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Speaker 1: Previously on Relatable's Baddi's book Club. Really is worried that

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Speaker 1: Nina's jealous, and so she's like, I need to make

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Speaker 1: this better. And so she says to Nina think on

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Speaker 1: the stairs. She's like, She goes Nina, like, I swear

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Speaker 1: that nothing was happening, and Nina laughs in her face. Right,

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Speaker 1: Nina laughs in her face? Ha, do you think my

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Speaker 1: husband would risk everything he has for? And I quote

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Speaker 1: she says, you think I'm scared that my husband would

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Speaker 1: risk everything in his life for some trampy servant living

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Speaker 1: in the attic. Crazy. Welcome to Relatables Baddi's Book Club,

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Speaker 1: where we will embark on a journey reading some of

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Speaker 1: the finest pieces of literature you have ever laid eyes

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Speaker 1: or is if that's your preferred way to consume a

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Speaker 1: book on The Housemaid Chapters twenty one to thirty. Oh

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Speaker 1: my goodness, Ay there's four. Okay, first things first, I

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Speaker 1: have some thoughts. All shit, Okay, what are we gonna

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Speaker 1: do first? What's first? You say, what's first? I wanted

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Speaker 1: to straight up and going to quite a few comments

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Speaker 1: about we need more chapters, episodes too short? I agree?

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Speaker 1: Shall we do make a decision right now and how

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Speaker 1: far we want to go from here? Proposal? Someone just

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Speaker 1: talking about parts, haven't I've seen one part in here

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Speaker 1: of you? There's no parts. So we're up to chapter

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Speaker 1: thirty thirty thirty one? What's thirty one? Yeah, and there's

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Speaker 1: sixteen eighty. We could do a cheeky little I think

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Speaker 1: two more parts, two more parts thirty and thirty easy,

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Speaker 1: I think, okay, I should do It's that old thirty

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Speaker 1: and thirty if that's all you can before leave, But

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Speaker 1: I dare say you want to hear some more and

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Speaker 1: you know what that means. We need to get a

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Speaker 1: voting system for what we're reading next. Yeah, I agree,

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Speaker 1: it's even going to be.

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Speaker 2: We'll do it on the last episode Fourth Wing, Present

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Speaker 2: City or Throne of Glass.

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Speaker 1: Yeah, those are the three. I think there's a three

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Speaker 1: throwing Red Rising, but no, no, I'm reading you've read it. Yeah,

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Speaker 1: that's it. I will say this Red Rising is of

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Speaker 1: all the books I've read, which is very not very

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Speaker 1: much books, is the best. It's actually, dude, get the

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Speaker 1: fuck out read it. Cassian actually better than one word.

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Speaker 2: I don't know if we can do this play anymore well,

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Speaker 2: going off that fantasy.

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Speaker 1: I like more than a psychological thriller. I was going

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Speaker 1: to say one word several, but you don't even know

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Speaker 1: what that means. Some people might know what that means. Yeah, Barrow,

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Speaker 1: whatever Darrow, I know where Darrow is?

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Speaker 2: You telemon us anyways, the Housemaid or firstly I want

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Speaker 2: to talk about I know you shouldn't compare the book

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Speaker 2: to the movie, but Sidney Sweeney I reckon terrible casting.

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Speaker 2: The more I'm getting into this book really terrible. Why

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Speaker 2: I think it's I think it just doesn't the way

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Speaker 2: it's written, the way Long Island person who's been to

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Speaker 2: jail is like flirting of all these men and doing doubting.

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Speaker 3: You know.

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Speaker 2: Yeah, but what you picture on the head in your

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Speaker 2: head compared to the movie you're casting of Sidney Sweeney,

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Speaker 2: not one pit person would have pictured anyone that looks

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Speaker 2: anything like Sidney Sweeney.

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Speaker 1: Yeah, but what do we think, Like, what do we

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Speaker 1: want to say? Yeah? Who they cast Fornina is not?

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Speaker 1: They better fucking cast the good Andrew. We know what

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Speaker 1: he looks like. I forgot, so he better be going.

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Speaker 1: He's scruff and Sexyodi. Yeah, but that was annoying me

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Speaker 1: because the more i'm reading, I'm like, this is not

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Speaker 1: Sydney Sweeney. After that, all I can picture is Sidney

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Speaker 1: Sweeney because I saw the trailer before I read the book.

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Speaker 2: Yeah, but I'm thinking, like black hair Scrorny gone to jail,

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Speaker 2: like mal deprived?

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Speaker 1: Is that? What is nutrition? Yeah? I don't know, like

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Speaker 1: you got to think about this though she was in

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Speaker 1: jail for ten years. Andrew Sweeny looks like she just rocked.

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Speaker 1: But it was low. It was at maximum security.

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Speaker 2: She was fed, come out of a euro summer like genetics.

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Speaker 1: I don't know.

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Speaker 2: Yeah, whatever, And then also the fucking I won't say

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Speaker 2: yet until we get to it, I won't say it,

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Speaker 2: but yeah, okay, I don't want to give it. I

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Speaker 2: don't want to give away the chapters, shall we, even

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Speaker 2: though everyone else has read them?

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Speaker 1: But yeah, we shower right. So we left off where

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Speaker 1: we figured out that the reason Nina went to the

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Speaker 1: psychiatric hospital was because nine years ago she tried to

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Speaker 1: kill Ceci and kill herself. Cool. So we go from

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Speaker 1: there and we get to go have a little geezer

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Speaker 1: at that big ass box that ends O brought in

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Speaker 1: that is from someone of the last name of Winchester.

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Speaker 1: Is still there and really's trying to move it too heavy.

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Speaker 1: Andrew comes home. He goes, oh my god, look at this.

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Speaker 1: My mother sent us a box. He opens it up.

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Speaker 1: He goes, grim in the face. Baby clothes, fucking baby clothes.

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Speaker 1: Bro bladdy. Nina, she was boasting. But yeah, there was

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Speaker 1: some bread crumbing right there. Yeah, Nina wouldn't shut up

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Speaker 1: about having a kid. We're trying, We're trying, We're about

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Speaker 1: to have one. That's the worst way to do it.

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Speaker 1: You can't say for when the baby comes and you're

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Speaker 1: not pregnant. Yeah, especially when you need to go see

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Speaker 1: a specialist to get pregnant. It's coming, guys. But she's

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Speaker 1: also she's not all there. She's all there, but she's

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Speaker 1: like maybe got too much there. Who knows quote quote

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Speaker 1: Amanda from The Dancer Sitle Cuckoo. Yeah wow. So merely

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Speaker 1: likes to feel like she's gonna comfort like Andrew and stuff.

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Speaker 1: Obviously she wants to go over and like and begins

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Speaker 1: smooch and stuff. She just won't shut the fuck up

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Speaker 1: about fucking this.

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Speaker 3: Man.

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Speaker 1: I know.

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Speaker 2: It's starting to reveal how much of a red flag.

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Speaker 1: She is as well. Yeah, yeah, so yeah, there's like

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Speaker 1: hell attention between her and Andrew. Basically she's gone over.

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Speaker 1: It's okay, like grais his hands and ship she like

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Speaker 1: holds his hand and he holds her. Tension, she said,

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Speaker 1: there's sparks brou can She try and ends it rejected.

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Speaker 1: Next man, I see my employer. I'm gonna get under

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Speaker 1: him all right. Now. Next day we got Nina going

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Speaker 1: to Millie. Oh so like basically right, so, Millie's chilling,

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Speaker 1: she's doing her thing. Nina's coming in to the kitchen.

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Speaker 1: Andrew she's coming in home from work and stuff. And

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Speaker 1: Nina goes, ah, Milli, did you get those tickets for

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Speaker 1: that show? She goes, yes, I actually did. Oh my god,

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Speaker 1: I got the last ones. Also got you a night

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Speaker 1: at the plaza in the suite because it's in the city.

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Speaker 1: You guys go spend the night, and Cecy's gonna go

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Speaker 1: stay with a friend of course, and then you're also

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Speaker 1: like six rows back or some shit from the Broadway shows,

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Speaker 1: you're gonna be able to touch him. Nina says, awesome,

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Speaker 1: thank you so much. Now, and Milli's kind of something

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Speaker 1: says something along the lines of like yeah, Sunday, I

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Speaker 1: got on for Sunday, and so Nina goes, yes, like

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Speaker 1: that's so good, when like, I don't know what she says,

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Speaker 1: but she says, she says this Sunday.

