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Speaker 1: Sorry, I was. I'm sorry, I was up to stair.

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Speaker 1: It's just your hair.

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Speaker 2: That was good for you. Don't you make up?

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Speaker 3: That was good?

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Speaker 1: What are you going up there? Clean your teeth.

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Speaker 3: Because you're a great, bad, dead, bad breath that sorry? Yeah,

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Speaker 3: I promised back her up to.

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Speaker 1: What I can't say it.

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Speaker 2: You're supposed to just back her up.

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Speaker 4: You want your support.

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Speaker 2: His just announced to all the listeners that he promised

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Speaker 2: to back her up on the slide. On the slide,

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Speaker 2: he goes, I'm going to back you up today, like

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Speaker 2: you know, because he's like him and kind of get

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Speaker 2: offside a lot of the time.

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Speaker 4: Because yeah, because Matt was an ass last night. There's

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Speaker 4: a surprise and you sort of turned that.

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Speaker 3: I didn't.

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Speaker 1: He just saw my angle. You're just chipping away, didn't Trish?

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Speaker 1: You would have been that, I reckon, you would have

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Speaker 1: been that little kid sitting on the floor. And TV's going,

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Speaker 1: butveryone's watching Dallas and you've again Oh sorry, what's his

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Speaker 1: name again? Two initials? JR? Oh, yeah, JR? So who's

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Speaker 1: the again? Larry Hagman? Is Larry Hagman?

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Speaker 2: Who's what are you looking? What show are you talking about?

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Speaker 1: Dallas? What is that it was an iconic show in

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Speaker 1: the eighties. Are there any references past two thousand? Okay,

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Speaker 1: he's watching she was watching SpongeBob. She goes, who's the

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Speaker 1: bad guy in this?

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Speaker 3: Good from you?

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Speaker 2: I love SpongeBob, Spongebrobs actually really well watched Spongebobs actually

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Speaker 2: for a lot of animated shows, very well written. SpongeBob like,

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Speaker 2: it's very they when they have a line of where

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Speaker 2: the adults understand the adult humor in it, but the kids,

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Speaker 2: their kids are naive to it.

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Speaker 1: It's called a double on tundre double onndra. Yes, he

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Speaker 1: goes good for good bad.

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Speaker 2: That was the SpongeBob square Pants movie. That was actually

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Speaker 2: a really good movie. I think it made a bit

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Speaker 2: at the box office. Puss Yeah, best line.

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Speaker 1: That love what he calls him, SpongeBob neon spongebub Yeah

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Speaker 1: like that.

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Speaker 3: But okay, I don't know anything.

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Speaker 2: You don't know like, you don't have to, don't have to.

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Speaker 1: It's okay. We just you know it.

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Speaker 2: That's okay, And that's okay to admit that you don't

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Speaker 2: know something. That's fine.

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Speaker 4: I know who SpongeBob is.

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Speaker 1: I'll get to this. I'm gonna get to this minute.

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Speaker 1: It's okay. If you haven't seen SpongeBob yet, cave is

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Speaker 1: going over your head.

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Speaker 3: Yeah, do you know do you know what he's best mate?

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Speaker 3: You know what type of sea creature his best friend is?

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Speaker 3: Do you know what type of sea creature? He's pink?

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Speaker 3: I don't care stuffish Okay, his name is Patrick the stuffish.

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Speaker 1: Yeah. I like Patrick. He's very He's got that sort

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Speaker 1: of goofy sense of humor.

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Speaker 2: He's a he's a.

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Speaker 1: He's a good he's a good guy.

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Speaker 2: Necessary sorry, he's sick.

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Speaker 1: Anyway, at least a seahorse, I reckon. I've always thought

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Speaker 1: when I was watching SpongeBob, what a seahorse? Good girl?

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Speaker 2: Squid woods a what octopus? Squidwards the OCTOPI squid squid

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Speaker 2: an octopus quickly well delicious, just quietly salt and pepper

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Speaker 2: on it. But Larry the Lobster, the big muscle guy,

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Speaker 2: and then Krusty the Crab, That's what I was thinking of,

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Speaker 2: who makes the krabby patties and.

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Speaker 3: His daughter Pearl, who's a wow, which is just that's

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Speaker 3: just confusing.

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Speaker 2: That is and they's not going to have adoption, and

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Speaker 2: is it Sandy Squirrel, the girl.

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Speaker 3: Yeah, he lives in a dome under the water.

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Speaker 1: Please don't say you're about to have a crush on her.

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Speaker 2: I was going to say, well, there's a few animated

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Speaker 2: characters that I used to have a crush on growing out.

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Speaker 2: I think a lot of people Jack and ice Age

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Speaker 2: will relate to me saying Sandy Squirrel and SpongeBob was

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Speaker 2: quite a good sort.

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Speaker 1: Okay, so I've never this is really good. Let's let's

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Speaker 1: talk about animated characters for a second, the ones you

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Speaker 1: may have had a crush on. Trish did you jug ahead?

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Speaker 1: Did you know any Trish Betty Betty Betty Rubble.

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Speaker 3: That from the Splintstone. Yeah, yeah, I can see that

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Speaker 3: she's not a very nice person.

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Speaker 2: I liked this. You might this might go over your heads,

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Speaker 2: but Kim possible. So she was a secret agent. Remember

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Speaker 2: do you remember her?

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Speaker 5: Oh?

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Speaker 2: I always had such a big crush on I thought

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Speaker 2: she was so cute.

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Speaker 1: I never had a crush on Mini Mouse.

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Speaker 4: You didn't like I know it's not animated, but you

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Speaker 4: know Miley Cyrus and.

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Speaker 2: That Amanda in Hannah Montana.

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Speaker 4: Yeah, and the other chick. And she's gone a very dark.

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Speaker 3: Route A lot of those kids do go a dark round.

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Speaker 3: Marley's all right, she's been through She's been through a

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Speaker 3: bit of a period or so Miley.

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Speaker 4: Yeah, not like the Amanda girl.

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Speaker 2: I don't know why you referenced a menstrual cycles, Jack,

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Speaker 2: but yeah, I think the podcast could discuss, you know, Okay,

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Speaker 2: one more who I'm want to those people that have

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Speaker 2: seen Space Jam with Michael Jordan where he goes and

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Speaker 2: he goes into and he plays basketball with like bugs

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Speaker 2: Bunny and that. Yeah, Lola Bunny in that Whose bugs

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Speaker 2: Bunny is like the other bunny? Do you guys remember her?

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Speaker 1: I don't know.

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Speaker 2: Yeah, her name is Lolla Bunnies. She was so cute.

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Speaker 1: Two again, I'd love to be a part off top Cat.

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Speaker 1: You've seen top Cat in this game again? Fat Albert?

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Speaker 2: Is that Eddie Murphy?

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Speaker 4: Albert? Your song for you?

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Speaker 2: Eddie Murphy? Who I was singing? Norbert?

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Speaker 1: Yeah? Should we take control?

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Speaker 4: Can we haven't started?

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Speaker 1: Yeah?

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Speaker 2: Tricia's got the intro question, how are we all? Ye? Yeah?

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Speaker 1: Good?

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Speaker 2: How are you?

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Speaker 4: Do you want the truth or do you want the

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Speaker 4: bumper sticker?

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Speaker 2: What's the what the bumper sticker?

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Speaker 3: What's that?

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Speaker 4: That's like? Oh, I'm great thank you everything, sunshine, or

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Speaker 4: do you want the truth?

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Speaker 2: The truth?

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Speaker 4: People?

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Speaker 1: Bug me, bug you red back at your baby?

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Speaker 2: Is this going somewhere?

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Speaker 4: What is it? I'm just letting it, you know how

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Speaker 4: you know we automatically respond, oh yeah, good, thanks, Yeah,

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Speaker 4: I'm not good.

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Speaker 2: Yeah, okay, Well what do you want us to do

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Speaker 2: about it? Don't you have the intro question? I do.

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Speaker 4: We'll just do it, okay, Jack and Cooper, you have

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Speaker 4: a quick thing. If you were a tool, which would

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Speaker 4: you be and why? But Matt being who you are,

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Speaker 4: and this is why it came up with TV star,

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Speaker 4: what tool are you?

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Speaker 1: I'm a bastard tool because you're a tool? Yeah, okay,

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Speaker 1: I have gone. Yeah, Meghan Markle, I've got Megan Markle.

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Speaker 1: Now we've got some audio. Few people just hanging there.

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Speaker 1: We played a little bit of this the other day

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Speaker 1: on the radio show. But Mega Markel's got a friend

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Speaker 1: called Jamie Kern. They did a podcast together. Now. I

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Speaker 1: don't really like the term of the Americans. I think

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Speaker 1: it's unfair, sort of it casts a broad brush. I

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Speaker 1: think most Americans are really nice and welcoming. However, on

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Speaker 1: this occasion, we've hit the arshole. The quandilla arshole. These

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Speaker 1: two together, Megan and Jamie is sickening honestly as sculling

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Speaker 1: a schooner of fairy floss. Jamie is a suckhole. Megan

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Speaker 1: is a lunar and probably the fagus person I've ever met.

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Speaker 2: Have you met her? No?

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Speaker 4: No?

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Speaker 1: Sorry, facus personally in the face of the planet. Ironically,

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Speaker 1: through this podcast, you always uses the term of self

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Speaker 1: authentic and this is her now now, this is There's

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Speaker 1: some highlights I want to talk about, and the first

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Speaker 1: one that I want to play some moudio for about

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Speaker 1: one minute, but you just hang in there. It's her

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Speaker 1: talking about raising her kids and teaching them the power

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Speaker 1: of yet.

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Speaker 2: Now, Dad, Dad, just context, Dad's listen to this whole party.

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Speaker 2: It goes throughout an hour.

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Speaker 1: Third hour. I sought through it. I sought through it.

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Speaker 2: You got to the I.

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Speaker 1: It was good contact.

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Speaker 2: I respect it for it. But if anyone wants to

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Speaker 2: chime in, I can always pause it, so if you

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Speaker 2: want to, we don't have to listen the whole thing.

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Speaker 6: And one of the things with parenting you watch as

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Speaker 6: you're building their confidence and their self esteem. A word

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Speaker 6: that I use a lot with them is yet you know,

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Speaker 6: and how to reframe things for kids, and like, I

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Speaker 6: can't do it.

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Speaker 3: I can't do it yet.

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Speaker 5: No, I'm not good enough.

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Speaker 6: I'm not good enough yet. And the more that you

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Speaker 6: put into PRAP these ideas of like put yet at

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Speaker 6: the end of nearly every sentence, and you feel like

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Speaker 6: there's still hope and a promise that you can do it.

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Speaker 7: Yes, but when I type that to my children before

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Speaker 7: I go to bed, guess what, Like I'm teaching that

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Speaker 7: to them or I'm reinforcing that, but I'm also reinforcing

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Speaker 7: it for myself.

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Speaker 5: Yes, Like I don't know yet yet.

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Speaker 6: I'm not sure.

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Speaker 5: You're just gonna say that applies to every adult that

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Speaker 5: applies to me right now, all of us. Yeah, Yeah,

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Speaker 5: Yet I don't know what I'm doing yet yet. My

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Speaker 5: business hasn't gotten traction yet yet. No one's picked up

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Speaker 5: my book proposal yet. Yes, I haven't found my soulmate yet. Yeah,

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Speaker 5: is yet the power of yet? The power of Yet?

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Speaker 5: I get so many questions about self worth, like when

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Speaker 5: am I going to finally feel worthy?

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Speaker 1: When my friends like yet, that is poison.

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Speaker 2: I don't get lie. The lady's voice is sonoying.

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Speaker 1: You don't get it.

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Speaker 2: Yeah, yeah, I will get it.

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Speaker 3: I don't get like every time she said something like

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Speaker 3: that was more for a yes, she was just like yeah,

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Speaker 3: and I was just like, the fuck is going on?

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Speaker 1: I haven't taken half of Prince Harry's money yet.

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Speaker 2: Yeah, yeah, I haven't tried to strangle myself listening to

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Speaker 2: that audio yet to the third time, I will say, though,

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Speaker 2: like I get the message they're trying to convey to parents,

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Speaker 2: like the yet of you know, like trying to stay

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Speaker 2: glass half full all the time. That's but why they

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Speaker 2: how they said it.

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Speaker 1: It sounds very culty well in it that like one.

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Speaker 4: Of the first things she said was I'm not good enough.

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Speaker 4: Like that's just a negative phrase any which way, whether

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Speaker 4: it's got yet on the end or not. It's like

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Speaker 4: you don't have to be good enough? What's good enough

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Speaker 4: in whose eyes?

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Speaker 1: Correct? Yeah? Well, the other one, old Jamie, she's just

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Speaker 1: stuckhole and she's just going I just like to like Megan,

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Speaker 1: I just want to be authentic, that's the most important.

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Speaker 1: And then she talks about her day with her kids

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Speaker 1: and they listen to this. I mean, you know, mother's

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Speaker 1: out there and often single mothers who are doing two

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Speaker 1: or three jobs, you know, keep the family going. I mean,

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Speaker 1: you're doing it tough. You've gotta understand about what Mergan's doing.

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Speaker 1: She goes up, she tells the story to me all day.

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Speaker 1: She gets up, wait for this, six thirty in the morning,

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Speaker 1: and she puts on her active wear and she has

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Speaker 1: a coffee. Meanwhile, she's got the baby monitors listening to

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Speaker 1: the kids to makes she are okay. And then she

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Speaker 1: makes the kids her lunches, their lunches because she loves

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Speaker 1: doing that so much. Then she drives the kids to school,

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Speaker 1: all of that, and she says after that, the whole

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Speaker 1: thing she has, I don't get home till about till

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Speaker 1: nine o'clock, meaning nine am. I mean this, I mean.

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Speaker 2: That's that's a two hour days she's and there's a

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Speaker 2: lot of no nannies.

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Speaker 1: Well, she mentions the nanny.

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Speaker 4: At the very end, the nanny's doing all that time.

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Speaker 1: Say, she's doing all of us.

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Speaker 2: I wonder, how like because when like letting people know

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Speaker 2: and Dad, you would have had a lot of this

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Speaker 2: at Triple Lamb, when you had guests come through, like

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Speaker 2: the amount of almost pr coaching that even the interviewers

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Speaker 2: have said, like you can't. You can't ask them about this.

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Speaker 2: You can't ask about this. Here's a list of questions

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Speaker 2: that you have to ask politicians.

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Speaker 1: Oh yeah, horrendous.

