1 00:00:00,560 --> 00:00:04,840 Speaker 1: It is so good to have this man back in 2 00:00:04,880 --> 00:00:07,200 Speaker 1: the studio because he was he was the man that 3 00:00:07,280 --> 00:00:09,799 Speaker 1: took us out of the studio for three months. 4 00:00:09,960 --> 00:00:11,239 Speaker 2: It is the magnificent Rich. 5 00:00:11,280 --> 00:00:15,040 Speaker 3: It will sick you very much, indeed, Yeah, what could 6 00:00:15,080 --> 00:00:15,880 Speaker 3: possibly go wrong? 7 00:00:17,800 --> 00:00:20,680 Speaker 1: We've got new studios now, Dicky, do we have the studios. 8 00:00:20,720 --> 00:00:21,400 Speaker 2: We're to rip the. 9 00:00:21,400 --> 00:00:23,319 Speaker 4: Old stuff out because you'd infected it. 10 00:00:23,440 --> 00:00:24,319 Speaker 3: You can thank me for that. 11 00:00:26,640 --> 00:00:27,240 Speaker 4: It is good to. 12 00:00:27,160 --> 00:00:29,240 Speaker 5: See your face, mate. That's been so much going on 13 00:00:29,280 --> 00:00:32,320 Speaker 5: in your life and we've missed you. One development on 14 00:00:32,360 --> 00:00:34,280 Speaker 5: our show. We were proud to announce this morning that 15 00:00:34,320 --> 00:00:38,000 Speaker 5: we have launched our own gin. It's called two Chins 16 00:00:38,040 --> 00:00:40,040 Speaker 5: Shouble Chin, double Chin Chin. 17 00:00:40,360 --> 00:00:42,479 Speaker 3: Very good. Indeed, well, good luck with that. 18 00:00:43,000 --> 00:00:44,920 Speaker 2: Yeah, you look forward to trying it? 19 00:00:45,000 --> 00:00:47,120 Speaker 3: I do, Yeah, I look forward to my little sample. Kid. 20 00:00:47,640 --> 00:00:48,720 Speaker 4: You've got a bottle in your hand. 21 00:00:48,800 --> 00:00:51,599 Speaker 1: How are you going? I mean, Weekend Today has been 22 00:00:51,640 --> 00:00:54,480 Speaker 1: going really well. But I mean, you know, you've always 23 00:00:54,640 --> 00:00:57,560 Speaker 1: it's been tough for you because weekends when you sort 24 00:00:57,600 --> 00:00:58,720 Speaker 1: of come out of your shell a bit. 25 00:00:59,080 --> 00:01:01,600 Speaker 6: Weekends are very busy because I do the Weekend Today's 26 00:01:01,600 --> 00:01:03,320 Speaker 6: Show with a fabulous Rebecca Madden. 27 00:01:03,440 --> 00:01:04,560 Speaker 3: That's right, and. 28 00:01:05,040 --> 00:01:08,120 Speaker 6: Then smoother fam of course on massive so weekends are 29 00:01:08,200 --> 00:01:10,920 Speaker 6: my you know my mind my front line. 30 00:01:11,040 --> 00:01:13,160 Speaker 2: Is it tough getting in on a sad day morning? 31 00:01:13,319 --> 00:01:16,280 Speaker 1: You know to work at about four am to get 32 00:01:16,319 --> 00:01:18,119 Speaker 1: your makeup on when you're getting home at three? 33 00:01:18,319 --> 00:01:18,960 Speaker 2: Is that tough? 34 00:01:19,000 --> 00:01:22,000 Speaker 3: For sometimes it's good? But to save having asleep. 35 00:01:22,319 --> 00:01:27,280 Speaker 4: Come ask you a serious question. Finished, finished with the bashing. 36 00:01:27,800 --> 00:01:28,520 Speaker 2: I just want to know. 37 00:01:28,640 --> 00:01:30,640 Speaker 1: It's been a few months now, but have you had 38 00:01:30,680 --> 00:01:32,680 Speaker 1: any follow on effects from coronavirus? 39 00:01:32,720 --> 00:01:34,560 Speaker 4: Because you didn't have any symptoms or anything. 