 00:31:24,561
Speaker 1: last time I had alcohol was?

606
00:31:25,881 --> 00:31:27,960
Speaker 3: Well, I would say it's probably in October when we

607
00:31:28,041 --> 00:31:28,841
Speaker 3: last had alcohol.

608
00:31:28,881 --> 00:31:30,121
Speaker 1: Yes, has that heat?

609
00:31:30,161 --> 00:31:30,681
Speaker 4: You're likeable?

610
00:31:30,761 --> 00:31:32,601
Speaker 1: Oh my god, Oh.

611
00:31:32,601 --> 00:31:33,561
Speaker 4: This is going to be interesting.

612
00:31:35,361 --> 00:31:37,200
Speaker 1: Oh my god, my inhibitions have gone. Look at this.

613
00:31:38,841 --> 00:31:41,001
Speaker 11: Oh my god, I'm leaning right. Oh my lord, I

614
00:31:41,001 --> 00:31:44,041
Speaker 11: can't believe I can do this, Christine. No, he's been

615
00:31:44,041 --> 00:31:50,720
Speaker 11: funded up. Okay, you know what I'm going to ask you.

616
00:31:53,761 --> 00:31:55,001
Speaker 4: Not really, not yet.

617
00:31:55,721 --> 00:32:00,641
Speaker 1: You said that. Actually, Oh my god, I'm drunk. Oh

618
00:32:00,761 --> 00:32:03,201
Speaker 1: I am wasted, but I have lost it. I've got

619
00:32:03,241 --> 00:32:05,521
Speaker 1: no fear. I didn't really have much to be in with.

620
00:32:05,601 --> 00:32:08,681
Speaker 4: Well, your hands are flapping around like your there we

621
00:32:08,721 --> 00:32:12,761
Speaker 4: go play. Come on, Christine, Okay you started off.

622
00:32:13,121 --> 00:32:20,121
Speaker 1: Okay, here we go your Oh good, colle that's great.

623
00:32:20,441 --> 00:32:20,841
Speaker 1: That's great.

624
00:32:20,881 --> 00:32:23,881
Speaker 2: Now everyone here at the restaurant collaps for Christine for

625
00:32:24,001 --> 00:32:27,681
Speaker 2: doing it. Cut Christine, cut for yourself. Else, well done.

626
00:32:27,761 --> 00:32:28,641
Speaker 2: I'm very proud.

627
00:32:29,001 --> 00:32:31,480
Speaker 4: Did you say that, Sammy? No, he didn't do it

628
00:32:31,521 --> 00:32:31,881
Speaker 4: for him?

629
00:32:31,921 --> 00:32:33,001
Speaker 1: Now you didn't you?

630
00:32:34,281 --> 00:32:34,561
Speaker 4: Thank you?

631
00:32:35,201 --> 00:32:37,281
Speaker 1: I'm very pressed to That was good.

632
00:32:37,401 --> 00:32:40,281
Speaker 3: Good had been a Dutch carriage happen because I've had

633
00:32:40,321 --> 00:32:41,441
Speaker 3: five SIPs.

634
00:32:41,121 --> 00:32:44,401
Speaker 1: Of Well it was Kate before, wasn't it?

635
00:32:44,761 --> 00:32:44,881
Speaker 7: Yes?

636
00:32:45,201 --> 00:32:47,440
Speaker 1: She was lovely. Kate said, Oh, you'll only need to

637
00:32:47,521 --> 00:32:48,720
Speaker 1: and you up. You'll be absolutely a way.

638
00:32:49,481 --> 00:32:55,521
Speaker 3: I can't even is that because of the altitude.

639
00:32:55,841 --> 00:32:57,401
Speaker 4: We're literally twenty meters?

640
00:32:59,081 --> 00:33:06,601
Speaker 1: Actually, how are we? We're not even twenty minutes? Wait stop, that's.

641
00:33:08,281 --> 00:33:08,361
Speaker 7: No.

642
00:33:08,521 --> 00:33:10,761
Speaker 1: This feels like it's at least thirty five.

643
00:33:11,441 --> 00:33:17,961
Speaker 4: Okay, so let's put that into fuck the alcohol.

644
00:33:18,001 --> 00:33:19,721
Speaker 1: Still got a whole wine to.

645
00:33:20,201 --> 00:33:22,801
Speaker 4: Paste yourself dinner?

646
00:33:23,441 --> 00:33:24,681
Speaker 1: Yes, yes, go for it.

647
00:33:24,761 --> 00:33:27,481
Speaker 4: S Yes, we'll soak the alcohol.

648
00:33:27,721 --> 00:33:30,161
Speaker 1: Okay, hold on, I'm going to finish this wine.