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Speaker 2: But I wonder how much like because that was an

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Speaker 2: hour and a half podcast. If you have an hour

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Speaker 2: and a half and you are pretty resilient where you

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Speaker 2: don't think you drive off the road listening to it,

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Speaker 2: you should give it a go. But I wonder how

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Speaker 2: much like stuff either got cut or how much that

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Speaker 2: podcaster who was interviewing I got asked to actually big

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Speaker 2: coach to.

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Speaker 1: Call stuff out of you. Well, there's nothing hard hitting

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Speaker 1: at all in there. She's basically just it's an hour

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Speaker 1: twenty of her big noting herself and just talking about

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Speaker 1: all the amazing things she does, how authentic she is,

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Speaker 1: and and a lot of woe me stuff you wouldn't

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Speaker 1: believe this, you know, I do this and this, and

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Speaker 1: just going.

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Speaker 2: Oh, well look they got you, they got you hook

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Speaker 2: line and I'm a fan, they got you to listen.

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Speaker 3: Wow.

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Speaker 1: Yeah, but that's my tool.

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Speaker 3: Yeah. I don't know, Yeah, I don't know how her

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Speaker 3: like if she actually has a PR team. Geez, they're

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Speaker 3: doing a ship job, don't you think, like she obviously

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Speaker 3: like to be sort of offering back at the moment,

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Speaker 3: but it's.

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Speaker 2: A hard job for a pr team like she doesn't

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Speaker 2: make it very easy on him because given like not

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Speaker 2: just how but not how she is, but how like

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Speaker 2: her and who she with Harry, how her and Harry

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Speaker 2: the whole like chin leaving.

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Speaker 1: No, he hasn't he like ground up is everyone's favorite.

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Speaker 3: His book was. I've read pages out of his book.

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Speaker 1: It is torture.

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Speaker 3: There are some strange ship and everyone thought because from

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Speaker 3: what I thought, now this is quite when I was younger,

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Speaker 3: and my perception of Harry was and this is purely

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Speaker 3: from what Trisha used to say about him. He's a

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Speaker 3: bit of a rat bag, but he's a very bit

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Speaker 3: of a lovable rat bag. And it seems like, especially

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Speaker 3: since his book comes out has come out, he just

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Speaker 3: sounds strange.

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Speaker 1: Yeah, he's just a sk man. Is it's always again,

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Speaker 1: what a tough life I've had. And then he quits

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Speaker 1: the royal family. But then once you know, all the security,

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Speaker 1: everything that comes with it, but he just does want

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Speaker 1: the you know, he wants to keep the title, not

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Speaker 1: part of the family, but he wants all the money

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Speaker 1: for security and everything that goes with it, and she

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Speaker 1: just going, Man, it'd be easy if I was their

295
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Speaker 1: PRB thing be really easy. You just said, both of them,

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Speaker 1: shut up, stop doing interviews.

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Speaker 2: Yeah, man, I'm sick of it. You should have a

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Speaker 2: PR person.

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Speaker 1: Yeah I do.

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Speaker 3: Have you ever had any one, especially at Triple Am

301
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Speaker 3: because that was more of a Monday or Friday and

302
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Speaker 3: people be pushing agendas and stuff like that real hard?

303
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Speaker 1: Did you ever have.

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Speaker 3: Any real bad guests that come in that if you

305
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Speaker 3: ever pushed beyond what they were supposed to talk about,

306
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Speaker 3: they'd sort of buy back.

307
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Speaker 1: There was a couple of funny ones a band plus

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Speaker 1: EBA who do that? You know, Pure Morning They're a

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Speaker 1: textan band. But the leads seeing is known has been

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Speaker 1: incredibly prickly. He walked in, He's PA person walked in

311
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Speaker 1: beforehand and just said absolutely put your phones away, no photos.

312
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Speaker 1: We're like, put the phones, she said, no photos. So

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Speaker 1: he walks in and you can just feel like this

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Speaker 1: awful energy just walk in the studio. And then of

315
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Speaker 1: course Woody who was our producer, who's to be the linesman,

316
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Speaker 1: Woody Brandon wood just asked him to turn around a

317
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Speaker 1: long angle lands that just takes a photo of him

318
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Speaker 1: and he just exploded, So you fucking disgusting little man. Really.

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Speaker 1: The other one was Jerry Hallowell. Her thing was absolutely

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Speaker 1: no photos got in there.

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Speaker 2: She was Spice Girls, which one shep sporting ginger one.

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Speaker 1: There was a real weird one. I've never told this story. No, no,

323
00:14:37,960 --> 00:14:40,320
Speaker 1: a really weird thing that happened. TriPlan just spark my

324
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Speaker 1: memory and unless I talked about now, I reckon, I'll forget.

325
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Speaker 1: I know I've ever told you to remember when the

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00:14:45,320 --> 00:14:47,760
Speaker 1: thing happened. Queen not Queens at the Stone as checked

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Speaker 1: that band, the shooting in the back of Klan, Oh.

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Speaker 3: Yeah, Josh Josh, Eagles of death Metal, Yeah, something like

329
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Speaker 3: that in Paris.

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Speaker 1: The Eagles of death Metal happened in Paris anyway, but

331
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Speaker 1: that was a shooting at their concer.

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Speaker 3: Is that what you're saying?

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Speaker 1: Yes, yeah, anyway, this person reached out, this lady reached

334
00:15:05,760 --> 00:15:10,520
Speaker 1: out to Trip Lamb to to Max producer got in

335
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Speaker 1: touch and said, letting you know, I've just come back.

336
00:15:13,360 --> 00:15:15,880
Speaker 1: I was actually in the Battle Climb when it happened,

337
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Speaker 1: and I just want to share the story. And we're like, oh, okay,

338
00:15:18,800 --> 00:15:21,920
Speaker 1: no worries. She came up. Soon as she came into

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Speaker 1: the studio, everyone went, oh, oh, this is Matt. This

340
00:15:25,960 --> 00:15:28,760
Speaker 1: is weird, like mate. It was actually scary because you know,

341
00:15:29,360 --> 00:15:31,600
Speaker 1: she was full of ship, but she was very very

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Speaker 1: strange and we're going, mate, and she was talking about

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Speaker 1: the terrorist attack, and.

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Speaker 3: I remember you when this happened. Yeah, I remember. I

345
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Speaker 3: must have been around.

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Speaker 2: She what she clearly wasn't even She just wanted to

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Speaker 2: be in a studio.

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Speaker 1: She wanted to be in the studio, but it was

349
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Speaker 1: a share. She was very very strange, really strange, and

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Speaker 1: you go, man, there's something wrong here. And I actually

351
00:15:49,360 --> 00:15:51,840
Speaker 1: started to panic. We're all scale mats and I signaled

352
00:15:51,880 --> 00:15:53,280
Speaker 1: to Max and said, mate, we've got to find a

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Speaker 1: way to get her out of here. And he came

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Speaker 1: in said, okay, that's good. With the interview anyway, we

355
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Speaker 1: never played it, but then she would ring for the

356
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Speaker 1: next month. She'd ring every day and go, I want

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Speaker 1: to know where my interview is going to be played. Yeah.

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Speaker 2: I will say radio attracts some very strange characters, like

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00:16:11,720 --> 00:16:15,800
Speaker 2: very very strange characters, almost like stalker esque.

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00:16:16,600 --> 00:16:19,040
Speaker 1: Type characters that Jackie particular.

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Speaker 3: Yeah, yeah, you guys, would I've been into a studio

362
00:16:21,480 --> 00:16:25,600
Speaker 3: recently where your signing is very very like I was

363
00:16:25,640 --> 00:16:30,880
Speaker 3: actually really surprised your signings very particular and actually Apple

364
00:16:31,000 --> 00:16:33,160
Speaker 3: HQ we went recently is the same thing where you

365
00:16:33,200 --> 00:16:34,960
Speaker 3: have to go in and it's like very It's almost

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Speaker 3: like going into customs at the airport because apparently they

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00:16:38,640 --> 00:16:40,240
Speaker 3: get a lot of stalkers in radio.

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Speaker 2: Yeah, I don't know.

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Speaker 4: Why any media agency.

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Speaker 2: I think I was getting messages from a guy who

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00:16:46,840 --> 00:16:51,640
Speaker 2: like was convinced that we were related and was like

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00:16:51,640 --> 00:16:53,560
Speaker 2: like messaging me quiet and I was just like what

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Speaker 2: but it was like.

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Speaker 1: No, it wasn't him Johnson.

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Speaker 2: He wishes but like obviously, like I had some issues

376
00:17:02,000 --> 00:17:06,359
Speaker 2: going on, but like just would relentlessly create this like

377
00:17:06,480 --> 00:17:08,520
Speaker 2: fake life for me and him, but like on all

378
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Speaker 2: these memories we had as kids.

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00:17:10,119 --> 00:17:12,359
Speaker 4: Oh wow, yeah, yeah, do you remember when?

380
00:17:13,480 --> 00:17:15,439
Speaker 2: I don't remember when because it didn't happen. But like

381
00:17:15,840 --> 00:17:18,480
Speaker 2: then he was also messaging other people in the radio station,

382
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Speaker 2: like at the radio as well, and they'd be like

383
00:17:20,440 --> 00:17:21,600
Speaker 2: is this like do you know this guy? And I

384
00:17:21,600 --> 00:17:23,240
Speaker 2: was like, ah, he just messages me all the time,

385
00:17:23,440 --> 00:17:24,879
Speaker 2: and the he was ringing through and stuff, and then

386
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Speaker 2: we couldn't put him to air all the time.

387
00:17:26,440 --> 00:17:29,960
Speaker 1: Faddi and Stirlo had a really unnerving thing happened to

388
00:17:30,000 --> 00:17:32,200
Speaker 1: them during the Footy show years. This guy used to

389
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Speaker 1: send letters in and they were just like At first,

390
00:17:35,560 --> 00:17:37,240
Speaker 1: they used to pull him out and laugh and be like,

391
00:17:37,280 --> 00:17:39,680
Speaker 1: you know you guys, I hate you guys, you guys,

392
00:17:39,720 --> 00:17:41,440
Speaker 1: and just really abusive, just.

393
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Speaker 2: Rambling, and they pull it out on the air and

394
00:17:43,320 --> 00:17:44,080
Speaker 2: say it no, no, no.

395
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Speaker 1: They just look at Glennie Palace to the producer, so

396
00:17:47,119 --> 00:17:51,240
Speaker 1: may we've got no one of these And then started

397
00:17:51,280 --> 00:17:54,359
Speaker 1: getting weird and what actually started to happen. He started

398
00:17:54,400 --> 00:17:58,000
Speaker 1: he'd write the letter, but then like every every every

399
00:17:58,080 --> 00:18:00,199
Speaker 1: single word he'd write, he'd write out the top for

400
00:18:00,280 --> 00:18:03,399
Speaker 1: ten times, so it was really thick and bold. Anyway,

401
00:18:03,440 --> 00:18:05,040
Speaker 1: they end up going, mate, this is sort of weird.

402
00:18:05,359 --> 00:18:08,239
Speaker 1: They contacted the police and the police were coming out

403
00:18:08,240 --> 00:18:11,399
Speaker 1: of the less so yeah, yes, this is where it

404
00:18:11,440 --> 00:18:14,240
Speaker 1: gets scary, in the fact that when he writes letters

405
00:18:14,240 --> 00:18:18,840
Speaker 1: to to use, he he gets satisfaction out of it

406
00:18:18,920 --> 00:18:22,040
Speaker 1: and sends it. But given the fact he's written over

407
00:18:22,080 --> 00:18:24,359
Speaker 1: the same word ten times, showing that he had that

408
00:18:24,480 --> 00:18:26,520
Speaker 1: much hated him. It took him ten times to write

409
00:18:26,520 --> 00:18:27,639
Speaker 1: the whole letter again.

410
00:18:28,200 --> 00:18:32,120
Speaker 2: That's like Zodiac. Yeah, I mean that gives me that's

411
00:18:32,119 --> 00:18:32,600
Speaker 2: great movie.

412
00:18:32,640 --> 00:18:38,640
Speaker 1: He loved Blocker the he love Blocker.

413
00:18:38,720 --> 00:18:43,199
Speaker 3: Yeah, he's a very lovable man. Have you seen have

414
00:18:43,280 --> 00:18:46,120
Speaker 3: you seen as well? The Hello Small Boys? Talked about

415
00:18:46,119 --> 00:18:48,560
Speaker 3: it earlier in the week. But Blocker is the one

416
00:18:48,560 --> 00:18:52,240
Speaker 3: who's broker in peace between Ryan Hoffman and Aaron Woods.

417
00:18:53,400 --> 00:18:53,920
Speaker 2: Blockers.

418
00:18:54,080 --> 00:18:57,920
Speaker 3: Blocker is he thinks there's two men that played together

419
00:18:58,000 --> 00:18:59,800
Speaker 3: on this side of the border before OGE and three.

420
00:18:59,800 --> 00:19:04,200
Speaker 3: It's it's it's unnerving that we've got X teammates fighting

421
00:19:04,240 --> 00:19:05,200
Speaker 3: against each other for the boy.

422
00:19:05,240 --> 00:19:06,560
Speaker 2: That is unnerving.

423
00:19:07,840 --> 00:19:08,600
Speaker 4: Storylines.

424
00:19:09,000 --> 00:19:09,200
Speaker 2: Yeah.

425
00:19:09,320 --> 00:19:12,800
Speaker 1: Yeah, I was just coffee on the thing and he

426
00:19:12,840 --> 00:19:14,800
Speaker 1: was talking about how the media should work. I said,

427
00:19:14,800 --> 00:19:18,560
Speaker 1: you know, journalists really love it when players haven't retired

428
00:19:18,560 --> 00:19:20,720
Speaker 1: for that long going to going to the media, and

429
00:19:20,720 --> 00:19:22,520
Speaker 1: I should tell journalists how to do their jobs.

430
00:19:23,320 --> 00:19:27,280
Speaker 2: What does he do the hoof man. I think Hoffy

431
00:19:27,640 --> 00:19:29,760
Speaker 2: is with ABC doing radio stuff.

432
00:19:29,840 --> 00:19:30,360
Speaker 1: I believe.

433
00:19:30,960 --> 00:19:31,720
Speaker 2: I believe.

