WEBVTT - Yay Or Nay: Communal Cubicle Conversations.

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<v Speaker 1>Well, what a journey. You went this way, you went

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<v Speaker 1>that way, and then you went backwards, and then you

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<v Speaker 1>went forwards, and then you jumped and you kept on

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<v Speaker 1>going forwards and now you're at the podcast.

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<v Speaker 2>No, you forgot. They've skipped as well.

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<v Speaker 1>Skipped all the different parts of this journey which has

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<v Speaker 1>brought you here. And Jesus been worth it though, isn't it?

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<v Speaker 2>Oh, isn't it?

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<v Speaker 3>We have a massive lineup for you, judge Jody. We

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<v Speaker 3>really drill down on the important topics and that is

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<v Speaker 3>whether you chat or not in the toilet or just

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<v Speaker 3>do you have to do your business in silence?

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<v Speaker 1>I know you've been thinking it in particular if you're

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<v Speaker 1>a bloke, and obviously the stock standards set up as

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<v Speaker 1>a three cubicle type areas and if you're that sort

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<v Speaker 1>of person, just their heads up and you choose the

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<v Speaker 1>middle cubicle when no one else is around, that's on you.

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<v Speaker 1>There's something wrong with you.

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<v Speaker 2>You've got everything that's coming to you.

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<v Speaker 1>Yes, you deserve some harsh feedback, poor life choices. We

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<v Speaker 1>spoke to Brenton Ragless and Kate Colins from Channel Night.

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<v Speaker 3>Yes they came on down so we had a really

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<v Speaker 3>good chat. Kate was quite honest about who mommy gilt,

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<v Speaker 3>which was nice.

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<v Speaker 2>We all feel it.

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<v Speaker 1>Yeah, Jody's diary. So this is a new segment which

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<v Speaker 1>will be a weekly thing. It made its inaugural the

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<v Speaker 1>first and you're describing it as an opportunity for you

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<v Speaker 1>to just sort of air and pen your thoughts. Yeah,

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<v Speaker 1>it feels like it's an opportunity for you to really

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<v Speaker 1>really smash me in a way where it's almost comedy.

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<v Speaker 3>I don't care for your feelings. You're not in the

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<v Speaker 3>middle cubicle right now. You don't get to talk about it.

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<v Speaker 1>That's what it felt like.

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<v Speaker 2>Enjoy the podcast, guys. Dear Judge Jody.

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<v Speaker 3>I was in the work toilet cubicle last Friday, and

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<v Speaker 3>I just wish every Judge Jody would start with that sentence.

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<v Speaker 3>When a colleague in the stall next to me, whose

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<v Speaker 3>voice I clearly recognized, struck up a conversation, I couldn't

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<v Speaker 3>bring myself to respond because I considered the toilet to

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<v Speaker 3>be a private place. After several attempts, my work had

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<v Speaker 3>bought Oh no, my work colleagues seemed to get upset,

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<v Speaker 3>and I heard the mutter a rude name under her breath.

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<v Speaker 3>It was so orcs and I had to wait five

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<v Speaker 3>minutes until I was sure they had gone.

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<v Speaker 2>What should I do? Chantel from Prospects?

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<v Speaker 1>Wow?

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<v Speaker 2>Am I okay? So many layers here.

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<v Speaker 1>There's so many lads. There's a lot to digest there.

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<v Speaker 1>Can I just say that when it comes to what

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<v Speaker 1>you should and shouldn't do in a toilet cubicle, we

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<v Speaker 1>can get down a very dark path. But in most workplaces,

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<v Speaker 1>particularly themmen's toilets, you've got a row of three toilets, right,

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<v Speaker 1>I just want to take this opportunity. If you choose

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<v Speaker 1>to do what you need to do in the middle

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<v Speaker 1>toilet and you're not forced to go there, you're as

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<v Speaker 1>good as a terrorist.

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<v Speaker 3>And you.

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<v Speaker 1>And that's my final ruling. Seriously, you've got to go

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<v Speaker 1>on the sides and sometimes and you know who you

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<v Speaker 1>are as well. You need to be identified. But if

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<v Speaker 1>you want to choose the middle to them, what are

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<v Speaker 1>you doing? Do you want? Do you want to touch

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<v Speaker 1>someone while you're doing a number two? What the hell's

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<v Speaker 1>going on?

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<v Speaker 2>Do you want the attention?

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<v Speaker 1>Sorry to derail judge, so you get that off fro

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<v Speaker 1>my chest.

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<v Speaker 2>It's so fine.

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<v Speaker 3>I will quite often, Oh, God, I can't let it,

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<v Speaker 3>am I say, am I on the radio. Often I

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<v Speaker 3>will quite often just wait until people leave to do

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<v Speaker 3>what I need to.

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<v Speaker 1>Do, absolutely because you don't want to make noise or.

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<v Speaker 3>Yes, and if like, if there's someone there, then I

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<v Speaker 3>will sit and wait quietly.

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<v Speaker 1>What if you're making too much noise and the person's like,

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<v Speaker 1>oh boy, what's going on there? And you're like, damn,

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<v Speaker 1>that's me.

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<v Speaker 2>But you don't need to chat.

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<v Speaker 3>But also sometimes it's really awkward when you walk in

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<v Speaker 3>with a colleague at the same time and you both

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<v Speaker 3>walk into the cubicle and you have no choice and

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<v Speaker 3>you're having a conversation. What do you stop the minute

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<v Speaker 3>you squat onto the toilet?

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<v Speaker 1>See, so what's going on here? I think I've got

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<v Speaker 1>an idea. There's a newspaper tuck down to your arms.

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<v Speaker 1>That's a really settling note.

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<v Speaker 2>I don't know. This is let's go to Abbey in

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<v Speaker 2>the newsroom. Abs thoughts. We've shared a toilet cubicle? Good?

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<v Speaker 4>I was just thinking that, actually, And I thought Judy

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<v Speaker 4>and I shared a toilet cubicle when we first started,

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<v Speaker 4>well the pubicle, but the actual bathroom we did.

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<v Speaker 2>We chatted on the way in and then did I

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<v Speaker 2>just stop talking?

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<v Speaker 4>Yeah, yeah, we stopped, which I was thankful for because

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<v Speaker 4>I'm not a fet like especially at work. No, but

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<v Speaker 4>with my best friend, for example, like Caitlin and I

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<v Speaker 4>will go into the cubicle together. But we're best friends,

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<v Speaker 4>so that's fine.

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<v Speaker 2>Yeah, so what are you saying about our friendship?

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<v Speaker 4>Well, once we become best friends and we can go

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<v Speaker 4>into the cubicle together too.

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<v Speaker 1>So just to tap into the inner sanctum of ladies,

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<v Speaker 1>Abby and Jodie, what are you doing in the cubicle?

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<v Speaker 1>Is this chatting? You're applying makeup or what's happening?

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<v Speaker 3>Well, all sorts of things. And when you're out, Abby,

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<v Speaker 3>correct me if I'm wrong. When you're out and you've

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<v Speaker 3>had a few drinks and you share, you go to

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<v Speaker 3>the toilet and there's another strange female in there, you

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<v Speaker 3>can become best friends in an instant.

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<v Speaker 2>Am I right? Abs One?

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<v Speaker 4>Some of my best friends have been made in bathrooms.

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<v Speaker 2>Yeah? Really, yeah, I don't know what it is.

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<v Speaker 3>It's just a safe space where you can just strike

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<v Speaker 3>up a conversation with someone you've never met.

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<v Speaker 1>Well, that's a humble level thirty seven years of age,

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<v Speaker 1>and I can safely say that I've never made friends

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<v Speaker 1>with someone instantly in a bathroom.

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<v Speaker 2>Well that on you, mate, that's on me. That is

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<v Speaker 2>on you.

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<v Speaker 1>That's a personality thing.

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<v Speaker 3>It's different for men though, Like, Okay, what's the rules

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<v Speaker 3>when you're at the urinal? Do you you stop chatting?

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<v Speaker 3>Do you strike up a conversation? What are the rules there?

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<v Speaker 1>You do what you need to do, eyes it firmly

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<v Speaker 1>fixed to the front. Yes, thank you very much. Yeah,

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<v Speaker 1>that's the other that's another awkward thing. Yeah, you're right.

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<v Speaker 1>Who strikes up a conversation? And if you strike up

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<v Speaker 1>the conversation before the flow has initially started, are you

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<v Speaker 1>halting proceedings right because the stage frightened? Whatnot? There's a

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<v Speaker 1>lot of layers to this, Judge Jodey, isn't it so

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<v Speaker 1>many layers?

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<v Speaker 3>Thirteen twenty four to ten? Please get involved in this conversation.

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<v Speaker 1>Want to extend the podcast?

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<v Speaker 2>Do you chat on the toilet? That's basically what we're

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<v Speaker 2>asking this morning.

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<v Speaker 3>We've got big wedgy tickets up for grabs.

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<v Speaker 1>Why wouldn't you thirteen twenty four to ten. We'll take

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<v Speaker 1>your cause next Sam, we'll dish out a final ruling.

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<v Speaker 3>I don't know how I feel about talking about the

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<v Speaker 3>big weggye when the topic of conversation.

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<v Speaker 1>Is the toilets, there's some kind of strange little correlation,

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<v Speaker 1>real serious one.

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<v Speaker 3>This morning Chantel was in the work toilet qubicule. Last Friday,

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<v Speaker 3>colleague in the stall next to it struck up a conversation.

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<v Speaker 3>She didn't respond, and then the colleague got annoyed and muttered,

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<v Speaker 3>unto her breath, a rude word thirteen twenty four to ten.