40 00:01:34,840 --> 00:01:36,000 Speaker 3: That was all a bit weird, wasn't it. 41 00:01:36,240 --> 00:01:38,800 Speaker 6: Look in hindsight, I think I lost my appetite a 42 00:01:38,800 --> 00:01:40,200 Speaker 6: little bits, probably. 43 00:01:39,920 --> 00:01:43,680 Speaker 4: A good thing for nothing, lingering for what food? 44 00:01:43,800 --> 00:01:46,240 Speaker 2: Food you have you now? 45 00:01:46,400 --> 00:01:48,680 Speaker 1: Because I know the artist film a Plumb was saying 46 00:01:48,720 --> 00:01:52,120 Speaker 1: the other day that she's got a I think her 47 00:01:52,200 --> 00:01:55,680 Speaker 1: sense of smell. She has this real horrible smell that 48 00:01:55,760 --> 00:01:58,040 Speaker 1: she has now and that was from coronavirus. 49 00:01:58,080 --> 00:02:00,560 Speaker 3: There's anything have you eat smells? 50 00:02:00,840 --> 00:02:04,640 Speaker 2: No? 51 00:02:01,040 --> 00:02:07,600 Speaker 3: No, I don't think so. I think. I look. 52 00:02:07,640 --> 00:02:10,120 Speaker 6: I think I got through relatively unscayed, but I think 53 00:02:10,160 --> 00:02:12,760 Speaker 6: I lost my appetite a bit. But I keep telling 54 00:02:12,800 --> 00:02:15,079 Speaker 6: my kids, my family, you know, we just don't want 55 00:02:15,080 --> 00:02:18,320 Speaker 6: to get overly complacent. I sort of snuck through. Can 56 00:02:18,360 --> 00:02:19,320 Speaker 6: you it's a real thing. 57 00:02:19,440 --> 00:02:23,280 Speaker 1: Can you donate your antibodies? I know that Tom Hanks 58 00:02:23,600 --> 00:02:26,079 Speaker 1: you want four times. I mean you might get other 59 00:02:26,080 --> 00:02:27,040 Speaker 1: stuff as well, but I. 60 00:02:27,080 --> 00:02:28,320 Speaker 4: Never know what you're going to get. I mean I 61 00:02:28,320 --> 00:02:29,280 Speaker 4: was hoping for something else. 62 00:02:30,160 --> 00:02:30,800 Speaker 1: Give them. 63 00:02:31,840 --> 00:02:36,680 Speaker 3: Yeah, you know, I just I just did what I 64 00:02:36,720 --> 00:02:37,640 Speaker 3: was told I. 65 00:02:37,840 --> 00:02:38,840 Speaker 4: Heard from Tom Hanks. 66 00:02:38,840 --> 00:02:40,720 Speaker 5: I mean, we had the Ruby Princess and Tom Hanks, 67 00:02:40,720 --> 00:02:42,280 Speaker 5: all right, that's who infected the city. 68 00:02:42,400 --> 00:02:43,160 Speaker 3: I remember the night. 69 00:02:43,240 --> 00:02:45,080 Speaker 6: I remember the night going to the Sydney Opera House, 70 00:02:45,120 --> 00:02:48,000 Speaker 6: listening to Rita Wilson songs down there, and walking back 71 00:02:48,480 --> 00:02:50,720 Speaker 6: past this big ship that was sailing to New Zealand 72 00:02:50,760 --> 00:02:51,200 Speaker 6: the next day. 73 00:02:51,200 --> 00:02:53,000 Speaker 4: So you're in a Corona sandwich. 74 00:02:52,760 --> 00:02:54,520 Speaker 3: Was it was all going on in Circular Key. 75 00:02:55,639 --> 00:02:57,200 Speaker 4: Oh my god. There was no way you were going 76 00:02:57,240 --> 00:02:57,639 Speaker 4: to dodge it. 77 00:02:57,639 --> 00:02:58,600 Speaker 3: I hadn't thought of it that way. 78 00:02:59,160 --> 00:02:59,440 Speaker 2: Things. 79 00:03:00,000 --> 00:03:02,480 Speaker 1: A couple of things that we want to do first 80 00:03:02,560 --> 00:03:06,560 Speaker 1: of all. First of all is songs, A song, song song, 81 00:03:06,560 --> 00:03:08,200 Speaker 1: which is one of weeks we're doing that now. 82 00:03:08,280 --> 00:03:08,600 Speaker 3: Songs. 