WEBVTT - #178 Lucinda Price: Inside the World of Froomes, her creative process & a candid discussion on Body Image

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<v Speaker 1>My Boris and this is straight Talk the Center Price

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<v Speaker 1>welcome straight Talk.

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<v Speaker 2>Thank you for having me.

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<v Speaker 1>I actually follow you on Instagram.

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<v Speaker 2>I saw when you followed me. I thought, I've got

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<v Speaker 2>to get on this podcast.

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<v Speaker 1>Yeah, thank you, thank you, thank you. And and of

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<v Speaker 1>course one of the things I got to know where

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<v Speaker 1>his name Frooms comes from, Like, tell me about the

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<v Speaker 1>name for rooms? What the hell does that mean?

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<v Speaker 2>What does it mean? Yeah, it's my mum's maiden name.

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<v Speaker 1>Oh really, yeah, so you so you just go away

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<v Speaker 1>your mum's maiden.

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<v Speaker 2>Name pretty much. But I thought, who has a made

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<v Speaker 2>a name like that when I was growing up? The name?

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<v Speaker 1>Boy, you use it enough? I mean it's a it's

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<v Speaker 1>Froome's world, of course. But one of the things I

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<v Speaker 1>want to talk about is your book, so I will.

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<v Speaker 1>I'm not going to start there, though hopefully we'll evolve

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<v Speaker 1>down there, because you know, these conversations you can go anywhere.

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<v Speaker 1>What are you drinking? Match it to you? Are you?

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<v Speaker 2>Yes? I have had one.

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<v Speaker 1>I have had match it But it's a bit bitter

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<v Speaker 1>for me.

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<v Speaker 2>You can get used to it.

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<v Speaker 1>Is that a hell thing?

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<v Speaker 2>You get? The slow police caffeine?

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<v Speaker 1>Yeah?

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<v Speaker 2>I went through a phrase of not drinking coffee, which

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<v Speaker 2>is very unlike me. I given to all of my vices.

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<v Speaker 2>But I thought that's kind of something different and it's nice.

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<v Speaker 1>Yep, did you get the next door there? Make match

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<v Speaker 1>of two next door. I'm going to try it. I'm

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<v Speaker 1>definitely gonna try it because I was reading about it.

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<v Speaker 1>How you know, it's just from a health point of view,

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<v Speaker 1>it's better for you instead of drinking coffee. Like I'm

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<v Speaker 1>a coffee I drink too many coffees. I drink like

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<v Speaker 1>three or four coffee is a day easy. My first

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<v Speaker 1>one is about quarter to five in the morning. Oh really,

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<v Speaker 1>and that's at home. Yeah, So like literally when I

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<v Speaker 1>first wake up, like within ten minutes, I'm jamming a

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<v Speaker 1>little like espresso down my gob and I know it's

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<v Speaker 1>so good for me, but like otherwise, you know, I

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<v Speaker 1>can't see, I can't walk, I can't move, and you

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<v Speaker 1>know it's good off to me. So it was slightly

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<v Speaker 1>off topic, but nonetheless, so I want to talk about.

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<v Speaker 1>What I want to talk about is the origins of

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<v Speaker 1>why you wrote the book. But before we talk about

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<v Speaker 1>the book, can we go and also the book's title?

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<v Speaker 1>Before we go there, let's just go back a little bit.

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<v Speaker 1>What happened in your life that made you feel as

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<v Speaker 1>though you should write a book?

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<v Speaker 2>Oh?

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<v Speaker 1>Like and what are those events?

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<v Speaker 2>Yeah? Well I always wanted to write a book, and

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<v Speaker 2>I've said before I think it's like part of being

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<v Speaker 2>someone who likes to express themselves. I think a lot

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<v Speaker 2>of people have this desire or this kind of dream

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<v Speaker 2>to write a book. It's lucky that I have worked

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<v Speaker 2>as a writer for ten years, so I had the

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<v Speaker 2>skills to be able to.

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<v Speaker 1>Do it in what capacity? Were you working as a

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<v Speaker 1>writer for ten years?

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<v Speaker 2>Always online? So the first thing I ever wrote was

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<v Speaker 2>for a friend's website that she created, and it was

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<v Speaker 2>pretty much just her and I that would write articles.

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<v Speaker 2>The first thing I ever wrote was about my dad,

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<v Speaker 2>like going down the street on a rollie chair from

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<v Speaker 2>hard Rubbish. So I've always kind.

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<v Speaker 1>Of watched what is that from herd rubbish? What is

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<v Speaker 1>hard rubbish?

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<v Speaker 2>You know what heart rubbish is?

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<v Speaker 1>No, what's hard rubbish?

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<v Speaker 2>Oh that's what we call like when you put the

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<v Speaker 2>junk cat from your house?

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<v Speaker 1>Yeah, what do you call it? I don't know? Junk?

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<v Speaker 1>I have done it? Yeah, no, I totally have. But like,

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<v Speaker 1>because you see the people driving around especially right picking

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<v Speaker 1>up good bits of it, a good piece of furniture,

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<v Speaker 1>and I iced to think, Oh, that's called the people

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<v Speaker 1>are going to get sort of recycled, et cetera, or

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<v Speaker 1>reuse it. It's called hard rubbish. So your dad is

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<v Speaker 1>at some stage, Is it a real deal? Your dad

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<v Speaker 1>at some stages founded a chair with rolls on it

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<v Speaker 1>or something and roll down the hill.

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<v Speaker 2>Yeah, And I remember it's so yeah, he features in

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<v Speaker 2>a lot of my content. Maybe not as much anymore

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<v Speaker 2>because he's down in Victoria, but I just never never forget,

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<v Speaker 2>like he was on this roller cheat and all these

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<v Speaker 2>kids from the neighborhood were running down this big, long

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<v Speaker 2>street with him. But it's one of those things where

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<v Speaker 2>I don't know if I'm remembering it correctly or embellishing it.

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<v Speaker 1>But you wrote a story about that.

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<v Speaker 2>Yeah, So I guess my point being, I've always written,

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<v Speaker 2>I've always kind of weaved personal stories into the things

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<v Speaker 2>that I've written, not so much much to talk about

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<v Speaker 2>myself all the time, though people might think that I

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<v Speaker 2>do that. It's more to I guess connect with people,

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<v Speaker 2>and yeah, maybe retaining it is.

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<v Speaker 1>Let's just take that one story is the purpose of

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<v Speaker 1>that though is to tell the story about what you

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<v Speaker 1>saw your dad doing, Like, actually I'm storytelling in your case?

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<v Speaker 1>Or is it to build a connection between the people

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<v Speaker 1>you want to tell a story to.

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<v Speaker 2>It's probably a bit of both. I'd honestly say it's

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<v Speaker 2>more of Colin May. I've always just wanted to entertain.

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<v Speaker 2>I want to I want you to read something and

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<v Speaker 2>enjoy it and enjoy yourself. And part of that is

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<v Speaker 2>like learning how to get into a story quickly and

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<v Speaker 2>keep people's attention. For me, anything I ever do is

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<v Speaker 2>about grabbing someone's attention and maintaining it for as long

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<v Speaker 2>as I can.

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<v Speaker 1>Here you, I mean, I look at yourself on instagramers.

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<v Speaker 1>As you said a moment ago, on social media, you

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<v Speaker 1>are a pretty expressy person naturally. Even when you walk

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<v Speaker 1>in this room, like you know, you can sort of

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<v Speaker 1>feel an energy as you sat down, there's an energy there.

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<v Speaker 1>Is your expressiveness? Is your outlet in relation to your

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<v Speaker 1>expressiveness social media and all your writing? Or is your

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<v Speaker 1>expressiveness your brand?

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<v Speaker 2>Oh well, I guess it's always. I've always had an

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<v Speaker 2>expressive face from the very beginning.

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<v Speaker 1>I can tell look at because that's the way you look,

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<v Speaker 1>the way you move your face, your eyes, everything about you.

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<v Speaker 1>I can just there's you're like an actress.

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<v Speaker 2>Thank you. Yeah, I'm lying all the time. So yeah,

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<v Speaker 2>I guess that's just in built into my personalities to

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<v Speaker 2>be I guess enthusiastic is what I would call it

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<v Speaker 2>an expressive and you're part of the expression. I think

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<v Speaker 2>the one that I find the most rewarding because you

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<v Speaker 2>have to use skill for it, is the writing, Whereas

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<v Speaker 2>I think social media just the way that those platforms

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<v Speaker 2>are designed, creativity isn't always at the forefront of that.

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<v Speaker 2>How do you mean, For instance, on Instagram, I'm a

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<v Speaker 2>lot more strategic than when I write. When I write,

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<v Speaker 2>I can kind of go a bit more.

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<v Speaker 1>On Tangent, you can wander around a little bit.

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<v Speaker 2>Yeah, Whereas Instagram it's all very visual. To keep people's

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<v Speaker 2>attention with the algorithm you kind of have to put

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<v Speaker 2>on your story, for instance, a photo where you look

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<v Speaker 2>pretty and then a photo from far away and then

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<v Speaker 2>some text, but you have to wrap the text in photos.

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<v Speaker 2>It's a whole.

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<v Speaker 1>Different beast, much more strategic then.

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<v Speaker 2>Yeah.

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<v Speaker 1>So writing then, to some extent, is nearly a little

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<v Speaker 1>bit of an escape because you know, like being on

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<v Speaker 1>social media, like you are, and you're there a lot.

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<v Speaker 1>I mean, you work it pretty hard, which is and

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<v Speaker 1>it's always got to be on brand or what people

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<v Speaker 1>expect of you. As to your brand is quite constraining,

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<v Speaker 1>whereas writing by the sound of things, it allows you

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<v Speaker 1>to escape. Yeah, you know, it's a bit more relax

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<v Speaker 1>You can just move and move and manove yourself around

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<v Speaker 1>the place. So is your book an escape for you?

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<v Speaker 2>Yeah? Absolutely. Because of the format, it was a challenge

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<v Speaker 2>because I couldn't use photos. I didn't want to do listicles.

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<v Speaker 2>I wanted to challenge myself to write something as if

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<v Speaker 2>I'm someone who studied writing, but I started I started

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<v Speaker 2>writing on the internet, so obviously when I started, you

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<v Speaker 2>can add photos and videos and gifts and emojis, whereas

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<v Speaker 2>with a book. The whole time, with the expressiveness, I

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<v Speaker 2>wanted to put emojis in there, but you couldn't. So

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<v Speaker 2>I had to find a way to express myself in

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<v Speaker 2>the way that emojis would be used. I'm a massive

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<v Speaker 2>emoji fan. In the book, no, but in words, in

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<v Speaker 2>words intense. You should see my text there Aladdin, because

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<v Speaker 2>I find it quite funny and I like that. But yeah,

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<v Speaker 2>I think the writing is definitely an escape in the

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<v Speaker 2>sense that you don't have that pressure to be on

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<v Speaker 2>and play by the social media platforms rules because every

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<v Speaker 2>single one has a different rule. Yeah.

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<v Speaker 1>So, and most people don't realize that. I think most

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<v Speaker 1>people who look at social media who aren't in social

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<v Speaker 1>media but as opposed to more an observer of social media,

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<v Speaker 1>they're not looking at They're just looking at what appeals

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<v Speaker 1>to them. And of course social media works out what

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<v Speaker 1>appeals to you and starts feeding it the same stuff

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<v Speaker 1>that like in over my social media, my Instagram page,

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<v Speaker 1>and the guys who run it in one of them

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<v Speaker 1>sitting over here must wander to themselves when my feed

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<v Speaker 1>is always jiu jitsu stuff like I get like so

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<v Speaker 1>many has worked out I like jiu jitsu stuff, and

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<v Speaker 1>it just keep feeding me this stuff time after time

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<v Speaker 1>after And I know the guys are probably thinking, so,

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<v Speaker 1>what's Mark looking at it all the time, but that

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<v Speaker 1>it's very it's very clever. So you have to be

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<v Speaker 1>clever too in terms of building your presence, and is

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<v Speaker 1>your presence on social media? Is that a business decision?

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<v Speaker 1>Is there a business around that for you?

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<v Speaker 2>Yeah? I think when I started I started my Instagram

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<v Speaker 2>when I was working as a journalist at a young

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<v Speaker 2>media company, and so my Instagram was purely an outlet.

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<v Speaker 2>I would sometimes post work videos, but mostly it was

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<v Speaker 2>just this kind of place to be silly and post

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<v Speaker 2>whatever I wanted and be really absurdest. Whereas when I

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<v Speaker 2>lost my job at this youth platform, I didn't have

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<v Speaker 2>a website. I mean, I got a sub stack, which

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<v Speaker 2>is where I have my newsletter, which is kind of

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<v Speaker 2>where the books began, but I didn't really have an

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<v Speaker 2>alternate platform. So now my Instagram is definitely the one

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<v Speaker 2>place on the Internet where I put the most stuff.

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<v Speaker 2>I'm promoting my book, I'm promoting like paid partnerships, but

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<v Speaker 2>I'm also maintaining things that I'm passionate about. But I'm

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<v Speaker 2>also very strategic with what I don't put there because

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<v Speaker 2>I think it's very easy to start treating it like

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<v Speaker 2>a diary, which I don't want to do.

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<v Speaker 1>Yeah, so that's interesting. So you know you have paid

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<v Speaker 1>partnerships as basically what you're saying, there's money involved, which

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<v Speaker 1>is important. You've got to make money because otherwise, specially

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<v Speaker 1>if you're spending all the amount of time you spend

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<v Speaker 1>on social media and social media takes a lot longer

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<v Speaker 1>than everybody knows, and it's just much more sort of intense,

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<v Speaker 1>just the preparation, the editing, the whole thing. Therefore, we

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<v Speaker 1>have to make a dollar out of it because your

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<v Speaker 1>time you're putting into it. If you're in your sense,

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<v Speaker 1>in your terms, you're telling us about what though on

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<v Speaker 1>your social media. So what are you trying to build

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<v Speaker 1>your audience off the back of, Because you know, if

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<v Speaker 1>you don't have an audience going to you don't have

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<v Speaker 1>any commerce involved with you. If you don't, if you

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<v Speaker 1>know one looks at your stuff, then the agencies will

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<v Speaker 1>pay your money to do partnerships. They won't give you

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<v Speaker 1>any money. Tough, Like, you've haven't got a big enough

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<v Speaker 1>audience to build an audience, you've got to have a message.

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<v Speaker 1>So what is your message or what are your messages?

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<v Speaker 1>What are they sort of fit around?

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<v Speaker 2>Yes, my message always is so simple. It's to entertain.

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<v Speaker 2>I don't think there's any higher, like higher idea at play.

0:11:06.559 --> 0:11:08.680
<v Speaker 2>I don't want to pontificate. I'm not here to teach

0:11:08.720 --> 0:11:12.680
<v Speaker 2>you a lesson. I'm here as like an escape and

0:11:12.840 --> 0:11:16.600
<v Speaker 2>I try and make things that I find funny. And

0:11:16.640 --> 0:11:19.400
<v Speaker 2>that's kind of what that's a contribution that I bring

0:11:19.520 --> 0:11:21.679
<v Speaker 2>and it suits me. That's what I got into it force.

