1 00:00:01,000 --> 00:00:04,680 Speaker 1: Diet. I welcome to the show. It's Monday and it's 2 00:00:05,040 --> 00:00:08,560 Speaker 1: Questions and Answers Monday. Do you have a question? Honey? Yes? 3 00:00:08,680 --> 00:00:10,280 Speaker 1: What is it? Hi? 4 00:00:10,520 --> 00:00:11,000 Speaker 2: How are you? 5 00:00:12,640 --> 00:00:13,680 Speaker 1: How you used my question? 6 00:00:14,240 --> 00:00:15,440 Speaker 2: Yeah? 7 00:00:15,520 --> 00:00:23,640 Speaker 1: I will answer that after this ad break. Fine, caet 8 00:00:23,680 --> 00:00:25,280 Speaker 1: I welcome to the show. This is better than yesterday, 9 00:00:25,440 --> 00:00:28,520 Speaker 1: making it better at every episode is twenty thirteen. I'm 10 00:00:28,520 --> 00:00:34,640 Speaker 1: Osha Ginsburg. I am Audrey's husband, and Audrey's here. Hello. Hi, 11 00:00:34,960 --> 00:00:38,960 Speaker 1: thanks for coming to the Questions and Answers Edition desk again. 12 00:00:39,800 --> 00:00:41,480 Speaker 1: You were on the show last week and he said 13 00:00:41,479 --> 00:00:44,360 Speaker 1: the place is really messy, and so I've cleaned the 14 00:00:44,360 --> 00:00:48,360 Speaker 1: place right up and I've installed a very significant, quite 15 00:00:48,479 --> 00:00:52,559 Speaker 1: extensive library bookshelf since you awaycome nameless books and they're 16 00:00:52,600 --> 00:00:55,280 Speaker 1: not nameless at all. They're just in languages that you 17 00:00:55,320 --> 00:00:59,320 Speaker 1: can't read. Because I'm smart? Can you we do get 18 00:00:59,320 --> 00:01:01,959 Speaker 1: some questions come through on the substack Ooshikin's worked at 19 00:01:01,960 --> 00:01:05,720 Speaker 1: substack dot com. It's very exciting. Yes, and we have 20 00:01:05,760 --> 00:01:06,160 Speaker 1: some here. 21 00:01:06,920 --> 00:01:09,720 Speaker 2: And is there a reason why you're using your late 22 00:01:09,800 --> 00:01:10,560 Speaker 2: night voice. 23 00:01:10,520 --> 00:01:12,720 Speaker 1: Because it's late at night, we're actually recording is on 24 00:01:12,720 --> 00:01:14,160 Speaker 1: a Saturday night, and. 25 00:01:14,160 --> 00:01:16,959 Speaker 2: Because we have a raging social life. 26 00:01:17,160 --> 00:01:17,800 Speaker 1: We do. 27 00:01:18,040 --> 00:01:19,920 Speaker 2: It's actually quite a nice way to spend. 28 00:01:20,160 --> 00:01:22,560 Speaker 1: It's lovely Saturday night. You work today? 29 00:01:22,800 --> 00:01:23,920 Speaker 2: Yes, how was work? 30 00:01:25,040 --> 00:01:26,000 Speaker 1: That's my question to you? 31 00:01:26,280 --> 00:01:27,280 Speaker 2: You have an answered mine? 32 00:01:27,360 --> 00:01:27,800 Speaker 1: How am I? 33 00:01:28,040 --> 00:01:30,200 Speaker 2: Yeah? How are you? I am? 34 00:01:30,240 --> 00:01:32,920 Speaker 1: Okay? I did. I just came from doing the Michelle 35 00:01:32,920 --> 00:01:38,880 Speaker 1: Brazier podcast episode at Factory Theater. Yeah, this is the thing. 36 00:01:39,440 --> 00:01:42,399 Speaker 1: I'm trying to answer a question that Orderies asked me. 37 00:01:43,000 --> 00:01:46,080 Speaker 1: But I have this particular theory in that you can 38 00:01:46,120 --> 00:01:50,640 Speaker 1: tell how in love you are with another person by 39 00:01:50,840 --> 00:01:53,960 Speaker 1: timing how long it takes them to ask you a 40 00:01:54,040 --> 00:01:57,000 Speaker 1: question or tell you you love them, and when they 41 00:01:57,040 --> 00:01:59,800 Speaker 1: start looking for black heads on your face or wanting 42 00:01:59,840 --> 00:02:01,360 Speaker 1: to just like eyebrows. 43 00:02:01,400 --> 00:02:06,440 Speaker 2: But the eyebrows, the eyebrows are real, And I don't. 44 00:02:06,240 --> 00:02:08,600 Speaker 1: Want to groom you in the middle of your conversation. 45 00:02:08,680 --> 00:02:09,480 Speaker 1: I don't reach over. 46 00:02:09,760 --> 00:02:11,959 Speaker 2: So I do believe that you said to me earlier 47 00:02:12,000 --> 00:02:17,800 Speaker 2: tonight that at arm's length, anything within that arm's length 48 00:02:18,040 --> 00:02:18,679 Speaker 2: you can't. 49 00:02:18,480 --> 00:02:20,560 Speaker 1: See clearly without my contact. 