649
00:33:32,681 --> 00:33:37,841
Speaker 2: After suffering from extreme altitude altitude sickness. Dinner was served,

650
00:33:37,881 --> 00:33:39,561
Speaker 2: and we had dinner and dessert. And let me tell

651
00:33:39,601 --> 00:33:42,520
Speaker 2: you the food it is so good. I had this

652
00:33:42,561 --> 00:33:45,961
Speaker 2: delicious seafood pasta with a Morton bay bug, some mussels,

653
00:33:46,041 --> 00:33:49,361
Speaker 2: some prawns, and Christine had this delicious like braised beef

654
00:33:49,401 --> 00:33:52,681
Speaker 2: and yocky. We then had some gorgeous desserts. It was

655
00:33:52,681 --> 00:33:56,041
Speaker 2: a strawberry pancotta and delicious like I had a big

656
00:33:56,361 --> 00:34:00,601
Speaker 2: chocolate big pizza chocolate cake. And then once we'd finished,

657
00:34:00,601 --> 00:34:04,121
Speaker 2: we realized, Oh, it's time to jump down, and what

658
00:34:04,121 --> 00:34:07,641
Speaker 2: you're about to hear is us witnessing a man dressed

659
00:34:07,641 --> 00:34:10,960
Speaker 2: as a pirate jumping off the side.

660
00:34:10,841 --> 00:34:11,761
Speaker 4: Copspot up here.

661
00:34:11,761 --> 00:34:14,961
Speaker 3: The braise is just isn't amazing, it's so gorgeous.

662
00:34:15,001 --> 00:34:16,161
Speaker 4: Oh, we're now dressing up.

663
00:34:16,201 --> 00:34:21,481
Speaker 1: We've got I can't say something behind. Oh it's jumping.

664
00:34:22,201 --> 00:34:22,761
Speaker 1: Is he jumping?

665
00:34:23,161 --> 00:34:29,201
Speaker 4: Do you recognend something? Oh? Shit, a brick.

666
00:34:30,761 --> 00:34:33,241
Speaker 2: He just fell, but he didn't fall, that was intentional.

667
00:34:33,481 --> 00:34:37,081
Speaker 2: And he's dressed as a pirate. So we've both been

668
00:34:37,121 --> 00:34:37,961
Speaker 2: in talks.

669
00:34:37,681 --> 00:34:41,241
Speaker 4: Now of thank you Sammy, who's going to.

670
00:34:41,281 --> 00:34:44,081
Speaker 1: Walk the plank first? Because we both want to walk at.

671
00:34:43,921 --> 00:34:46,801
Speaker 4: First, And I think that there's only one way to solve.

672
00:34:46,921 --> 00:34:49,601
Speaker 1: Great, I'm on the same page. Who was walking the

673
00:34:49,601 --> 00:34:50,241
Speaker 1: plank first?

674
00:34:50,641 --> 00:34:55,121
Speaker 2: Scissar's paper rock, both scissors scissars.

675
00:34:54,601 --> 00:34:58,521
Speaker 1: Paper rock, Both paper scissars, paper rock.

676
00:34:59,041 --> 00:35:03,161
Speaker 4: Okay, you can go first.

677
00:35:04,481 --> 00:35:07,440
Speaker 1: All right, fair enough, fair enough to go in. It's okay,

678
00:35:07,841 --> 00:35:10,561
Speaker 1: you go first, just don't take don't take your time,

679
00:35:11,281 --> 00:35:11,921
Speaker 1: just go for it.

680
00:35:11,961 --> 00:35:12,721
Speaker 4: Don't take your time.

681
00:35:14,961 --> 00:35:16,441
Speaker 1: I'm just going to walk straight out and get it

682
00:35:16,481 --> 00:35:17,441
Speaker 1: over and the okay.

683
00:35:17,721 --> 00:35:20,161
Speaker 2: Christian Hull from the edit suite, just butting in here

684
00:35:20,201 --> 00:35:22,281
Speaker 2: because I really want to share with you that I

685
00:35:22,321 --> 00:35:25,121
Speaker 2: did specify to Christine that if she wants to go first,

686
00:35:25,201 --> 00:35:28,281
Speaker 2: could you please not take your time because it's the

687
00:35:28,321 --> 00:35:33,201
Speaker 2: anticipation of doing something that kills me and a spoiler

688
00:35:33,441 --> 00:35:36,201
Speaker 2: spoiler for what's coming ahead. I think it took Christine

689
00:35:36,761 --> 00:35:39,961
Speaker 2: eleven minutes of standing on the plank before she jumped.

690
00:35:40,361 --> 00:35:42,321
Speaker 2: And how long did it take, Christian? Hell, it didn't

691
00:35:42,561 --> 00:35:44,521
Speaker 2: because I just walked out and jump instantly.

692
00:35:44,801 --> 00:35:45,841
Speaker 1: And what you're about to.

693
00:35:45,721 --> 00:35:49,081
Speaker 2: Hear is us getting up off the side of the

694
00:35:49,121 --> 00:35:52,681
Speaker 2: building and making our way to the plank to jump

695
00:35:52,681 --> 00:35:53,481
Speaker 2: off the edge.

696
00:35:53,561 --> 00:35:56,761
Speaker 3: So with walking just straight out and just going straight down,

697
00:35:56,881 --> 00:36:00,121
Speaker 3: there is no way that it could bend snap.

698
00:36:01,081 --> 00:36:02,921
Speaker 1: I can't make that guarantee.

699
00:36:04,201 --> 00:36:06,761
Speaker 2: I don't know, Chris, I've never seen it before, but

700
00:36:06,841 --> 00:36:09,881
Speaker 2: you know what, as I go through, Yes, no, there's

701
00:36:09,881 --> 00:36:10,521
Speaker 2: no way at all.

