1 00:00:01,400 --> 00:00:07,640 Speaker 1: It's the city and with her with Kateri podcast. 2 00:00:09,640 --> 00:00:10,800 Speaker 2: I don't know a lot of the. 3 00:00:15,040 --> 00:00:16,120 Speaker 3: Song to be. 4 00:00:16,560 --> 00:00:19,880 Speaker 1: All right, we're doing a Potato Day by Rose and 5 00:00:19,920 --> 00:00:27,040 Speaker 1: Bruno Mars, which is very Oh, Mickey, you're so fine, 6 00:00:27,080 --> 00:00:29,280 Speaker 1: You're so fine, you blow my mind, O Mickey. It 7 00:00:29,440 --> 00:00:32,920 Speaker 1: is very isn't it. Which so it says here on 8 00:00:32,960 --> 00:00:39,000 Speaker 1: Wikipedia that Rose is a South Korean slash New Zealand artist. 9 00:00:39,240 --> 00:00:41,640 Speaker 2: But she grew up in Australia. 10 00:00:41,680 --> 00:00:42,680 Speaker 1: She grew up at Melbourne. 11 00:00:42,680 --> 00:00:43,000 Speaker 2: Thank you. 12 00:00:43,479 --> 00:00:47,120 Speaker 1: She's She's a superstar, Rose, absolute superstar. So she's talking 13 00:00:47,120 --> 00:00:50,280 Speaker 1: about how the song came about. She was in a 14 00:00:50,400 --> 00:00:53,840 Speaker 1: room with some friends who were producers and they were 15 00:00:53,880 --> 00:00:55,720 Speaker 1: just talking about this drinking game. 16 00:00:56,480 --> 00:00:58,800 Speaker 4: I was like, at the studio, we were just we're 17 00:00:58,800 --> 00:01:01,760 Speaker 4: all drinking day Kirke of Hamburgers. And then I was like, 18 00:01:01,800 --> 00:01:03,960 Speaker 4: I'll teach you guys to create drinking games. And then 19 00:01:04,280 --> 00:01:06,559 Speaker 4: but I like, I called onto it because all these 20 00:01:06,680 --> 00:01:09,280 Speaker 4: they're not Korean and they're just all Americans, and they 21 00:01:09,319 --> 00:01:11,760 Speaker 4: were like a part. They were like, what is this 22 00:01:11,800 --> 00:01:15,040 Speaker 4: is crazy patio And I was like, wow, you guys 23 00:01:15,040 --> 00:01:16,720 Speaker 4: are really loving this, and so I said it as 24 00:01:16,720 --> 00:01:19,360 Speaker 4: a joke. We should make a song, and jokingly, we 25 00:01:19,400 --> 00:01:22,720 Speaker 4: made the song and that's what is right now. 26 00:01:23,160 --> 00:01:25,399 Speaker 1: How do you play the game? I'm interested as well. 27 00:01:25,400 --> 00:01:26,960 Speaker 1: You've got to put your hands in the middle. This 28 00:01:27,000 --> 00:01:28,839 Speaker 1: is how you play up Tae the drinking game. 29 00:01:29,600 --> 00:01:35,399 Speaker 4: The drinking game goes Rosie's favorite game game Sune. You 30 00:01:35,440 --> 00:01:41,760 Speaker 4: go patzas it pat Patza, and then you put your 31 00:01:41,800 --> 00:01:44,000 Speaker 4: hands in the middle, like stuck it and I'll say 32 00:01:44,000 --> 00:01:45,400 Speaker 4: like four, so one. 33 00:01:45,440 --> 00:01:47,840 Speaker 2: Two, three, put it on top three. 34 00:01:47,840 --> 00:01:49,680 Speaker 4: Four and I landed on the fourth floor. So I 35 00:01:49,680 --> 00:01:50,200 Speaker 4: take the shot. 36 00:01:50,880 --> 00:01:53,840 Speaker 5: So you're stacking your hands, are you You're stacking your hands. 