50 00:02:20,600 --> 00:02:23,400 Speaker 2: And yet so you can't really see me that it's. 51 00:02:23,320 --> 00:02:24,920 Speaker 1: Not sure I see you, crystal clue. 52 00:02:25,120 --> 00:02:29,240 Speaker 2: Okay, So what imperfections can you see? Of course, Anyway, 53 00:02:29,320 --> 00:02:30,440 Speaker 2: let's go on with the story. 54 00:02:31,680 --> 00:02:33,519 Speaker 1: Show was really really good. We did at the Factory 55 00:02:33,560 --> 00:02:35,840 Speaker 1: Theater and she's fantastic. She writ in a book called 56 00:02:35,880 --> 00:02:38,480 Speaker 1: My Brother's Ashes Are in a Sandwich Bag, which is 57 00:02:38,520 --> 00:02:43,680 Speaker 1: at the same time pantsweatingly funny and also devastatingly tragic, 58 00:02:44,639 --> 00:02:46,600 Speaker 1: which is a very fine line. 59 00:02:46,840 --> 00:02:50,240 Speaker 2: Thread but when it's good. 60 00:02:50,760 --> 00:02:54,200 Speaker 1: And then we sang if. We talked about what it 61 00:02:54,240 --> 00:02:57,680 Speaker 1: is to have someone die and think about death, and 62 00:02:58,480 --> 00:03:02,679 Speaker 1: that she has been tested genetically and she has a 63 00:03:02,760 --> 00:03:05,280 Speaker 1: ninety seven percent chance of getting the same cancers that 64 00:03:05,400 --> 00:03:08,800 Speaker 1: killed her family, and she said that means that I 65 00:03:08,919 --> 00:03:11,280 Speaker 1: just if I see someone with a cool outfit on, 66 00:03:11,320 --> 00:03:13,400 Speaker 1: I'll walk up and say it's a really cool outfit. 67 00:03:14,520 --> 00:03:16,359 Speaker 1: It was really cool. And then we sang a song 68 00:03:16,360 --> 00:03:21,239 Speaker 1: about fingering in the Fingering Shed. It was a love 69 00:03:21,280 --> 00:03:23,600 Speaker 1: song that she'd written about a boy that she knew 70 00:03:23,600 --> 00:03:26,280 Speaker 1: in high school. Okay, and her partner Tim played it 71 00:03:26,320 --> 00:03:27,000 Speaker 1: on guitar. 72 00:03:27,320 --> 00:03:28,600 Speaker 2: Nice and you accompanied on. 73 00:03:28,760 --> 00:03:30,919 Speaker 1: I was told to sing the last chorus, and so I. 74 00:03:30,880 --> 00:03:33,000 Speaker 2: Did, Please, can you hit us with it? 75 00:03:33,560 --> 00:03:35,440 Speaker 1: I can't because Wolfgang's roads above us. 76 00:03:36,200 --> 00:03:37,120 Speaker 2: But we don't have to. 77 00:03:37,240 --> 00:03:40,720 Speaker 1: Fingering Shed a Kerringle High. 78 00:03:40,760 --> 00:03:45,640 Speaker 2: Anyway, I think that really leads well into our first 79 00:03:45,720 --> 00:03:47,200 Speaker 2: question from Manique Kay. 80 00:03:47,480 --> 00:03:48,440 Speaker 1: What is Manic Cornerer? 81 00:03:49,000 --> 00:03:53,240 Speaker 2: What fidget toy do you use that doesn't make a noise? Oh? 82 00:03:53,560 --> 00:03:57,200 Speaker 1: Because I was on the Nobody Ask podcast with Eden 83 00:03:57,320 --> 00:04:01,440 Speaker 1: and Lockie McIntyre. Ye, well he was in Greece doing 84 00:04:02,280 --> 00:04:02,920 Speaker 1: holiday ship. 85 00:04:03,080 --> 00:04:05,280 Speaker 2: Yeah but still working. 86 00:04:05,480 --> 00:04:09,760 Speaker 1: Yeah, well apparently, and yeah, because I was the kid's 87 00:04:09,840 --> 00:04:13,080 Speaker 1: name called k Ko k a I Ko. He sent 88 00:04:13,120 --> 00:04:16,520 Speaker 1: me a bunch there's a little those yeah that yeah, 89 00:04:16,600 --> 00:04:19,440 Speaker 1: because they're really good. They're quiet. Because Andy was like, dude, 90 00:04:19,480 --> 00:04:21,800 Speaker 1: I know you've got to play with stuff, but it's 91 00:04:21,880 --> 00:04:24,320 Speaker 1: too noisy. Because I would sit there and just do this, 92 00:04:24,680 --> 00:04:27,479 Speaker 1: like because this thing this I'm holding a SD card 93 00:04:27,520 --> 00:04:32,280 Speaker 1: case and opens and closes, go fiddle with that. So 94 00:04:32,400 --> 00:04:34,120 Speaker 1: tell me about the time that you write your book 95 00:04:34,120 --> 00:04:37,640 Speaker 1: about the thing with the wat suit. And he'd be like, mate, 96 00:04:37,760 --> 00:04:40,080 Speaker 1: I can't cut it out. Well if this has got 97 00:04:40,080 --> 00:04:41,920 Speaker 1: a carabine or on it, and I would just go, 98 00:04:42,160 --> 00:04:46,000 Speaker 1: you'd click it. I'd be like, so, is there any 99 00:04:46,040 --> 00:04:48,280 Speaker 1: advice that you would give to someone who's an entrepreneur? 