WEBVTT - It Oozes Through Your Body | Salvatore Coco

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<v Speaker 1>Approche Production.

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<v Speaker 2>Welcome to Secrets of the Underworld. I am Neil the

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<v Speaker 2>Muscle comments and in this episode, I speak to star

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<v Speaker 2>of Underbelly, Golden Mile Salvatory Coco.

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<v Speaker 3>There's there's a difference between acting and just me. You know,

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<v Speaker 3>that's why that's the actor.

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<v Speaker 1>Everybody's gone regrets one hundred percent.

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<v Speaker 2>We've all got regrets and you're saying I'm saying it,

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<v Speaker 2>you're saying it.

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<v Speaker 3>Okay, if you just give me a second, I'll probably

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<v Speaker 3>get there before. I wasn't really kind of allowed to

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<v Speaker 3>mention that sort of thing, but I think it's all

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<v Speaker 3>out there. When you're in that mindset, when you're constantly

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<v Speaker 3>in that mindset playing someone's staunch, it uses through your body.

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<v Speaker 2>Before we get into the nitty gritty.

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<v Speaker 1>I want to say thank you for coming in an

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<v Speaker 1>absolute pleasure.

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<v Speaker 3>You know.

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<v Speaker 2>I'm going to be gentle to the certain certain point.

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<v Speaker 2>Let's start off with growing up and your childhood and

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<v Speaker 2>before you get into TV.

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<v Speaker 3>And okay, so you're you want you want to know

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<v Speaker 3>about my career and how it all started. I want

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<v Speaker 3>to know about you growing up first, all right, So

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<v Speaker 3>I grew up in the suburbs of pretty much the

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<v Speaker 3>Newtown around Newtown. You know, I was seventy five, kid

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<v Speaker 3>was seventy five. Italian background, non English speaking, Wow. Yeah,

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<v Speaker 3>so I went to school speaking Italian. I didn't go

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<v Speaker 3>to school speaking English. So yeah, so it was a

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<v Speaker 3>very interesting part of growing up when you when you

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<v Speaker 3>grow up going into a school non eight.

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<v Speaker 1>Well I did speak English.

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<v Speaker 3>But more so, like I was more of a I

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<v Speaker 3>spoke more Italian than anything else.

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<v Speaker 2>Gibberish.

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<v Speaker 3>Yeah, but yeah, so it was it was interesting to

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<v Speaker 3>adjust going back then, if I remember correctly, it was

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<v Speaker 3>really hard to kind of adjust to sort of like

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<v Speaker 3>going back home speaking Italian going to school speaking English,

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<v Speaker 3>you know, and you're get in trouble because you know,

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<v Speaker 3>you wouldn't really, Yeah, it just be because things like

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<v Speaker 3>learning was hard. It was a hard thing.

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<v Speaker 1>For me to to to adjust.

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<v Speaker 2>So you what do you do?

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<v Speaker 3>You're cheeky. So I was a cheeky one as you

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<v Speaker 3>can do. You know, when Neil tells me to stop

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<v Speaker 3>swaying on the chair.

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<v Speaker 1>What do I do?

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<v Speaker 2>Don't say?

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<v Speaker 3>Yeah, So, looking so growing up in the Newtown area

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<v Speaker 3>and which is literally just yeah, just a couple of

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<v Speaker 3>kays away from here, and family was you know, they

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<v Speaker 3>obviously migrated here from Italy.

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<v Speaker 1>My dad was an entrepreneur.

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<v Speaker 3>I did whatever he had to do to put food

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<v Speaker 3>on the table, you know, and we kind of I

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<v Speaker 3>grew up in a family of properties really at the

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<v Speaker 3>end of the day. We had fruit shops and things

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<v Speaker 3>like that. So as a kid, I was always packing,

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<v Speaker 3>you know, onions.

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<v Speaker 2>And fucking putting oranges on.

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<v Speaker 3>And all that stuff, and mushrooms and all that. Now

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<v Speaker 3>it was good fun, good fun tomatoes and I still

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<v Speaker 3>remember that. I still remember weighing things as a kid.

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<v Speaker 3>But but yeah, so I grew up in Newtown, and

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<v Speaker 3>by the time I was probably about nine or ten

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<v Speaker 3>or so, I'd had already sort of like my personality

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<v Speaker 3>had kind of sort of like.

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<v Speaker 1>Opened up.