434
00:19:33,240 --> 00:19:35,320
Speaker 1: Because he went on the radio after and said, look,

435
00:19:35,359 --> 00:19:38,359
Speaker 1: I wasn't I wasn't referring. I wasn't a personal attack

436
00:19:38,400 --> 00:19:41,879
Speaker 1: on Woodsy. I was explaining more of this and I thought, Hofy,

437
00:19:42,480 --> 00:19:45,720
Speaker 1: when you say that you're you know, you said that

438
00:19:45,800 --> 00:19:48,080
Speaker 1: you're being a coward behind a microphone. I sort of

439
00:19:48,119 --> 00:19:49,320
Speaker 1: think probably his.

440
00:19:49,320 --> 00:19:52,440
Speaker 2: Personal Yeah, it probably was a bit of an attack

441
00:19:52,480 --> 00:19:56,000
Speaker 2: on Woodsy. Remember Woods. He rang me after and I said,

442
00:19:56,000 --> 00:19:57,240
Speaker 2: I think Hofe is coming after me.

443
00:19:58,240 --> 00:19:59,160
Speaker 1: I'm pretty sure it was.

444
00:19:59,119 --> 00:19:59,680
Speaker 2: Taken like.

445
00:20:01,320 --> 00:20:02,760
Speaker 1: He rang well Hoffy rain Woodsy.

446
00:20:03,000 --> 00:20:04,040
Speaker 2: Oh did he apologize?

447
00:20:04,240 --> 00:20:06,520
Speaker 1: Yeah, yeah, mate, we'll see that. I don't know if

448
00:20:06,560 --> 00:20:08,840
Speaker 1: you apologize. I think you rang to try to clarify

449
00:20:09,960 --> 00:20:11,760
Speaker 1: I was Woods. The older said, yeah, mate, I sort

450
00:20:11,760 --> 00:20:14,359
Speaker 1: of heard the word coward used tools three times, I

451
00:20:14,520 --> 00:20:15,160
Speaker 1: probably thinking.

452
00:20:15,520 --> 00:20:17,040
Speaker 2: But the good thing is and I think it's a

453
00:20:17,040 --> 00:20:22,080
Speaker 2: great discussion. Was Hoffy wrong in calling Woods? Because I'm

454
00:20:22,800 --> 00:20:26,119
Speaker 2: playing alongside Woods, particularly in the last two years of his career,

455
00:20:26,480 --> 00:20:29,840
Speaker 2: I'd have to agree. I don't have to Your.

456
00:20:29,760 --> 00:20:30,680
Speaker 1: Tool is wood.

457
00:20:33,400 --> 00:20:33,840
Speaker 2: Little hit?

458
00:20:34,080 --> 00:20:37,000
Speaker 3: Was Woodsy more attacking or defensive orientated towards the end

459
00:20:37,000 --> 00:20:37,360
Speaker 3: of his career?

460
00:20:37,440 --> 00:20:39,439
Speaker 2: Well, Woods, he was attacking my last year. But the

461
00:20:39,480 --> 00:20:41,960
Speaker 2: best thing about me, the best thing about me and

462
00:20:42,000 --> 00:20:45,320
Speaker 2: Woodsy in the in the that last year was we

463
00:20:45,320 --> 00:20:48,399
Speaker 2: were both only attacking orientated. So Woods, you would do

464
00:20:48,480 --> 00:20:50,280
Speaker 2: all the ball playing in the middle and he just

465
00:20:50,280 --> 00:20:53,240
Speaker 2: got yeah. Sweet. So whenever me and Woodsy touched it

466
00:20:53,240 --> 00:20:56,080
Speaker 2: in the same play, the defense just knew it was

467
00:20:56,119 --> 00:20:58,200
Speaker 2: being shifted because neither of us were going to run.

468
00:20:58,440 --> 00:20:59,879
Speaker 3: And the other funnies by that is that was his

469
00:21:00,080 --> 00:21:02,280
Speaker 3: second last year to have.

470
00:21:02,200 --> 00:21:02,760
Speaker 2: Retired with me.

471
00:21:02,960 --> 00:21:06,400
Speaker 1: Yes, a typical John's to woods balls in the grand

472
00:21:06,400 --> 00:21:07,200
Speaker 1: stand again.

473
00:21:07,320 --> 00:21:07,880
Speaker 2: Zero runs.

474
00:21:07,880 --> 00:21:09,919
Speaker 3: He decided to go out with the Great Brad Parker instead.

475
00:21:10,080 --> 00:21:12,240
Speaker 2: Yes. Did anybody have any stuff on their week?

476
00:21:12,480 --> 00:21:14,679
Speaker 4: The other day, like, we're getting a little desperate on

477
00:21:14,720 --> 00:21:18,480
Speaker 4: the dog front, and our niece brought her dog Jimmy

478
00:21:18,480 --> 00:21:21,760
Speaker 4: around and we just fell in love. And then they

479
00:21:21,760 --> 00:21:23,159
Speaker 4: were going shopping. They were going to leave him at

480
00:21:23,160 --> 00:21:24,960
Speaker 4: the dog care at the shopping No, no, no, no, leave him

481
00:21:24,960 --> 00:21:27,600
Speaker 4: here beautiful the Cocker span.

482
00:21:27,800 --> 00:21:29,359
Speaker 1: So there's a dog kennel at.

483
00:21:31,359 --> 00:21:33,479
Speaker 2: Yeah, they've got a doggie dak there. It's pretty good.

484
00:21:33,520 --> 00:21:35,560
Speaker 2: I walked past all the time. The dogs don't look happy,

485
00:21:36,320 --> 00:21:37,000
Speaker 2: they just basket.

486
00:21:37,640 --> 00:21:39,560
Speaker 4: I'm just getting a little concerned. We spoke to someone

487
00:21:39,560 --> 00:21:43,000
Speaker 4: the other day and they they left their dog. They

488
00:21:43,000 --> 00:21:45,440
Speaker 4: went to Fiji and they actually left their dog with

489
00:21:47,040 --> 00:21:53,440
Speaker 4: friends and their dog knew that other dog and I

490
00:21:53,560 --> 00:21:55,720
Speaker 4: must have been playing. I don't think it was a

491
00:21:55,880 --> 00:21:58,840
Speaker 4: vengeful thing, but it's now lost its eye.

492
00:21:58,960 --> 00:22:01,000
Speaker 2: The dog from the other dog chloring.

493
00:22:01,480 --> 00:22:04,199
Speaker 4: Did something go whether it was play or it got

494
00:22:04,240 --> 00:22:07,720
Speaker 4: a little angry or territorial, yeah, well.

495
00:22:09,480 --> 00:22:13,479
Speaker 2: Anyway, just did that get put down? The dog? Typically

496
00:22:13,520 --> 00:22:17,720
Speaker 2: if the dog attacks another dog or something gets put down, right, I.

497
00:22:17,600 --> 00:22:19,480
Speaker 1: Think I think the true said that I was sort

498
00:22:19,480 --> 00:22:19,879
Speaker 1: of playing.

499
00:22:20,080 --> 00:22:24,920
Speaker 4: Yeah, yeah, I don't think intent and babitting their friend's dog.

500
00:22:25,560 --> 00:22:27,440
Speaker 4: You can't go in and then say, oh, hey, can

501
00:22:27,480 --> 00:22:29,520
Speaker 4: you put down your dog? That hurt my dog's eyes.

502
00:22:29,600 --> 00:22:30,800
Speaker 1: Jimmy's got the best hairstyle.

503
00:22:31,200 --> 00:22:35,880
Speaker 4: Jimmy is, well, the thing is, so I'm like, I'm going, yes,

504
00:22:36,000 --> 00:22:38,720
Speaker 4: they've gone, and I'm like, cuddles on the lounge with Jimmy.

505
00:22:38,840 --> 00:22:42,119
Speaker 4: So one minute Jack Matt calls Jimmy up on the lounge.

506
00:22:42,200 --> 00:22:45,200
Speaker 4: Cocker spaniel h leaps straight up sitting there. It's all beautiful.

507
00:22:45,480 --> 00:22:49,760
Speaker 4: So then I make myself for comfy. There, come on, Jimmy,

508
00:22:49,760 --> 00:22:52,439
Speaker 4: I've you come. And then off he goes, and he

509
00:22:52,440 --> 00:22:54,479
Speaker 4: goes and hides in our bedroom and he's sitting at

510
00:22:54,480 --> 00:22:56,680
Speaker 4: the foot of the bed. I'm like, what are you doing?

511
00:22:57,240 --> 00:22:59,159
Speaker 4: So I lay there with him. Then I go, come on,

512
00:22:59,240 --> 00:23:03,200
Speaker 4: I carry him backbart Off. He goes back in again.

513
00:23:03,359 --> 00:23:05,760
Speaker 4: And so then when Sarah and Phil get back, I went,

514
00:23:06,160 --> 00:23:07,920
Speaker 4: it's the weirdest thing, like, I don't know what's wrong

515
00:23:07,960 --> 00:23:09,560
Speaker 4: with him. I don't know, like he was missing you

516
00:23:09,680 --> 00:23:12,480
Speaker 4: or whatever. He just went and laid at the foot

517
00:23:12,480 --> 00:23:13,960
Speaker 4: of the bed. And she went, oh my god, did

518
00:23:14,000 --> 00:23:16,320
Speaker 4: you have the football on? I said, yeah, Matt put

519
00:23:16,359 --> 00:23:18,879
Speaker 4: the football on. The game is on. She went, oh,

520
00:23:18,920 --> 00:23:22,480
Speaker 4: he hates the football. He has PTSD from the football.

521
00:23:22,520 --> 00:23:25,679
Speaker 4: Whenever he hears it on in their house, he'll go

522
00:23:25,760 --> 00:23:28,800
Speaker 4: into the bedroom because I feel his owner gets a

523
00:23:28,800 --> 00:23:31,119
Speaker 4: little over excited at the football and he's yelling at

524
00:23:31,160 --> 00:23:31,760
Speaker 4: the television.

525
00:23:31,800 --> 00:23:32,720
Speaker 2: Phil gets aggressive.

526
00:23:32,880 --> 00:23:35,200
Speaker 1: Yeah, so he feels the Raiders fans. He's been a

527
00:23:35,240 --> 00:23:37,040
Speaker 1: lot of screaming the last ten years. Yeah.

528
00:23:37,080 --> 00:23:39,679
Speaker 4: So yeah, and he goes and he won't stay in

529
00:23:39,680 --> 00:23:40,480
Speaker 4: front of the television.

530
00:23:40,640 --> 00:23:44,840
Speaker 1: Wow, hates the footy. Oh God loving Jimmy cruises animals.

531
00:23:45,000 --> 00:23:47,919
Speaker 2: That's very interesting that he has the observation to be

532
00:23:47,960 --> 00:23:50,480
Speaker 2: able to know first round, because I always heard the

533
00:23:50,480 --> 00:23:53,040
Speaker 2: sound of footy, but I always was under the impression

534
00:23:53,080 --> 00:23:55,120
Speaker 2: they couldn't see the TV, like how.

535
00:23:55,000 --> 00:23:57,199
Speaker 1: They can't the modern modern TVs they can.

536
00:23:57,359 --> 00:23:59,720
Speaker 4: Okay, I remember Matt used to put YouTube on for

537
00:24:00,359 --> 00:24:01,960
Speaker 4: yeah Charlie, Yeah.

538
00:24:01,800 --> 00:24:04,280
Speaker 1: That's right. It was like ducks and things like a

539
00:24:04,359 --> 00:24:07,840
Speaker 1: been now and a half just and or yeah, birds

540
00:24:07,840 --> 00:24:10,439
Speaker 1: coming to things like that, and she'd love it. Yeah,

541
00:24:10,480 --> 00:24:14,560
Speaker 1: But there's such sensitive creatures animals. They're always observing you

542
00:24:14,600 --> 00:24:17,159
Speaker 1: and picking up your tendencies, such as at the moment,

543
00:24:18,119 --> 00:24:20,639
Speaker 1: harritt cat Trish's got a cage you put on a

544
00:24:20,760 --> 00:24:22,760
Speaker 1: night she hates going in there. And I said to

545
00:24:22,880 --> 00:24:26,240
Speaker 1: Jack and Jemma, watch this. She just knows tendencies. And

546
00:24:26,600 --> 00:24:28,960
Speaker 1: as soon as it hits a certain point at the

547
00:24:29,080 --> 00:24:32,199
Speaker 1: night and I stand up, I said, watch this, she

548
00:24:32,280 --> 00:24:34,199
Speaker 1: jumps straight up and runs over to a bowl and

549
00:24:34,240 --> 00:24:38,480
Speaker 1: starts eating. So you can't put it every single time.

550
00:24:39,680 --> 00:24:41,639
Speaker 3: It's a weird kink. You've got disgusting.

551
00:24:42,240 --> 00:24:45,280
Speaker 2: I don't know. Jack wasn't listening to any Can I

552
00:24:45,320 --> 00:24:47,399
Speaker 2: quickly bring it? I was reminded during the week so

553
00:24:47,480 --> 00:24:50,080
Speaker 2: someone was telling to me about when young kids know

554
00:24:50,160 --> 00:24:52,560
Speaker 2: how to learn how to swear right from a young age,

555
00:24:52,560 --> 00:24:54,960
Speaker 2: and they start swearing and they start to use it actually,

556
00:24:55,400 --> 00:24:58,040
Speaker 2: and when they do use it in real good context,

557
00:24:58,240 --> 00:25:00,679
Speaker 2: how funny it is as somebody who's order to hear it.

558
00:25:00,840 --> 00:25:04,439
Speaker 2: Because I taught Dale Finukin's young fellow Freddy in the

559
00:25:04,480 --> 00:25:06,680
Speaker 2: Hub how to say the F word?

560
00:25:06,800 --> 00:25:09,200
Speaker 4: Right, why did you do that?

561
00:25:09,240 --> 00:25:11,760
Speaker 2: But then in order to backtrack because he started saying

562
00:25:11,760 --> 00:25:15,119
Speaker 2: it a lot, I told him that that word meant

563
00:25:15,520 --> 00:25:17,479
Speaker 2: was for a power aid because we had in our

564
00:25:17,520 --> 00:25:19,560
Speaker 2: team room we had power aids in there. He'd always

565
00:25:19,560 --> 00:25:21,879
Speaker 2: want one, and I said, it means that, thinking.

566
00:25:21,720 --> 00:25:24,720
Speaker 1: Of sixteen, was he was like four or five?

567
00:25:25,400 --> 00:25:28,560
Speaker 2: Anyway, Dale set up until he was like six he

568
00:25:28,600 --> 00:25:30,680
Speaker 2: could never like, whenever he saw a power aide, he'd

569
00:25:30,720 --> 00:25:33,879
Speaker 2: say the F word. And I wanted to ask you, guys,

570
00:25:34,560 --> 00:25:37,520
Speaker 2: did me or Jack ever have problems as young as

571
00:25:37,560 --> 00:25:41,240
Speaker 2: young Tuckers were to be swearing doing anything inappropriate.

