WEBVTT - Loving at Zero-Gravity: Best of 2025 (So Far)

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<v Speaker 1>Go get your every day.

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<v Speaker 2>Adelaides a couple of US astronauts about to get back

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<v Speaker 2>to Earth after longer than expected stint in space.

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<v Speaker 3>Sonny Williams and Which Wilmore are scheduled to be just

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<v Speaker 3>hours away from a long awaited return to Earth after

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<v Speaker 3>an incredible nine months in space.

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<v Speaker 1>So initially they went in June spoke.

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<v Speaker 3>They were like eight days guys tops max, guys max

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<v Speaker 3>eight days max. And then nearly ten months later they

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<v Speaker 3>are making their long awaited return. The thing that sticks

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<v Speaker 3>with me about this is her hair. For the entire

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<v Speaker 3>time that they've crossed to them in space, it's been

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<v Speaker 3>like on an end. So I guess the first thing

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<v Speaker 3>she'd want to do was get her roots touched up when.

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<v Speaker 2>She gets back to Earth, roots are out of control.

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<v Speaker 1>And then maybe just run a gh D through that

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<v Speaker 1>bad boy.

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<v Speaker 2>Absolutely speaking of as well, we'd segue. But do you

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<v Speaker 2>think that they fell in love?

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<v Speaker 1>I don't know. You know that it is makes me,

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<v Speaker 1>It gives me think about that.

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<v Speaker 3>You know that expression, I would not sleep with you

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<v Speaker 3>if you the last person on Earth?

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<v Speaker 1>Well what about in space?

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<v Speaker 2>What if you're the last person in space?

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<v Speaker 1>How do you do it in space?

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<v Speaker 2>Great question?

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<v Speaker 1>You cover up the cameras. For a start, you couldn't

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<v Speaker 1>get that suit on and off easy.

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<v Speaker 2>And when you're floating around as well, it's hard to

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<v Speaker 2>get sort of you know, the gravity points. I don't

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<v Speaker 2>want to get bogged down in details.

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<v Speaker 3>Yeah, I mean getting that right on Earth is difficult

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<v Speaker 3>for you, isn't it.

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<v Speaker 2>Thirteen twenty four ten when if you had in Spain.

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<v Speaker 3>So extraordinary scenes, but you were right about the muscle

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<v Speaker 3>atrophy because they've been floating around for so long. They've

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<v Speaker 3>been doing exercise and things in space, but it'll take

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<v Speaker 3>six weeks worth of rehabilitation to get them back reacclimatized

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<v Speaker 3>to being back on Earth. The other thing is space food.

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<v Speaker 3>Can't imagine it be that good. Plain food's awful.

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<v Speaker 2>Do you remember Do you remember space sticks when you're

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<v Speaker 2>a kid. No, the confectionery space sticks? Oh no, it

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<v Speaker 2>was awful. But their whole marketing campaign was this is

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<v Speaker 2>what they eat in space. You know, it's not even

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<v Speaker 2>nice by a meaning, because that's what the astronauts eat.

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<v Speaker 3>Jezu fell for some mark geting stuff. My god, Yeah,

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<v Speaker 3>so let's do this. Thirteen twenty fourteen, When did you

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<v Speaker 3>get stranded somewhere we'd love to hear from you.

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<v Speaker 2>I got a nice early called Philip. Good morning to you, mate, fellow.

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<v Speaker 4>I got stranded in the pantry of our house.

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<v Speaker 2>Happens there, it happens.

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<v Speaker 4>Here's the funny part reason why. At the time, we

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<v Speaker 4>had a dog, a little multi shit through cross called Lucy.

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<v Speaker 4>It was my mum's dog, typically the family dog. But

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<v Speaker 4>she knew that if you were going into the pantry,

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<v Speaker 4>she would get a tree. So I didn't want to begging.

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<v Speaker 4>I tried to sneak into the pantry.

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<v Speaker 1>Ah, got cha, Yeah, yeah yeah.

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<v Speaker 4>And so as I'm in the pantry looking for my food,

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<v Speaker 4>I can hear the little click crack of this rat

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<v Speaker 4>running towards the pantry door on the tiles. Yeah, she

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<v Speaker 4>jumps up and pushes the pantry door shut on me.

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<v Speaker 4>And there is no handle on the inside of that

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<v Speaker 4>pantry door. Thankfully though, because I was a team at

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<v Speaker 4>the time, I had my phone with me at all time,

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<v Speaker 4>so I was able to call my mum, can you

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<v Speaker 4>please come and let me out? The dodsters trap me.

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<v Speaker 1>It was a total time, Philip, that you were stuck

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<v Speaker 1>in the pantry.

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<v Speaker 4>Oh, it wouldn't have been ten minutes.

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<v Speaker 2>But in that time, because you think that you're trapped,

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<v Speaker 2>you said, well, this is my life now, yeah, and

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<v Speaker 2>these are my supplies and I don't have much time land.