0:11:21.720 --> 0:11:24.319
<v Speaker 2>I knows when I'm feeling a bit uninspired or it's

0:11:24.320 --> 0:11:26.280
<v Speaker 2>feeling a bit laborious, and I think, oh, why did

0:11:26.320 --> 0:11:29.240
<v Speaker 2>I get Instagram in the first place. I didn't have

0:11:29.280 --> 0:11:32.040
<v Speaker 2>social media before I started doing this job. Like, I

0:11:32.040 --> 0:11:35.679
<v Speaker 2>didn't have Instagram in year twelve in UNI, mostly because

0:11:35.760 --> 0:11:39.000
<v Speaker 2>I was like too worried about the following count, Like

0:11:39.040 --> 0:11:40.680
<v Speaker 2>I didn't want to follow more people than followed me

0:11:40.679 --> 0:11:41.880
<v Speaker 2>because I was kind of been like.

0:11:42.160 --> 0:11:45.320
<v Speaker 1>The top of the profile. Yeah, yeah, you follow ten thousand,

0:11:45.400 --> 0:11:47.640
<v Speaker 1>you have you follow ten thousand, you have three thousand

0:11:47.640 --> 0:11:48.080
<v Speaker 1>following you.

0:11:48.200 --> 0:11:51.680
<v Speaker 2>Yeah, I can't be doing that. So social media before

0:11:51.760 --> 0:11:55.000
<v Speaker 2>I began creating on it was a source of anxiety,

0:11:55.280 --> 0:11:56.480
<v Speaker 2>and to be honest, oh.

0:11:56.360 --> 0:11:58.520
<v Speaker 1>Really, yeah, I think so you got anxious about it?

0:11:58.800 --> 0:12:01.520
<v Speaker 2>Yeah, because I've yeah, I kind of get anxious or

0:12:01.520 --> 0:12:03.200
<v Speaker 2>do it Does it look like I've got enough friends?

0:12:03.920 --> 0:12:07.240
<v Speaker 2>This that always kind of been very cognizant of where

0:12:07.280 --> 0:12:09.240
<v Speaker 2>I stand in the social peaking order, which is part

0:12:09.240 --> 0:12:13.440
<v Speaker 2>of the book as well. But yeah, I try and

0:12:13.480 --> 0:12:16.600
<v Speaker 2>remind myself I didn't get into this to swipe I'm

0:12:16.640 --> 0:12:18.839
<v Speaker 2>just here to create things, and that's mostly what I do.

0:12:19.520 --> 0:12:20.720
<v Speaker 1>One of the things I thought you might have been

0:12:20.760 --> 0:12:26.040
<v Speaker 1>doing is using comedy to talk about issues because you

0:12:26.080 --> 0:12:28.360
<v Speaker 1>are you are a comedian, I mean you are. You

0:12:28.400 --> 0:12:33.640
<v Speaker 1>are naturally a funny person, and you you do you

0:12:33.679 --> 0:12:34.600
<v Speaker 1>do stand up comedy?

0:12:34.720 --> 0:12:36.520
<v Speaker 2>No, I don't do stand up. I'll do sometimes like

0:12:36.559 --> 0:12:39.559
<v Speaker 2>a cabaret sull performance. Yeah, and I'm open to doing it,

0:12:39.640 --> 0:12:42.760
<v Speaker 2>but I wouldn't do like open mic or getting up

0:12:42.800 --> 0:12:44.320
<v Speaker 2>every night. I tend to do a set.

0:12:44.360 --> 0:12:48.200
<v Speaker 1>It's not my But you are naturally comedic in what

0:12:48.240 --> 0:12:50.160
<v Speaker 1>you do. You like to take the piss out of

0:12:50.160 --> 0:12:52.080
<v Speaker 1>things and sort of be funny. In fact, you take

0:12:52.080 --> 0:12:53.040
<v Speaker 1>the piss out yourself a bit.

0:12:53.320 --> 0:12:53.640
<v Speaker 2>Yeah.

0:12:53.720 --> 0:12:57.560
<v Speaker 1>Yeah, you don't mind sort of using yourself as that

0:12:57.640 --> 0:12:59.960
<v Speaker 1>you're the medium through which other people might have a lot.

0:13:00.559 --> 0:13:01.280
<v Speaker 2>Yeah, I love that.

0:13:01.920 --> 0:13:04.959
<v Speaker 1>Yeah? Or does that ever sort of put are you

0:13:05.000 --> 0:13:06.040
<v Speaker 1>putting yourself down?

0:13:06.480 --> 0:13:06.640
<v Speaker 2>Is that?

0:13:06.840 --> 0:13:09.839
<v Speaker 1>I don't understand that, Like, I mean a lot of

0:13:09.880 --> 0:13:14.559
<v Speaker 1>people do it. Don't get it wrong, But how does

0:13:14.559 --> 0:13:17.480
<v Speaker 1>that feel like putting yourself down?

0:13:18.160 --> 0:13:20.400
<v Speaker 2>Well, I don't see it as putting myself down.

0:13:20.520 --> 0:13:23.800
<v Speaker 1>I think we're making yourself the subject of the piss take.

0:13:25.280 --> 0:13:26.680
<v Speaker 1>Some people might see it that way.

0:13:27.200 --> 0:13:29.040
<v Speaker 2>I think typically the things that I'm taking the piss

0:13:29.080 --> 0:13:30.880
<v Speaker 2>out of a thoughts that I've had, not so much.

0:13:31.520 --> 0:13:35.040
<v Speaker 2>I don't beerate myself or make myself smaller on social media.

0:13:35.040 --> 0:13:39.520
<v Speaker 2>I don't find that funny. I don't find self conscious

0:13:39.640 --> 0:13:42.400
<v Speaker 2>kind of humor. It's not really my style. I always

0:13:42.520 --> 0:13:44.760
<v Speaker 2>the way that I approach it is like And whether

0:13:44.840 --> 0:13:46.320
<v Speaker 2>or not I'm doing this right now, I'm not sure.

0:13:46.320 --> 0:13:49.880
<v Speaker 2>Because book promotion has taken precedence and probably everyone's probably

0:13:49.920 --> 0:13:51.560
<v Speaker 2>like sick of it, But I have a book to promote.

0:13:51.679 --> 0:13:53.000
<v Speaker 1>Where is your book? By the way, did you bring

0:13:53.040 --> 0:13:53.280
<v Speaker 1>it in?

0:13:53.520 --> 0:13:55.240
<v Speaker 2>No? I didn't see what I mean, I've been too

0:13:55.240 --> 0:13:56.360
<v Speaker 2>focused on my social media.

0:13:56.480 --> 0:13:58.800
<v Speaker 1>We will talk about it and we'll bring it. We'll

0:13:58.800 --> 0:14:00.920
<v Speaker 1>get someone bring the book in a second. You bring

0:14:00.920 --> 0:14:03.240
<v Speaker 1>one along? No, you didn't bring a book? Wrong?

0:14:03.320 --> 0:14:05.480
<v Speaker 2>I know. Look, I had a whole launch in Melbourne

0:14:05.559 --> 0:14:06.719
<v Speaker 2>with just family and friends, but.

0:14:06.679 --> 0:14:08.560
<v Speaker 1>There's a Sydney.

0:14:08.840 --> 0:14:10.720
<v Speaker 2>That's what I'm saying is I always figured to bring

0:14:10.760 --> 0:14:14.680
<v Speaker 2>it but with us. Yeah, I'm wearing yellow. That's part

0:14:14.679 --> 0:14:15.640
<v Speaker 2>of the covert's yellow.

0:14:16.200 --> 0:14:19.520
<v Speaker 1>The cover's yellow. But because I was going to just

0:14:19.640 --> 0:14:21.640
<v Speaker 1>flash up there in front of the camera say buy

0:14:21.720 --> 0:14:24.200
<v Speaker 1>this book. And I don't get you to sign up

0:14:24.240 --> 0:14:25.960
<v Speaker 1>if you don't mind sending me a sign one please

0:14:26.280 --> 0:14:30.880
<v Speaker 1>because because clearly the book's important part of your party life.

0:14:30.880 --> 0:14:32.040
<v Speaker 1>And I want to talk to and I did talk

0:14:32.040 --> 0:14:33.200
<v Speaker 1>to you about it a moment ago about and I

0:14:33.240 --> 0:14:35.760
<v Speaker 1>did Ashmoga, And you haven't quite answered me yet. What

0:14:35.960 --> 0:14:39.680
<v Speaker 1>are the things that happened in your life that you

0:14:40.120 --> 0:14:44.040
<v Speaker 1>inspired you either that or motivated you to put into

0:14:44.080 --> 0:14:47.080
<v Speaker 1>this book? So they body image for example, those sorts

0:14:47.120 --> 0:14:49.680
<v Speaker 1>of things, Yes, talk to me about that.

0:14:50.480 --> 0:14:52.720
<v Speaker 2>So I never thought that I would write anything personal.

0:14:52.960 --> 0:14:54.840
<v Speaker 2>Like I said, I'm here to entertain. I want to

0:14:54.840 --> 0:14:57.200
<v Speaker 2>make it about my internal thought process is that people

0:14:57.240 --> 0:14:59.800
<v Speaker 2>have also experienced. That's when I'm funniest, I think is

0:14:59.800 --> 0:15:02.680
<v Speaker 2>when I'm writing about something that I think, oh, maybe

0:15:02.680 --> 0:15:05.240
<v Speaker 2>no one else thinks like that. Turns out everyone thinks

0:15:05.280 --> 0:15:07.680
<v Speaker 2>the same. So the book is kind of an extension

0:15:07.680 --> 0:15:10.560
<v Speaker 2>of that. But I focused on my experience of an

0:15:10.560 --> 0:15:12.960
<v Speaker 2>eating disorder and cosmetic surgery.

0:15:13.040 --> 0:15:16.320
<v Speaker 1>You had an eating disorder, yes, in which way you

0:15:16.520 --> 0:15:17.800
<v Speaker 1>ate too much, you ate not enough.

0:15:19.200 --> 0:15:22.200
<v Speaker 2>What they kind of see nowadays is it kind of

0:15:22.680 --> 0:15:26.040
<v Speaker 2>both to be honest, but it really became a problem

0:15:26.040 --> 0:15:29.040
<v Speaker 2>when I was anorexic or I had anorexia. Rah, you

0:15:29.080 --> 0:15:33.800
<v Speaker 2>won't call someone an anorexic. And that was when it

0:15:33.840 --> 0:15:37.360
<v Speaker 2>tipped over. And that's because of processes where if you

0:15:37.360 --> 0:15:40.240
<v Speaker 2>get too hungry, your brain stops working. So that kind

0:15:40.280 --> 0:15:41.960
<v Speaker 2>of eating disorder, I think gets a lot of attention

0:15:42.360 --> 0:15:43.960
<v Speaker 2>because of that reason and because there's a lot of

0:15:44.000 --> 0:15:47.080
<v Speaker 2>physical changes. But then I went into I had believe

0:15:47.160 --> 0:15:48.000
<v Speaker 2>in before that, So.

0:15:47.960 --> 0:15:50.280
<v Speaker 1>That's often difference between the two. Believe is the one

0:15:50.280 --> 0:15:52.480
<v Speaker 1>where you go with pure gup all the time after

0:15:52.520 --> 0:15:52.800
<v Speaker 1>you eat.

0:15:53.200 --> 0:15:55.400
<v Speaker 2>Yeah, or you can do other and I won't get

0:15:55.400 --> 0:15:58.080
<v Speaker 2>into them, but you can do other kind of purging behaviors.

0:15:58.320 --> 0:16:01.800
<v Speaker 2>Exercise a lot, do things some mitigate eating, and it's

0:16:01.800 --> 0:16:04.920
<v Speaker 2>often not necessary and it's very cyclic. You stay in

0:16:04.920 --> 0:16:05.440
<v Speaker 2>a cycle.

0:16:05.920 --> 0:16:09.600
<v Speaker 1>And when you were anorexic, do you mean you were

0:16:09.600 --> 0:16:13.600
<v Speaker 1>anorexic looking or you were just underweight? I mean how

0:16:15.560 --> 0:16:17.080
<v Speaker 1>slim or skinny did you get?

0:16:17.120 --> 0:16:20.520
<v Speaker 2>So to speak, the way that they diagnose it. Part

0:16:20.520 --> 0:16:22.640
<v Speaker 2>of the reason they diagnose it is when you're b

0:16:22.760 --> 0:16:25.240
<v Speaker 2>and I as a certain level, but now there are

0:16:25.360 --> 0:16:26.880
<v Speaker 2>you can be a higher weight and you could be

0:16:26.880 --> 0:16:29.160
<v Speaker 2>the way that I am now and be classified as anorexic.

0:16:29.480 --> 0:16:33.840
<v Speaker 2>It's definitely broadened because not everyone looks the same. I

0:16:33.840 --> 0:16:36.640
<v Speaker 2>think we've got this very specific idea of what someone

0:16:36.680 --> 0:16:39.720
<v Speaker 2>with anorexia looks, and then heats, people go undiagnosed and

0:16:39.800 --> 0:16:43.680
<v Speaker 2>it goes up and down. But yeah, I was definitely. Yeah,

0:16:43.680 --> 0:16:47.160
<v Speaker 2>I was unwell and it was visible and physical, and

0:16:47.280 --> 0:16:50.480
<v Speaker 2>I wanted to write about that because it was very

0:16:50.480 --> 0:16:52.400
<v Speaker 2>obvious and it should have been very obvious to people,

0:16:52.440 --> 0:16:56.400
<v Speaker 2>But it wasn't obvious to psychologists that I saw, or

0:16:56.480 --> 0:16:58.880
<v Speaker 2>doctors psychiatrists even that I.

0:16:58.840 --> 0:17:03.760
<v Speaker 1>Saw during anorexic period, or you were seeing them not

0:17:03.840 --> 0:17:08.240
<v Speaker 1>as an anorexia patient but as just another patient. You're

0:17:08.240 --> 0:17:10.520
<v Speaker 1>seeing it for some other reason, like a mental health reason.

0:17:10.760 --> 0:17:13.600
<v Speaker 2>Yeah. Yeah, because I was depressed and I thought that

0:17:13.960 --> 0:17:16.000
<v Speaker 2>in my mind, I thought I've got the perfect body.

0:17:16.000 --> 0:17:18.080
<v Speaker 2>Now I was very aware of how you know, I was,

0:17:18.160 --> 0:17:21.719
<v Speaker 2>but I thought I look great. But I feel so depressed.

0:17:21.760 --> 0:17:23.879
<v Speaker 2>I feel so hollow and like I don't want to

0:17:23.920 --> 0:17:27.800
<v Speaker 2>do anything. Nothing means anything. I don't have friends, I'm

0:17:27.800 --> 0:17:30.520
<v Speaker 2>spending so much time alone. This can't be related to

0:17:30.560 --> 0:17:33.200
<v Speaker 2>the fact I'm not eating enough food. It's just something

0:17:33.200 --> 0:17:33.920
<v Speaker 2>else is going on.