572
00:25:40,960 --> 00:25:43,520
Speaker 3: Not swearing inappropriate?

573
00:25:44,200 --> 00:25:47,040
Speaker 4: Oh yeah, he didn't swear that. He was very big

574
00:25:47,080 --> 00:25:47,800
Speaker 4: on the middle finger.

575
00:25:48,440 --> 00:25:48,760
Speaker 1: He was.

576
00:25:49,080 --> 00:25:53,040
Speaker 4: He loved the bird, giving people the bird went down. Well,

577
00:25:53,119 --> 00:25:56,240
Speaker 4: what's his name? Frank? Frank was kind of traumatized.

578
00:25:56,320 --> 00:26:01,840
Speaker 2: Frank Frank. We've told that just in a while in

579
00:26:01,920 --> 00:26:06,080
Speaker 2: case new listeners. Yeah, so we were over at over

580
00:26:06,080 --> 00:26:09,320
Speaker 2: at one of our friend Ricardo's house. You No, No, Liam,

581
00:26:09,440 --> 00:26:13,080
Speaker 2: Liam and Braith Alexander were over there as well, and

582
00:26:13,119 --> 00:26:15,600
Speaker 2: we're about to watch a movie. Yeah, we're aout to

583
00:26:15,600 --> 00:26:17,400
Speaker 2: watch a movie. And we were picking a movie, picking

584
00:26:17,440 --> 00:26:19,120
Speaker 2: a movie, and I said, why don't we watch Saw?

585
00:26:19,880 --> 00:26:22,679
Speaker 2: And obviously a horror movie, the Saw series, probably inappropriate

586
00:26:22,680 --> 00:26:25,000
Speaker 2: for the age we were. How are we probably ten?

587
00:26:25,160 --> 00:26:26,560
Speaker 1: Good movie?

588
00:26:26,920 --> 00:26:28,000
Speaker 3: Eight birthday the next week?

589
00:26:28,280 --> 00:26:32,080
Speaker 2: No, no, it was ten. And then the dad, Frank the

590
00:26:32,160 --> 00:26:34,760
Speaker 2: tank Frankie was going, oh, no, you aren't, you are, No,

591
00:26:34,840 --> 00:26:36,600
Speaker 2: We're not watching that. It's too scary for you guys,

592
00:26:36,640 --> 00:26:38,359
Speaker 2: You'll have nightmares. And I was and then I was

593
00:26:38,400 --> 00:26:40,280
Speaker 2: geing the boys. I've gone let's watch it. Let's Everyone

594
00:26:40,320 --> 00:26:42,639
Speaker 2: was like, yeah, yeah, let's watch it. Frank fake saurus

595
00:26:42,880 --> 00:26:45,560
Speaker 2: and then he was going, no, Hooper settled down, you're

596
00:26:45,600 --> 00:26:47,840
Speaker 2: not watching it? And I went, no, we're watching it.

597
00:26:48,000 --> 00:26:49,919
Speaker 2: And he says, what don't you get about we're watching it?

598
00:26:49,960 --> 00:26:51,880
Speaker 2: And I went this and I flipped him the bird.

599
00:26:51,880 --> 00:26:53,600
Speaker 4: I said, what don't you get about?

600
00:26:53,960 --> 00:26:54,440
Speaker 1: That's right?

601
00:26:54,480 --> 00:26:56,119
Speaker 2: I said, what don't you get about this? And I

602
00:26:56,160 --> 00:26:58,919
Speaker 2: flipped Frank I saw as the bird. Well, he couldn't

603
00:26:58,920 --> 00:27:00,639
Speaker 2: have kicked me. Out of the house quick. I remember

604
00:27:00,720 --> 00:27:02,480
Speaker 2: He's thrown me out and I'm out on the street

605
00:27:02,760 --> 00:27:04,040
Speaker 2: and it was like two pm in the arve. It

606
00:27:04,119 --> 00:27:06,880
Speaker 2: wasn't a dangerous time, although I wished at the time

607
00:27:06,920 --> 00:27:08,880
Speaker 2: i'd been kidnaped, because then Jeez would have felt bad

608
00:27:08,920 --> 00:27:10,960
Speaker 2: after that, and given.

609
00:27:10,760 --> 00:27:12,880
Speaker 1: The fact you live fifty meters down the road, Look,

610
00:27:12,960 --> 00:27:15,399
Speaker 1: it wasn't. It wasn't a devastating.

611
00:27:14,920 --> 00:27:17,919
Speaker 2: Blo Sometimes fifty meters is all they need. True, you

612
00:27:17,920 --> 00:27:21,119
Speaker 2: give them an inch, they take a mile as bloody arseholes. Anyway,

613
00:27:21,160 --> 00:27:23,320
Speaker 2: I walked back home and I remember I was sitting

614
00:27:23,359 --> 00:27:25,359
Speaker 2: in the living room because there was a bit of

615
00:27:25,400 --> 00:27:27,160
Speaker 2: like a shin dig going out of ours at the time,

616
00:27:27,400 --> 00:27:29,400
Speaker 2: and I was like wigging out, obviously at that age

617
00:27:29,440 --> 00:27:31,400
Speaker 2: when you kind of have a bit of a kerfuffle

618
00:27:31,440 --> 00:27:32,960
Speaker 2: with someone, you wig out. And I'm sitting in the

619
00:27:33,040 --> 00:27:34,639
Speaker 2: room and I was like, how do I tell you,

620
00:27:35,080 --> 00:27:36,639
Speaker 2: or do I tell anyone about this? Or do I

621
00:27:36,720 --> 00:27:38,840
Speaker 2: just die with this? He probably won't say anything. And

622
00:27:38,880 --> 00:27:41,320
Speaker 2: then I've told Mum, and Mum's made me write a

623
00:27:41,400 --> 00:27:42,640
Speaker 2: letter and it.

624
00:27:42,680 --> 00:27:43,760
Speaker 1: Was the college.

625
00:27:44,040 --> 00:27:46,320
Speaker 2: Yeah, it was an insincere letter. I'm not going to lie.

626
00:27:46,359 --> 00:27:48,080
Speaker 2: I could barely read or write at the.

627
00:27:48,240 --> 00:27:51,439
Speaker 1: Written letters say a lot a better persons they do,

628
00:27:52,280 --> 00:27:54,320
Speaker 1: which sh had, even if you're forced to do it?

629
00:27:54,440 --> 00:27:56,560
Speaker 2: Yeah, yeah, but that's good to know. It was only

630
00:27:56,560 --> 00:27:58,280
Speaker 2: the rude finger, because I thought we would have been

631
00:27:58,359 --> 00:28:00,280
Speaker 2: quite heavy on the swears.

632
00:28:01,040 --> 00:28:01,720
Speaker 1: Used it pretty good?

633
00:28:01,960 --> 00:28:04,159
Speaker 4: No, no, you went, I'd seek a couple of.

634
00:28:04,680 --> 00:28:07,920
Speaker 1: Did Cooper or Jack wants? Do an edgar in a

635
00:28:07,960 --> 00:28:10,320
Speaker 1: shopping center? Or somebody's pull their pants down? Sometimes do

636
00:28:10,560 --> 00:28:11,639
Speaker 1: crap just in public?

637
00:28:11,840 --> 00:28:14,879
Speaker 4: Never? Okay, there must be mother interesting, it must be

638
00:28:14,880 --> 00:28:15,800
Speaker 4: your other family.

639
00:28:16,080 --> 00:28:16,920
Speaker 2: Jack did that one?

640
00:28:17,080 --> 00:28:17,399
Speaker 3: No?

641
00:28:17,400 --> 00:28:19,240
Speaker 2: No, you hate this story.

642
00:28:19,320 --> 00:28:20,760
Speaker 3: No, there's not even a story.

643
00:28:20,880 --> 00:28:22,960
Speaker 2: You hate it every time I bring it up. Because

644
00:28:22,960 --> 00:28:25,360
Speaker 2: I bring it up. He denies it until he dies.

645
00:28:25,400 --> 00:28:28,320
Speaker 2: You get so you were like thirteen? Who cares why?

646
00:28:28,600 --> 00:28:30,359
Speaker 3: I wasn't even I don't even think. I was like,

647
00:28:30,440 --> 00:28:31,760
Speaker 3: I can't remember what happening.

648
00:28:31,960 --> 00:28:33,040
Speaker 2: So we come home.

649
00:28:33,200 --> 00:28:35,119
Speaker 3: It can't be that old. What house were we in?

650
00:28:35,280 --> 00:28:38,000
Speaker 2: We were in polar Platterkay? How old will I be?

651
00:28:38,320 --> 00:28:44,720
Speaker 4: Didn't live at color it's not Umm, oh you're young.

652
00:28:45,440 --> 00:28:47,400
Speaker 4: You know what if we were five when you moved there,

653
00:28:47,400 --> 00:28:48,240
Speaker 4: you'd have been about seven?

654
00:28:48,480 --> 00:28:49,840
Speaker 3: Yeah? Thanks there short?

655
00:28:49,920 --> 00:28:52,400
Speaker 2: Okay, Well what happened, what happened up there? Let me

656
00:28:52,440 --> 00:28:54,800
Speaker 2: just tell people and hopefully Dad or Mum, this will

657
00:28:54,800 --> 00:28:55,560
Speaker 2: trigger your memory.

658
00:28:55,640 --> 00:28:56,360
Speaker 4: You keep saying it.

659
00:28:56,880 --> 00:28:59,400
Speaker 2: Never you got ship memory, you can really remember what

660
00:28:59,400 --> 00:29:00,160
Speaker 2: you did yesterday.

661
00:29:00,320 --> 00:29:01,680
Speaker 1: So we come home, I argue with me.

662
00:29:01,960 --> 00:29:05,920
Speaker 2: Yeah, we come home from dinner one night and Jack

663
00:29:06,280 --> 00:29:09,960
Speaker 2: was busting the whole time to do Edgar do a shit.

664
00:29:10,560 --> 00:29:13,680
Speaker 2: And he comes running in the door try and get

665
00:29:13,720 --> 00:29:16,360
Speaker 2: the toilet, taking off his clothes as he was getting

666
00:29:16,400 --> 00:29:19,200
Speaker 2: to the toilet, didn't quite make it past the hallway,

667
00:29:19,480 --> 00:29:21,760
Speaker 2: and as he was running, I was directly behind him.

668
00:29:22,240 --> 00:29:25,360
Speaker 2: Droplets of pooh were falling out as he was running,

669
00:29:25,600 --> 00:29:27,560
Speaker 2: and they landed in the middle of the hallway. He

670
00:29:27,640 --> 00:29:29,680
Speaker 2: ended up getting to the toilet to obviously finish it,

671
00:29:29,840 --> 00:29:31,880
Speaker 2: but he poohed in the hallway.

672
00:29:33,240 --> 00:29:35,400
Speaker 1: You did and I did it, Jake, There's nothing wrong

673
00:29:35,440 --> 00:29:36,840
Speaker 1: with it. Don't worry about it. As you know, I've

674
00:29:36,840 --> 00:29:38,080
Speaker 1: shipped myself numerous.

675
00:29:37,800 --> 00:29:39,800
Speaker 2: Times and I've never forgot it. I still have the

676
00:29:39,880 --> 00:29:42,600
Speaker 2: visual in my head and Jack has denied it until

677
00:29:42,600 --> 00:29:45,160
Speaker 2: he dies. But I'm here today because I want you

678
00:29:45,200 --> 00:29:46,120
Speaker 2: to clear up with people.

679
00:29:46,480 --> 00:29:48,960
Speaker 3: You know, I'll fix it right now. I'll tell you

680
00:29:49,040 --> 00:29:50,800
Speaker 3: right now. That one I can't remember, and I've got

681
00:29:50,840 --> 00:29:53,160
Speaker 3: a pretty good memory. Yeah, there's a story that people

682
00:29:53,200 --> 00:29:56,080
Speaker 3: don't know about in this house, and I've just flashed

683
00:29:56,120 --> 00:29:58,000
Speaker 3: my memory again and I'm not going to tell it

684
00:29:58,120 --> 00:30:00,160
Speaker 3: because I'm going to save it for next week so

685
00:30:00,200 --> 00:30:02,240
Speaker 3: i can try and remember it. I'm gonna tell you

686
00:30:02,680 --> 00:30:06,200
Speaker 3: has something to do with Jack, a similar topic and

687
00:30:06,240 --> 00:30:09,560
Speaker 3: Craig Belly at a young age. I'll tell you that

688
00:30:09,640 --> 00:30:10,640
Speaker 3: story next week.

689
00:30:12,440 --> 00:30:13,280
Speaker 2: That do you know it now?

690
00:30:13,400 --> 00:30:13,600
Speaker 4: Yes?

691
00:30:13,640 --> 00:30:16,520
Speaker 3: I know you know that the only one that would

692
00:30:16,560 --> 00:30:17,400
Speaker 3: know it would be true.

693
00:30:17,480 --> 00:30:18,440
Speaker 2: Don't hook us now?

694
00:30:21,080 --> 00:30:22,000
Speaker 1: Next week? Hook and.

695
00:30:25,000 --> 00:30:25,440
Speaker 2: Next week.

696
00:30:25,480 --> 00:30:28,000
Speaker 3: And there was another assistant coach. There could be Michael Gore.

697
00:30:27,880 --> 00:30:32,200
Speaker 4: At the time, Frank someone I think it was.

698
00:30:33,080 --> 00:30:35,920
Speaker 3: I've never spoke this one ever, even to myself that

699
00:30:36,360 --> 00:30:37,440
Speaker 3: I wonder if they remember.

700
00:30:38,040 --> 00:30:41,320
Speaker 4: No, I don't think they would have.

701
00:30:41,360 --> 00:30:45,200
Speaker 2: No gets me, Son.

702
00:30:45,880 --> 00:30:46,320
Speaker 1: The quicker.

703
00:30:46,360 --> 00:30:48,640
Speaker 2: We end this podcast, we can get to next week.

704
00:30:49,200 --> 00:30:50,640
Speaker 4: We're going so long, I don't.

705
00:30:52,360 --> 00:30:55,480
Speaker 2: Begin, I think, Yeah, keep going, Okay, time.

706
00:30:57,360 --> 00:30:59,840
Speaker 4: Has anyone seen the New Brad movie?

