1 00:00:00,720 --> 00:00:03,800 Speaker 1: It's in with another budget down. 2 00:00:03,840 --> 00:00:06,200 Speaker 2: Guys, when you pick up the paper this morning, great news, 3 00:00:06,200 --> 00:00:08,840 Speaker 2: you'll get the first ten pages of just budget and 4 00:00:09,000 --> 00:00:11,320 Speaker 2: all I see is numbers, charts, a couple of happy faces, 5 00:00:11,360 --> 00:00:12,360 Speaker 2: couple of sad faces. 6 00:00:12,840 --> 00:00:15,640 Speaker 1: Daily Telegraphs jumped on board with the budget this time, 7 00:00:15,680 --> 00:00:21,639 Speaker 1: haven't glowing? Can I just say, look, it was a 8 00:00:21,680 --> 00:00:23,560 Speaker 1: no brainer for the Liberals, isn't it. I mean, this 9 00:00:23,640 --> 00:00:27,000 Speaker 1: is their last budget before the federal election last next year. 10 00:00:27,600 --> 00:00:30,400 Speaker 1: So you just cut taxes that It always gives you 11 00:00:30,400 --> 00:00:31,600 Speaker 1: a bit of a point. You say that we're going 12 00:00:31,640 --> 00:00:32,920 Speaker 1: to be in surplus next year. 13 00:00:33,000 --> 00:00:34,440 Speaker 2: Nothing really surprising in the budget. 14 00:00:34,520 --> 00:00:37,120 Speaker 1: And then you know what if they lose and labor 15 00:00:37,159 --> 00:00:39,240 Speaker 1: come in, labor look bad because then they have to 16 00:00:39,240 --> 00:00:41,919 Speaker 1: put the taxes back up. What's the bet that the 17 00:00:41,960 --> 00:00:44,519 Speaker 1: taxes go up the next budget? Do I want to 18 00:00:44,520 --> 00:00:45,120 Speaker 1: put bets on. 19 00:00:49,360 --> 00:00:52,360 Speaker 2: Board by That's why a year we try to sex 20 00:00:52,360 --> 00:00:54,080 Speaker 2: it up a little bit. And Tommy, if we threw 21 00:00:54,120 --> 00:00:56,160 Speaker 2: the through the boarder you, that wouldn't be a great 22 00:00:56,160 --> 00:00:57,800 Speaker 2: thing to do. There's nothing nothing sexy about you. And 23 00:00:57,840 --> 00:01:00,520 Speaker 2: I look around the room, I see a boarding Shrek 24 00:01:00,560 --> 00:01:02,840 Speaker 2: in the corner over there. MDG that's not going to work. 25 00:01:02,880 --> 00:01:06,560 Speaker 1: And Ryn and talking talking of Shrek is a really, 26 00:01:06,640 --> 00:01:09,320 Speaker 1: really good audition that's coming up on the show today. 27 00:01:09,480 --> 00:01:13,160 Speaker 1: I'm excited. Don't say too much now, Okay, okay, we'll 28 00:01:13,160 --> 00:01:13,960 Speaker 1: give you some more later. 29 00:01:14,160 --> 00:01:16,720 Speaker 2: When we need sexy, we turn to you, sir. Thanks, 30 00:01:17,200 --> 00:01:19,360 Speaker 2: You've always had it. You've always got it. 31 00:01:20,319 --> 00:01:21,959 Speaker 3: Turtle, next sweater I have on today? 32 00:01:22,000 --> 00:01:24,560 Speaker 2: That's really doing it for That is everything. When a 33 00:01:24,600 --> 00:01:27,320 Speaker 2: guy says you on a turtle nextwater boom, it's oh God, 34 00:01:27,760 --> 00:01:29,240 Speaker 2: why are you're not the next bond girl? You know 35 00:01:29,280 --> 00:01:30,760 Speaker 2: what I mean to tell? That's what I think. 36 00:01:30,840 --> 00:01:32,920 Speaker 1: There are beads of sweat on your forehead at the moment, 37 00:01:32,920 --> 00:01:34,600 Speaker 1: it's hot in here. At the moment you. 38 00:01:34,600 --> 00:01:36,559 Speaker 2: Think, says, it's just nervous about what we're about to play. 39 00:01:36,640 --> 00:01:38,800 Speaker 2: So to break down the budget for you, says, is 40 00:01:38,880 --> 00:01:39,800 Speaker 2: sex it up a little bit? 41 00:01:39,800 --> 00:01:46,280 Speaker 4: Please enjoy a put your energy into this one forty 42 00:01:46,400 --> 00:01:51,720 Speaker 4: one point five million over seven years to ensure secure, 43 00:01:52,080 --> 00:01:57,800 Speaker 4: reliable and affordable energy. Click the switch? 44 00:02:00,520 --> 00:02:02,800 Speaker 5: Do I look like a naughty nurse? 45 00:02:03,840 --> 00:02:08,239 Speaker 6: Government has a public hospital arrangement that will deliver more 46 00:02:08,240 --> 00:02:11,600 Speaker 6: than thirty billion dollars in extra funding. 47 00:02:12,560 --> 00:02:14,200 Speaker 7: I said extra funding. 48 00:02:15,040 --> 00:02:16,359 Speaker 8: Did you hear me say. 49 00:02:16,280 --> 00:02:26,119 Speaker 4: Funding funding myself? Stupid? Income tax sounds naughty. 50 00:02:27,320 --> 00:02:32,080 Speaker 6: Well it's not good news. Tax relief for low and 51 00:02:32,200 --> 00:02:35,880 Speaker 6: middle income earners will kick in as soon as July. 52 00:02:36,639 --> 00:02:42,280 Speaker 4: Threshold me down. This is too good to be true. Ready, 53 00:02:42,800 --> 00:02:43,920 Speaker 4: death go. 54 00:02:44,840 --> 00:02:48,800 Speaker 6: The government says it will begin paying down the national debt, 55 00:02:48,840 --> 00:02:51,639 Speaker 6: which will come in at three hundred and forty one 56 00:02:51,880 --> 00:02:53,960 Speaker 6: billion this financial year. 57 00:02:54,639 --> 00:02:57,200 Speaker 4: God, I'm falling asleep. Do I still sound saucy? 58 00:02:57,520 --> 00:03:01,680 Speaker 6: Yes, I'm wearing any panties. 59 00:03:02,960 --> 00:03:09,280 Speaker 2: Panties would be like panty panty p panties. 60 00:03:11,160 --> 00:03:11,680 Speaker 1: Loved to hear. 61 00:03:11,800 --> 00:03:13,440 Speaker 4: Oh my god, it's such a foul word. 62 00:03:13,639 --> 00:03:14,440 Speaker 2: Just keep saying. 63 00:03:19,919 --> 00:03:28,200 Speaker 1: Wowow, very racist, Michael. People are exciting. There's got boriso. 64 00:03:30,280 --> 00:03:33,800 Speaker 4: It's in with the Chapel's book. The dressmakers are hard 65 00:03:33,800 --> 00:03:36,760 Speaker 4: at work live from London for the Royal wedding. 66 00:03:37,960 --> 00:03:41,880 Speaker 1: How funny you reckon London is a why? I'm going 67 00:03:41,960 --> 00:03:44,040 Speaker 1: to say, well, don't does a plane go about a 68 00:03:44,080 --> 00:03:46,520 Speaker 1: thousand kilometers an hour something like that? It's a twenty 69 00:03:46,520 --> 00:03:49,160 Speaker 1: hour flight. I'm going to go with twenty thousand kilometers. 70 00:03:49,560 --> 00:03:50,600 Speaker 1: I'm going to say thirty. 71 00:03:50,960 --> 00:03:53,400 Speaker 2: They never got you never go a straight long way, Sarah, 72 00:03:53,480 --> 00:03:54,800 Speaker 2: you're not going to a straight line. 73 00:03:54,840 --> 00:03:57,520 Speaker 1: Are You're not to take a few where? Thank you 74 00:03:57,600 --> 00:03:59,360 Speaker 1: very much corn Us too for getting us over there. 75 00:03:59,360 --> 00:04:00,560 Speaker 1: We're stopping off Singapore. 76 00:04:00,560 --> 00:04:02,000 Speaker 2: I'm going to go seventeen thousand? 77 00:04:02,240 --> 00:04:05,680 Speaker 1: Okay Google? How far away is London? 78 00:04:06,280 --> 00:04:09,160 Speaker 7: London is sixteen night, two collars. 79 00:04:09,400 --> 00:04:11,960 Speaker 2: The way is the crow flies. I've had a good 80 00:04:12,040 --> 00:04:14,840 Speaker 2: crack at it done, if you don't mind, God, I 81 00:04:14,880 --> 00:04:20,760 Speaker 2: doubled that. Come back again. Yeah, we've dropped you home. 82 00:04:20,880 --> 00:04:24,839 Speaker 1: I love Tommy, Andy, our technicians coming over yesterday. I 83 00:04:24,920 --> 00:04:28,320 Speaker 1: do love the pre email that we got yesterday. And 84 00:04:28,360 --> 00:04:31,240 Speaker 1: we've all got our we've all got our adapts. Guys, 85 00:04:31,279 --> 00:04:32,200 Speaker 1: have you packed those? Yeah? 86 00:04:32,240 --> 00:04:34,120 Speaker 2: What about extra battery charges? Tell me you got those. 87 00:04:34,160 --> 00:04:35,520 Speaker 3: Let's and purchase your data packs. 88 00:04:35,520 --> 00:04:37,000 Speaker 2: Man, passport, don't forget your passports. 