702
00:36:10,921 --> 00:36:12,961
Speaker 1: It's perfectly safe, perfectly, it's.

703
00:36:12,801 --> 00:36:15,201
Speaker 2: Perfectly safe jumping seventeen meters off the side of the

704
00:36:15,241 --> 00:36:17,641
Speaker 2: building with an automatic.

705
00:36:17,681 --> 00:36:21,081
Speaker 3: More than seventeen, it's absolutely if I'm seeing the belly

706
00:36:21,121 --> 00:36:22,121
Speaker 3: of an ibis.

707
00:36:22,161 --> 00:36:27,721
Speaker 1: Oh it's thirty five meters at least. Where can you

708
00:36:27,721 --> 00:36:31,681
Speaker 1: see him? Sammy, delly, My back's really starting to hurt.

709
00:36:31,841 --> 00:36:35,121
Speaker 4: Yeah, well, my legs about to seize up. We'll tap

710
00:36:35,201 --> 00:36:44,761
Speaker 4: the Oh, don't get true goods, storm good, storm bill.

711
00:36:44,881 --> 00:36:47,081
Speaker 1: They've forgotten about us, chick.

712
00:36:47,881 --> 00:36:48,681
Speaker 4: What is it looking?

713
00:36:48,801 --> 00:36:52,121
Speaker 3: I can't see actually because the lights that bloody beaming

714
00:36:52,121 --> 00:36:57,521
Speaker 3: in my eye? Sam Sammy, Hello, sweet love love, Yeah,

715
00:36:57,561 --> 00:36:58,241
Speaker 3: where I'm.

716
00:37:00,281 --> 00:37:02,041
Speaker 4: Here? He comes. Hello.

717
00:37:02,521 --> 00:37:04,001
Speaker 1: We're so sorry to interrupt.

718
00:37:05,401 --> 00:37:08,041
Speaker 2: We're getting old and our bodies are starting refused to

719
00:37:08,121 --> 00:37:08,561
Speaker 2: the table.

720
00:37:10,561 --> 00:37:15,801
Speaker 4: Oh hang on, I feel like something stuck.

721
00:37:16,841 --> 00:37:19,561
Speaker 1: It's just a bar at the back, all right now?

722
00:37:20,681 --> 00:37:32,001
Speaker 4: Oh yeah, right? If you hop up, yeah, hop up

723
00:37:32,081 --> 00:37:32,681
Speaker 4: on the blue.

724
00:37:33,321 --> 00:37:37,641
Speaker 3: You're talking four year old woman who does not hop up.

725
00:37:39,241 --> 00:37:40,401
Speaker 4: I'm going to do a breakdown.

726
00:37:41,001 --> 00:37:48,681
Speaker 1: Oh my, well done, very good. Hold on, you still

727
00:37:48,681 --> 00:37:56,961
Speaker 1: clicked onto the side. Okay, ship, oh ship, hold on,

728
00:37:57,001 --> 00:37:59,361
Speaker 1: I think my handess Nope, there we go, okay.

729
00:38:01,241 --> 00:38:05,841
Speaker 2: Okay, we oh I see you hold up, Sam.

730
00:38:05,881 --> 00:38:07,441
Speaker 1: Anyone over the age of thirty five is not going

731
00:38:07,481 --> 00:38:08,881
Speaker 1: to be able to just hop up.

732
00:38:09,521 --> 00:38:16,001
Speaker 3: Oh fucking hell no, twist your league out the well done.

733
00:38:17,801 --> 00:38:21,201
Speaker 4: Yeah you did it. Yes, top job, toup job, well done.

734
00:38:21,521 --> 00:38:23,641
Speaker 1: Oh all right, now to walk the plank.

735
00:38:26,161 --> 00:38:32,961
Speaker 2: Okay, Christine will be going first.

736
00:38:33,041 --> 00:38:39,281
Speaker 7: Yeah, because you have lots of.

737
00:38:38,721 --> 00:38:42,481
Speaker 2: We made our way down to the plank and the stool.

738
00:38:42,641 --> 00:38:45,441
Speaker 2: Now there are two options for jumping off the side.

739
00:38:45,841 --> 00:38:48,561
Speaker 2: They've just installed a plank, so you can walk the plank.

740
00:38:48,921 --> 00:38:50,961
Speaker 2: Or the other option, which I did last year, was

741
00:38:51,081 --> 00:38:53,841
Speaker 2: you sit on a stool and then you just push

742
00:38:53,881 --> 00:38:56,681
Speaker 2: yourself off. Now, we wanted to do the plank, so

743
00:38:56,721 --> 00:38:59,281
Speaker 2: Sam gave us a safety briefing and then it was

744
00:38:59,321 --> 00:39:02,121
Speaker 2: time for Christine to walk the plank.

745
00:39:04,041 --> 00:39:06,681
Speaker 7: I'm going to get you to hold onto this for me,

746
00:39:07,041 --> 00:39:10,081
Speaker 7: and I want you to try and pull that. Yep, yep,

747
00:39:10,121 --> 00:39:11,841
Speaker 7: that's got see, that's what's gonna hold you.