707
00:31:00,440 --> 00:31:05,440
Speaker 2: Have you the great things about it?

708
00:31:05,360 --> 00:31:07,320
Speaker 1: It could be his finest performance Brad Pitt.

709
00:31:07,480 --> 00:31:09,200
Speaker 2: Geez, that's a big call, is that right?

710
00:31:09,400 --> 00:31:10,240
Speaker 1: That's what they're saying.

711
00:31:10,520 --> 00:31:12,160
Speaker 2: Has anyone I haven't even watched the trailer.

712
00:31:13,520 --> 00:31:16,160
Speaker 4: No, I haven't seen March. He looks good.

713
00:31:16,760 --> 00:31:18,760
Speaker 1: I heard Brooklyn on the Color Jackie Oh Show. He

714
00:31:18,800 --> 00:31:21,000
Speaker 1: was talking about he went to the Ford, the four

715
00:31:21,080 --> 00:31:23,080
Speaker 1: D version of it where you sit in the seats

716
00:31:23,080 --> 00:31:26,040
Speaker 1: in the IMAX and the suits shake, water will hit

717
00:31:26,040 --> 00:31:29,960
Speaker 1: your face. Yeah, everything in them.

718
00:31:30,400 --> 00:31:32,400
Speaker 2: I will say, I watched Shrek in one of those

719
00:31:32,440 --> 00:31:36,280
Speaker 2: four D things, and it's quite It's a nice novelty,

720
00:31:36,400 --> 00:31:38,600
Speaker 2: but it actually likes spoots here and that because like

721
00:31:38,640 --> 00:31:40,960
Speaker 2: you're sitting there watching and then obviously, well there's dragons

722
00:31:40,960 --> 00:31:43,920
Speaker 2: and ship in front in Shrek. In Shrek, but like

723
00:31:43,960 --> 00:31:45,640
Speaker 2: it got it gets hot and they blow hot air

724
00:31:45,720 --> 00:31:47,880
Speaker 2: and then obviously it get wet. I imagine the f

725
00:31:47,920 --> 00:31:50,200
Speaker 2: one want to be pretty crazy if the seats they.

726
00:31:50,160 --> 00:31:53,320
Speaker 1: Says pretty amazing. Although Brooke Brooklyn said, you it actually

727
00:31:53,520 --> 00:31:55,719
Speaker 1: gets to the point you're not following the story as

728
00:31:55,800 --> 00:31:58,440
Speaker 1: much because you're engaged in Yeah.

729
00:31:59,760 --> 00:32:01,320
Speaker 2: Yeah, that's a good point because it's a.

730
00:32:01,320 --> 00:32:03,440
Speaker 4: Story of Sonny Hayes. Have you ever heard of him before?

731
00:32:03,440 --> 00:32:04,320
Speaker 4: A Formula one driver.

732
00:32:04,600 --> 00:32:06,280
Speaker 2: I don't think it's I don't think it's based off

733
00:32:06,680 --> 00:32:07,600
Speaker 2: it's not based off anyone.

734
00:32:07,640 --> 00:32:08,520
Speaker 3: I don't think it's based on me.

735
00:32:09,000 --> 00:32:11,760
Speaker 4: I think it is. It is fact check.

736
00:32:12,120 --> 00:32:12,480
Speaker 2: I love it.

737
00:32:12,760 --> 00:32:15,120
Speaker 1: I actually checked that there's some really good movies race

738
00:32:15,360 --> 00:32:19,200
Speaker 1: Lot Rush and that is incredibly underestimated.

739
00:32:18,600 --> 00:32:21,320
Speaker 4: Movie Santa movie document.

740
00:32:21,760 --> 00:32:26,480
Speaker 2: I love Ford versus Ferraris. Have you seen it? So

741
00:32:26,800 --> 00:32:31,360
Speaker 2: Christian Bale and what's the other guy, Jason Bateman, they're

742
00:32:31,360 --> 00:32:31,800
Speaker 2: both in it.

743
00:32:31,880 --> 00:32:34,000
Speaker 1: I believe it is very damon.

744
00:32:33,920 --> 00:32:37,280
Speaker 3: Matt Damon Hayes. Fictional truth is based off a number

745
00:32:37,280 --> 00:32:38,320
Speaker 3: of different formula.

746
00:32:38,600 --> 00:32:41,680
Speaker 4: Oh is it good? Lucky you fact check right there.

747
00:32:41,880 --> 00:32:45,880
Speaker 4: The other week this jock my memory Oscar Stari yes.

748
00:32:48,800 --> 00:32:53,840
Speaker 1: Said that's a bit of a tough one suit a

749
00:32:53,880 --> 00:32:54,560
Speaker 1: leg to stand on.

750
00:32:54,640 --> 00:32:58,840
Speaker 4: There a photo in England with some of the.

751
00:33:01,040 --> 00:33:04,640
Speaker 2: That hit me so late, that was even late, very

752
00:33:04,640 --> 00:33:06,440
Speaker 2: funny from your dad, very funny.

753
00:33:06,560 --> 00:33:12,080
Speaker 4: Still got with Nick Costa and some of the other crickets.

754
00:33:12,120 --> 00:33:14,680
Speaker 4: I was your cricketers and they were photographed at the

755
00:33:14,760 --> 00:33:18,200
Speaker 4: McLaren factory and but all of their photos had to

756
00:33:18,240 --> 00:33:22,200
Speaker 4: be vetted before anything was allowed to be posted on

757
00:33:22,240 --> 00:33:24,960
Speaker 4: any social media or anything. Of course, their security is

758
00:33:25,000 --> 00:33:29,680
Speaker 4: so tight with any competitors getting any in the tech Info.

759
00:33:30,120 --> 00:33:32,920
Speaker 4: Now you probably don't even realize this, but I went

760
00:33:32,960 --> 00:33:35,840
Speaker 4: to the Ferrari factory in Marinello a few years ago

761
00:33:36,280 --> 00:33:39,920
Speaker 4: with some friends in Italy. You have to show your passport,

762
00:33:40,080 --> 00:33:41,560
Speaker 4: like security so tight not.

763
00:33:41,640 --> 00:33:43,360
Speaker 2: To get into if you're even if you're.

764
00:33:43,440 --> 00:33:45,760
Speaker 4: You can't just go in. I'm not surprised they were

765
00:33:45,800 --> 00:33:51,200
Speaker 4: actually dealers so they could go no dealers. Yeah, so

766
00:33:52,520 --> 00:33:54,160
Speaker 4: you've got to show your passport.

767
00:33:54,520 --> 00:33:56,840
Speaker 2: So if you're an Italian citizen, you don't have an

768
00:33:56,840 --> 00:33:58,960
Speaker 2: international passport, now you can.

769
00:33:58,880 --> 00:34:00,520
Speaker 1: You take your passport to prove you.

770
00:34:01,040 --> 00:34:06,080
Speaker 4: They have an idea, and then they take your phone.

771
00:34:06,120 --> 00:34:08,759
Speaker 4: You're allowed to keep your phone, but they take over

772
00:34:08,840 --> 00:34:12,479
Speaker 4: the camera. You're not allowed to take photos. Yeah, it's cool,

773
00:34:13,000 --> 00:34:17,080
Speaker 4: like and it's just there are just Ferraris everywhere zooming by,

774
00:34:17,800 --> 00:34:19,239
Speaker 4: stacked being loaded onto trap.

775
00:34:19,960 --> 00:34:22,520
Speaker 2: Like obviously if you took pictures and stuff, do you

776
00:34:22,520 --> 00:34:24,520
Speaker 2: have any mental pictures that you can describe to us?

777
00:34:24,520 --> 00:34:27,040
Speaker 4: So we feel like everyone, like everyone that works there

778
00:34:27,280 --> 00:34:32,120
Speaker 4: walks around in the red ferraris. They all look like

779
00:34:32,239 --> 00:34:33,000
Speaker 4: racing card right.

780
00:34:35,440 --> 00:34:41,120
Speaker 2: Hon that Ferrari factory is there like a Ferrari roller coaster. No,

781
00:34:41,280 --> 00:34:43,880
Speaker 2: I believe I think that one of the fastest it

782
00:34:43,960 --> 00:34:46,279
Speaker 2: might be wrong, one of the fastest roller coasters, like

783
00:34:46,400 --> 00:34:48,399
Speaker 2: zero to one hundred. It's like a ferrari one.

784
00:34:48,480 --> 00:34:49,759
Speaker 1: Oh really yeah, I thought it was.

785
00:34:49,760 --> 00:34:50,560
Speaker 2: What it uses for.

786
00:34:50,800 --> 00:34:53,279
Speaker 4: No, no, no, this is literally where they make and

787
00:34:53,520 --> 00:34:56,920
Speaker 4: order the ferraris. And then there's a museum, and then

788
00:34:56,920 --> 00:35:00,239
Speaker 4: there's a shop in the new area. Essentially the town

789
00:35:00,239 --> 00:35:02,759
Speaker 4: of Baronello is just all overrated.

790
00:35:02,760 --> 00:35:04,880
Speaker 2: That you weren't allowed to take, like cover your phone.

791
00:35:04,960 --> 00:35:06,240
Speaker 2: Was that that was that secret?

792
00:35:06,280 --> 00:35:15,960
Speaker 1: Because Milan's a very overrated city. Marylos Milan, isn't it

793
00:35:15,960 --> 00:35:16,759
Speaker 1: starts with an m?

794
00:35:17,160 --> 00:35:21,840
Speaker 4: No, it's not, Matthew. Now we drove there from Venice, Okay.

795
00:35:22,280 --> 00:35:24,719
Speaker 2: Isn't it? Isn't it? Ship this time with you where

796
00:35:24,719 --> 00:35:27,040
Speaker 2: you look at all over your social media and everyone's

797
00:35:27,040 --> 00:35:28,240
Speaker 2: over in bloody Europe.

798
00:35:29,520 --> 00:35:31,200
Speaker 1: People are having their best life. You had a fear.

799
00:35:31,480 --> 00:35:32,919
Speaker 1: Don't worry. We have a fear.

800
00:35:33,360 --> 00:35:37,040
Speaker 4: We had to be here right now. Actually, I would.

801
00:35:36,840 --> 00:35:37,480
Speaker 2: Rather be anywhere.

802
00:35:37,760 --> 00:35:38,000
Speaker 1: General.

803
00:35:38,080 --> 00:35:44,440
Speaker 3: Lamborghini very it's very far from Milan, but Lambert's not

804
00:35:44,480 --> 00:35:46,000
Speaker 3: a big contry. I've got to be hard on you now.

805
00:35:46,160 --> 00:35:47,080
Speaker 3: The listeners have told me.

806
00:35:48,960 --> 00:35:53,400
Speaker 1: Say Lamborghini. Of course, Lamborghini was a tractor tractor company

807
00:35:53,560 --> 00:35:58,239
Speaker 1: who used to buy Ferrari's off Enzo and then he

808
00:35:58,320 --> 00:35:59,920
Speaker 1: went back one day and said, made this a problem

809
00:35:59,920 --> 00:36:01,680
Speaker 1: with this Ferrari. Is something wrong with the clutch, And

810
00:36:01,719 --> 00:36:03,479
Speaker 1: he goes, no, no, it's nothing wrong with the clutch.

811
00:36:03,480 --> 00:36:05,480
Speaker 1: You're riding in the class to you are, it's your fault. Now,

812
00:36:05,480 --> 00:36:08,840
Speaker 1: it's your faults, like typical Italian, I'm never going to

813
00:36:09,239 --> 00:36:11,239
Speaker 1: I'll never sell your Ferrari again. He said, it doesn't matter.

814
00:36:11,560 --> 00:36:13,040
Speaker 1: I'll start my own company and I'll put you in

815
00:36:13,080 --> 00:36:17,560
Speaker 1: a business. So he started Lamborghini. It's producing cars and

816
00:36:17,640 --> 00:36:21,920
Speaker 1: still to this day, like Ferrari. This is why you

817
00:36:21,960 --> 00:36:24,160
Speaker 1: see you know, you see dodgy cats. You're hold around

818
00:36:24,520 --> 00:36:27,520
Speaker 1: because you don't you can just order a Lamborghini to

819
00:36:27,560 --> 00:36:29,759
Speaker 1: get it, whereas with a Ferrari, if you want to

820
00:36:29,840 --> 00:36:32,600
Speaker 1: order a new Ferrari, you have to go through this

821
00:36:32,880 --> 00:36:34,480
Speaker 1: huge process. It's huge.

822
00:36:34,600 --> 00:36:37,319
Speaker 4: Yeah, you have to be approved. Not anyone can buy

823
00:36:37,320 --> 00:36:40,120
Speaker 4: it because they're so expensive, and because I think the

824
00:36:40,160 --> 00:36:45,440
Speaker 4: resale is so such a big market. So they'll watch

825
00:36:45,680 --> 00:36:49,120
Speaker 4: when you actually buy a Ferrari. They'll they'll track it

826
00:36:49,160 --> 00:36:51,239
Speaker 4: to see if you try and resell it, because then

827
00:36:51,280 --> 00:36:52,200
Speaker 4: you won't get sold enough.

828
00:36:52,239 --> 00:36:54,319
Speaker 2: So it's similar to like roll I think roll Ex

829
00:36:54,360 --> 00:36:56,120
Speaker 2: to a similar thing, like they sort of vetch you

830
00:36:56,239 --> 00:36:58,000
Speaker 2: and like, no, they don't.

831
00:36:57,880 --> 00:36:59,760
Speaker 4: Know any basked com one and Balie.

832
00:37:00,120 --> 00:37:02,040
Speaker 1: I bought one in Bali. It was fine, it's just

833
00:37:02,280 --> 00:37:03,719
Speaker 1: you know, I just walk in and buy it.

834
00:37:03,960 --> 00:37:06,680
Speaker 2: Maybe it's but no, you can't. You can't just walk

835
00:37:06,719 --> 00:37:08,120
Speaker 2: into a roll Ex store and buy one.

836
00:37:08,120 --> 00:37:10,840
Speaker 1: That there's one in Bali. I went into there was

837
00:37:10,840 --> 00:37:11,480
Speaker 1: one there, I.

838
00:37:11,440 --> 00:37:14,080
Speaker 2: Know, but in all serious atout, no, no, you can't

839
00:37:14,120 --> 00:37:16,560
Speaker 2: walk it because there there's like not enough stock that

840
00:37:16,680 --> 00:37:17,160
Speaker 2: you buy them.