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<v Speaker 3>Please get involved in this one. Do you chat in

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<v Speaker 3>the toilet?

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<v Speaker 1>Yes, we can sort of broaden it as well to

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<v Speaker 1>include the guys at the urinal. That's what I was

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<v Speaker 1>saying before is if it's your initial stages, when you

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<v Speaker 1>really get yourself there, it can disrupt the flow. If

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<v Speaker 1>it's someone you don't know, I.

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<v Speaker 2>Need to drill down on this. What do you mean

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<v Speaker 2>It distracts you from what you're supposed to be doing.

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<v Speaker 1>What you're supposed to be doing, because probably the hardest

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<v Speaker 1>part is the initial release, and then everything's fine from there.

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<v Speaker 1>It's really really tiptoe on the edge of what it

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<v Speaker 1>can and can't say. But sometimes a chat distract you

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<v Speaker 1>from your purpose and being there yeah, right, particularly if

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<v Speaker 1>it's with the stranger.

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<v Speaker 3>Okay, let's go to Emma. Emma save me please, Emma

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<v Speaker 3>from Tusmo.

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<v Speaker 1>Good morning, Good morning guys. No, definitely not, especially as

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<v Speaker 1>a drown adult.

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<v Speaker 5>She needs to have peace of.

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<v Speaker 1>Quiet, and especially if you have children, because.

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<v Speaker 6>When you go, when you have children and then next

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<v Speaker 6>door to you, they want all handed over the top

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<v Speaker 6>underneath me.

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<v Speaker 5>So no, it's definitely not right.

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<v Speaker 3>No chatting on the toilet. No, all right, thank you, Emma.

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<v Speaker 3>I mean, one of the worst things in life when

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<v Speaker 3>you're a mum or you're a dad, is like you

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<v Speaker 3>go to the toilet to get just three minutes piece,

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<v Speaker 3>three minutes, and on occasions they will still follow you.

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<v Speaker 2>They'll trottle in and they'll go, Mummy, I'm hungry.

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<v Speaker 3>I'm like, can I trust? Could I trust perform this

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<v Speaker 3>bodily function which.

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<v Speaker 1>Is actually turns into your little time out? And now

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<v Speaker 1>I've noticed it as well. That's when my daughter goes

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<v Speaker 1>to toilet, I need to be sitting there a meet away.

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<v Speaker 1>Why can't they go there?

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<v Speaker 2>Why can't they go by themselves?

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<v Speaker 1>This will change pretty soon.

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<v Speaker 3>My three year old is like, Mommy, I need to

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<v Speaker 3>go to the toilet. I'm like, well, you know what

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<v Speaker 3>to do. She's like, no, come with me.

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<v Speaker 2>For the love of God, Morgan from good morning? Are

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<v Speaker 2>you a chattering warning?

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<v Speaker 3>Are you a chatter on the toilet? Just really drilling

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<v Speaker 3>down on the big topics this morning?

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<v Speaker 6>I am actually are you?

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<v Speaker 7>Yeah?

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<v Speaker 6>I love it?

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<v Speaker 2>Okay, all right, talk us through it?

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<v Speaker 1>And how do you initiate conversation?

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<v Speaker 5>Morgan?

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<v Speaker 6>Well, it depends if you walk in at the same time,

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<v Speaker 6>it's kind of awkward. So if you don't talk, then

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<v Speaker 6>like they're in there and you know they're in there,

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<v Speaker 6>and it's just yeah, it's awkward if you don't talk,

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<v Speaker 6>I think. But if you start a conversation before you

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<v Speaker 6>go in, then it's not awkward.

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<v Speaker 2>Right, But don't you want to give it a rest

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<v Speaker 2>while you have to do what you have to do?

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<v Speaker 6>Yes, I don't know. I think yeah, other people might

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<v Speaker 6>think I'm weird, but.

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<v Speaker 2>Yes, Morgan is a toilet chatter.

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<v Speaker 1>You're that person next to me. How are you? How's

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<v Speaker 1>it going in there?

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<v Speaker 2>My name's Morgan. What do you do for a living?

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<v Speaker 1>I'm just trying to take some personal time.

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<v Speaker 2>My ruling is very very clear on this one. If

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<v Speaker 2>you're on the toilet, just.

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<v Speaker 3>If you have to the quiet until the person leaves, Like,

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<v Speaker 3>just don't chat, don't chat on the toilet, just just

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<v Speaker 3>take the time to do what you have to do.

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<v Speaker 1>Andrew, Okay, that's fair. That's your final final ruling. There

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<v Speaker 1>we go for Judge Jardy thoughts on that kin textus

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<v Speaker 1>as well, low full double O n My nine nine,

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<v Speaker 1>My nine The.

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<v Speaker 8>Guest making story This town has Hupid time, Juicy Joe Joe.

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<v Speaker 3>Well, Rihanna is showing off her stylish and growing family

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<v Speaker 3>hot off the heels of her massive Super Bowl halftime

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<v Speaker 3>show performance. The pregnant Umbrella singer has announced has been

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<v Speaker 3>announced as the March cover star of British Bog and

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<v Speaker 3>fans get to see a sneak peaker her nine month

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<v Speaker 3>old in the process. This nine month old baby is

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<v Speaker 3>so cute, look at asap rocky or as you like

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<v Speaker 3>to call him, as.

0:09:57.880 --> 0:10:00.520
<v Speaker 1>Soon as little Junior, as soon as possible.

0:10:02.000 --> 0:10:04.120
<v Speaker 2>Good, Yes, I know, super cute.

0:10:04.800 --> 0:10:07.719
<v Speaker 3>So she's posing with a SAP and we don't know

0:10:07.800 --> 0:10:10.079
<v Speaker 3>the baby's name nine months old. Probably name the baby now,

0:10:10.320 --> 0:10:12.040
<v Speaker 3>I reckon yes, and.

0:10:12.080 --> 0:10:15.240
<v Speaker 1>It would eventually be abbreviated Yeah, whatever the name is.

0:10:15.640 --> 0:10:17.319
<v Speaker 1>We'll get the full name, and then eventually it'll be

0:10:17.679 --> 0:10:19.480
<v Speaker 1>abbreviated with probably a little money.

0:10:19.320 --> 0:10:21.800
<v Speaker 2>Sign and it's going to be called brb right.

0:10:25.000 --> 0:10:28.160
<v Speaker 1>Be right, Beg's dad call me a sap.

0:10:29.760 --> 0:10:32.640
<v Speaker 3>Rihanna looks stultiery in a sexy black Chanel dress with

0:10:32.640 --> 0:10:35.160
<v Speaker 3>a high slid on the cover. She said during the weekend,

0:10:35.200 --> 0:10:37.360
<v Speaker 3>I thought this was really curious. She said, No matter

0:10:37.400 --> 0:10:41.000
<v Speaker 3>how you look at it, motherhood, working takes you away

0:10:41.080 --> 0:10:41.880
<v Speaker 3>from being a mum.

0:10:42.160 --> 0:10:44.880
<v Speaker 2>And I was like, why is that helpful?

0:10:45.200 --> 0:10:47.960
<v Speaker 3>Like, as mums, we all have to work, Like there's

0:10:48.000 --> 0:10:49.920
<v Speaker 3>no point in sort of guilting us about it.

0:10:50.120 --> 0:10:53.120
<v Speaker 1>Is that also Rihanna trying to somehow connect with the

0:10:53.200 --> 0:10:55.800
<v Speaker 1>rest of the mother's across this planet, even though she's

0:10:55.840 --> 0:10:57.199
<v Speaker 1>worth what two billion? Doltis I know?

0:10:57.520 --> 0:10:57.679
<v Speaker 4>I know?

0:10:57.920 --> 0:11:00.559
<v Speaker 3>But also like, no one says that about dad, Like

0:11:01.120 --> 0:11:03.280
<v Speaker 3>working dads takes you away from being a dad.

0:11:03.400 --> 0:11:03.920
<v Speaker 2>No one says that.

0:11:04.160 --> 0:11:05.520
<v Speaker 1>Okay, I feel the path that you're going down.

0:11:05.880 --> 0:11:06.600
<v Speaker 2>I don't, won't I think?

0:11:06.640 --> 0:11:07.400
<v Speaker 1>Can we just stick that?

0:11:08.200 --> 0:11:10.800
<v Speaker 2>I'm going to move on and applaud Chris Jenner.

0:11:11.240 --> 0:11:13.920
<v Speaker 3>She's spuck speculation that she might be engaged to Corey

0:11:14.000 --> 0:11:17.280
<v Speaker 3>Gamble with a new Valentine's Day photo of a massive sparkler.

0:11:17.760 --> 0:11:21.920
<v Speaker 3>So the Kardashian Jenna family matriarch, who is sixty seven,

0:11:22.240 --> 0:11:24.200
<v Speaker 3>posted a photo of a huge ring on her left

0:11:24.200 --> 0:11:26.800
<v Speaker 3>hand on her Insta story during the week.

0:11:27.120 --> 0:11:30.080
<v Speaker 1>Oh that is just such good news. So whatever you're

0:11:30.080 --> 0:11:34.040
<v Speaker 1>doing this morning, there's anything that's troubling, you just know

0:11:35.040 --> 0:11:36.080
<v Speaker 1>that Chris Jenna's fine.

0:11:36.920 --> 0:11:39.199
<v Speaker 2>She's sixty seven, therefore you're fine. How old he do

0:11:39.200 --> 0:11:39.560
<v Speaker 2>you reckon?