748
00:39:11,921 --> 00:39:12,281
Speaker 4: Okay.

749
00:39:13,921 --> 00:39:15,681
Speaker 7: The very cool piece of equipment. I could go on

750
00:39:15,761 --> 00:39:18,761
Speaker 7: for hours about this belay system. I love it. It's

751
00:39:18,921 --> 00:39:19,441
Speaker 7: very cool.

752
00:39:19,601 --> 00:39:20,601
Speaker 1: What system is it said?

753
00:39:20,721 --> 00:39:24,841
Speaker 7: This is a true blue It's an automatic delay device.

754
00:39:24,961 --> 00:39:27,721
Speaker 7: It's got a series of magnets inside that catch you

755
00:39:27,761 --> 00:39:29,241
Speaker 7: as you go down. So the more down you go,

756
00:39:29,361 --> 00:39:32,241
Speaker 7: the slower you go. Oh right, So it starts up

757
00:39:32,241 --> 00:39:34,121
Speaker 7: looking at a bit fast, and then by the time

758
00:39:34,281 --> 00:39:36,161
Speaker 7: at the bottom you're basically at a walking pace.

759
00:39:36,241 --> 00:39:37,441
Speaker 4: A walking pace.

760
00:39:37,561 --> 00:39:37,881
Speaker 1: Okay.

761
00:39:37,961 --> 00:39:40,401
Speaker 7: It's a very smooth descent down as well, which is cool.

762
00:39:41,681 --> 00:39:44,121
Speaker 4: You got this, okay, okay.

763
00:39:44,041 --> 00:39:47,241
Speaker 7: So I am physically checking all of the things.

764
00:39:48,281 --> 00:39:51,401
Speaker 4: Any last words, we'll tell the boyses I love them.

765
00:39:52,041 --> 00:39:57,001
Speaker 3: Tell Ricardo it's been a fantastic ride, okay, and he

766
00:39:57,321 --> 00:39:58,401
Speaker 3: knows where all my money is.

767
00:39:58,441 --> 00:40:04,881
Speaker 7: So now the fun part.

768
00:40:05,201 --> 00:40:07,281
Speaker 1: Yeah, it's gonna come for.

769
00:40:07,241 --> 00:40:08,121
Speaker 4: A walk this way?

770
00:40:08,721 --> 00:40:13,041
Speaker 7: Yeah, yeah, okay, when you're going when he says come

771
00:40:13,081 --> 00:40:14,960
Speaker 7: for a walk, that's your queue to go for a walk.

772
00:40:15,041 --> 00:40:15,641
Speaker 4: Okay.

773
00:40:16,081 --> 00:40:17,641
Speaker 7: I'm here out of the way, and I'm gonna have

774
00:40:17,641 --> 00:40:19,361
Speaker 7: my hand on your back when you get to the edge,

775
00:40:19,521 --> 00:40:22,121
Speaker 7: not to push because that would be evil moral support.

776
00:40:26,921 --> 00:40:30,761
Speaker 1: Oh shit, don't think about it. Oh my goodness, you're

777
00:40:30,761 --> 00:40:33,081
Speaker 1: on the plank. Well done. Now you just want to

778
00:40:33,321 --> 00:40:37,441
Speaker 1: walk out, breath and before.

779
00:40:37,161 --> 00:40:43,241
Speaker 3: We go, like, if I accidentally fall off, is it

780
00:40:43,281 --> 00:40:44,000
Speaker 3: gonna go quick?

781
00:40:44,041 --> 00:40:45,001
Speaker 4: And then you'll go slow.

782
00:40:45,481 --> 00:40:49,401
Speaker 7: It's exactly the same yes, it's a little bit fast

783
00:40:49,601 --> 00:40:52,041
Speaker 7: like a Liza and the whole way down.

784
00:40:52,121 --> 00:40:56,721
Speaker 3: Okay, regardless of when you Okay, can we just have confirmation?

785
00:40:58,681 --> 00:41:01,561
Speaker 3: Can we have confirmation that Jess is down there waiting?

786
00:41:02,521 --> 00:41:02,761
Speaker 7: Yes?

787
00:41:02,961 --> 00:41:06,881
Speaker 4: Where are ship? Okay? Where wish? I can't see you?

788
00:41:07,041 --> 00:41:10,081
Speaker 4: Oh there she is right over right. I'm really sweaty

789
00:41:10,161 --> 00:41:14,961
Speaker 4: my hands. Twenty minutes later, Oh god, I don't know

790
00:41:14,961 --> 00:41:15,761
Speaker 4: if I can do this.

791
00:41:16,001 --> 00:41:19,601
Speaker 3: Yes, you can hang on the phone, can Yes, you

792
00:41:19,761 --> 00:41:21,081
Speaker 3: can phone trigging.

793
00:41:22,241 --> 00:41:24,241
Speaker 1: Who's it? It's Jack Nicka, that's he hang on face time.

794
00:41:24,761 --> 00:41:26,960
Speaker 1: Just answer it on fast time, answer it on past time,

795
00:41:27,081 --> 00:41:28,281
Speaker 1: and tell them what you're about.