83 00:03:08,720 --> 00:03:11,440 Speaker 1: Yeah, but then we thought you would you mind sticking 84 00:03:11,480 --> 00:03:15,080 Speaker 1: around afterwards you know that. There was a great segment 85 00:03:15,160 --> 00:03:16,480 Speaker 1: we did at the start of the year, and we've 86 00:03:16,480 --> 00:03:17,960 Speaker 1: got a couple of stories up our slave. 87 00:03:18,000 --> 00:03:23,960 Speaker 3: It was called urban dicks. It's too soon for that. 88 00:03:24,639 --> 00:03:26,040 Speaker 4: I can say, it's pretty safe. 89 00:03:26,160 --> 00:03:28,919 Speaker 1: There's a story that your son Christian has told us 90 00:03:28,919 --> 00:03:30,720 Speaker 1: that we need to verify afterwards. 91 00:03:30,760 --> 00:03:31,880 Speaker 4: Yeah, it's an urban dick. 92 00:03:32,080 --> 00:03:32,519 Speaker 2: Can't do that. 93 00:03:32,600 --> 00:03:37,480 Speaker 1: During the commercial break, Carl stephan Ovik stun bumble told us, Wow, 94 00:03:37,840 --> 00:03:39,400 Speaker 1: that's entering the dangers over there. 95 00:03:41,880 --> 00:03:42,720 Speaker 2: Do songs. 96 00:03:42,880 --> 00:03:51,440 Speaker 5: So this is a segment I usually host. Now you 97 00:03:51,560 --> 00:03:54,120 Speaker 5: are in charge, but you've hosted enough shows before to 98 00:03:54,200 --> 00:03:55,040 Speaker 5: know how this works. 99 00:03:55,480 --> 00:03:57,360 Speaker 3: Yeah, Dicky, how does it work? Dicky? 100 00:03:57,440 --> 00:04:02,320 Speaker 2: Do you remember this show? Now, here's the star of 101 00:04:02,400 --> 00:04:03,320 Speaker 2: the show, Richard. 102 00:04:03,440 --> 00:04:09,480 Speaker 6: Welcome, Why, thank you for your company, and welcome to 103 00:04:09,560 --> 00:04:10,560 Speaker 6: Kenots the music game. 104 00:04:10,640 --> 00:04:18,679 Speaker 3: So followed the bounce and it was really good. David 105 00:04:18,760 --> 00:04:21,520 Speaker 3: Lecky taught me into doing that a summer filing for dissension. 106 00:04:21,600 --> 00:04:23,880 Speaker 3: Thank you very great. How this works? 107 00:04:23,960 --> 00:04:26,120 Speaker 4: You give us a word, we have to put it 108 00:04:26,160 --> 00:04:26,680 Speaker 4: into a song. 109 00:04:26,760 --> 00:04:29,440 Speaker 6: We yell it out, ladies and gentlemen, boys and girls, 110 00:04:29,520 --> 00:04:30,640 Speaker 6: welcome to songs. 111 00:04:30,680 --> 00:04:36,760 Speaker 3: To song, song song. Okay, So I say a word right, 112 00:04:37,560 --> 00:04:39,640 Speaker 3: and we also shout out who's playing you. 113 00:04:39,720 --> 00:04:44,480 Speaker 2: Three and were the group COVID safe. 114 00:04:44,520 --> 00:04:47,680 Speaker 7: There's ninety five people also playing Facebook this morning, including 115 00:04:47,800 --> 00:04:50,280 Speaker 7: Heidi from the Macas Car Park at Arnell Parky. 116 00:04:51,800 --> 00:04:54,640 Speaker 4: Okay, I just say the word now and we yell 117 00:04:54,680 --> 00:04:55,200 Speaker 4: out the song. 118 00:04:55,320 --> 00:04:59,680 Speaker 3: Okay, good, good, good, got it? Simple rules. The first 119 00:04:59,720 --> 00:05:01,640 Speaker 3: word is shake. 120 00:05:01,800 --> 00:05:05,279 Speaker 1: Shake it off and shake, shake, shake the room, shaking 121 00:05:05,360 --> 00:05:08,640 Speaker 1: back shake metro metro station. 