100 00:04:49,279 --> 00:04:51,200 Speaker 1: And he just writes me like, mate, I can't use 101 00:04:51,240 --> 00:04:53,159 Speaker 1: any of it. Get something that sent. 102 00:04:53,120 --> 00:04:55,680 Speaker 2: Quiet we didn't think of, like slime. 103 00:04:56,800 --> 00:04:57,640 Speaker 1: It's too squshy. 104 00:04:57,680 --> 00:04:59,240 Speaker 2: It goes oh it's squelchess. 105 00:04:59,240 --> 00:05:06,040 Speaker 1: It makes squatchy noises like my back in yoga. Yeah, okay, 106 00:05:06,240 --> 00:05:08,800 Speaker 1: all right, well k I ko he was a kid, 107 00:05:08,920 --> 00:05:11,159 Speaker 1: He was a real I think he's probably probably twenty 108 00:05:11,160 --> 00:05:13,440 Speaker 1: by now, but he sent me something he was like 109 00:05:13,520 --> 00:05:14,560 Speaker 1: eleven or twelve time. 110 00:05:14,640 --> 00:05:17,880 Speaker 2: So what is the what of those toys is it 111 00:05:17,920 --> 00:05:21,200 Speaker 2: that you particularly like? Is there some sort of tactile yeah, 112 00:05:21,360 --> 00:05:22,440 Speaker 2: like is it are? 113 00:05:22,680 --> 00:05:27,000 Speaker 1: They're the very repetitive movements are possible with them because 114 00:05:27,040 --> 00:05:29,880 Speaker 1: they're one is the one I really like the most 115 00:05:29,960 --> 00:05:32,080 Speaker 1: is the heavy rollers. It's two rollers together and you 116 00:05:32,080 --> 00:05:34,680 Speaker 1: can just go, oh yeah, you just ways about half 117 00:05:34,720 --> 00:05:37,760 Speaker 1: a kilo. I really like it. The other ones that 118 00:05:37,760 --> 00:05:39,839 Speaker 1: are really nice are the ones made it are basically 119 00:05:39,960 --> 00:05:41,760 Speaker 1: key chains and bicycle. 120 00:05:42,880 --> 00:05:44,800 Speaker 2: Change the ones that I find in the washing machine. 121 00:05:44,520 --> 00:05:46,880 Speaker 1: Earrings and bike chains. Yeah, and because they're just loop 122 00:05:46,960 --> 00:05:48,839 Speaker 1: and loop and loop, and so you can do the 123 00:05:48,880 --> 00:05:51,760 Speaker 1: repetitive motion with your hand and it's really it's quite nice. 124 00:05:52,000 --> 00:05:54,320 Speaker 2: Okay, all right, well there you go. 125 00:05:54,480 --> 00:05:57,000 Speaker 1: He's a good yt is k A I k I 126 00:05:57,040 --> 00:05:58,760 Speaker 1: think that's it. Okay, Okay, I'll put something in the 127 00:05:58,760 --> 00:06:02,320 Speaker 1: show notes kin co fidgets. I think he designed them 128 00:06:02,400 --> 00:06:04,560 Speaker 1: or his parents made them for him or something like that. 129 00:06:05,080 --> 00:06:08,000 Speaker 1: And it's still running. It's great. Good on here they 130 00:06:08,000 --> 00:06:09,279 Speaker 1: sell heaps of stuff. Yeah, good on. 131 00:06:09,720 --> 00:06:14,799 Speaker 2: Next question Yes, is from Tanya pol Yuck pole Jack. 132 00:06:15,760 --> 00:06:17,719 Speaker 2: Will you write another book? 133 00:06:17,800 --> 00:06:20,839 Speaker 1: Yes? In fact, I think actually I think we actually 134 00:06:20,920 --> 00:06:24,640 Speaker 1: close that deal. Great, I think did we? Yeah? I 135 00:06:24,640 --> 00:06:26,320 Speaker 1: think I just I need to get a wet signature 136 00:06:26,360 --> 00:06:26,600 Speaker 1: on it. 137 00:06:26,839 --> 00:06:30,159 Speaker 2: You're the only person I have ever heard use the 138 00:06:30,240 --> 00:06:31,440 Speaker 2: term wet signature. 139 00:06:31,600 --> 00:06:35,440 Speaker 1: It's a thing my lawyer. It was the first person 140 00:06:35,440 --> 00:06:38,320 Speaker 1: I ever heard use it. So I need a wet signature, huh. 141 00:06:39,279 --> 00:06:43,839 Speaker 1: Because so many things are digital now, some processes still 142 00:06:43,880 --> 00:06:46,040 Speaker 1: require actual encom paper. 143 00:06:46,520 --> 00:06:47,600 Speaker 2: And then what you fax it? 144 00:06:48,320 --> 00:06:53,040 Speaker 1: No? Well, facts actually post it facts faxes are they've 145 00:06:53,040 --> 00:06:56,719 Speaker 1: been ratified by some I don't know, conventional law or something. 