1 00:00:03,600 --> 00:00:06,320 Speaker 1: Cody Simpson, you beautiful man. 2 00:00:07,240 --> 00:00:09,160 Speaker 2: We're good buddy, Thanks for joining us. 3 00:00:09,160 --> 00:00:11,640 Speaker 1: Aren't you a little creative little beast when you've been 4 00:00:11,680 --> 00:00:15,760 Speaker 1: in isolation? Cody still writing, writing a couple of songs, 5 00:00:16,079 --> 00:00:17,959 Speaker 1: and you've got some poems as well. 6 00:00:18,000 --> 00:00:20,160 Speaker 2: You've got to keep yourself occupied, don't you, big fella? 7 00:00:20,760 --> 00:00:24,000 Speaker 3: Yeah, man, always all you around, no matter what the case. 8 00:00:24,120 --> 00:00:26,040 Speaker 2: Can we actually, well, let's listen to a little bit 9 00:00:26,040 --> 00:00:26,840 Speaker 2: of Captain's Dance. 10 00:00:26,880 --> 00:00:30,840 Speaker 1: Sorry, there, whip. This is Captain's Dance by Cody. He's 11 00:00:31,040 --> 00:00:33,959 Speaker 1: off to do the devils Dance. 12 00:00:34,159 --> 00:00:38,120 Speaker 2: Well with the man, Cody. 13 00:00:38,159 --> 00:00:39,920 Speaker 1: You know what, we're the first time that we saw 14 00:00:39,960 --> 00:00:43,040 Speaker 1: you performers at the GQ Awards years and years ago, 15 00:00:43,120 --> 00:00:45,680 Speaker 1: you performed Jeff Buckley's Lilac Wine. 16 00:00:45,720 --> 00:00:47,080 Speaker 2: Do you remember that night? Yeah? 17 00:00:47,080 --> 00:00:49,559 Speaker 3: I remember that night, well, well the first part of it. 18 00:00:49,720 --> 00:00:53,360 Speaker 2: Yeah. Mate. 19 00:00:53,400 --> 00:00:56,279 Speaker 1: So you've released a couple of songs, but you've got 20 00:00:56,280 --> 00:00:59,880 Speaker 1: a new poetry book out Prince Neptune as well. I mean, 21 00:01:00,320 --> 00:01:02,520 Speaker 1: have you always been I know, Michael Hutchins, you used 22 00:01:02,560 --> 00:01:04,640 Speaker 1: to do this. He used to write poems and then 23 00:01:04,640 --> 00:01:07,280 Speaker 1: the Farres brothers would come in with the music and 24 00:01:07,319 --> 00:01:10,480 Speaker 1: the production and he would just basically have songs written 25 00:01:10,560 --> 00:01:12,760 Speaker 1: straight away just from the palms he wrote. So is 26 00:01:12,760 --> 00:01:15,720 Speaker 1: that the way that you is that your songwriting process? 27 00:01:16,520 --> 00:01:18,560 Speaker 3: That's yeah, that's often how it goes for me too, 28 00:01:18,640 --> 00:01:21,520 Speaker 3: Like I'll often bring in something just written down on 29 00:01:21,560 --> 00:01:24,640 Speaker 3: a picture of paper and bring it into my band 30 00:01:24,680 --> 00:01:27,440 Speaker 3: I'm working with, or producers or whatever and just have 31 00:01:27,600 --> 00:01:30,520 Speaker 3: something whether it's already put to music or just you know, 32 00:01:30,800 --> 00:01:33,640 Speaker 3: just just rhymed and sort of laid out. That's that's 33 00:01:33,720 --> 00:01:34,760 Speaker 3: kind of how I work as well. 34 00:01:34,880 --> 00:01:39,279 Speaker 4: So, Cody, is it part of joining your family now 35 00:01:39,720 --> 00:01:42,880 Speaker 4: that you have to perform solo in front of Billy 36 00:01:42,959 --> 00:01:45,479 Speaker 4: Ray and he either approves whether you can date's daughter 37 00:01:45,560 --> 00:01:45,800 Speaker 4: or not. 38 00:01:52,480 --> 00:01:54,160 Speaker 3: He's kind of the final gore at. 39 00:01:54,000 --> 00:01:54,520 Speaker 1: The part. 40 00:01:57,280 --> 00:01:57,680 Speaker 3: You have. 41 00:01:57,840 --> 00:02:00,840 Speaker 1: You performed with Billy Ray himself because he joined you 42 00:02:00,920 --> 00:02:03,400 Speaker 1: on a song before Cody we did. 43 00:02:04,160 --> 00:02:08,120 Speaker 3: We did something a few months back at this like 44 00:02:08,120 --> 00:02:11,400 Speaker 3: Homeless Shelter in La Christmas were playing Christmas songs. But 45 00:02:12,960 --> 00:02:16,080 Speaker 3: we've played together. But yeah, he's awesome. 