37 00:01:53,880 --> 00:01:56,840 Speaker 1: That's how you play the drinking game. So I just 38 00:01:56,960 --> 00:02:00,600 Speaker 1: love Oh that's so funny. I really love the you 39 00:02:00,640 --> 00:02:02,480 Speaker 1: know the song that you sing when you play the 40 00:02:02,560 --> 00:02:06,600 Speaker 1: drinking game. So they go straight into the studio and 41 00:02:06,640 --> 00:02:10,640 Speaker 1: within like half an hour, whip they put that song together. 42 00:02:11,200 --> 00:02:13,079 Speaker 2: And this is the original. 43 00:02:12,560 --> 00:02:15,960 Speaker 1: Demo, right, So Bruno Mars not even involved yet. This 44 00:02:16,040 --> 00:02:32,800 Speaker 1: is the original demo. So I okay, it's pretty basic, 45 00:02:32,919 --> 00:02:35,160 Speaker 1: but that's the start of it. But you know, what, 46 00:02:35,280 --> 00:02:37,400 Speaker 1: is it a hit? You don't know if it's a hit. 47 00:02:37,520 --> 00:02:40,720 Speaker 1: G yeah, sure, but how's rosa? 48 00:02:41,360 --> 00:02:42,519 Speaker 2: This is unbelievable. 49 00:02:42,800 --> 00:02:45,440 Speaker 1: You have the contacts where you can get in contact 50 00:02:45,560 --> 00:02:50,880 Speaker 1: with Bruno Mars, so then Bruno Mars, she's freaking out going. Oh, 51 00:02:50,880 --> 00:02:53,160 Speaker 1: Bruno Mars would be amazing to get involved in this. 52 00:02:53,240 --> 00:02:56,519 Speaker 1: But is it a bit basic? Is it really cheesy 53 00:02:56,600 --> 00:02:59,040 Speaker 1: this song? Is Bruno Mars going to like it? 54 00:03:00,040 --> 00:03:02,639 Speaker 4: A lot of people were like, no, he's not gonna 55 00:03:02,720 --> 00:03:05,400 Speaker 4: like it. It's just like two un serious, don't send it. 56 00:03:05,919 --> 00:03:08,280 Speaker 4: And I just kind of like, at the last minute, 57 00:03:08,280 --> 00:03:09,959 Speaker 4: I switched the last song and I sent it and 58 00:03:11,040 --> 00:03:15,320 Speaker 4: that's when this whole Yeah, that's when Bruno was like 59 00:03:15,440 --> 00:03:18,920 Speaker 4: what is this? I felt like he understood the assignment. 60 00:03:19,320 --> 00:03:21,160 Speaker 4: So I think without him, I don't know if I 61 00:03:21,160 --> 00:03:23,760 Speaker 4: would have believed in this as much as I could, 62 00:03:23,880 --> 00:03:26,800 Speaker 4: because he just kind of understood it. He took it, 63 00:03:26,880 --> 00:03:29,079 Speaker 4: and then he just knew what to do with it. 64 00:03:29,760 --> 00:03:32,960 Speaker 1: And I think with the thing with Bruno Mars, we 65 00:03:33,040 --> 00:03:36,480 Speaker 1: don't realize how talented this guy is. Like he could 66 00:03:36,480 --> 00:03:39,440 Speaker 1: do a full album, whip on the guitar, on their rhymes. 67 00:03:39,680 --> 00:03:42,240 Speaker 1: The bloke knows every instrument, and we know how good 68 00:03:42,240 --> 00:03:44,920 Speaker 1: a dancer he is. I mean he was a childhood performer. 69 00:03:45,120 --> 00:03:48,800 Speaker 1: That's right with his dad like that. He's been performing 70 00:03:49,240 --> 00:03:51,920 Speaker 1: since he was five six years of age. So the 71 00:03:52,000 --> 00:03:54,560 Speaker 1: guy comes in, Bruno Mars comes in, here's the song. 72 00:03:54,800 --> 00:03:57,280 Speaker 1: He thinks there's something there, and then he just adds 73 00:03:57,320 --> 00:03:59,120 Speaker 1: his flavor and then. 74 00:03:58,960 --> 00:04:01,960 Speaker 4: He gets the guitar and then creating this really like 75 