0:17:34.119 --> 0:17:36.560
<v Speaker 1>Can you just like it helped me out here, because

0:17:36.560 --> 0:17:39.640
<v Speaker 1>I like, I love my food, so I just can't

0:17:39.680 --> 0:17:46.720
<v Speaker 1>sort of imagine what's going on? What? What? What? What? What?

0:17:46.720 --> 0:17:50.240
<v Speaker 1>What starts off this? Let's call it this anorexic period.

0:17:50.680 --> 0:17:53.639
<v Speaker 1>And I don't mean becoming anorexic like at the end

0:17:53.640 --> 0:17:59.359
<v Speaker 1>of it. But what starts off this process of not

0:17:59.560 --> 0:18:03.920
<v Speaker 1>eating enough nutrition for example in a broad sense. But

0:18:04.800 --> 0:18:07.119
<v Speaker 1>is it an event in your life? What was it

0:18:07.119 --> 0:18:09.240
<v Speaker 1>an event? Or you thought you're watching social media, thought

0:18:09.280 --> 0:18:12.879
<v Speaker 1>I'm not skinny enough, or were you unhealthily overweight? What

0:18:12.960 --> 0:18:13.240
<v Speaker 1>was it?

0:18:13.920 --> 0:18:16.960
<v Speaker 2>No? I was always like straight size. I was never

0:18:17.040 --> 0:18:19.879
<v Speaker 2>teased for my weight. I never had an issue with

0:18:20.160 --> 0:18:23.439
<v Speaker 2>eating or food prior to being kind of twenty or

0:18:23.440 --> 0:18:27.320
<v Speaker 2>twenty one. It started when I moved to Sydney. So

0:18:27.359 --> 0:18:29.000
<v Speaker 2>I moved from Melbourne to Sydney for work.

0:18:29.160 --> 0:18:30.000
<v Speaker 1>Sydney can do that.

0:18:30.400 --> 0:18:31.960
<v Speaker 2>Yeah, I think that was part of it, to be honest.

0:18:32.000 --> 0:18:34.720
<v Speaker 2>It was this beautiful city, lots of hills. I lived

0:18:34.720 --> 0:18:37.240
<v Speaker 2>alone for the first time without my parents, so I

0:18:37.240 --> 0:18:41.000
<v Speaker 2>had to learn how to cook myself food. And I

0:18:41.040 --> 0:18:42.600
<v Speaker 2>had this idea that when I'm in Sydney. I'm a

0:18:42.600 --> 0:18:46.040
<v Speaker 2>whole new woman. I'm old now, I'm an adult.

0:18:45.800 --> 0:18:47.360
<v Speaker 1>I won did you say yeah?

0:18:47.400 --> 0:18:49.280
<v Speaker 2>I was twenty three by the time I moved to Sydney,

0:18:50.640 --> 0:18:53.440
<v Speaker 2>and I felt so adult. I guess it tipped into

0:18:53.440 --> 0:18:56.960
<v Speaker 2>something that would be diagnosable. Kind of the way that

0:18:56.960 --> 0:18:59.399
<v Speaker 2>I describe it, there's not one event. You kind of

0:18:59.440 --> 0:19:02.359
<v Speaker 2>slide in to it, and then you start sliding, and

0:19:02.400 --> 0:19:05.199
<v Speaker 2>then the slide goes faster and faster and faster, and

0:19:05.240 --> 0:19:09.320
<v Speaker 2>it hits a point when you aren't eating enough that

0:19:09.480 --> 0:19:11.960
<v Speaker 2>your brain clicks over. It's kind of how.

0:19:11.800 --> 0:19:13.520
<v Speaker 1>They describe it when you say clicks over it like

0:19:14.119 --> 0:19:15.959
<v Speaker 1>stops working properly or that.

0:19:16.080 --> 0:19:18.800
<v Speaker 2>But it's more you kind of tip into. So prior

0:19:18.880 --> 0:19:22.920
<v Speaker 2>to developing full on anorexia, I was boalimix. I would

0:19:23.320 --> 0:19:27.159
<v Speaker 2>do what we were describing yep, and that had a

0:19:27.160 --> 0:19:31.119
<v Speaker 2>different contour because I was still getting kind of enough nutrients,

0:19:31.440 --> 0:19:34.119
<v Speaker 2>whereas when I didn't get enough nutrients with the anorexia,

0:19:34.200 --> 0:19:36.840
<v Speaker 2>it's just like a self fulfilling prophecy. You don't get

0:19:36.880 --> 0:19:41.439
<v Speaker 2>hungry anymore because when you're not eating enough, you're like

0:19:42.640 --> 0:19:48.040
<v Speaker 2>there's a particular hormone that I can't. No, it's not serotonin,

0:19:48.040 --> 0:19:49.560
<v Speaker 2>but it's one of the kind of big ones that

0:19:49.720 --> 0:19:53.800
<v Speaker 2>isn't thought of. Yes, yes, somewhat. So with the dope,

0:19:53.800 --> 0:19:58.080
<v Speaker 2>I meane, when you're not eating enough, you eat spikes,

0:19:58.440 --> 0:20:02.400
<v Speaker 2>so then when you start eating more, it actually goes down.

0:20:02.840 --> 0:20:05.160
<v Speaker 2>And that's why they speak of the hunger high and.

0:20:05.119 --> 0:20:06.240
<v Speaker 1>Feel like hunger high.

0:20:06.520 --> 0:20:09.080
<v Speaker 2>Yeah, it's like runners high. It's kind of a similar

0:20:09.320 --> 0:20:12.159
<v Speaker 2>sensation in my experience. This is going to definitely need a.

0:20:12.119 --> 0:20:13.919
<v Speaker 1>Trigger warning, Yeah, totally.

0:20:14.080 --> 0:20:16.200
<v Speaker 2>But yeah, it's kind of a funny thing. And I

0:20:16.280 --> 0:20:19.119
<v Speaker 2>think a lot of people don't understand. How could you?

0:20:19.160 --> 0:20:21.160
<v Speaker 2>Aren't you hungry all the time? I thought, no, no,

0:20:21.200 --> 0:20:22.600
<v Speaker 2>if I eat, it's uncomfortable.

0:20:23.400 --> 0:20:25.920
<v Speaker 1>Yeah, that's sort of that was That is actually my question.

0:20:26.320 --> 0:20:28.879
<v Speaker 1>We weren't you hungry? And then and what would compel

0:20:28.960 --> 0:20:31.800
<v Speaker 1>you not to eat? But what you're saying is your

0:20:31.800 --> 0:20:33.760
<v Speaker 1>own body actually stopped you from meeting because you got

0:20:33.800 --> 0:20:36.359
<v Speaker 1>to high from it, so rewarded you for not eating.

0:20:36.840 --> 0:20:40.240
<v Speaker 2>Yep. And I thought that I wasn't hungry, and I

0:20:40.280 --> 0:20:41.840
<v Speaker 2>took a lot of pride in that I go home

0:20:41.880 --> 0:20:43.879
<v Speaker 2>with my parents and they'd be eating normal food, and

0:20:43.920 --> 0:20:46.520
<v Speaker 2>I think, oh, I'm not even hungry, and I kind

0:20:46.520 --> 0:20:49.360
<v Speaker 2>of felt really upmore and asks about it.

0:20:49.760 --> 0:20:53.760
<v Speaker 1>But how could they be eating I'm not even hungry. Like,

0:20:53.800 --> 0:20:55.600
<v Speaker 1>I can control myself exactly.

0:20:55.840 --> 0:20:58.119
<v Speaker 2>I can control myself. I thought I was better than people.

0:20:58.440 --> 0:21:00.919
<v Speaker 2>I thought I'd unlocked this cheek code. I thought, Oh,

0:21:01.080 --> 0:21:03.560
<v Speaker 2>back when I was eating a normal amount of food,

0:21:04.000 --> 0:21:05.000
<v Speaker 2>what a mess? I was.

0:21:06.040 --> 0:21:09.440
<v Speaker 1>Wow, Yeah, that's matt like. And what did your parents

0:21:09.480 --> 0:21:13.920
<v Speaker 1>say when they saw you not eating or actually diminishing

0:21:14.000 --> 0:21:14.600
<v Speaker 1>in front of them?

0:21:14.640 --> 0:21:19.080
<v Speaker 2>In terms of physical I think at the start they

0:21:19.920 --> 0:21:21.480
<v Speaker 2>didn't think much of it. I think they just thowt

0:21:21.480 --> 0:21:23.600
<v Speaker 2>all lucinders in Sydney now. And I had lost weight

0:21:23.880 --> 0:21:26.520
<v Speaker 2>before that, like, for instance, when I was seventeen, my

0:21:26.520 --> 0:21:29.280
<v Speaker 2>boyfriend broke up with me and I just was so

0:21:29.320 --> 0:21:31.040
<v Speaker 2>sad that I couldn't eat. So they were used to

0:21:31.080 --> 0:21:34.520
<v Speaker 2>my body fluctuating somewhat within a certain range. But I

0:21:34.560 --> 0:21:36.280
<v Speaker 2>remember there was an instance where I came home and

0:21:36.320 --> 0:21:38.840
<v Speaker 2>Mum picked me up from the airport, and the way home,

0:21:38.880 --> 0:21:40.560
<v Speaker 2>I took my jump off and she just went ooh,

0:21:40.840 --> 0:21:43.080
<v Speaker 2>you're not losing too much weight, are you. And she

0:21:43.119 --> 0:21:45.360
<v Speaker 2>had never commented on my weight before. She's very, very

0:21:45.560 --> 0:21:48.080
<v Speaker 2>careful not to do that, I later learned just because

0:21:48.160 --> 0:21:50.920
<v Speaker 2>she had experience in eating disorder throughout her whole twenties

0:21:51.520 --> 0:21:53.000
<v Speaker 2>and the way that it went away. She would just

0:21:53.000 --> 0:21:55.560
<v Speaker 2>say to me, something clicked and I didn't have it anymore.

0:21:56.760 --> 0:21:59.600
<v Speaker 2>So she had kind of somewhat of an understanding of

0:21:59.600 --> 0:22:01.639
<v Speaker 2>what my brain was going through, but she was at

0:22:01.680 --> 0:22:04.800
<v Speaker 2>a loss as to what to do about it.

0:22:04.840 --> 0:22:10.879
<v Speaker 1>So what break broke the cycle? Was it your something?

0:22:11.960 --> 0:22:15.480
<v Speaker 2>It was a confluence of a lot of things. I

0:22:15.520 --> 0:22:18.560
<v Speaker 2>think it stops. I started getting better.

0:22:18.440 --> 0:22:21.200
<v Speaker 1>When I was twenty five or that many years.

0:22:21.240 --> 0:22:24.400
<v Speaker 2>Two years, yeah, probably three two or three years. Yeah,

0:22:24.440 --> 0:22:26.840
<v Speaker 2>But I think the real eating issues started probably when

0:22:26.880 --> 0:22:29.800
<v Speaker 2>I was twenty so probably five years then at a

0:22:29.800 --> 0:22:32.040
<v Speaker 2>couple of years. I probably didn't fully recover until I

0:22:32.040 --> 0:22:37.880
<v Speaker 2>was twenty eight. I turned twenty five, and your prefrontal

0:22:37.920 --> 0:22:40.119
<v Speaker 2>core tex developing is a really big part of it.

0:22:40.160 --> 0:22:42.159
<v Speaker 2>So maturation is something that can help a lot of

0:22:42.160 --> 0:22:46.760
<v Speaker 2>people get out of eating disorders and disordered eating. Funnily enough,

0:22:46.800 --> 0:22:50.959
<v Speaker 2>I think it was having a really great relationship with

0:22:51.000 --> 0:22:53.000
<v Speaker 2>someone who I knew liked me, not because of my body,

0:22:53.840 --> 0:22:55.720
<v Speaker 2>and he was a friend of mine first, and I'd

0:22:55.760 --> 0:22:57.840
<v Speaker 2>never kind of experienced that. I think I'd always had

0:22:57.880 --> 0:23:01.760
<v Speaker 2>relationships that we had a very power dynamic that was

0:23:01.760 --> 0:23:05.080
<v Speaker 2>typically male female, whereas this kind of felt like an

0:23:05.080 --> 0:23:09.920
<v Speaker 2>equal partnership and I felt like this person liked me

0:23:09.960 --> 0:23:12.720
<v Speaker 2>because I was funny. We had a lot of fun together.

0:23:12.800 --> 0:23:14.359
<v Speaker 2>So that helped me kind of get out of my body.

0:23:14.520 --> 0:23:18.520
<v Speaker 1>Did previous relationships that were based on physicality.

0:23:18.280 --> 0:23:21.080
<v Speaker 2>Yeah, I think so yeah, looking back, I think so yeah.

0:23:21.200 --> 0:23:24.320
<v Speaker 2>My early twenties and my teenage years right about that

0:23:24.359 --> 0:23:25.920
<v Speaker 2>somewhat in the book, but I don't get too much

0:23:25.960 --> 0:23:30.159
<v Speaker 2>into it. So maturation, having a really beautiful relationship that

0:23:30.200 --> 0:23:33.359
<v Speaker 2>wasn't about the way I looked COVID, and having a

0:23:33.359 --> 0:23:35.639
<v Speaker 2>lot of time to spend with my friends, and pulling

0:23:35.680 --> 0:23:37.320
<v Speaker 2>back a bit off work because for me, the eating

0:23:37.359 --> 0:23:40.040
<v Speaker 2>disorder was very much related to working in the media

0:23:40.160 --> 0:23:42.199
<v Speaker 2>and thinking I had to be a certain way to

0:23:42.240 --> 0:23:45.080
<v Speaker 2>be taken seriously or listened to as a woman. And

0:23:45.119 --> 0:23:47.080
<v Speaker 2>I still think that there is part of it that

0:23:47.119 --> 0:23:49.840
<v Speaker 2>I'm sure it helped, because for a lot of people,

0:23:49.920 --> 0:23:56.359
<v Speaker 2>the thin ideal is so interlocked with being successful, and

0:23:56.400 --> 0:23:59.360
<v Speaker 2>people see you as very thin. Again, they say your willpower,

0:23:59.400 --> 0:24:00.640
<v Speaker 2>people say, look your wheel power.

0:24:00.720 --> 0:24:03.520
<v Speaker 1>How do you do it in chocolate or whatever? We're

0:24:03.560 --> 0:24:06.040
<v Speaker 1>all going to eat cross ons for because I'm in

0:24:06.040 --> 0:24:10.200
<v Speaker 1>the kitchen, especially in especially in media. Yeah, but you're not.

0:24:10.320 --> 0:24:13.800
<v Speaker 1>How come you're so strong? That's and that's a reward

0:24:13.800 --> 0:24:17.240
<v Speaker 1>in itself, yep, because it's sort of confirms or affirms

0:24:17.280 --> 0:24:19.239
<v Speaker 1>in your own brain. And I'm doing the right thing

0:24:19.280 --> 0:24:22.840
<v Speaker 1>here because everybody else is socializing. Everyone's telling me the answer.