122 00:05:09,960 --> 00:05:11,800 Speaker 4: I was presently shaken like a leaf on a tree. 123 00:05:12,040 --> 00:05:13,680 Speaker 2: Tommy, what is that a song? 124 00:05:13,839 --> 00:05:14,720 Speaker 3: I don't know about that one. 125 00:05:14,960 --> 00:05:21,080 Speaker 4: I'm all sure, it's all I know, but it's it's 126 00:05:24,040 --> 00:05:24,600 Speaker 4: I'm not out. 127 00:05:24,680 --> 00:05:26,200 Speaker 3: Okay, everyone gets a free ride verse. 128 00:05:27,080 --> 00:05:30,880 Speaker 6: Oh yeah, okay, you out first. But second one, this 129 00:05:31,000 --> 00:05:34,080 Speaker 6: is easy to goodness me. Second word, go for it? 130 00:05:34,120 --> 00:05:39,120 Speaker 3: Okay. California Hotel, Hotel, California. 131 00:05:40,320 --> 00:05:43,120 Speaker 4: Hotel, California. Just said it, mate, Someone just said that 132 00:05:44,440 --> 00:05:46,440 Speaker 4: redchilli peppers California. Has anyone done that? 133 00:05:46,640 --> 00:05:51,080 Speaker 1: Fornicationation California whisky. 134 00:05:51,920 --> 00:05:55,919 Speaker 4: I wish that could be Californian girls. It's called California girls. 135 00:05:56,160 --> 00:05:58,000 Speaker 2: Know the lyrics that would help you actually win? 136 00:05:58,839 --> 00:06:00,360 Speaker 3: Didn't someone say California girls? 137 00:06:00,720 --> 00:06:03,520 Speaker 4: Katie Perry though different song, which could be. 138 00:06:06,640 --> 00:06:10,040 Speaker 6: He made it calm and he's a world champion, so 139 00:06:10,120 --> 00:06:14,159 Speaker 6: he's through okay, which leads us nicely into the third world, 140 00:06:14,200 --> 00:06:16,040 Speaker 6: which is lucky lucky. 141 00:06:17,160 --> 00:06:17,520 Speaker 2: You're with. 142 00:06:19,720 --> 00:06:23,440 Speaker 4: Lucky, we're out of roof. 143 00:06:24,200 --> 00:06:28,240 Speaker 2: That's happy because I'm lucky. You come along if you 144 00:06:28,360 --> 00:06:30,520 Speaker 2: feel that's that's happy. I just did that. 145 00:06:30,760 --> 00:06:32,800 Speaker 4: Okay, Well lucky lucky? 146 00:06:33,720 --> 00:06:34,320 Speaker 3: Did you get one? 147 00:06:34,520 --> 00:06:37,440 Speaker 4: If you said, yeah, I am lucky, I'm a lucky dog? 148 00:06:37,680 --> 00:06:39,320 Speaker 2: Hang on, did you all just fail? 149 00:06:39,560 --> 00:06:39,800 Speaker 3: Yeah? 150 00:06:39,800 --> 00:06:43,160 Speaker 2: I know, I said, and I should be so lucky 151 00:06:44,560 --> 00:06:47,240 Speaker 2: lucky you're with Amy? Obviously, that's not a song. To 152 00:06:48,080 --> 00:06:50,840 Speaker 2: say lucky you're with Amy is an ad. That's not 153 00:06:50,960 --> 00:06:51,320 Speaker 2: a song. 154 00:06:51,800 --> 00:06:53,560 Speaker 3: Well, it is a song, but it's also an ad. 155 00:06:53,960 --> 00:06:55,360 Speaker 2: So am I inner out taking? 156 00:06:55,480 --> 00:06:55,560 Speaker 1: Well? 157 00:06:56,200 --> 00:06:56,440 Speaker 3: Thank you? 158 00:06:57,000 --> 00:06:57,680 Speaker 2: Lucky in love? 159 00:06:58,080 --> 00:06:59,320 Speaker 4: You're lucky in love? 160 00:07:00,400 --> 00:07:03,160 Speaker 3: You know he's lucky the lucky one. Taylor Swift get 161 00:07:03,279 --> 00:07:06,559 Speaker 3: lucky to get lucky. You were thinking happy? 