00:04:02,280 --> 00:04:05,080 Speaker 4: this rock like feel to it, and it's like he 76 00:04:05,200 --> 00:04:07,880 Speaker 4: puts that Bruno fevor in it. He picks up the 77 00:04:07,920 --> 00:04:09,160 Speaker 4: time and then he gets like he gets on the 78 00:04:09,200 --> 00:04:10,960 Speaker 4: drums and then adds all this to it and they 79 00:04:11,000 --> 00:04:14,000 Speaker 4: remember the outro starts adding these sounds and it's just 80 00:04:14,040 --> 00:04:17,039 Speaker 4: like euphloric. I just remember that. I was just freaking out. 81 00:04:17,160 --> 00:04:18,720 Speaker 4: It was such an incredible moment. 82 00:04:19,200 --> 00:04:19,880 Speaker 2: Go Bruno. 83 00:04:20,240 --> 00:04:22,920 Speaker 1: What a great moment though, when you realize that you've 84 00:04:22,920 --> 00:04:23,760 Speaker 1: got a hit song. 85 00:04:23,960 --> 00:04:27,320 Speaker 5: Yeah, I really that sounded good. Fits without Bruno Mars. 86 00:04:27,440 --> 00:04:28,440 Speaker 2: I think it would have worked. 87 00:04:28,880 --> 00:04:30,520 Speaker 5: Now, don't get me wrong, Bruno's Bruno. 88 00:04:31,040 --> 00:04:31,920 Speaker 2: It needed more. 89 00:04:32,160 --> 00:04:34,640 Speaker 1: That's like when we did Goo Goo Dolls Iris a 90 00:04:34,640 --> 00:04:37,160 Speaker 1: few weeks ago in and they were just sort of well. 91 00:04:37,200 --> 00:04:40,359 Speaker 1: They they were a struggling band and he had he 92 00:04:40,440 --> 00:04:44,279 Speaker 1: had writer's block. And the only reason that was that 93 00:04:44,400 --> 00:04:46,880 Speaker 1: was a song in a soundtrack to a big movie 94 00:04:46,920 --> 00:04:49,760 Speaker 1: by Warner Brothers. And the only reason he got that 95 00:04:49,960 --> 00:04:53,839 Speaker 1: orchestra and all that stuff around him is because Warner 96 00:04:53,839 --> 00:04:55,880 Speaker 1: Brothers paid the money to do it. When you get 97 00:04:55,880 --> 00:04:59,000 Speaker 1: someone like Bruno Mars in it takes it to another level. 98 00:04:59,720 --> 00:05:02,880 Speaker 1: It's I had two point one billion views just on 99 00:05:02,920 --> 00:05:04,600 Speaker 1: YouTube this song. Do you know? 100 00:05:05,200 --> 00:05:05,919 Speaker 2: It's crazy? 101 00:05:06,040 --> 00:05:08,560 Speaker 5: Only sort of drinking game I can think of in 102 00:05:08,640 --> 00:05:12,080 Speaker 5: Australia just the top of the head is he's a 103 00:05:12,200 --> 00:05:15,800 Speaker 5: best for he's true's I mean we could put some 104 00:05:15,920 --> 00:05:18,159 Speaker 5: music behind that fits here. 105 00:05:18,000 --> 00:05:23,039 Speaker 1: It is and Bruno mars it's apetite. 106 00:05:24,760 --> 00:05:26,040 Speaker 2: But who is the suggestion man? 107 00:05:26,160 --> 00:05:30,080 Speaker 5: This is the Fitzian Whipper with Cape Ritchie podcast. 108 00:05:30,680 --> 00:05:32,360 Speaker 2: Well let's again Lucky. 109 00:05:34,520 --> 00:05:40,520 Speaker 4: I don't know a lot of me this song to. 110 00:05:40,520 --> 00:05:44,200 Speaker 1: Be Let's go back to nineteen ninety seven, seventh of April. 