0:11:39.880 --> 0:11:42.120
<v Speaker 1>Ah, she's ninety four.

0:11:42.720 --> 0:11:46.319
<v Speaker 2>Oh he's forty two two. Yeah, good for him. I

0:11:46.400 --> 0:11:47.120
<v Speaker 2>love a younger.

0:11:46.920 --> 0:11:50.000
<v Speaker 3>Man's testament to the fact that I'm married to Gregordi,

0:11:50.040 --> 0:11:52.720
<v Speaker 3>who is significantly younger than he is.

0:11:53.640 --> 0:11:55.120
<v Speaker 1>Five Who.

0:11:56.520 --> 0:11:57.280
<v Speaker 2>What does that mean?

0:11:58.360 --> 0:11:58.719
<v Speaker 1>Both of you?

0:12:02.800 --> 0:12:05.000
<v Speaker 3>And if Megan and Harry thought that escaped the wrath

0:12:05.040 --> 0:12:07.760
<v Speaker 3>of South Park, they were sorely mistaken. So the show's

0:12:07.840 --> 0:12:11.800
<v Speaker 3>latest episode is called the Worldwide Privacy Tour. It took

0:12:11.960 --> 0:12:14.480
<v Speaker 3>dozens of merciless swipes at the Royal outcast.

0:12:14.600 --> 0:12:15.160
<v Speaker 2>Take a listen.

0:12:15.760 --> 0:12:17.800
<v Speaker 5>I'm thick of hearing about them, but they can't get

0:12:17.840 --> 0:12:18.439
<v Speaker 5>away from them.

0:12:18.760 --> 0:12:20.640
<v Speaker 2>Y'very everywhere in my face.

0:12:20.840 --> 0:12:23.520
<v Speaker 9>But Kyle, we just kind of don't care about some

0:12:23.640 --> 0:12:24.920
<v Speaker 9>dumb Prince in a stupid.

0:12:24.640 --> 0:12:27.360
<v Speaker 2>Way, frutal.

0:12:28.120 --> 0:12:28.760
<v Speaker 1>That is good.

0:12:28.960 --> 0:12:31.760
<v Speaker 2>Yeah, you're gonna love this. Next story, what about this?

0:12:31.960 --> 0:12:34.520
<v Speaker 3>The Venger Boys are returning to Australia and New Zealand

0:12:34.559 --> 0:12:37.200
<v Speaker 3>for their twenty fifth anniversary tour. The band has been

0:12:37.240 --> 0:12:39.480
<v Speaker 3>traveling around Australia for the last two weeks and now

0:12:39.520 --> 0:12:42.240
<v Speaker 3>Adelaide is our turn to get Benga boy. Do we

0:12:42.320 --> 0:12:43.600
<v Speaker 3>have a bit of Avenger Bus there?

0:12:49.559 --> 0:12:52.000
<v Speaker 1>So, look, this is exciting for some people, not so

0:12:52.120 --> 0:12:54.280
<v Speaker 1>exciting for other people. But just to paint a picture

0:12:54.520 --> 0:12:58.480
<v Speaker 1>down here at Dedi's Cafe, morphogbal producer Sean So right now,

0:12:58.559 --> 0:13:00.760
<v Speaker 1>he's like six feet in the air and he's just hovering.

0:13:00.840 --> 0:13:02.079
<v Speaker 2>He's levitating and he's.

0:13:01.880 --> 0:13:04.439
<v Speaker 1>Got this really bright pink aura about him, which is

0:13:04.520 --> 0:13:06.720
<v Speaker 1>the theme for the Banger Boys. He's just hitting him

0:13:06.760 --> 0:13:07.640
<v Speaker 1>just a little bit differently.

0:13:07.800 --> 0:13:09.880
<v Speaker 3>He's going tomorrow night and he's going to be so

0:13:09.960 --> 0:13:12.440
<v Speaker 3>excited about the supporting acts. Who are Wick Field, Alice,

0:13:12.520 --> 0:13:15.880
<v Speaker 3>DJ Entrance, Real to Real featuring the Mad Stuckman and

0:13:16.000 --> 0:13:17.400
<v Speaker 3>resident DJ Nick Skins.

0:13:17.480 --> 0:13:20.040
<v Speaker 1>Yeah, Nick skits As It Skits Mix.

0:13:20.160 --> 0:13:21.360
<v Speaker 5>It's me EXAs Mix.

0:13:21.440 --> 0:13:23.480
<v Speaker 1>He was like, I'm going to retire after skits mixed

0:13:23.760 --> 0:13:29.840
<v Speaker 1>A thousand fifty nick what a solid running at.

0:13:29.840 --> 0:13:32.720
<v Speaker 3>They are performing at the Heinley Street Music Hall tomorrow night.

0:13:33.000 --> 0:13:35.240
<v Speaker 3>Tickets are through front editoring dot com dot are you?

0:13:35.360 --> 0:13:37.199
<v Speaker 3>But if he likes it, we've got two doubles.

0:13:36.880 --> 0:13:37.320
<v Speaker 2>To give away.

0:13:37.360 --> 0:13:39.880
<v Speaker 1>I don't tell me, don't tell me. Producer Sean pulled

0:13:39.960 --> 0:13:45.120
<v Speaker 1>some strings and yeah, sure coming Yes, twenty.

0:13:44.840 --> 0:13:45.280
<v Speaker 10>Four to ten.

0:13:45.559 --> 0:13:47.480
<v Speaker 2>That is my juice. Please take us out on a

0:13:47.640 --> 0:13:57.280
<v Speaker 2>little bit more. Look for holiday you.

0:13:57.440 --> 0:14:01.480
<v Speaker 1>This summer because he's a little different on holiday, A daring, relaxing.

0:14:01.600 --> 0:14:03.000
<v Speaker 1>Sometimes it'd be more fancy.

0:14:03.160 --> 0:14:05.320
<v Speaker 3>And what if has all kinds of accommodation to suit

0:14:05.400 --> 0:14:06.440
<v Speaker 3>your style, booking to.

0:14:06.440 --> 0:14:09.000
<v Speaker 1>Get away on the what if it's Aussie for travel?

0:14:14.400 --> 0:14:15.040
<v Speaker 8>We're on, We're on.

0:14:17.880 --> 0:14:19.160
<v Speaker 2>I don't I don't play you guys.

0:14:19.240 --> 0:14:19.800
<v Speaker 1>That was great.

0:14:20.240 --> 0:14:22.480
<v Speaker 3>I don't know about you two. But when I hear

0:14:22.520 --> 0:14:27.600
<v Speaker 3>the sting for our news, oh my god, it's six o'clock.

0:14:27.600 --> 0:14:29.040
<v Speaker 1>It's six o'clock up to.

0:14:29.080 --> 0:14:34.200
<v Speaker 2>Date, A very good morning to Kate Collins and Brenton Ragless.

0:14:34.280 --> 0:14:36.800
<v Speaker 2>Thank you guys for coming down having us.

0:14:36.880 --> 0:14:38.520
<v Speaker 1>It's great, great, what is set up?

0:14:38.720 --> 0:14:38.880
<v Speaker 3>Oh?

0:14:39.040 --> 0:14:39.600
<v Speaker 5>This is great?

0:14:39.760 --> 0:14:39.960
<v Speaker 3>Wow?

0:14:40.120 --> 0:14:42.440
<v Speaker 2>So did that just put you into news mode, like God,

0:14:42.520 --> 0:14:45.040
<v Speaker 2>I've got to read a headline about a fire.

0:14:45.000 --> 0:14:47.440
<v Speaker 11>Or something probably, and then at six o'clock tonight, we'll

0:14:47.440 --> 0:14:48.800
<v Speaker 11>pretend we're doing breakfast radio.

0:14:49.040 --> 0:14:51.040
<v Speaker 9>Yeah, just mix it up a bit.

0:14:51.160 --> 0:14:53.640
<v Speaker 2>Yeah, well you need to play play dual leaper at

0:14:53.640 --> 0:14:54.240
<v Speaker 2>the start of the year.

0:14:54.560 --> 0:14:58.480
<v Speaker 1>Yeah night, that's going to throw your viewers a nice

0:14:58.520 --> 0:15:00.960
<v Speaker 1>little change up as well as you're doing the same

0:15:00.960 --> 0:15:02.000
<v Speaker 1>sort of stuff you're out about.

0:15:02.200 --> 0:15:04.240
<v Speaker 11>Yeah, we have been, and that's actually been you know,

0:15:04.360 --> 0:15:06.200
<v Speaker 11>something that we did a lot of pre pandemic. But

0:15:06.280 --> 0:15:07.760
<v Speaker 11>it's been great, isn't it, Kate, Just to be able

0:15:07.760 --> 0:15:10.200
<v Speaker 11>to get together and meet people and hear their stories

0:15:10.240 --> 0:15:11.760
<v Speaker 11>and how they're going. There's a lot going on in

0:15:11.840 --> 0:15:14.360
<v Speaker 11>our communities as we know, so it's just a chance

0:15:14.400 --> 0:15:16.480
<v Speaker 11>for us to I kind of feel the vibe here

0:15:16.520 --> 0:15:18.560
<v Speaker 11>in Adelaide with what's making news and so on.

0:15:18.800 --> 0:15:20.960
<v Speaker 12>Yeah, we've missed everyone. It's been nice to kind of

0:15:21.000 --> 0:15:23.120
<v Speaker 12>go out and see people face to face. So yeah,

0:15:23.160 --> 0:15:25.880
<v Speaker 12>it's been good, and have coffee. Coffee is always.