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<v Speaker 3>And you know, anytime there was an event, it could

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<v Speaker 3>be it could have been I don't know, I could

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<v Speaker 3>have been a festival, it could have been a wedding.

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<v Speaker 3>There could have been any kind of occasion, you know.

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<v Speaker 3>So seal Cocoa was always a allion annoying on stage.

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<v Speaker 3>I'd always I'd be the one, you know, grabbing the

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<v Speaker 3>jackets or the dress of the entertainers saying I want

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<v Speaker 3>to sing, I want to sing, I want to sing, and.

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<v Speaker 1>That's how it all started.

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<v Speaker 3>And I'm pretty much I started on the on the

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<v Speaker 3>on the dance floors of reception lounges, and then from

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<v Speaker 3>there moved on too festivals and the real, the real, uh,

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<v Speaker 3>the real turning point for me to know that I

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<v Speaker 3>was going to get into this industry was a long

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<v Speaker 3>long time ago, and I must have been about I

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<v Speaker 3>must have been about eleven, you know, like three three

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<v Speaker 3>years into sort of like exploring my talents as a

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<v Speaker 3>as an artist. There was a performer called John Saint

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<v Speaker 3>Peter's and John Saint Peter's was the guy. He used

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<v Speaker 3>to sing, well, summer Town's in wonderworld.

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<v Speaker 1>You and I was welcome to my anyway.

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<v Speaker 3>You wouldn't know it. You were in the UK. You

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<v Speaker 3>were a Scouser as a Schnauzer, no Skauser, Skuzer scu.

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<v Speaker 2>Anyway.

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<v Speaker 3>Anyway, he was performing at the Five Dog Festa, and

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<v Speaker 3>the five Dog Fester back in the day used to

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<v Speaker 3>be you know where the leisure center is in in

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<v Speaker 3>in five Dog now Deligious Center. Hear the park, Yeah,

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<v Speaker 3>that's where they used to have the festa back in

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<v Speaker 3>the day. And he was performing and he did actually

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<v Speaker 3>get some kids on as the closing act, the closing song,

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<v Speaker 3>and I knew that song back to front like back

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<v Speaker 3>then I used to know back to front and I

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<v Speaker 3>just took the mic off him and I went I

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<v Speaker 3>went for gold. After that, strangely enough, his management, his

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<v Speaker 3>team pulled me aside and they said, you know, we

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<v Speaker 3>can see a bit.

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<v Speaker 1>Of talent here. Like I didn't understand that.

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<v Speaker 3>I just was like a kid, just you know, but

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<v Speaker 3>what they call it now nowadays, kids with a D

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<v Speaker 3>D add DHD in PhD whatever it is. I was

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<v Speaker 3>one of those kids right anyway, But they didn't diagnose

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<v Speaker 3>it back then. They just considered as me being cheeky

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<v Speaker 3>but anyway with a personality. But anyway, so they so

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<v Speaker 3>the team. The team ended up just sort of like saying,

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<v Speaker 3>you know, we want to kind of coach you and

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<v Speaker 3>bring you to the to the next level if possible.

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<v Speaker 1>Anyway, that was my first paying gig. I got twenty

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<v Speaker 1>bucks for that show. By the way, I got twenty

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<v Speaker 1>I've actually still I've actually no joke.

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<v Speaker 2>What no shit, you didn't spend it.

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<v Speaker 1>No, see, I'm so used to not swearing, but.

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<v Speaker 3>On a podcast because I need you to just yeah,

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<v Speaker 3>so no joke. I literally got twenty bucks on what happened.

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<v Speaker 3>I never forget it. Johnson Peters gave me the money

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<v Speaker 3>and I went, no, no, no, no, I don't want it,

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<v Speaker 3>and it was like a bit of a tug of war.

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<v Speaker 3>I still we ripped it, right, We ripped that twenty dollars, right,

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<v Speaker 3>and I've still got that twenty dollars on a paper

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<v Speaker 3>clip with his photo signed. But anyway, what's wrong with that?

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<v Speaker 3>It's called memories, okay, me as a kid, would have

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<v Speaker 3>spent it. No, no, no, I was told by my my,

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<v Speaker 3>by my mom to not spend that.

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<v Speaker 1>That's that. That's it. Look, look, look how I'm talking

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<v Speaker 1>about it.

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<v Speaker 2>Oh great, anyway, let's move on.

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<v Speaker 3>Well, look, the good thing is those twenty dollars notes

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<v Speaker 3>don't exist anymore, so they're probably it's probably worth.