111 00:05:44,320 --> 00:05:50,800 Speaker 1: This song was released by an English band called Blue. 112 00:05:52,760 --> 00:05:55,760 Speaker 1: I mean, everyone knows that it's a great song. It 113 00:05:55,920 --> 00:05:58,680 Speaker 1: fires any dance floor up and it is and it's 114 00:05:58,720 --> 00:06:02,240 Speaker 1: such a basic, simple song, very interesting the origins of 115 00:06:02,279 --> 00:06:06,279 Speaker 1: this song. Let's talk about their genius singer Damon Albarn 116 00:06:06,400 --> 00:06:10,200 Speaker 1: and we know how good he's been with gorillas as well, 117 00:06:10,320 --> 00:06:13,920 Speaker 1: and the amount of songs that he samples and sort 118 00:06:13,960 --> 00:06:14,520 Speaker 1: of takes. 119 00:06:15,000 --> 00:06:16,479 Speaker 2: I mean we've spoken about this before. 120 00:06:16,520 --> 00:06:19,840 Speaker 1: He used to just a basic sort of keyboard and 121 00:06:19,920 --> 00:06:24,400 Speaker 1: just one of the sort of registered sort of beats 122 00:06:24,400 --> 00:06:27,000 Speaker 1: that makes the keyboard and put that into a song. 123 00:06:27,760 --> 00:06:27,800 Speaker 4: That. 124 00:06:29,839 --> 00:06:34,039 Speaker 1: Yeah, So he speaks about his interesting way of putting 125 00:06:34,160 --> 00:06:34,919 Speaker 1: music together. 126 00:06:35,520 --> 00:06:37,400 Speaker 4: I mean, the whole thing about pop music is that 127 00:06:37,440 --> 00:06:39,440 Speaker 4: you're just you know, you're ripping off as many people 128 00:06:39,880 --> 00:06:42,000 Speaker 4: as you possibly can, you know, and the trick is 129 00:06:42,080 --> 00:06:43,320 Speaker 4: just listened to the right people. 130 00:06:44,400 --> 00:06:45,320 Speaker 2: So that's what he does. 131 00:06:45,400 --> 00:06:47,000 Speaker 1: He listens to a lot of music and then he 132 00:06:47,040 --> 00:06:50,400 Speaker 1: puts it into a song. So song two was actually 133 00:06:50,440 --> 00:06:53,279 Speaker 1: inspired by a Brazilian pop style. 134 00:06:53,400 --> 00:06:54,279 Speaker 2: Have a listen to this. 135 00:06:55,800 --> 00:06:56,040 Speaker 4: Song? 136 00:06:56,160 --> 00:06:57,840 Speaker 3: Who is kind of bottling over? 137 00:07:00,320 --> 00:07:00,480 Speaker 2: Right? 138 00:07:02,520 --> 00:07:05,600 Speaker 1: So bus and Over is a Brazilian music style and 139 00:07:05,720 --> 00:07:08,760 Speaker 1: that's what he brought to the band. So Graham Cox 140 00:07:08,839 --> 00:07:12,920 Speaker 1: and the lead guitarist, talks about and they've actually got 141 00:07:12,960 --> 00:07:16,400 Speaker 1: an example of what the original demo of song too was. 142 00:07:16,440 --> 00:07:17,000 Speaker 2: Have a listen. 143 00:07:17,840 --> 00:07:20,120 Speaker 3: Well, Damon had this little song that he had on 144 00:07:20,120 --> 00:07:23,840 Speaker 3: acoustic guitar. He had demo It's very slow on guitar, 145 00:07:23,880 --> 00:07:25,640 Speaker 3: and it went to. 146 00:07:30,920 --> 00:07:41,720 Speaker 2: To that was the original. 147 00:07:47,120 --> 00:07:50,800 Speaker 1: Isn't that amazing? And then blurt then have a listened 148 00:07:50,800 --> 00:07:53,200 Speaker 1: to Graham Cox and talk about this right, because they 149 00:07:53,240 --> 00:07:55,480 Speaker 1: listened to it and went they're a bit off their 150 00:07:55,560 --> 00:07:58,920 Speaker 1: record company at the time, so they said, let's turn 151 00:07:59,000 --> 00:08:01,760 Speaker 1: this into a piss tape, thinking that the record company 152 00:08:01,800 --> 00:08:02,680 Speaker 1: would hate it. 153 00:08:03,600 --> 00:08:05,280 Speaker 3: I was like, this is quite this is quite good 154 00:08:05,320 --> 00:08:08,440 Speaker 3: letter really really fast, really really noisy and horrible, and 155 00:08:10,120 --> 00:08:12,600 Speaker 3: tell the record label that we want to record it 156 00:08:12,640 --> 00:08:14,320 Speaker 3: as a single. I'll scare him to death. 