0:24:22.920 --> 0:24:25.040
<v Speaker 1>Telling me this now because I noticed it in the

0:24:25.040 --> 0:24:28.120
<v Speaker 1>brief that you work with Flex. Yes, yeah, he's also

0:24:28.160 --> 0:24:32.280
<v Speaker 1>been on the show Flex. Mummy is mommy Flex my

0:24:32.720 --> 0:24:34.800
<v Speaker 1>good friend. She went to Melbourne a couple years ago.

0:24:34.800 --> 0:24:37.399
<v Speaker 1>She still know Melbourne. Yeah, yeah, so we're doing a

0:24:37.480 --> 0:24:38.720
<v Speaker 1>radio show. What were you doing with them?

0:24:38.840 --> 0:24:40.959
<v Speaker 2>Yeah, we were doing a radio show and a podcast.

0:24:41.440 --> 0:24:44.280
<v Speaker 2>By the time we did that, I was very much

0:24:44.960 --> 0:24:48.400
<v Speaker 2>on the way to recovering and probably had already recovered.

0:24:48.880 --> 0:24:52.080
<v Speaker 1>So yeah, we're still going ab with a dude, the guy.

0:24:53.160 --> 0:24:57.760
<v Speaker 1>So like, I just don't know how you like, I

0:24:57.800 --> 0:25:02.240
<v Speaker 1>can imagine. I can't imagine and how someone could change

0:25:02.280 --> 0:25:05.120
<v Speaker 1>the eating strategies, For example, I could not change meeting

0:25:05.160 --> 0:25:08.040
<v Speaker 1>strategy from where I am now right, and whether it's

0:25:08.080 --> 0:25:09.560
<v Speaker 1>to eat more or eat less. I just got an

0:25:09.560 --> 0:25:12.720
<v Speaker 1>eating strategy, if you're eating strategies, is to eat less

0:25:12.720 --> 0:25:15.439
<v Speaker 1>and not eat hardly at all. I would imagine it's

0:25:15.480 --> 0:25:19.720
<v Speaker 1>extremely hard to turn your brain around, get your brain

0:25:19.800 --> 0:25:23.080
<v Speaker 1>to make that change, especially when, as you just mentioned,

0:25:23.080 --> 0:25:24.919
<v Speaker 1>I didn't know this, but you were getting rewarded with

0:25:25.400 --> 0:25:29.400
<v Speaker 1>various Horner releases in the brain, sort of getting rewarded

0:25:29.440 --> 0:25:32.320
<v Speaker 1>for not eating. How do you go about you going

0:25:32.320 --> 0:25:35.000
<v Speaker 1>to see psychiatrists? Does your mum help you? I mean,

0:25:35.520 --> 0:25:39.400
<v Speaker 1>what's the process who grabs you by the hand and says,

0:25:39.440 --> 0:25:41.000
<v Speaker 1>come on, let's go down this way and we'll sort

0:25:41.040 --> 0:25:42.360
<v Speaker 1>of the.

0:25:42.320 --> 0:25:46.160
<v Speaker 2>Only person who can grab your hand is yourself. That's

0:25:46.200 --> 0:25:49.560
<v Speaker 2>not to diminish the help that psychologists and psychiatrists can

0:25:49.640 --> 0:25:53.000
<v Speaker 2>give you. However, I do think that a lot of

0:25:53.040 --> 0:25:56.760
<v Speaker 2>the experts that I saw didn't understand eating disorders. That's

0:25:56.760 --> 0:26:01.080
<v Speaker 2>a problem across the board. There are specialists. I worked

0:26:01.160 --> 0:26:03.640
<v Speaker 2>very closely with the Inside Out Institute, which is specifically

0:26:03.680 --> 0:26:06.239
<v Speaker 2>for eating disorders, and I think for people who are

0:26:06.240 --> 0:26:08.960
<v Speaker 2>experiencing disordered eating or stuck in some sort of cycle,

0:26:09.119 --> 0:26:12.160
<v Speaker 2>it's so important that you see an expert who understands it.

0:26:12.200 --> 0:26:15.199
<v Speaker 2>So for instance, when I started eating more and it

0:26:15.240 --> 0:26:17.240
<v Speaker 2>tipped and it went the other way, I saw a

0:26:17.240 --> 0:26:21.040
<v Speaker 2>psychiatrist because I thought, oh, I don't want to do this.

0:26:21.040 --> 0:26:24.240
<v Speaker 2>This must be related to something else that isn't to

0:26:24.280 --> 0:26:25.800
<v Speaker 2>do with the eating disorder. And you put me on

0:26:25.800 --> 0:26:33.720
<v Speaker 2>an appetite suppressant, which is the appetite appetite suppressant, yeah, medication, Yeah,

0:26:33.760 --> 0:26:37.040
<v Speaker 2>so stuff like that that it can be. You can

0:26:37.280 --> 0:26:39.920
<v Speaker 2>be led down the garden path by so many people.

0:26:40.000 --> 0:26:41.679
<v Speaker 2>And when you when you have an eating disorder, in

0:26:41.720 --> 0:26:45.919
<v Speaker 2>my experience, you're so sensitive to what people say. People

0:26:46.160 --> 0:26:48.680
<v Speaker 2>will say you look really healthy. It's number one thing

0:26:48.720 --> 0:26:51.080
<v Speaker 2>never to say to someone who's recovering from an eating disorder,

0:26:52.320 --> 0:26:55.560
<v Speaker 2>to someone who is recovering from an eating disorder, or anyone, yeah,

0:26:55.640 --> 0:27:01.159
<v Speaker 2>anyone who's experienced dysregulation with food. I think because people

0:27:01.200 --> 0:27:03.480
<v Speaker 2>tie food to the way you look so much, and

0:27:04.320 --> 0:27:08.520
<v Speaker 2>we equate looking healthy with being fat, I think, especially

0:27:08.520 --> 0:27:10.400
<v Speaker 2>if you've come out of a restrictive eating disorder.

0:27:11.480 --> 0:27:16.800
<v Speaker 1>So when someone is let's call it, use the word,

0:27:16.920 --> 0:27:20.479
<v Speaker 1>say the word fat, there's an association with that being healthy.

0:27:21.400 --> 0:27:22.120
<v Speaker 1>Do you think.

0:27:22.359 --> 0:27:26.199
<v Speaker 2>After being underweight, when you become a quote unquote regular

0:27:26.240 --> 0:27:28.720
<v Speaker 2>weight and people start saying that you're healthy. It's just

0:27:28.720 --> 0:27:31.399
<v Speaker 2>the number one thing you shouldn't say, because in your brain,

0:27:31.520 --> 0:27:34.720
<v Speaker 2>even though you are say a regular size again quote unquote,

0:27:34.720 --> 0:27:38.359
<v Speaker 2>because you know and he sucks me regular for you,

0:27:39.800 --> 0:27:42.119
<v Speaker 2>it makes you You were already so hyper vigilant of

0:27:42.160 --> 0:27:44.399
<v Speaker 2>the way that you look, when you're reminded by other people,

0:27:45.000 --> 0:27:46.840
<v Speaker 2>it confirms this bias in your head that you have,

0:27:46.960 --> 0:27:50.080
<v Speaker 2>that everyone is noticing and everyone cares. And to be honest,

0:27:50.080 --> 0:27:52.600
<v Speaker 2>the first time I wrote about my eating disorder online

0:27:52.920 --> 0:27:55.160
<v Speaker 2>was because I was gaining weight and I was so

0:27:55.200 --> 0:27:58.120
<v Speaker 2>worried that people were looking and thinking, Oh, she's failing.

0:27:58.600 --> 0:28:01.359
<v Speaker 2>She mustn't care about work anymore. Look, she's, you know,

0:28:01.520 --> 0:28:04.040
<v Speaker 2>getting fat. And that's why I wrote about it. I

0:28:04.040 --> 0:28:05.880
<v Speaker 2>didn't write about it to help anyone. I wrote about

0:28:05.920 --> 0:28:07.879
<v Speaker 2>it because I was ashamed and I felt like I

0:28:07.920 --> 0:28:09.800
<v Speaker 2>needed to get ahead of some narrative.

0:28:10.400 --> 0:28:12.960
<v Speaker 1>Well, so now it's a good time to tell us

0:28:13.000 --> 0:28:14.199
<v Speaker 1>the name of your book, And why did you call

0:28:14.240 --> 0:28:14.479
<v Speaker 1>it that?

0:28:14.960 --> 0:28:16.879
<v Speaker 2>Yes, so the name of my book. We'll just pretend

0:28:16.880 --> 0:28:19.119
<v Speaker 2>it's yeah. Is all I ever wanted was to be hot?

0:28:20.240 --> 0:28:24.280
<v Speaker 2>And I call it kind of part memoir, part manifesto

0:28:25.119 --> 0:28:28.520
<v Speaker 2>about my experience of an eating disorder and cosmetic surgery.

0:28:28.800 --> 0:28:31.560
<v Speaker 2>How I felt when those when those were really big

0:28:31.560 --> 0:28:33.800
<v Speaker 2>parts of my life, and then reflecting on it as

0:28:33.840 --> 0:28:37.480
<v Speaker 2>someone who's nearing thirty and having kind of a lot

0:28:37.520 --> 0:28:40.360
<v Speaker 2>more life experience than when those things started.

0:28:40.880 --> 0:28:43.800
<v Speaker 1>And are you taking the pierce when you say I

0:28:43.840 --> 0:28:47.600
<v Speaker 1>always wanted to be hot? And if not, what do

0:28:47.600 --> 0:28:51.280
<v Speaker 1>you mean by that? Like a and what is hot? Yes,

0:28:53.160 --> 0:28:57.240
<v Speaker 1>I mean it's the social environment, of social media environment,

0:28:57.280 --> 0:28:59.320
<v Speaker 1>what looks, what is considered to be hot? What is hot?

0:29:00.600 --> 0:29:03.959
<v Speaker 2>So the title maybe go back and kind of explain it.

0:29:04.640 --> 0:29:06.800
<v Speaker 2>When I started writing the book, it was first about

0:29:06.840 --> 0:29:09.840
<v Speaker 2>my disordered eating and then I thought I also needed

0:29:09.840 --> 0:29:10.280
<v Speaker 2>to talk about it.

0:29:10.440 --> 0:29:11.000
<v Speaker 1>We had a title.

0:29:11.240 --> 0:29:13.600
<v Speaker 2>Before I had a title, Yeah, the title was originally

0:29:13.680 --> 0:29:16.520
<v Speaker 2>something else, and I was writing with this other title

0:29:16.520 --> 0:29:18.480
<v Speaker 2>in my mind. And funny thing happens when you're writing

0:29:18.520 --> 0:29:21.280
<v Speaker 2>a book. I feel like when you have the title first,

0:29:21.320 --> 0:29:24.440
<v Speaker 2>you kind of arrange the words around that kind of

0:29:25.040 --> 0:29:29.280
<v Speaker 2>expression or that kind of idea. Probably got sixty percent

0:29:29.520 --> 0:29:32.160
<v Speaker 2>into writing it. And I started writing about the cosmetic surgery,

0:29:32.200 --> 0:29:35.440
<v Speaker 2>and I thought, no, that the guiding star through my

0:29:35.480 --> 0:29:37.920
<v Speaker 2>whole life, and the reason I made so many decisions

0:29:38.440 --> 0:29:40.560
<v Speaker 2>was because I wanted to be hot. And to me,

0:29:40.680 --> 0:29:44.400
<v Speaker 2>hot is about being desirable and desirable to people who

0:29:44.440 --> 0:29:46.880
<v Speaker 2>have a very specific idea of what a desirable woman

0:29:46.920 --> 0:29:49.840
<v Speaker 2>looks like. And to me, it was what I imagined

0:29:49.840 --> 0:29:52.120
<v Speaker 2>a thirteen year old boy would think he is a

0:29:52.120 --> 0:29:54.840
<v Speaker 2>hot woman, so to be in demand, to be popular,

0:29:55.240 --> 0:29:57.640
<v Speaker 2>to be the kind of person who would look like

0:29:57.680 --> 0:29:59.760
<v Speaker 2>they fit in on TV as a news presenter.

0:30:00.120 --> 0:30:03.000
<v Speaker 1>Since so it's we're not talking about the bikini model

0:30:03.040 --> 0:30:03.720
<v Speaker 1>hot type of.

0:30:03.640 --> 0:30:06.600
<v Speaker 2>Thing or no, But I mean that'd be nice too,

0:30:06.720 --> 0:30:11.120
<v Speaker 2>But it's more hotness has power. To me, hotness is

0:30:11.120 --> 0:30:13.520
<v Speaker 2>a woman's power, and it's the way that she gets noticed.

0:30:13.840 --> 0:30:16.480
<v Speaker 2>And I always felt like I always felt that I

0:30:16.480 --> 0:30:18.560
<v Speaker 2>had a lot to offer. I felt that I could

0:30:18.560 --> 0:30:21.920
<v Speaker 2>be entertaining, I could keep people's attention, but in order

0:30:21.960 --> 0:30:24.640
<v Speaker 2>to get it and to not be mocked, I couldn't

0:30:24.640 --> 0:30:28.040
<v Speaker 2>be fat, I couldn't be ugly, and I couldn't also

0:30:28.080 --> 0:30:29.800
<v Speaker 2>look like I was trying too hard. So for me,

0:30:29.840 --> 0:30:32.320
<v Speaker 2>if the cosmetic surgery was definitely swept under the rock

0:30:32.400 --> 0:30:34.440
<v Speaker 2>for so many years, and if I started dating someone

0:30:34.600 --> 0:30:37.840
<v Speaker 2>would take me ages to tell them that I'd had

0:30:37.880 --> 0:30:41.960
<v Speaker 2>a rhinoplasty, for instance, because I I'm like a no

0:30:42.080 --> 0:30:43.000
<v Speaker 2>shob no job.

0:30:43.160 --> 0:30:45.880
<v Speaker 1>Yeah, okay, is that the cos Many surgery you're talking about.

0:30:46.520 --> 0:30:49.040
<v Speaker 2>Oh yeah, that's one of I've had.

0:30:49.160 --> 0:30:50.360
<v Speaker 1>Just listen the off Yeah, go for it.

0:30:50.360 --> 0:30:52.680
<v Speaker 2>Okay, yeah, no, no, no.

0:30:52.400 --> 0:30:54.120
<v Speaker 1>Please, because I'm curious, totally curious.

0:30:54.280 --> 0:30:57.040
<v Speaker 2>So to rhinoplasty. When I was seventeen, fresh out of school,

0:30:57.040 --> 0:30:59.239
<v Speaker 2>just got off the plane on school. Is I had

0:30:59.280 --> 0:31:01.000
<v Speaker 2>a brestle went when I was nineteen.

0:31:01.120 --> 0:31:04.160
<v Speaker 1>Augmentation yep, boob job job, yep.