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<v Speaker 3>Like a little doomsday exercise, isn't it. Well, thank you

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<v Speaker 3>so much.

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<v Speaker 2>Where were you stranded off the back of these astronauts

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<v Speaker 2>who are finally returning to Worth after what nine almost

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<v Speaker 2>ten months in space? It was supposed to be eight days?

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<v Speaker 1>That's crazy? Take more cause, next, where did you get stranded? Sarah?

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<v Speaker 5>Good morning, Good morning, beautiful people. How are we good?

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<v Speaker 1>Thank you? This sounds horrific.

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<v Speaker 2>What happened?

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<v Speaker 5>I'm still traumatized yet.

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<v Speaker 1>No.

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<v Speaker 5>Our family was traveling in Europe in twenty eighteen and

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<v Speaker 5>part of that euro trip was in London. So at

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<v Speaker 5>the time our children were my son was sick and

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<v Speaker 5>my daughter had literally just turned thirteen while we were yes,

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<v Speaker 5>So I thought that it would be a lovely occasion

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<v Speaker 5>to take the children into London on the tube and

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<v Speaker 5>have a bit of a sight see around London. So

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<v Speaker 5>I have been to England before, so I was very

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<v Speaker 5>very aware of when you get on the tube, you

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<v Speaker 5>get on and you get on quick. Those doors slam

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<v Speaker 5>shut and they.

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<v Speaker 4>Are relentless yep.

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<v Speaker 5>So I had primed my children about this. So I

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<v Speaker 5>was holding my son's hands in one hand and my

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<v Speaker 5>daughter's in the other, and I shoved him on the

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<v Speaker 5>front of the train, and I've gone to get in,

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<v Speaker 5>and then as my daughter is proceeding to walk in,

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<v Speaker 5>the doors shut, so rather than jumping on, she has

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<v Speaker 5>jumped backwards back onto the platform. The doors have slam

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<v Speaker 5>shut and the tube has taken off. So I am

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<v Speaker 5>streaming going the train, the train, and everyone's just sitting

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<v Speaker 5>there ignoring me, and I'm like waving out the window,

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<v Speaker 5>trying to like stay stay there, stay there, like I'll

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<v Speaker 5>come back. I'm beside myself, going I don't even know

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<v Speaker 5>if this train is expressed. I don't know where the

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<v Speaker 5>next stop is.

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<v Speaker 6>I don't know how I.

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<v Speaker 5>Can get back to my daughter. So what felt like

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<v Speaker 5>an eternity later, we got off at the next stop

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<v Speaker 5>to then go, okay, well that's great that I'm at

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<v Speaker 5>this platform, but does the train that's going back the

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<v Speaker 5>other way? Is that an express? Does that stop at

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<v Speaker 5>the next stop to get me back? So I just

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<v Speaker 5>winged it and I got on the next train that

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<v Speaker 5>was going the other way back I get back to

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<v Speaker 5>that same platform and my daughter was not there, so

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<v Speaker 5>I got off the train. Then see this little head

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<v Speaker 5>poke around the corner. Because it was so busy, she

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<v Speaker 5>went and stepped around the corner so I couldn't see her.

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<v Speaker 5>She's walked out. I burst in to see if she's

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<v Speaker 5>given me a big huggins sort of like was very

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<v Speaker 5>beside herself too. Yeah, yeah, my daughter got stranded on

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<v Speaker 5>a platform in London.

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<v Speaker 3>Oh my gosh, possibly could go wrong in the subway

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<v Speaker 3>in London.

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<v Speaker 1>Well by yourself, Sarah.

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<v Speaker 2>Have you ever no mobile phone? That's the other thing.

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<v Speaker 2>Have you ever felt a feeling like that before? Because

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<v Speaker 2>I'd imagine there's nothing that could be it would be

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<v Speaker 2>the most disgusting feeling, apparently, And no, And.

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<v Speaker 5>You know, I still reflect on it every now and again.

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<v Speaker 5>Now that goes exactly like you said, You're like all

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<v Speaker 5>of the things that could have gone wrong. I'm like,

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<v Speaker 5>oh my god, Like she didn't have to say she

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<v Speaker 5>didn't have a phone, because it's like, yes, she had

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<v Speaker 5>a mobile phone, but didn't have a SIMP so she

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<v Speaker 5>couldn't bring me. I didn't know like where she was.

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<v Speaker 5>And I'm just swinging it going see God, please let

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<v Speaker 5>her still be there face And you know.

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<v Speaker 1>I'm surprised. I'm surprised no one helped you though, Sarah.

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<v Speaker 1>That's the thing, Like, oh, I.

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<v Speaker 5>Just I just couldn't believe it because it's just like

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<v Speaker 5>you know, over there at like Express and then it's

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<v Speaker 5>the door shut and that's just the norm, and everyone's

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<v Speaker 5>just sitting there reading their book and no emergency stop button.