841
00:37:18,520 --> 00:37:21,840
Speaker 4: At some point there was a real post COVID I

842
00:37:21,880 --> 00:37:24,719
Speaker 4: think there was a shortage.

843
00:37:24,840 --> 00:37:27,600
Speaker 2: Yeah, because the value of Rolli's roller is on my wrist.

844
00:37:27,719 --> 00:37:31,920
Speaker 2: They went straight up Gordon cailming the good. He collects

845
00:37:31,920 --> 00:37:34,799
Speaker 2: them well, the Queensland boys, say Valentine Holmes tells them.

846
00:37:34,920 --> 00:37:36,759
Speaker 2: Every year they come into queens Land Camp, he gives

847
00:37:36,800 --> 00:37:38,680
Speaker 2: them an update on how much his rolex has gone up,

848
00:37:39,360 --> 00:37:41,520
Speaker 2: which is very very un Queensland.

849
00:37:41,920 --> 00:37:43,520
Speaker 4: Someone's got to be willing to pay that though.

850
00:37:44,320 --> 00:37:46,960
Speaker 1: If they released every diamond in the world out of

851
00:37:47,400 --> 00:37:49,960
Speaker 1: out of the various safes in the banks, and things

852
00:37:50,000 --> 00:37:52,240
Speaker 1: like that the diamonds will be worth basically nothing.

853
00:37:52,600 --> 00:37:54,480
Speaker 4: Well, it wasn't that the beers that did the big

854
00:37:54,560 --> 00:37:55,719
Speaker 4: promotional campaign.

855
00:37:56,320 --> 00:37:57,200
Speaker 1: They started it.

856
00:37:57,920 --> 00:38:00,640
Speaker 4: Diamonds are forave them the value essentially because you know,

857
00:38:00,680 --> 00:38:04,759
Speaker 4: now there's the what are they called? Do they turn them?

858
00:38:04,840 --> 00:38:10,880
Speaker 4: They're expensive? Still not as expensive? No, no, no, they're

859
00:38:11,520 --> 00:38:14,839
Speaker 4: lab diamonds. They're called lod that's right, the fake Yeah,

860
00:38:14,840 --> 00:38:17,400
Speaker 4: but they're becoming quite accepted.

861
00:38:17,600 --> 00:38:19,799
Speaker 1: Then there are another reason why they drive prices down. But

862
00:38:19,840 --> 00:38:22,600
Speaker 1: that is true. There are so many diamonds. But but

863
00:38:22,680 --> 00:38:26,759
Speaker 1: the dimond diamond dealers put them in safes and drip

864
00:38:26,800 --> 00:38:28,920
Speaker 1: feed them to the public. Has to keep their value.

865
00:38:29,040 --> 00:38:31,440
Speaker 2: Would you accept a lad diamond if that had proposed

866
00:38:31,440 --> 00:38:32,920
Speaker 2: with that, you would?

867
00:38:33,320 --> 00:38:36,040
Speaker 4: Well, I got a dodgy diamond anyway, wasn't.

868
00:38:35,920 --> 00:38:37,480
Speaker 2: Ship really.

869
00:38:38,880 --> 00:38:39,480
Speaker 1: You picked it out?

870
00:38:39,560 --> 00:38:40,160
Speaker 5: I know that.

871
00:38:42,600 --> 00:38:43,080
Speaker 3: Him not.

872
00:38:43,160 --> 00:38:45,200
Speaker 4: I just wanted you. But you think it's almost thirty

873
00:38:45,280 --> 00:38:48,279
Speaker 4: years married. You think maybe it was time for an

874
00:38:48,360 --> 00:38:49,960
Speaker 4: upgrade and a good quality door.

875
00:38:50,520 --> 00:38:52,960
Speaker 2: Hang on, wait, so have you had the same You've

876
00:38:52,960 --> 00:38:54,240
Speaker 2: had the same ring from daydian.

877
00:38:54,840 --> 00:38:56,680
Speaker 4: I had it remodel because I didn't like the thing

878
00:38:56,760 --> 00:38:58,440
Speaker 4: that I don't really.

879
00:38:58,239 --> 00:39:01,480
Speaker 3: Wear remodeling until I can't tell any diamond.

880
00:39:01,560 --> 00:39:03,440
Speaker 4: No no, I had some little ones put around it.

881
00:39:03,480 --> 00:39:06,880
Speaker 2: And just so are we saying that there could be

882
00:39:06,960 --> 00:39:10,080
Speaker 2: an upgrade on the cards? Is that where we're saying.

883
00:39:10,239 --> 00:39:13,880
Speaker 4: Thirty years is actually pools? Apparently there is a very

884
00:39:13,960 --> 00:39:17,239
Speaker 4: nice pulse pass Pulse partsy Pole party. How do you

885
00:39:17,280 --> 00:39:17,600
Speaker 4: say it?

886
00:39:17,719 --> 00:39:17,959
Speaker 3: Dad?

887
00:39:18,480 --> 00:39:24,520
Speaker 4: Pass PARI pass parly necklace that I really like inclined

888
00:39:25,840 --> 00:39:26,320
Speaker 4: You save.

889
00:39:26,160 --> 00:39:27,799
Speaker 1: Your pennies, babe, We'll see how we go.

890
00:39:28,239 --> 00:39:30,719
Speaker 2: You keep bringing content to the podcast, you never know

891
00:39:30,760 --> 00:39:31,400
Speaker 2: what might happened.

892
00:39:31,600 --> 00:39:33,359
Speaker 1: I just want to give a shout out, a big too.

893
00:39:33,440 --> 00:39:37,520
Speaker 1: I was Samari's Samari's Love for a fundraiser of Samari's

894
00:39:37,600 --> 00:39:41,840
Speaker 1: rugby League on Saturday night, had a ball, loved it

895
00:39:41,920 --> 00:39:44,480
Speaker 1: out of Penrith, had had had a ball. All the

896
00:39:44,520 --> 00:39:47,319
Speaker 1: guys out there running into guys I played against. That's

897
00:39:47,320 --> 00:39:49,640
Speaker 1: the great thing about the rebul league community. You run

898
00:39:49,680 --> 00:39:53,040
Speaker 1: into people you've played against, your name and straight away

899
00:39:53,080 --> 00:39:54,880
Speaker 1: you got that bond I feel like. Called Glen Lee

900
00:39:55,120 --> 00:39:57,919
Speaker 1: and his son was there. Cole Bentley, Ivan and Beck

901
00:39:58,000 --> 00:40:01,920
Speaker 1: Cleary with their Shane Elford and Alan Wilson was the

902
00:40:02,040 --> 00:40:06,760
Speaker 1: MC up on stage. Wilson Alan Alan Wilson, Alan Alan

903
00:40:07,040 --> 00:40:10,800
Speaker 1: al Wilson was the guy when he's very very creative.

904
00:40:10,840 --> 00:40:13,200
Speaker 1: He was the guy that readd the words too the Guruz.

905
00:40:13,239 --> 00:40:16,680
Speaker 1: That's my team. So what's what's my Scene's what's my scene?

906
00:40:17,000 --> 00:40:17,680
Speaker 1: That's my team?

907
00:40:17,920 --> 00:40:20,120
Speaker 2: Yeah, yeah, I will say that. I do want to

908
00:40:20,640 --> 00:40:23,239
Speaker 2: shout out Alan, I do want to Yeah. I was

909
00:40:23,239 --> 00:40:25,520
Speaker 2: thinking about that actually on the drive home today, was

910
00:40:25,560 --> 00:40:29,319
Speaker 2: getting actually quite emotional thinking about how good the rugby

911
00:40:29,400 --> 00:40:31,319
Speaker 2: league community is. When you go to a pub and

912
00:40:31,360 --> 00:40:33,080
Speaker 2: you walk in it can even be a player that

913
00:40:33,120 --> 00:40:36,839
Speaker 2: you've played against once and everyone just embraces and gets around.

914
00:40:37,160 --> 00:40:39,319
Speaker 3: This week this weekend, I'm going down to I'm going

915
00:40:39,400 --> 00:40:43,280
Speaker 3: four days in camera. Me and the old twenties roommate

916
00:40:43,320 --> 00:40:45,760
Speaker 3: Curtis Dark. We're going to stay with our old twenties

917
00:40:45,840 --> 00:40:48,279
Speaker 3: roommate Tommy Starling and Zakie Hosking. We're going to go

918
00:40:48,280 --> 00:40:52,400
Speaker 3: down with the Raiders Dragons down there.

919
00:40:50,560 --> 00:40:53,160
Speaker 4: Cold smashing it bag camera.

920
00:40:53,320 --> 00:40:55,560
Speaker 2: To watch him now beat thirteen.

921
00:40:56,320 --> 00:41:01,399
Speaker 4: When you say something, do you remember after the initial vegas? Yeah,

922
00:41:01,520 --> 00:41:05,240
Speaker 4: what did I say? They're very strong? They looked very strong?

923
00:41:05,440 --> 00:41:06,279
Speaker 2: You did say that.

924
00:41:09,520 --> 00:41:12,839
Speaker 3: Super strong? Yeah, but there it would be incredible game

925
00:41:12,880 --> 00:41:14,160
Speaker 3: this weekend. But it's going to be good because me

926
00:41:14,160 --> 00:41:15,680
Speaker 3: and dark You aren't play anymore, so we're going to

927
00:41:15,719 --> 00:41:17,640
Speaker 3: have a couple of beers down there and the boys

928
00:41:17,680 --> 00:41:20,719
Speaker 3: have to be sort of stringent leading into Saturday's game.

929
00:41:20,800 --> 00:41:24,479
Speaker 1: But yeah, it is fantastic. You run into certain people

930
00:41:24,520 --> 00:41:26,879
Speaker 1: and if people just letting people know if you want,

931
00:41:27,160 --> 00:41:29,160
Speaker 1: if you're looking to book an artist, right for a

932
00:41:29,200 --> 00:41:32,000
Speaker 1: bit of a if you've got a function or something

933
00:41:32,040 --> 00:41:34,000
Speaker 1: and you want to get a person. Alex Lloyd, of course,

934
00:41:34,040 --> 00:41:41,040
Speaker 1: of you were amazing because he did three songs. My god,

935
00:41:41,200 --> 00:41:47,280
Speaker 1: he did amazing coming Home and Hallelujah. Oh yeah mate,

936
00:41:47,640 --> 00:41:52,960
Speaker 1: he very got pipes on him. Some sort of lease club.

937
00:41:55,080 --> 00:41:58,080
Speaker 2: Some of the leagues club out west, but particularly some

938
00:41:58,160 --> 00:42:01,120
Speaker 2: of the ones up in Queensland as well. Jeez there

939
00:42:01,160 --> 00:42:04,720
Speaker 2: they have a huge amount of money in those lea's clubs. Amazing,

940
00:42:04,800 --> 00:42:07,959
Speaker 2: good honor and it's good for the communities. Hey, while

941
00:42:07,960 --> 00:42:09,760
Speaker 2: we're on the f fine, we do have a little

942
00:42:09,760 --> 00:42:12,640
Speaker 2: film Fame and Vinyl brad Pitt Movies. Will we raise

943
00:42:12,680 --> 00:42:15,800
Speaker 2: a quick on this one, gold, silver or bronze because

944
00:42:16,000 --> 00:42:19,359
Speaker 2: going through his itinerary, jeez, brad Pitt's had some good Jesus.

945
00:42:19,080 --> 00:42:21,640
Speaker 4: He has hasn'tthing. I thought that too, although Jesus had.

946
00:42:21,560 --> 00:42:24,080
Speaker 2: Some dogs too, had some shit ones. Yeah yeah, but

947
00:42:24,239 --> 00:42:25,160
Speaker 2: shout out to mister and.

948
00:42:27,080 --> 00:42:27,520
Speaker 3: I would.

949
00:42:28,920 --> 00:42:29,720
Speaker 4: The lost city.

950
00:42:30,360 --> 00:42:31,200
Speaker 2: Who wants to go first?

951
00:42:31,239 --> 00:42:31,319
Speaker 3: Go?

952
00:42:32,960 --> 00:42:36,160
Speaker 4: I'm My goal is The Counselor, which I just watched

953
00:42:36,160 --> 00:42:36,759
Speaker 4: the other day.

954
00:42:36,920 --> 00:42:37,440
Speaker 2: Never seen it.

955
00:42:37,800 --> 00:42:41,319
Speaker 4: Very cool movie, yeah, very very good. Watch it. It's

956
00:42:41,360 --> 00:42:44,719
Speaker 4: a little violent, but that's my thing at the moment.

957
00:42:44,800 --> 00:42:49,080
Speaker 4: Apparently my silver is Once Upon a Time in Hollywood

958
00:42:49,200 --> 00:42:52,640
Speaker 4: and my bronze is it burn after reading where he

959
00:42:52,680 --> 00:42:58,120
Speaker 4: plays like a comical character, which I liked seeing, very

960
00:42:58,320 --> 00:42:59,120
Speaker 4: very very good movie.

961
00:42:59,160 --> 00:43:02,200
Speaker 2: He's got a contract kind of funny when he likes

962
00:43:02,280 --> 00:43:03,839
Speaker 2: I liked his character in that Once Upon a Time

963
00:43:03,840 --> 00:43:07,040
Speaker 2: in Hollywood. It's quite quick. Oh, it's quite comical, like

964
00:43:07,160 --> 00:43:09,080
Speaker 2: even though I think he can actually play a funny

965
00:43:09,080 --> 00:43:11,640
Speaker 2: guy with Cliff Have you got yours?

966
00:43:12,320 --> 00:43:14,600
Speaker 1: I've gone, I've gone Bronze seven.

967
00:43:15,200 --> 00:43:16,640
Speaker 3: That's also credible.

968
00:43:17,560 --> 00:43:18,120
Speaker 2: What's in the bar?

969
00:43:19,960 --> 00:43:22,560
Speaker 3: He actually had it in his contract, So the ending

970
00:43:22,640 --> 00:43:24,960
Speaker 3: is in the script before he signed on was the

971
00:43:25,040 --> 00:43:28,080
Speaker 3: ending that it is now he because of previous experience,

972
00:43:28,160 --> 00:43:31,480
Speaker 3: he actually put it in his contract that because he's

973
00:43:31,480 --> 00:43:32,839
Speaker 3: doing a lot of podcast at the moment. He put

974
00:43:32,880 --> 00:43:35,160
Speaker 3: it in his contract that the ending can't change once

975
00:43:35,200 --> 00:43:39,120
Speaker 3: he signs on, because he pretty much I think the

976
00:43:39,200 --> 00:43:40,960
Speaker 3: ending must have been what ticked him over the edge

977
00:43:40,960 --> 00:43:42,960
Speaker 3: to do the movie. But in the yeah, in a

978
00:43:43,000 --> 00:43:45,480
Speaker 3: previous movie he'd done, he'd signed on and then they

979
00:43:45,640 --> 00:43:47,520
Speaker 3: changed the ending to something different and he didn't like it,

980
00:43:47,560 --> 00:43:49,520
Speaker 3: so he put it in his contract for seven.