0:31:04.240 --> 0:31:05.760
<v Speaker 2>I had a second runer past you. When I was

0:31:05.800 --> 0:31:10.000
<v Speaker 2>twenty one, I started getting botox. I think when I

0:31:10.040 --> 0:31:12.880
<v Speaker 2>was twenty three, got lip filler for the first time,

0:31:13.240 --> 0:31:17.760
<v Speaker 2>around the same time as the breast implants. And yeah,

0:31:17.760 --> 0:31:19.640
<v Speaker 2>that's kind of And then I add on top. I

0:31:19.640 --> 0:31:22.320
<v Speaker 2>think things like hair extensions. I'd bleach blonde hair for

0:31:22.360 --> 0:31:27.200
<v Speaker 2>fifteen years, faate tan, fake tan, machine lashes, everything, everything

0:31:27.200 --> 0:31:30.840
<v Speaker 2>you could think of that enhances your appearance. I've thought

0:31:30.840 --> 0:31:32.200
<v Speaker 2>about it or done it. Yeah.

0:31:32.240 --> 0:31:37.160
<v Speaker 1>So and when you're doing that, that's mad that list.

0:31:37.280 --> 0:31:39.320
<v Speaker 1>But when you're doing when you're sort of going through

0:31:39.320 --> 0:31:41.800
<v Speaker 1>the process, is it more process or is it actually

0:31:41.800 --> 0:31:44.240
<v Speaker 1>your strategy you think you hang on, I've got to

0:31:44.280 --> 0:31:47.040
<v Speaker 1>get a boob job, I've got to get my lips fuller.

0:31:48.120 --> 0:31:52.440
<v Speaker 1>And it's for these reasons like full lips look more

0:31:52.480 --> 0:31:55.560
<v Speaker 1>attractive to or is it because everyone else is doing it?

0:31:55.880 --> 0:31:57.840
<v Speaker 1>And when I compare myself to everybody else on TV

0:31:57.920 --> 0:32:00.600
<v Speaker 1>or wherever the case may be, on my teeth white enough,

0:32:01.080 --> 0:32:03.800
<v Speaker 1>Like when you watch television, everyone's got some of the

0:32:03.800 --> 0:32:06.800
<v Speaker 1>times their teeth are so bright they jump out at you.

0:32:07.160 --> 0:32:09.120
<v Speaker 1>It's interesting you when you first walked in, you asked

0:32:09.120 --> 0:32:11.960
<v Speaker 1>about the lighting, and so you're still conscious of this

0:32:11.960 --> 0:32:15.120
<v Speaker 1>stuff you were well aware of it. Is it was

0:32:15.160 --> 0:32:19.720
<v Speaker 1>that your hyper awareness of what looks what you supposed

0:32:19.800 --> 0:32:23.080
<v Speaker 1>to look like, for example, in the media as a

0:32:23.160 --> 0:32:27.920
<v Speaker 1>power person. Yeah, for sure, that's what hot meant to you.

0:32:28.960 --> 0:32:29.200
<v Speaker 2>Yeah.

0:32:29.200 --> 0:32:31.600
<v Speaker 1>And did you have icons of somebody who was a

0:32:31.800 --> 0:32:34.200
<v Speaker 1>proxy to that? Did you say that person there, I

0:32:34.240 --> 0:32:35.040
<v Speaker 1>want to look like her.

0:32:35.720 --> 0:32:39.960
<v Speaker 2>Oh, not necessarily. It's all been very insular. For instance,

0:32:39.960 --> 0:32:42.400
<v Speaker 2>when I had a RUNO plus seat, I didn't know

0:32:42.720 --> 0:32:45.120
<v Speaker 2>many people who had had it, and celebrities didn't really

0:32:45.440 --> 0:32:47.240
<v Speaker 2>admit to them. So there were people that were before

0:32:47.240 --> 0:32:49.160
<v Speaker 2>and afters that you could find on the Internet, but

0:32:49.200 --> 0:32:52.520
<v Speaker 2>it wasn't kind of talked about as often as it

0:32:52.560 --> 0:32:55.480
<v Speaker 2>is now. I love Sandra Sully, which is quite random.

0:32:55.600 --> 0:32:56.480
<v Speaker 1>Is a newsreader.

0:32:56.640 --> 0:32:59.720
<v Speaker 2>Yeah, I loved watching her growing up. So yeah, for

0:32:59.760 --> 0:33:01.120
<v Speaker 2>a long time when I was a kid, I wanted

0:33:01.160 --> 0:33:04.360
<v Speaker 2>to be a newsreader. And they're very quaieft and perfect.

0:33:05.040 --> 0:33:08.720
<v Speaker 2>But in terms of social media, for instance, I wouldn't

0:33:08.720 --> 0:33:11.120
<v Speaker 2>look at pictures of women in their bikinis. I never

0:33:11.200 --> 0:33:13.240
<v Speaker 2>put them on my wall like a lot of women did.

0:33:13.840 --> 0:33:16.080
<v Speaker 2>I was very much thinking of it, like you say,

0:33:16.120 --> 0:33:16.880
<v Speaker 2>as a strategy.

0:33:17.400 --> 0:33:20.160
<v Speaker 1>Yeah, so, but the reason you didn't put well, they

0:33:20.280 --> 0:33:22.840
<v Speaker 1>less pick. The Kardashians, for example, is just one I

0:33:22.920 --> 0:33:27.760
<v Speaker 1>know of. You know, they're all very curvy, and they

0:33:27.800 --> 0:33:31.240
<v Speaker 1>have this straight hair and there's a look, it's a look, okay,

0:33:31.600 --> 0:33:33.720
<v Speaker 1>And I see a lot of women here in Sydney,

0:33:33.720 --> 0:33:37.040
<v Speaker 1>at least young women who look like a Kardashian to

0:33:37.080 --> 0:33:40.680
<v Speaker 1>me when I look at it. How were you ever

0:33:40.720 --> 0:33:42.760
<v Speaker 1>around that territory? Do you ever think to yourself, that's

0:33:43.080 --> 0:33:45.000
<v Speaker 1>that's my icon, that's my proxy.

0:33:45.960 --> 0:33:46.480
<v Speaker 2>No.

0:33:46.480 --> 0:33:49.440
<v Speaker 1>No, So when you say hot, then you're not looking

0:33:49.600 --> 0:33:51.680
<v Speaker 1>because you know a lot of guys who would say

0:33:51.680 --> 0:33:54.520
<v Speaker 1>that's hot. That's probably not what guys are thinking that's hot.

0:33:54.760 --> 0:33:58.640
<v Speaker 1>It's hot is more in relation to what you wanted

0:33:58.640 --> 0:34:02.240
<v Speaker 1>to do in a career sense. Who's my icon in

0:34:02.280 --> 0:34:03.240
<v Speaker 1>my territory?

0:34:03.920 --> 0:34:07.320
<v Speaker 2>Yeah, it would be someone like a Channel B presenter.

0:34:07.720 --> 0:34:09.440
<v Speaker 2>So I always had short hair, like all through my

0:34:09.480 --> 0:34:11.319
<v Speaker 2>eating disorder, I had a shaved head, or I had

0:34:11.400 --> 0:34:13.879
<v Speaker 2>very shaved head, yeah, or like a little fringe kind

0:34:13.880 --> 0:34:16.720
<v Speaker 2>of like very anti male gaze. Not for any reason.

0:34:16.760 --> 0:34:19.200
<v Speaker 2>I just loved that aesthetic, And honestly, I thought you

0:34:19.239 --> 0:34:20.439
<v Speaker 2>had to be a certain.

0:34:20.480 --> 0:34:22.520
<v Speaker 1>Anti would you say anti male gaze?

0:34:22.600 --> 0:34:25.279
<v Speaker 2>Yeah, it wasn't. I wasn't doing it to try and

0:34:25.400 --> 0:34:28.160
<v Speaker 2>like push men away. I was still definitely interested in

0:34:28.200 --> 0:34:31.520
<v Speaker 2>being having attention. But I also had this kind of

0:34:31.600 --> 0:34:35.040
<v Speaker 2>like my friend calls it terminal uniqueness, where you want

0:34:35.040 --> 0:34:36.520
<v Speaker 2>to be different to other people. I didn't want to

0:34:36.560 --> 0:34:39.360
<v Speaker 2>be like regular girls. They also call them pick mesha.

0:34:39.440 --> 0:34:40.359
<v Speaker 2>Have you heard of that? No?

0:34:41.000 --> 0:34:42.040
<v Speaker 1>Tell me does that?

0:34:42.280 --> 0:34:44.759
<v Speaker 2>Pick mesha? So they call certain people pick me. It

0:34:44.760 --> 0:34:46.799
<v Speaker 2>can be any gender where you want to be different

0:34:46.840 --> 0:34:49.840
<v Speaker 2>to everyone else, and then pick Mesha is like the

0:34:49.920 --> 0:34:50.719
<v Speaker 2>name for that person.

0:34:51.640 --> 0:34:54.640
<v Speaker 1>Yes, So, because because when you say I always want

0:34:54.640 --> 0:34:58.399
<v Speaker 1>to be hot like it's actually a little bit more

0:34:58.440 --> 0:35:01.880
<v Speaker 1>obverse and than what the tie actually says, because hotness,

0:35:01.880 --> 0:35:04.440
<v Speaker 1>I guess, is in the holder. Everyone's got a different

0:35:04.480 --> 0:35:07.520
<v Speaker 1>view on it, but you've got a specific view of

0:35:07.560 --> 0:35:08.600
<v Speaker 1>what it meant for you.

0:35:09.239 --> 0:35:09.759
<v Speaker 2>Yeah.

0:35:10.120 --> 0:35:12.279
<v Speaker 1>I guess it doesn't matter though in terms of what

0:35:12.320 --> 0:35:15.080
<v Speaker 1>the book's outcome is, because given that everyone's got a

0:35:15.080 --> 0:35:17.480
<v Speaker 1>different view and they all go about it, maybe perhaps

0:35:17.480 --> 0:35:19.880
<v Speaker 1>in the wrong way, they've got to be careful that

0:35:19.880 --> 0:35:21.759
<v Speaker 1>they don't go down the same slippery slope that you

0:35:21.800 --> 0:35:24.279
<v Speaker 1>went down. Yeah, and is that the objective of the

0:35:24.280 --> 0:35:29.520
<v Speaker 1>book somewhat? What were you trying to do or are

0:35:29.560 --> 0:35:31.160
<v Speaker 1>you just having a yarn? No?

0:35:31.239 --> 0:35:33.200
<v Speaker 2>I definitely this is one thing that I did have

0:35:33.239 --> 0:35:36.480
<v Speaker 2>a strategy to try. And maybe I don't want to

0:35:36.480 --> 0:35:38.080
<v Speaker 2>go as far as help people because I think some

0:35:38.120 --> 0:35:41.160
<v Speaker 2>people would read it and just be entertained. But for me,

0:35:41.239 --> 0:35:45.680
<v Speaker 2>things that I'm passionate about are having more regulation in

0:35:45.719 --> 0:35:48.120
<v Speaker 2>the cosmetic surgery industry.

0:35:48.360 --> 0:35:50.399
<v Speaker 1>And regulation in that who can go and get it?

0:35:51.000 --> 0:35:53.200
<v Speaker 2>Probably who can get going? No, not so much that,

0:35:53.239 --> 0:35:54.920
<v Speaker 2>because I think people should be able to make their

0:35:54.960 --> 0:35:56.839
<v Speaker 2>own decisions for their body. But I think there are

0:35:56.880 --> 0:36:01.920
<v Speaker 2>certain safeguards that would be helpful. I regret getting a

0:36:01.920 --> 0:36:04.759
<v Speaker 2>breast oumentation. When I was nineteen. I didn't know what.

0:36:05.120 --> 0:36:07.399
<v Speaker 2>I didn't think about in ten years time, which is now.

0:36:07.480 --> 0:36:09.799
<v Speaker 2>I didn't think, oh, you know, they have like ten

0:36:09.840 --> 0:36:12.240
<v Speaker 2>to fifteen year limits.

0:36:12.040 --> 0:36:14.760
<v Speaker 1>And in terms of the life of the implant, the implant, yeah,

0:36:14.800 --> 0:36:16.680
<v Speaker 1>so what happens at the end of the ten years.

0:36:17.480 --> 0:36:20.200
<v Speaker 2>Two things, You can get them out because they can rupture.

0:36:20.280 --> 0:36:21.839
<v Speaker 2>So a lot of people realize it's time to get

0:36:21.840 --> 0:36:25.200
<v Speaker 2>them out because they rupture in your body. There's no

0:36:25.280 --> 0:36:29.960
<v Speaker 2>it's not it's not fun, or or you can just

0:36:29.960 --> 0:36:32.360
<v Speaker 2>get them out because you know you might need a

0:36:32.440 --> 0:36:34.799
<v Speaker 2>lift or this or that because they like stretched the skin.

0:36:35.000 --> 0:36:37.960
<v Speaker 2>But I went and got a I had an appointment

0:36:38.120 --> 0:36:40.719
<v Speaker 2>a month ago to try and talk about getting them out.

0:36:41.080 --> 0:36:43.440
<v Speaker 2>I thought, now that I've written a book, I'm like,

0:36:43.520 --> 0:36:45.360
<v Speaker 2>you've had money to get my breast implants out. I

0:36:45.360 --> 0:36:47.040
<v Speaker 2>think it'd be three thousand dollars. It's going to be

0:36:47.040 --> 0:36:50.720
<v Speaker 2>at least twenty thousand dollars. Yeah. And when I was nineteen,

0:36:51.840 --> 0:36:53.440
<v Speaker 2>I thought, oh, no, no, no, I'm to be I'm

0:36:53.480 --> 0:36:55.440
<v Speaker 2>going to be married by the time I'm thirty with

0:36:55.560 --> 0:36:57.440
<v Speaker 2>a house imports here and I'm probably gonna have like

0:36:57.440 --> 0:36:59.800
<v Speaker 2>three kids. You know, you have such a different idea

0:36:59.840 --> 0:37:02.800
<v Speaker 2>of what your perfect life looks like when you're thirty

0:37:03.360 --> 0:37:05.640
<v Speaker 2>and it creeps up and you real quick and what

0:37:05.719 --> 0:37:08.480
<v Speaker 2>you want that's not at all what I see for myself.

0:37:08.960 --> 0:37:11.719
<v Speaker 1>So when I mean, I guess lots of women get

0:37:11.760 --> 0:37:16.200
<v Speaker 1>breast in plants, But when do you think it's a

0:37:16.200 --> 0:37:19.440
<v Speaker 1>good idea to get cosmetic surgery? Or like, what advice

0:37:19.480 --> 0:37:22.600
<v Speaker 1>would you give to some person who's a younger person

0:37:22.600 --> 0:37:24.960
<v Speaker 1>in particular who's thinking about doing this? I mean, because

0:37:25.360 --> 0:37:27.759
<v Speaker 1>I have wondered what happens when if a woman hasn't

0:37:27.760 --> 0:37:32.400
<v Speaker 1>eight kids? So what happens when you've got breast implants

0:37:32.400 --> 0:37:37.520
<v Speaker 1>when you're pregnant, assuming you want to breastfeed? They don't

0:37:37.560 --> 0:37:41.360
<v Speaker 1>want to get that? But what would you say to people?

0:37:41.800 --> 0:37:43.440
<v Speaker 1>Because a lot of younger people getting all sorts of

0:37:43.440 --> 0:37:46.960
<v Speaker 1>things done at a very young age, like nineteen eighteen,

0:37:47.000 --> 0:37:50.200
<v Speaker 1>and your case that was you, what do you say

0:37:50.200 --> 0:37:51.920
<v Speaker 1>to them? Get where do they get advice from? But

0:37:52.000 --> 0:37:54.040
<v Speaker 1>what are the guardrails that need to be put around this?