146 00:06:56,920 --> 00:06:59,160 Speaker 1: Facts is. There was a time when you couldn't sign 147 00:06:59,240 --> 00:07:01,360 Speaker 1: something digitally, but you could fax it. But it's still 148 00:07:01,480 --> 00:07:05,479 Speaker 1: sent digitally. But because of the verification used in the facts, 149 00:07:06,160 --> 00:07:08,279 Speaker 1: it was more trustable than. 150 00:07:08,400 --> 00:07:11,080 Speaker 2: An trustable Is that a word? 151 00:07:11,600 --> 00:07:13,880 Speaker 1: Trust? Yes? 152 00:07:14,080 --> 00:07:16,440 Speaker 2: So what are you thinking about writing that, Well there's two. 153 00:07:17,720 --> 00:07:19,400 Speaker 2: Oh okay, so you're not going to write just one. 154 00:07:19,440 --> 00:07:20,160 Speaker 2: You're going to write two. 155 00:07:20,360 --> 00:07:23,480 Speaker 1: The ones based on the conversations I've had on the podcast, 156 00:07:23,960 --> 00:07:27,160 Speaker 1: which I'm quite excited about. And the other one is 157 00:07:28,000 --> 00:07:33,920 Speaker 1: essentially a how do I put this? Do you remember 158 00:07:34,000 --> 00:07:37,880 Speaker 1: in like, I mean, you were young, you probably just 159 00:07:37,960 --> 00:07:39,880 Speaker 1: had not even had Georgia yet, But do you remember 160 00:07:39,880 --> 00:07:41,880 Speaker 1: there was a time when in the early two thousands 161 00:07:41,920 --> 00:07:44,800 Speaker 1: when people got broken up with or whatever, they lost 162 00:07:44,840 --> 00:07:46,760 Speaker 1: a job, mostly getting broken up with someone given them 163 00:07:46,760 --> 00:07:50,080 Speaker 1: a copy of The Alchemist or Who Moved Much Ease, 164 00:07:50,400 --> 00:07:52,640 Speaker 1: or like those little book you give to your friend 165 00:07:52,640 --> 00:07:54,280 Speaker 1: who's broken up. So it's like that. 166 00:07:54,480 --> 00:07:56,000 Speaker 2: I've never read The Alchemists, all. 167 00:07:55,960 --> 00:08:00,640 Speaker 1: Right, No, because it's literally like he wanted to find 168 00:08:00,640 --> 00:08:02,200 Speaker 1: a thing and set off on a journey and came 169 00:08:02,280 --> 00:08:08,120 Speaker 1: and realized it was all him the end. It's essentially like, oh, 170 00:08:08,200 --> 00:08:09,360 Speaker 1: it changes if I change. 171 00:08:09,840 --> 00:08:10,040 Speaker 2: Ah. 172 00:08:10,800 --> 00:08:13,800 Speaker 1: It's that's the same with hermod the Cheese. They get 173 00:08:13,800 --> 00:08:18,400 Speaker 1: to the end and go, oh, I h s So, 174 00:08:19,080 --> 00:08:24,840 Speaker 1: but it's not like that. It's basically low jargon introduction 175 00:08:25,000 --> 00:08:27,400 Speaker 1: to essentially acceptance commitment therapy. 176 00:08:27,880 --> 00:08:31,120 Speaker 2: Okay, yeah, that's not something that you necessarily focus on 177 00:08:31,200 --> 00:08:33,839 Speaker 2: though in your podcasts. Is that something that you do? 178 00:08:34,000 --> 00:08:38,439 Speaker 1: That's the really interesting that's the other book. Oh right, okay, 179 00:08:38,559 --> 00:08:40,880 Speaker 1: so there's two books. One's about the podcast and one's 180 00:08:40,880 --> 00:08:43,240 Speaker 1: more and one is another kind of like a user's 181 00:08:43,240 --> 00:08:45,520 Speaker 1: manual to dealing with tough shit. 182 00:08:46,000 --> 00:08:51,760 Speaker 2: Like act for Sorry, Act for Dummies. 183 00:08:51,600 --> 00:08:55,440 Speaker 1: Something like that. But it's it's something that David told 184 00:08:55,480 --> 00:09:00,160 Speaker 1: me early on. So what now what? M That's all 185 00:09:00,200 --> 00:09:01,360 Speaker 1: that it's called. So what now what? 186 00:09:02,120 --> 00:09:02,440 Speaker 2: Cool? 187 00:09:02,679 --> 00:09:06,840 Speaker 1: Yeah? And it's going to have illustrations by an artist 188 00:09:06,840 --> 00:09:10,319 Speaker 1: who I have yet to get the deal signed. But 189 00:09:10,360 --> 00:09:12,360 Speaker 1: this artist is very excited about it, and we just 190 00:09:12,400 --> 00:09:14,200 Speaker 1: need to lock it away. I don't want to announce 191 00:09:14,200 --> 00:09:16,480 Speaker 1: who it is yet, but I'm very, very very excited 192 00:09:16,480 --> 00:09:16,839 Speaker 1: to work with this. 193 00:09:17,200 --> 00:09:20,720 Speaker 2: Do love a reveal? After the break we might find 194 00:09:20,760 --> 00:09:22,200 Speaker 2: out who that artist is. 195 00:09:22,280 --> 00:09:24,920 Speaker 1: No, you won't because I have to close the on that. Okay, fine, 196 00:09:25,040 --> 00:09:26,480 Speaker 1: But after the break there is another question. 