89 00:04:37,040 --> 00:04:38,680 Speaker 1: Yeah, that's right. And you've got to ring your bank 90 00:04:38,720 --> 00:04:40,359 Speaker 1: as well, telling them that you're going to be racking 91 00:04:40,440 --> 00:04:42,200 Speaker 1: up a lot of money over in London because they 92 00:04:42,240 --> 00:04:44,039 Speaker 1: always freak out and serious credit card? 93 00:04:44,600 --> 00:04:47,520 Speaker 2: What about this one? Because I know that Google, Google 94 00:04:47,560 --> 00:04:49,320 Speaker 2: can also help you remember with things out. Let me 95 00:04:49,320 --> 00:04:52,280 Speaker 2: try this, okay, Google, remember that my passport is in 96 00:04:52,320 --> 00:04:56,840 Speaker 2: my top dresser draw Okay, I'll remember that simple we 97 00:04:57,000 --> 00:04:59,240 Speaker 2: locked in. Locked in. That will now remind me where 98 00:04:59,240 --> 00:05:01,400 Speaker 2: it is, so if I bring it up, I'll be 99 00:05:01,480 --> 00:05:03,280 Speaker 2: able to, you know, find out where it is. 100 00:05:03,720 --> 00:05:05,320 Speaker 1: Very very anyone that wants broken. 101 00:05:05,440 --> 00:05:08,479 Speaker 2: Yeah, it's the left hand drawer up the top. Go 102 00:05:08,600 --> 00:05:09,719 Speaker 2: for guys, just behind the sox. 103 00:05:10,120 --> 00:05:14,159 Speaker 1: Google, she could work on radio. I think have we 104 00:05:14,200 --> 00:05:16,400 Speaker 1: ever thought about getting Google on for wrap Up of 105 00:05:16,440 --> 00:05:17,000 Speaker 1: the week time? 106 00:05:17,839 --> 00:05:18,440 Speaker 2: It's not bad. 107 00:05:18,640 --> 00:05:22,040 Speaker 3: We sometimes struggle to gets if Google. 108 00:05:21,760 --> 00:05:24,000 Speaker 2: Won a wrap Up of the weekend. I've never won one. 109 00:05:24,120 --> 00:05:25,919 Speaker 2: I'd hang on. 110 00:05:25,960 --> 00:05:27,440 Speaker 3: You won a half one, I gave it to you. 111 00:05:28,040 --> 00:05:30,600 Speaker 2: I'm not interested in sharing a win. I want the win. 112 00:05:30,760 --> 00:05:31,520 Speaker 4: How ungrateful? 113 00:05:32,760 --> 00:05:36,919 Speaker 1: Can it drop a beat? Okay, Google, drop the beat? 114 00:05:38,080 --> 00:05:39,880 Speaker 3: My friend here can throw down some beats. 115 00:05:41,440 --> 00:05:43,560 Speaker 1: Okay, Well that's not bad. 116 00:05:43,720 --> 00:05:51,400 Speaker 2: Go one two off to London. Here we go. Everybody, 117 00:05:51,880 --> 00:05:54,800 Speaker 2: just take it slow. Sarah has been drinking since we 118 00:05:54,960 --> 00:05:56,839 Speaker 2: found out. She wants to know. 119 00:05:57,080 --> 00:06:01,440 Speaker 1: What I do want to know. 120 00:06:03,720 --> 00:06:04,280 Speaker 2: I don't know why. 121 00:06:04,320 --> 00:06:06,839 Speaker 1: I've never want to wrap battle. We're still trying to 122 00:06:06,839 --> 00:06:09,159 Speaker 1: work out what we're going to give Prince Harry and 123 00:06:09,160 --> 00:06:12,760 Speaker 1: Meghan Markle. Well, this is the thing We got this 124 00:06:12,800 --> 00:06:15,920 Speaker 1: from Kate Richie yesterday. She rang the show and told 125 00:06:16,000 --> 00:06:16,320 Speaker 1: us this. 126 00:06:16,960 --> 00:06:20,880 Speaker 2: I have tracked down not one, but two logis for 127 00:06:20,960 --> 00:06:27,880 Speaker 2: you to take the confirming nine most popular New South 128 00:06:27,920 --> 00:06:28,760 Speaker 2: Wales program. 129 00:06:30,680 --> 00:06:31,960 Speaker 1: We'll state based. 130 00:06:31,920 --> 00:06:33,440 Speaker 2: And how about this one to top it off, nine 131 00:06:33,680 --> 00:06:35,920 Speaker 2: ninety two most popular series. Kate Richie, thank you for 132 00:06:35,960 --> 00:06:40,320 Speaker 2: your help too, Logis. I'm the only one clapping. 133 00:06:40,400 --> 00:06:43,760 Speaker 1: When you clap alone. I was thinking last night because 134 00:06:43,760 --> 00:06:47,440 Speaker 1: I think I think a logi is just boring. You 135 00:06:47,480 --> 00:06:50,080 Speaker 1: know that the little man on the Logi award or 136 00:06:50,120 --> 00:06:53,200 Speaker 1: little woman whatever you've got there, But it looks like 137 00:06:53,240 --> 00:06:54,039 Speaker 1: gumby it does. 138 00:06:54,120 --> 00:06:56,279 Speaker 6: Yes, there's no defining sex. 139 00:06:56,600 --> 00:06:59,520 Speaker 1: What if we dressed them up in a little tuxedo 140 00:07:00,120 --> 00:07:03,039 Speaker 1: and a wedding dress and maybe get like the top 141 00:07:03,080 --> 00:07:06,120 Speaker 1: hat from the monopoly board or something, and we make 142 00:07:06,920 --> 00:07:10,400 Speaker 1: the little men on the logis into his and her 143 00:07:10,480 --> 00:07:12,000 Speaker 1: wedding cake decorations. 144 00:07:13,080 --> 00:07:13,960 Speaker 3: Are they heavy though? 145 00:07:14,040 --> 00:07:15,360 Speaker 4: And would they go through the cake? 146 00:07:15,680 --> 00:07:21,280 Speaker 1: Yep? But it will look amazing. Absolutely. 147 00:07:21,880 --> 00:07:23,280 Speaker 2: You've had a big night of thinking. 148 00:07:23,880 --> 00:07:32,680 Speaker 1: I haven't slept. 149 00:07:32,880 --> 00:07:36,840 Speaker 2: I was at midnight, Martha, well done, go back again, 150 00:07:36,880 --> 00:07:39,280 Speaker 2: because he's coming up with good ideas. So it would 151 00:07:39,280 --> 00:07:41,920 Speaker 2: be the bride and groom cake faces for the top 152 00:07:41,920 --> 00:07:42,320 Speaker 2: of the cake. 153 00:07:42,400 --> 00:07:44,680 Speaker 1: That's what I was thinking, just to snaz him up 154 00:07:44,680 --> 00:07:51,000 Speaker 1: a little bit. Do we need they're a bit boring. No, 155 00:07:51,080 --> 00:07:54,520 Speaker 1: I've already been a spotlight ten dolls and Barbie dolls 156 00:07:54,560 --> 00:07:56,160 Speaker 1: just to see if we can find a wedding right. 157 00:07:56,200 --> 00:07:58,240 Speaker 2: So we put the little outfit onto the logi and 158 00:07:58,280 --> 00:07:58,760 Speaker 2: there we'd go. 159 00:07:59,080 --> 00:08:01,920 Speaker 3: The logis arrived today. I was hoping to have him 160 00:08:01,960 --> 00:08:03,360 Speaker 3: in the studio for you this morning, but they have 161 00:08:03,440 --> 00:08:04,720 Speaker 3: been kept under lock and key. 162 00:08:04,840 --> 00:08:07,520 Speaker 2: Love that. That's how precious you know, when you see 163 00:08:07,560 --> 00:08:09,440 Speaker 2: an important awards night and the metal comes in the 164 00:08:09,440 --> 00:08:11,640 Speaker 2: briefcase with security guard. That's what's going on. 165 00:08:11,880 --> 00:08:13,560 Speaker 3: I whip it is not going to be on the plane. 166 00:08:13,680 --> 00:08:15,560 Speaker 6: One still knocks on a bottle of Red Deep and 167 00:08:15,640 --> 00:08:18,400 Speaker 6: throwing around taking selfies with his pounds. 168 00:08:20,160 --> 00:08:26,160 Speaker 1: You would a couple of wet next. Okay, one of 169 00:08:26,200 --> 00:08:28,720 Speaker 1: the team members has got an audition for a musical 170 00:08:28,800 --> 00:08:30,920 Speaker 1: that's happening in Campbelltown. Thank you very much to the 171 00:08:30,920 --> 00:08:34,720 Speaker 1: Campbelltown Theater group as well, because they are putting on. 172 00:08:36,760 --> 00:08:40,839 Speaker 8: Shrek Now. 173 00:08:40,920 --> 00:08:43,360 Speaker 1: Auditions have been happening over the last couple of days 174 00:08:43,360 --> 00:08:46,719 Speaker 1: and I can confirm this right now. A level downstairs 175 00:08:46,720 --> 00:08:49,640 Speaker 1: from us here at Nova we have the lovely Georgia 176 00:08:49,760 --> 00:08:52,680 Speaker 1: and Jared from the Theater Group who are waiting for 177 00:08:52,760 --> 00:08:56,760 Speaker 1: a one. Mister Michael Whipfley can put on his Shrek costume, 178 00:08:56,800 --> 00:09:00,480 Speaker 1: bring it in, girl, can I just. 179 00:09:02,800 --> 00:09:05,360 Speaker 2: You've got to agree with me that if anybody was 180 00:09:05,360 --> 00:09:06,839 Speaker 2: going to be shreking the team and to be mad 181 00:09:06,880 --> 00:09:10,480 Speaker 2: to speak, gold Head, you would be an older over me, honestly, 182 00:09:11,240 --> 00:09:11,760 Speaker 2: an ogre. 183 00:09:12,080 --> 00:09:15,200 Speaker 8: It's more about the body shape. With that, with masking 184 00:09:15,240 --> 00:09:16,960 Speaker 8: and modern makeup, anything can happen. 