0:15:28.320 --> 0:15:30.600
<v Speaker 3>I just want to drill down on your working relationship.

0:15:30.640 --> 0:15:32.920
<v Speaker 3>You tour both horrible people and I can't like the

0:15:33.000 --> 0:15:38.160
<v Speaker 3>deepness from the room and Brenton like just an absolute ahole,

0:15:38.240 --> 0:15:40.240
<v Speaker 3>like I can't even.

0:15:40.600 --> 0:15:43.040
<v Speaker 2>So how do you go working together? Is it difficult?

0:15:44.000 --> 0:15:47.560
<v Speaker 9>Well, look, the restraining order is still in so we

0:15:47.680 --> 0:15:48.960
<v Speaker 9>do have to keep ten feet now.

0:15:49.680 --> 0:15:51.440
<v Speaker 10>So I'm the older of the two. But Kate would

0:15:51.440 --> 0:15:52.640
<v Speaker 10>say it's like working with children.

0:15:52.720 --> 0:15:55.280
<v Speaker 11>So she has two boys, that's true, and she feels like,

0:15:55.360 --> 0:15:57.520
<v Speaker 11>you know, unfortunately she comes to work and it's like

0:15:57.640 --> 0:15:58.640
<v Speaker 11>dealing with a third son.

0:15:58.720 --> 0:16:01.400
<v Speaker 10>Unfortunately, isn't it. I'm just such a big kids. So now,

0:16:01.480 --> 0:16:03.680
<v Speaker 10>look we've been working together fifteen years now.

0:16:03.800 --> 0:16:04.720
<v Speaker 2>So fifteen years.

0:16:04.960 --> 0:16:07.360
<v Speaker 9>Yeah, wow, Yeah, it's been a really long time.

0:16:07.720 --> 0:16:07.840
<v Speaker 5>You know.

0:16:07.960 --> 0:16:10.920
<v Speaker 12>I guess we have very much like a brother sister relationship.

0:16:11.000 --> 0:16:13.000
<v Speaker 12>We get along really well, which is really great when

0:16:13.040 --> 0:16:14.200
<v Speaker 12>you're working with someone so long.

0:16:14.200 --> 0:16:16.520
<v Speaker 1>It's been a really long time. Say it's just flown.

0:16:20.280 --> 0:16:25.400
<v Speaker 10>It's longer than far longer than that. Education.

0:16:27.000 --> 0:16:29.640
<v Speaker 3>Yeah, And Kate, I always admire you because you are

0:16:29.920 --> 0:16:32.080
<v Speaker 3>a hard working mum and you've got two young kids.

0:16:32.160 --> 0:16:33.280
<v Speaker 2>The juggles real, right.

0:16:33.360 --> 0:16:36.040
<v Speaker 12>It is, it is, And I admire you too. I

0:16:36.240 --> 0:16:38.840
<v Speaker 12>just had my little one begging me not to leave

0:16:38.920 --> 0:16:41.000
<v Speaker 12>this morning, so it's a bit of a you know,

0:16:41.240 --> 0:16:43.480
<v Speaker 12>it's tough when you've got kids and you've got to

0:16:43.520 --> 0:16:46.800
<v Speaker 12>sort of balance that that work life and you know,

0:16:46.920 --> 0:16:49.160
<v Speaker 12>still be there for them and send them off to school.

0:16:49.320 --> 0:16:52.040
<v Speaker 12>But you know, it's it's a good thing to show

0:16:52.120 --> 0:16:54.880
<v Speaker 12>them that, you know, mum has a job too that

0:16:54.960 --> 0:16:57.320
<v Speaker 12>she really loves and that's a really good example for

0:16:57.440 --> 0:16:58.880
<v Speaker 12>them and their futures.

0:16:59.040 --> 0:17:01.000
<v Speaker 3>I felt that yes to day when I dropped in

0:17:01.120 --> 0:17:03.000
<v Speaker 3>home just to see my little one during the day

0:17:03.320 --> 0:17:04.560
<v Speaker 3>and I said, I've got to go back to work,

0:17:04.600 --> 0:17:06.240
<v Speaker 3>and she grabbed hold of my leg and she was like, Mummy,

0:17:06.280 --> 0:17:07.400
<v Speaker 3>please don't go back to work.

0:17:07.440 --> 0:17:09.399
<v Speaker 2>And it's like it breaks your heart until doesn't it.

0:17:09.480 --> 0:17:11.960
<v Speaker 12>Do you know what my five year old said to me, Oh, no,

0:17:12.320 --> 0:17:14.160
<v Speaker 12>mummies that hate their kids go to work.

0:17:15.600 --> 0:17:23.600
<v Speaker 2>I was like, I'm not no awful, But also mummies

0:17:23.600 --> 0:17:24.400
<v Speaker 2>who need a break.

0:17:24.280 --> 0:17:24.680
<v Speaker 5>Go to work.

0:17:26.320 --> 0:17:28.200
<v Speaker 9>Mummies who wought a warm cup of coffee.

0:17:27.960 --> 0:17:30.200
<v Speaker 2>Go to work and to go to the toilet peace.

0:17:30.400 --> 0:17:32.800
<v Speaker 1>That's why we got to work, guys. Before we let

0:17:32.840 --> 0:17:34.600
<v Speaker 1>you go, we just wanted to play a quick little

0:17:34.640 --> 0:17:38.159
<v Speaker 1>game with you. And because obviously it's outrageous, news hounds,

0:17:38.840 --> 0:17:40.760
<v Speaker 1>you could smell a piece of news or a piece

0:17:40.800 --> 0:17:44.760
<v Speaker 1>of fake news just mile. So we've got some headlines

0:17:44.760 --> 0:17:47.040
<v Speaker 1>here for you, and you need to identify whether that

0:17:47.160 --> 0:17:50.359
<v Speaker 1>it is a fake headline, okay, or a genuine news story. Wow.

0:17:50.640 --> 0:17:52.040
<v Speaker 1>So we'll start with this on the top of this.

0:17:52.480 --> 0:17:55.440
<v Speaker 1>It's a quick one. Milk sold at Woolies linked to

0:17:55.800 --> 0:17:57.040
<v Speaker 1>deadly illness real?

0:17:57.080 --> 0:17:58.280
<v Speaker 2>A fake brendon.

0:17:59.440 --> 0:18:02.800
<v Speaker 1>Yeah, a fake as well, that's actually real.

0:18:03.320 --> 0:18:03.520
<v Speaker 3>Wow.

0:18:04.840 --> 0:18:06.480
<v Speaker 1>It was good publishing.

0:18:08.040 --> 0:18:08.880
<v Speaker 10>Way to bring that one.

0:18:10.400 --> 0:18:15.880
<v Speaker 1>In regards to to almond milk, almond milk, almond milk,

0:18:16.119 --> 0:18:21.200
<v Speaker 1>I don't have almond milk, as you can tell, alarming me. Yes,

0:18:22.200 --> 0:18:23.680
<v Speaker 1>so maybe switch it over soy cake.

0:18:23.800 --> 0:18:24.560
<v Speaker 2>Yeah, here's one.

0:18:26.000 --> 0:18:28.640
<v Speaker 3>Couch brought a marketplace found to be filled with maggots

0:18:28.640 --> 0:18:29.480
<v Speaker 3>and chicken twisties.

0:18:30.240 --> 0:18:30.680
<v Speaker 1>Really true?

0:18:31.000 --> 0:18:32.600
<v Speaker 2>I would say that's probably true.

0:18:33.320 --> 0:18:34.960
<v Speaker 10>That sounds actually how much is it?

0:18:38.160 --> 0:18:41.200
<v Speaker 1>And why are we getting data? Vo bring us back

0:18:41.240 --> 0:18:42.080
<v Speaker 1>to our early twenties.

0:18:42.200 --> 0:18:43.200
<v Speaker 2>Yeah, No, that's a fake one.

0:18:46.720 --> 0:18:48.440
<v Speaker 10>No, but I could tell you that was true when

0:18:48.440 --> 0:18:50.200
<v Speaker 10>I was growing up and I first moved out at home.

0:18:51.480 --> 0:18:54.359
<v Speaker 1>There's so many blogs that could identify about you. Got

0:18:54.400 --> 0:18:56.560
<v Speaker 1>one more, I'll get this one, okay. Couples see their

0:18:56.600 --> 0:18:58.320
<v Speaker 1>son and daughter in law for six hundred and forty

0:18:58.359 --> 0:19:00.840
<v Speaker 1>three thousand because they wouldn't have a child.

0:19:01.080 --> 0:19:04.080
<v Speaker 9>Oh wow, that's a very specific number.

0:19:04.320 --> 0:19:06.960
<v Speaker 1>Yes, that's exactly what I thought. It's a it's a

0:19:07.160 --> 0:19:08.680
<v Speaker 1>really oddly specific number.

0:19:08.920 --> 0:19:09.720
<v Speaker 10>I'd say it's true.

0:19:11.040 --> 0:19:12.640
<v Speaker 9>Going to it, Yeah, I'm going to go true because

0:19:12.680 --> 0:19:14.360
<v Speaker 9>it's just weirdarre enough to be true.

0:19:14.480 --> 0:19:17.840
<v Speaker 10>That is true, that's true. You wouldn't believe. Every day

0:19:17.880 --> 0:19:20.400
<v Speaker 10>we're scrolling through the news and seeing, gosh, that's weird.

0:19:20.440 --> 0:19:20.840
<v Speaker 1>What is that?

0:19:21.000 --> 0:19:24.200
<v Speaker 10>And and sure enough, you know, the world's full of

0:19:24.240 --> 0:19:24.800
<v Speaker 10>weird stories.