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<v Speaker 5>And I'm just like, hello, people, like we've just on

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<v Speaker 5>the platform and even like you know, the window for

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<v Speaker 5>this driver. I'm like, you're in Australia, you know they

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<v Speaker 5>look out on the platform and see what's going on. Yeah,

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<v Speaker 5>I'm like, are you bin.

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<v Speaker 1>Awful? Thank you? Sarah?

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<v Speaker 2>Can we have a bit of event? Is that Okay?

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<v Speaker 2>I'm thirty nine years old and I think I've just

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<v Speaker 2>about had it with workplace catchphrases and buzzwords, those wanky

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<v Speaker 2>work terms. Yes, they just drive you insane. Oh my gosh.

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<v Speaker 1>There's one I've been known to use, and that's just

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<v Speaker 1>touching base.

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<v Speaker 2>Oh, let's just touch base.

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<v Speaker 1>Let's just touch base. I don't know why we don't

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<v Speaker 1>say let's just catch up.

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<v Speaker 2>That's a good one. A lot you love a touch

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<v Speaker 2>base via an email. Don't you there, it's not good.

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<v Speaker 2>Some good ones as well, and if you google them.

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<v Speaker 2>Oh it's universal. Yes, it's not just in this country.

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<v Speaker 2>It's not just in this city. It's absolutely everywhere. We

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<v Speaker 2>go through a few of them.

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<v Speaker 3>Yeah, there's one that I have never heard of, boil

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<v Speaker 3>the ocean, which is allegedly an over dramatic way of

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<v Speaker 3>saying something is too ambitious, so you can't boil the ocean.

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<v Speaker 2>Tough gigboyling.

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<v Speaker 1>Though someone said that to me. I'll be like, there's.

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<v Speaker 2>One that I hear frequently that is move the needle.

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<v Speaker 2>Wh are we going to move the needle? And I thought,

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<v Speaker 2>I think we both spoke with this. I thought this

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<v Speaker 2>was the radio.

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<v Speaker 3>It was just a radio thing, like move the dial,

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<v Speaker 3>you know, like some make people switch from one station

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<v Speaker 3>to another.

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<v Speaker 1>What are we doing to make people do that?

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<v Speaker 2>Yeah?

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<v Speaker 1>I thought that was just a uniquely radio thing.

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<v Speaker 2>No, it's not as universal.

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<v Speaker 1>Apparently everyone's moving the needle.

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<v Speaker 2>Yeah, apparently they're at least trying to the other. One

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<v Speaker 2>as well, is something that everyone says. It's one at

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<v Speaker 2>the end of the day, and also people talking about

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<v Speaker 2>it being a game changer. Oh, this is the game changer.

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<v Speaker 3>Right, we would love to take your calls on thirteen,

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<v Speaker 3>twenty fourteen.

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<v Speaker 1>We'd love to hear from you this morning.

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<v Speaker 2>Please hit us up. I've got no doubt that somebody

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<v Speaker 2>has been on the end of an email like this. Okay,

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<v Speaker 2>and just see if you can spot all of the

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<v Speaker 2>wanky work terms in this. Jude's all right, it's from

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<v Speaker 2>a manager, just trying to unify the group so we

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<v Speaker 2>all work together. We're all in synergy, try and achieve

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<v Speaker 2>the same goal. Hi, everyone, if I could just take

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<v Speaker 2>this opportunity to circle back on the topic we spoke

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<v Speaker 2>about last week. I really feel like forgive it one percent.

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<v Speaker 2>We can move the needle and drill down on the

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<v Speaker 2>key topics. Let's stay flexible, Let's be ready to pivot

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<v Speaker 2>and drill down if needed. Please keeping the loop with

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<v Speaker 2>any changes. All the best, Andrew ps. Teamwork makes the dreamwork.

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<v Speaker 2>And doesn't that just get the guys together to really

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<v Speaker 2>achieve the company goal.

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<v Speaker 4>Yeah?

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<v Speaker 1>That was some That was very motivational. Actually, are you

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<v Speaker 1>on board now? Also? I love your email voice too.

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<v Speaker 2>It's good, isn't it. It's quite sarcastic. Are you feeling

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<v Speaker 2>those vibes?

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<v Speaker 1>Let's go to Maddie this morning. Hey Maddie, how are

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<v Speaker 1>you doing?

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<v Speaker 6>Yeah?

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<v Speaker 2>Good?

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<v Speaker 3>Says Okay, what's the wanky work phrase that you dislike heavily?

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<v Speaker 3>Let's unpack this, okay, uses that in your workplace?

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<v Speaker 1>You don't have to name names.

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<v Speaker 5>I do it myself to be honest.

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<v Speaker 2>On You're not winning friends in your workplace? What do

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<v Speaker 2>you mean you the manager?

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<v Speaker 1>What do you mean when you say that?