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Speaker 2: And then she goes, yeah, you said next Sunday from

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Speaker 2: last Sunday, which is this coming Sunday.

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Speaker 1: Basically, Millie was right, Nina was wrong.

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Speaker 2: Yes, and she did that thing where she gas lights

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Speaker 2: her to think she is wrong because of this reason

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Speaker 2: she didn't tell.

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Speaker 1: Her yeah, which she always does makes her feel crazy.

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Speaker 1: Nina's blown up, saying, well, i can't go this Sunday

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Speaker 1: because I've got to take Ceci to camp and it's

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Speaker 1: in Wisconsin, it's a different state, and she's staying the

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Speaker 1: night then, and so Nina's going, oh, Millly, what have

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Speaker 1: you done? Really? Oh my god, Oh my god. No,

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Speaker 1: I'm sure you said the other one, like I got

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Speaker 1: non refundable tickets, Nina, all my days, Nina, let's lose.

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Speaker 1: Oh my fucking god, Mellly, this is coming out of

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Speaker 1: your paycheck, bitch, fucking she's a baller. I was like,

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Speaker 1: what the fuck what. Millie's obviously nearly in tears, and

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Speaker 1: then of course Andrew comes in to save the day,

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Speaker 1: and he goes, oh, look, it's like Nina, it's fine,

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Speaker 1: I'll call the credit card company. I'm sure we can

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Speaker 1: get a refund, all right, and then she goes, fine,

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Speaker 1: but Millie, if we can't get that refund, I expect

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Speaker 1: you to pay for this Czy.

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Speaker 3: What the fuck?

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Speaker 1: Bro? What the fuck? So okay, come Sunday, Ceci's heading

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Speaker 1: off to camp. Really's cheering, she hates Ceci. Nina's taken

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Speaker 1: her and then no, I would to pause on she said,

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Speaker 1: she got the house to herself.

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Speaker 2: Yeah, and then she goes, I can walk around naked

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Speaker 2: if I wanted to.

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Speaker 1: Yeah, this is weird, and she's I won't, but I could. Yeah.

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Speaker 1: That's a weird bit of bread, weird thing.

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Speaker 3: The thing.

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Speaker 1: Yeah, what a weird thing in someone else's house. It's

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Speaker 1: not what I would think. So Andrew comes down, looking

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Speaker 1: sexy as ever in his weekend clothes Jean's and a shirt.

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Speaker 1: Let's go, and he's also apparently got the refund for

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Speaker 1: the tickets, so happy days. Apparently. Now Andrew's going to

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Speaker 1: take his bags out of the car, and then Nina's like, oh, Andrew,

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Speaker 1: you are you sure you can't come with us? And

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Speaker 1: he goes, oh, I'd love to, but I've got I've

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Speaker 1: got to work tomorrow. I can't miss it. I've got

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Speaker 1: all these meetings, Nina, you always put work before us.

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Speaker 1: And he's all like, oh, I'm sorry, dear, I'm sorry. Apparently,

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Speaker 1: according to Millie, he doesn't, you know. He goes to

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Speaker 1: the recitals, he goes to the graduations, he goes to everything.

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Speaker 1: He takes days off work for things.

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Speaker 3: So Nina's just been a bitch bro through and through,

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Speaker 3: Nina leaves, Andrew's like, you know, I gotta I gotta

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Speaker 3: confess something.

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Speaker 1: And that thing is I actually couldn't get a refund

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Speaker 1: on the tickets, and Millie it would be a shame

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Speaker 1: of them for them to go to waste. I want

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Speaker 1: you to have them and take a friend. I was like,

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Speaker 1: I couldn't, so oh really, ah, you know what, I'll pass.

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Speaker 1: I think that's a good idea. He goes, Oh, you've

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Speaker 1: got to come on, like, have you ever been to

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Speaker 1: a Broadway show? Like y? She goes, actually, I've never

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Speaker 1: been to a Broadway show. And he's like, oh my god,

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Speaker 1: that's terrible. That's terrible. She goes, oh, and secondly, I

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Speaker 1: don't actually have anyone to go with any friends. I

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Speaker 1: don't have anyone, and so he goes, blasphemy, I'll go

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Speaker 1: with you.

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Speaker 2: Right then, and there mine knew they were going to

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Speaker 2: make love.

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Speaker 1: Fucking hell. Bro. I was like, you're kidding. She goes,

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Speaker 1: oh no, no, no, no, Nina wouldn't like that. He goes, look,

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Speaker 1: I know she gets a bit jealous every now and then, right,

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Speaker 1: and I know she's a little bit mean to you,

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Speaker 1: but she would want you to go or something like that.

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Speaker 1: He's like, but who but she'll never find out, that's right. Yeah, yeah,

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Speaker 1: yeah no. He's like, look, I know she gets less,

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Speaker 1: but she won't know. And you need to go to

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Speaker 1: a roadway show once in your life. Was this the part?

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Speaker 2: I think it was within this conversation how she was

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Speaker 2: talking about Nina and he said in the past tense

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Speaker 2: loved instead of I love.

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Speaker 1: I think it was around here, it was before it

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Speaker 1: was before they went. I think that might have been

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Speaker 1: when he was opening his box.

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Speaker 2: Yeah that was my mum and he said I loved

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Speaker 2: and he looked all red and he goes, I mean love.

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Speaker 1: Yeah, yeah, she says something and then he goes, oh,

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Speaker 1: you know, like I back in like, oh yeah, he goes, yeah,

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Speaker 1: like we would have had kids earlier, but Nina was

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Speaker 1: sick or something, right, and that's obviously when she tried

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Speaker 1: to kill Celia, and so we we thought we would wait.

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Speaker 1: And also I actually think is right?

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Speaker 3: Is right?

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Speaker 1: Then when they spoke about how he's like, I don't

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Speaker 1: actually know what's gone wrong with Like he starting to

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Speaker 1: open up. He's like, I don't know what's gone wrong

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Speaker 1: with my marriage, Like you know Nina used to be.

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Speaker 1: Was this at the dinner table. Ah, maybe maybe he's

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Speaker 1: getting a bit into twine. Yeah, it's getting into time,

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Speaker 1: same stuff, but the same thing if it's smell. Basically,

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Speaker 1: he says I loved Nina, and then he goes, I

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Speaker 1: love Nina. Millie's like, I couldn't hear that. I see

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Speaker 1: the cracks and I will dive in. I will wedge

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Speaker 1: them up first. So they go get dressed, come back

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Speaker 1: down to the car. Andrew's looking sexy in a suit.

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Speaker 1: She walks down the stairs, Andrew breath taken away. Oh my, Millie,

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Speaker 1: you look beautiful. She's wearing one of the dresses Nina

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Speaker 1: gave her. Fits her amazingly perfectly fitted to her body.

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Speaker 1: Cocktail dress goes down to just above the knees. She thought,

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Speaker 1: that's all right. I covered myself up. I don't try

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Speaker 1: to be sexy for him. We're going to a show.

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Speaker 1: He's my boss, he's married, and he's he can't believe it.

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Speaker 1: He can't believe it. They get in the car, right, Beama,

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Speaker 1: BMW sexy. So they're in the BMW, they're about to leave,

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Speaker 1: and they're driving, and she realizes when she sits down

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Speaker 1: that once she sits down, the dress rides up and

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Speaker 1: you can see her her upper thighs, and so she's like, fuck,

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Speaker 1: She's like, I'm trying to get it down. Andrew's driving,

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Speaker 1: concentrated on the road, not looking at her thighs. He

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Speaker 1: stops at the red light and he can see she

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Speaker 1: can see him taking a little peek at the thighs,

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Speaker 1: and she looks up. She goes like this, and he

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Speaker 1: goes right, he goes, oh, not so nonchalant. Oh my god,

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Speaker 1: it's fucking crazy. So the show is obviously amazing. Yeah,

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Speaker 1: there's six rows in. She's just like daydreaming about the

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Speaker 1: fact that this could like her light, this could be

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Speaker 1: her life. Like she's daydreaming about the fact that you know,

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Speaker 1: she's like, I'm not an ex convict. I'm just I'm

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Speaker 1: just his girlfriend that he's taking to a show for

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Speaker 1: the night. Yeah, people won't notice. I don't have the

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Speaker 1: ring on that he does. Oh man. So they watch

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Speaker 1: the show. It's absolutely amazing. He gets up and he's like,

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Speaker 1: you know, I think that might be the stretch that

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Speaker 1: they've talked about in a couple of episodes ago episodes.