185 00:09:17,000 --> 00:09:18,480 Speaker 2: That'd be better off a donkey. 186 00:09:19,120 --> 00:09:21,679 Speaker 1: Well, can you give us okay, can you give us? 187 00:09:23,320 --> 00:09:24,280 Speaker 1: Give yourself your own here? 188 00:09:24,280 --> 00:09:24,640 Speaker 2: What do you want? 189 00:09:24,679 --> 00:09:25,760 Speaker 1: What do you want to give us? Can you give 190 00:09:25,800 --> 00:09:27,840 Speaker 1: us a bit of Shrek? What's your best Shrek? Because 191 00:09:27,840 --> 00:09:34,640 Speaker 1: it's Shrek Scottish Scottish? I said, leave oh, that's the donkey, 192 00:09:35,040 --> 00:09:39,040 Speaker 1: that's leave me alone, donkey, why don't you listen to me? 193 00:09:39,080 --> 00:09:41,880 Speaker 2: I don't care. I'm sick of that. 194 00:09:41,880 --> 00:09:45,800 Speaker 1: That's honestly not bad. That's lord fark what it is 195 00:09:45,920 --> 00:09:54,320 Speaker 1: a funny movie? Fuk what? Yeah, okay, all the characters. 196 00:09:54,160 --> 00:09:56,280 Speaker 2: Could be because I've just been watching Shrek with the kids. 197 00:09:56,320 --> 00:09:57,400 Speaker 2: This is quite good timing. 198 00:09:57,520 --> 00:09:58,040 Speaker 1: Start pointing. 199 00:09:58,200 --> 00:10:00,480 Speaker 2: I want to put the costume on. I could without the. 200 00:10:00,920 --> 00:10:05,880 Speaker 3: Very tight I'm sorry, the head mask looks very yeah, 201 00:10:06,440 --> 00:10:08,800 Speaker 3: I mean it looks good. It's very grand. Little off 202 00:10:08,840 --> 00:10:09,200 Speaker 3: the side. 203 00:10:10,120 --> 00:10:13,439 Speaker 2: Be honest with me here, if I'm good in the audition, 204 00:10:13,880 --> 00:10:15,880 Speaker 2: is this a complete stitch up or a chance I 205 00:10:15,920 --> 00:10:18,920 Speaker 2: could actually? How are they're looking for? 206 00:10:19,040 --> 00:10:19,720 Speaker 1: Like the musical? 207 00:10:19,920 --> 00:10:21,560 Speaker 3: Just just one one? 208 00:10:21,640 --> 00:10:24,760 Speaker 1: They need a backup, I suppose. Imagine if you've got 209 00:10:24,760 --> 00:10:26,319 Speaker 1: the rollers back up Shrek. 210 00:10:26,440 --> 00:10:27,360 Speaker 3: The steady shrep. 211 00:10:27,640 --> 00:10:30,200 Speaker 8: I'm a hand model, Like do you want like which 212 00:10:30,240 --> 00:10:32,240 Speaker 8: bits the stitch up? You're getting to have to do it? 213 00:10:32,360 --> 00:10:34,640 Speaker 2: Or you're not know them not being serious about mine? 214 00:10:34,679 --> 00:10:36,000 Speaker 1: So you want you want it? 215 00:10:36,040 --> 00:10:37,440 Speaker 2: If you can happen, it's awesome. 216 00:10:37,520 --> 00:10:41,400 Speaker 1: Shrek's great, all right mate, if you're listening, you can 217 00:10:41,440 --> 00:10:48,880 Speaker 1: go in. Now. Let's see how it's going. Oh, Hi Shrek. 218 00:10:50,400 --> 00:10:56,040 Speaker 2: Web Shrek, Hi, Hi, Jared. Sorry, sorry if I sound 219 00:10:56,080 --> 00:10:57,839 Speaker 2: like a yell that the ears are kind of a 220 00:10:57,840 --> 00:11:00,119 Speaker 2: little bit covered, So that's fine. 221 00:11:00,120 --> 00:11:00,960 Speaker 9: Give you as fine? 222 00:11:01,360 --> 00:11:06,840 Speaker 2: All that well, no worries, donkey. I want to say. 223 00:11:06,840 --> 00:11:08,640 Speaker 1: Also, Shrek doesn't work. 224 00:11:08,720 --> 00:11:11,520 Speaker 2: I also do a very strong three pigs when they go. 225 00:11:13,640 --> 00:11:17,280 Speaker 1: So convection, you want to do all three people. I'm 226 00:11:17,320 --> 00:11:22,680 Speaker 1: just saying, don't get this role not longer. 227 00:11:22,720 --> 00:11:23,040 Speaker 10: Girls. 228 00:11:23,040 --> 00:11:27,840 Speaker 2: In the Bodyguard, I was like more of a backup role, okay, 229 00:11:27,880 --> 00:11:30,839 Speaker 2: but there was some voice acting parts in it. So 230 00:11:31,040 --> 00:11:34,320 Speaker 2: I was during that main scene where she sings I 231 00:11:34,320 --> 00:11:39,440 Speaker 2: will only love you last line, I was like a 232 00:11:39,559 --> 00:11:43,120 Speaker 2: drunk at the bar, like a sort of yeah but 233 00:11:43,240 --> 00:11:44,960 Speaker 2: major on stage. 234 00:11:45,360 --> 00:11:50,520 Speaker 9: On the stage, I'll be reading dunking. So you ready 235 00:11:50,520 --> 00:11:51,240 Speaker 9: to get them? 236 00:11:51,280 --> 00:11:54,760 Speaker 2: Okay, I'm feeling confident. Will you say action? 237 00:11:54,920 --> 00:11:55,480 Speaker 1: Do you want action? 238 00:11:56,040 --> 00:11:57,199 Speaker 2: Yeah? 239 00:11:56,240 --> 00:11:59,480 Speaker 1: It's just for me. It's the action. 240 00:12:00,080 --> 00:12:01,040 Speaker 9: Are you hiding something? 241 00:12:02,200 --> 00:12:04,800 Speaker 2: Never mind? Never mind? Don't care. 242 00:12:05,120 --> 00:12:05,920 Speaker 3: Why are you blocking? 243 00:12:06,280 --> 00:12:08,360 Speaker 1: I'm not blocking? Oh yes you are. 244 00:12:10,559 --> 00:12:11,040 Speaker 7: Don't care. 245 00:12:11,360 --> 00:12:12,240 Speaker 2: I'm warning you. 246 00:12:12,640 --> 00:12:13,840 Speaker 9: Who are you trying to keep out? 247 00:12:14,120 --> 00:12:14,679 Speaker 2: Everyone? 248 00:12:14,760 --> 00:12:15,880 Speaker 1: O care? Oh? 249 00:12:15,920 --> 00:12:17,120 Speaker 9: Now we're getting somewhere. 250 00:12:17,440 --> 00:12:20,840 Speaker 7: Look I'm not the one with the problem. Okay, it's 251 00:12:20,880 --> 00:12:23,200 Speaker 7: the world that seems to have a problem with me. 252 00:12:23,640 --> 00:12:26,800 Speaker 7: People take one look at me and go, ah, help 253 00:12:27,040 --> 00:12:29,680 Speaker 7: run a big, stupid, ugly olga. 254 00:12:33,480 --> 00:12:36,400 Speaker 9: We might actually also get you to just sing. 255 00:12:36,600 --> 00:12:39,560 Speaker 1: So some body, actually. 256 00:12:39,600 --> 00:12:47,760 Speaker 11: I believe that you bring any choreography as well, did you. 257 00:12:45,400 --> 00:12:47,800 Speaker 9: Well, yeah, like we sort of want the ogre to 258 00:12:47,840 --> 00:12:53,520 Speaker 9: sort of dead, fat, big, sty ugly. 259 00:12:54,800 --> 00:12:56,079 Speaker 2: Yes action. 260 00:12:56,760 --> 00:13:00,160 Speaker 1: I thought love was only true and fair. 261 00:13:02,679 --> 00:13:07,400 Speaker 7: Man for someone else, but not for me, I mean love. 262 00:13:08,840 --> 00:13:09,480 Speaker 1: The Believer. 263 00:13:09,880 --> 00:13:10,360 Speaker 5: I didn't. 264 00:13:12,679 --> 00:13:13,480 Speaker 1: Yeah, thank you. 265 00:13:14,720 --> 00:13:19,160 Speaker 8: Look I enjoyed it up until the singing and the 266 00:13:19,280 --> 00:13:20,719 Speaker 8: dancing turn it down. 267 00:13:21,080 --> 00:13:26,079 Speaker 9: Yeah, you definitely you like you really look like an ogre, 268 00:13:26,160 --> 00:13:28,280 Speaker 9: like you really no? 269 00:13:28,280 --> 00:13:29,960 Speaker 3: No, no like that aside. 270 00:13:30,000 --> 00:13:32,360 Speaker 9: I really think I don't even think you need the propect. 271 00:13:32,440 --> 00:13:33,800 Speaker 9: We could save money on prothetics. 272 00:13:36,480 --> 00:13:37,240 Speaker 1: Really like you. 273 00:13:37,240 --> 00:13:40,800 Speaker 9: Really look like yeah, leave it with us, please, just 274 00:13:40,920 --> 00:13:41,559 Speaker 9: we'll call you. 275 00:13:41,640 --> 00:13:47,600 Speaker 1: Yeah, We're still for a tree coming. 276 00:13:47,400 --> 00:13:50,439 Speaker 2: In all or nothing guys, it's kind of you. Might 277 00:13:50,440 --> 00:13:53,320 Speaker 2: be able to send some footage two of the Bodyguard performance. 278 00:13:53,320 --> 00:13:56,640 Speaker 1: I did cool? 279 00:13:57,240 --> 00:13:59,040 Speaker 2: This outfits really itchy. 