1 00:00:00,360 --> 00:00:04,120 Speaker 1: SITZI and we with Kate Ritchie podcast. I'm a bit excited, 2 00:00:04,320 --> 00:00:06,560 Speaker 1: and I know I shouldn't be getting excited about this, 3 00:00:06,640 --> 00:00:10,240 Speaker 1: and maybe it's an indication of how unexciting everything else 4 00:00:10,360 --> 00:00:11,119 Speaker 1: is in my life. 5 00:00:11,280 --> 00:00:12,360 Speaker 2: Or is it just really clever? 6 00:00:12,840 --> 00:00:15,840 Speaker 1: Okay, maybe it's really clever that I listened to a 7 00:00:15,960 --> 00:00:20,360 Speaker 1: podcast called The Imperfect and our very own Whipper revealed 8 00:00:20,640 --> 00:00:23,079 Speaker 1: that he'd written an erotic novel and he was going 9 00:00:23,120 --> 00:00:26,560 Speaker 1: to gift it to Ryan Shelton. I don't know if 10 00:00:26,600 --> 00:00:29,639 Speaker 1: he wanted it or not. And now it's got a 11 00:00:29,680 --> 00:00:31,400 Speaker 1: life of its own. We read a little bit of 12 00:00:31,400 --> 00:00:33,879 Speaker 1: it yesterday and I didn't think that it was I mean, 13 00:00:33,920 --> 00:00:36,599 Speaker 1: as far as erotic novels go, not that I've ever read. 14 00:00:36,640 --> 00:00:38,480 Speaker 1: I've never read that much of Shade. It's a brave 15 00:00:38,640 --> 00:00:40,440 Speaker 1: I've never even seen any of the films. 16 00:00:41,120 --> 00:00:43,240 Speaker 2: Read fifty Shades. Now. When Lisa was reading it, she 17 00:00:43,280 --> 00:00:46,279 Speaker 2: would read it to me out aloud, and it was 18 00:00:46,400 --> 00:00:49,920 Speaker 2: at breakfast, so horrible. You've got your own audible Yeah, 19 00:00:50,600 --> 00:00:52,559 Speaker 2: reading it and I'd go, this is too much for me. 20 00:00:52,920 --> 00:00:55,760 Speaker 2: In fact, I'll go and write my own called The 21 00:00:55,760 --> 00:00:59,200 Speaker 2: Far Too Personal Trainer. Well, Hugh Jackman and debutsed to 22 00:00:59,240 --> 00:01:00,400 Speaker 2: do that read to each other. 23 00:01:00,880 --> 00:01:03,640 Speaker 1: Remember they used to read to each other Ben before 24 00:01:03,680 --> 00:01:05,920 Speaker 1: they went to bed and when they woke up in 25 00:01:05,959 --> 00:01:07,759 Speaker 1: the morning. But that didn't work, did it. 26 00:01:07,840 --> 00:01:10,720 Speaker 2: There's so many people in media writing kids books, nobody's 27 00:01:10,760 --> 00:01:13,039 Speaker 2: writing anything for the adults. That's where I step in. 28 00:01:13,120 --> 00:01:15,080 Speaker 2: I mean, it was twenty fourteen when I started depending 29 00:01:15,200 --> 00:01:17,600 Speaker 2: this beautiful story, so we're coming up to ten year 30 00:01:17,640 --> 00:01:20,119 Speaker 2: anniversary off these books that no one's held. 31 00:01:23,160 --> 00:01:27,000 Speaker 1: So far, we've read a tiny little part yesterday, which 32 00:01:27,080 --> 00:01:31,920 Speaker 1: was basically just the setup of you know, the hero Ben, 33 00:01:32,080 --> 00:01:37,080 Speaker 1: what's his name, Ben Holder. He's the personal trainer twenty 34 00:01:37,120 --> 00:01:39,680 Speaker 1: six who just hates the fact that he trains these 35 00:01:39,720 --> 00:01:42,800 Speaker 1: women at the gym, who you know, a bit down 36 00:01:42,840 --> 00:01:45,240 Speaker 1: on themselves, and he builds them up in more ways 37 00:01:45,280 --> 00:01:46,200 Speaker 1: than one. 38 00:01:46,480 --> 00:01:51,680 Speaker 2: Kate Richie, you were you were angered that yesterday's introduction 39 00:01:51,760 --> 00:01:54,800 Speaker 2: to