0:19:25.000 --> 0:19:27.760
<v Speaker 9>Nothing surprises us. Yesterday, did you guys.

0:19:27.600 --> 0:19:28.120
<v Speaker 2>Do it at nine?

0:19:28.160 --> 0:19:30.720
<v Speaker 3>About the man who who left alone a couple of

0:19:30.760 --> 0:19:32.720
<v Speaker 3>guinea pigs one was male and one was female and

0:19:32.760 --> 0:19:33.400
<v Speaker 3>they ended up with one.

0:19:33.400 --> 0:19:34.720
<v Speaker 2>Hundred and sixty three guinea pigs?

0:19:35.000 --> 0:19:35.240
<v Speaker 1>Wow?

0:19:35.960 --> 0:19:37.080
<v Speaker 9>But really, is that just.

0:19:39.880 --> 0:19:40.520
<v Speaker 1>You can't trust?

0:19:41.680 --> 0:19:44.119
<v Speaker 2>Oh god, that's what had happened in the household if

0:19:44.160 --> 0:19:44.880
<v Speaker 2>we all left.

0:19:45.480 --> 0:19:48.119
<v Speaker 1>Yes, and that'd be one hundred and sixty girls or

0:19:48.200 --> 0:19:55.320
<v Speaker 1>girls one hundred and sixty one. Guys, thank you so

0:19:55.440 --> 0:19:57.040
<v Speaker 1>much for having a chat with us. So we appreciate

0:19:57.080 --> 0:20:00.199
<v Speaker 1>you coming down here. And look, no doubts, And I'm

0:20:00.200 --> 0:20:02.440
<v Speaker 1>gonna be careful I say this because oh, yes.

0:20:02.320 --> 0:20:05.000
<v Speaker 2>Because choose your words careful work.

0:20:05.320 --> 0:20:10.080
<v Speaker 1>We should all watch channel nine, Channel seventh, channel I

0:20:10.119 --> 0:20:12.040
<v Speaker 1>can do that stream.

0:20:14.280 --> 0:20:18.080
<v Speaker 9>Thanks for having us, Thanks so much a little you

0:20:18.160 --> 0:20:19.160
<v Speaker 9>tell me you've got.

0:20:19.000 --> 0:20:26.480
<v Speaker 1>The time machine. On this daisy for ride Day seventeenth

0:20:26.520 --> 0:20:28.280
<v Speaker 1>a fair we'll take a trip down memory lane for

0:20:28.359 --> 0:20:31.520
<v Speaker 1>on this daisy. The great, the one, the only. Michael

0:20:31.600 --> 0:20:34.520
<v Speaker 1>Jordan was born on this day in nineteen sixty three.

0:20:34.520 --> 0:20:36.159
<v Speaker 1>It's his sixtieth birthday.

0:20:36.280 --> 0:20:40.000
<v Speaker 10>Seven, number of six.

0:20:45.960 --> 0:20:50.600
<v Speaker 1>We're all right better at baseball, she said, No one ever.

0:20:53.040 --> 0:20:55.760
<v Speaker 3>Isn't it so highly disappointing when a sports here goes.

0:20:55.800 --> 0:20:57.159
<v Speaker 3>You know, I'm just going to try my hand on

0:20:57.240 --> 0:20:57.840
<v Speaker 3>another sport.

0:20:58.000 --> 0:20:59.679
<v Speaker 2>No, don't, don't, no.

0:20:59.760 --> 0:21:02.800
<v Speaker 1>Don't come back and win another three championships. Yeah, MJ

0:21:03.840 --> 0:21:05.879
<v Speaker 1>and really opens up the bit of the greatest of

0:21:05.920 --> 0:21:08.120
<v Speaker 1>all time, doesn't it. But it probably still is Michael Jordan,

0:21:08.200 --> 0:21:11.159
<v Speaker 1>unless Lebron could maybe win one more MVP and one

0:21:11.200 --> 0:21:12.240
<v Speaker 1>more championships. You have thought.

0:21:14.119 --> 0:21:15.879
<v Speaker 2>I just I'm just thinking about Dennis Rodman.

0:21:16.400 --> 0:21:19.120
<v Speaker 1>Okay, I don't know why Dennis is there. He shouldn't

0:21:19.119 --> 0:21:22.040
<v Speaker 1>be in this conversation. He always just TI just sort

0:21:22.040 --> 0:21:23.720
<v Speaker 1>of sort of pops up, doesn't he No, I was just.

0:21:23.760 --> 0:21:26.159
<v Speaker 3>Thinking because he had that thing with MJ and then

0:21:26.200 --> 0:21:28.920
<v Speaker 3>he remember he went to North Korea to keep meet

0:21:28.960 --> 0:21:31.520
<v Speaker 3>with Kim John un producers.

0:21:31.080 --> 0:21:33.439
<v Speaker 1>Always shaking your head, Yeah, I think we're all shaking

0:21:33.480 --> 0:21:36.200
<v Speaker 1>ahead now that it was a thing. Excuse me, I

0:21:36.280 --> 0:21:38.359
<v Speaker 1>think he did. But we're trying to have this for

0:21:38.480 --> 0:21:40.680
<v Speaker 1>God's sake. We're trying to have the civilized, greatest of

0:21:40.680 --> 0:21:44.359
<v Speaker 1>all time basketball conversation. Yeah, kind of bring North Korea

0:21:44.480 --> 0:21:49.800
<v Speaker 1>to it. Nineteen ninety one Paris Hilton born in New

0:21:49.880 --> 0:21:52.840
<v Speaker 1>York City. Today's her forty second birthday.

0:21:53.160 --> 0:21:53.520
<v Speaker 2>She looks.

0:21:54.000 --> 0:21:57.560
<v Speaker 1>That's hard, that's hard, that's so hard. Ninety one Edge

0:21:57.560 --> 0:22:02.639
<v Speaker 1>shearm was born in West Yorkshire. Not Yorkshire, is it? No,

0:22:02.680 --> 0:22:03.880
<v Speaker 1>it's Yorkshire Yorkshire.

0:22:05.320 --> 0:22:07.840
<v Speaker 2>You come back on yourself. It's a been a bit

0:22:07.840 --> 0:22:08.320
<v Speaker 2>of done there.

0:22:09.760 --> 0:22:13.040
<v Speaker 1>I feel like a dog about that though. Todaysy's thirty

0:22:13.040 --> 0:22:17.240
<v Speaker 1>second birthday. That's incredible. He started so young and just ridiculous.

0:22:17.520 --> 0:22:18.920
<v Speaker 1>I'm going to put out that that's the best gig

0:22:18.960 --> 0:22:21.159
<v Speaker 1>I've ever seen. And I stream with the entertainments, and

0:22:21.280 --> 0:22:25.480
<v Speaker 1>I've never seen someone with such unbelievable, beautiful crowd control.

0:22:25.640 --> 0:22:27.119
<v Speaker 2>I just feel like at thirty two, can you do

0:22:27.240 --> 0:22:28.040
<v Speaker 2>something with his life?

0:22:29.119 --> 0:22:32.159
<v Speaker 1>Grow up ed and trying to work out what do

0:22:32.200 --> 0:22:33.560
<v Speaker 1>you actually want to achieve with your life?

0:22:33.680 --> 0:22:36.760
<v Speaker 2>Exactly? God, he's an absolute freak, such a loser.

0:22:37.960 --> 0:22:38.120
<v Speaker 6>Who.

0:22:40.680 --> 0:22:43.280
<v Speaker 1>Nineteen sixty nine Bob Dylan and Johnny Cash record an

0:22:43.280 --> 0:22:46.040
<v Speaker 1>album It's never released. Would you think?

0:22:48.280 --> 0:22:48.600
<v Speaker 5>I don't know?

0:22:48.800 --> 0:22:50.640
<v Speaker 2>I'm back in Holstome Prison.

0:22:50.520 --> 0:22:56.200
<v Speaker 1>Wasn't released, so you don't know. Twenty fourteen, The Tonight

0:22:56.280 --> 0:22:58.760
<v Speaker 1>Show is starring Jimmy fallon premierees on NBC. I love

0:22:58.840 --> 0:23:02.960
<v Speaker 1>Jimmy film, very, very, very talented man. Twenty twenty, General

0:23:03.000 --> 0:23:05.320
<v Speaker 1>Motors announced that the Holder brand would be retired by

0:23:05.400 --> 0:23:06.239
<v Speaker 1>twenty twenty one.

0:23:06.400 --> 0:23:09.520
<v Speaker 3>It's something many of us never thought we'd see Australia

0:23:09.760 --> 0:23:11.000
<v Speaker 3>without Holden.

0:23:11.080 --> 0:23:13.520
<v Speaker 1>It was a very sad day. I've spent a good

0:23:13.600 --> 0:23:16.919
<v Speaker 1>chunk of my life in Elizabeth, Yes, playing footy at

0:23:16.920 --> 0:23:20.080
<v Speaker 1>Central's and obviously iconic spot where the Holden Factory was,

0:23:20.160 --> 0:23:23.200
<v Speaker 1>and I felt a bit of sadness as well. I

0:23:23.320 --> 0:23:24.239
<v Speaker 1>used to own a Calai too.

0:23:25.400 --> 0:23:27.240
<v Speaker 2>Wow, nothing.

0:23:29.119 --> 0:23:32.159
<v Speaker 3>Now owner bike and now the Holden Factory is going

0:23:32.200 --> 0:23:33.159
<v Speaker 3>to be full of mushrooms.