280 00:14:00,040 --> 00:14:02,599 Speaker 1: An, I mean we were making back up. Is you 281 00:14:02,720 --> 00:14:06,200 Speaker 1: just outside the studio? Get him in? Take the costume off? 282 00:14:06,320 --> 00:14:12,839 Speaker 1: My Oh well, donkey, I mean sorry, shrep. I thought 283 00:14:12,880 --> 00:14:13,720 Speaker 1: you did all right. 284 00:14:15,720 --> 00:14:17,520 Speaker 2: Dance and put on the spot. And I'm also singing 285 00:14:17,559 --> 00:14:21,800 Speaker 2: a song which I didn't really know, and you went 286 00:14:21,840 --> 00:14:24,680 Speaker 2: in and out of it. Can they still hear me? No? No, 287 00:14:24,880 --> 00:14:27,160 Speaker 2: Georgia and they were taking the p at the end 288 00:14:27,160 --> 00:14:30,400 Speaker 2: there I could tell they were taking the P. I'm 289 00:14:30,440 --> 00:14:32,760 Speaker 2: almost starting to think that a bit of a stitch 290 00:14:32,800 --> 00:14:33,320 Speaker 2: up to make. 291 00:14:33,160 --> 00:14:34,880 Speaker 1: Me feel I don't want to let you down, but 292 00:14:35,560 --> 00:14:36,800 Speaker 1: we were taking the po. 293 00:14:36,880 --> 00:14:41,880 Speaker 2: No you won't laughing like, oh we got you, We 294 00:14:42,000 --> 00:14:44,320 Speaker 2: got your absolutely okay, So tell me. 295 00:14:46,000 --> 00:14:46,920 Speaker 1: We never thought you were. 296 00:14:46,800 --> 00:14:48,880 Speaker 2: Going to be was to stitch up the audition or 297 00:14:48,920 --> 00:14:52,600 Speaker 2: me trying to get that Shrek head mask on because 298 00:14:52,600 --> 00:14:54,080 Speaker 2: I've lost half the hair of from the back of my. 299 00:14:54,040 --> 00:14:57,720 Speaker 1: Head in digital. If you came, if you can cut up, 300 00:14:57,800 --> 00:15:00,520 Speaker 1: we were trying to get the head mask on. The 301 00:15:00,520 --> 00:15:02,360 Speaker 1: the Shrek mask. It his gold. 302 00:15:02,600 --> 00:15:03,840 Speaker 2: That is the worst part about it. 303 00:15:04,000 --> 00:15:06,360 Speaker 1: And then it's put a plastic bag over your head. 304 00:15:06,520 --> 00:15:08,760 Speaker 1: Ye don't do that cutely a brown paper bag. But 305 00:15:09,360 --> 00:15:11,240 Speaker 1: do you think you went well? Did you put your 306 00:15:11,240 --> 00:15:11,840 Speaker 1: best foot forward? 307 00:15:11,840 --> 00:15:15,040 Speaker 8: Because I honestly bad when it wasn't bad, it wasn't bad, 308 00:15:15,280 --> 00:15:16,280 Speaker 8: like it was actually decent. 309 00:15:17,000 --> 00:15:18,720 Speaker 2: Take your mar or then. 310 00:15:20,480 --> 00:15:24,360 Speaker 1: Is it up now? Facebook? The video is going up 311 00:15:24,400 --> 00:15:24,840 Speaker 1: right now, you. 312 00:15:24,840 --> 00:15:26,720 Speaker 2: Know, let's put up a video of one of the 313 00:15:26,720 --> 00:15:29,160 Speaker 2: scenes Tommy and then me doing it next to her. 314 00:15:29,240 --> 00:15:31,400 Speaker 2: Oh yeah, he did it best, one of those ones 315 00:15:31,880 --> 00:15:34,240 Speaker 2: at Little Pole. You know what, I'm really engaging? 316 00:15:35,120 --> 00:15:38,880 Speaker 1: Check it out on Facebook. Do you know that LaToya 317 00:15:39,000 --> 00:15:42,160 Speaker 1: Jackson has her own television show and it's on It's 318 00:15:42,160 --> 00:15:44,320 Speaker 1: on the April Winfrey Network. What does she do? It's 319 00:15:44,360 --> 00:15:49,240 Speaker 1: called Life with LaToya Reality show here just following LaToya around. 320 00:15:49,920 --> 00:15:53,400 Speaker 1: Sorry for LaToya, she was the fruit loop of the 321 00:15:53,680 --> 00:15:53,960 Speaker 1: she was. 322 00:15:54,680 --> 00:15:57,440 Speaker 2: But man, the dad, Joseph Jackson, he was very heavy 323 00:15:57,480 --> 00:16:01,320 Speaker 2: handed in his days here. And LaToya was a little 324 00:16:01,320 --> 00:16:03,800 Speaker 2: bit older than Michael, and Janet and Michael were always 325 00:16:03,960 --> 00:16:06,240 Speaker 2: very very tight, so they played together growing up all 326 00:16:06,240 --> 00:16:08,120 Speaker 2: the time. LaToya was always a little bit left out. 327 00:16:08,400 --> 00:16:11,000 Speaker 2: Michael was not that close. Then she did the Playboy 328 00:16:11,120 --> 00:16:14,040 Speaker 2: shoot and she was nude with a snake around her body, 329 00:16:14,240 --> 00:16:16,600 Speaker 2: and it sort of divided the family bit. Michael put 330 00:16:16,640 --> 00:16:19,840 Speaker 2: in a phone call to LaToya and said, hey, Sis, 331 00:16:19,880 --> 00:16:22,920 Speaker 2: I think the photos are beautiful, and that was his 332 00:16:23,000 --> 00:16:25,280 Speaker 2: way of just wanting to support her. But Joseph Jackson 333 00:16:25,720 --> 00:16:29,720 Speaker 2: not happy about his daughter being in Playboy. Wow, what 334 00:16:29,800 --> 00:16:31,600 Speaker 2: do we go back end story about LaToya? 335 00:16:31,640 --> 00:16:35,200 Speaker 1: You just think you just the encyclopedia of the Jackson family, 336 00:16:35,240 --> 00:16:36,120 Speaker 1: don't you? 337 00:16:36,120 --> 00:16:37,560 Speaker 2: You hit the topic and I gave you the story. 338 00:16:37,600 --> 00:16:39,560 Speaker 1: I remember, what else do you? Well, LaToya? This is 339 00:16:39,600 --> 00:16:43,040 Speaker 1: the thing. I think Latoya's life is pretty boring, Sarah. 340 00:16:43,440 --> 00:16:47,080 Speaker 1: So unfortunately on the show, she's had to get psychics 341 00:16:47,080 --> 00:16:49,800 Speaker 1: in about six times just to say she can talk 342 00:16:49,840 --> 00:16:52,040 Speaker 1: to Michael and just to spice the show up on it. 343 00:16:52,720 --> 00:16:55,520 Speaker 1: Because I think the guy's name is Tyler Hunt. He's 344 00:16:55,560 --> 00:16:58,760 Speaker 1: a young guy. He's a celebrity, Henry, Tyler Henry. 345 00:17:00,400 --> 00:17:02,800 Speaker 6: He does lots of people. He always picks the kutashins 346 00:17:02,840 --> 00:17:04,800 Speaker 6: and brings them messages from their day. 347 00:17:04,840 --> 00:17:08,399 Speaker 1: Okay, Robert, Robert, because we spoke to Jackie Gillies, he 348 00:17:08,480 --> 00:17:10,439 Speaker 1: was over in the jungle, and you know Paul Butler. 349 00:17:10,560 --> 00:17:15,240 Speaker 1: Paul what was the butler with Princess Diana? And people 350 00:17:15,240 --> 00:17:19,119 Speaker 1: want to hear this stuff. So anyway, this episode isn't 351 00:17:19,200 --> 00:17:21,160 Speaker 1: out yet, so I'm trying to track it down going 352 00:17:21,200 --> 00:17:23,119 Speaker 1: and I want to want to hear what Michael says 353 00:17:23,160 --> 00:17:26,000 Speaker 1: to Tyler Henry and LaToya is there. Apparently she gets 354 00:17:26,040 --> 00:17:29,000 Speaker 1: really emotional, but it's not out yet. So then I 355 00:17:29,119 --> 00:17:31,640 Speaker 1: go back from the Latoya's and there's been about three 356 00:17:31,680 --> 00:17:34,200 Speaker 1: or four different psychics that have come so it's. 357 00:17:34,040 --> 00:17:35,600 Speaker 2: A little bit like what will Michael say from the 358 00:17:35,640 --> 00:17:38,280 Speaker 2: grave of this week? But it's actually not to do 359 00:17:38,359 --> 00:17:40,840 Speaker 2: with LaToya. Michael Jackson's got a show from the grant but. 360 00:17:40,840 --> 00:17:43,840 Speaker 1: See the one that I need to play you LaToya 361 00:17:43,960 --> 00:17:46,399 Speaker 1: was sick. Because obviously, if you're a psychic and you 362 00:17:46,440 --> 00:17:48,320 Speaker 1: know it's LaToya Jackson, you just do a bit of 363 00:17:48,359 --> 00:17:50,680 Speaker 1: research and you can come up with it you want. 364 00:17:51,000 --> 00:17:54,440 Speaker 1: So what LaToya does. She goes to this psychics house, Sarah, 365 00:17:54,800 --> 00:17:57,199 Speaker 1: and she decides, well, she said, I can't go as 366 00:17:57,320 --> 00:17:59,600 Speaker 1: LaToya Jackson. So this is what she decides to do. 367 00:18:00,040 --> 00:18:02,600 Speaker 9: It's kind of difficult because everybody knows your history. 368 00:18:02,720 --> 00:18:04,520 Speaker 1: They tell me everything, they've written the papers. 