the character of Ben wasn't spicy enough. I've presented 40 00:01:54,840 --> 00:01:56,680 Speaker 2: something else. I've got another part of the book I 41 00:01:56,680 --> 00:01:59,000 Speaker 2: want you to read today. Now, Tommy, I'm going to 42 00:01:59,000 --> 00:02:01,840 Speaker 2: get you to step in as the sense of horn. Yes, 43 00:02:02,280 --> 00:02:06,520 Speaker 2: you have on the big horns. Can you play the 44 00:02:06,560 --> 00:02:10,360 Speaker 2: horn for us? I'll test test my horn out. Okay, 45 00:02:10,440 --> 00:02:13,240 Speaker 2: so it's like a horn. 46 00:02:13,320 --> 00:02:14,400 Speaker 1: Not to stop talking. 47 00:02:15,400 --> 00:02:18,480 Speaker 2: I don't want to ruin all the fun. Does anyone 48 00:02:18,520 --> 00:02:22,040 Speaker 2: know about that horn? When you hear my horn? I 49 00:02:22,040 --> 00:02:24,320 Speaker 2: don't think we're allowed horns in the studio. They were 50 00:02:24,360 --> 00:02:25,120 Speaker 2: the new rules. 51 00:02:25,200 --> 00:02:29,200 Speaker 1: And also, speaking of new rules, if one of my 52 00:02:29,280 --> 00:02:33,640 Speaker 1: bosses came to the office yesterday, and if he's listening, 53 00:02:34,160 --> 00:02:36,960 Speaker 1: because it is a bit launchier today, please don't come 54 00:02:37,000 --> 00:02:39,320 Speaker 1: in and give me notes about how I read it. 55 00:02:39,400 --> 00:02:47,560 Speaker 1: Because he strode into the office naming names. What I'm 56 00:02:47,720 --> 00:02:51,320 Speaker 1: saying is I thought, you know, rules were tightened around 57 00:02:51,320 --> 00:02:55,560 Speaker 1: this place, and he was. So he said, wow, that 58 00:02:55,720 --> 00:02:59,200 Speaker 1: erotic novel stuff you did. The way you read that 59 00:02:59,680 --> 00:03:00,760 Speaker 1: was amazing. 60 00:03:01,520 --> 00:03:02,520 Speaker 2: Can I get the first copy? 61 00:03:03,120 --> 00:03:06,480 Speaker 1: Said since then, has been negotiating a contract. 62 00:03:08,320 --> 00:03:10,040 Speaker 2: Okay, well, let me set the scene of the part 63 00:03:10,080 --> 00:03:10,680 Speaker 2: that I've given you. 64 00:03:11,080 --> 00:03:13,800 Speaker 1: So he's it's only quite a short little bits. 65 00:03:14,320 --> 00:03:17,000 Speaker 2: He's on the way to the gym, right, and he's 66 00:03:17,200 --> 00:03:21,240 Speaker 2: in a school school traffic. A girl called Annabelle has 67 00:03:21,240 --> 00:03:23,720 Speaker 2: bumped into him in the traffic anyway, that's. 68 00:03:23,600 --> 00:03:24,160 Speaker 1: Not in the car. 69 00:03:24,400 --> 00:03:27,600 Speaker 2: In the car yep, just hello, no, no, no. 70 00:03:27,760 --> 00:03:28,600 Speaker 1: They had a bingle. 71 00:03:30,160 --> 00:03:33,040 Speaker 2: He's furious his bumper bars falling off. Anyway, they end 72 00:03:33,120 --> 00:03:37,320 Speaker 2: up a bumper right up the back of the Hold 73 00:03:37,320 --> 00:03:40,440 Speaker 2: your horn, Tom, I have the horn. Guys, if we 74 00:03:40,480 --> 00:03:43,240 Speaker 2: can just okay, keep it clean and don't cheapen this 75 00:03:43,320 --> 00:03:47,160 Speaker 2: beautiful story as a writer in the car. Anyway, he 76 00:03:47,240 --> 00:03:49,640 Speaker 2: realizes that Annabel is quite attractive, and he takes a 77 00:03:49,680 --> 00:03:56,160 Speaker 2: sneaky photo of Annabel's bottom. Anyway, she's a really expensive sorry, 78 00:03:56,280 --> 00:04:00,560 Speaker 2: probably she's a really wealthy lawyer. Annabel plays that character. 