197 00:09:27,760 --> 00:09:28,840 Speaker 2: Are we going to break? Now? 198 00:09:29,040 --> 00:09:30,360 Speaker 1: Yeah? 199 00:09:30,480 --> 00:09:31,200 Speaker 2: Do you do that? 200 00:09:31,720 --> 00:09:33,920 Speaker 1: Yeah? Yeah, I'll do that. But what's the what's the 201 00:09:33,920 --> 00:09:34,400 Speaker 1: next question? 202 00:09:34,440 --> 00:09:35,920 Speaker 2: Oh? I thought you wanted to do the break thing. 203 00:09:36,040 --> 00:09:37,440 Speaker 1: Yeah I will, but you've got to tell him the 204 00:09:37,520 --> 00:09:40,680 Speaker 1: question so that they go like with Jake jilln Hall 205 00:09:41,000 --> 00:09:42,960 Speaker 1: in the thing when he sees a text message at 206 00:09:43,000 --> 00:09:45,000 Speaker 1: the end of the episode and you go, then Croy 207 00:09:45,320 --> 00:09:47,720 Speaker 1: is in credits, but this WI will just be an 208 00:09:47,720 --> 00:09:48,520 Speaker 1: ad break and then more. 209 00:09:48,679 --> 00:09:52,520 Speaker 2: Oh, okay, all right, did Heggy really hit you up 210 00:09:52,640 --> 00:09:54,199 Speaker 2: Prides in your Black thunder Days? 211 00:09:55,600 --> 00:09:56,200 Speaker 1: Luke Heggy? 212 00:09:56,840 --> 00:09:58,720 Speaker 2: Yes, I'm assuming that's who. 213 00:09:58,800 --> 00:10:03,880 Speaker 1: He's his favorite working comedian. That's a very good question. 214 00:10:05,520 --> 00:10:06,840 Speaker 2: There is really find out soon. 215 00:10:07,240 --> 00:10:13,439 Speaker 1: You will find out the answer in a moment. Thanks 216 00:10:13,440 --> 00:10:16,880 Speaker 1: for joining us. This is the Question and Answers Edition. Mondays. 217 00:10:17,960 --> 00:10:20,480 Speaker 1: I like to ask. I like to answer questions that 218 00:10:20,520 --> 00:10:23,800 Speaker 1: you've sent in and Audrey and he makes me ask them. 219 00:10:23,800 --> 00:10:27,280 Speaker 1: Makes yes, how have I made? I asked, and you 220 00:10:27,320 --> 00:10:27,840 Speaker 1: said yes. 221 00:10:27,960 --> 00:10:30,880 Speaker 2: I was watching NCIES New Orleans and I'm like. 222 00:10:30,920 --> 00:10:33,839 Speaker 1: Dude, what are you doing now? Have you just left 223 00:10:33,840 --> 00:10:35,559 Speaker 1: the show running knowing that you'll be able to go 224 00:10:35,679 --> 00:10:36,640 Speaker 1: back up half an hour later? 225 00:10:36,679 --> 00:10:40,400 Speaker 2: And no, I paused, this is like it's the end 226 00:10:40,440 --> 00:10:42,120 Speaker 2: of the season four or whatever. 227 00:10:42,280 --> 00:10:42,920 Speaker 1: Uh huh. 228 00:10:42,960 --> 00:10:45,720 Speaker 2: And so there's like a slight cliffhanger. There's things that 229 00:10:45,800 --> 00:10:47,040 Speaker 2: I really can't be missing. 230 00:10:47,520 --> 00:10:50,200 Speaker 1: Are they going to figure it out before. 231 00:10:48,720 --> 00:10:51,360 Speaker 2: The figure it out. That's not the point. 232 00:10:52,160 --> 00:10:54,520 Speaker 1: The point is is Lou Diamond Phillips in this one? 233 00:10:55,559 --> 00:10:59,040 Speaker 2: Yeah, this is the Lou Diamonds. He's so versatile. 234 00:10:59,640 --> 00:11:00,880 Speaker 1: Is he more than an episode? 235 00:11:01,720 --> 00:11:03,520 Speaker 2: Well, he's only in the last two of this one. 236 00:11:03,600 --> 00:11:05,760 Speaker 2: I saw articular, and I don't know what's going to happen. 237 00:11:05,840 --> 00:11:08,480 Speaker 1: So Domond Phillips not getting a series art Hey, I 238 00:11:08,559 --> 00:11:12,959 Speaker 1: mean I was Lubumba, I was Richie Valence and now 239 00:11:13,080 --> 00:11:16,680 Speaker 1: I'm He's lucky. He's like, well we've got it, hey, Lou, 240 00:11:16,720 --> 00:11:18,560 Speaker 1: We've got a job for you. N c I S. 241 00:11:18,800 --> 00:11:21,280 Speaker 2: Do you remember he was also on The Wiggles? 242 00:11:21,760 --> 00:11:21,960 Speaker 1: Fuck? 243 00:11:22,040 --> 00:11:25,440 Speaker 2: Yeah, it was too he was he was doing he 244 00:11:25,520 --> 00:11:27,080 Speaker 2: was doing a couple of Wiggles. 245 00:11:26,720 --> 00:11:28,000 Speaker 1: In episode of the Wiggles. 246 00:11:28,040 --> 00:11:31,160 Speaker 2: It's shit hot. Yeah, it was great. I have no 247 00:11:31,240 --> 00:11:33,240 Speaker 2: idea why, but it was great. 