0:37:55.040 --> 0:37:57.239
<v Speaker 2>There are guardrails that are now in place, very very

0:37:57.280 --> 0:38:00.839
<v Speaker 2>recently where people who are seeing a cosmetics urgent then

0:38:00.960 --> 0:38:03.400
<v Speaker 2>have to go and get mental health check in with

0:38:03.400 --> 0:38:05.480
<v Speaker 2>a doctor, right, Yeah, and.

0:38:05.400 --> 0:38:07.080
<v Speaker 1>There was a lot of their own doctor or a

0:38:07.200 --> 0:38:10.240
<v Speaker 1>doctor a doctor like a psychologist or a psychiatrist.

0:38:10.440 --> 0:38:12.920
<v Speaker 2>Yeah, to just get a read on why they're doing it,

0:38:13.000 --> 0:38:15.680
<v Speaker 2>what are your expectations, because often what can happen if

0:38:15.719 --> 0:38:18.399
<v Speaker 2>you're someone with body dysmorphic disorder, for instance, you can

0:38:18.440 --> 0:38:21.239
<v Speaker 2>just keep going back. It's not perfect, it's not good enough,

0:38:21.640 --> 0:38:25.120
<v Speaker 2>you get revision rhinoplasty. After revision rhinoplasty, that's where you

0:38:25.120 --> 0:38:28.719
<v Speaker 2>see the overfiller is because you stop realizing what you

0:38:28.760 --> 0:38:31.359
<v Speaker 2>actually look like. That's part of body dysmorphia. You can't

0:38:31.360 --> 0:38:36.560
<v Speaker 2>actually see yourself for what you look like. So to me,

0:38:36.600 --> 0:38:39.759
<v Speaker 2>when I look back, I had anxiety depression from a

0:38:39.800 --> 0:38:41.839
<v Speaker 2>really young age and that was on my record. But

0:38:42.000 --> 0:38:43.200
<v Speaker 2>you know, cosmetic surgeons aren't.

0:38:43.239 --> 0:38:45.560
<v Speaker 1>Did you realize that? Did you realize that you had

0:38:45.640 --> 0:38:49.400
<v Speaker 1>anxiety and depression? Yeah, but nobody asked you the question.

0:38:49.880 --> 0:38:51.920
<v Speaker 2>No, not when I was getting cosmetic surgery. And for me,

0:38:51.960 --> 0:38:53.960
<v Speaker 2>I totally I thought that's a mind thing, this is

0:38:53.960 --> 0:38:57.120
<v Speaker 2>a body thing. I'm doing this as a strategy. As

0:38:57.120 --> 0:39:01.719
<v Speaker 2>you say said, but yeah, the breast implants for me

0:39:01.800 --> 0:39:04.319
<v Speaker 2>as well, so the rhinoplasty, I don't regret because I

0:39:04.360 --> 0:39:07.920
<v Speaker 2>don't see that as related to sexuality. For instance, with

0:39:07.960 --> 0:39:12.160
<v Speaker 2>the breast implants, as a nineteen year old, I'm not

0:39:12.200 --> 0:39:15.520
<v Speaker 2>thinking about breast I'm not thinking about breastfeeding. I'm thinking

0:39:15.920 --> 0:39:18.759
<v Speaker 2>what can I do to my body to make it

0:39:18.800 --> 0:39:21.400
<v Speaker 2>the most appealing. And it's not so much for a

0:39:21.480 --> 0:39:24.759
<v Speaker 2>random person, but it's rather because I felt like they're

0:39:24.800 --> 0:39:26.680
<v Speaker 2>not perfect. I can never be naked in front of

0:39:26.680 --> 0:39:27.240
<v Speaker 2>someone again.

0:39:27.560 --> 0:39:30.279
<v Speaker 1>And when I had them done, before you had it done,

0:39:30.360 --> 0:39:30.800
<v Speaker 1>you thought.

0:39:30.680 --> 0:39:32.640
<v Speaker 2>That before I had it done, Yeah, I'd only slept

0:39:32.680 --> 0:39:34.879
<v Speaker 2>with one person before I had them done, and I thought, oh,

0:39:34.920 --> 0:39:36.360
<v Speaker 2>I'm never going to sleep with I'm never going to

0:39:36.440 --> 0:39:38.720
<v Speaker 2>take my clothes off in front of anyone else before

0:39:38.719 --> 0:39:41.439
<v Speaker 2>I get them fixed. They went lopsided because I'd lost weight,

0:39:41.520 --> 0:39:44.080
<v Speaker 2>and I thought, oh, as a nineteen year old, the

0:39:44.160 --> 0:39:45.840
<v Speaker 2>only thing I have is my body. I don't know

0:39:45.880 --> 0:39:47.680
<v Speaker 2>the job about it. Should I have the job, but

0:39:47.719 --> 0:39:49.160
<v Speaker 2>you know, I don't have anything else going for me.

0:39:49.480 --> 0:39:51.560
<v Speaker 2>If I'm going to find someone, I need to be

0:39:52.000 --> 0:39:53.279
<v Speaker 2>as perfect as I can be.

0:39:54.120 --> 0:39:56.640
<v Speaker 1>Yeah. So and as an easy fix. I just go

0:39:56.680 --> 0:39:59.000
<v Speaker 1>along to the plastic surgeon order the top of people

0:39:59.000 --> 0:40:02.640
<v Speaker 1>do this stuff. Just choose the shape and the size

0:40:02.640 --> 0:40:05.359
<v Speaker 1>that I want, pay for it and it's all sorted. Yeah,

0:40:05.400 --> 0:40:07.120
<v Speaker 1>in which case I don't have to put weight back on.

0:40:07.719 --> 0:40:12.840
<v Speaker 1>I can stay on my current trajectory, which is just

0:40:12.880 --> 0:40:14.040
<v Speaker 1>no good no.

0:40:15.080 --> 0:40:18.640
<v Speaker 2>But I would never tell a woman or young girl.

0:40:18.640 --> 0:40:20.560
<v Speaker 2>I'd never and I tried to do this in the book,

0:40:20.600 --> 0:40:22.520
<v Speaker 2>and I mentioned this in the book. I never want

0:40:22.560 --> 0:40:24.839
<v Speaker 2>to be the twenty nine year old who goes and

0:40:25.120 --> 0:40:28.000
<v Speaker 2>tells a nineteen year old what they shouldn't shouldn't do

0:40:28.040 --> 0:40:30.279
<v Speaker 2>for their body or you know, be aware of this,

0:40:30.320 --> 0:40:32.719
<v Speaker 2>because when people my age now were telling me that,

0:40:33.000 --> 0:40:36.680
<v Speaker 2>I thought, oh, you're just dried up. You know, you

0:40:36.680 --> 0:40:38.920
<v Speaker 2>can't get through to someone if you're telling them how

0:40:38.920 --> 0:40:39.320
<v Speaker 2>to think.

0:40:39.800 --> 0:40:44.279
<v Speaker 1>Yeah, well, that's an interesting point because when you're twenty nine,

0:40:44.320 --> 0:40:47.239
<v Speaker 1>you don't think you're very old, but a nineteen year

0:40:47.280 --> 0:40:51.080
<v Speaker 1>old looking at twenty nine year old thinks she is old. Yeah,

0:40:51.600 --> 0:40:53.080
<v Speaker 1>And I see it in the rugby league world and

0:40:53.120 --> 0:40:55.080
<v Speaker 1>I know you're from or you've been up here for

0:40:55.080 --> 0:40:59.400
<v Speaker 1>a while now, but I know that like young footy

0:40:59.400 --> 0:41:01.480
<v Speaker 1>players went to the club at nineteen, and they look

0:41:01.480 --> 0:41:03.960
<v Speaker 1>at the guys in the twenty nine year old girls

0:41:04.000 --> 0:41:06.040
<v Speaker 1>and the same team, and they think they're all guys

0:41:06.080 --> 0:41:08.399
<v Speaker 1>like they And to me, look and look at all them,

0:41:08.719 --> 0:41:12.120
<v Speaker 1>I think they're all the same age and there's not

0:41:12.239 --> 0:41:16.080
<v Speaker 1>a there's only respect in terms of skills and stuff

0:41:16.080 --> 0:41:17.840
<v Speaker 1>like that. But don't tell me how to relieve my life,

0:41:18.400 --> 0:41:21.239
<v Speaker 1>because you wouldn't have any understanding about how I leave

0:41:21.280 --> 0:41:25.439
<v Speaker 1>my life at nineteen. How do you weave comedy into

0:41:25.440 --> 0:41:31.320
<v Speaker 1>your book? Because this conversation so far has been fairly serious,

0:41:31.840 --> 0:41:35.200
<v Speaker 1>and you know, and you're writing a book, so you

0:41:35.239 --> 0:41:39.920
<v Speaker 1>can't look friendly, and you know, you have a natural

0:41:40.560 --> 0:41:43.840
<v Speaker 1>thank me wrong, funny face. You look like you're funny,

0:41:44.239 --> 0:41:46.040
<v Speaker 1>you know what I mean, and you smile big and

0:41:46.040 --> 0:41:48.279
<v Speaker 1>all that sort of stuff. So I can I get

0:41:48.320 --> 0:41:51.400
<v Speaker 1>a different aura from you when you're talking about the

0:41:51.400 --> 0:41:55.960
<v Speaker 1>side of your subject in your body language everything. But

0:41:56.000 --> 0:41:57.520
<v Speaker 1>you don't do You're not going to give that to

0:41:57.560 --> 0:42:00.480
<v Speaker 1>me in a book because there's which is words text.

0:42:00.920 --> 0:42:03.360
<v Speaker 2>Well, this is the beauty of writing, Mark, And this

0:42:03.520 --> 0:42:06.000
<v Speaker 2>is the biggest compliment anyone can ever give me, and

0:42:06.040 --> 0:42:07.920
<v Speaker 2>it's that I write the same as I sound.

0:42:08.560 --> 0:42:10.759
<v Speaker 1>Yeah, so how do you do that? How do you

0:42:10.800 --> 0:42:15.080
<v Speaker 1>bring that out? I mean, what's what's your what's your stick? Like?

0:42:16.200 --> 0:42:19.440
<v Speaker 1>Do you use words? Is it language or is it

0:42:19.480 --> 0:42:22.360
<v Speaker 1>a rhythm or is it like nearly in verse like

0:42:22.360 --> 0:42:24.120
<v Speaker 1>I'm reading home or something like that? How do you

0:42:24.600 --> 0:42:25.719
<v Speaker 1>how the hell do you do it?

0:42:25.800 --> 0:42:25.880
<v Speaker 2>Like?

0:42:26.960 --> 0:42:32.120
<v Speaker 1>How do you write colorful and energetic and enthusiastic and

0:42:32.160 --> 0:42:33.480
<v Speaker 1>stuff like that, like the way you are.

0:42:34.000 --> 0:42:37.240
<v Speaker 2>Yeah, it's all just a skill. It's just a learned skill,

0:42:37.520 --> 0:42:42.400
<v Speaker 2>and I guess it's also I think writing as well.

0:42:42.440 --> 0:42:43.960
<v Speaker 2>I think it's something you can learn, but it's also

0:42:44.600 --> 0:42:48.600
<v Speaker 2>some people just have a certain tone that you can't emulate.

0:42:48.640 --> 0:42:50.239
<v Speaker 2>And that's what I think, like to think I have.

0:42:50.360 --> 0:42:53.759
<v Speaker 2>I'm very confident in my writing skill if anything, And

0:42:54.960 --> 0:42:57.160
<v Speaker 2>I guess it's just I had a lot of training

0:42:57.239 --> 0:43:00.399
<v Speaker 2>working The original place that I worked was a youth

0:43:00.440 --> 0:43:03.360
<v Speaker 2>news publication, and their whole tone was very trying to

0:43:03.360 --> 0:43:05.120
<v Speaker 2>make jokes and trying to be funny. So I learned

0:43:05.160 --> 0:43:11.840
<v Speaker 2>the kind of craft there. But it's just about trying

0:43:11.840 --> 0:43:13.440
<v Speaker 2>to write in a way that you're not trying to

0:43:13.480 --> 0:43:17.000
<v Speaker 2>sound too smart. You're also not trying to try to

0:43:17.040 --> 0:43:19.040
<v Speaker 2>dumb yourself down or think, oh, this I'm going to

0:43:19.600 --> 0:43:21.279
<v Speaker 2>I'm going to get the most amount of people are

0:43:21.280 --> 0:43:24.000
<v Speaker 2>going to understand this, because people understand a lot more

0:43:24.000 --> 0:43:28.120
<v Speaker 2>than you think. I often find when in entertainment, and

0:43:28.160 --> 0:43:31.000
<v Speaker 2>so it's just about finding a funny way of writing something.

0:43:31.040 --> 0:43:35.200
<v Speaker 2>I think you saying rhythm and the kind of words

0:43:35.239 --> 0:43:37.760
<v Speaker 2>that you use can be very strategic and funny because

0:43:38.120 --> 0:43:40.480
<v Speaker 2>I think the best comedies when you catch someone by surprise.

0:43:40.520 --> 0:43:42.600
<v Speaker 2>I get that. That's kind of what laughter comes from.

0:43:42.719 --> 0:43:45.120
<v Speaker 2>Is oh yeah, that's funny. I get that. So I

0:43:45.160 --> 0:43:47.319
<v Speaker 2>always want people to read my writing and go, oh,

0:43:47.400 --> 0:43:49.759
<v Speaker 2>I get that. I understand that. And I've had a

0:43:49.760 --> 0:43:51.279
<v Speaker 2>lot of people message with me saying, oh my god,

0:43:51.280 --> 0:43:53.480
<v Speaker 2>I think we're the same person, and to me, I

0:43:53.480 --> 0:43:55.640
<v Speaker 2>think I'm really unique. So I think, oh, yeah, no,

0:43:55.680 --> 0:43:56.319
<v Speaker 2>that's a good thing.

0:43:56.600 --> 0:43:58.480
<v Speaker 1>You're unique and maybe the way you write it, but

0:43:58.880 --> 0:44:01.319
<v Speaker 1>you're the same person the way you express it, because

0:44:01.320 --> 0:44:04.160
<v Speaker 1>they're they're they're obviously relating to it. How hard is

0:44:04.160 --> 0:44:06.600
<v Speaker 1>it to try not to be a lecture? You know? Like,

0:44:06.920 --> 0:44:11.640
<v Speaker 1>I got a friend and obviously you remain names say

0:44:11.640 --> 0:44:16.240
<v Speaker 1>it's a boy or girl for that matter. But Risson

0:44:16.320 --> 0:44:19.160
<v Speaker 1>sent me a note asking me if I can come

0:44:19.200 --> 0:44:24.000
<v Speaker 1>and talk to him, you know, and and told me

0:44:24.000 --> 0:44:25.399
<v Speaker 1>that I would get a bit of a surprise when

0:44:25.400 --> 0:44:28.600
<v Speaker 1>I saw this particular individual, because I hadn't seen this

0:44:28.600 --> 0:44:32.840
<v Speaker 1>particular person for a long time, and this particular person

0:44:32.880 --> 0:44:35.480
<v Speaker 1>put quite a bit of weight on But the at

0:44:35.520 --> 0:44:38.719
<v Speaker 1>the bottom of the text, this individual said to me,

0:44:40.360 --> 0:44:46.000
<v Speaker 1>and when you see me, I don't want a lecture. Interesting, Yeah, well,

0:44:46.040 --> 0:44:48.600
<v Speaker 1>don't lecture me, or something along those lines, And I

0:44:48.600 --> 0:44:52.360
<v Speaker 1>wrote back, well, I couldn't give a fuck. I'm just

0:44:52.400 --> 0:44:57.480
<v Speaker 1>happy to see you anyway. How how hard has it

0:44:57.520 --> 0:44:58.840
<v Speaker 1>been not to make this a lecture?