981
00:43:49,719 --> 00:43:52,759
Speaker 4: That's actually a really clever he said.

982
00:43:53,040 --> 00:43:54,920
Speaker 3: He said that, and he said they actually tried to

983
00:43:55,000 --> 00:43:56,920
Speaker 3: change it on to They tried to make it the

984
00:43:56,960 --> 00:43:59,440
Speaker 3: dog instead of instead of It's.

985
00:43:59,280 --> 00:44:01,000
Speaker 1: Got to be head in the Box is one of

986
00:44:01,000 --> 00:44:05,520
Speaker 1: the spoiler thriller and I mean there.

987
00:44:05,480 --> 00:44:07,840
Speaker 2: Was grate for shadowing from that director to know that

988
00:44:07,960 --> 00:44:11,120
Speaker 2: Kevin Spacey was in fact a bad guy.

989
00:44:13,400 --> 00:44:17,280
Speaker 1: It's just not believable in it villain. So yeah, Bronze seven,

990
00:44:17,640 --> 00:44:21,680
Speaker 1: Silver Moneyball, I think is one of the most insightful movies.

991
00:44:21,800 --> 00:44:23,160
Speaker 1: How professional sport works.

992
00:44:23,200 --> 00:44:24,560
Speaker 2: The best best one I Reckon.

993
00:44:24,400 --> 00:44:26,400
Speaker 1: And Gold Once upon a Time in Hollywood.

994
00:44:26,640 --> 00:44:28,080
Speaker 2: You love that, Yeah, Jackie.

995
00:44:28,400 --> 00:44:31,440
Speaker 3: My one is I've Gotten I've Gone my Bronze.

996
00:44:31,600 --> 00:44:34,080
Speaker 1: Fight Club, Ah, yeah, great film.

997
00:44:34,400 --> 00:44:37,000
Speaker 2: You know what about fight Club? Is this unpopular. I

998
00:44:37,040 --> 00:44:40,920
Speaker 2: don't think it's that rewatchable really, like I I've watched

999
00:44:40,920 --> 00:44:42,640
Speaker 2: it a couple of times, but it's not one of

1000
00:44:42,680 --> 00:44:43,799
Speaker 2: those movies that gets better for me.

1001
00:44:44,000 --> 00:44:46,080
Speaker 3: For me, I watched it, it was better the second

1002
00:44:46,120 --> 00:44:49,640
Speaker 3: time around. I think, shit on me, on you my

1003
00:44:49,719 --> 00:44:53,680
Speaker 3: second My silver's inglorious, bastards.

1004
00:44:54,000 --> 00:44:57,520
Speaker 2: I have three beers. If you get that reference you've

1005
00:44:57,560 --> 00:45:03,160
Speaker 2: seen it, three three Yeah. Germany they say three with

1006
00:45:03,280 --> 00:45:06,759
Speaker 2: the thumb, yeah, I believe. And then Americans, like when

1007
00:45:06,760 --> 00:45:09,200
Speaker 2: they signal for people listening, they signal like with their

1008
00:45:09,239 --> 00:45:11,880
Speaker 2: two index the middle finger index finger, and the thumb

1009
00:45:11,880 --> 00:45:15,120
Speaker 2: to say three. But then Americans back then held three

1010
00:45:15,280 --> 00:45:18,879
Speaker 2: using the three middle fingers, no thumb, and the American Well,

1011
00:45:18,880 --> 00:45:20,960
Speaker 2: in the scene he was pretending to be a German

1012
00:45:20,960 --> 00:45:22,839
Speaker 2: in front of a German soldier and he said, I'll

1013
00:45:22,840 --> 00:45:25,040
Speaker 2: get three beers, and that's how he realized it he

1014
00:45:25,120 --> 00:45:27,920
Speaker 2: was a rat.

1015
00:45:27,320 --> 00:45:29,759
Speaker 4: I've watched it a few times and I miss that.

1016
00:45:29,920 --> 00:45:30,120
Speaker 3: Yeah.

1017
00:45:30,160 --> 00:45:32,399
Speaker 2: Well, it's a very subtle easter egg, as they say.

1018
00:45:32,520 --> 00:45:36,359
Speaker 3: And then my gold is Moneyball. I love Moneyballer. It's

1019
00:45:36,360 --> 00:45:37,360
Speaker 3: one of my favorite movies.

1020
00:45:38,160 --> 00:45:42,080
Speaker 1: A movie jack up with almost on the level of

1021
00:45:42,080 --> 00:45:45,960
Speaker 1: Moneyball is Draft Day with Kevin Kevin Costner. That is

1022
00:45:46,000 --> 00:45:49,719
Speaker 1: another amazing inside introfessional sport Americans.

1023
00:45:49,440 --> 00:45:52,839
Speaker 2: Very very accurate representation of how a GM thinks, like

1024
00:45:52,920 --> 00:45:56,560
Speaker 2: of manipulating other clubs against each other, like very gustkuled

1025
00:45:56,560 --> 00:45:56,799
Speaker 2: of him.

1026
00:45:56,800 --> 00:46:00,239
Speaker 1: I don't want to sound like one like complete. People

1027
00:46:00,280 --> 00:46:03,319
Speaker 1: go oh, the books better, but I trust me. The

1028
00:46:03,360 --> 00:46:07,680
Speaker 1: book Moneyball is an amazing, amazing book. The same guy

1029
00:46:07,719 --> 00:46:11,920
Speaker 1: who wrote the book Blindside Blindside has taken off a book.

1030
00:46:12,040 --> 00:46:14,320
Speaker 1: This guy wrote. He's the guy I wrote Moneyball. He

1031
00:46:15,239 --> 00:46:18,279
Speaker 1: did both. He's more on when you read the book. Yeah,

1032
00:46:18,440 --> 00:46:21,520
Speaker 1: got a bit to do with the moneyball concept, but

1033
00:46:21,560 --> 00:46:23,479
Speaker 1: it's very much about Billy Boone in his life.

1034
00:46:23,800 --> 00:46:27,959
Speaker 2: It is awesome, Wow, funny, Sorry, Jeff, What was yours?

1035
00:46:28,560 --> 00:46:29,040
Speaker 2: Mine were?

1036
00:46:29,160 --> 00:46:32,840
Speaker 1: I had bronze in Glorious Bastard silver, which no one had. Troy.

1037
00:46:33,560 --> 00:46:34,959
Speaker 2: How handsome was he in Troy?

1038
00:46:35,239 --> 00:46:35,640
Speaker 1: Gorgeous?

1039
00:46:35,640 --> 00:46:37,600
Speaker 2: He would have been if look and I've never thought

1040
00:46:37,640 --> 00:46:41,000
Speaker 2: about a blot like that, but if I had. When

1041
00:46:41,040 --> 00:46:43,080
Speaker 2: I picture a man that I could possibly be with

1042
00:46:43,320 --> 00:46:45,200
Speaker 2: great pet and Troy easily.

1043
00:46:44,880 --> 00:46:48,240
Speaker 1: I preferred Eric Banners Hector.

1044
00:46:48,560 --> 00:46:52,600
Speaker 2: Yeah, he was good too. Maskis one right, Gold Moneyball

1045
00:46:52,680 --> 00:46:54,680
Speaker 2: best sports movie of all time. I think there's been

1046
00:46:54,719 --> 00:46:58,160
Speaker 2: some great ones, but Jonah Hill's character in that, I

1047
00:46:58,200 --> 00:47:01,799
Speaker 2: believe Jonah Hill took like near the nothing just to

1048
00:47:01,840 --> 00:47:04,319
Speaker 2: be involved in it, like to be he wanted. That's

1049
00:47:04,320 --> 00:47:06,040
Speaker 2: when he wanted to do more serious roles.

1050
00:47:06,200 --> 00:47:06,799
Speaker 3: Would you do that?

1051
00:47:06,920 --> 00:47:09,680
Speaker 2: Cookar do nothing? Do something for nothing?

1052
00:47:09,880 --> 00:47:14,600
Speaker 4: No way, like like a big movie the little or

1053
00:47:14,640 --> 00:47:15,120
Speaker 4: no money?

1054
00:47:15,239 --> 00:47:18,680
Speaker 1: Oh yeah, yeah, one hundred percent happened. Dumb a dummy.

1055
00:47:19,080 --> 00:47:23,960
Speaker 1: Jeff Daniels basically got next to nothing, and Jim Carrey

1056
00:47:23,960 --> 00:47:24,880
Speaker 1: got something like ten million.

1057
00:47:25,080 --> 00:47:27,480
Speaker 2: I remember I heard some good advice from Tom Cruise

1058
00:47:27,520 --> 00:47:29,239
Speaker 2: the other day, and I think, did you tell you

1059
00:47:29,280 --> 00:47:29,920
Speaker 2: in person?

1060
00:47:30,440 --> 00:47:30,480
Speaker 1: No?

1061
00:47:30,600 --> 00:47:33,440
Speaker 2: I read it online in a book. In Moneyball. He

1062
00:47:33,600 --> 00:47:35,520
Speaker 2: was teaching a young actor. A young actor was like,

1063
00:47:35,520 --> 00:47:38,319
Speaker 2: you know, you're such an inspiration to me, you know,

1064
00:47:39,600 --> 00:47:42,040
Speaker 2: And he was talking about how he tries trying to

1065
00:47:42,840 --> 00:47:47,239
Speaker 2: be more selective with picking great roles. And then Tom

1066
00:47:47,280 --> 00:47:50,399
Speaker 2: Cruise said, I don't pick great roles. I picked. I

1067
00:47:50,719 --> 00:47:53,640
Speaker 2: picked great movies, and then I make my roles great

1068
00:47:53,960 --> 00:47:54,359
Speaker 2: in the.

1069
00:47:54,280 --> 00:47:57,239
Speaker 1: Movie, which is such a it's.

1070
00:47:56,960 --> 00:47:59,560
Speaker 2: Such an excellent lesson for us going into other things,

1071
00:47:59,600 --> 00:48:03,320
Speaker 2: you know, picking great making it better picking great football

1072
00:48:03,360 --> 00:48:06,080
Speaker 2: clubs and then learning from the best.

1073
00:48:06,160 --> 00:48:08,680
Speaker 1: Okay, question, what is if you were on a different

1074
00:48:08,760 --> 00:48:12,720
Speaker 1: note here as far as roles that concerned foods in roles,

1075
00:48:13,200 --> 00:48:16,600
Speaker 1: what is your ultimate role as far as food? So

1076
00:48:16,640 --> 00:48:18,120
Speaker 1: I'm talking about things like, you know, like.

1077
00:48:18,160 --> 00:48:21,800
Speaker 3: A Vietname sandwich, an Italian deli sandwich.

1078
00:48:22,040 --> 00:48:24,040
Speaker 2: You're a deli. You're a deli roll man. You love

1079
00:48:24,080 --> 00:48:28,120
Speaker 2: salami and olives, and like I love a barn me roll,

1080
00:48:28,239 --> 00:48:31,160
Speaker 2: those Vietnamese a crackling a little bit of chili on it?

1081
00:48:31,360 --> 00:48:35,640
Speaker 2: Are you joking? Are you serious? You know what else?

1082
00:48:35,719 --> 00:48:36,880
Speaker 2: Is a mad role? We used to have it at

1083
00:48:36,880 --> 00:48:39,200
Speaker 2: the canteen at school. So it's a buttered roll, right,

1084
00:48:39,280 --> 00:48:41,960
Speaker 2: seventy cents a costure the school canteen of Sant Gustin's

1085
00:48:42,040 --> 00:48:44,520
Speaker 2: buttered roll. But they butter it up for you. Then

1086
00:48:44,560 --> 00:48:47,239
Speaker 2: you get a pack of honey soy chips. You crunch it,

1087
00:48:47,320 --> 00:48:49,720
Speaker 2: you step on it, and then you sprinkle it within

1088
00:48:49,800 --> 00:48:53,520
Speaker 2: the chip role. You know those jumpies, those little like

1089
00:48:53,560 --> 00:48:56,000
Speaker 2: those little jumping kangaroos, the chicken and the barbe you

1090
00:48:56,040 --> 00:48:58,200
Speaker 2: flavor a little kangaroos, the jumpies, same thing?

1091
00:48:58,320 --> 00:48:59,920
Speaker 3: Do that? You know a lot of people did then too,

1092
00:49:00,560 --> 00:49:02,279
Speaker 3: if they had a bit of extra coin, they put

1093
00:49:02,280 --> 00:49:06,719
Speaker 3: the meat pie in the sausage roll.

1094
00:49:06,400 --> 00:49:09,200
Speaker 2: Yeah, the traveler pie at the school canteen. That was

1095
00:49:09,239 --> 00:49:12,360
Speaker 2: five bucks, whereas seventy per cents butter roll and it

1096
00:49:12,440 --> 00:49:14,160
Speaker 2: was a dollar honey soy chip, so it was you're

1097
00:49:14,160 --> 00:49:15,320
Speaker 2: only paying a dollar seventy.

1098
00:49:15,360 --> 00:49:18,840
Speaker 1: But I'm a sausage god. I love sausage roll A

1099
00:49:18,880 --> 00:49:20,479
Speaker 1: good one, real good sausage rolls.

1100
00:49:20,520 --> 00:49:22,560
Speaker 2: I'm more of a meat pie man. I don't. I don't.

1101
00:49:22,640 --> 00:49:26,759
Speaker 2: I don't f with sausage rolls anymore anymore. Nah, I

1102
00:49:27,040 --> 00:49:28,680
Speaker 2: don't like it. I think it's the texture on the

1103
00:49:28,680 --> 00:49:31,319
Speaker 2: inside I prefer. I really am just more of a

1104
00:49:31,360 --> 00:49:31,879
Speaker 2: pie man.

1105
00:49:32,800 --> 00:49:38,399
Speaker 1: Chicken stanc rolls, nice to chip rolls, hot chip chiang.

1106
00:49:38,719 --> 00:49:39,319
Speaker 3: Where are we at?

1107
00:49:39,600 --> 00:49:40,760
Speaker 2: I think true Scots feedback.