79 00:04:01,000 --> 00:04:02,680 Speaker 2: And this is a moment where they end up back 80 00:04:02,680 --> 00:04:05,560 Speaker 2: at her place, and now she wants a lamp shade carried 81 00:04:05,600 --> 00:04:08,880 Speaker 2: up to the bedroom by a very strong personal trystain. 82 00:04:08,920 --> 00:04:11,200 Speaker 2: Probably would have been a bit better nine years ago. 83 00:04:12,920 --> 00:04:21,159 Speaker 1: So cliche. Here we go, even with a lamp shade 84 00:04:21,200 --> 00:04:23,800 Speaker 1: in my face, I'm still managing to take a peek 85 00:04:23,839 --> 00:04:29,480 Speaker 1: at her bra through her white shirt. Are we doing this? 86 00:04:27,720 --> 00:04:32,600 Speaker 1: Are just a bit further over to the table and 87 00:04:32,839 --> 00:04:36,560 Speaker 1: just put it down here? There you go. I lower 88 00:04:36,640 --> 00:04:40,599 Speaker 1: it onto the table, slam goes the bedroom door behind me. 89 00:04:40,720 --> 00:04:43,760 Speaker 1: I turn around and she's standing there with her back 90 00:04:43,800 --> 00:04:47,400 Speaker 1: towards the door and both hands pratt and both I'm 91 00:04:47,480 --> 00:04:51,600 Speaker 1: getting to do, and both hands pressed against it, as 92 00:04:51,600 --> 00:04:55,240 Speaker 1: if to hold off anyone that might be coming through it. 93 00:04:55,279 --> 00:04:57,640 Speaker 1: Is this where you wanted it, I say, trying to 94 00:04:57,680 --> 00:05:00,320 Speaker 1: pretend the mood hasn't changed and the lamp was steal 95 00:05:00,360 --> 00:05:04,000 Speaker 1: my focus. Get out your phone and show me the 96 00:05:04,000 --> 00:05:05,400 Speaker 1: picture you took of my bum. 97 00:05:05,600 --> 00:05:07,839 Speaker 2: Wow, she knew that's interesting. 98 00:05:08,000 --> 00:05:10,920 Speaker 1: I was standing there now, sweating for two reasons and 99 00:05:10,960 --> 00:05:13,920 Speaker 1: trying to read her face. Was this lawyer going to 100 00:05:13,920 --> 00:05:16,719 Speaker 1: call the police and have the firing squad arrive abuse 101 00:05:16,800 --> 00:05:20,520 Speaker 1: me for privacy crimes against hot school mums? Oh? My god? 102 00:05:24,400 --> 00:05:27,040 Speaker 1: Did you think I didn't notice you taking a photo? 103 00:05:27,360 --> 00:05:30,400 Speaker 1: My job is based on evidence, where the smallest piece 104 00:05:30,480 --> 00:05:32,920 Speaker 1: can place a man behind bars for life. And you 105 00:05:32,960 --> 00:05:36,560 Speaker 1: think I wouldn't notice some brainless chunk of meat taking 106 00:05:36,560 --> 00:05:38,680 Speaker 1: a photo of my I don't want to say that 107 00:05:38,760 --> 00:05:42,240 Speaker 1: word backside, backside, That's not what it says here. But 108 00:05:42,680 --> 00:05:49,400 Speaker 1: go on, show me the photo, you brainless chunk of meat. Brainless, 109 00:05:50,200 --> 00:05:53,679 Speaker 1: that's the lawyer, that's Annabelle. This is while she's pressed 110 00:05:53,760 --> 00:05:57,000 Speaker 1: up against the door, I'm guessing I'm thinking. I'm thinking 111 00:05:57,000 --> 00:05:58,799 Speaker 1: she would have stepped forward at this point she wouldn't 112 00:05:58,839 --> 00:05:59,760 Speaker 1: she wouldn't she? 113 00:06:00,040 --> 00:06:00,480 Speaker 2: She hasn't. 114 00:06:00,520 --> 00:06:02,960 Speaker 1: Oh you'll hang on a second. I'm and I'm the actress. 