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<v Speaker 2>More now, so it's not where of jack shit for

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<v Speaker 2>twenty bucks.

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<v Speaker 1>Well, you've just killed my whole fucking.

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<v Speaker 2>Focus.

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<v Speaker 3>Now I'm going to have to swear now you just

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<v Speaker 3>killed my whole fucking light there mate, you know anyway, Yes,

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<v Speaker 3>so still got a freak.

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<v Speaker 1>And yeah, no, so it was good.

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<v Speaker 3>It was good to you know, to get them to

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<v Speaker 3>come on board, and I learned how to play the guitar,

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<v Speaker 3>I learned how to sing. I did a lot of

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<v Speaker 3>singing the Stedford's around Sydney. And then as I was

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<v Speaker 3>a kid like, as I kept going into I got

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<v Speaker 3>a little bit bored of it, to be honest with you,

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<v Speaker 3>playing the same scales all the time on a guitar,

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<v Speaker 3>and I said, I want to kind of venture into

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<v Speaker 3>something more than this, you know. And they used to

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<v Speaker 3>have it, they used to have the Sydney the Sydney

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<v Speaker 3>Telegraph and you know in the US to say, you know,

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<v Speaker 3>do you want to be an actor?

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<v Speaker 1>Fucking hell, you know, one of those bloody things.

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<v Speaker 2>All right.

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<v Speaker 3>So anyway, so I so I said, okay, I'm going

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<v Speaker 3>to I'm going to call in and I'm gonna I'm

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<v Speaker 3>going to get part of this. And I signed up

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<v Speaker 3>at a school which was literally down the road here.

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<v Speaker 3>It was called King Kids back then, Gala Artists, and

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<v Speaker 3>they were offering a deal where like you pretty much

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<v Speaker 3>come in and they coach and sort of like now,

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<v Speaker 3>I had no money. My parents weren't going to pay

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<v Speaker 3>for it. So what they did was they put me

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<v Speaker 3>in as an extra in different little bits and pieces

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<v Speaker 3>here and there, and from the money that I was

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<v Speaker 3>earning from there was paying my tuition, and I learned

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<v Speaker 3>how to act, sing and dance. So I ended up Yeah,

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<v Speaker 3>so that's how it all happened for me.

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<v Speaker 2>So I ended up.

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<v Speaker 1>Doing all those things.

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<v Speaker 3>And like literally six months seven eight maybe eight months

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<v Speaker 3>later after signing up with these with these guys, I

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<v Speaker 3>was doing pantomimes, extra work. I ended up getting one

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<v Speaker 3>of my first lead roles on a kids show called

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<v Speaker 3>Swap Shop.

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<v Speaker 2>I remember swap Shop in England.

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<v Speaker 1>Yeah that's yeah, that's it. That's actually it shop.

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<v Speaker 2>Okay, So I was.

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<v Speaker 1>I played.

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<v Speaker 3>The grand prince of something I can't remember. I was

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<v Speaker 3>such anyway, he came from overseas and it was one

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<v Speaker 3>of these.

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<v Speaker 1>Little story, crazy little stories.

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<v Speaker 3>But yeah, I still remember shooting it at what's the

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<v Speaker 3>what's the what's the name of the pool on mcmart's

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<v Speaker 3>McMahon's point, you know the pool where they Luna Park is.

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<v Speaker 3>Oh yeah, yeah, yeah, there's that swimming pool. That's that's

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<v Speaker 3>actually where we shot it.

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<v Speaker 1>I still remember it.

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<v Speaker 2>I have you kept your paycheck from there too?

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<v Speaker 1>I kept I kept the patient, but not the paycheck.

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<v Speaker 1>Smarty pants.

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<v Speaker 3>But anyway, so from there, So from there, I pretty

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<v Speaker 3>much did other other jobs and I ended up kind

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<v Speaker 3>of working as a as a regular, a guest regular

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<v Speaker 3>on uh well not as on a country practice.

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<v Speaker 1>I was, you're just doing a guest role, but.

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<v Speaker 2>I did in that country practice Country Practice. And also, yeah, GP,

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<v Speaker 2>I've seen GP was your first one. Yeah, GP was.

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<v Speaker 3>Really the semi semi lead role. And I have to

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<v Speaker 3>I have to give out. I give a massive shout

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<v Speaker 3>out to Peter Andrew Keats, the director who I never

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<v Speaker 3>forget saw me. I came in for that one one

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<v Speaker 3>episode and he just he just had yeah, he just

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<v Speaker 3>he was so he loved what I did and he

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<v Speaker 3>just continued to just ask the writers to bring back.