369 00:18:05,119 --> 00:18:06,120 Speaker 3: Oh, by the way, does this. 370 00:18:06,080 --> 00:18:06,879 Speaker 1: Guy have cats? 371 00:18:07,160 --> 00:18:11,680 Speaker 6: No, So I decided to disguise my voice and wrap 372 00:18:11,760 --> 00:18:14,479 Speaker 6: myself up as if I was from the Middle East. 373 00:18:15,359 --> 00:18:18,159 Speaker 1: So she's wrapped up her whole head. You can't see it, 374 00:18:18,160 --> 00:18:20,399 Speaker 1: and she changes her voice and she talks like this. 375 00:18:21,320 --> 00:18:25,760 Speaker 1: So she goes into this hazing there and then she 376 00:18:25,840 --> 00:18:27,880 Speaker 1: sits down with a saka and it starts. 377 00:18:28,320 --> 00:18:30,080 Speaker 11: Is there like a Mickey or Michael connected her too? 378 00:18:30,119 --> 00:18:30,399 Speaker 3: Please? 379 00:18:31,000 --> 00:18:39,159 Speaker 11: Yes, bring up for me now, I understand that is 380 00:18:39,200 --> 00:18:39,840 Speaker 11: Michael still here? 381 00:18:39,840 --> 00:18:40,119 Speaker 12: Please? 382 00:18:40,680 --> 00:18:42,840 Speaker 11: No, okay, he's coming through loud and clear. 383 00:18:43,560 --> 00:18:46,240 Speaker 1: Just a no, it's not it's ridiculous. 384 00:18:46,280 --> 00:18:48,239 Speaker 6: Is he not think that the camera crew will have 385 00:18:49,080 --> 00:18:50,760 Speaker 6: that she's not just a battler? 386 00:18:50,880 --> 00:18:54,280 Speaker 1: Well, and then then I think he's cotton on. Okay, okay, 387 00:18:54,320 --> 00:18:56,320 Speaker 1: so I've gone with Michael, and then he just comes 388 00:18:56,359 --> 00:18:58,840 Speaker 1: out with some you know, some obvious points. 389 00:18:59,119 --> 00:19:00,960 Speaker 11: I feel like there was to see my body like 390 00:19:01,040 --> 00:19:06,120 Speaker 11: drugs or like an overdose. His passing was an accident, 391 00:19:06,119 --> 00:19:06,920 Speaker 11: but it wasn't. 392 00:19:07,720 --> 00:19:09,840 Speaker 1: It was an accident, but it wasn't. And what she 393 00:19:09,920 --> 00:19:13,520 Speaker 1: doing at this time, This is the bit that freaked 394 00:19:13,560 --> 00:19:17,359 Speaker 1: me out because I reckon. You can hear I reckon. 395 00:19:17,440 --> 00:19:18,080 Speaker 1: He's in the. 396 00:19:21,240 --> 00:19:21,600 Speaker 11: Idiot. 397 00:19:21,680 --> 00:19:25,040 Speaker 1: You gotta listen real closely. I have listened to this beat. 398 00:19:25,720 --> 00:19:27,480 Speaker 11: I'm getting a nasty taste in my mouth. 399 00:19:32,440 --> 00:19:34,879 Speaker 1: But you are You are better than that. 400 00:19:35,880 --> 00:19:37,600 Speaker 11: I'm getting a nasty taste in my mouth. 401 00:19:38,520 --> 00:19:39,040 Speaker 1: It's got to. 402 00:19:42,520 --> 00:19:47,080 Speaker 10: Check the weather, rap, activate my base shield, order a pizza, 403 00:19:48,080 --> 00:19:50,760 Speaker 10: and save a galaxy on the brink of war as 404 00:19:50,880 --> 00:19:54,320 Speaker 10: forces y for control of the Alpha and Beta quadrants. 405 00:19:55,080 --> 00:19:58,720 Speaker 10: Download Star Trek Fleet Command today join millions of players 406 00:19:58,720 --> 00:20:02,240 Speaker 10: and forge alliances feet your enemies and build an epic 407 00:20:02,280 --> 00:20:06,520 Speaker 10: fleet to dominate the galaxy. Download Star Trek Fleet Command 408 00:20:06,600 --> 00:20:10,240 Speaker 10: free on the App Store, Google Play Star Trek Fleet Command. 409 00:20:10,600 --> 00:20:11,720 Speaker 10: You have the can. 410 00:20:14,960 --> 00:20:15,320 Speaker 4: City. 411 00:20:16,440 --> 00:20:18,240 Speaker 2: I mean, I throw it out there. Earlier thirteen twenty 412 00:20:18,280 --> 00:20:20,199 Speaker 2: four ten. If your best mate has taken off with 413 00:20:20,240 --> 00:20:23,440 Speaker 2: your partner, Man, that's a tough one. This story broke 414 00:20:23,520 --> 00:20:23,960 Speaker 2: my heart. 415 00:20:24,840 --> 00:20:27,280 Speaker 1: I don't know if you caught them in the axe? 416 00:20:28,440 --> 00:20:30,879 Speaker 1: Who I mean, who are you upset with the most? 417 00:20:31,080 --> 00:20:31,280 Speaker 5: Yeah? 418 00:20:31,320 --> 00:20:33,240 Speaker 3: I know probably your best mate. 419 00:20:33,280 --> 00:20:35,679 Speaker 2: Would say, because in your mind would snap back to 420 00:20:35,720 --> 00:20:37,879 Speaker 2: all the times you've shared together and actually and when 421 00:20:37,920 --> 00:20:40,600 Speaker 2: you reflect on it to think, oh my god, that 422 00:20:40,720 --> 00:20:43,639 Speaker 2: was happening the entire time, or was this love building? 423 00:20:43,680 --> 00:20:46,720 Speaker 2: How far back was this romance to this point where 424 00:20:46,720 --> 00:20:49,000 Speaker 2: I've just walked into the room and I've found them 425 00:20:49,040 --> 00:20:53,359 Speaker 2: in that position? Man, could have broken an awkward one, 426 00:20:53,920 --> 00:20:54,600 Speaker 2: really awkward. 427 00:20:54,680 --> 00:20:56,199 Speaker 1: Well, I didn't know you could do it like that. 428 00:20:56,480 --> 00:20:58,480 Speaker 1: How frequently is it happening? Like? Do we need to 429 00:20:58,480 --> 00:20:59,680 Speaker 1: be on standby. 430 00:20:59,480 --> 00:21:02,359 Speaker 2: For our free well thirty of breakups. 431 00:21:02,680 --> 00:21:05,919 Speaker 1: Let's be honest with the team here, right, If we 432 00:21:06,000 --> 00:21:08,480 Speaker 1: had to choose one that we thought okay, we're going 433 00:21:08,560 --> 00:21:11,399 Speaker 1: to show and there's someone at least having a crack. 434 00:21:12,240 --> 00:21:15,080 Speaker 4: To for sure what my wife? 435 00:21:16,040 --> 00:21:17,200 Speaker 2: My wife or with Gary? 436 00:21:17,359 --> 00:21:18,879 Speaker 1: Please he loves Gary. 437 00:21:18,960 --> 00:21:21,000 Speaker 3: I do love Gary, not to that point, because you 438 00:21:21,320 --> 00:21:22,080 Speaker 3: wouldn't much. 439 00:21:23,160 --> 00:21:30,080 Speaker 1: You would have to be right. I'm unfortunate. The best friend, BJ. 440 00:21:30,200 --> 00:21:33,960 Speaker 8: Lisa and are all beautiful women, Honest to god, I 441 00:21:34,000 --> 00:21:36,080 Speaker 8: would be. 442 00:21:36,000 --> 00:21:39,440 Speaker 1: To have a crack. Isn't he the best? 443 00:21:40,040 --> 00:21:43,480 Speaker 2: Inappropriate and in no particular order. 444 00:21:43,320 --> 00:21:44,520 Speaker 1: And Gary's not off limits. 445 00:21:47,720 --> 00:21:50,400 Speaker 2: Words words from Steve here, who goes on to say 446 00:21:50,440 --> 00:21:54,000 Speaker 2: he met Rosie and couldn't believe how beautiful Rosie was. 447 00:21:54,480 --> 00:21:56,439 Speaker 2: She was the one in the office that everybody had 448 00:21:56,440 --> 00:21:59,480 Speaker 2: a crush on, but amazingly she only had eyes for Steve. 449 00:21:59,520 --> 00:22:00,320 Speaker 2: He couldn't be it. 450 00:22:01,160 --> 00:22:01,280 Speaker 4: Uh. 451 00:22:01,359 --> 00:22:05,040 Speaker 2: His best friend work there also, Jake, and admitted after 452 00:22:05,920 --> 00:22:08,719 Speaker 2: they got together Steve and Rosie that Jake actually had 453 00:22:08,720 --> 00:22:10,720 Speaker 2: a crush on the time, and they used to laugh about. 454 00:22:10,560 --> 00:22:11,160 Speaker 1: It a little bit. 455 00:22:11,600 --> 00:22:14,760 Speaker 2: So funny because you know exactly what's going to happen here. 456 00:22:15,000 --> 00:22:17,720 Speaker 2: I was crazy about Rosie, Steve says, I loved being 457 00:22:17,760 --> 00:22:20,400 Speaker 2: married to her. Our intimate life was great too, As 458 00:22:20,440 --> 00:22:23,680 Speaker 2: far as I could tell, everything was just perfect. Jake 459 00:22:23,720 --> 00:22:27,320 Speaker 2: and had a steady girlfriend friend Clarissa. But when they 460 00:22:27,400 --> 00:22:35,480 Speaker 2: broke up, Clarissa, Clarissa doesn't I mean, don't interrupt the story. 461 00:22:36,320 --> 00:22:36,960 Speaker 4: A story. 