0:45:01.120 --> 0:45:01.919
<v Speaker 2>I don't think hard.

0:45:03.880 --> 0:45:05.959
<v Speaker 1>Well, that's in terms of your intent, But how hard

0:45:06.040 --> 0:45:06.960
<v Speaker 1>is it in the outcome?

0:45:07.200 --> 0:45:09.839
<v Speaker 2>I understand, Yeah, I guess. Yeah. It's pretty easy to

0:45:10.160 --> 0:45:12.840
<v Speaker 2>fall into the do this, don't that, especially when you

0:45:12.840 --> 0:45:15.480
<v Speaker 2>feel passionate about something. And I do really think that

0:45:15.480 --> 0:45:16.880
<v Speaker 2>there is a right way and a wrong way to

0:45:16.920 --> 0:45:20.120
<v Speaker 2>go about eating disorders. Definitely. I think the cosmetic surgery

0:45:20.160 --> 0:45:23.719
<v Speaker 2>is a bit more nuanced. But I definitely feel that

0:45:24.040 --> 0:45:27.880
<v Speaker 2>eating disorders and diet culture is unwell and it shouldn't

0:45:27.880 --> 0:45:29.719
<v Speaker 2>be as normal as it is to speak the way

0:45:29.719 --> 0:45:32.600
<v Speaker 2>that we do about bodies does a lot more harm

0:45:32.640 --> 0:45:37.600
<v Speaker 2>than good. But I make a very conscious effort to

0:45:37.640 --> 0:45:41.440
<v Speaker 2>not lecture people just because I don't like being lectured

0:45:42.040 --> 0:45:44.680
<v Speaker 2>and I don't think you change people's minds by It's

0:45:44.719 --> 0:45:47.239
<v Speaker 2>like leadership. I've had really bad managers. I've had really

0:45:47.239 --> 0:45:49.239
<v Speaker 2>good managers. The ones that are good are the ones

0:45:49.239 --> 0:45:51.040
<v Speaker 2>that look you in the eye and treat you like

0:45:51.120 --> 0:45:53.239
<v Speaker 2>an equal, but then hold you up when you need

0:45:53.280 --> 0:45:56.279
<v Speaker 2>it or kind of give you feedback when you need it.

0:45:56.280 --> 0:45:57.840
<v Speaker 2>But you always feel that it's from a place that

0:45:57.920 --> 0:45:59.080
<v Speaker 2>they're bringing you up.

0:45:59.120 --> 0:46:00.000
<v Speaker 1>They're trying to make you better.

0:46:00.360 --> 0:46:02.600
<v Speaker 2>Yeah, and they get it. And for me, it's always

0:46:03.400 --> 0:46:05.440
<v Speaker 2>this kind of sounds funny, but it's a looking someone

0:46:05.480 --> 0:46:11.040
<v Speaker 2>in the eye in a warm way and acting like

0:46:11.400 --> 0:46:13.759
<v Speaker 2>you know. I think the last the worst thing. I

0:46:13.800 --> 0:46:16.680
<v Speaker 2>think the worst thing that you can do is treat

0:46:16.719 --> 0:46:18.600
<v Speaker 2>someone like you know better than them, because everyone is

0:46:18.600 --> 0:46:20.560
<v Speaker 2>an expert in their own life, and I think everyone

0:46:20.920 --> 0:46:22.640
<v Speaker 2>thinks that they're doing things the right way.

0:46:23.600 --> 0:46:26.000
<v Speaker 1>It must have been how many pages in a writing

0:46:26.040 --> 0:46:26.440
<v Speaker 1>do you remember?

0:46:27.520 --> 0:46:29.680
<v Speaker 2>I think it's I can tell you how many words.

0:46:29.719 --> 0:46:31.520
<v Speaker 2>I think it was seventy or eighty thousand.

0:46:33.040 --> 0:46:35.600
<v Speaker 1>That's about seven hundred words a page. So you get

0:46:35.640 --> 0:46:38.160
<v Speaker 1>one hundred pages of a couple of hunder pages I don't.

0:46:38.040 --> 0:46:39.600
<v Speaker 2>Know, to seventy pages.

0:46:39.640 --> 0:46:43.080
<v Speaker 1>I'd say it must have been a mission because you've

0:46:43.120 --> 0:46:45.759
<v Speaker 1>got your own guardrails around what you want to do,

0:46:45.840 --> 0:46:50.759
<v Speaker 1>what you don't want to do. Tone, put comedy in there,

0:46:50.920 --> 0:46:53.640
<v Speaker 1>like make it, make it funny, et cetera. But at

0:46:53.640 --> 0:46:55.200
<v Speaker 1>the same time express yourself, but at the same time

0:46:55.239 --> 0:46:56.680
<v Speaker 1>make sure you tell the truth and at the same

0:46:56.680 --> 0:46:59.120
<v Speaker 1>time talk your own story, which in some cases could

0:46:59.160 --> 0:47:02.560
<v Speaker 1>be not shocking a little bit off putting for some

0:47:02.560 --> 0:47:04.799
<v Speaker 1>people that were wrong footing. You also got to be

0:47:04.800 --> 0:47:08.000
<v Speaker 1>careful that you don't trigger anybody. This must be how

0:47:08.000 --> 0:47:09.160
<v Speaker 1>long would take it write the book?

0:47:09.680 --> 0:47:12.319
<v Speaker 2>You're so right. They're the hardest things. They're all the

0:47:12.360 --> 0:47:16.160
<v Speaker 2>things that would stop me from writing. I physically like

0:47:16.280 --> 0:47:18.440
<v Speaker 2>the act of writing. I'll write another book because I

0:47:18.480 --> 0:47:22.120
<v Speaker 2>find it very enjoyable, and I love putting something down

0:47:22.160 --> 0:47:24.080
<v Speaker 2>and then showing someone. I get so much joy out

0:47:24.120 --> 0:47:27.279
<v Speaker 2>of that. But yeah, I would struggle with getting in

0:47:27.320 --> 0:47:32.000
<v Speaker 2>my own way, feeling like, oh I sound like a

0:47:33.160 --> 0:47:35.920
<v Speaker 2>I sound like I know it all, or this isn't funny,

0:47:36.080 --> 0:47:39.920
<v Speaker 2>or this is I sound like I'm complaining. My biggest

0:47:39.920 --> 0:47:42.200
<v Speaker 2>thing was I sound like I'm complaining, Oh way, where

0:47:42.239 --> 0:47:44.319
<v Speaker 2>you had cosmetic surgery and now you're not sure about it,

0:47:44.360 --> 0:47:46.400
<v Speaker 2>like must be nice. So I was always worried that

0:47:46.440 --> 0:47:49.880
<v Speaker 2>people are gonna think of me as really vain and vapid.

0:47:49.920 --> 0:47:53.040
<v Speaker 2>And it's just you're just talking about yourself, which I

0:47:53.080 --> 0:47:56.160
<v Speaker 2>try not to do, even though my whole books about myself.

0:47:56.960 --> 0:48:00.399
<v Speaker 1>You know, I find it. Look, I'm dying to read

0:48:00.400 --> 0:48:01.960
<v Speaker 1>at least the first couple of pages. I just want

0:48:02.000 --> 0:48:04.279
<v Speaker 1>to see the tone and the style and the.

0:48:04.160 --> 0:48:06.120
<v Speaker 2>Rest, see if I have toret myself up or.

0:48:06.719 --> 0:48:09.640
<v Speaker 1>Having to yourself up. But you've you've presented to me

0:48:10.560 --> 0:48:13.200
<v Speaker 1>because I've done a few books myself and I know

0:48:13.280 --> 0:48:18.000
<v Speaker 1>hardess to do it. But you've presented to me the constraints.

0:48:18.680 --> 0:48:21.399
<v Speaker 1>And I couldn't write a book like that because there's

0:48:21.400 --> 0:48:24.360
<v Speaker 1>just too many guardrails. I mean, I just go mental.

0:48:24.520 --> 0:48:26.680
<v Speaker 1>Like when I write books, I just write her or want.

0:48:27.719 --> 0:48:30.080
<v Speaker 1>In your case, I just want to know how you

0:48:30.160 --> 0:48:32.600
<v Speaker 1>hell you navigated your way through that and stayed in

0:48:32.760 --> 0:48:35.319
<v Speaker 1>two and seventy pages, stayed in your lane. It's a

0:48:35.400 --> 0:48:38.440
<v Speaker 1>really tough one, but it's also really important topic too. Like,

0:48:38.600 --> 0:48:42.239
<v Speaker 1>it's a very important topic, quite topical, and I and

0:48:42.280 --> 0:48:44.560
<v Speaker 1>I know because I see other people like Celeste Barber,

0:48:44.680 --> 0:48:49.360
<v Speaker 1>So she's great. She's built social media campaign around taking

0:48:49.360 --> 0:48:51.800
<v Speaker 1>the piss out of herself on this this sort of

0:48:51.880 --> 0:48:54.680
<v Speaker 1>very topic but doesn't very funny. But it's sort of

0:48:54.719 --> 0:48:57.600
<v Speaker 1>quite simple, and it's it's pretty much a it's pretty

0:48:57.680 --> 0:49:00.719
<v Speaker 1>much a repeatable strategy. She just the same thing over

0:49:00.760 --> 0:49:02.160
<v Speaker 1>and over and over and over again, and she still

0:49:02.160 --> 0:49:03.840
<v Speaker 1>gets the same amount of laughs and the same amount

0:49:03.840 --> 0:49:07.480
<v Speaker 1>of views, and she's just as popular. Yours is much

0:49:07.480 --> 0:49:11.200
<v Speaker 1>more nuanced. Your book, I'm saying, is much more nuanced,

0:49:11.680 --> 0:49:13.960
<v Speaker 1>and so I'm actually looking forward to reading when you

0:49:14.000 --> 0:49:16.040
<v Speaker 1>send me a copy. Now, I'll buy a copy. Now

0:49:16.080 --> 0:49:19.040
<v Speaker 1>we'll get a copy of the off the exnible. We'll

0:49:19.040 --> 0:49:22.799
<v Speaker 1>post it up on our somewhere, on our primo. I

0:49:22.840 --> 0:49:24.800
<v Speaker 1>do want to talk you before I go. Before you go,

0:49:24.920 --> 0:49:31.520
<v Speaker 1>more importantly, this concept of Froome's world. Once I already

0:49:31.560 --> 0:49:33.360
<v Speaker 1>told you earlier on that I was intrigued by the

0:49:33.440 --> 0:49:35.080
<v Speaker 1>name Frooms came from. Now I know I thought it

0:49:35.120 --> 0:49:36.719
<v Speaker 1>was some name you word you made up, or it

0:49:36.800 --> 0:49:38.560
<v Speaker 1>meant something or rather than I didn't know about but

0:49:38.760 --> 0:49:42.000
<v Speaker 1>now your mum's maid. But what is Froome's world?

0:49:42.320 --> 0:49:43.719
<v Speaker 2>Well, I can tell you why I chose her maiden

0:49:43.760 --> 0:49:47.640
<v Speaker 2>name is something. Yeah, like you guess my dad's Alerican.

0:49:48.080 --> 0:49:50.359
<v Speaker 2>We call him Center in my household because everybody call

0:49:50.440 --> 0:49:52.920
<v Speaker 2>him center Center. Everything revolves around him.

0:49:53.000 --> 0:49:56.160
<v Speaker 1>Yeah, well he thinks it does or it does a

0:49:56.160 --> 0:49:57.359
<v Speaker 1>bit of both, a bit of both.

0:49:57.560 --> 0:50:00.240
<v Speaker 2>Yeah, massive personality.

0:49:59.640 --> 0:50:02.960
<v Speaker 1>Which is name Steve, Steve's world there, so Steve. Yeah,

0:50:03.040 --> 0:50:03.919
<v Speaker 1>your house is Stee's world.

0:50:04.080 --> 0:50:06.640
<v Speaker 2>Yeah. He's cars salesman. Yeah, I use cars salesman. If

0:50:06.640 --> 0:50:10.040
<v Speaker 2>that kind of like paint speecher. Very typical Australian male,

0:50:10.239 --> 0:50:15.840
<v Speaker 2>sixty seven, just on paper, Homer Simpson. My mom is Yeah,

0:50:15.960 --> 0:50:21.960
<v Speaker 2>my mom's opposite. My mom's quiet and considered. Uh. I

0:50:22.000 --> 0:50:23.720
<v Speaker 2>want to say he doesn't have a lot of confidence

0:50:23.760 --> 0:50:26.400
<v Speaker 2>in herself. Maybe in a way or growing up, I

0:50:26.440 --> 0:50:28.239
<v Speaker 2>felt as if she didn't have much confidence because I

0:50:28.239 --> 0:50:32.560
<v Speaker 2>equated she's March. Yeah, probably a bit like March. Yeah,

0:50:32.920 --> 0:50:35.200
<v Speaker 2>but she's I don't want to say she's smarter than dad.

0:50:35.200 --> 0:50:37.440
<v Speaker 2>Becausedad'll probably listen to this, but she just has kind

0:50:37.480 --> 0:50:40.279
<v Speaker 2>of like a world wisdom that I really appreciate and

0:50:40.360 --> 0:50:43.840
<v Speaker 2>she's a nurse and she's very caring, and I like

0:50:43.880 --> 0:50:46.040
<v Speaker 2>to think I'm a lot. I would be like get

0:50:46.080 --> 0:50:49.000
<v Speaker 2>the get that from her, a bit more considered than say,

0:50:49.000 --> 0:50:51.480
<v Speaker 2>my dad would be. But I always felt like she

0:50:51.480 --> 0:50:54.000
<v Speaker 2>didn't really have a voice because she played a very

0:50:54.040 --> 0:50:59.000
<v Speaker 2>maternal role in my household. And Dad's a like recount her,

0:50:59.120 --> 0:51:01.480
<v Speaker 2>like he's telling all the stories and we're sitting and

0:51:01.480 --> 0:51:03.480
<v Speaker 2>listening to his stories again and again and again. So

0:51:03.560 --> 0:51:06.839
<v Speaker 2>I wanted to use her name because we feel very

0:51:06.920 --> 0:51:09.600
<v Speaker 2>similar and I know that she has stories and she

0:51:09.640 --> 0:51:12.959
<v Speaker 2>never talks about herself, and to me, it was important.