0:23:34.359 --> 0:23:36.920
<v Speaker 1>A bit of a stock standard transition wasn't it. We

0:23:37.000 --> 0:23:39.639
<v Speaker 1>saw that coming home one song in two thousand and seven,

0:23:39.960 --> 0:23:43.200
<v Speaker 1>Straight Lines by Silverchair. This is a great song. Daniel

0:23:43.240 --> 0:24:00.399
<v Speaker 1>John's at his absolute best. This Topic takes the.

0:24:00.440 --> 0:24:06.600
<v Speaker 5>Stage and djelp Global Here's Breaking Me and Your Love

0:24:06.880 --> 0:24:08.560
<v Speaker 5>is the next artist to take the.

0:24:08.640 --> 0:24:12.880
<v Speaker 1>Stage live in the room Topic. Hello to you, mate,

0:24:12.920 --> 0:24:13.520
<v Speaker 1>thank you for having.

0:24:13.400 --> 0:24:14.760
<v Speaker 5>Your chat with us, Thanks for having me.

0:24:15.119 --> 0:24:18.119
<v Speaker 3>We're racking our brains as to try to explain this

0:24:18.440 --> 0:24:22.000
<v Speaker 3>fringe festival that you're about to fly into. And the

0:24:22.080 --> 0:24:24.280
<v Speaker 3>best way to describe it. It's a carnival that takes

0:24:24.320 --> 0:24:27.639
<v Speaker 3>over the whole city. It's like us, it's weird stuff,

0:24:27.680 --> 0:24:31.240
<v Speaker 3>there's some comedy. Basically, it's a whole city getting loose

0:24:31.520 --> 0:24:32.280
<v Speaker 3>for about a month.

0:24:32.320 --> 0:24:33.000
<v Speaker 2>You're going to love it.

0:24:33.280 --> 0:24:38.439
<v Speaker 5>I have no expectation actually, but it sounds interesting And.

0:24:38.560 --> 0:24:40.920
<v Speaker 1>In short, mates, look at us and a bunch of

0:24:40.960 --> 0:24:43.199
<v Speaker 1>listeners and a few other people. We're going to get

0:24:43.280 --> 0:24:44.560
<v Speaker 1>loose and enjoying your show.

0:24:44.800 --> 0:24:45.359
<v Speaker 5>That's amazing.

0:24:46.520 --> 0:24:48.000
<v Speaker 2>Have you performed at a red room before?

0:24:48.080 --> 0:24:51.520
<v Speaker 3>Note it's going to be fifteen hundred people on a

0:24:51.640 --> 0:24:55.280
<v Speaker 3>dance floor and basically the last one we had everyone

0:24:55.480 --> 0:24:58.320
<v Speaker 3>just went completely off. So I mean, I know you've

0:24:58.320 --> 0:25:02.040
<v Speaker 3>performed it Tomorrowland, which is you hundreds of thousands of people,

0:25:02.160 --> 0:25:03.639
<v Speaker 3>but this is going to be an intimate gig, but

0:25:03.800 --> 0:25:05.200
<v Speaker 3>you're going to absolutely love it.

0:25:05.240 --> 0:25:05.600
<v Speaker 2>I reckon.

0:25:05.840 --> 0:25:07.120
<v Speaker 5>I love those gigs as well.

0:25:07.200 --> 0:25:10.560
<v Speaker 8>Like, of course a big festival is great, but like

0:25:10.760 --> 0:25:14.080
<v Speaker 8>small intimate shows, if the crowd is going crazy, it

0:25:14.160 --> 0:25:14.720
<v Speaker 8>can be nice.

0:25:14.920 --> 0:25:17.760
<v Speaker 3>What is that I can only imagine it would be

0:25:17.840 --> 0:25:21.320
<v Speaker 3>the most massive high standing in front of all those people.

0:25:21.680 --> 0:25:24.080
<v Speaker 2>What's that feeling like for you as a DJ?

0:25:24.640 --> 0:25:25.000
<v Speaker 5>Crazy?

0:25:25.640 --> 0:25:28.919
<v Speaker 8>An addictive feeling. Also, like it's hard to explain, especially

0:25:29.000 --> 0:25:31.159
<v Speaker 8>when you play your songs. I started that when I

0:25:31.280 --> 0:25:34.720
<v Speaker 8>was fifteen, just for fun in my bedroom, and for me,

0:25:34.800 --> 0:25:37.240
<v Speaker 8>it's still like the same process. Doing that and then

0:25:37.320 --> 0:25:40.840
<v Speaker 8>you are just standing there for so many people all

0:25:40.880 --> 0:25:44.720
<v Speaker 8>over the world, and people singing your song is just mindploying.

0:25:44.840 --> 0:25:47.640
<v Speaker 5>It's a lot of pinch me moments. Definitely, Oh geez,

0:25:47.680 --> 0:25:48.280
<v Speaker 5>I can imagine.

0:25:48.320 --> 0:25:49.960
<v Speaker 1>So why eighty eight I.

0:25:50.640 --> 0:25:53.920
<v Speaker 8>Didn't play any instruments, And also my family was really

0:25:53.960 --> 0:25:57.880
<v Speaker 8>into music, but my music teacher actually brought me into

0:25:57.920 --> 0:26:00.360
<v Speaker 8>it when I was in high school in ten great

0:26:00.520 --> 0:26:03.399
<v Speaker 8>this half year project where he told all of us

0:26:03.600 --> 0:26:06.920
<v Speaker 8>logic pro like a software we can produce music, And

0:26:07.440 --> 0:26:09.560
<v Speaker 8>for some reason I liked it so much that I

0:26:09.800 --> 0:26:13.480
<v Speaker 8>stopped playing PlayStation from that day on and just sat

0:26:13.520 --> 0:26:16.520
<v Speaker 8>on my laptop and logic trying to figure out everything

0:26:16.760 --> 0:26:17.399
<v Speaker 8>about music.

0:26:17.880 --> 0:26:20.000
<v Speaker 3>Is there anyone that you'd really like to collaborate with?

0:26:20.160 --> 0:26:22.240
<v Speaker 3>Is there someone like on your bucket list that you'd

0:26:22.320 --> 0:26:22.840
<v Speaker 3>like to work with?

0:26:23.040 --> 0:26:24.720
<v Speaker 8>To be honest, the list is so long because there's

0:26:24.920 --> 0:26:27.679
<v Speaker 8>just so many great musicians. But of course, like du

0:26:27.760 --> 0:26:31.320
<v Speaker 8>elipa et Chier on the Weekend Guy amazing.

0:26:32.480 --> 0:26:34.680
<v Speaker 1>Is it this big giant flow and effect where a

0:26:34.760 --> 0:26:36.600
<v Speaker 1>couple of big artists you collaborate with and all of

0:26:36.640 --> 0:26:38.280
<v Speaker 1>a sudden everyone's just lining up.

0:26:38.359 --> 0:26:41.600
<v Speaker 5>Yeah, definitely. I mean Breaking Me really helped my career

0:26:41.720 --> 0:26:42.760
<v Speaker 5>to go global.

0:26:42.920 --> 0:26:46.000
<v Speaker 8>The years before that was pretty much like success only

0:26:46.080 --> 0:26:49.120
<v Speaker 8>in Germany, but then Breaking Me up and went even

0:26:49.440 --> 0:26:51.560
<v Speaker 8>in the United States. It went on a Billboard charts.

0:26:51.640 --> 0:26:53.200
<v Speaker 1>You get a favorite song of yours that you like

0:26:53.280 --> 0:26:55.600
<v Speaker 1>to play, or is it one particular song that globally

0:26:55.640 --> 0:26:59.280
<v Speaker 1>obviously there's different countries and versus home or maybe Maine, Australia,

0:26:59.320 --> 0:27:01.320
<v Speaker 1>But is there a song that you know that you're

0:27:01.359 --> 0:27:02.840
<v Speaker 1>going to play, You're just going to go where they're

0:27:02.880 --> 0:27:04.440
<v Speaker 1>going to go off of this. Yeah, I mean.

0:27:04.760 --> 0:27:08.080
<v Speaker 8>Breaking Me is probably the one where I know wherever

0:27:08.160 --> 0:27:11.159
<v Speaker 8>I'm going to play, everyone is just singing the lyrics

0:27:11.200 --> 0:27:12.359
<v Speaker 8>and it's going crazy.

0:27:12.560 --> 0:27:15.399
<v Speaker 1>Any particular celebrity or suppose piece that you've met that

0:27:15.440 --> 0:27:17.720
<v Speaker 1>you've gone, oh, you're the person I hope you'd be

0:27:18.440 --> 0:27:21.840
<v Speaker 1>because you hear story the stories of paper meeting people like, well,

0:27:21.960 --> 0:27:23.720
<v Speaker 1>you're not quite the person I hope you'd bay.

0:27:24.440 --> 0:27:25.640
<v Speaker 5>Funny story with Thatcheran.