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<v Speaker 5>Yeah, yeah, yeah, yeah, I'm a manager, so I know

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<v Speaker 5>what it comes out like word bomb at some times,

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<v Speaker 5>but I think I reposed it myself as previous managers.

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<v Speaker 1>So yeah, it's addictive, Maddie.

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<v Speaker 3>As a manager, do you sometimes and I just have

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<v Speaker 3>to be very careful because Boss Josh is in the studio,

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<v Speaker 3>But do you sometimes feel like you feel like you

0:10:31.440 --> 0:10:33.920
<v Speaker 3>have to fill the space with words and so you

0:10:34.040 --> 0:10:36.320
<v Speaker 3>just have to come up with phrases and things just

0:10:36.320 --> 0:10:38.080
<v Speaker 3>to say things to make it sound like you know

0:10:38.120 --> 0:10:38.600
<v Speaker 3>what you're doing.

0:10:39.160 --> 0:10:42.160
<v Speaker 2>I think that's absolutely touch base, low hanging fruit, take

0:10:42.160 --> 0:10:44.839
<v Speaker 2>it offline, the apps.

0:10:44.600 --> 0:10:49.600
<v Speaker 1>Explain the sandbox, et cetera, et cetera. Yeah, absolutely, good morning, Shelley.

0:10:49.679 --> 0:10:50.280
<v Speaker 1>How are you doing?

0:10:50.800 --> 0:10:51.160
<v Speaker 6>Morning?

0:10:51.160 --> 0:10:51.640
<v Speaker 5>God? Good?

0:10:51.679 --> 0:10:52.520
<v Speaker 6>How are you good?

0:10:52.600 --> 0:10:52.840
<v Speaker 2>Good?

0:10:52.840 --> 0:10:55.240
<v Speaker 1>What's the work phrase that does your head in.

0:10:55.760 --> 0:10:57.400
<v Speaker 6>Well, there was a couple where I used to work

0:10:57.400 --> 0:11:00.200
<v Speaker 6>ages ago. One was our GM would always say to

0:11:00.280 --> 0:11:03.600
<v Speaker 6>dress the elephant in the room. I thought they were

0:11:03.640 --> 0:11:11.319
<v Speaker 6>talking about me. And then our financial guy, when he

0:11:11.400 --> 0:11:14.040
<v Speaker 6>used to send emails, always used to put EO M

0:11:14.200 --> 0:11:17.120
<v Speaker 6>at the end of his emails, and we were thinking,

0:11:17.240 --> 0:11:19.000
<v Speaker 6>what the heck is that and it ended up just

0:11:19.080 --> 0:11:22.360
<v Speaker 6>being end a message. I'm pretty obvious when you're signature

0:11:22.400 --> 0:11:22.960
<v Speaker 6>at the bottom.

0:11:22.960 --> 0:11:27.760
<v Speaker 2>But anyway, yeah, I don't think that's unnecessary informations a

0:11:27.880 --> 0:11:28.960
<v Speaker 2>full stop, man.

0:11:29.920 --> 0:11:32.080
<v Speaker 6>That's it. Well, I used to put E A D

0:11:32.240 --> 0:11:35.120
<v Speaker 6>in the end and everyone eventually figured it out.

0:11:38.400 --> 0:11:38.800
<v Speaker 5>Got it.

0:11:41.920 --> 0:11:46.520
<v Speaker 2>To explain that, mate, you might want to jump onto

0:11:46.600 --> 0:11:47.560
<v Speaker 2>Urban Dictionary for that one.

0:11:47.640 --> 0:11:50.600
<v Speaker 3>Let's go to our cars, Shelly suggesting that he snack

0:11:50.640 --> 0:11:51.240
<v Speaker 3>on something.

0:11:51.520 --> 0:11:52.600
<v Speaker 1>Perhaps I don't know.

0:11:53.480 --> 0:11:54.600
<v Speaker 2>The following segment.

0:11:56.800 --> 0:12:01.000
<v Speaker 1>Content graphic language and nothing. You'll see it only offended. Well,

0:12:01.120 --> 0:12:03.240
<v Speaker 1>you're about to find out just how easily.

0:12:04.160 --> 0:12:06.080
<v Speaker 2>Your father he's only money.

0:12:06.600 --> 0:12:09.120
<v Speaker 3>Jody and Naughty at sixty.

0:12:10.360 --> 0:12:12.840
<v Speaker 2>Oh yes, finally as faith that jodid it could be

0:12:12.840 --> 0:12:15.600
<v Speaker 2>herself really really talk from the heart and soul. It's

0:12:15.600 --> 0:12:17.640
<v Speaker 2>the Naughty at six forty, it's where are a little bit blue?

0:12:17.679 --> 0:12:19.560
<v Speaker 2>A little bit more risky? Before we straighten up up

0:12:19.559 --> 0:12:20.000
<v Speaker 2>to seven o'clock.