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<v Speaker 1>And it was Andrew Kides.

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<v Speaker 3>But the guy who actually really got me the lead, well,

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<v Speaker 3>the big big success on Heartbreak High was Peter O'Neil.

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<v Speaker 1>Not many people know this.

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<v Speaker 3>Peter O'Neil was one of my drama teachers at Gala Artists, Okay,

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<v Speaker 3>and he was actually the guy that was teaching me

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<v Speaker 3>performing arts and stuff like that. Him, Malcolm Frawley and

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<v Speaker 3>all those guys, Alan Sinners, those guys there, and they

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<v Speaker 3>Peter O'Neil was one of the original writers on Heartbreak

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<v Speaker 3>High and I reckon. That's how I got it. That's

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<v Speaker 3>how I think I personally got You didn't do an

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<v Speaker 3>audition for that, No, we auditioned, but you know, you know,

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<v Speaker 3>they would have kind of said, you know, he's he's

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<v Speaker 3>the key, he's the dude.

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<v Speaker 2>You know he's special. Yeah, yeah, he's got something special.

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<v Speaker 2>I just went, yeah, I just meant, I.

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<v Speaker 1>Learnt with you.

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<v Speaker 3>Just don't bite, don't bite, Just just keep moving, just

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<v Speaker 3>keep going, Just be like the traffic behind you.

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<v Speaker 1>Just keep going, you know. Yeah. So then now that's

0:11:05.681 --> 0:11:07.281
<v Speaker 1>pretty much in a nutshell.

0:11:07.321 --> 0:11:11.041
<v Speaker 2>That's it was Heartbreak High before country practice or after after.

0:11:10.961 --> 0:11:13.281
<v Speaker 1>After country practices. Was in the.

0:11:13.201 --> 0:11:16.280
<v Speaker 2>Beginning country practice? Please rescue water.

0:11:16.121 --> 0:11:22.521
<v Speaker 3>Rats stingers, stingers, fucking all Saints, all sts you.

0:11:23.041 --> 0:11:28.841
<v Speaker 1>I was a guy dying, didn't It's interesting, It's interesting.

0:11:28.881 --> 0:11:30.161
<v Speaker 1>There was a time in my career.

0:11:30.161 --> 0:11:32.681
<v Speaker 3>I think it was probably for about a good easy

0:11:32.721 --> 0:11:34.161
<v Speaker 3>teen years, I was always dying.

0:11:35.081 --> 0:11:37.041
<v Speaker 1>Yeah talk.

0:11:39.201 --> 0:11:43.721
<v Speaker 3>Well, strangely enough, that's actually the truth. They said this

0:11:43.761 --> 0:11:44.561
<v Speaker 3>guy could talk.

0:11:44.441 --> 0:11:48.361
<v Speaker 1>Under water, for sake, kill him?

0:11:50.001 --> 0:11:51.121
<v Speaker 2>What waters?

0:11:52.201 --> 0:11:53.681
<v Speaker 1>So I in water.

0:11:53.521 --> 0:11:57.121
<v Speaker 3>Rats, I played a journal I played a journo in

0:11:57.161 --> 0:12:00.081
<v Speaker 3>water Rats, and then I came back and I played

0:12:00.961 --> 0:12:02.681
<v Speaker 3>if I remember, yeah, I actually.

0:12:02.521 --> 0:12:08.161
<v Speaker 1>Killed off the lead. Yeah, please rescue, Please Rescue was

0:12:08.241 --> 0:12:10.681
<v Speaker 1>interesting in the beginning. I was a I was played

0:12:10.721 --> 0:12:11.521
<v Speaker 1>Joseph Cardillo.

0:12:12.361 --> 0:12:14.641
<v Speaker 3>He was a he was you know, he was a

0:12:15.441 --> 0:12:19.601
<v Speaker 3>he was a cover police reside ship.

0:12:21.641 --> 0:12:23.881
<v Speaker 2>And then you then you got the break for Heartbreak High,

0:12:23.881 --> 0:12:25.681
<v Speaker 2>and then I got the break for harm to me,

0:12:25.841 --> 0:12:27.801
<v Speaker 2>that was your that's the big break that got your.