462 00:22:37,359 --> 00:22:38,120 Speaker 2: Well, I've got you in. 463 00:22:40,119 --> 00:22:42,800 Speaker 1: His line, you want to do some flavor beans in 464 00:22:42,840 --> 00:22:44,680 Speaker 1: a nice glass of that's. 465 00:22:44,560 --> 00:22:50,040 Speaker 2: Terrible, which was so as when Steve walked into the. 466 00:22:53,480 --> 00:22:55,280 Speaker 1: Okay having a b rocker. 467 00:22:56,560 --> 00:22:59,760 Speaker 2: So Jake at the steady girl friend Clarissa. But when 468 00:22:59,760 --> 00:23:02,880 Speaker 2: they broke up, Jake was just devastated and he said, look, 469 00:23:03,320 --> 00:23:05,399 Speaker 2: would you mind, because Rosie and I mates, would you 470 00:23:05,400 --> 00:23:07,440 Speaker 2: mind if we went out for a drink just so 471 00:23:07,640 --> 00:23:09,480 Speaker 2: I can get another girl's opinion on what I should 472 00:23:09,480 --> 00:23:12,480 Speaker 2: do in this breakup. And Steve said, fine, take Rosie 473 00:23:12,480 --> 00:23:15,240 Speaker 2: out for drink and you know, you guys chat through it. Anyway. 474 00:23:15,280 --> 00:23:19,560 Speaker 2: After that, after that night, things changed and Jake was 475 00:23:19,560 --> 00:23:21,760 Speaker 2: being a little bit withdrawn, didn't really want to talk 476 00:23:21,760 --> 00:23:24,000 Speaker 2: to Steve, and Steve just thought maybe his heart broken. 477 00:23:24,720 --> 00:23:25,160 Speaker 2: Next thing. 478 00:23:25,200 --> 00:23:27,800 Speaker 1: You know, this is like Titanic, I know the ending. 479 00:23:28,640 --> 00:23:30,840 Speaker 2: This is the moment though. Yeah, it's so passionate of 480 00:23:30,840 --> 00:23:34,439 Speaker 2: the Christ. I know what goes on here, Karen. We 481 00:23:34,480 --> 00:23:36,919 Speaker 2: always know how he ends up carrying the big cross. 482 00:23:38,119 --> 00:23:39,280 Speaker 1: What Steve does? 483 00:23:39,760 --> 00:23:44,560 Speaker 2: No no, no, Steve was no no, no, no, no no. Anyway, 484 00:23:44,640 --> 00:23:48,800 Speaker 2: so weeks went by. How's this one day he sent here? 485 00:23:49,000 --> 00:23:51,800 Speaker 2: He sent Steve a text message saying can we meet 486 00:23:51,800 --> 00:23:54,080 Speaker 2: at the bar tonight? And Steve turned up thinking he 487 00:23:54,119 --> 00:23:55,359 Speaker 2: was still just a bit depressed and want to have 488 00:23:55,400 --> 00:23:57,360 Speaker 2: a chat. He turns up and they're both sitting there, 489 00:23:58,720 --> 00:24:01,760 Speaker 2: walks into the bar. Rosie just bursts into tears, and 490 00:24:01,840 --> 00:24:04,480 Speaker 2: Jake does all the talking and says, there's no easy 491 00:24:04,520 --> 00:24:05,200 Speaker 2: way to say this. 492 00:24:06,760 --> 00:24:08,000 Speaker 1: Why such the long face? 493 00:24:09,880 --> 00:24:12,639 Speaker 2: I mean, that was that was the pinnacle of my story. 494 00:24:13,040 --> 00:24:15,080 Speaker 3: That was the climax of the moment. 495 00:24:15,640 --> 00:24:20,000 Speaker 2: And you've gone with a horse joke? Is that really? 496 00:24:20,560 --> 00:24:22,159 Speaker 2: I mean, pick your time. But when you want to 497 00:24:22,200 --> 00:24:24,840 Speaker 2: destroy a really good story, well you're the loser. 498 00:24:24,560 --> 00:24:29,480 Speaker 1: That you the ending mate. Now the songs keep talking, 499 00:24:29,520 --> 00:24:31,280 Speaker 1: keep talking. 500 00:24:31,600 --> 00:24:33,720 Speaker 8: They've broken up, from what I gathered from this story, 501 00:24:34,000 --> 00:24:36,679 Speaker 8: yeah they've broken up now, Yeah, but they. 502 00:24:36,520 --> 00:24:37,199 Speaker 1: Broke up, and the. 503 00:24:39,840 --> 00:24:43,800 Speaker 2: Characters were very simple, very very simple. 504 00:24:43,480 --> 00:24:45,159 Speaker 1: In each other. He'd broken up with someone. 505 00:24:44,880 --> 00:24:48,080 Speaker 2: Else, and then he wanders in, wanders into the bar. 506 00:24:48,160 --> 00:24:50,640 Speaker 2: The two of them are, they're broken heart. They've never 507 00:24:50,680 --> 00:24:51,399 Speaker 2: spoken again. 508 00:24:52,920 --> 00:24:53,600 Speaker 1: Live stuff. 509 00:24:53,920 --> 00:24:55,359 Speaker 2: Love can hit hard sometimes. 510 00:24:55,440 --> 00:24:57,879 Speaker 1: BRIT's given us a girl from laying Cove. Now, Britt, 511 00:24:58,000 --> 00:25:00,720 Speaker 1: you've got this is something that that you would like 512 00:25:00,760 --> 00:25:01,200 Speaker 1: to admit. 513 00:25:02,240 --> 00:25:06,480 Speaker 5: Ah, yes, and I don't really want to admit it, 514 00:25:06,560 --> 00:25:09,400 Speaker 5: but I haven't told a living soul that I am 515 00:25:09,440 --> 00:25:13,280 Speaker 5: currently the adulter my husband's friend. 516 00:25:14,080 --> 00:25:17,080 Speaker 1: Okay, so you're what are you in love with your 517 00:25:17,119 --> 00:25:18,000 Speaker 1: husband's best friend? 518 00:25:19,080 --> 00:25:19,840 Speaker 5: Yeah? 519 00:25:20,320 --> 00:25:23,879 Speaker 1: Have you have you guys done? Have you got into together? 520 00:25:23,920 --> 00:25:25,760 Speaker 1: If you have key store? Is it just sort of. 521 00:25:26,680 --> 00:25:28,440 Speaker 5: I think that's a given? Yeah? 522 00:25:28,560 --> 00:25:31,040 Speaker 2: Okay. How how long has this been going on behind 523 00:25:31,040 --> 00:25:31,720 Speaker 2: your husband's back? 524 00:25:31,880 --> 00:25:33,960 Speaker 5: Over a year? 525 00:25:34,440 --> 00:25:37,000 Speaker 2: And how close is your husband and this guy? 526 00:25:38,160 --> 00:25:38,440 Speaker 8: Ah? 527 00:25:38,560 --> 00:25:43,320 Speaker 5: They catch up quite a bit, are the no no, no, 528 00:25:43,440 --> 00:25:50,320 Speaker 5: just social friends, but it's we see each other a lot. 529 00:25:51,960 --> 00:25:52,720 Speaker 9: With your husband. 530 00:25:54,000 --> 00:25:58,320 Speaker 5: Things are improving there as well, and they're really making 531 00:25:58,359 --> 00:26:02,240 Speaker 5: an effort. And it's I'm hard. I'm so sorry, I'm 532 00:26:02,280 --> 00:26:06,160 Speaker 5: shaking as I'm okay, it's just it's pretty raw. And 533 00:26:06,640 --> 00:26:09,720 Speaker 5: I used to look down my nose at anyone that 534 00:26:09,760 --> 00:26:12,359 Speaker 5: would even consider looking the other way or cheating in 535 00:26:12,400 --> 00:26:15,040 Speaker 5: their partner. And I've found myself here. I don't know 536 00:26:15,080 --> 00:26:18,000 Speaker 5: how I got here. And now I'm torn between two 537 00:26:18,040 --> 00:26:20,840 Speaker 5: people I have very very strong feelings and connections for. 538 00:26:21,080 --> 00:26:26,080 Speaker 5: But the aftermath of this could be huge, and neither 539 00:26:26,080 --> 00:26:28,399 Speaker 5: of us will not hurt anyone, but we don't know 540 00:26:28,440 --> 00:26:29,080 Speaker 5: how to stop it. 541 00:26:29,440 --> 00:26:33,000 Speaker 2: Question. You said that things had improved with your husband, 542 00:26:33,240 --> 00:26:35,280 Speaker 2: So did you end out or did you look for 543 00:26:35,320 --> 00:26:39,040 Speaker 2: some sort of relief with the best friend because things 544 00:26:39,040 --> 00:26:39,880 Speaker 2: were bad at home. 545 00:26:41,040 --> 00:26:43,880 Speaker 5: I think they were just there and it wasn't that 546 00:26:43,920 --> 00:26:47,200 Speaker 5: we'd ever thought about it with each other before. And 547 00:26:47,640 --> 00:26:49,719 Speaker 5: you know, one thing to lead to another. We were 548 00:26:49,720 --> 00:26:54,480 Speaker 5: both in miserable relationships and things weren't improving, and I 549 00:26:54,480 --> 00:26:56,639 Speaker 5: think we found comfort in each other and it's just 550 00:26:56,680 --> 00:27:01,239 Speaker 5: sort of snowboard to now. And we know it's you know, 551 00:27:01,280 --> 00:27:03,679 Speaker 5: the social pressures of it. Everyone says, you can't do it, 552 00:27:03,720 --> 00:27:05,239 Speaker 5: you can't do it, it's not the right thing. You're 553 00:27:05,320 --> 00:27:08,560 Speaker 5: hurting people. But we see it differently. We've just got 554 00:27:08,560 --> 00:27:10,800 Speaker 5: these different feelings and emotions and now we understand probably 555 00:27:10,800 --> 00:27:12,640 Speaker 5: why people do go down that path. 556 00:27:12,720 --> 00:27:16,840 Speaker 1: Yeah, but Britt, you understand, you know in yourself that 557 00:27:16,840 --> 00:27:17,840 Speaker 1: there's no happy ending. 