0:12:20.280 --> 0:12:22.000
<v Speaker 3>I was at the one time that I come to

0:12:22.320 --> 0:12:24.480
<v Speaker 3>the party and I've got something for the naughty at

0:12:24.480 --> 0:12:26.679
<v Speaker 3>six forty, You're like, she loves it.

0:12:26.880 --> 0:12:31.520
<v Speaker 2>Oh my god, look at this one. Ain't keep Alicia.

0:12:31.720 --> 0:12:34.480
<v Speaker 3>Oh my god, she's so obsessed with the naughty at

0:12:34.520 --> 0:12:37.680
<v Speaker 3>six forty. I have one little story to tell you.

0:12:37.920 --> 0:12:40.240
<v Speaker 3>And here we are anyway, Can I ask you a question,

0:12:40.320 --> 0:12:44.000
<v Speaker 3>Andrew Hats when did you first work out how babies

0:12:44.000 --> 0:12:44.480
<v Speaker 3>were made?

0:12:44.880 --> 0:12:51.440
<v Speaker 2>After my second born? I would say late primary school?

0:12:51.600 --> 0:12:54.760
<v Speaker 1>Okay? And how how did this information come about?

0:12:54.920 --> 0:12:57.080
<v Speaker 3>Was it just you and your little dirty mates talking

0:12:57.120 --> 0:12:59.520
<v Speaker 3>behind it the stalls in year six?

0:13:00.200 --> 0:13:01.920
<v Speaker 2>I think it was my sister that told me, oh

0:13:02.000 --> 0:13:04.400
<v Speaker 2>really yes, in a very very educational purpose.

0:13:04.400 --> 0:13:05.840
<v Speaker 1>I don't take a stirty bird from way back.

0:13:06.920 --> 0:13:08.840
<v Speaker 2>I don't think I trust me. It's no sort of weird,

0:13:08.840 --> 0:13:11.160
<v Speaker 2>sort of tazzy vis going on in the country. I

0:13:12.280 --> 0:13:15.000
<v Speaker 2>don't think Mum or Dad sat me down and gave

0:13:15.000 --> 0:13:16.240
<v Speaker 2>me the chat about the birds and the baby.

0:13:16.240 --> 0:13:18.920
<v Speaker 3>See that's sad because they had the perfect opportunity with

0:13:18.960 --> 0:13:20.840
<v Speaker 3>all those animals on the farm. They could have just

0:13:20.880 --> 0:13:23.160
<v Speaker 3>taken little Andrew out and said, look see those cows.

0:13:23.160 --> 0:13:23.839
<v Speaker 1>See what they're doing.

0:13:24.040 --> 0:13:25.679
<v Speaker 2>I thought they were just it was a failed game

0:13:25.720 --> 0:13:26.240
<v Speaker 2>of leap frog.

0:13:30.000 --> 0:13:33.320
<v Speaker 3>So my sister in law was telling me how her son,

0:13:33.440 --> 0:13:37.920
<v Speaker 3>so my nephew decided to on the way home from school,

0:13:37.960 --> 0:13:40.760
<v Speaker 3>tell her how babies are made, which is a fascinating

0:13:40.840 --> 0:13:42.319
<v Speaker 3>story and a fascinating tale.

0:13:42.400 --> 0:13:44.480
<v Speaker 1>And he said so much something to tell you.

0:13:44.600 --> 0:13:47.480
<v Speaker 3>It was the biggest thing of the world. She's like, yes, Edie,

0:13:47.520 --> 0:13:51.280
<v Speaker 3>go for it. And he was like, right. So I

0:13:51.320 --> 0:13:54.040
<v Speaker 3>found out how babies are made, and this is what happened,

0:13:55.160 --> 0:13:58.480
<v Speaker 3>and this is what happens. So a mummy and a

0:13:58.600 --> 0:14:02.440
<v Speaker 3>daddy and they meat and they fall in love, right,

0:14:03.160 --> 0:14:07.320
<v Speaker 3>and then he puts his penis in her vagina and

0:14:07.440 --> 0:14:14.600
<v Speaker 3>leaves it there for nine months.

0:14:15.559 --> 0:14:15.839
<v Speaker 1>Good.

0:14:18.160 --> 0:14:21.040
<v Speaker 2>I don't know what. It's not far from the train.

0:14:21.240 --> 0:14:23.960
<v Speaker 3>It's not. If you're a woman who's ever been pregnant,

0:14:24.000 --> 0:14:25.160
<v Speaker 3>that's exactly how it feels.

0:14:25.840 --> 0:14:27.560
<v Speaker 1>You've just been screwed for nine months.