0:12:28.041 --> 0:12:30.601
<v Speaker 1>Yeah, yeah, one hundred percent.

0:12:30.761 --> 0:12:33.521
<v Speaker 3>Heartbreak High was the one that kind of got me

0:12:33.601 --> 0:12:38.081
<v Speaker 3>out there, just really like pushed the name and you know,

0:12:38.681 --> 0:12:41.721
<v Speaker 3>maybe who what made me who I am really at

0:12:41.761 --> 0:12:43.721
<v Speaker 3>the end of the day, like yeah, you know it.

0:12:43.801 --> 0:12:48.081
<v Speaker 2>Was no comment anyway, no, please do please. How many

0:12:48.161 --> 0:12:49.161
<v Speaker 2>years were you doing Heartbreak Out?

0:12:49.401 --> 0:12:52.481
<v Speaker 3>I did it for in total, it was a good

0:12:52.961 --> 0:12:55.721
<v Speaker 3>three years. I did two series, two series.

0:12:55.801 --> 0:12:56.241
<v Speaker 2>Yeah.

0:12:56.321 --> 0:12:59.361
<v Speaker 3>Yeah. Look, you know, out of all of them, all

0:12:59.401 --> 0:13:02.481
<v Speaker 3>the stuff that I've done, there's been three things that

0:13:02.641 --> 0:13:06.761
<v Speaker 3>I absolutely love, or maybe three, maybe four things that

0:13:06.801 --> 0:13:12.161
<v Speaker 3>I love to love doing Heartbreak Eye, Underbelly and playing

0:13:13.081 --> 0:13:17.561
<v Speaker 3>I played Peanut in the Peter Brock story. That was

0:13:17.681 --> 0:13:22.681
<v Speaker 3>just mate, so much fun, doing police rescue, police rescue,

0:13:22.881 --> 0:13:25.921
<v Speaker 3>playing Joey Cardillo. Right, you know, you know a lot

0:13:25.961 --> 0:13:29.521
<v Speaker 3>of all these buildings around here right especially now actually

0:13:29.521 --> 0:13:30.961
<v Speaker 3>where we are now this is to be the old

0:13:31.001 --> 0:13:35.481
<v Speaker 3>sugar factories, right, And I was ab siling through buildings

0:13:35.601 --> 0:13:40.361
<v Speaker 3>and my car chases police rescue was fantastic, you know, man,

0:13:40.361 --> 0:13:42.641
<v Speaker 3>I'm telling you that was an experience of a lifetime,

0:13:42.921 --> 0:13:48.161
<v Speaker 3>you know, like hanging off cliff faces and we're doing a.

0:13:48.081 --> 0:13:49.041
<v Speaker 1>Lot of our own stunts.

0:13:49.041 --> 0:13:49.281
<v Speaker 3>Man.

0:13:49.801 --> 0:13:52.801
<v Speaker 1>Oh yeah, it was fun. Man, it was fun.

0:13:53.841 --> 0:13:57.241
<v Speaker 3>Man, what a buzz, you know, like doing stuff like

0:13:57.321 --> 0:14:00.481
<v Speaker 3>in some once again going back to North Sydney.

0:14:00.521 --> 0:14:02.401
<v Speaker 1>You know all those as.

0:14:02.281 --> 0:14:03.681
<v Speaker 3>You come off the bridge, if you come on this

0:14:03.721 --> 0:14:05.081
<v Speaker 3>way and you come on off the bridge right on

0:14:05.081 --> 0:14:07.801
<v Speaker 3>the left hand side, there's all those big departments, right.

0:14:08.081 --> 0:14:10.921
<v Speaker 3>We used to abseil all those I used to abseil

0:14:11.001 --> 0:14:14.721
<v Speaker 3>all those, all those buildings there, and ah, that's so

0:14:14.841 --> 0:14:16.881
<v Speaker 3>much fun. You get days that like you got like

0:14:16.921 --> 0:14:20.281
<v Speaker 3>twenty thirty degree wins and those those cables are moving.

0:14:20.761 --> 0:14:22.841
<v Speaker 3>You can't abseil anything because it just locks you in.

0:14:23.001 --> 0:14:25.601
<v Speaker 3>You're not going nowhere. A lot of a lot of

0:14:25.601 --> 0:14:27.241
<v Speaker 3>a drilling used to finish the day, and your eyes

0:14:27.281 --> 0:14:30.001
<v Speaker 3>were like that you're like so much a drilling and

0:14:30.041 --> 0:14:33.041
<v Speaker 3>pushing through your body. Yeah, yeah, I know what you're thinking.