248 00:11:33,360 --> 00:11:36,600 Speaker 1: It was great. You asked me a question earlier about Heggy. 249 00:11:36,720 --> 00:11:39,840 Speaker 2: Oh yes, did did Heggy? As in Luke KEGGI really 250 00:11:39,880 --> 00:11:42,199 Speaker 2: hit you up for rides in your Black thunder Days? 251 00:11:43,000 --> 00:11:46,320 Speaker 1: I would dare say I haven't got absolute, crystal clear 252 00:11:46,320 --> 00:11:49,880 Speaker 1: memories of it, but yes, without a doubt, I would 253 00:11:49,920 --> 00:11:52,640 Speaker 1: give my friends rides all the time. I mean it 254 00:11:52,720 --> 00:11:54,760 Speaker 1: was a station truck and it had a mobile phone 255 00:11:54,760 --> 00:11:59,240 Speaker 1: in it at a time when nobody really had mobile phones. 256 00:11:59,520 --> 00:12:02,319 Speaker 1: So I just all my friends and say, hey, I'm nearby. 257 00:12:02,640 --> 00:12:04,680 Speaker 2: Oh so it wasn't like he'd call you and say 258 00:12:04,720 --> 00:12:06,120 Speaker 2: can you pick me up and drop me off to 259 00:12:06,679 --> 00:12:07,760 Speaker 2: like some sort. 260 00:12:07,600 --> 00:12:11,000 Speaker 1: Of No, I'd be Lady uber No obviously living at 261 00:12:11,000 --> 00:12:13,760 Speaker 1: the time, who was living in this sharehouse in Tuwong, 262 00:12:14,679 --> 00:12:16,240 Speaker 1: and I say, oh, look, I'm going to go do 263 00:12:16,280 --> 00:12:18,600 Speaker 1: a thunder drop because I did it. Like it's seven 264 00:12:18,800 --> 00:12:22,360 Speaker 1: twenty and eight thirty or something like a PM. I 265 00:12:22,400 --> 00:12:26,160 Speaker 1: did the night job, and so I would eight forty 266 00:12:26,200 --> 00:12:28,240 Speaker 1: five or something like that, and I would call him 267 00:12:28,280 --> 00:12:29,720 Speaker 1: up and say, hey, man, I'm going to do a 268 00:12:29,760 --> 00:12:34,800 Speaker 1: thing down at the whatever near you, and I just 269 00:12:34,800 --> 00:12:37,640 Speaker 1: pick him up just because it's kind of hilarious when 270 00:12:37,640 --> 00:12:40,439 Speaker 1: you pull up and just all this cars waiting and 271 00:12:40,720 --> 00:12:42,520 Speaker 1: people want canes of coke and free shit. 272 00:12:43,760 --> 00:12:46,559 Speaker 2: So funny. What did Luke do on those occasions? 273 00:12:46,880 --> 00:12:51,280 Speaker 1: Observes the public being public? Where do you think he 274 00:12:51,360 --> 00:12:56,760 Speaker 1: gets his material from? Just observes the people? But yeah, look, 275 00:12:57,320 --> 00:13:00,360 Speaker 1: I've shared many a car with Heggy that was always 276 00:13:00,400 --> 00:13:05,360 Speaker 1: some times where I probably wasn't in a seat in 277 00:13:05,400 --> 00:13:08,120 Speaker 1: the car, probably more in the trunk. 278 00:13:08,840 --> 00:13:09,800 Speaker 2: Why were you in the trunk? 279 00:13:09,840 --> 00:13:13,160 Speaker 1: Because you can't fit nine people in a Mazda sixty 280 00:13:13,280 --> 00:13:15,360 Speaker 1: six if you all sit in seats. 281 00:13:17,840 --> 00:13:19,080 Speaker 2: Yeah, that's true. 282 00:13:19,559 --> 00:13:22,080 Speaker 1: Being a young man is dangerous and you do dumb shit. 283 00:13:23,760 --> 00:13:29,080 Speaker 2: Yeah, okay, I can't really attest to that myself, but I'll. 284 00:13:28,960 --> 00:13:31,199 Speaker 1: Take your word for yeah, we've. 285 00:13:31,040 --> 00:13:34,280 Speaker 2: All done dumb shit young Being a young person, I think, 286 00:13:34,360 --> 00:13:35,320 Speaker 2: is a dangerous thing. 287 00:13:35,720 --> 00:13:39,400 Speaker 1: Fuck. Yeah, I want any era. I'd be interested to 288 00:13:39,480 --> 00:13:42,120 Speaker 1: know as too. I used to have this idea that 289 00:13:42,200 --> 00:13:45,240 Speaker 1: you can track how where you are in life by 290 00:13:45,280 --> 00:13:47,680 Speaker 1: measuring the distance between now and the last time you 291 00:13:47,720 --> 00:13:49,000 Speaker 1: pull the bucket bomb. 292 00:13:49,440 --> 00:13:52,320 Speaker 2: A bucket, Bob. Yeah, yeah, And I wonder what even 293 00:13:52,520 --> 00:13:54,600 Speaker 2: is a bucket. 294 00:13:53,920 --> 00:13:55,960 Speaker 1: That you don't know? The answer that question is good. 295 00:13:56,320 --> 00:13:59,640 Speaker 1: But I wonder when was the last did you have 296 00:13:59,679 --> 00:14:01,080 Speaker 1: you ever trying to egg at anybody? 