46 00:02:16,560 --> 00:02:18,680 Speaker 1: You went on Miley's She's doing a bit of a 47 00:02:19,360 --> 00:02:23,440 Speaker 1: she's doing an insta sort of interview show, and you 48 00:02:23,480 --> 00:02:25,359 Speaker 1: went on there and read out a couple of poems. 49 00:02:25,560 --> 00:02:29,120 Speaker 1: Unfortunately she was annoying you in the background. Yeah, she 50 00:02:29,280 --> 00:02:31,000 Speaker 1: was yelling out in the background. Here's a bit of 51 00:02:31,040 --> 00:02:36,200 Speaker 1: it here. Is it hard to get creative when Miley's 52 00:02:36,240 --> 00:02:37,440 Speaker 1: yelling at you in the background? 53 00:02:37,560 --> 00:02:43,600 Speaker 2: Cody that actually helps? Doesn't like a personal work well? 54 00:02:43,639 --> 00:02:44,200 Speaker 2: Under pressure? 55 00:02:45,200 --> 00:02:45,960 Speaker 1: Yeah, exactly. 56 00:02:46,240 --> 00:02:48,200 Speaker 4: I need to ask this. With the world in lockdown 57 00:02:48,240 --> 00:02:51,240 Speaker 4: and everybody you know, told to stay at home, a 58 00:02:51,280 --> 00:02:54,240 Speaker 4: lot of are there a lot of artists you know, 59 00:02:54,320 --> 00:02:56,760 Speaker 4: talking saying, hey, we've got this time in her hands. Now, 60 00:02:56,880 --> 00:02:59,120 Speaker 4: we can't tour, let's record some stuff. 61 00:02:59,120 --> 00:03:00,240 Speaker 2: We've got to work together. 62 00:03:00,080 --> 00:03:01,840 Speaker 4: Here, because I would almost like, if the world goes 63 00:03:01,840 --> 00:03:03,960 Speaker 4: into lockdown for six months, in your at home, you 64 00:03:04,080 --> 00:03:06,839 Speaker 4: almost feel the pressure of, you know, needing to maximize 65 00:03:06,840 --> 00:03:09,720 Speaker 4: that time in your in your craft. Is that the 66 00:03:09,760 --> 00:03:11,359 Speaker 4: feeling amongst the music community? 67 00:03:12,160 --> 00:03:14,280 Speaker 3: Well, yeah, yeah, it's I'm lucky enough to have a 68 00:03:14,280 --> 00:03:16,080 Speaker 3: little studio set up at home, so I'm kind of 69 00:03:16,080 --> 00:03:18,359 Speaker 3: trying to take advantage of that right now. But it's 70 00:03:18,400 --> 00:03:21,119 Speaker 3: definitely tough when things are so up in the air, 71 00:03:21,160 --> 00:03:23,600 Speaker 3: because even with like, you know, the live music business 72 00:03:23,639 --> 00:03:26,120 Speaker 3: in general, it's like, even if all of a sudden 73 00:03:26,160 --> 00:03:28,040 Speaker 3: in a month, people you know, we're given the green light. 74 00:03:28,120 --> 00:03:30,040 Speaker 3: It's like people, I don't think people are going to 75 00:03:30,080 --> 00:03:33,120 Speaker 3: be rushing back immediately into crowds anyway. People think if 76 00:03:33,160 --> 00:03:36,440 Speaker 3: they're going to be sketched, you know. So it's kind 77 00:03:36,440 --> 00:03:38,720 Speaker 3: of like trying to figure out how to adapt to 78 00:03:38,960 --> 00:03:41,840 Speaker 3: a new way of you know. Unluckily now, like we 79 00:03:41,920 --> 00:03:44,120 Speaker 3: do have these platforms and we do have ways to 80 00:03:44,200 --> 00:03:50,080 Speaker 3: do it without necessarily going out into live performance venues. 