0:14:28.680 --> 0:14:31.040
<v Speaker 3>We quite like to rag on gen zs sometimes, but

0:14:31.200 --> 0:14:34.080
<v Speaker 3>some of this stuff is quite ingenius. Because gen Z

0:14:34.200 --> 0:14:37.600
<v Speaker 3>workers have revealed the ways that they're stealing company time

0:14:38.040 --> 0:14:44.600
<v Speaker 3>By task masking, it's basically where employees make themselves look

0:14:44.640 --> 0:14:47.080
<v Speaker 3>busier than they are. For example, one twenty six year

0:14:47.080 --> 0:14:49.120
<v Speaker 3>old said, get your email up on your full screen

0:14:49.480 --> 0:14:51.200
<v Speaker 3>and then get your e book up. So I presume

0:14:51.240 --> 0:14:52.800
<v Speaker 3>that's a book that you can read, you know, like

0:14:52.840 --> 0:14:55.880
<v Speaker 3>a kindle, minimize it to the size of an email

0:14:55.920 --> 0:14:58.800
<v Speaker 3>preview and read it all day. My girlfriend read seventy

0:14:58.840 --> 0:15:00.160
<v Speaker 3>four books at her desk last.

0:15:00.000 --> 0:15:05.360
<v Speaker 2>It's very good on company time. Perfect, That is not bad.

0:15:05.880 --> 0:15:08.280
<v Speaker 3>Meanwhile, twenty seven year old Mazy disguised as her on

0:15:08.360 --> 0:15:10.760
<v Speaker 3>the clock yoga classes as medical appointments.

0:15:10.800 --> 0:15:11.920
<v Speaker 2>Very good, that's a good appointment.

0:15:12.640 --> 0:15:14.480
<v Speaker 3>Sorry, I say, I'm going to the gym, you know,

0:15:14.520 --> 0:15:17.200
<v Speaker 3>the gym, which really is just like go to get facialist.

0:15:17.200 --> 0:15:18.920
<v Speaker 3>But I tell my don't think because it's called the gym,

0:15:19.080 --> 0:15:20.600
<v Speaker 3>and get away with saying I'm going to the gym.

0:15:20.720 --> 0:15:22.080
<v Speaker 2>There you go. It's nice to me in a spot

0:15:22.080 --> 0:15:24.600
<v Speaker 2>where we're talking about jen Z and we're really applauding them.

0:15:24.640 --> 0:15:27.200
<v Speaker 1>Congratulations, guys, you would have been a genius at this time.

0:15:27.560 --> 0:15:30.360
<v Speaker 2>My gosh, I'm just going to say, because it's in

0:15:30.440 --> 0:15:32.600
<v Speaker 2>different states, so it doesn't matter it right, we're looking

0:15:32.640 --> 0:15:35.280
<v Speaker 2>in trouble now. My first job as a nineteen year

0:15:35.280 --> 0:15:37.760
<v Speaker 2>old was working at the Greenwood Hotel in North Sydney

0:15:37.960 --> 0:15:40.520
<v Speaker 2>and it's a big establishment. Yeh, really cool class.

0:15:40.920 --> 0:15:42.240
<v Speaker 3>You are you not going to get in trouble because

0:15:42.240 --> 0:15:44.440
<v Speaker 3>you were nineteen and now you're thirty eight, so we're

0:15:44.480 --> 0:15:44.960
<v Speaker 3>all good here.

0:15:45.000 --> 0:15:47.080
<v Speaker 2>Oh thanks Joe, that's actually thirty nine. I appreciate taking

0:15:47.160 --> 0:15:47.400
<v Speaker 2>here on.

0:15:47.520 --> 0:15:50.680
<v Speaker 3>It actually a statue of limitations as to how long

0:15:50.720 --> 0:15:52.560
<v Speaker 3>you can get in trouble from the Greenwood Hotel.

0:15:52.600 --> 0:15:55.600
<v Speaker 2>For anyway, imbazzled by it, I mbezzled twelve million dollars.

0:15:56.480 --> 0:15:58.880
<v Speaker 2>Would they get in trouble? That's not what happened. What

0:15:58.920 --> 0:16:00.120
<v Speaker 2>I used to do is and I was living with

0:16:00.200 --> 0:16:03.240
<v Speaker 2>two other blokes at the time, and we were not

0:16:03.440 --> 0:16:05.840
<v Speaker 2>very fancy in the way that we lived. I would

0:16:05.840 --> 0:16:10.880
<v Speaker 2>steal a single glass each and every shift, now, whether

0:16:10.920 --> 0:16:14.800
<v Speaker 2>that was a pint glass, a schooner glass, a cocktail glass,

0:16:15.120 --> 0:16:17.240
<v Speaker 2>and a shot glass. And by the end of it,

0:16:17.320 --> 0:16:20.440
<v Speaker 2>I had like ten pint glasses, ten schooner glasses, the

0:16:20.520 --> 0:16:23.680
<v Speaker 2>most outrageously perfect set of cocktail glass as well, and

0:16:23.720 --> 0:16:26.640
<v Speaker 2>all these shot glasses we had the best glass were

0:16:27.320 --> 0:16:30.320
<v Speaker 2>for three poor nineteen year olds. It could possibly come

0:16:30.320 --> 0:16:30.960
<v Speaker 2>across dodible.