0:27:25.800 --> 0:27:28.320
<v Speaker 8>My first price that I won was on a Spanish

0:27:28.480 --> 0:27:32.239
<v Speaker 8>award show and they won a prize for I think

0:27:32.280 --> 0:27:35.600
<v Speaker 8>it was Best Dance Producer of the Year. And when

0:27:35.640 --> 0:27:38.040
<v Speaker 8>I received the price at Cheerer was basically sitting in

0:27:38.119 --> 0:27:40.119
<v Speaker 8>front of me, and it was the first time I

0:27:40.160 --> 0:27:42.760
<v Speaker 8>also had to do a speech and everything, and I'm

0:27:42.800 --> 0:27:45.800
<v Speaker 8>not very trained in public speaking. And I got the price,

0:27:45.880 --> 0:27:47.919
<v Speaker 8>I'm like, okay, it's first I was speaking, and then

0:27:47.960 --> 0:27:51.399
<v Speaker 8>it had to be even in front of Edgeran and

0:27:51.400 --> 0:27:55.920
<v Speaker 8>it went well. And Adheran is definitely a very cool guy,

0:27:56.119 --> 0:27:57.800
<v Speaker 8>Like we were sitting kind of close to each other

0:27:57.840 --> 0:27:59.920
<v Speaker 8>and he was just there was a bunch of friends

0:28:00.040 --> 0:28:02.040
<v Speaker 8>and just had a good night and he won like

0:28:02.320 --> 0:28:03.480
<v Speaker 8>eight praises.

0:28:06.560 --> 0:28:08.280
<v Speaker 3>And then you and yours and he patch you on

0:28:08.320 --> 0:28:09.760
<v Speaker 3>the head and goes, good job chopping.

0:28:14.680 --> 0:28:16.000
<v Speaker 2>Well, it's so lovely to speak to you.

0:28:16.119 --> 0:28:18.080
<v Speaker 3>We cannot wait to welcome you here in Australia and

0:28:18.119 --> 0:28:19.440
<v Speaker 3>hopefully we get the chance to meet you.

0:28:19.600 --> 0:28:21.240
<v Speaker 2>And also Andrew Hayes.

0:28:21.240 --> 0:28:22.720
<v Speaker 3>He's been known to go off on a dance for

0:28:22.800 --> 0:28:24.720
<v Speaker 3>and take his shirt off and really go crazy.

0:28:24.880 --> 0:28:26.000
<v Speaker 2>So just keep an eye out for him.

0:28:26.119 --> 0:28:28.560
<v Speaker 1>So get the security guards ready because there's going to

0:28:28.600 --> 0:28:29.760
<v Speaker 1>be a couple of loose revels that.

0:28:31.280 --> 0:28:31.800
<v Speaker 5>Expecting that.

0:28:31.920 --> 0:28:35.520
<v Speaker 1>Though, thank you so much for the chat. We can't

0:28:35.560 --> 0:28:36.000
<v Speaker 1>wait to see you.

0:28:36.200 --> 0:28:39.520
<v Speaker 5>Yeah, thank you so much. Can't wait to come Joe Chip.

0:28:39.560 --> 0:28:41.560
<v Speaker 3>Cooking away though in the background I have I like

0:28:41.680 --> 0:28:44.880
<v Speaker 3>to diarize my thoughts and feelings during the week, and

0:28:45.440 --> 0:28:47.880
<v Speaker 3>this is the point where we let it all out

0:28:48.120 --> 0:28:50.400
<v Speaker 3>and let the good people of South Australia know exactly

0:28:50.440 --> 0:28:51.280
<v Speaker 3>how I've been feeling.

0:28:53.520 --> 0:28:56.560
<v Speaker 2>Ju dear diary.

0:28:56.920 --> 0:28:59.240
<v Speaker 3>I like to reflect on the week by journaling in

0:28:59.320 --> 0:29:02.480
<v Speaker 3>an attempted deal with the trauma of working with Andrew Hayes.

0:29:02.880 --> 0:29:04.600
<v Speaker 3>I mean, for God's sake, this week he thought the

0:29:04.640 --> 0:29:06.920
<v Speaker 3>world's biggest pop star was buying a house next to

0:29:06.960 --> 0:29:08.120
<v Speaker 3>the Parafield Airport.

0:29:08.880 --> 0:29:11.680
<v Speaker 9>Last year, I was thinking about applying for citizenship.

0:29:12.000 --> 0:29:15.040
<v Speaker 5>I'm not even joking you should, you're practically and I like,

0:29:15.160 --> 0:29:18.880
<v Speaker 5>if we're going somewhere, Perry, We're going He's like, yep,

0:29:19.000 --> 0:29:21.560
<v Speaker 5>that's where we're going. If we're going somewhere. So I

0:29:21.680 --> 0:29:22.680
<v Speaker 5>was kind of looking into it.

0:29:22.960 --> 0:29:24.800
<v Speaker 1>Jump on board Pink. Would we'd love to have her?

0:29:24.880 --> 0:29:25.959
<v Speaker 2>Yeah, she'd go to Byron.

0:29:26.560 --> 0:29:29.720
<v Speaker 1>Oh she probably would too. They all go there, maybe Navy.

0:29:29.800 --> 0:29:31.440
<v Speaker 1>She'd flip the script In the next minute, she's at

0:29:31.480 --> 0:29:32.000
<v Speaker 1>Morson Lake.

0:29:33.480 --> 0:29:36.400
<v Speaker 2>This peanut really struggles with Adelaide suburbs.

0:29:36.280 --> 0:29:39.320
<v Speaker 1>So we call it there before to Roland from TEMESSI

0:29:39.320 --> 0:29:41.880
<v Speaker 1>you sick Inde No no, no, no, say that.

0:29:41.960 --> 0:29:44.520
<v Speaker 2>Proply Rolling to Messi is his name. He's not rolling

0:29:44.640 --> 0:29:45.280
<v Speaker 2>from to MESSI?

0:29:47.240 --> 0:29:51.480
<v Speaker 1>So where is to Messi? I've been living in South

0:29:51.520 --> 0:29:53.880
<v Speaker 1>Australia close to twenty years now. I've never been to

0:29:53.920 --> 0:29:55.280
<v Speaker 1>this summer. I feel like I've been in most parts.

0:29:55.320 --> 0:29:57.080
<v Speaker 2>It's weird. It's right next to Croydon.

0:29:58.560 --> 0:29:59.960
<v Speaker 1>This is Jodi from Oddie.

0:30:02.000 --> 0:30:03.960
<v Speaker 2>Hey Hazy, who's asap Rocky.

0:30:04.440 --> 0:30:07.200
<v Speaker 3>We're expecting a guest appearance. From either jay Z, Calvin

0:30:07.240 --> 0:30:09.000
<v Speaker 3>Harris or her partner asat Rocky.

0:30:09.400 --> 0:30:10.479
<v Speaker 2>Are you familiar with Aceps?

0:30:10.960 --> 0:30:12.440
<v Speaker 1>Yeah? I think his full name is as soon as

0:30:12.520 --> 0:30:18.560
<v Speaker 1>Possible Rocky, but just to save time, calls himself a

0:30:18.680 --> 0:30:20.760
<v Speaker 1>SAP shout out if we've got some of the as

0:30:20.800 --> 0:30:21.840
<v Speaker 1>soon as possibles.

0:30:21.560 --> 0:30:25.360
<v Speaker 3>Music MASTERSHIF alumni Callum Han joined us in the studio

0:30:25.480 --> 0:30:28.520
<v Speaker 3>with some solid asparagus advice for Valentine's Day.

0:30:29.160 --> 0:30:31.360
<v Speaker 7>French grooms used to eat asparagus and smash heaps of

0:30:31.360 --> 0:30:33.080
<v Speaker 7>asparagus the night before their wedding to.

0:30:33.080 --> 0:30:35.840
<v Speaker 1>Get ready for the big day. Really, so what gives

0:30:35.920 --> 0:30:37.640
<v Speaker 1>them energy? Stamina?

0:30:37.880 --> 0:30:41.400
<v Speaker 7>All of the above, heaps, vitamin E and potassium, So

0:30:41.520 --> 0:30:43.160
<v Speaker 7>give you all the all the bits and bolves you

0:30:43.200 --> 0:30:45.520
<v Speaker 7>need to get rearing for the big wedding.

0:30:45.560 --> 0:30:48.240
<v Speaker 3>Now I'm looking at you because that's not the asparagus

0:30:48.360 --> 0:30:49.080
<v Speaker 3>theory that I've.

0:30:48.960 --> 0:30:54.240
<v Speaker 1>Heard vastly on how much you like your partner?

0:30:54.240 --> 0:30:58.760
<v Speaker 3>I guess just on V Day I pend to heart

0:30:58.840 --> 0:31:02.000
<v Speaker 3>built tribute to my husband. But Hazy must have missed

0:31:02.000 --> 0:31:02.440
<v Speaker 3>the brief.

0:31:03.520 --> 0:31:06.960
<v Speaker 1>Dear Carra, have you fit the cat? He's yelling at me.

0:31:07.200 --> 0:31:11.560
<v Speaker 1>He's definitely got food in his bowl. What's his problem? Anyway?

0:31:11.920 --> 0:31:15.160
<v Speaker 1>How are you? It's Valentine's Day and I just want

0:31:15.200 --> 0:31:18.280
<v Speaker 1>to say how much I love and adored this super

0:31:18.320 --> 0:31:21.240
<v Speaker 1>Bowl yesterday. Seriously, it's like the AFL Grand Final times

0:31:21.520 --> 0:31:26.320
<v Speaker 1>a thousand. Anyway, Happy Valentine's Day. You're one and only

0:31:26.720 --> 0:31:27.880
<v Speaker 1>Andrew love you.

0:31:29.320 --> 0:31:31.160
<v Speaker 3>And that meant there was no need for him to

0:31:31.200 --> 0:31:34.240
<v Speaker 3>eat asparagus that night. I mean so to dwell Diary,

0:31:34.360 --> 0:31:37.720
<v Speaker 3>But how can reading out suburbs be so hard? Sarah

0:31:37.760 --> 0:31:42.440
<v Speaker 3>from Seafood meadodow Seafood, I can't say Seaford Meadow. I

0:31:42.560 --> 0:31:45.400
<v Speaker 3>kept never in my entire life on this planet. Can

0:31:45.480 --> 0:31:46.880
<v Speaker 3>I say Seaford Meadows?