1108
00:49:40,920 --> 00:49:42,600
Speaker 4: Well, yeah, I've got a story for First, I was

1109
00:49:42,640 --> 00:49:45,359
Speaker 4: at a restaurant the other day and I saw there

1110
00:49:45,440 --> 00:49:46,920
Speaker 4: was a man and a woman having.

1111
00:49:49,600 --> 00:49:52,120
Speaker 3: There was so much opportunity there for the next.

1112
00:49:52,520 --> 00:49:56,359
Speaker 1: Drove a track through that one having sixty nine.

1113
00:49:57,840 --> 00:50:01,520
Speaker 4: No, well, it gets weird. And what drew my attention

1114
00:50:01,800 --> 00:50:04,560
Speaker 4: was I could see the waitress as she's taking my

1115
00:50:04,680 --> 00:50:09,279
Speaker 4: order looking over at them, and the guy just kept

1116
00:50:09,280 --> 00:50:12,359
Speaker 4: sliding down his chair. It was so weird, like just

1117
00:50:12,400 --> 00:50:15,320
Speaker 4: slowly sliding down the back of his chair. And I

1118
00:50:15,320 --> 00:50:17,279
Speaker 4: could see her looking and the woman that was sitting

1119
00:50:17,280 --> 00:50:20,560
Speaker 4: opposite him like wasn't even reacting, like she's just like

1120
00:50:21,040 --> 00:50:28,440
Speaker 4: sitting there. And so he literally disappears all the way underneath,

1121
00:50:29,120 --> 00:50:31,719
Speaker 4: said like a snake. Didn't know what was going on,

1122
00:50:32,320 --> 00:50:36,040
Speaker 4: and the woman just doesn't react. And then I heard

1123
00:50:36,080 --> 00:50:39,640
Speaker 4: the waitress go over to her and say, oh, excuse me, miss,

1124
00:50:40,480 --> 00:50:43,880
Speaker 4: do you realize that your husband just slid under the table.

1125
00:50:44,200 --> 00:50:47,439
Speaker 4: She said, no, my husband just walked in the door.

1126
00:50:48,360 --> 00:50:52,759
Speaker 2: Oh he was as a joke. Yes, shit, you know what.

1127
00:50:52,840 --> 00:50:54,120
Speaker 2: You mask that very well.

1128
00:50:54,200 --> 00:50:56,440
Speaker 3: I was thinking, this is an actual story.

1129
00:50:56,520 --> 00:50:59,240
Speaker 2: Yeah, I don't mind it. She was obviously cheating.

1130
00:50:59,400 --> 00:50:59,879
Speaker 3: That's right.

1131
00:51:00,160 --> 00:51:01,879
Speaker 2: You like it, you like it?

1132
00:51:02,080 --> 00:51:06,560
Speaker 4: Yeah, I have a little bit of feedback for you there. Yeah, Jacko,

1133
00:51:07,320 --> 00:51:13,799
Speaker 4: my man Matt says, you weren't actually incorrect technically when

1134
00:51:13,880 --> 00:51:17,600
Speaker 4: you dressed as Batman for the podcast last week. Were

1135
00:51:17,680 --> 00:51:20,040
Speaker 4: meant to be a rockstar because he used to work

1136
00:51:20,080 --> 00:51:24,800
Speaker 4: in a hotel. When Lars Ulrich, the drama from Metallica,

1137
00:51:25,280 --> 00:51:28,320
Speaker 4: would check in under the pseudonym Bruce Wayne.

1138
00:51:30,920 --> 00:51:31,040
Speaker 1: La.

1139
00:51:31,320 --> 00:51:32,719
Speaker 8: Have you seen on the dog? He talks like this,

1140
00:51:33,040 --> 00:51:38,480
Speaker 8: you fucking serious? Story, fucking he's Norwegian. He's got some

1141
00:51:38,480 --> 00:51:43,040
Speaker 8: sort of Dutch maybe No, No, I think he's he's Norwegian.

1142
00:51:43,440 --> 00:51:44,359
Speaker 8: How Agians are cool?

1143
00:51:45,120 --> 00:51:48,880
Speaker 1: Norwegians I used to back in the day.

1144
00:51:49,120 --> 00:51:49,959
Speaker 2: Yeah, she was cool.

1145
00:51:50,960 --> 00:51:53,479
Speaker 4: And I did a little bit of fact checking. Matt,

1146
00:51:53,560 --> 00:51:55,520
Speaker 4: you were right on with the far lap story.

1147
00:51:55,680 --> 00:51:55,839
Speaker 1: Yep.

1148
00:51:57,800 --> 00:52:03,120
Speaker 4: However, it does not come from the Latin word for lightning.

1149
00:52:03,120 --> 00:52:09,239
Speaker 4: It actually comes from the Thai zuang slash Southern Chinese

1150
00:52:09,600 --> 00:52:15,399
Speaker 4: word for lightning, because it was suggested to Telford by

1151
00:52:15,440 --> 00:52:19,279
Speaker 4: the physician dr Audrey Ping. And that's how that.

1152
00:52:19,640 --> 00:52:20,759
Speaker 2: I like Dad's explanation.

1153
00:52:21,719 --> 00:52:23,920
Speaker 3: Lars Whish is a Danish musician.

1154
00:52:24,239 --> 00:52:28,160
Speaker 4: Okay, okay, just break a legs for you were correct,

1155
00:52:28,360 --> 00:52:33,719
Speaker 4: Although there is another the people banging their chairs. That

1156
00:52:33,920 --> 00:52:36,399
Speaker 4: is one the term break a leg that you use

1157
00:52:36,440 --> 00:52:39,880
Speaker 4: in the theater, although other people. The other more common

1158
00:52:39,920 --> 00:52:43,080
Speaker 4: theory is that the actors break the leg line. You know,

1159
00:52:43,120 --> 00:52:45,000
Speaker 4: when you're in the theater. At the end, they all

1160
00:52:45,239 --> 00:52:48,600
Speaker 4: link arms and they bow together, and it's breaking the

1161
00:52:48,680 --> 00:52:49,400
Speaker 4: leg line.

1162
00:52:50,080 --> 00:52:51,680
Speaker 2: I like, I think, I think I was right.

1163
00:52:51,800 --> 00:52:53,880
Speaker 4: I like yours too. No, they were both acceptable.

1164
00:52:54,160 --> 00:52:56,879
Speaker 3: I'm with Trush, I like your take. It wasn't the take,

1165
00:52:57,040 --> 00:52:58,240
Speaker 3: but I like your team.

1166
00:52:58,560 --> 00:53:03,879
Speaker 4: Hangover, Matthew InCor that is a misconception. The hangar over

1167
00:53:04,239 --> 00:53:09,839
Speaker 4: is it was such a thing where the sailors had

1168
00:53:09,880 --> 00:53:12,439
Speaker 4: the two penny hangover. Where they did it was cheap

1169
00:53:12,480 --> 00:53:16,440
Speaker 4: lodging where they literally hung over the rope. But it's

1170
00:53:16,800 --> 00:53:19,360
Speaker 4: hangover is more the after effect of drinking.

1171
00:53:19,800 --> 00:53:22,440
Speaker 1: Yeah, but that's when they woke up in the morning.

1172
00:53:22,600 --> 00:53:22,799
Speaker 3: Yeah.

1173
00:53:22,920 --> 00:53:28,000
Speaker 4: No, it's on the internet. It actually says it's a misconception.

1174
00:53:28,280 --> 00:53:30,560
Speaker 2: Came through you know what. You know what, can I

1175
00:53:30,600 --> 00:53:33,440
Speaker 2: just say something just before we end this, some of

1176
00:53:33,440 --> 00:53:35,160
Speaker 2: this fact checking starting to get out of hand.

1177
00:53:35,239 --> 00:53:37,439
Speaker 1: Jack and Trash other people.

1178
00:53:37,280 --> 00:53:38,640
Speaker 4: Are like sending the feedback.

1179
00:53:38,640 --> 00:53:38,920
Speaker 2: You know.

1180
00:53:40,360 --> 00:53:42,440
Speaker 3: They're right, Yeah, they're dribblers.

1181
00:53:42,719 --> 00:53:44,839
Speaker 1: Our listeners doesn't mean they're all right.

1182
00:53:44,840 --> 00:53:47,719
Speaker 2: They're listening to us talk for once a week for

1183
00:53:47,760 --> 00:53:51,239
Speaker 2: an hour, and they're getting their information on idiots like us.

1184
00:53:51,320 --> 00:53:52,160
Speaker 2: What the hell are they?

1185
00:53:52,560 --> 00:53:56,480
Speaker 1: Now we got just on another family member and the

1186
00:53:56,520 --> 00:54:00,480
Speaker 1: RUGUL league community. Pretty soon there's and is going to

1187
00:54:00,520 --> 00:54:01,120
Speaker 1: make his comeback.

1188
00:54:01,280 --> 00:54:03,960
Speaker 4: Friend now Smith, Brandon Smith and just a reminder the

1189
00:54:04,040 --> 00:54:07,479
Speaker 4: NRLW Magic Round. That's the beginning of August for the women.

1190
00:54:08,080 --> 00:54:12,480
Speaker 1: Yes it is, and it starts it is. They started

1191
00:54:12,560 --> 00:54:16,960
Speaker 1: last night Earls versus the w in rld W. Two

1192
00:54:17,040 --> 00:54:19,439
Speaker 1: new teams this year, the Warriors and the Dogs, which

1193
00:54:19,440 --> 00:54:22,840
Speaker 1: will be massive. They'll bring huge support and an amazing

1194
00:54:23,400 --> 00:54:28,000
Speaker 1: amount of rugby union seventh players and rugby union players

1195
00:54:28,040 --> 00:54:30,040
Speaker 1: have come over the terrold W this year, particularly from

1196
00:54:30,040 --> 00:54:30,560
Speaker 1: the All Blacks.

1197
00:54:30,719 --> 00:54:33,160
Speaker 2: Well yeah yeah, and they are good too. Some of

1198
00:54:33,200 --> 00:54:36,200
Speaker 2: these girls are so good. Tickets already they getting better

1199
00:54:36,280 --> 00:54:36,560
Speaker 2: and better.

1200
00:54:36,600 --> 00:54:38,040
Speaker 4: In Newcastle for the weekend.

1201
00:54:37,880 --> 00:54:40,960
Speaker 1: Andy's was looking at the Sevens of the Olympics. When

1202
00:54:41,000 --> 00:54:43,120
Speaker 1: we went there, France had this boosts of a site.

1203
00:54:43,600 --> 00:54:45,120
Speaker 1: France are very good. Now. I think they were looking

1204
00:54:45,120 --> 00:54:46,919
Speaker 1: at a couple of those girls about getting them over,

1205
00:54:47,160 --> 00:54:47,760
Speaker 1: which would.

1206
00:54:47,560 --> 00:54:50,400
Speaker 4: Be probably not like an ideal term to use in

1207
00:54:50,440 --> 00:54:51,760
Speaker 4: regards to women.

1208
00:54:52,560 --> 00:54:54,680
Speaker 1: A beast sporting team.

1209
00:54:54,960 --> 00:54:58,560
Speaker 2: He means their athletic ability. Talking about like.

1210
00:54:58,600 --> 00:55:01,600
Speaker 1: Mad There's one player who she was a powerhouse. Yeah,

1211
00:55:01,760 --> 00:55:03,320
Speaker 1: she'd make it tomorrow.

1212
00:55:03,360 --> 00:55:04,919
Speaker 2: Some of those Sevens girls, let me tell you something,

1213
00:55:04,960 --> 00:55:08,239
Speaker 2: are strong. Jack enjoy canber this week. I'm keen for

1214
00:55:08,280 --> 00:55:10,960
Speaker 2: your update next week. I'm keen for your update and

1215
00:55:11,640 --> 00:55:13,080
Speaker 2: Trisha Trician big m.

1216
00:55:13,200 --> 00:55:14,280
Speaker 4: Yeah, this will be interesting.

1217
00:55:14,480 --> 00:55:14,960
Speaker 2: Date Night.

1218
00:55:15,080 --> 00:55:17,799
Speaker 4: Be listening next week people, because we're going to try

1219
00:55:17,840 --> 00:55:19,479
Speaker 4: the romantic getaway take two.

1220
00:55:19,719 --> 00:55:21,000
Speaker 2: Let's hope where to Melbourne.

1221
00:55:22,239 --> 00:55:24,440
Speaker 4: Let's hope that Matthew does better this time.

1222
00:55:26,120 --> 00:55:30,200
Speaker 2: Matthew otherwise divorce on the cards, mountains on the Jack's

1223
00:55:30,239 --> 00:55:32,440
Speaker 2: Got the Craig Bellamy Pooh story. Next week is going

1224
00:55:32,480 --> 00:55:34,600
Speaker 2: to tell us about the Canberra troop. You guys got

1225
00:55:34,600 --> 00:55:37,760
Speaker 2: your date night. I'll be in Townsville doing a speaking

1226
00:55:37,760 --> 00:55:40,759
Speaker 2: to you with Fletcher Haindy. So it's all on the car. Yeah, yeah,

1227
00:55:41,360 --> 00:55:41,799
Speaker 2: going on.

1228
00:55:41,960 --> 00:55:44,239
Speaker 1: I used to I used to get asked to do

1229
00:55:44,239 --> 00:55:46,759
Speaker 1: this in Fletching HENDI suddenly you're the this is to

1230
00:55:46,880 --> 00:55:47,839
Speaker 1: replacement you asked.

1231
00:55:47,880 --> 00:55:50,960
Speaker 2: You're asking prices too high ros. So sometimes when you know,

1232
00:55:51,000 --> 00:55:52,560
Speaker 2: I get I pick up some of the scraps. I'm

1233
00:55:52,560 --> 00:55:55,240
Speaker 2: like the bin chicken, the ibers, some of those scraps

1234
00:55:55,239 --> 00:55:57,399
Speaker 2: that fall through guests, who's picking this up? See dog

1235
00:55:57,440 --> 00:55:59,520
Speaker 2: the little IBus down there just knowing through your trash.

1236
00:55:59,800 --> 00:56:02,239
Speaker 1: I just returned, so if you mind see me pop

1237
00:56:02,320 --> 00:56:03,560
Speaker 1: up on the Carl and Jackie O Show.

1238
00:56:03,560 --> 00:56:06,560
Speaker 2: While you're away, there's the money for you, actually, the

1239
00:56:06,640 --> 00:56:07,799
Speaker 2: probably do they do