0:16:31.000 --> 0:16:31.960
<v Speaker 1>Well done, mate, thank.

0:16:31.840 --> 0:16:34.800
<v Speaker 2>You very much. I also we also used to sit

0:16:34.840 --> 0:16:37.320
<v Speaker 2>there because we were very, very intelligent. I remember sitting

0:16:37.320 --> 0:16:40.560
<v Speaker 2>in the toilet and getting my calculator out and just

0:16:40.760 --> 0:16:43.840
<v Speaker 2>calculating how much money I was making per second while

0:16:43.880 --> 0:16:44.920
<v Speaker 2>seeing in the toilet for two.

0:16:44.800 --> 0:16:47.720
<v Speaker 1>Hours right on the company Dine, on the company Dine.

0:16:48.000 --> 0:16:48.720
<v Speaker 1>I don't think I've.

0:16:48.560 --> 0:16:52.200
<v Speaker 3>Told you about this before, but before I studied journalism

0:16:52.400 --> 0:16:54.920
<v Speaker 3>and media, I did nursing for six months.

0:16:55.040 --> 0:16:57.280
<v Speaker 1>I didn't know that I knew I hadn't told you that.

0:16:57.480 --> 0:16:59.040
<v Speaker 2>Wow, that's always so loving and caring.

0:16:59.080 --> 0:17:03.160
<v Speaker 3>I guess no, that's why I didn't deplete my nursing Well,

0:17:03.200 --> 0:17:05.560
<v Speaker 3>I didn't complete my nursing degree, because what they do

0:17:05.680 --> 0:17:08.480
<v Speaker 3>is they put you in the nursing homes to weed

0:17:08.520 --> 0:17:10.600
<v Speaker 3>out the ones that are serious about being compassionate and

0:17:10.600 --> 0:17:12.639
<v Speaker 3>caring for them, yes, and the ones that are like, no,

0:17:12.800 --> 0:17:15.880
<v Speaker 3>thank you, I don't want to wipe mister Graham's bottom

0:17:16.000 --> 0:17:16.880
<v Speaker 3>in room thirty two.

0:17:17.040 --> 0:17:18.639
<v Speaker 2>Yes, so anyway, and you're part of the latter.

0:17:18.960 --> 0:17:21.160
<v Speaker 3>And so when I had to wipe mister Graham's bottom

0:17:21.200 --> 0:17:23.680
<v Speaker 3>in room thirty two. I would go round the side

0:17:24.240 --> 0:17:25.359
<v Speaker 3>and read a magazine.

0:17:25.440 --> 0:17:25.960
<v Speaker 1>I would just.

0:17:26.119 --> 0:17:29.480
<v Speaker 3>Disappear, just disappear, and no one seemed to ask where

0:17:29.520 --> 0:17:30.080
<v Speaker 3>I was.

0:17:30.480 --> 0:17:34.080
<v Speaker 2>Until the fact that mister Graham started developing DAGs.

0:17:36.800 --> 0:17:40.840
<v Speaker 3>Tasmania FC, the much anticipated new football club in the AFL,

0:17:40.880 --> 0:17:43.320
<v Speaker 3>has revealed the name and look of its mascot on

0:17:43.400 --> 0:17:46.320
<v Speaker 3>the first anniversary of the announcement of the new club's

0:17:46.480 --> 0:17:50.800
<v Speaker 3>name and colors. His name is Roman, and he is

0:17:50.840 --> 0:17:52.240
<v Speaker 3>indeed a Tasmanian devil.

0:17:52.920 --> 0:17:55.840
<v Speaker 2>Anyway, a second Roman, Can you take us through the

0:17:55.880 --> 0:17:57.879
<v Speaker 2>origins of that? There's got to be some sort of significance.

0:17:57.880 --> 0:17:59.200
<v Speaker 2>It's a very quirky name, a bit.

0:17:59.119 --> 0:18:01.080
<v Speaker 1>Of a hope about thing. My grandparents used to call

0:18:01.080 --> 0:18:02.600
<v Speaker 1>me a little rummen and rough on me on the

0:18:02.600 --> 0:18:03.480
<v Speaker 1>head when I was a kid.

0:18:03.680 --> 0:18:06.080
<v Speaker 3>It's like a little like a little devil, like someone

0:18:06.160 --> 0:18:07.959
<v Speaker 3>a little bit eccentric and cheeky.

0:18:08.000 --> 0:18:11.119
<v Speaker 2>Okay. So that's exclusively a Tasmaniy thing, just like the

0:18:11.240 --> 0:18:13.240
<v Speaker 2>NBL side the jack jumpers. A lot of people still

0:18:13.240 --> 0:18:16.960
<v Speaker 2>trying to work out what a jack jumper is. There

0:18:17.000 --> 0:18:18.639
<v Speaker 2>you go produce, we go.