81 00:03:50,120 --> 00:03:52,800 Speaker 3: But it's it's hard to think about where things are 82 00:03:52,800 --> 00:03:55,640 Speaker 3: headed and whether things will be the same for a 83 00:03:55,680 --> 00:03:58,760 Speaker 3: little while. But definitely trying to keep you know, which 84 00:03:58,760 --> 00:04:01,040 Speaker 3: is why I've been recording home and putting out these 85 00:04:01,080 --> 00:04:03,560 Speaker 3: couple songs this month. And you know, I didn't want 86 00:04:03,560 --> 00:04:05,160 Speaker 3: to postpone the book because I felt like it was 87 00:04:05,200 --> 00:04:08,960 Speaker 3: something people kind of needed at this time in a way. 88 00:04:09,040 --> 00:04:11,440 Speaker 3: You know, like I think people do look to music 89 00:04:11,480 --> 00:04:13,960 Speaker 3: and look to books and art and different things for 90 00:04:14,280 --> 00:04:17,120 Speaker 3: some kind of escapism during times like this. 91 00:04:17,200 --> 00:04:19,000 Speaker 2: So well, Cody, you know. 92 00:04:19,520 --> 00:04:22,440 Speaker 5: They're also looking to pets, aren't they, Because you guys 93 00:04:22,440 --> 00:04:24,200 Speaker 5: are one of the many people who have gone and 94 00:04:24,200 --> 00:04:25,479 Speaker 5: board a dog. Is that right? 95 00:04:26,600 --> 00:04:26,920 Speaker 2: Yeah? 96 00:04:27,040 --> 00:04:30,080 Speaker 3: Yeah, Love did a little puppy A ton of people 97 00:04:30,080 --> 00:04:33,200 Speaker 3: actually giving away dogs right now, you know, people under 98 00:04:33,200 --> 00:04:38,360 Speaker 3: financial stress, people giving dogs back to shelters, and these 99 00:04:38,400 --> 00:04:41,680 Speaker 3: shelters were becoming like really overwhelmed, especially here in La 100 00:04:41,760 --> 00:04:44,640 Speaker 3: So we went and got one and we've been trying 101 00:04:44,680 --> 00:04:46,279 Speaker 3: to trying to trade him. 102 00:04:46,400 --> 00:04:48,279 Speaker 5: Have you found any problems with it though? I mean, 103 00:04:48,320 --> 00:04:50,560 Speaker 5: Whips always talks about when he was a kid and 104 00:04:50,680 --> 00:04:53,440 Speaker 5: when the dog cries, how you just pig a buck 105 00:04:53,480 --> 00:04:55,800 Speaker 5: of cold water on it, And I just. 106 00:04:55,760 --> 00:04:57,040 Speaker 2: Think that's horrible. 107 00:04:57,040 --> 00:04:58,960 Speaker 5: But we think that's the only way you stopped a 108 00:04:59,000 --> 00:05:00,719 Speaker 5: puppy from crying. Is that the case. 109 00:05:01,800 --> 00:05:04,039 Speaker 3: I haven't tried that tactic yet. You get into that 110 00:05:04,080 --> 00:05:09,400 Speaker 3: point though, I'm just hearing strangely been like the best 111 00:05:09,720 --> 00:05:11,880 Speaker 3: I've ever had. 112 00:05:11,680 --> 00:05:14,520 Speaker 1: But you've got to maybe put a palm together about 113 00:05:14,560 --> 00:05:15,800 Speaker 1: Bow the German Shepherd. 114 00:05:15,880 --> 00:05:22,840 Speaker 2: I mean you could what the German Shepherd? You don't 115 00:05:22,839 --> 00:05:25,599 Speaker 2: know what you mean to me? Yeah. 116 00:05:26,360 --> 00:05:33,760 Speaker 3: In the next book, mate, well, the new. 117 00:05:33,640 --> 00:05:35,599 Speaker 2: Poetry book Prince Neptune. You can get it now. It 118 00:05:35,600 --> 00:05:38,600 Speaker 2: can be purchased on book Topia. Mate. We appreciate your 119 00:05:38,600 --> 00:05:40,760 Speaker 2: time and how busy R. Cody. Thank you very much 120 00:05:40,800 --> 00:05:42,680 Speaker 2: for coming on the show, bro and send all our 121 00:05:42,680 --> 00:05:50,680 Speaker 2: best to Maley, Yeah, you're welcome. Thank you guys,