558 00:27:17,960 --> 00:27:20,840 Speaker 5: Yeah, you have to make it, chure, absolutely absolutely, And 559 00:27:20,920 --> 00:27:22,800 Speaker 5: that's the gut wrenching part. About it. 560 00:27:23,000 --> 00:27:25,760 Speaker 1: So do you the best friend. Have you spoken and 561 00:27:25,760 --> 00:27:27,920 Speaker 1: say we've got to stop this or you can't see 562 00:27:28,080 --> 00:27:30,520 Speaker 1: you you can't see yourself stopping that relationship. 563 00:27:31,000 --> 00:27:33,960 Speaker 5: We've said it so many times, so many times, and 564 00:27:34,080 --> 00:27:37,840 Speaker 5: it's just we still find ourselves here. It's like this drug. 565 00:27:37,920 --> 00:27:40,760 Speaker 5: We don't know how to get out of it. 566 00:27:40,840 --> 00:27:43,359 Speaker 2: Well, they always say, I mean you can't. You're a 567 00:27:43,400 --> 00:27:45,040 Speaker 2: fool to think that this is something going to happen 568 00:27:45,040 --> 00:27:47,199 Speaker 2: once when you fall into a relationship like this or 569 00:27:47,240 --> 00:27:51,400 Speaker 2: something on the side. Secondly, the old scenario, Britt, you've 570 00:27:51,400 --> 00:27:54,240 Speaker 2: got two people hanging off the cliff here, you can 571 00:27:54,280 --> 00:27:55,119 Speaker 2: only bring one up. 572 00:27:55,240 --> 00:27:56,080 Speaker 1: Who are you bringing up? 573 00:27:56,920 --> 00:28:01,840 Speaker 2: That's who are you saving before moving? He's going to 574 00:28:01,840 --> 00:28:02,960 Speaker 2: be dragged into the rescue boat. 575 00:28:03,000 --> 00:28:05,320 Speaker 5: I think it may end up being my husband. 576 00:28:05,600 --> 00:28:06,720 Speaker 1: Yeah, you got to go back. 577 00:28:06,840 --> 00:28:08,680 Speaker 6: Yeah, but you're going to have to tell him what's happening. 578 00:28:08,720 --> 00:28:10,720 Speaker 1: You have to so he deserves the truth. 579 00:28:10,760 --> 00:28:13,360 Speaker 6: He deserves to know that he's going to give her 580 00:28:13,400 --> 00:28:15,879 Speaker 6: everything to him, that this is what the everything is. 581 00:28:16,040 --> 00:28:18,960 Speaker 2: You've actually begun, fair, brit Do you think you could 582 00:28:19,000 --> 00:28:23,760 Speaker 2: continue on with your husband and never tell this? Would 583 00:28:23,760 --> 00:28:25,920 Speaker 2: the guilt crush you? Or could you just get back 584 00:28:25,960 --> 00:28:28,280 Speaker 2: to routine, be able to push the other away. 585 00:28:29,359 --> 00:28:32,119 Speaker 5: And that's actually a part that's that's really hard to 586 00:28:32,160 --> 00:28:36,600 Speaker 5: sort of overcome as well, is the knowledge of what's happened, And. 587 00:28:36,600 --> 00:28:40,680 Speaker 2: How do I move on if you don't start. 588 00:28:40,520 --> 00:28:44,600 Speaker 5: To affess up and risk ruining everything, because if you do, 589 00:28:44,680 --> 00:28:47,040 Speaker 5: it's over my conscience, it's gone. 590 00:28:47,200 --> 00:28:51,400 Speaker 1: Well, it's both relationships are over well no, because. 591 00:28:51,120 --> 00:28:53,040 Speaker 6: The best friend knows. The best friend's in it with 592 00:28:53,040 --> 00:28:56,000 Speaker 6: his eyes, but see her husband isn't. 593 00:28:56,080 --> 00:28:57,920 Speaker 2: You can shoot me down in flames for saying this 594 00:28:58,000 --> 00:29:00,160 Speaker 2: if you want, and I'm prepared to be judged. Can 595 00:29:00,200 --> 00:29:05,280 Speaker 2: you get bad lane, tom But Britt, if you made 596 00:29:05,280 --> 00:29:07,640 Speaker 2: the decision mentally that your husband was the right place 597 00:29:07,680 --> 00:29:11,360 Speaker 2: to be, then I would not tell him. I would 598 00:29:11,400 --> 00:29:13,960 Speaker 2: just get back with him, realize the mistake you've made. 599 00:29:15,040 --> 00:29:16,440 Speaker 2: Are they commit to what you're at? 600 00:29:16,480 --> 00:29:17,840 Speaker 1: Are they kids involved? Brit? 601 00:29:18,400 --> 00:29:21,760 Speaker 5: Yeah? Unfortunately so, which made it harder. 602 00:29:22,160 --> 00:29:24,040 Speaker 1: This is not how I want to do any of 603 00:29:24,160 --> 00:29:25,960 Speaker 1: my show, Britt. 604 00:29:26,000 --> 00:29:28,320 Speaker 2: Can we keep talking tomorrow? I want to get a 605 00:29:28,320 --> 00:29:29,560 Speaker 2: bit more out of you and a bit of an. 606 00:29:29,480 --> 00:29:30,040 Speaker 1: Update on this. 607 00:29:31,600 --> 00:29:35,040 Speaker 5: Okay, Okay, I mean I'm incredibly never sorry. 608 00:29:35,040 --> 00:29:35,640 Speaker 2: I bet you are. 609 00:29:36,040 --> 00:29:39,720 Speaker 5: I've never a total living soul and yeah, I don't 610 00:29:39,720 --> 00:29:41,120 Speaker 5: know what con problem to call but here I am. 611 00:29:41,640 --> 00:29:44,360 Speaker 2: Okay, okay, thank you for sharing the story. But let's 612 00:29:44,360 --> 00:29:45,200 Speaker 2: talk again tomorrow. 613 00:29:45,640 --> 00:29:46,000 Speaker 5: Pleasure. 614 00:29:46,560 --> 00:29:51,480 Speaker 1: Good luck to know her real name. It's Jenny and 615 00:29:51,520 --> 00:29:53,800 Speaker 1: she's not from Blaine Coat. She's a Crona girl. 616 00:29:53,800 --> 00:29:54,960 Speaker 2: It's actually Gail de Groot. 617 00:29:57,280 --> 00:29:59,120 Speaker 1: All right, let's talk about the budget. We're doing this, 618 00:29:59,280 --> 00:30:02,920 Speaker 1: here we go. Twenty eighteen budget was released last night. 619 00:30:03,320 --> 00:30:05,560 Speaker 1: Could this be the last one for the Liberals? And 620 00:30:05,560 --> 00:30:07,640 Speaker 1: we have the we have the Treasurer on the line 621 00:30:07,720 --> 00:30:09,760 Speaker 1: right now. Scotti, Morrison, Wilcom, Joe Scott. 622 00:30:09,680 --> 00:30:10,840 Speaker 12: Scotchy boys. 623 00:30:11,040 --> 00:30:13,080 Speaker 2: Big night for you, mate, A couple of handshakes, a 624 00:30:13,080 --> 00:30:14,680 Speaker 2: few high fives, you feel relieved. 625 00:30:15,480 --> 00:30:18,280 Speaker 12: Well, it always feels good to get to this side 626 00:30:18,320 --> 00:30:20,360 Speaker 12: of the budget because a lot of work goes into it. 627 00:30:20,400 --> 00:30:24,480 Speaker 12: But the reason for it is, you know, when I 628 00:30:24,560 --> 00:30:27,680 Speaker 12: left school and I went into work, I went into 629 00:30:27,760 --> 00:30:31,160 Speaker 12: economy where it went into recession that more than one 630 00:30:31,200 --> 00:30:34,680 Speaker 12: in five people who are of working age were on welfare. 631 00:30:34,880 --> 00:30:37,200 Speaker 12: I don't want that to be the choices the Australians 632 00:30:37,240 --> 00:30:38,760 Speaker 12: have over the next decade. So to be able to 633 00:30:38,800 --> 00:30:41,520 Speaker 12: bring down a budget, which I think changed those choices, 634 00:30:41,800 --> 00:30:44,480 Speaker 12: particularly young Australians going into the workforce, I think is 635 00:30:44,480 --> 00:30:45,200 Speaker 12: a really good thing. 