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Speaker 1: How about some dinner. Do you like French food? I

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Speaker 1: like French fries, he goes. She goes, I like their fries.

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Speaker 1: He says, ha ha, joke. Stuff. I know a great

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Speaker 1: French place a couple blocks away. Let's go. So they

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Speaker 1: head over to the French place. She takes a quick

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Speaker 1: look at the menu on the outside of the door.

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Speaker 1: She thinks, holy, He goes my shout of course. Ship

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Speaker 1: couldn't afford that. Ship better be oh my? All right,

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Speaker 1: what happens next? The menu is.

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Speaker 2: In French, so she goes, I can't read it or something,

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Speaker 2: and he goes.

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Speaker 1: We we yeah, yeah, yeah. She goes, can you read this?

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Speaker 1: He goes, we do you know French? He goes, we, Mademoiselle,

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Speaker 1: c come stay. I think that might have been Spanish,

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Speaker 1: but would you like it? Would you like me to

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Speaker 1: read it? Do you? Yeah? He's like, actually, you know

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Speaker 1: I know another language from studying abroad. How about you?

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Speaker 3: You know?

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Speaker 1: Did you do you know another language? She goes, i'muky

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Speaker 1: to know English. He's like, Melli, you should not talk

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Speaker 1: badly about yourself. You're a beautiful, smart woman. And I

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Speaker 1: was like, dude, put your dick away. Kind of subtle,

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Speaker 1: but away kind of subtle. He's like, do you want

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Speaker 1: to read it to you in English? She goes, honestly,

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Speaker 1: how about you just to order something? You think I'd like,

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Speaker 1: she knows what she's doing. That's hot. Oh my days.

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Speaker 1: All right, and then I'm pretty sure this happened at

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Speaker 1: the show, but I'm going to say it happened at

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Speaker 1: the restaurant. She gets a text message from Nina don't

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Speaker 1: forget to put the trash out. Oh yeah, yeah yeah, Millie.

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Speaker 1: Oh shit, Andrew, we've got to put the trash out.

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Speaker 1: And he's like, it's okay, it's okay, it'll be fine

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Speaker 1: if you find out. Worry about it. Right now, we're

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Speaker 1: at the restaurant. Sorry. Back to the restaurant. They've got

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Speaker 1: wine coming, expensive, yummy wine. They take a sip. Oh

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Speaker 1: my day. She goes, this is way better than the

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Speaker 1: five dollar wine I get from the bottle shrop down

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Speaker 1: the road. They order, and then he gets a phone call.

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Speaker 1: Oh shit, it's Nina. I better get this on the phone.

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Speaker 1: She's just yelling at him. She's screaming at him. He's like, Nina,

301
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Speaker 1: I can't talk you about this right now, hangs up.

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Speaker 1: I was like, ship, I'm going to date by.

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Speaker 4: The Yeah, we had a fuck out, mate, and so

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Speaker 4: we're not even subtly bread crumbing this apologies bad and.

305
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Speaker 1: So I don't think the book was subtle at all.

306
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Speaker 1: So he hangs up, and he goes like, man, I

307
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Speaker 1: just this is when he's like, I don't know what

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Speaker 1: happened in my marriage. Like he you know when I

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Speaker 1: first met Nina, Like she was a single mom working

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Speaker 1: two jobs, trying to provide driven beautiful and yeah, now

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Speaker 1: she you know, every other every other conversation we have,

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Speaker 1: she's just yelling at me. Millie goes, that's about sums

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Speaker 1: up relationship with her too. He says, at least we

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Speaker 1: got that in common. We also haven't come on the

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Speaker 1: fact we want to flop. Just kidding. So then Millie's

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Speaker 1: obviously like, you know, I'm sorry you guys. Yeah, he says,

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Speaker 1: I was actually engaged before before Nina. Because Millie asks,

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Speaker 1: she says, well what is he Yeah, like Nina now

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Speaker 1: shows no interest, so she's like kind of spoiled. She

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Speaker 1: shows no interest in like getting a job or anything

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Speaker 1: like that.

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Speaker 2: He phrased it funny in a sense of Nina stole

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Speaker 2: his past relationship of.

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Speaker 1: Him or something something in that in that way, and

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Speaker 1: she spoils Ceci and and he goes and so Millie goes, oh,

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Speaker 1: well she you know, the house is beautiful. You know

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Speaker 1: that's got to be Nina. And he goes, actually, no,

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Speaker 1: that was That's all mine. He like says in a

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Speaker 1: way where like no, the house is mine, like it's

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Speaker 1: not Nina's. And there wasn't mentioned earlier in the book

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Speaker 1: about an anti prenup that needs signed, and there there

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Speaker 1: was these bitches being like accomplished she signed that. And

333
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Speaker 1: so he goes, yeah, I was actually engaged before Nina,

334
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Speaker 1: and I have a feeling he's obviously cheated on the

335
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Speaker 1: last girl with Nina now in the background too, he's

336
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Speaker 1: pouring a lot of wine in the background, so he

337
00:18:16,359 --> 00:18:19,159
Speaker 1: gets yelled out by Nina down the glass. Pause it

338
00:18:19,240 --> 00:18:26,240
Speaker 1: all these conversations drinking, drinking. Now, after they stopped talking

339
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Speaker 1: about Nina, they go into other eyess. She says, it

340
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Speaker 1: was great dinner. We just drink wine and stuff. Dinner's over,

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Speaker 1: two bottles of wine deep. They get up and Andrew's

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Speaker 1: like whoa. He's stumbling. He's like, shit, I can not

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Speaker 1: drive home. Millie goes. Millie's drunk as well. She goes,

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Speaker 1: fuck you guys. We we still have that plaza. That's crazy,

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00:18:49,560 --> 00:18:53,960
Speaker 1: we still have that plaza, you know. And I was

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Speaker 1: like what. So she goes, ah, it's a bad idea.

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Speaker 1: She even mentions like he could just get us a

348
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Speaker 1: taxi home. He can afford it. But he's not even

349
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Speaker 1: thinking about it. So he goes. She's like this, there's

350
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Speaker 1: not a good idea. Right. He goes, and there's two

351
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Speaker 1: beds in there. It's the suite, you know, there's two beds.

352
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Speaker 1: I'll be a perfect gentleman. I'll be the perfect gentleman.

353
00:19:20,680 --> 00:19:22,919
Speaker 1: Don't you trust me? That's why he says, don't you

354
00:19:22,920 --> 00:19:28,640
Speaker 1: trust me? And I was like, whoa manipulation, whoa, even

355
00:19:28,640 --> 00:19:31,919
Speaker 1: though she was dying for it. So they get in

356
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Speaker 1: the car and she goes, two beds, you know. He's

357
00:19:34,080 --> 00:19:37,280
Speaker 1: like yeah, yeah, yeah, and he's a bit drunk. Her

358
00:19:37,440 --> 00:19:40,280
Speaker 1: dress rides up again and he looks down at it,

359
00:19:40,320 --> 00:19:42,000
Speaker 1: and she's like looking at him, and he's like what.

360
00:19:42,520 --> 00:19:44,720
Speaker 1: She goes, you're looking at my legs. He goes, they're

361
00:19:44,720 --> 00:19:51,200
Speaker 1: beautiful legs. Fucking hell. It's like you can't resist. Oh no,

362
00:19:51,200 --> 00:19:54,480
Speaker 1: one could resist. Fuck me. You guys like you're a

363
00:19:54,480 --> 00:19:57,040
Speaker 1: beautiful woman, Millily, Like, if I haven't already told you tonight,

364
00:19:57,080 --> 00:20:00,120
Speaker 1: you look beautiful and stuff like that. She's like, two beds,

365
00:20:00,960 --> 00:20:04,879
Speaker 1: two beds. He goes, yeah, yeah, and then the car swerves.