796
00:41:28,001 --> 00:41:28,881
Speaker 4: To do, Darling.

797
00:41:32,481 --> 00:41:33,801
Speaker 1: We're going to do this.

798
00:41:33,881 --> 00:41:36,561
Speaker 3: Wait, just look what I'm doing, Darling. I'm just going

799
00:41:36,681 --> 00:41:39,561
Speaker 3: to show you something, just a momento. I'm jumping off

800
00:41:39,641 --> 00:41:44,921
Speaker 3: this Whore's Christian there filming me.

801
00:41:46,241 --> 00:41:47,721
Speaker 1: Can we call you in ten minutes?

802
00:41:47,761 --> 00:41:48,641
Speaker 4: Can I bring you back?

803
00:41:48,761 --> 00:41:49,081
Speaker 9: Darling?

804
00:41:49,321 --> 00:41:51,041
Speaker 1: Just say good bye to mom. Just wish you're a

805
00:41:51,041 --> 00:41:51,681
Speaker 1: happy life.

806
00:41:51,761 --> 00:41:57,121
Speaker 4: I just love you that much. Mummy's boy, I love you.

807
00:41:59,081 --> 00:42:01,361
Speaker 4: That is just that has made my day.

808
00:42:02,001 --> 00:42:05,001
Speaker 1: Okay, do it for your favorite, do it for the favorite.

809
00:42:06,441 --> 00:42:06,801
Speaker 1: Here we go.

810
00:42:07,001 --> 00:42:11,081
Speaker 3: So what's the other options. I don't want to do one.

811
00:42:11,521 --> 00:42:13,881
Speaker 4: It's very Can I hang on to this?

812
00:42:14,481 --> 00:42:15,081
Speaker 7: You can?

813
00:42:15,321 --> 00:42:17,201
Speaker 4: Yes, I can stick.

814
00:42:17,321 --> 00:42:19,281
Speaker 7: When you can't hold onto this, then.

815
00:42:19,281 --> 00:42:25,001
Speaker 1: She's inching out very well, look old, don't hold on.

816
00:42:26,161 --> 00:42:28,441
Speaker 4: It's so dark down there, Christian.

817
00:42:28,681 --> 00:42:30,721
Speaker 1: Okay, here we go. You're on the edge of the plane.

818
00:42:31,841 --> 00:42:33,641
Speaker 4: Oh Sam, don't touch me.

819
00:42:35,641 --> 00:42:38,881
Speaker 1: In here we go? Here we go in three?

820
00:42:39,121 --> 00:42:43,521
Speaker 4: No, Sam, cheng to stop. Sam for fu well, the

821
00:42:43,681 --> 00:42:44,241
Speaker 4: very edge.

822
00:42:45,121 --> 00:42:47,881
Speaker 1: Same, she's not going to get to the edge. Just

823
00:42:48,001 --> 00:42:48,481
Speaker 1: push her.

824
00:42:49,121 --> 00:42:50,001
Speaker 7: No such thing.

825
00:42:50,201 --> 00:42:50,881
Speaker 1: Can I push her?

826
00:42:51,841 --> 00:42:52,201
Speaker 4: Hang on?

827
00:42:52,641 --> 00:42:54,041
Speaker 1: Don't come back on the building on.

828
00:42:54,561 --> 00:42:58,441
Speaker 4: And this is full I'm telling you this is don't come.

829
00:42:58,241 --> 00:43:01,881
Speaker 1: On full on. Are you playing the No, you're playing

830
00:43:01,921 --> 00:43:03,681
Speaker 1: the card. You're not going to do it, hand on heart.

831
00:43:03,881 --> 00:43:05,521
Speaker 4: This is wait till it up here.

832
00:43:05,641 --> 00:43:06,881
Speaker 1: Don't tell me that.

833
00:43:07,521 --> 00:43:09,440
Speaker 4: I've got people watching we fall to my death.

834
00:43:10,401 --> 00:43:13,281
Speaker 1: Yere, They've got places to be. Would you hurry up? God,

835
00:43:13,321 --> 00:43:16,961
Speaker 1: I'm so unsupportive. You're doing well, sweetie.

836
00:43:18,561 --> 00:43:21,001
Speaker 2: Oh god, no, I'm having a second thoughtmapher saying Jing,

837
00:43:21,321 --> 00:43:27,761
Speaker 2: she's gonna kill herself. Do it for the boys, for

838
00:43:27,841 --> 00:43:28,841
Speaker 2: the dirty dick brigade.

839
00:43:29,201 --> 00:43:31,521
Speaker 4: Shut up, Christian, I'm gonna whip my pen.

840
00:43:31,401 --> 00:43:32,961
Speaker 1: Because she's on the edge of the plane. She's made

841
00:43:33,001 --> 00:43:34,641
Speaker 1: it out onto the edge of the planet. Down, here

842
00:43:34,681 --> 00:43:36,161
Speaker 1: we go in three.

843
00:43:36,641 --> 00:43:39,921
Speaker 4: Stop. I need you to stop. I need you to stop.

844
00:43:41,481 --> 00:43:46,881
Speaker 3: No, three two, No, I won't do it.