297 00:14:01,240 --> 00:14:04,800 Speaker 2: No? Oh, no, actually I haven't. 298 00:14:04,800 --> 00:14:07,920 Speaker 1: No, I wonder when the last time Haggy threw an 299 00:14:07,960 --> 00:14:08,600 Speaker 1: egg at somebody? 300 00:14:09,240 --> 00:14:10,360 Speaker 2: Probably last week or so. 301 00:14:10,520 --> 00:14:12,040 Speaker 1: Yes, that's the thing. 302 00:14:12,679 --> 00:14:18,840 Speaker 2: I don't know, and I'm sure they deserved it. Vengeance yes, 303 00:14:21,200 --> 00:14:22,800 Speaker 2: served boiled. 304 00:14:23,240 --> 00:14:28,000 Speaker 1: Yeah, that's some of his live show artwork. Isn't him 305 00:14:28,000 --> 00:14:31,440 Speaker 1: with a carton of eggs? I'm fascinated, boy, isn't it? 306 00:14:31,920 --> 00:14:34,240 Speaker 2: And when was the last time you egged someone? 307 00:14:34,440 --> 00:14:40,400 Speaker 1: I don't know, but it would have been in his presence, so. 308 00:14:40,440 --> 00:14:43,920 Speaker 2: You guys are still mates, yeah, and you hang out, so. 309 00:14:43,880 --> 00:14:45,160 Speaker 1: It would have been like I would have been, like, 310 00:14:45,200 --> 00:14:48,160 Speaker 1: I don't know, way too old to be doing it. 311 00:14:48,720 --> 00:14:52,440 Speaker 1: Probably thirty five, no, nineteen eighteen nineteen. 312 00:14:53,120 --> 00:14:56,240 Speaker 2: Oh no, that's that's peak egging age. 313 00:14:56,280 --> 00:14:57,960 Speaker 1: Once you've got a car, you see, because then you 314 00:14:57,960 --> 00:15:00,440 Speaker 1: can do the what the and run? 315 00:15:00,760 --> 00:15:04,440 Speaker 2: Ah the egg and run. I think you actually need 316 00:15:04,480 --> 00:15:10,400 Speaker 2: to have a mischief special, mischief special, a mischief special 317 00:15:10,800 --> 00:15:14,800 Speaker 2: of the things that you have gotten up to mischief 318 00:15:14,840 --> 00:15:18,880 Speaker 2: wise and and edited one. I didn't say. 319 00:15:18,640 --> 00:15:21,440 Speaker 1: That because it'll be about eight seconds long. 320 00:15:22,160 --> 00:15:27,000 Speaker 2: What's the what's it called? Statute of limitations most things? 321 00:15:28,280 --> 00:15:30,000 Speaker 1: Limitations? Oh my god, come on, like. 322 00:15:30,240 --> 00:15:32,680 Speaker 2: I think even I think only murder has like an 323 00:15:32,760 --> 00:15:37,360 Speaker 2: unlimited statute of limitations. So you'll be fine. 324 00:15:37,800 --> 00:15:41,320 Speaker 1: I just got a flashback to something I won't But yes, 325 00:15:41,360 --> 00:15:43,360 Speaker 1: I'm very grateful that he's still in my life because 326 00:15:43,360 --> 00:15:46,800 Speaker 1: there's not many people. No, there's nobody that I've known 327 00:15:47,040 --> 00:15:48,720 Speaker 1: as long as him that isn't my family. 328 00:15:49,840 --> 00:15:51,000 Speaker 2: And he's a good dude. 329 00:15:51,120 --> 00:15:52,880 Speaker 1: There is. I found a video of his wedding the 330 00:15:52,920 --> 00:15:54,560 Speaker 1: other day. It's beautiful. 331 00:15:55,440 --> 00:15:56,320 Speaker 2: Where did they get married? 332 00:15:56,360 --> 00:15:58,480 Speaker 1: Where did he have the registry office in that? Oh 333 00:15:58,560 --> 00:16:00,680 Speaker 1: that's right in the city. Yeah. 334 00:16:00,760 --> 00:16:02,760 Speaker 2: Didn't you catch the bus there or something? Of the train? 335 00:16:02,880 --> 00:16:05,320 Speaker 1: We took the bus end in the train. Oh, that 336 00:16:05,360 --> 00:16:07,680 Speaker 1: one was late, and so we were running through that 337 00:16:07,720 --> 00:16:10,840 Speaker 1: tunnel under Central to get to their appointment on time. 338 00:16:11,920 --> 00:16:13,600 Speaker 1: He's got a crew cart and he looks great. 339 00:16:13,680 --> 00:16:19,160 Speaker 2: And the after party, there was an after party like 340 00:16:19,160 --> 00:16:21,120 Speaker 2: a reception, right. 341 00:16:21,760 --> 00:16:24,600 Speaker 1: Everything's not like a formal. I don't know. It was 342 00:16:24,600 --> 00:16:25,520 Speaker 1: in Cudgie somewhere. 343 00:16:26,480 --> 00:16:31,720 Speaker 2: I don't remember, but you don't remember a lot, like really. 