366
00:20:06,119 --> 00:20:08,119
Speaker 1: She launches on him because she hasn't put a seatbelt on,

367
00:20:09,680 --> 00:20:13,800
Speaker 1: and then their cheeks graze and he's like under his breath, Millie,

368
00:20:14,119 --> 00:20:17,880
Speaker 1: and then they just start making out. Oh what bro

369
00:20:18,440 --> 00:20:21,680
Speaker 1: saw it coming? But and she kisses him back, Yes

370
00:20:21,760 --> 00:20:25,960
Speaker 1: she did. It's been ten years, now years, it's been

371
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Speaker 1: ten years, and Andrew, oh my god. Now the only

372
00:20:33,000 --> 00:20:35,360
Speaker 1: time they stopped kissing was and he had to check

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Speaker 1: them into the fucking plaza. All right, they go upstairs,

374
00:20:40,119 --> 00:20:45,240
Speaker 1: they make sweet sweet love all night. This pissed me off.

375
00:20:45,280 --> 00:20:48,679
Speaker 1: But where was the descriptive language. How big is it?

376
00:20:48,920 --> 00:20:51,080
Speaker 1: How long did he last? How many times did she come?

377
00:20:51,280 --> 00:20:54,040
Speaker 1: How wet was she? How what was his moaning? Like?

378
00:20:54,240 --> 00:20:56,280
Speaker 1: Where was this? It's been ten years. I want to

379
00:20:56,280 --> 00:20:58,360
Speaker 1: know how it feels the first time. Like, if you're

380
00:20:58,359 --> 00:21:02,080
Speaker 1: gonna put sex in her book, give us what we want? Yeah,

381
00:21:02,119 --> 00:21:05,080
Speaker 1: I was like was there a page missing? I was like,

382
00:21:05,400 --> 00:21:06,800
Speaker 1: what happened? And then it was just like we woke

383
00:21:06,880 --> 00:21:10,520
Speaker 1: up in the morning and I was like, no, you didn't. Yeah.

384
00:21:10,720 --> 00:21:13,399
Speaker 1: She goes so in short, I had sex with my

385
00:21:13,440 --> 00:21:17,840
Speaker 1: boss and I was like, cool, where's the details, where's

386
00:21:17,840 --> 00:21:26,119
Speaker 1: the long version? Fuck meh fu? Yeah. So she wakes

387
00:21:26,200 --> 00:21:30,160
Speaker 1: up right in a queen bed. I was like the Plaza,

388
00:21:30,240 --> 00:21:32,520
Speaker 1: the sweet at the Plaza queen bed with this Max

389
00:21:32,600 --> 00:21:39,919
Speaker 1: super king ship. Anyway, he's laying there, she's laying there.

390
00:21:40,840 --> 00:21:45,760
Speaker 1: He rolls over, wakes up, She's awake. She's like, I

391
00:21:45,800 --> 00:21:48,639
Speaker 1: wonder if he wants to go again. No, no, no, no, no,

392
00:21:49,320 --> 00:21:51,040
Speaker 1: he won't want to You can't. We can't do this again.

393
00:21:51,200 --> 00:21:58,280
Speaker 1: It can never happened. A this can never happen. So

394
00:21:58,320 --> 00:22:00,800
Speaker 1: then he wakes up and he's like really, goes to

395
00:22:00,800 --> 00:22:05,280
Speaker 1: get up he's well, got a hangover my days and

396
00:22:05,280 --> 00:22:07,200
Speaker 1: then he's like, are we good? He goes, yeah, yeah, yeah,

397
00:22:07,200 --> 00:22:08,560
Speaker 1: we're good. He goes, you won't tell Nina, will you.

398
00:22:09,240 --> 00:22:13,280
Speaker 1: She's like no, lips sealed, and then she goes to

399
00:22:13,320 --> 00:22:16,879
Speaker 1: get up, and he's like thank you and stuff, and

400
00:22:16,880 --> 00:22:20,080
Speaker 1: then he says, hey, merely, I'm not sorry for it.

401
00:22:21,080 --> 00:22:24,439
Speaker 1: I'm not sorry for any of it. And she's like,

402
00:22:25,240 --> 00:22:29,680
Speaker 1: oh yeah, Minita and blah blah blah. And I think

403
00:22:29,720 --> 00:22:35,320
Speaker 1: he also says like, but we can never do this again.

404
00:22:37,400 --> 00:22:39,159
Speaker 1: And it is also this the same time where he

405
00:22:39,200 --> 00:22:44,040
Speaker 1: says like, you know, I wish that if this was

406
00:22:45,080 --> 00:22:47,680
Speaker 1: basically he says like, I wish it was you basically.

407
00:22:48,119 --> 00:22:52,480
Speaker 1: I think that now there, Yeah, there was reminiscence of Nina. Yeah,

408
00:22:52,840 --> 00:22:55,439
Speaker 1: in million a sense, the hustle of the ground.

409
00:22:55,480 --> 00:22:58,199
Speaker 2: She works hard, she's ambitious, yeah, trying to make her

410
00:22:58,240 --> 00:22:58,760
Speaker 2: life better.

411
00:22:58,840 --> 00:23:00,520
Speaker 1: He wishes he met her way back. When that's what

412
00:23:00,560 --> 00:23:02,240
Speaker 1: he says, he says like, I wish I met you

413
00:23:02,280 --> 00:23:05,639
Speaker 1: with leend me gasline to me, fucking oath bro Semi.

414
00:23:05,960 --> 00:23:10,600
Speaker 1: This is textbook manipulation, holy rock hard manipulation, which you say,

415
00:23:11,240 --> 00:23:15,440
Speaker 1: fucking oh. So they drive home same clothes they wore.

416
00:23:15,480 --> 00:23:17,120
Speaker 1: He's got a head back into the city. Straight after

417
00:23:17,119 --> 00:23:21,960
Speaker 1: he gets home, she realizes we didn't take the trash out.

418
00:23:22,200 --> 00:23:27,879
Speaker 1: Then thens He's like, whatever, it's just a bed. He's like,

419
00:23:27,920 --> 00:23:29,840
Speaker 1: are we gonna make it in time? She goes, no, no, no,

420
00:23:29,880 --> 00:23:32,119
Speaker 1: I'm pretty sure we missed it. He guys, let me

421
00:23:32,119 --> 00:23:36,960
Speaker 1: deal with it. They pull in. Enzo's there, right, this

422
00:23:37,040 --> 00:23:39,639
Speaker 1: is this is sus bro. This is a little bit

423
00:23:39,680 --> 00:23:43,120
Speaker 1: of sus bread crumb and shit. Right. So Enzo's there

424
00:23:43,119 --> 00:23:45,480
Speaker 1: and he goes, oh, look, Enzo's here. Enzo sees million

425
00:23:45,480 --> 00:23:50,080
Speaker 1: in the car, shakes his head like you fucking clown.

426
00:23:51,840 --> 00:23:53,399
Speaker 1: He goes, oh, let me just ask Nzoe if he

427
00:23:53,400 --> 00:23:56,920
Speaker 1: can deal with the trash. So he goes over at Enzo.

428
00:23:56,960 --> 00:24:01,600
Speaker 1: He's like, Chozo says these things. You guys, mate, we

429
00:24:01,720 --> 00:24:03,600
Speaker 1: forgot to take the trash out. Can you take it

430
00:24:03,640 --> 00:24:05,760
Speaker 1: in your truck to the dump? And then says like

431
00:24:06,359 --> 00:24:12,120
Speaker 1: what He's like, truck rubbish dump, I'll give you fifty.

432
00:24:12,760 --> 00:24:15,760
Speaker 1: And I was like, damn, he, I'll give you a hundred.

433
00:24:15,920 --> 00:24:19,240
Speaker 1: And then I was like damn, He's like, Enzo, truck

434
00:24:19,480 --> 00:24:24,840
Speaker 1: rubbish dump, I'll give you two hundred. And so takes it.

435
00:24:25,200 --> 00:24:28,119
Speaker 1: Greedy motherucker. Greedy motherfucker takes the rubbish, puts in the

436
00:24:28,119 --> 00:24:32,040
Speaker 1: back of his truck, drives off. All right, Andrew gets

437
00:24:32,040 --> 00:24:33,399
Speaker 1: back in the car to drive the kind of the garage.