845
00:43:47,201 --> 00:43:47,801
Speaker 4: I just.

846
00:43:50,561 --> 00:43:53,441
Speaker 1: I'm so sorry, so sorry. We'll be gone in a minute.

847
00:43:53,561 --> 00:43:55,921
Speaker 4: Sorry, you're upsetting the paper.

848
00:43:55,961 --> 00:43:58,681
Speaker 1: No, you are because you want to fucking jump. Here

849
00:43:58,681 --> 00:43:58,881
Speaker 1: we go.

850
00:43:59,041 --> 00:44:02,241
Speaker 3: I'm completely safe, complete, I'm completely sorry.

851
00:44:02,801 --> 00:44:03,921
Speaker 7: I wouldn't have you up here if you.

852
00:44:05,481 --> 00:44:10,161
Speaker 4: Okay, Oh, this is really like full on scary.

853
00:44:10,561 --> 00:44:13,481
Speaker 1: You're doing great, you're doing so well.

854
00:44:14,561 --> 00:44:15,601
Speaker 7: He's actually being truthful.

855
00:44:17,441 --> 00:44:21,001
Speaker 2: I'm so proud and so impressed and also a little impatient.

856
00:44:21,041 --> 00:44:21,521
Speaker 1: So here we go.

857
00:44:21,641 --> 00:44:23,361
Speaker 3: I don't think I can do it, Christian hand on

858
00:44:23,641 --> 00:44:26,801
Speaker 3: really yeah, it's full on Okay, Well you can come back,

859
00:44:28,121 --> 00:44:28,921
Speaker 3: it's achievable.

860
00:44:30,681 --> 00:44:30,881
Speaker 1: Yeah.

861
00:44:31,681 --> 00:44:35,481
Speaker 4: Can I go down on the seat? I think I

862
00:44:35,521 --> 00:44:39,121
Speaker 4: can go down the seat? Yes? What's the seat like?

863
00:44:41,601 --> 00:44:42,241
Speaker 7: The same.

864
00:44:44,561 --> 00:44:44,961
Speaker 1: Exactly?

865
00:44:45,121 --> 00:44:46,881
Speaker 3: And do you let me go or do I make

866
00:44:46,921 --> 00:44:49,721
Speaker 3: that choice? Because I'd rather you just say go do it?

867
00:44:50,201 --> 00:44:52,881
Speaker 7: Seat both of them. It's entirely up to you. It's

868
00:44:52,881 --> 00:44:56,761
Speaker 7: whenever you want to seat. I think is going to

869
00:44:56,801 --> 00:44:58,961
Speaker 7: be easy, especially for your first time doing it.

870
00:44:59,081 --> 00:45:03,321
Speaker 4: Okay, all right, let's go there. Let's look. I don't

871
00:45:03,321 --> 00:45:05,081
Speaker 4: want to let the team down, Christian.

872
00:45:04,681 --> 00:45:08,481
Speaker 3: But absolutely if you don't feel comfortable, no I can't

873
00:45:08,481 --> 00:45:09,241
Speaker 3: do it.

874
00:45:10,881 --> 00:45:14,321
Speaker 7: Swap me and then I'm gonna swap you over. So

875
00:45:14,441 --> 00:45:16,481
Speaker 7: they were all looks of things.

876
00:45:16,761 --> 00:45:19,440
Speaker 1: Okay, Christine's getting onto the scene.

877
00:45:19,681 --> 00:45:20,321
Speaker 4: Was that the chair?

878
00:45:21,041 --> 00:45:28,721
Speaker 3: It's still.

879
00:45:27,081 --> 00:45:29,121
Speaker 1: Okay, Christine's been getting onto.

880
00:45:30,001 --> 00:45:32,801
Speaker 3: The Okay, which way am I going?

881
00:45:32,481 --> 00:45:35,000
Speaker 7: Fee is just going to be one hand?

882
00:45:36,841 --> 00:45:43,761
Speaker 1: Oh god, that's okay, you've got this. Oh my god.

883
00:45:45,121 --> 00:45:49,801
Speaker 3: Okay, oh god, this is wrong. This is wrong on

884
00:45:49,881 --> 00:45:50,801
Speaker 3: so many levels.

885
00:45:51,401 --> 00:45:53,361
Speaker 4: I can't look down. I just can't look down.

886
00:45:53,561 --> 00:45:55,921
Speaker 7: You're just going to be shuffling forwards until you're right.

887
00:45:55,801 --> 00:46:03,441
Speaker 1: On the edge of the sea.

888
00:46:03,881 --> 00:46:05,601
Speaker 4: I would like to say to you be able to

889
00:46:05,641 --> 00:46:07,681
Speaker 4: do that, but as.

890
00:46:07,561 --> 00:46:09,561
Speaker 1: You to do it, well done.

891
00:46:09,801 --> 00:46:13,601
Speaker 7: Okay, okay, okay, it's going to be a little bit

892
00:46:13,641 --> 00:46:15,681
Speaker 7: more forwards, and then when you're right on the edge,

893
00:46:15,841 --> 00:46:18,121
Speaker 7: it's a matter of leaning forwards like you're sitting on

894
00:46:18,121 --> 00:46:18,480
Speaker 7: the edge.