157 00:08:15,800 --> 00:08:16,560 Speaker 2: I hate it. 158 00:08:17,760 --> 00:08:19,480 Speaker 3: And so that's what we did. And they came in 159 00:08:19,520 --> 00:08:23,800 Speaker 3: and we played it to them, giggling, playing that one, 160 00:08:23,840 --> 00:08:27,240 Speaker 3: you know, the one, that second song we recorded, and 161 00:08:27,960 --> 00:08:29,760 Speaker 3: they're like, wow, this is excellent. 162 00:08:31,360 --> 00:08:32,640 Speaker 2: I just to annoy them. 163 00:08:33,000 --> 00:08:36,400 Speaker 1: It blew up in their faces. And lyric wise, Damon 164 00:08:36,559 --> 00:08:39,480 Speaker 1: was just throwing words. He just this is what I 165 00:08:39,520 --> 00:08:42,480 Speaker 1: love about him, like less is more so throwing words 166 00:08:42,520 --> 00:08:45,000 Speaker 1: in and it just stuck and he didn't want to 167 00:08:45,080 --> 00:08:58,560 Speaker 1: change it. 168 00:08:58,559 --> 00:09:01,560 Speaker 3: It's a good vocal, th doughn't it just is relaxed 169 00:09:01,600 --> 00:09:03,280 Speaker 3: and I think he wrote lyrics and how to go 170 00:09:03,480 --> 00:09:08,040 Speaker 3: doing the vocal again? It's just not is I ever 171 00:09:08,160 --> 00:09:11,880 Speaker 3: trying too hard or something and self conscious or it 172 00:09:12,000 --> 00:09:13,840 Speaker 3: was just like I'll blow it, just have these. 173 00:09:15,480 --> 00:09:15,920 Speaker 2: Do you know what? 174 00:09:16,520 --> 00:09:20,679 Speaker 1: They weren't even trying with this song and it became 175 00:09:20,720 --> 00:09:22,240 Speaker 1: their biggest song of all time. 176 00:09:22,080 --> 00:09:23,640 Speaker 5: Because I was when you brought the song up to 177 00:09:23,640 --> 00:09:25,440 Speaker 5: start with this, I was about to say, I don't 178 00:09:25,480 --> 00:09:27,880 Speaker 5: know one word of this song. I know the song 179 00:09:28,040 --> 00:09:30,959 Speaker 5: very well and they but I don't know anything else. 180 00:09:31,360 --> 00:09:35,040 Speaker 1: So they, I mean, Damon had an idea. Then out 181 00:09:35,120 --> 00:09:37,760 Speaker 1: of spite of their record company, they try to make 182 00:09:37,800 --> 00:09:41,160 Speaker 1: the worst version of that idea. He threw in words 183 00:09:41,200 --> 00:09:44,520 Speaker 1: that don't that don't make sense, and it's now their 184 00:09:44,520 --> 00:09:45,280 Speaker 1: biggest song of. 185 00:09:45,240 --> 00:09:49,000 Speaker 5: All woe and what it's called song too songs didn't 186 00:09:49,000 --> 00:09:51,800 Speaker 5: even bother giving it a proper names. In Whippa with 187 00:09:51,880 --> 00:09:55,240 Speaker 5: Kate Ritchie is a Nova podcast walk great shows like this. 188 00:09:55,600 --> 00:09:58,680 Speaker 5: Download the Nova player, fight the app Store or Google 189 00:09:58,760 --> 00:09:59,120 Speaker 5: playing 190 00:10:01,640 --> 00:10:02,000 Speaker 4: M hmm