438
00:24:33,400 --> 00:24:35,040
Speaker 1: He goes, oh, fuck, what is it with that guy?

439
00:24:35,160 --> 00:24:39,080
Speaker 1: Such a dick? And he's like, and Millie's like, I

440
00:24:39,119 --> 00:24:40,879
Speaker 1: just don't think he understands this. When he goes, no,

441
00:24:40,960 --> 00:24:43,080
Speaker 1: he trust me, he knows what I'm saying. He was

442
00:24:43,119 --> 00:24:44,480
Speaker 1: just trying to get as much as he could out

443
00:24:44,480 --> 00:24:49,320
Speaker 1: of me. And he goes, I always I told Nina

444
00:24:49,359 --> 00:24:50,760
Speaker 1: to get rid of him, but she just keeps on

445
00:24:50,800 --> 00:24:52,440
Speaker 1: saying that everyone else in the neighborhood has him, and

446
00:24:52,440 --> 00:24:54,199
Speaker 1: he's the best at what he does. I'm telling you

447
00:24:54,200 --> 00:25:01,040
Speaker 1: he's day. He is fucking giving Nina backshots. I'm telling

448
00:25:01,119 --> 00:25:07,760
Speaker 1: you true. All right. So Millie's like a weird and

449
00:25:07,800 --> 00:25:10,199
Speaker 1: he's like, yeah, I don't know why, Like I just

450
00:25:10,240 --> 00:25:13,000
Speaker 1: find him, suss. He's in everyone else's yard on another

451
00:25:13,040 --> 00:25:14,480
Speaker 1: day of a week, he spends one third of his

452
00:25:14,560 --> 00:25:18,640
Speaker 1: time in our yard, you know. And he's like, and

453
00:25:18,680 --> 00:25:20,320
Speaker 1: Millie goes, well, I mean, you guys do have the

454
00:25:20,320 --> 00:25:22,840
Speaker 1: biggest house, you know, on the block, the biggest yard,

455
00:25:22,960 --> 00:25:25,040
Speaker 1: like spends the most time on. And he's like, yeah, yeah,

456
00:25:25,040 --> 00:25:28,440
Speaker 1: I guess whatever. Andrew goes to work. Milli goes about

457
00:25:28,480 --> 00:25:33,400
Speaker 1: our day. Nini gets home about two pm. She has

458
00:25:33,440 --> 00:25:36,399
Speaker 1: been shopping. She says to Milike, you take these upstairs.

459
00:25:36,400 --> 00:25:38,960
Speaker 1: They're a bit heavy. It sits down on the lounge.

460
00:25:38,960 --> 00:25:41,399
Speaker 1: Milli goes to take her bags upstairs. She goes, Owen, Millie,

461
00:25:42,800 --> 00:25:46,560
Speaker 1: I called the home phone last night at eleven and

462
00:25:46,720 --> 00:25:51,920
Speaker 1: no one answered. You should be answering the phone. It's

463
00:25:51,920 --> 00:25:54,800
Speaker 1: one of your duties. That's one of your duties. Yeah,

464
00:25:55,240 --> 00:25:59,080
Speaker 1: and Milly goes, I think I was asleep. I'm sorry,

465
00:25:59,080 --> 00:26:00,880
Speaker 1: and I can't hear it all up in the attics,

466
00:26:00,960 --> 00:26:04,879
Speaker 1: so good save. She goes, yeah, but neither did andrews

467
00:26:04,960 --> 00:26:08,320
Speaker 1: he didn't answer it either. She goes, well, ah, I

468
00:26:08,320 --> 00:26:10,040
Speaker 1: don't know what he was doing. I was asleep, Like

469
00:26:10,080 --> 00:26:12,000
Speaker 1: I said, I was asleep. I don't know where he

470
00:26:12,080 --> 00:26:14,800
Speaker 1: might have gone out out Where would he go with?

471
00:26:14,840 --> 00:26:15,040
Speaker 3: Who?

472
00:26:15,640 --> 00:26:16,159
Speaker 1: Really's? Like?

473
00:26:16,520 --> 00:26:16,760
Speaker 3: Fuck?

474
00:26:16,840 --> 00:26:21,240
Speaker 1: Did I know I was asleep? Nina Fair? She texts

475
00:26:21,280 --> 00:26:25,200
Speaker 1: Andrew after she goes upstairs. Nina asked her, but Nina

476
00:26:25,240 --> 00:26:27,600
Speaker 1: called the house last night by the way, She's like,

477
00:26:27,640 --> 00:26:29,159
Speaker 1: he'll know what to do. He always knows what to do.

478
00:26:29,280 --> 00:26:30,680
Speaker 1: I was like, oh, we God, get off his dick.

479
00:26:30,960 --> 00:26:33,000
Speaker 1: He shouldn't she shouldn't have tasted him.

480
00:26:33,560 --> 00:26:33,679
Speaker 3: Fu.

481
00:26:33,920 --> 00:26:36,920
Speaker 1: Nona's definitely tracking that shit. Oh bro, I reckon. Nina's

482
00:26:36,920 --> 00:26:39,440
Speaker 1: got cameras in the house and everything. Yeah, fucking hell,

483
00:26:39,880 --> 00:26:43,520
Speaker 1: terrifying by the way, Nina scares me. Yeah, all right, now,

484
00:26:44,800 --> 00:26:47,560
Speaker 1: it's been about a week Ceci's gone. The house is

485
00:26:47,640 --> 00:26:50,320
Speaker 1: beautifully quiet, even though she's an eerie little child. But

486
00:26:51,560 --> 00:26:54,160
Speaker 1: so she can't help but notice that Andrew and Nina

487
00:26:54,240 --> 00:26:56,239
Speaker 1: have been a little stand offish to each other. They

488
00:26:56,359 --> 00:26:59,800
Speaker 1: just don't really talk much. And yeah, yeah, yeah. She

489
00:27:00,000 --> 00:27:01,720
Speaker 1: she's cooking dinner. She wants to get it on the

490
00:27:01,760 --> 00:27:03,359
Speaker 1: table before they come in, and so she can just

491
00:27:03,400 --> 00:27:05,159
Speaker 1: get out of there, get her out of the awkwardness.

492
00:27:06,760 --> 00:27:10,720
Speaker 1: So she goes put the food on the table, and

493
00:27:12,160 --> 00:27:15,639
Speaker 1: she's taking a water glass, bumps into Andrew drops the

494
00:27:15,720 --> 00:27:19,239
Speaker 1: glass shatters everywhere. All right. He goes, let me help

495
00:27:19,280 --> 00:27:20,399
Speaker 1: you with that. She goes, no, no, no, He's like,

496
00:27:20,440 --> 00:27:22,760
Speaker 1: you let me help you. They're cleaning up. Nina comes in.

497
00:27:23,040 --> 00:27:25,840
Speaker 1: What's going on here? MILLI? I dropped glass, Millie, please

498
00:27:25,920 --> 00:27:30,159
Speaker 1: be more careful. It's like whatever food on table, right,

499
00:27:31,440 --> 00:27:38,119
Speaker 1: and then Nina says, thank you so much. Millie. What

500
00:27:38,320 --> 00:27:44,920
Speaker 1: was food like in prison? Crazy and merely like what

501
00:27:45,520 --> 00:27:49,800
Speaker 1: Andrew's looking at her in fucking like shock prison? She

502
00:27:49,920 --> 00:27:53,960
Speaker 1: goes it was okay. I guess it's like, well, keep

503
00:27:54,000 --> 00:27:55,320
Speaker 1: doing what you're doing because this is great. We don't

504
00:27:55,320 --> 00:27:59,439
Speaker 1: want of that prison food, all right. I was like, fuck, bro,

505
00:27:59,760 --> 00:28:03,800
Speaker 1: girl knows what she's doing. And then and then Millie leaves.

506
00:28:03,840 --> 00:28:06,240
Speaker 1: She goes on, Millie, before we leave, you've got some pepper.

507
00:28:06,920 --> 00:28:08,720
Speaker 1: She goes back in the kitchen, text out of the table,

508
00:28:09,160 --> 00:28:13,960
Speaker 1: puts like she like slams it like down, and Nina's like,

509
00:28:14,040 --> 00:28:20,000
Speaker 1: thank you. Nina's apparently got like caked up eyeliner, smudged lipstick.