895
00:46:18,401 --> 00:46:18,801
Speaker 4: Of the pool.

896
00:46:20,641 --> 00:46:21,081
Speaker 8: You got this.

897
00:46:23,601 --> 00:46:24,121
Speaker 3: Very good?

898
00:46:24,681 --> 00:46:26,281
Speaker 7: Okay, it'll be both hands on.

899
00:46:26,241 --> 00:46:27,841
Speaker 3: This purpose Okay, but you're not going to push me.

900
00:46:27,961 --> 00:46:29,281
Speaker 3: I don't want to be pushed. I don't want to

901
00:46:29,281 --> 00:46:31,561
Speaker 3: be touched. Don't touch me, Do not touch me.

902
00:46:31,641 --> 00:46:33,441
Speaker 2: We've just been an hour and a half with the sweetest,

903
00:46:33,521 --> 00:46:34,601
Speaker 2: nicest human being in the world.

904
00:46:34,601 --> 00:46:37,281
Speaker 1: Do you think Sam's going to push you, He's not me.

905
00:46:38,721 --> 00:46:40,401
Speaker 4: Don't push, don't touch, don't whisper.

906
00:46:43,481 --> 00:46:46,201
Speaker 1: I'm not like this same Here we go.

907
00:46:46,401 --> 00:46:50,401
Speaker 2: Christine is jumping okay from a seated position in three

908
00:46:50,761 --> 00:46:53,881
Speaker 2: shut shut, one shut.

909
00:46:54,401 --> 00:46:55,241
Speaker 1: It's never gonna happen.

910
00:46:55,481 --> 00:46:56,321
Speaker 4: Will listen to you.

911
00:46:57,361 --> 00:46:59,321
Speaker 7: My hand is gonna I'm not going to push you.

912
00:46:59,321 --> 00:47:00,881
Speaker 4: No, I don't want you to touch me. You can't

913
00:47:00,921 --> 00:47:01,321
Speaker 4: touch me.

914
00:47:05,201 --> 00:47:11,881
Speaker 7: The chair of the safety thing, Okay, it's purely going

915
00:47:11,921 --> 00:47:14,281
Speaker 7: to be a matter of leaning forwards. When you shuffle

916
00:47:14,321 --> 00:47:16,441
Speaker 7: forward a little bit more, lean forward, it's going to

917
00:47:16,521 --> 00:47:19,561
Speaker 7: catch you basically immediately, and then you're going to float down.

918
00:47:19,681 --> 00:47:21,241
Speaker 7: It's going to be great. You can be a butterfly and

919
00:47:21,321 --> 00:47:22,521
Speaker 7: even gaining around butterfly.

920
00:47:22,801 --> 00:47:27,681
Speaker 4: Christian, Okay, all right, okay.

921
00:47:27,521 --> 00:47:29,921
Speaker 7: Okay, you were ready to go whenever.

922
00:47:29,641 --> 00:47:30,401
Speaker 1: You're feeling fine.

923
00:47:31,081 --> 00:47:32,241
Speaker 4: But I thought you were going to touch me.

924
00:47:37,041 --> 00:47:39,321
Speaker 7: This makes me.

925
00:47:43,441 --> 00:47:46,401
Speaker 2: I love seeing Christine squirm and I just want to

926
00:47:46,401 --> 00:47:50,041
Speaker 2: throw it back to thirty seconds ago where Christine specifically said.

927
00:47:49,881 --> 00:47:51,841
Speaker 4: Don't push, don't touch, don't whisper.

928
00:47:53,281 --> 00:47:54,921
Speaker 2: And now she's saying.

929
00:47:54,641 --> 00:47:55,801
Speaker 4: But I thought you were going to touch me.

930
00:47:56,241 --> 00:47:58,601
Speaker 2: It's worth noting that Sam looked to me in that

931
00:47:58,761 --> 00:48:01,441
Speaker 2: moment and he was like, I don't know what to

932
00:48:01,481 --> 00:48:02,241
Speaker 2: do with this woman.

933
00:48:04,321 --> 00:48:06,681
Speaker 1: I don't know what she wants. She doesn't want me

934
00:48:06,721 --> 00:48:08,641
Speaker 1: to touch her, but she's waiting for me to touch her.

935
00:48:08,641 --> 00:48:09,761
Speaker 1: Like what do I do? A Christian?

936
00:48:10,001 --> 00:48:11,601
Speaker 2: And I just thought I'm gonna have to take this

937
00:48:11,641 --> 00:48:14,161
Speaker 2: into my own hands. And I was like, do we

938
00:48:14,201 --> 00:48:16,520
Speaker 2: do a loud countdown or do I just lean over

939
00:48:17,281 --> 00:48:19,561
Speaker 2: from where I was standing and just push her over

940
00:48:19,601 --> 00:48:20,041
Speaker 2: the edge?

941
00:48:20,281 --> 00:48:21,000
Speaker 1: Okay, here we.

942
00:48:20,921 --> 00:48:32,401
Speaker 2: Go in three two one? Look, there's a okay, come

943
00:48:32,441 --> 00:48:34,721
Speaker 2: on a bit of a bit of tea in there, please?