162 00:07:06,920 --> 00:07:09,440 Speaker 2: Yeah, I'm thinking a happy Yeah, you're thinking. 163 00:07:10,200 --> 00:07:13,440 Speaker 4: Sarah and I are still in I got lucky in love? 164 00:07:13,760 --> 00:07:15,440 Speaker 4: You didn't mate feeling lucky in love? 165 00:07:15,600 --> 00:07:15,920 Speaker 3: What's that? 166 00:07:16,400 --> 00:07:18,400 Speaker 4: Carli and Ogan and Jason Donovan? 167 00:07:18,520 --> 00:07:21,720 Speaker 2: That was especially didn't get it in love. You're out 168 00:07:21,720 --> 00:07:25,280 Speaker 2: of the twenty seconds, all right, the next work. 169 00:07:26,280 --> 00:07:27,960 Speaker 3: The next word is people. 170 00:07:28,040 --> 00:07:33,760 Speaker 2: People, beautiful people and sharance, very good peopleople people. 171 00:07:34,280 --> 00:07:36,360 Speaker 3: Come on, I know I'm having a blank. 172 00:07:36,440 --> 00:07:37,280 Speaker 2: I could give you one. 173 00:07:38,720 --> 00:07:43,200 Speaker 3: I think there's a two car pilup. Sarah the only 174 00:07:43,240 --> 00:07:45,240 Speaker 3: one who's had an the. 175 00:07:45,240 --> 00:07:50,560 Speaker 7: Group, the beautiful people, the beautiful people. Marilyn Manson, Yeah, Scott. 176 00:07:50,600 --> 00:07:53,520 Speaker 3: All right, there was everyday people in the family. 177 00:07:54,440 --> 00:07:56,400 Speaker 2: Well we are from human names. 178 00:07:56,920 --> 00:07:58,640 Speaker 3: Listen to that should slay the whole song. 179 00:07:58,640 --> 00:08:01,160 Speaker 2: It's great you're written development us. 180 00:08:01,080 --> 00:08:06,000 Speaker 6: On Smooth FM, of course, and the group still allowed 181 00:08:06,040 --> 00:08:08,280 Speaker 6: to say that, Hey, all right, who's still in. 182 00:08:10,480 --> 00:08:13,520 Speaker 4: The next word is babe, babe, babe? 183 00:08:13,800 --> 00:08:15,840 Speaker 2: No, babe, I. 184 00:08:15,960 --> 00:08:22,120 Speaker 7: Love you baby, No, babe, baby, I got you, babe, 185 00:08:22,160 --> 00:08:23,040 Speaker 7: I got you babe. 186 00:08:23,040 --> 00:08:25,400 Speaker 3: Who said that? Did not say that? Who said I 187 00:08:25,480 --> 00:08:26,920 Speaker 3: go to your bad beat? 188 00:08:27,320 --> 00:08:30,400 Speaker 4: No, I'm not in We'll stop giving answer you, babe, 189 00:08:31,760 --> 00:08:32,120 Speaker 4: it's not. 190 00:08:40,840 --> 00:08:42,280 Speaker 2: Love. Don't go anywhere? 191 00:08:42,320 --> 00:08:42,560 Speaker 1: Did he. 192 00:08:44,240 --> 00:08:44,920 Speaker 2: Was well done? 193 00:08:46,080 --> 00:08:50,120 Speaker 1: Better than the winner is Yeah, coming, We're going a 194 00:08:50,160 --> 00:08:52,920 Speaker 1: couple of urban dick stories that we need to verify 195 00:08:53,040 --> 00:08:54,160 Speaker 1: from the great man himself. 196 00:08:54,400 --> 00:08:55,440 Speaker 3: Look at the time, are you. 197 00:08:55,600 --> 00:09:00,280 Speaker 1: Hanging around young man, Richard Wilkins has stuck around. 198 00:09:00,280 --> 00:09:01,840 Speaker 2: He didn't want to because I. 199 00:09:01,840 --> 00:09:03,199 Speaker 3: Didn't want to, but I wanted to hear that. So 200 00:09:03,440 --> 00:09:06,760 Speaker 3: how good is that? He's Beautifulwiftore. 