510
00:28:20,200 --> 00:28:26,120
Speaker 1: She looks like a demon, looks demonic, Milli. Millie's like pleasure.

511
00:28:27,040 --> 00:28:29,880
Speaker 1: Nina goes. So Milli goes upstairs. She's about to cry.

512
00:28:30,000 --> 00:28:34,600
Speaker 1: She's laying in her bed until something catches her eye. Millie.

513
00:28:36,040 --> 00:28:40,400
Speaker 1: On her bedside table is the playbill from the Broadway show,

514
00:28:40,640 --> 00:28:42,960
Speaker 1: which is like what's happening that night? As if you

515
00:28:42,960 --> 00:28:45,440
Speaker 1: would keep the menu, So she goes, and I kept

516
00:28:45,480 --> 00:28:47,680
Speaker 1: it in my wallet so I could remember the night

517
00:28:47,680 --> 00:28:50,520
Speaker 1: because of how good it was. She goes, But I

518
00:28:50,680 --> 00:28:53,800
Speaker 1: left it in my wallet. I haven't touched it since,

519
00:28:53,920 --> 00:28:55,760
Speaker 1: so no one could find it. And it's on my

520
00:28:55,880 --> 00:29:00,640
Speaker 1: bedside table, she goes, No one's been in here, but

521
00:29:01,080 --> 00:29:04,520
Speaker 1: I'm the only one with the key. But that Nina.

522
00:29:05,760 --> 00:29:09,080
Speaker 1: And then the way it ends is, oh, my days,

523
00:29:09,120 --> 00:29:12,240
Speaker 1: I just made a dangerous, dangerous enemy.

524
00:29:13,480 --> 00:29:19,480
Speaker 2: Well, oh boy, that is a cliffhanger and a huh yeah, yeah, yeah, yeah,

525
00:29:20,720 --> 00:29:23,280
Speaker 2: honestly very entertained.

526
00:29:23,640 --> 00:29:26,960
Speaker 1: Yeah. I did see a lot of comments that said predictable,

527
00:29:27,560 --> 00:29:30,280
Speaker 1: and to her sense, it is have we predicted these things?

528
00:29:31,200 --> 00:29:32,520
Speaker 1: I actually didn't know if she was going to have

529
00:29:32,600 --> 00:29:35,280
Speaker 1: sex with Andrew. You told me no. I thought yes initially,

530
00:29:36,080 --> 00:29:40,920
Speaker 1: but obviously they did. Obviously they did. All right, tell

531
00:29:40,960 --> 00:29:42,720
Speaker 1: me what you're thinking, Oddie? What am I thinking?

532
00:29:42,960 --> 00:29:48,720
Speaker 2: I am thinking? So, I actually don't think Nina knows.

533
00:29:49,920 --> 00:29:51,959
Speaker 2: I think something else has happened there and it's going

534
00:29:52,000 --> 00:29:53,680
Speaker 2: to explain it. And I think what's going to happen

535
00:29:53,760 --> 00:29:56,720
Speaker 2: is Millie's going to make a mistake and slip again

536
00:29:56,760 --> 00:29:58,640
Speaker 2: with Andrew, and that's how they find out because of

537
00:29:58,720 --> 00:29:59,480
Speaker 2: whatever just happened.

538
00:29:59,480 --> 00:30:05,200
Speaker 1: Now, wait, one more thing to add. While Million Andrew

539
00:30:05,240 --> 00:30:07,040
Speaker 1: were cleaning up the glass, he's trying to say something

540
00:30:07,120 --> 00:30:09,000
Speaker 1: to it. That's when Nina comes in, so they obviously

541
00:30:09,040 --> 00:30:11,520
Speaker 1: can't say it. And then he goes to like go

542
00:30:11,680 --> 00:30:15,600
Speaker 1: over near her, near the broom cabinet, and he like

543
00:30:15,640 --> 00:30:17,520
Speaker 1: goes up real questomer. He's like, we need to talk later,

544
00:30:18,320 --> 00:30:21,520
Speaker 1: and then Nina brings up the prison thing, and so

545
00:30:21,680 --> 00:30:23,200
Speaker 1: she was like, I wonder what Andrew wanted to talk

546
00:30:23,240 --> 00:30:26,320
Speaker 1: to me about. So now remember that so Andrew wanted

547
00:30:26,320 --> 00:30:27,360
Speaker 1: to talk to Milly about something.

548
00:30:28,080 --> 00:30:30,560
Speaker 2: I actually think this is a hard curve ball and

549
00:30:30,800 --> 00:30:33,520
Speaker 2: very scary, but I think it's fitting for the book.

550
00:30:33,840 --> 00:30:34,440
Speaker 1: You know how.

551
00:30:36,200 --> 00:30:40,440
Speaker 2: Millie keeps forgetting things, and it's alluded that it's Nina's fault.

552
00:30:41,080 --> 00:30:45,840
Speaker 2: I think they're drugging Milli or Nina's drugging Million a sense,

553
00:30:45,920 --> 00:30:47,720
Speaker 2: or doing something to make her forget her memory, and

554
00:30:47,800 --> 00:30:51,040
Speaker 2: these things are actually happening, but she's actually just forgetting.

555
00:30:52,440 --> 00:30:56,440
Speaker 1: And she actually is doing these things because that one,

556
00:30:56,680 --> 00:30:57,040
Speaker 1: I think.

557
00:30:57,120 --> 00:31:00,320
Speaker 2: And then what's going to happen is she thinks Nina knows,

558
00:31:00,360 --> 00:31:02,360
Speaker 2: but she actually doesn't, and she's gonna stuff up with Andrew.

559
00:31:02,400 --> 00:31:06,800
Speaker 1: And Andrew or her is gonna tell Nina in a

560
00:31:06,880 --> 00:31:10,320
Speaker 1: sense in a way. So do we think Nina's crazy though?

561
00:31:10,480 --> 00:31:13,080
Speaker 2: Oh yeah, she's drugging fucking Millie or she's doing something

562
00:31:13,120 --> 00:31:14,920
Speaker 2: to her to make her forget her memory. And I reckon,

563
00:31:14,960 --> 00:31:20,160
Speaker 2: these things are happening, and she's actually just forgetting something

564
00:31:20,240 --> 00:31:21,480
Speaker 2: like that, because I don't think she knows.

565
00:31:22,680 --> 00:31:25,280
Speaker 1: I think because she's the type to me if she knew,

566
00:31:25,400 --> 00:31:27,120
Speaker 1: she would be like, get the fuck out of my

567
00:31:27,120 --> 00:31:28,920
Speaker 1: house or should stab her right there? And I don't know.

568
00:31:29,200 --> 00:31:31,760
Speaker 1: I think that she's like crazy enough to play the

569
00:31:31,800 --> 00:31:37,680
Speaker 1: long game, you reckon? Yeah, so what do you reckon? Look?

570
00:31:38,360 --> 00:31:42,040
Speaker 1: I was like, why did why'd they fuck? Like? Yeah,

571
00:31:42,560 --> 00:31:45,920
Speaker 1: it's a terrible decision, don't she? Were? You weak? Guys?

572
00:31:46,080 --> 00:31:55,960
Speaker 1: That's my motto, right, So hmmm, I am going to

573
00:31:56,000 --> 00:31:58,400
Speaker 1: say I'm happy with the book. I think that what

574
00:31:58,560 --> 00:32:01,520
Speaker 1: we've just experienced is one twist and turn of many

575
00:32:01,600 --> 00:32:03,840
Speaker 1: to come in the next thirty chapters. I think it's

576
00:32:03,880 --> 00:32:06,440
Speaker 1: going to be crazy. I want to make a prediction

577
00:32:06,560 --> 00:32:12,400
Speaker 1: on who do we think the overall villain is? Or

578
00:32:13,000 --> 00:32:17,840
Speaker 1: I also think Andrew is probably a past alcoholic and

579
00:32:17,920 --> 00:32:21,760
Speaker 1: he's done some bad things. So yeah, I think that

580
00:32:22,320 --> 00:32:29,480
Speaker 1: Andrew has got a side to him that we have

581
00:32:29,640 --> 00:32:33,360
Speaker 1: not seen, and no one has seen, because I think

582
00:32:33,480 --> 00:32:39,920
Speaker 1: that there's a reason he's staying with Nina that we

583
00:32:40,160 --> 00:32:43,680
Speaker 1: don't know, but I have a feeling it's because of

584
00:32:43,880 --> 00:32:47,920
Speaker 1: some sort of control that he has over her, because

585
00:32:48,040 --> 00:32:51,600
Speaker 1: she tried to kill her kid and he wants to

586
00:32:51,640 --> 00:32:54,719
Speaker 1: have a kid with her, Like who in their right

587
00:32:54,800 --> 00:33:01,960
Speaker 1: mind would do that? I agreed. I genuinely think that

588
00:33:02,520 --> 00:33:04,200
Speaker 1: that Andrew is potentially the villain in this.