0:51:12.640 --> 0:51:13.359
<v Speaker 1>To do with us.

0:51:13.840 --> 0:51:18.440
<v Speaker 2>Yeah, in everyone else exactly. But she is funny, she's

0:51:18.440 --> 0:51:20.680
<v Speaker 2>got a great sense of humor, and she's given me

0:51:20.719 --> 0:51:22.560
<v Speaker 2>so much. She's the reason I'm doing this because she

0:51:22.560 --> 0:51:25.160
<v Speaker 2>would always listen to me and always tell me I

0:51:25.239 --> 0:51:27.960
<v Speaker 2>was creative, and believe in me, pay for me to

0:51:27.960 --> 0:51:30.440
<v Speaker 2>do whatever I wanted, and has supported me the whole time.

0:51:31.000 --> 0:51:33.720
<v Speaker 2>Watches everything I do, listen to everything, just classic mum,

0:51:33.760 --> 0:51:39.040
<v Speaker 2>you know, sounds perfect and she's perfect. And then Froom's World,

0:51:39.800 --> 0:51:42.440
<v Speaker 2>it's like Wayne's World was the inspiration. I love Mike Myers.

0:51:42.480 --> 0:51:46.320
<v Speaker 2>He's probably my favorite funny person ever, And so I

0:51:46.360 --> 0:51:49.319
<v Speaker 2>thought Froome's world, this is my world for whatever I want,

0:51:49.320 --> 0:51:51.959
<v Speaker 2>my newsletters, whatever I want. My Instagram is whatever I want.

0:51:52.239 --> 0:51:53.920
<v Speaker 2>And I think, I know you wanted to talk to

0:51:53.920 --> 0:51:57.840
<v Speaker 2>me about like commerce and doing paid partnerships. Only do

0:51:57.920 --> 0:52:00.680
<v Speaker 2>things that will work within Froom's world, things that I use,

0:52:00.719 --> 0:52:05.880
<v Speaker 2>things that I like. So everything's very strategic. Yeah, do

0:52:05.880 --> 0:52:07.400
<v Speaker 2>you have a do you have a website? Rooms for

0:52:07.600 --> 0:52:09.800
<v Speaker 2>I do frioms dot com of course, and I've registered.

0:52:09.840 --> 0:52:12.680
<v Speaker 2>I'm the pty Ltd. I'm a company. And also I

0:52:12.719 --> 0:52:15.239
<v Speaker 2>didn't realize but I hadn't had the trademark, so I

0:52:15.280 --> 0:52:16.080
<v Speaker 2>just bought the trademark.

0:52:16.080 --> 0:52:17.560
<v Speaker 1>Oh good on you. So if I go to froomswhold

0:52:17.600 --> 0:52:20.399
<v Speaker 1>dot com dot U is it dot you dot com

0:52:20.560 --> 0:52:23.280
<v Speaker 1>dot com? So it's so if I go to frooms

0:52:23.320 --> 0:52:25.239
<v Speaker 1>dot com, what am I going to see there? What

0:52:25.520 --> 0:52:26.560
<v Speaker 1>are you going to What are you going to tell me?

0:52:26.600 --> 0:52:28.880
<v Speaker 1>What's on there? Part from your book being my promo

0:52:29.000 --> 0:52:30.799
<v Speaker 1>or I hope it's on there being promo, But what

0:52:30.840 --> 0:52:32.000
<v Speaker 1>else am we going to see on there? What's your

0:52:32.000 --> 0:52:32.719
<v Speaker 1>content got on there?

0:52:32.719 --> 0:52:34.160
<v Speaker 2>We need to go and get you out in the

0:52:34.160 --> 0:52:37.200
<v Speaker 2>desktop computer. So I can show you it's designed.

0:52:37.520 --> 0:52:39.359
<v Speaker 1>What are you doing to me when when you when

0:52:39.400 --> 0:52:41.839
<v Speaker 1>you're sort of nudging me towards it.

0:52:42.360 --> 0:52:45.080
<v Speaker 2>So for me, it's all about the first impression and

0:52:45.160 --> 0:52:47.239
<v Speaker 2>giving one a taste of kind of what you're in

0:52:47.320 --> 0:52:49.680
<v Speaker 2>for because I don't even know. This is why I

0:52:49.680 --> 0:52:51.600
<v Speaker 2>find it hard to explain what I do or people

0:52:51.600 --> 0:52:55.239
<v Speaker 2>who started following frims. What is this? It's whatever I want?

0:52:55.360 --> 0:52:57.160
<v Speaker 2>And so the website you go on it and it's

0:52:57.200 --> 0:53:00.680
<v Speaker 2>my face. It's designed like a desktop computer. So you

0:53:00.760 --> 0:53:04.839
<v Speaker 2>got all your little files, press writing by my book here,

0:53:05.520 --> 0:53:07.759
<v Speaker 2>click on this random bin and you're going to get

0:53:07.760 --> 0:53:10.719
<v Speaker 2>taken to a YouTube video that I made. So it's yeah,

0:53:10.760 --> 0:53:11.640
<v Speaker 2>it's like a screen saver.

0:53:11.960 --> 0:53:15.000
<v Speaker 1>Yeah, and you're doing YouTube, you're.

0:53:14.800 --> 0:53:18.439
<v Speaker 2>Doing some what. But again, I don't do podcasts because

0:53:18.440 --> 0:53:20.400
<v Speaker 2>I know if I do a podcast, I've got to

0:53:20.400 --> 0:53:21.920
<v Speaker 2>treat it like a full time job. And I don't

0:53:21.960 --> 0:53:24.680
<v Speaker 2>like talking that much. But yeah, you're pretty good at it,

0:53:25.400 --> 0:53:27.839
<v Speaker 2>or I'll get if I've got a topic, I could

0:53:27.880 --> 0:53:30.400
<v Speaker 2>talk now, i could talk underwater, But like I always

0:53:30.400 --> 0:53:32.719
<v Speaker 2>want to make sure I'm bringing value, and I'm not

0:53:32.760 --> 0:53:36.160
<v Speaker 2>sure if me talking about my life is the best value.

0:53:35.920 --> 0:53:36.680
<v Speaker 1>You're a perfectionist.

0:53:37.400 --> 0:53:38.880
<v Speaker 2>Yeah, a little bit, but not in the way that

0:53:38.960 --> 0:53:42.960
<v Speaker 2>gets I never get hindered by it. I love making things.

0:53:43.600 --> 0:53:44.680
<v Speaker 1>How do you mean making things?

0:53:44.960 --> 0:53:47.640
<v Speaker 2>I love writing, I love my videos. I love being creative.

0:53:47.880 --> 0:53:51.480
<v Speaker 1>Yeah. And when you say making videos, you mean like

0:53:51.840 --> 0:53:55.359
<v Speaker 1>video content as in and but as you in it

0:53:55.880 --> 0:53:59.439
<v Speaker 1>talking about some topic. So you're not really an evangelist.

0:53:59.480 --> 0:54:04.360
<v Speaker 1>This book's about evangelism for you know, not getting you know, surgery,

0:54:04.440 --> 0:54:09.200
<v Speaker 1>cosmetic surgery or or it's not an evangelistic book. It's

0:54:09.200 --> 0:54:14.080
<v Speaker 1>sort of the sound was taking us on your journey.

0:54:13.280 --> 0:54:16.440
<v Speaker 2>Taking us on a journey, and it's cultural studies. I

0:54:16.480 --> 0:54:18.840
<v Speaker 2>look at the early two thousands in Australia really some

0:54:19.000 --> 0:54:21.680
<v Speaker 2>history too, A lot of history, yeah, a lot people.

0:54:21.719 --> 0:54:24.000
<v Speaker 2>I look at what your generation grew up with and

0:54:24.040 --> 0:54:26.080
<v Speaker 2>how it's very interesting my generation.

0:54:26.560 --> 0:54:29.799
<v Speaker 1>I'm Homo Simpson too, a little bit old.

0:54:29.880 --> 0:54:33.320
<v Speaker 2>Actually bad dad if you got up at four am.

0:54:34.040 --> 0:54:38.720
<v Speaker 1>I know, like my generationally cosmetic surgery. Well maybe someone

0:54:38.840 --> 0:54:41.160
<v Speaker 1>might have got a nose job or.

0:54:41.120 --> 0:54:43.839
<v Speaker 2>Something, but min Nana had a nose show. Really so

0:54:43.880 --> 0:54:46.239
<v Speaker 2>my dad's mum. That's why my parents let me get it,

0:54:46.280 --> 0:54:49.279
<v Speaker 2>because they yeah, oh there's a hole you got to

0:54:49.280 --> 0:54:49.919
<v Speaker 2>read the book mark.

0:54:50.680 --> 0:54:52.200
<v Speaker 1>I'm definitely going to read. I'm definitely going to read

0:54:52.200 --> 0:54:54.879
<v Speaker 1>the first couple of pages. I'm dying to see your

0:54:55.000 --> 0:54:58.680
<v Speaker 1>your writing style, you know, like and how you navigate

0:54:58.719 --> 0:55:03.040
<v Speaker 1>your way through this complicated set of guardrails that let's

0:55:03.080 --> 0:55:06.319
<v Speaker 1>just have to be set by you n society through

0:55:06.400 --> 0:55:08.000
<v Speaker 1>something that's a really important topic.

0:55:08.360 --> 0:55:10.200
<v Speaker 2>Message me and tell me is it coming across the

0:55:10.200 --> 0:55:11.040
<v Speaker 2>same as I'm speaking.

0:55:11.960 --> 0:55:15.120
<v Speaker 1>That's a good point. But you know, like, have you

0:55:15.120 --> 0:55:17.880
<v Speaker 1>done an audiobook? Yes, you've done the audiobook. How do

0:55:17.920 --> 0:55:19.120
<v Speaker 1>you feel when you did the audiobook?

0:55:19.239 --> 0:55:19.879
<v Speaker 2>Have you done it?

0:55:19.960 --> 0:55:21.920
<v Speaker 1>Yeah, I've done that. They drive me crazy when I

0:55:21.960 --> 0:55:24.799
<v Speaker 1>did it, I always kept saying I was reading, Did

0:55:24.800 --> 0:55:27.640
<v Speaker 1>I actually write that? Like my God? And by the way,

0:55:27.680 --> 0:55:31.279
<v Speaker 1>I did my idea book audiobook some years after.

0:55:32.440 --> 0:55:32.520
<v Speaker 2>That.

0:55:32.600 --> 0:55:34.360
<v Speaker 1>I had written the book so that some of the

0:55:34.400 --> 0:55:38.239
<v Speaker 1>stuff was actually not even that relevant, but that you

0:55:38.280 --> 0:55:41.880
<v Speaker 1>have to be completely faithful to the book. You have

0:55:41.880 --> 0:55:44.400
<v Speaker 1>to read everything, but just some of it. I've found

0:55:44.600 --> 0:55:47.399
<v Speaker 1>very difficult to read out again. And when you read

0:55:47.440 --> 0:55:51.960
<v Speaker 1>something as opposed to when you speak something, what's your

0:55:52.080 --> 0:55:56.280
<v Speaker 1>rise on me? Not necessarily meant to be read out spoken?

0:55:56.560 --> 0:55:56.759
<v Speaker 2>Yeah?

0:55:57.280 --> 0:55:59.160
<v Speaker 1>Spoken? Out loud. It's a bit like people who write

0:55:59.160 --> 0:56:01.759
<v Speaker 1>speeches and they don't actually go and read it in

0:56:01.800 --> 0:56:04.200
<v Speaker 1>front of a mirror and on a microphone and listen

0:56:04.239 --> 0:56:07.120
<v Speaker 1>back to it. They write speech and sounds completely terrible.

0:56:07.120 --> 0:56:08.759
<v Speaker 1>When they get up and actually read it in front

0:56:08.800 --> 0:56:12.040
<v Speaker 1>of everybody, that just sounds dreadful. And there are two

0:56:12.080 --> 0:56:14.520
<v Speaker 1>different skills. So when you said to me, I hope

0:56:15.400 --> 0:56:17.160
<v Speaker 1>this is a great skill, I mean, if you can

0:56:17.200 --> 0:56:20.640
<v Speaker 1>do this, if you've achieved it, if I can, you

0:56:20.680 --> 0:56:23.000
<v Speaker 1>want me to tell you if when I read it

0:56:23.000 --> 0:56:26.239
<v Speaker 1>it sounds like the way you're speaking now, if you're

0:56:26.239 --> 0:56:29.120
<v Speaker 1>going to achieve that, that's magnificent, that that's a big deal.

0:56:30.000 --> 0:56:32.080
<v Speaker 1>Your book will be around up there with Homer or

0:56:32.160 --> 0:56:33.920
<v Speaker 1>not home Missimo, but actually Homer.

0:56:33.840 --> 0:56:38.279
<v Speaker 2>I prefer homusimoson the trick mark is I read out

0:56:38.320 --> 0:56:40.080
<v Speaker 2>everything that I write after I write it, I.

0:56:40.040 --> 0:56:42.200
<v Speaker 1>Write really Yeah, I read it out a loud.

0:56:42.360 --> 0:56:43.080
<v Speaker 2>Yeah.

0:56:43.560 --> 0:56:46.480
<v Speaker 1>So when you're doing the draft, the first first iteration,

0:56:46.840 --> 0:56:48.799
<v Speaker 1>you actually you write a page, you read it back

0:56:48.800 --> 0:56:50.440
<v Speaker 1>to yourself. Yeah, listen to.

0:56:50.520 --> 0:56:53.760
<v Speaker 2>Every chapter is a story, and then it's all one story.

0:56:53.800 --> 0:56:56.239
<v Speaker 2>It's all going to make sense, it's all going to

0:56:56.239 --> 0:56:59.000
<v Speaker 2>be connected together. You can't have it be bitsy. It's

0:56:59.040 --> 0:56:59.800
<v Speaker 2>all one story.

0:57:00.080 --> 0:57:02.440
<v Speaker 1>Well, this book to me sounds to be honestly, sounds

0:57:02.440 --> 0:57:06.440
<v Speaker 1>fascinating in the process and the outcome. The topic is

0:57:06.560 --> 0:57:10.359
<v Speaker 1>very important. It's a critically important topic. And I wish

0:57:10.440 --> 0:57:12.279
<v Speaker 1>you the very best and I'm definitely going to get

0:57:12.320 --> 0:57:13.000
<v Speaker 1>a copy of that book.

0:57:13.160 --> 0:57:15.000
<v Speaker 2>Thank you, Mark. I'm sorry to bring one next time.

0:57:15.320 --> 0:57:17.560
<v Speaker 1>No, do you know what in terms of marketing one

0:57:17.600 --> 0:57:22.400
<v Speaker 1>oh one, that's what you should be doing. You're fired, Yeah, totally,

0:57:22.440 --> 0:57:24.280
<v Speaker 1>you're fired. No, no, you're hired. I'm going to get

0:57:24.320 --> 0:57:26.080
<v Speaker 1>your book. You like, really nice to meet you.

0:57:26.160 --> 0:57:26.680
<v Speaker 2>Yeah, you too.