636 00:30:45,320 --> 00:30:49,320 Speaker 2: So mister Morrison, how are you gonna clamp down on 637 00:30:49,360 --> 00:30:52,360 Speaker 2: the old cashies, like you've said, the old cash jobs. 638 00:30:52,640 --> 00:30:54,680 Speaker 12: Yeah, well there's a couple of things. Firstly, there's a 639 00:30:54,720 --> 00:30:58,440 Speaker 12: ten thousand dollar ban. Now you can't sort of walk 640 00:30:58,480 --> 00:31:01,040 Speaker 12: around with a sports bag full of cash and pay 641 00:31:01,040 --> 00:31:04,400 Speaker 12: for a wedding anymore. Sorry, made all those all those 642 00:31:04,440 --> 00:31:07,560 Speaker 12: bags you've got here in the wardrobe, you better go 643 00:31:07,680 --> 00:31:11,840 Speaker 12: down the bank right in there. So that's a that's 644 00:31:11,840 --> 00:31:13,880 Speaker 12: a big part of it. And with the extra resources 645 00:31:13,880 --> 00:31:15,680 Speaker 12: for the tax office to be able to clamp down 646 00:31:15,680 --> 00:31:19,920 Speaker 12: on this, but also by looking at particular sectors where 647 00:31:21,240 --> 00:31:23,800 Speaker 12: you know there's a lot of underreporting of people's income. 648 00:31:24,080 --> 00:31:27,320 Speaker 12: So people have to report their income, and particularly employers 649 00:31:27,360 --> 00:31:31,000 Speaker 12: will have to report what they're paying in wages because 650 00:31:31,040 --> 00:31:34,320 Speaker 12: if they don't do it and they get caught, they 651 00:31:34,360 --> 00:31:37,040 Speaker 12: won't be able to deduct what they've spent on those 652 00:31:37,080 --> 00:31:41,680 Speaker 12: wages from their own corporate Okay, so that's up, Well, 653 00:31:41,720 --> 00:31:42,080 Speaker 12: pay up. 654 00:31:42,760 --> 00:31:44,600 Speaker 1: It's not very often you hear the two words putting 655 00:31:44,600 --> 00:31:47,440 Speaker 1: together tax and cuts, which is great, you've done that, 656 00:31:47,520 --> 00:31:49,920 Speaker 1: and obviously this could be your last. This could be 657 00:31:50,000 --> 00:31:52,680 Speaker 1: your last budget before the federal election next year, which 658 00:31:52,720 --> 00:31:57,640 Speaker 1: has to be in main next year. So look they're saying, Surplus, 659 00:31:57,640 --> 00:32:00,040 Speaker 1: we're going to be back in black and great. I 660 00:32:00,120 --> 00:32:01,560 Speaker 1: see you as Angus Young in the front of the 661 00:32:01,640 --> 00:32:05,240 Speaker 1: Daily Telegraph today, mister Morrison childhood. Yes it has been, 662 00:32:05,360 --> 00:32:07,000 Speaker 1: but we know that you are a teena arena I 663 00:32:07,000 --> 00:32:12,160 Speaker 1: share with Whipper absolutely, but Surplus, can we honestly believe 664 00:32:12,320 --> 00:32:15,200 Speaker 1: that we're going to be back in black by twenty nineteen? 665 00:32:15,680 --> 00:32:17,800 Speaker 12: Yeah, Well, look it's a very modest balance in that 666 00:32:17,880 --> 00:32:19,760 Speaker 12: year and we've been pretty clear about that. We're not 667 00:32:19,800 --> 00:32:21,760 Speaker 12: crowing about that, we're just sort of stating it is 668 00:32:21,800 --> 00:32:25,560 Speaker 12: what the fact is. A stronger economy is what delivers 669 00:32:25,560 --> 00:32:28,560 Speaker 12: all of this. And you know, I mean it's been 670 00:32:28,920 --> 00:32:31,600 Speaker 12: more than a generation now that people have actually lived 671 00:32:31,640 --> 00:32:33,440 Speaker 12: through a recession in Australia and for a lot of 672 00:32:33,480 --> 00:32:36,239 Speaker 12: younger people they wouldn't know what one was. And you 673 00:32:36,280 --> 00:32:38,760 Speaker 12: can take the economy for granted, and it only has 674 00:32:38,800 --> 00:32:40,680 Speaker 12: remains strong if you do the right things to keep 675 00:32:40,720 --> 00:32:43,160 Speaker 12: it that way, and that's what really underpins and you 676 00:32:43,200 --> 00:32:45,200 Speaker 12: know what we're doing this budget. I mean, taxes can 677 00:32:45,280 --> 00:32:47,360 Speaker 12: be too high. That's why we put a speed limit 678 00:32:47,400 --> 00:32:49,480 Speaker 12: on taxes in this budget. If you let taxes go 679 00:32:49,600 --> 00:32:53,040 Speaker 12: too high, it actually starts slowing the economy, which means 680 00:32:53,040 --> 00:32:56,800 Speaker 12: people don't get jobs, and businesses stop investing, and you know, 681 00:32:56,840 --> 00:32:59,240 Speaker 12: the wage rises you want won't happen. And that's why 682 00:32:59,320 --> 00:33:02,560 Speaker 12: keeping taxes under control is really really important to the economy. 683 00:33:02,560 --> 00:33:06,000 Speaker 12: And that's that's what we're doing. But all the forecast 684 00:33:06,040 --> 00:33:07,840 Speaker 12: we have in this budget, you know, I'll get pointy 685 00:33:07,840 --> 00:33:09,280 Speaker 12: head for a second, if that's all right, But all 686 00:33:09,320 --> 00:33:12,360 Speaker 12: the all the other pointy hit economists around today is 687 00:33:12,400 --> 00:33:15,640 Speaker 12: saying now that that's that sits right in the sweet spot. 688 00:33:16,000 --> 00:33:17,959 Speaker 12: So I think people are can be confident about that. 689 00:33:17,960 --> 00:33:20,520 Speaker 1: Scott, did you have a Did you have a cigar 690 00:33:20,600 --> 00:33:22,960 Speaker 1: and a nice glass of cognac like Joe Hockey after 691 00:33:23,000 --> 00:33:23,880 Speaker 1: the budget last night? 692 00:33:24,120 --> 00:33:25,880 Speaker 12: That's not my it's not my form. 693 00:33:27,520 --> 00:33:29,440 Speaker 1: What do you celebrate? I mean, once it's done, how 694 00:33:29,440 --> 00:33:29,960 Speaker 1: do you do that? 695 00:33:30,320 --> 00:33:32,840 Speaker 12: Well, my wife was down last night and I hadn't 696 00:33:32,880 --> 00:33:35,120 Speaker 12: seen her, and we got together last night with some 697 00:33:35,200 --> 00:33:38,280 Speaker 12: friends and after the evening was over and I caught 698 00:33:38,320 --> 00:33:40,720 Speaker 12: up with them, which was nice. My two little girls 699 00:33:40,800 --> 00:33:43,680 Speaker 12: yesterday they came to the speech and they looked lovely 700 00:33:43,720 --> 00:33:45,960 Speaker 12: and their mum always bos them and your dress for 701 00:33:46,000 --> 00:33:46,640 Speaker 12: the budget, so. 702 00:33:47,440 --> 00:33:49,240 Speaker 1: Put on a bit of Tina Arena in the background. 703 00:33:49,600 --> 00:33:51,240 Speaker 12: There was a bit of Tina going on. Yes, today 704 00:33:51,600 --> 00:33:53,800 Speaker 12: there's a bit of Tina going on. I can assure 705 00:33:53,800 --> 00:33:55,880 Speaker 12: you that's it. 706 00:33:56,200 --> 00:34:00,280 Speaker 1: Ye, Well, we tried to We're trying to get Tina on, Tom. 707 00:34:00,280 --> 00:34:01,680 Speaker 1: How did you go with that? We wanted her to 708 00:34:01,720 --> 00:34:04,479 Speaker 1: leave a message. She's hard to get there. She's in France. 709 00:34:04,800 --> 00:34:06,600 Speaker 3: She's overseas at the moment, Scott. 710 00:34:06,640 --> 00:34:07,320 Speaker 1: Better if we did. 711 00:34:11,600 --> 00:34:14,000 Speaker 12: Know where she is at all moments, Scott. 712 00:34:15,080 --> 00:34:17,200 Speaker 2: The most exciting thing for Scott about the budget is 713 00:34:17,239 --> 00:34:19,640 Speaker 2: actually the celebration with Tina Arena. And I hope that 714 00:34:19,719 --> 00:34:22,560 Speaker 2: she might call one day. We will make this romance 715 00:34:22,560 --> 00:34:23,360 Speaker 2: happen for you, Scott. 716 00:34:23,400 --> 00:34:29,120 Speaker 1: She wrote me a letter once, yeah, so saying sing 717 00:34:29,160 --> 00:34:30,759 Speaker 1: my songs again? Is that what she's said? 718 00:34:31,920 --> 00:34:35,400 Speaker 12: No, when she got an order of Australia and I 719 00:34:35,440 --> 00:34:38,239 Speaker 12: write to congratulate her and she she sent me a 720 00:34:38,280 --> 00:34:40,600 Speaker 12: lovely note back. So you know, Tuna's nice to her fans. 721 00:34:40,640 --> 00:34:42,279 Speaker 12: That's why I think she's got so many of them. 722 00:34:42,800 --> 00:34:47,719 Speaker 1: That well said, all right mate, Well, well I like you, 723 00:34:47,800 --> 00:34:50,720 Speaker 1: but we appreciate you coming. I'm busy you are, mister Morrison, 724 00:34:50,719 --> 00:34:52,360 Speaker 1: thank you very much for coming on and up the 725 00:34:52,360 --> 00:34:52,840 Speaker 1: Sharky's 726 00:34:54,600 --> 00:34:55,960 Speaker 2: Thanks Mane