944
00:48:34,841 --> 00:48:36,161
Speaker 4: I need y?

945
00:48:37,481 --> 00:48:41,081
Speaker 1: Okay, here we go in three so who.

946
00:48:41,361 --> 00:48:42,481
Speaker 4: Please God, please God?

947
00:48:48,481 --> 00:49:02,841
Speaker 5: Oh okay, thank you, thank you, thank you, thank you.

948
00:49:04,241 --> 00:49:06,321
Speaker 4: Oh gosh, well done the way?

949
00:49:06,521 --> 00:49:11,001
Speaker 3: Oh just a really scary, isn't it.

950
00:49:11,001 --> 00:49:14,721
Speaker 7: It all comes with practice, but.

951
00:49:14,721 --> 00:49:16,961
Speaker 10: We'll love to do it even if it wasn't.

952
00:49:17,001 --> 00:49:20,761
Speaker 4: The water plank it was so dark, it's so dark.

953
00:49:21,361 --> 00:49:22,161
Speaker 4: How do I get out?

954
00:49:23,041 --> 00:49:23,321
Speaker 5: You want?

955
00:49:23,801 --> 00:49:25,121
Speaker 4: You want to yes, I do.

956
00:49:25,321 --> 00:49:28,841
Speaker 3: Just let me lean against something because I'm feeling quite giddy.

957
00:49:28,921 --> 00:49:31,761
Speaker 1: Yeah, I'm right, I'm stressed, purping.

958
00:49:32,161 --> 00:49:36,241
Speaker 7: Okay, okay, Okay, it's going to be if you stand up,

959
00:49:36,321 --> 00:49:38,001
Speaker 7: you go for a walk out the plank until the

960
00:49:38,161 --> 00:49:38,601
Speaker 7: very end.

961
00:49:38,761 --> 00:49:42,521
Speaker 2: Oh Jesus Christ God, no wonder she didn't want to

962
00:49:42,521 --> 00:49:44,841
Speaker 2: do it, so that way jumping?

963
00:49:45,201 --> 00:49:52,681
Speaker 1: All right, Chris Sane? Ready, are you actually recording? I

964
00:49:52,681 --> 00:49:57,081
Speaker 1: think I'm gonna shoot myself. Okay, Oh my god, Oh

965
00:49:57,641 --> 00:49:58,561
Speaker 1: I say what you mean?

966
00:50:00,721 --> 00:50:09,441
Speaker 2: Oh, for the love of Christ, Oh Jesus friggin' ship. Okay,

967
00:50:09,721 --> 00:50:11,801
Speaker 2: oh my god, Oh my god. Okay, I'm on the plank.

968
00:50:11,841 --> 00:50:13,161
Speaker 2: I'm on the plank, and they're going to walk out

969
00:50:13,241 --> 00:50:16,081
Speaker 2: onto the plank. So sorry to that beautiful couple having

970
00:50:16,081 --> 00:50:17,601
Speaker 2: their dinner. Oh God, to deal with this for the

971
00:50:17,681 --> 00:50:21,121
Speaker 2: last half an hour. Okay, here we go. Okay, can

972
00:50:21,121 --> 00:50:22,520
Speaker 2: you let me know when when I'm allowed to jump,

973
00:50:23,521 --> 00:50:35,081
Speaker 2: we'll how Oh my god, and I think I'm gonna fall. Okay, Okay, yep, yep, yep,

974
00:50:35,121 --> 00:50:35,881
Speaker 2: Oh my god, Oh my God.

975
00:50:36,361 --> 00:50:36,881
Speaker 1: And I can go.

976
00:50:36,961 --> 00:50:42,281
Speaker 2: Now keep going on the purple part, this part, which

977
00:50:42,321 --> 00:50:42,960
Speaker 2: is a purple part.

978
00:50:43,361 --> 00:50:46,000
Speaker 1: Okay, down, Okay, yep step left.

979
00:50:46,681 --> 00:50:50,761
Speaker 2: Oh fucking yeah, yeah yeah yeah yeah, yep.

980
00:50:52,601 --> 00:50:55,001
Speaker 1: Okay, kay go what.

981
00:50:56,961 --> 00:50:59,201
Speaker 4: Jesus chriss hi.

982
00:51:02,121 --> 00:51:05,761
Speaker 1: Okay, Oh my god, I'm belaying.

983
00:51:06,121 --> 00:51:13,801
Speaker 2: Oh my god, Oh.

984
00:51:12,561 --> 00:51:15,961
Speaker 1: My god, oh my god.

985
00:51:16,441 --> 00:51:21,801
Speaker 2: Okay, oh I got Jesus, Christ Jesus, she is have

986
00:51:21,961 --> 00:51:23,000
Speaker 2: fucking Oh my god.

987
00:51:23,441 --> 00:51:28,881
Speaker 1: That is horrible. That is absolutely I'm so impressed Christine

988
00:51:28,881 --> 00:51:32,281
Speaker 1: that you did the seond one because that is actually horrible.

989
00:51:32,361 --> 00:51:35,441
Speaker 1: That is so o my Jesus, my lord. Okay