344 00:16:32,200 --> 00:16:34,840 Speaker 1: I have flashes of stuff kind of come through. 345 00:16:36,440 --> 00:16:38,000 Speaker 2: You had a good time, though, and they had a 346 00:16:38,000 --> 00:16:38,520 Speaker 2: good time. 347 00:16:38,960 --> 00:16:40,320 Speaker 1: It was nice to see them again when I went 348 00:16:40,320 --> 00:16:42,880 Speaker 1: and visited a couple of years later, and I held 349 00:16:43,880 --> 00:16:47,560 Speaker 1: his daughter in my arms, who now looks after Wolfgang. 350 00:16:48,800 --> 00:16:50,000 Speaker 2: Yeah, he loves her. 351 00:16:51,040 --> 00:16:55,720 Speaker 1: She was like like he in my hands, like this nuts, 352 00:16:56,200 --> 00:16:57,360 Speaker 1: thanks for joining me. 353 00:16:57,920 --> 00:17:01,960 Speaker 2: That's okay, I mean it was just me and the 354 00:17:02,040 --> 00:17:04,600 Speaker 2: team from NCIS hanging out on Saturday night. 355 00:17:05,840 --> 00:17:08,399 Speaker 1: I don't understand that I can't do procedurals. What do 356 00:17:08,440 --> 00:17:09,800 Speaker 1: you get out of them? What do you get out 357 00:17:09,800 --> 00:17:10,720 Speaker 1: of a procedural show. 358 00:17:11,400 --> 00:17:16,679 Speaker 2: It's a feeling of everything's going to be fine. You 359 00:17:16,760 --> 00:17:19,600 Speaker 2: know why, because they always figure. 360 00:17:19,320 --> 00:17:22,359 Speaker 1: It out, except if you're going for a jog in 361 00:17:22,400 --> 00:17:24,560 Speaker 1: the opening eight seconds. 362 00:17:25,240 --> 00:17:29,840 Speaker 2: Look, I try and relate more to main characters who 363 00:17:29,920 --> 00:17:31,320 Speaker 2: stick around for a little bit longer. 364 00:17:31,440 --> 00:17:35,240 Speaker 1: Yeah, if you're if you're acting, if you've moved to 365 00:17:35,359 --> 00:17:38,160 Speaker 1: la as an Australian actor and you're calling home and going, 366 00:17:38,200 --> 00:17:41,680 Speaker 1: I've got a great job. It's amazing. It's a network show. 367 00:17:41,920 --> 00:17:44,200 Speaker 1: I'm so excited. You can hang up with the phone 368 00:17:44,359 --> 00:17:47,439 Speaker 1: and not tell them that you're the one who's filling 369 00:17:47,520 --> 00:17:50,399 Speaker 1: up the car at night at a service station after 370 00:17:50,440 --> 00:17:53,680 Speaker 1: the opening credit in one of those shows, because you'll 371 00:17:53,720 --> 00:17:56,399 Speaker 1: be dead within forty two seconds. 372 00:17:56,520 --> 00:17:59,400 Speaker 2: Either dead or the murderer one of the other. I 373 00:17:59,480 --> 00:18:01,840 Speaker 2: just like it because I can watch it and not 374 00:18:02,840 --> 00:18:05,560 Speaker 2: really think. I don't have to think too hard. It's 375 00:18:06,320 --> 00:18:08,160 Speaker 2: they're going to figure it out for me. I kind 376 00:18:08,200 --> 00:18:11,359 Speaker 2: of the formula is the same. I know what's going 377 00:18:11,440 --> 00:18:18,399 Speaker 2: to happen. It's like, you know, married sex. Yeah, it 378 00:18:18,520 --> 00:18:21,080 Speaker 2: starts like this and there's a bit in the middle, 379 00:18:21,560 --> 00:18:25,960 Speaker 2: and then it ends this way, the same every time. 380 00:18:26,560 --> 00:18:28,080 Speaker 2: Hang on a minute, reliable. 381 00:18:28,960 --> 00:18:34,639 Speaker 1: What about the other week up where we were it 382 00:18:34,800 --> 00:18:35,399 Speaker 1: was nothing. 383 00:18:35,600 --> 00:18:44,879 Speaker 2: I don't know what you're talking about. Come now, I 384 00:18:45,040 --> 00:18:52,520 Speaker 2: nearly did so close. Anyway we can cut that last 385 00:18:52,520 --> 00:18:52,840 Speaker 2: bit out. 386 00:18:52,960 --> 00:18:58,600 Speaker 1: No, that's thank Thanks for listening. Is the credits read 387 00:18:58,640 --> 00:18:59,160 Speaker 1: by an Ai. 388 00:19:01,680 --> 00:19:04,280 Speaker 2: This episode was brought to you by Andy Maer on 389 00:19:04,400 --> 00:19:08,480 Speaker 2: audio post production, Becksade on video post production, to Hyder 390 00:19:08,560 --> 00:19:13,160 Speaker 2: on music. Asher's executive function assistant is Monica Chapman. Sign 391 00:19:13,240 --> 00:19:16,120 Speaker 2: up to the regular newsletter and get every episode ever 392 00:19:16,400 --> 00:19:19,600 Speaker 2: at osheginsburg dot com.