201 00:09:06,920 --> 00:09:10,120 Speaker 2: It's just a beautiful Dicky, don't try to. 202 00:09:11,600 --> 00:09:12,560 Speaker 3: Thanks for having me kids. 203 00:09:13,080 --> 00:09:14,760 Speaker 4: Stop. He shut the door. 204 00:09:15,920 --> 00:09:18,680 Speaker 2: Dick Wilkins, what do you know? Have you got a story? 205 00:09:24,520 --> 00:09:26,360 Speaker 2: We're going to go to your son, Christian? 206 00:09:26,720 --> 00:09:27,480 Speaker 3: Why would you do that? 207 00:09:27,880 --> 00:09:29,760 Speaker 2: I mean, Christian told us this story. 208 00:09:30,640 --> 00:09:35,320 Speaker 8: Richard Wilkins going to interview fellow icon Madonna in New 209 00:09:35,400 --> 00:09:38,960 Speaker 8: York and he runs into Stephen Nixon's manager, who mentions 210 00:09:39,000 --> 00:09:41,520 Speaker 8: to him that Fleetwood maca actually playing that night in 211 00:09:41,720 --> 00:09:42,680 Speaker 8: Madison Square Garden. 212 00:09:42,760 --> 00:09:43,959 Speaker 3: Oh wow, do you want to come? 213 00:09:44,080 --> 00:09:46,720 Speaker 8: Sure, I'll come along a person in view with Madonna 214 00:09:47,120 --> 00:09:49,160 Speaker 8: where he's been doing shots with her. As you do, 215 00:09:49,480 --> 00:09:54,079 Speaker 8: he walks backstage, greet Stevie Nicks, how aching love it, 216 00:09:54,400 --> 00:09:57,200 Speaker 8: and gets his ticket and is right next to Miss 217 00:09:57,360 --> 00:10:03,200 Speaker 8: Naomi Campbell, Queen of the World. Many legends in one veron. 218 00:10:05,720 --> 00:10:07,880 Speaker 2: What a night interviewing Madonna? 219 00:10:08,280 --> 00:10:11,720 Speaker 1: Then you, Stevie Nix's manager says, Fleetwood Max playing, come 220 00:10:11,760 --> 00:10:14,000 Speaker 1: along and see him at Madison Square gardens and you 221 00:10:14,120 --> 00:10:16,240 Speaker 1: are seated next to Naomi Campbell. 222 00:10:16,280 --> 00:10:17,240 Speaker 3: Well sort of. 223 00:10:17,320 --> 00:10:20,199 Speaker 4: Christian's got the you know the basics, right, basics of 224 00:10:20,280 --> 00:10:20,959 Speaker 4: the story. 225 00:10:20,800 --> 00:10:21,640 Speaker 3: Right, Yeah, I called. 226 00:10:22,800 --> 00:10:24,760 Speaker 6: I bumped into someone at the lounge that Sydney Airport 227 00:10:24,760 --> 00:10:26,800 Speaker 6: when I was flying in New York and said he 228 00:10:26,920 --> 00:10:29,320 Speaker 6: was going to see Fleetwood Mac at Madison Square Garden. 229 00:10:30,080 --> 00:10:32,440 Speaker 6: I said, I might come along, and you see how 230 00:10:32,440 --> 00:10:34,000 Speaker 6: you won't get in because you haven't got a ticket. 231 00:10:34,440 --> 00:10:35,079 Speaker 3: And I saw it. 232 00:10:35,280 --> 00:10:37,439 Speaker 6: But I happen to know Stevee's manager quite well for 233 00:10:37,920 --> 00:10:40,880 Speaker 6: Cheryl Lewis, who also manages Chris Isaac Sally. They're lovely 234 00:10:40,920 --> 00:10:42,880 Speaker 6: friends who ass so I gave her a call and 235 00:10:42,960 --> 00:10:45,920 Speaker 6: she said sure, and she said that she'd ring Liz Rosenberg, 236 00:10:46,000 --> 00:10:48,320 Speaker 6: who looks after Madonna, to make sure my interview was. 237 00:10:48,320 --> 00:10:49,319 Speaker 3: Early so i'd have time to go. 238 00:10:50,080 --> 00:10:53,040 Speaker 6: That is, it wasn't actually a seat, but I just 239 00:10:53,240 --> 00:10:56,199 Speaker 6: rocked up at the stage door thing to go and 240 00:10:56,240 --> 00:10:57,800 Speaker 6: see the show and stood at the side of the stage. 