115 00:06:05,160 --> 00:06:05,680 Speaker 1: Here you go. 116 00:06:06,040 --> 00:06:06,800 Speaker 2: Are you happy with that? 117 00:06:06,960 --> 00:06:09,479 Speaker 1: It's just your bom. I've seen a few. I can't 118 00:06:09,480 --> 00:06:12,000 Speaker 1: believe what's happening is I'm holding the phone in her face, 119 00:06:12,279 --> 00:06:24,400 Speaker 1: face the page. She's flustered. What do you think of it? 120 00:06:25,160 --> 00:06:31,200 Speaker 1: I wasn't expecting that question. It's it's nice. Is that 121 00:06:31,200 --> 00:06:34,599 Speaker 1: the right thing to say? Good? I'm glad you like 122 00:06:34,680 --> 00:06:36,760 Speaker 1: what you see, because if you want to see more, 123 00:06:36,960 --> 00:06:40,640 Speaker 1: you're going to need to do this first. Oh God, 124 00:06:40,680 --> 00:06:44,360 Speaker 1: here we go. Grabbing me by the wrists, she pulls 125 00:06:44,360 --> 00:06:47,840 Speaker 1: me towards her. Now we're pressed against each other, leaning 126 00:06:47,880 --> 00:06:51,000 Speaker 1: against the door. Please don't let this be another honey, 127 00:06:51,000 --> 00:06:54,480 Speaker 1: I'm home situation. Her head is now locked into my neck. 128 00:06:54,560 --> 00:06:56,240 Speaker 1: I can feel her heart up against me. 129 00:06:56,520 --> 00:07:06,120 Speaker 2: Yes, I've jumped in with I didn't even get to 130 00:07:06,160 --> 00:07:10,800 Speaker 2: the bi God sent a horns to ride. Yeah, guys, 131 00:07:11,480 --> 00:07:12,720 Speaker 2: very strict to read? 132 00:07:13,120 --> 00:07:15,280 Speaker 1: Well, of course there is I can read the I 133 00:07:15,320 --> 00:07:17,200 Speaker 1: can have we got a song? I can read the 134 00:07:17,200 --> 00:07:19,840 Speaker 1: rest in the song. Have you spoken to a publisher 135 00:07:19,880 --> 00:07:20,320 Speaker 1: about this? 136 00:07:20,560 --> 00:07:21,000 Speaker 2: No? 137 00:07:21,120 --> 00:07:21,720 Speaker 1: Good? Were you. 138 00:07:23,200 --> 00:07:25,800 Speaker 2: Were you living out a few frustrations in twenty four? 139 00:07:26,040 --> 00:07:29,240 Speaker 2: What are you talking about married there? I'm an author, yes, 140 00:07:29,720 --> 00:07:32,240 Speaker 2: and I just wanted to create a really gripping story, 141 00:07:32,280 --> 00:07:36,040 Speaker 2: which we've heard as acted by Kate Richie from Audible. 142 00:07:36,440 --> 00:07:38,200 Speaker 1: I think I need to get some advice from my 143 00:07:38,320 --> 00:07:40,760 Speaker 1: friends at Penguin Random House. I can see whether there's 144 00:07:40,760 --> 00:07:43,960 Speaker 1: even a market for this clichedrubbish. 145 00:07:44,160 --> 00:07:46,840 Speaker 2: Let's see what the Let's see what the Nover executives thought. 146 00:07:46,840 --> 00:07:49,080 Speaker 2: If you're reading today, is there a Tommy? You know? 147 00:07:49,080 --> 00:07:51,239 Speaker 2: I was thinking last night? Is there a ben Holder 148 00:07:51,480 --> 00:07:54,440 Speaker 2: in the Sydney someone with the lead character? 149 00:07:54,600 --> 00:07:54,760 Speaker 1: Yeah? 150 00:07:54,840 --> 00:07:57,320 Speaker 2: Is anybody listening right now that knows a ben Holder? 151 00:07:57,360 --> 00:07:59,840 Speaker 2: I've got a drink holder. Okay, let's do be talk Ben. 152 00:08:01,040 --> 00:08:02,520 Speaker 2: We might do another reading tomorrow. 153 00:08:04,520 --> 00:08:05,320 Speaker 1: I approve read. 154 00:08:05,680 --> 00:08:08,119 Speaker 2: Yeah, I need a drink world. I'm Kate Richie. 155 00:08:08,160 --> 00:08:10,960 Speaker 1: It'sy and Wipper with Kate Ritchie is a Nova podcast. 156 00:08:11,080 --> 00:08:14,120 Speaker 2: For more great comedy shows like this, head to novapodcast 157 00:08:14,240 --> 00:08:15,200 Speaker 2: dot com dot au