589
00:33:05,480 --> 00:33:07,880
Speaker 2: I think they're as bad as each other. I think,

590
00:33:08,000 --> 00:33:09,280
Speaker 2: what do we think is going to happen with Enzo?

591
00:33:09,400 --> 00:33:12,080
Speaker 2: But I think everyone's going to die except for Enzo

592
00:33:12,160 --> 00:33:12,520
Speaker 2: and Milly.

593
00:33:13,720 --> 00:33:18,200
Speaker 1: I think that so Enzo plays a bigger part in

594
00:33:18,240 --> 00:33:22,320
Speaker 1: this somehow, and I hope that it's that he is

595
00:33:22,840 --> 00:33:24,560
Speaker 1: Nina's baby daddy, Cee's dad.

596
00:33:24,680 --> 00:33:26,520
Speaker 2: I think he's going to save merely at one point,

597
00:33:26,800 --> 00:33:28,800
Speaker 2: and there's there's going to be a point where Millie

598
00:33:28,840 --> 00:33:31,040
Speaker 2: gets locked in the attic, of course, like it's going

599
00:33:31,120 --> 00:33:32,040
Speaker 2: to happen sooner or later.

600
00:33:32,680 --> 00:33:36,520
Speaker 1: I think that what's going to happen is she's going

601
00:33:36,640 --> 00:33:39,880
Speaker 1: to get in a big fight with Nina and say

602
00:33:40,080 --> 00:33:43,560
Speaker 1: she quits, and Nina's going to say you don't get

603
00:33:43,560 --> 00:33:45,360
Speaker 1: to leave to you fired or something crazy shit like that.

604
00:33:46,200 --> 00:33:48,680
Speaker 1: So then Millie's like, I'm going to get back my

605
00:33:48,760 --> 00:33:52,840
Speaker 1: things locked in, locked in? Yeah, I agreed. Now I

606
00:33:53,160 --> 00:33:58,720
Speaker 1: I think that I did I have Oh yeah, I

607
00:33:58,960 --> 00:34:03,520
Speaker 1: think that what's actually how happened here is I think

608
00:34:04,680 --> 00:34:11,280
Speaker 1: that the last time they had a maide, Andrew slept

609
00:34:11,320 --> 00:34:11,960
Speaker 1: with that one too.

610
00:34:12,560 --> 00:34:12,759
Speaker 3: Oh.

611
00:34:13,840 --> 00:34:21,040
Speaker 1: And I think that Nina is obviously crazy and she

612
00:34:21,160 --> 00:34:27,480
Speaker 1: got another young, pretty living maid just like just because

613
00:34:27,560 --> 00:34:31,920
Speaker 1: like she can, and she wants to, like, I don't know,

614
00:34:32,480 --> 00:34:33,080
Speaker 1: do you reckon?

615
00:34:33,239 --> 00:34:37,440
Speaker 2: Out of spite, she hired Millie knowing her background to

616
00:34:37,600 --> 00:34:38,280
Speaker 2: go to Andrew.

617
00:34:38,800 --> 00:34:43,040
Speaker 1: Hahuh, you just slept with a convict. Yeah, you just

618
00:34:43,080 --> 00:34:45,799
Speaker 1: slept someone that slept with someone that murdered someone. Yeah.

619
00:34:46,640 --> 00:34:52,520
Speaker 1: All you like is murderers. Oh he has a type. Yeah,

620
00:34:52,600 --> 00:34:57,600
Speaker 1: she's trying to She's trying to get one up on

621
00:34:57,719 --> 00:35:01,200
Speaker 1: Andrew because it's prenup shall agreement.

622
00:35:01,440 --> 00:35:04,240
Speaker 2: Agreed, and probably Andrew for his business for some reason,

623
00:35:04,719 --> 00:35:07,040
Speaker 2: can't have this find out. Maybe that's why he's staying.

624
00:35:07,080 --> 00:35:09,279
Speaker 2: So he slept with the last maid his business. Can't

625
00:35:09,280 --> 00:35:11,800
Speaker 2: find out that he's sleeping with maids, he'll ruin his reputation.

626
00:35:12,320 --> 00:35:13,839
Speaker 2: So he's just doing it again because he knows he's

627
00:35:13,840 --> 00:35:16,000
Speaker 2: stuck anyway. Yeah, and he's like, I just want to

628
00:35:16,040 --> 00:35:17,600
Speaker 2: fuck Yeah, I just want to fuck.

629
00:35:19,160 --> 00:35:19,200
Speaker 1: You.

630
00:35:19,880 --> 00:35:21,680
Speaker 2: I do think that he's a bad guy at the end, though,

631
00:35:21,719 --> 00:35:24,440
Speaker 2: when they have when they slept together, I was thinking,

632
00:35:24,640 --> 00:35:29,759
Speaker 2: do you reckon Millie gets pregnant, but there was no

633
00:35:29,840 --> 00:35:30,560
Speaker 2: bread coming there.

634
00:35:31,480 --> 00:35:33,440
Speaker 1: But I was thinking that initially because he wants a kid,

635
00:35:34,000 --> 00:35:39,480
Speaker 1: she wants to be his wife, and then is that

636
00:35:39,680 --> 00:35:45,759
Speaker 1: how Nina finds out? That would be crazy? Bro Oh.

637
00:35:46,880 --> 00:35:48,560
Speaker 1: I like, I'm not gonna like I get scared to

638
00:35:48,600 --> 00:35:50,600
Speaker 1: read this book. It is a little bit scary. It's

639
00:35:50,600 --> 00:35:51,920
Speaker 1: one of those ones you don't want to read when

640
00:35:51,920 --> 00:35:55,719
Speaker 1: it's dark. I just like, I just don't know what's

641
00:35:55,760 --> 00:36:02,400
Speaker 1: gonna happen, honestly, honestly. So chapters, Yeah, we'll do. So

642
00:36:02,600 --> 00:36:08,280
Speaker 1: there's sixty chapters, so we'll go to wait, we say thirty,

643
00:36:08,600 --> 00:36:09,800
Speaker 1: so we need to read if we want to do

644
00:36:09,800 --> 00:36:12,560
Speaker 1: it in two more parts on your fifteen fifteen? Yeah, yeah,

645
00:36:12,560 --> 00:36:15,040
Speaker 1: should we do fifteen fifteen or should we do thirty

646
00:36:15,080 --> 00:36:17,399
Speaker 1: straight up. We could probably just finish it, to be honest,

647
00:36:17,440 --> 00:36:19,120
Speaker 1: So that means we need to fucking figure out what

648
00:36:19,160 --> 00:36:19,919
Speaker 1: we're reading next.

649
00:36:20,640 --> 00:36:21,960
Speaker 2: It could be in this episode. Well that was only

650
00:36:22,000 --> 00:36:24,400
Speaker 2: half an hour. So if we do double yeah, do

651
00:36:24,520 --> 00:36:26,799
Speaker 2: we want to put a pole? What's coming out? Yeah,

652
00:36:26,840 --> 00:36:31,120
Speaker 2: we'll put a pole on Patreon gets two votes and

653
00:36:31,480 --> 00:36:33,600
Speaker 2: Patron gets two votes, so everyone, I'll put a pole

654
00:36:33,600 --> 00:36:35,880
Speaker 2: on Patreon and for everyone on Patreon their vote counters.

655
00:36:35,760 --> 00:36:40,480
Speaker 1: Too, oh okay, and then on I don't know if

656
00:36:40,520 --> 00:36:44,960
Speaker 1: I'll put it in the Batties Instagram channel as well.