241 00:10:57,800 --> 00:10:58,960 Speaker 3: But Naomi was there. 242 00:10:59,080 --> 00:11:01,560 Speaker 2: Yes, Naomi, had you interviewed her? 243 00:11:01,720 --> 00:11:04,079 Speaker 4: I'm not really a couple of Was she friendly? 244 00:11:04,280 --> 00:11:05,680 Speaker 3: Yeah, she's lovely, got on well with her. 245 00:11:06,679 --> 00:11:09,040 Speaker 1: That's it was that one of the highlights of fleet 246 00:11:09,200 --> 00:11:11,199 Speaker 1: You've seen Fleetwood Mac numerous times. 247 00:11:12,320 --> 00:11:15,040 Speaker 3: How the night in mate, the night I think I 248 00:11:15,080 --> 00:11:16,240 Speaker 3: flew back to Sydney that night. 249 00:11:16,559 --> 00:11:19,079 Speaker 5: Maybe next morning i'd say you said you didn't go 250 00:11:19,120 --> 00:11:20,040 Speaker 5: out after that or anything. 251 00:11:20,440 --> 00:11:24,840 Speaker 3: I think I probably had a drink or two. You're 252 00:11:24,880 --> 00:11:26,200 Speaker 3: fishing for No, No, I. 253 00:11:26,240 --> 00:11:28,640 Speaker 4: Just love the story, mate, Well that's the idea about 254 00:11:28,679 --> 00:11:29,200 Speaker 4: this segment. 255 00:11:29,760 --> 00:11:30,040 Speaker 3: That's it. 256 00:11:30,720 --> 00:11:34,120 Speaker 4: He's so many famous stories about stuff. We want to 257 00:11:34,200 --> 00:11:35,000 Speaker 4: know what the truth is. 258 00:11:36,600 --> 00:11:39,400 Speaker 1: So all right, So it was you hooked up with Madonna, 259 00:11:39,520 --> 00:11:42,480 Speaker 1: Stevie Nicks and Naomi came on? Now hang on a minute, 260 00:11:42,679 --> 00:11:46,000 Speaker 1: headline Daily Margaret, next one, okay, next person to tell 261 00:11:46,040 --> 00:11:48,160 Speaker 1: an urban dick is Carl Stephan. Stop. 262 00:11:48,440 --> 00:11:49,520 Speaker 3: Actually, I probably should. 263 00:11:49,520 --> 00:11:51,800 Speaker 2: I should do the cover of someone else's voice. 264 00:11:52,320 --> 00:11:54,120 Speaker 4: Pretend he's going to know who's going to know it 265 00:11:54,200 --> 00:11:55,680 Speaker 4: was me talking about Cindy law Do. 266 00:11:55,720 --> 00:11:56,160 Speaker 3: You think. 267 00:11:58,440 --> 00:12:00,520 Speaker 2: True colors at the time? 268 00:12:03,240 --> 00:12:06,720 Speaker 1: Come on, I was written about him, so time after 269 00:12:06,920 --> 00:12:10,400 Speaker 1: time was written after Richard Wiom No, it wastween them 270 00:12:10,440 --> 00:12:12,960 Speaker 1: that she was so inspired by what a lot of. 271 00:12:13,200 --> 00:12:17,040 Speaker 2: Rabbish After a date? Did you go on a date 272 00:12:17,080 --> 00:12:19,319 Speaker 2: with Cindy lawd My friends. 273 00:12:19,400 --> 00:12:21,839 Speaker 3: I've interviewed Cindy a number of times over the years. 274 00:12:21,840 --> 00:12:24,000 Speaker 2: It would be pretty cool if that song was written 275 00:12:24,040 --> 00:12:24,520 Speaker 2: about It. 276 00:12:24,640 --> 00:12:26,960 Speaker 3: Wasn't written about me. She wrote that song in about 277 00:12:27,040 --> 00:12:27,600 Speaker 3: nineteen eighty. 278 00:12:28,160 --> 00:12:30,840 Speaker 2: Do you know or something that was your your peaking 279 00:12:30,960 --> 00:12:32,000 Speaker 2: eighty three mate. 280 00:12:32,800 --> 00:12:34,240 Speaker 3: Hardly born in eighty three. 