0:31:46.960 --> 0:31:49.200
<v Speaker 2>Jody, I live in Seaford, So you need to do better.

0:31:49.280 --> 0:31:51.479
<v Speaker 9>Please all right?

0:31:51.680 --> 0:31:54.920
<v Speaker 3>I don't need suburbs shaving from you. Abby in the newsroom,

0:31:55.000 --> 0:31:57.320
<v Speaker 3>Thank you? And I was so happy for Gail. Is

0:31:57.360 --> 0:32:00.440
<v Speaker 3>it Gail? It's not Gale? Not is Gail from Golf

0:32:00.520 --> 0:32:03.120
<v Speaker 3>You Heights who we think one tickets to the great

0:32:03.200 --> 0:32:04.080
<v Speaker 3>man in the jumpsuit?

0:32:05.080 --> 0:32:10.520
<v Speaker 1>Gail is not fit? Is Gail Greenwood from golf View Heights?

0:32:10.880 --> 0:32:11.040
<v Speaker 3>Oh?

0:32:11.160 --> 0:32:13.200
<v Speaker 1>Gals, like, is it me? And I said, no, it's

0:32:13.200 --> 0:32:15.640
<v Speaker 1>not me, but it is you Gail Greenwood from Golf

0:32:15.640 --> 0:32:16.440
<v Speaker 1>Few Heights.

0:32:16.800 --> 0:32:17.440
<v Speaker 2>Also diary.

0:32:17.520 --> 0:32:19.560
<v Speaker 3>I realized that I need to work on my boundaries.

0:32:19.800 --> 0:32:21.520
<v Speaker 3>Don't hit important people.

0:32:21.840 --> 0:32:25.360
<v Speaker 2>I once touched the premier inappropriately at the gym. Okay,

0:32:25.480 --> 0:32:29.000
<v Speaker 2>so this is what happened Before I started this job.

0:32:29.120 --> 0:32:30.360
<v Speaker 2>We used to work out at the same time.

0:32:30.600 --> 0:32:32.960
<v Speaker 3>And so one day he's sitting sort of punch forward

0:32:33.040 --> 0:32:34.960
<v Speaker 3>with his phone with his air pods in, and I

0:32:35.040 --> 0:32:36.880
<v Speaker 3>walked past and I went hello like that, and he

0:32:36.960 --> 0:32:39.720
<v Speaker 3>didn't hear me, and I went I forgot who he

0:32:39.920 --> 0:32:41.720
<v Speaker 3>was and where I was, and I've got my place

0:32:41.800 --> 0:32:42.240
<v Speaker 3>in this world.

0:32:42.280 --> 0:32:47.600
<v Speaker 2>And I went and slapped him on the leg and

0:32:47.720 --> 0:32:50.520
<v Speaker 2>he's a starter, looked up and went, oh, hello, cad

0:32:50.560 --> 0:32:51.200
<v Speaker 2>I here you going.

0:32:51.720 --> 0:32:55.120
<v Speaker 3>And my efforts to play s Club seven were hindered

0:32:55.320 --> 0:32:58.720
<v Speaker 3>by hazy Okay, crack, that's the first first song.

0:32:58.800 --> 0:33:00.000
<v Speaker 2>You just have to sing the next.

0:33:06.520 --> 0:33:14.000
<v Speaker 1>Way that was ready go on wrong button, so too as.

0:33:13.920 --> 0:33:17.240
<v Speaker 3>Soon as possible, Rocky, the good people of Seafood Meadows

0:33:17.440 --> 0:33:20.000
<v Speaker 3>and to Pink welcome to Morson Lakes and have.

0:33:20.040 --> 0:33:23.480
<v Speaker 2>A great weekend until next week. Oh my love, Jody,

0:33:25.200 --> 0:33:25.440
<v Speaker 2>you go.

0:33:25.840 --> 0:33:30.400
<v Speaker 3>The inaugural first edition of Jody's goodness me, I don't

0:33:30.400 --> 0:33:31.640
<v Speaker 3>know if I should share my thoughts.

0:33:31.800 --> 0:33:33.440
<v Speaker 1>I feel good getting those thoughts off your chest.

0:33:33.640 --> 0:33:35.680
<v Speaker 3>Well, I feel good sort of shaming you for all

0:33:35.720 --> 0:33:38.120
<v Speaker 3>your mistakes for the week. That feels pretty nice.

0:33:38.560 --> 0:33:40.560
<v Speaker 1>Whoa, that's the feedback there. I didn't know I needed

0:33:40.640 --> 0:33:42.480
<v Speaker 1>on a fresh Hey.

0:33:42.640 --> 0:33:45.520
<v Speaker 3>Next week, we've got more nov Red Room exclusive invites

0:33:45.520 --> 0:33:47.200
<v Speaker 3>to see topic at gotten across the day.

0:33:47.200 --> 0:33:49.440
<v Speaker 2>If you missed it earlier this morning, it is going

0:33:49.560 --> 0:33:50.520
<v Speaker 2>to go off.

0:33:50.840 --> 0:33:53.400
<v Speaker 1>Oh yes. On top of that as well, pink tickets

0:33:53.400 --> 0:33:55.480
<v Speaker 1>across the day and a big shout out to d

0:33:55.640 --> 0:33:58.680
<v Speaker 1>D's Cafe at two hundred and one Main Street right sorry,

0:33:58.760 --> 0:34:01.200
<v Speaker 1>Maine South Road and more that'll make it next week.

0:34:01.760 --> 0:34:03.160
<v Speaker 1>Now it's in my brain as well, I'm like, oh,

0:34:03.520 --> 0:34:05.640
<v Speaker 1>is that an early snippet for Jodie's diary next week.

0:34:06.120 --> 0:34:07.400
<v Speaker 1>I've had two baking their goals.

0:34:07.520 --> 0:34:08.040
<v Speaker 3>I know you have.

0:34:08.239 --> 0:34:10.520
<v Speaker 1>I can highly recommend their coffee down here as well,

0:34:10.600 --> 0:34:11.240
<v Speaker 1>really good stuff.

0:34:11.320 --> 0:34:13.240
<v Speaker 3>We have a tab when we do breaking in the Burbs,

0:34:13.280 --> 0:34:15.920
<v Speaker 3>and you've exceeded it this morning by yourself.

0:34:16.120 --> 0:34:18.640
<v Speaker 1>This is a bloke who knows his way around an

0:34:18.680 --> 0:34:21.160
<v Speaker 1>open bar and a free day. Can I just say

0:34:21.160 --> 0:34:23.279
<v Speaker 1>as well? A big shout out to Sandy and Bill

0:34:23.400 --> 0:34:27.560
<v Speaker 1>from Scottish Butcher Wholesale. So they were listening and they've

0:34:27.600 --> 0:34:29.279
<v Speaker 1>heard me talk a couple times about my wife and

0:34:29.320 --> 0:34:31.839
<v Speaker 1>how she has a Scottish heritage. So they just bought

0:34:31.880 --> 0:34:34.080
<v Speaker 1>me a big pack full of Scottish goods which includes

0:34:34.120 --> 0:34:34.640
<v Speaker 1>some haggis.

0:34:35.120 --> 0:34:37.120
<v Speaker 2>Oh no way, yes, Oh you're going to tackle that

0:34:37.200 --> 0:34:37.440
<v Speaker 2>in the way.

0:34:37.600 --> 0:34:38.800
<v Speaker 1>I'm going to tell you what's in it, but you

0:34:38.840 --> 0:34:40.080
<v Speaker 1>should eat some Scottish haggis.

0:34:40.320 --> 0:34:43.760
<v Speaker 2>I won't do that. I probably won't.

0:34:45.000 --> 0:34:46.920
<v Speaker 3>A big shout out to everyone who came down this

0:34:47.080 --> 0:34:48.680
<v Speaker 3>morning as well to say gooday.

0:34:48.600 --> 0:34:49.480
<v Speaker 2>Thank you so much.

0:34:54.000 --> 0:34:55.920
<v Speaker 1>Thank you guys. We'll do it all again next week

0:34:55.960 --> 0:34:56.560
<v Speaker 1>for breaking the burbs.

0:34:56.920 --> 0:34:58.719
<v Speaker 2>Fun to a little baby George who came down. You're

0:34:58.719 --> 0:34:59.279
<v Speaker 2>coming home with me.

0:34:59.680 --> 0:35:02.480
<v Speaker 1>It's time for you to make a quick getaway, George,

0:35:02.600 --> 0:35:04.600
<v Speaker 1>because Jodie has still going to hide you where you are.

0:35:05.000 --> 0:35:08.480
<v Speaker 2>He's always gone, he's fled before.

0:35:09.160 --> 0:35:10.680
<v Speaker 1>Thank you guys. We'll do it all again next week.

0:35:10.719 --> 0:35:11.920
<v Speaker 1>This has been breaking in the Burbs and keep it

0:35:12.000 --> 0:35:13.719
<v Speaker 1>locked on over nine on nine throughout the day. If

0:35:13.719 --> 0:35:16.240
<v Speaker 1>your next chance to score some cheese, I mean topic tickets.

0:35:16.280 --> 0:35:19.680
<v Speaker 1>Pink tickets, it's all there. Will catch you on Monday morning.

0:35:19.719 --> 0:35:21.080
<v Speaker 1>You have a fantastic day, so yep.