0:18:19.800 --> 0:18:24.200
<v Speaker 3>So he's made from recycled materials, which is so very Oh,

0:18:24.240 --> 0:18:27.520
<v Speaker 3>we're very close to them, to the pristine Antarctica, and

0:18:27.560 --> 0:18:30.600
<v Speaker 3>we like to keep things clean of climate change, et cetera,

0:18:30.640 --> 0:18:34.760
<v Speaker 3>et cetera. That's very Tasmanian, recycled old school clothes. And

0:18:34.840 --> 0:18:37.720
<v Speaker 3>weirdly enough, his face is made of an old leather

0:18:37.800 --> 0:18:39.240
<v Speaker 3>jacket classic.

0:18:40.560 --> 0:18:42.879
<v Speaker 2>Which is strange because you don't see much sundown in Tasmania.

0:18:43.040 --> 0:18:43.960
<v Speaker 1>No exactly.

0:18:44.720 --> 0:18:47.560
<v Speaker 3>So look, the brief was to not make him terrifying,

0:18:47.600 --> 0:18:49.480
<v Speaker 3>but I think we've got mixed results. It was made

0:18:49.560 --> 0:18:53.440
<v Speaker 3>in conjunction with a puppeteers organization, so my first thought was.

0:18:53.359 --> 0:18:54.600
<v Speaker 1>Well, a little bit scary.

0:18:54.800 --> 0:18:58.639
<v Speaker 3>But what's interesting about old Roman is they will wield

0:18:58.640 --> 0:19:01.040
<v Speaker 3>about last night and then he would eat a football,

0:19:01.080 --> 0:19:03.200
<v Speaker 3>so he had a sharon and then he would turn

0:19:03.240 --> 0:19:04.280
<v Speaker 3>around and poop it out.

0:19:07.880 --> 0:19:10.200
<v Speaker 2>Every single time. It's like I'm just gonna go kick

0:19:10.240 --> 0:19:10.840
<v Speaker 2>with Ruwan.

0:19:12.359 --> 0:19:16.320
<v Speaker 3>Again, footing once again. And he's also got kneepads. Do

0:19:16.359 --> 0:19:17.280
<v Speaker 3>you want to know why hear?

0:19:17.320 --> 0:19:17.800
<v Speaker 2>What's going on?

0:19:17.840 --> 0:19:18.000
<v Speaker 3>There?

0:19:18.040 --> 0:19:19.200
<v Speaker 2>Is he some sort of skateboarder?

0:19:19.400 --> 0:19:20.440
<v Speaker 1>No, that's a nodg too.

0:19:20.480 --> 0:19:23.560
<v Speaker 3>There's a famous football over oval in Queensland, which is

0:19:23.600 --> 0:19:26.080
<v Speaker 3>like northwestern Tasmania and it's.

0:19:25.840 --> 0:19:28.760
<v Speaker 1>A gravel oval, completely gravel.

0:19:28.800 --> 0:19:31.360
<v Speaker 3>There's no grass on it because it's a mining town

0:19:31.400 --> 0:19:34.080
<v Speaker 3>and they couldn't grow grass, so therefore they just play

0:19:34.119 --> 0:19:34.560
<v Speaker 3>on gravel.

0:19:34.600 --> 0:19:36.040
<v Speaker 2>Hang on, but they still do it. Do you know

0:19:36.040 --> 0:19:36.919
<v Speaker 2>they still play football?

0:19:36.920 --> 0:19:38.480
<v Speaker 1>They do? Is that safe?

0:19:39.359 --> 0:19:39.840
<v Speaker 4>No, it's not.

0:19:40.280 --> 0:19:42.200
<v Speaker 3>I've seen pictures this morning if some of the players

0:19:42.200 --> 0:19:44.359
<v Speaker 3>with blood is pouring from their knee caps.

0:19:44.560 --> 0:19:46.720
<v Speaker 2>A tazzy devil, tasty devil is supposed to be terrifying,

0:19:46.720 --> 0:19:48.280
<v Speaker 2>by the way. Yeah, do you guys know what sound

0:19:48.320 --> 0:19:49.160
<v Speaker 2>a tasty devil makes?

0:19:49.320 --> 0:19:50.480
<v Speaker 1>Yeah, it's like it's.

0:19:52.359 --> 0:19:54.560
<v Speaker 2>No, I think that's generous. I think that's actually a

0:19:54.600 --> 0:19:56.679
<v Speaker 2>lovely version of a tazzy devil. Have you heard them?

0:19:57.040 --> 0:20:08.760
<v Speaker 2>Listen to this. If you could be designed to be ferocious.

0:20:08.240 --> 0:20:09.960
<v Speaker 3>If you could just get me the sound of a

0:20:09.960 --> 0:20:12.360
<v Speaker 3>tazzy devil pooping out a Sharon, that would be great.

0:20:12.359 --> 0:20:15.119
<v Speaker 2>At the same time, let me work on that behind

0:20:15.160 --> 0:20:15.520
<v Speaker 2>the scenes.