281 00:12:34,440 --> 00:12:37,000 Speaker 2: No, why you can kick it off MTV here in Australia. 282 00:12:38,040 --> 00:12:41,640 Speaker 4: You just Ami Campbell TV to Australia. 283 00:12:41,880 --> 00:12:45,680 Speaker 3: That was seven MTV. What are you talking about? 284 00:12:45,760 --> 00:12:46,040 Speaker 2: Tell me? 285 00:12:46,360 --> 00:12:48,040 Speaker 3: How do you know it was such an idiot? 286 00:12:48,679 --> 00:12:50,840 Speaker 4: Do you only know her through doing interviews and then 287 00:12:50,880 --> 00:12:52,640 Speaker 4: you became mates or did you catch. 288 00:12:52,520 --> 00:12:55,000 Speaker 6: Up socially and got on really really well. We've got 289 00:12:55,480 --> 00:12:58,520 Speaker 6: still Yeah, our birthdays around about the same time. Actually, 290 00:12:58,600 --> 00:13:01,319 Speaker 6: Christian did a seven we acting course in New York 291 00:13:02,040 --> 00:13:04,120 Speaker 6: a few years back and she was very good to 292 00:13:04,200 --> 00:13:07,080 Speaker 6: him and took word wow a couple of times. 293 00:13:07,240 --> 00:13:11,160 Speaker 2: That's extraordinary. Okay, So time after time wasn't written about you, 294 00:13:11,720 --> 00:13:14,200 Speaker 2: of course, not. 295 00:13:15,280 --> 00:13:17,439 Speaker 3: Apart from the ones I wrote myself, which weren't very good. 296 00:13:18,280 --> 00:13:20,520 Speaker 5: It seems like you're a little bit defensive, Dickie. As 297 00:13:20,559 --> 00:13:21,840 Speaker 5: a mate, I'm just going to ask you to calm 298 00:13:21,880 --> 00:13:22,400 Speaker 5: down a little bit. 299 00:13:22,760 --> 00:13:25,080 Speaker 4: It almost looks like you're trying to hide something so cool. 300 00:13:25,360 --> 00:13:26,720 Speaker 4: We won't ask as many questions. 301 00:13:26,800 --> 00:13:30,280 Speaker 3: People are listening to this. You know you're on the radio. 302 00:13:31,920 --> 00:13:34,320 Speaker 2: Cindy said, you're showing your true colors at the moment. 303 00:13:34,760 --> 00:13:36,880 Speaker 6: Cindy is a lovely, lovely, lovely lady. We wish each 304 00:13:36,880 --> 00:13:39,040 Speaker 6: other happy birthday every year because round about the same time. 305 00:13:39,120 --> 00:13:41,240 Speaker 6: And if I'm in New York, I'll look her up. 306 00:13:41,280 --> 00:13:43,880 Speaker 6: We're going to have lunch with her and her fabulous husband. 307 00:13:44,400 --> 00:13:47,959 Speaker 4: And what she's a musician. 308 00:13:48,280 --> 00:13:50,120 Speaker 6: She's a musician, She's a lovely girl. She was out 309 00:13:50,160 --> 00:13:53,480 Speaker 6: here for Kinky Boots. What her stage show. 310 00:13:53,320 --> 00:13:56,120 Speaker 4: That you scoring was a personal thing. 311 00:13:58,720 --> 00:14:01,080 Speaker 3: Little at the time. Haven't you got news or something 312 00:14:01,160 --> 00:14:01,480 Speaker 3: to give you? 313 00:14:01,640 --> 00:14:04,880 Speaker 1: We love you, make get Dicky on weekends tonight seven, 314 00:14:04,960 --> 00:14:06,480 Speaker 1: I am, Saturday and Sundays. 315 00:14:06,760 --> 00:14:08,360 Speaker 2: You know we love you. I love you too, and 316 00:14:08,440 --> 00:14:11,280 Speaker 2: we'll see you next week. With another one from Tody Goldsmith, 317 00:14:15,120 --> 00:14:16,560 Speaker 2: Bisy and Whither