657
00:36:45,000 --> 00:36:46,960
Speaker 1: That's one better. So they're the two options. So if

658
00:36:46,960 --> 00:36:49,360
Speaker 1: you're in the Baddies Instagram channel, yeah, we're going to

659
00:36:49,400 --> 00:36:53,520
Speaker 1: put in a poll for either Throne of Glass, Fourth

660
00:36:53,600 --> 00:36:56,000
Speaker 1: Wing or Crescent City. We're going to do the same

661
00:36:56,080 --> 00:37:00,360
Speaker 1: thing in Patreon. We'll tally all the votes. If you

662
00:37:00,480 --> 00:37:04,160
Speaker 1: vote in the about his book Club channel on Instagram,

663
00:37:04,560 --> 00:37:06,480
Speaker 1: counts as one vote. Yeah, if you go and you

664
00:37:06,560 --> 00:37:09,480
Speaker 1: pay for Patreon and vote in Patreon, if all of

665
00:37:09,520 --> 00:37:12,400
Speaker 1: those votes count as two votes correct each, So for

666
00:37:12,480 --> 00:37:17,080
Speaker 1: each one, so yeah, shit, we're going to have to

667
00:37:17,360 --> 00:37:21,880
Speaker 1: Oh oh, I'm not worried about buying him I'm just

668
00:37:21,920 --> 00:37:23,600
Speaker 1: worried about. So here's the thing with Fourth Wing is

669
00:37:23,719 --> 00:37:26,920
Speaker 1: I want to read it. I want to do Fourth Wing.

670
00:37:27,400 --> 00:37:30,880
Speaker 1: So now I am keen on Fourth Wing. But with

671
00:37:31,080 --> 00:37:33,880
Speaker 1: Fourth Wing, I was listening to Shits and Gigs and

672
00:37:34,040 --> 00:37:36,400
Speaker 1: he one of them was reading Fourth Wing, and I

673
00:37:36,560 --> 00:37:38,360
Speaker 1: was like, ah, I might not ever read it, so

674
00:37:38,800 --> 00:37:40,160
Speaker 1: so I'll just listened to it. So I was listening

675
00:37:40,200 --> 00:37:42,520
Speaker 1: to his synopsis on Fourth Wing. So I know some

676
00:37:42,640 --> 00:37:44,880
Speaker 1: of the big spoilers that happened in the first two books,

677
00:37:44,920 --> 00:37:47,560
Speaker 1: but he didn't finish the last book. Yeah, that's out,

678
00:37:48,000 --> 00:37:49,840
Speaker 1: So once we get to the third one, I'm chillin'.

679
00:37:50,160 --> 00:37:51,880
Speaker 1: I know some of the big things that happen in

680
00:37:51,960 --> 00:37:54,279
Speaker 1: the first two. But what I've noticed is because now

681
00:37:54,920 --> 00:37:57,560
Speaker 1: James from Shitts and Gigs is doing Akatar, and I've

682
00:37:57,600 --> 00:38:00,840
Speaker 1: read Akatar, his synopsis is on a Tara are not

683
00:38:01,239 --> 00:38:04,239
Speaker 1: all that accurate, so they give away spoilers, but they

684
00:38:04,320 --> 00:38:06,839
Speaker 1: give it like he was. I'm thinking to myself, he's

685
00:38:06,920 --> 00:38:09,560
Speaker 1: leaving out so much juice, So I think there's still

686
00:38:09,560 --> 00:38:11,440
Speaker 1: a lot of juice for me to get in Fourth Wing.

687
00:38:11,800 --> 00:38:13,800
Speaker 2: And I guess a little bit of the behind the

688
00:38:13,880 --> 00:38:17,160
Speaker 2: scenes in our decision making, although it's all up to

689
00:38:17,200 --> 00:38:21,560
Speaker 2: the baddies. In a sense, Akatar for the podcast was

690
00:38:21,640 --> 00:38:25,800
Speaker 2: amazing for the first two books, maybe even three, but

691
00:38:25,960 --> 00:38:29,839
Speaker 2: the last two the listenerships went down drastically.

692
00:38:30,280 --> 00:38:31,560
Speaker 1: It went down quite a bit. Yeah, it's like it

693
00:38:31,640 --> 00:38:33,680
Speaker 1: was like those two books were less hype for some reason.

694
00:38:33,920 --> 00:38:36,080
Speaker 2: It's almost like people stopped reading it or I don't know,

695
00:38:36,400 --> 00:38:40,360
Speaker 2: we got less good. But in a sense best for

696
00:38:40,440 --> 00:38:43,560
Speaker 2: the podcast is also the one that has the most hype.

697
00:38:44,760 --> 00:38:50,520
Speaker 1: Yeah. Change, And people have said Throne of Glass is long. Yeah, yeah, yeah.

698
00:38:50,560 --> 00:38:51,719
Speaker 1: A lot of people were like worried that it's not

699
00:38:51,719 --> 00:38:52,400
Speaker 1: good for a podcast.

700
00:38:52,560 --> 00:38:54,200
Speaker 2: Yeah, that's what I mean, like it could be true,

701
00:38:55,200 --> 00:38:58,719
Speaker 2: whereas we know Fourth Wing is good. Yeah, and it's

702
00:38:58,719 --> 00:39:00,400
Speaker 2: almost like wish.

703
00:39:00,200 --> 00:39:04,560
Speaker 1: We could do We probably could justify doing Fourth Wing

704
00:39:04,800 --> 00:39:08,399
Speaker 1: for the main episodes and Patreon, yeah fuck it, let's

705
00:39:08,440 --> 00:39:11,239
Speaker 1: just kill yeah yeah yeah. But yeah, because in a sense,

706
00:39:11,320 --> 00:39:13,200
Speaker 1: I do think those two might be too long for

707
00:39:13,239 --> 00:39:15,840
Speaker 1: a podcast to make it entertaining, but the real diehards

708
00:39:15,880 --> 00:39:17,840
Speaker 1: would love it. And I want to give everyone everything.

709
00:39:18,600 --> 00:39:21,560
Speaker 1: That true, there's almost too much reading for us true true, true,

710
00:39:21,640 --> 00:39:23,920
Speaker 1: true true. But that's all the information, so you know,

711
00:39:24,360 --> 00:39:25,920
Speaker 1: but you got Hey, if you guys, votes are on

712
00:39:25,960 --> 00:39:27,440
Speaker 1: a glass, that's what we're reading that. Yeah, so you

713
00:39:27,480 --> 00:39:32,040
Speaker 1: can make an informed decision. Yeah, how many votes do you?

714
00:39:32,160 --> 00:39:37,640
Speaker 1: And I get? None? None? None? What about three? Three votes?

715
00:39:37,960 --> 00:39:41,160
Speaker 1: So I think your vote counters three and my vote

716
00:39:41,200 --> 00:39:44,200
Speaker 1: counters three. It could be the decided I was going

717
00:39:44,280 --> 00:39:46,120
Speaker 1: to say, the only thing, the only time we should

718
00:39:46,120 --> 00:39:50,839
Speaker 1: get a vote is when there needs to be a decider. True. True,

719
00:39:51,280 --> 00:39:58,160
Speaker 1: Well you hate opinions anyway, So but yeah, sorry about

720
00:39:58,160 --> 00:40:00,120
Speaker 1: red Rising. Anybody that does want us to read that,

721
00:40:01,800 --> 00:40:05,320
Speaker 1: that one is unfortunately off limits already. I recommend you

722
00:40:05,360 --> 00:40:07,879
Speaker 1: read it, though it's fucking sick, bro, it's a good idea,

723
00:40:07,880 --> 00:40:09,520
Speaker 1: and get in a better routine. I lost it after

724
00:40:09,600 --> 00:40:11,839
Speaker 1: BALI oh really reading every night and now I don't

725
00:40:11,840 --> 00:40:18,520
Speaker 1: feel like it's a housemate's chill as fun. But we'll

726
00:40:18,600 --> 00:40:20,600
Speaker 1: leave it there. Come back next week and we'll be done.

727
00:40:20,640 --> 00:40:24,800
Speaker 1: We'll be the finale, thee oh my god, stay the

728
00:40:24,920 --> 00:40:25,760
Speaker 1: fuck bad