0:14:33.281 --> 0:14:37.881
<v Speaker 3>No talking about a drilling one track mine, one track mine.

0:14:37.921 --> 0:14:42.401
<v Speaker 2>With heartbreak high. Do you actually once you've done that,

0:14:42.441 --> 0:14:45.081
<v Speaker 2>do you think then you knew and your in your

0:14:45.081 --> 0:14:47.601
<v Speaker 2>heart and your head that this is what you wanted

0:14:47.641 --> 0:14:47.881
<v Speaker 2>to do?

0:14:47.961 --> 0:14:50.401
<v Speaker 1>This is I know, I know, I knew, I knew

0:14:50.601 --> 0:14:50.961
<v Speaker 1>we're not.

0:14:51.081 --> 0:14:54.241
<v Speaker 3>Yeah, way before that, I knew that I was going

0:14:54.321 --> 0:14:57.441
<v Speaker 3>to I knew I wanted to do. You know, I

0:14:57.481 --> 0:15:00.721
<v Speaker 3>wanted to be in film, television, you know, on stage.

0:15:01.761 --> 0:15:03.521
<v Speaker 1>You know, look where we are right now. Yeah. The

0:15:03.521 --> 0:15:03.921
<v Speaker 1>amount of.

0:15:03.921 --> 0:15:06.401
<v Speaker 3>Voiceovers those to do in like in you know, in

0:15:06.441 --> 0:15:08.441
<v Speaker 3>my peak days were just unbelievable.

0:15:08.681 --> 0:15:08.881
<v Speaker 2>Yeah.

0:15:08.921 --> 0:15:10.961
<v Speaker 1>I knew I wanted to do it a long time ago.

0:15:10.961 --> 0:15:12.361
<v Speaker 2>I never tried to go overseas to do it.

0:15:12.401 --> 0:15:12.681
<v Speaker 1>I did.

0:15:12.761 --> 0:15:14.961
<v Speaker 3>I did, Actually, yeah, I did. I went overseas in

0:15:15.001 --> 0:15:18.481
<v Speaker 3>two thousand and seven. I went to America and that

0:15:18.641 --> 0:15:21.241
<v Speaker 3>was two thousand something like that, two thousand and seven,

0:15:21.801 --> 0:15:25.281
<v Speaker 3>pre the the global financial financial crisis.

0:15:25.641 --> 0:15:28.761
<v Speaker 1>And I went to America and I just went, what

0:15:28.801 --> 0:15:29.921
<v Speaker 1>the fuck is this place?

0:15:29.961 --> 0:15:33.321
<v Speaker 3>This place is just like it's like I've never seen

0:15:33.401 --> 0:15:36.361
<v Speaker 3>so many yeah, I just didn't like it.

0:15:36.641 --> 0:15:39.761
<v Speaker 1>I didn't like the vibe. I really didn't like the vibe.

0:15:39.761 --> 0:15:41.641
<v Speaker 1>I didn't like I didn't like.

0:15:42.161 --> 0:15:44.881
<v Speaker 2>You're mister clean, aren't you really? You are? Yeah, you're

0:15:44.881 --> 0:15:48.481
<v Speaker 2>missed the clean. Yeah, like we've seen that you don't

0:15:48.521 --> 0:15:51.681
<v Speaker 2>like to swear. Yeah yeah, yeah, yeah, yeah, like you

0:15:51.761 --> 0:15:53.881
<v Speaker 2>like what's his name from fucking Mary Poppins, what's his name?

0:15:53.921 --> 0:15:56.561
<v Speaker 2>The one who sucking Chim Chimity, Chim Jim Jimmy Jim

0:15:56.681 --> 0:15:58.721
<v Speaker 2>Jimmy clean man.

0:15:58.801 --> 0:15:59.641
<v Speaker 1>Yeah, no, it's not that.

0:15:59.761 --> 0:16:03.441
<v Speaker 3>It's just you know, like I I, uh, what's the

0:16:03.481 --> 0:16:06.601
<v Speaker 3>word I like to kind of uh yeah, I just

0:16:06.721 --> 0:16:09.761
<v Speaker 3>like the big conservative mm hmm.

0:16:10.921 --> 0:16:13.201
<v Speaker 2>So then okay, so then this is where we.

0:16:13.241 --> 0:16:14.441
<v Speaker 1>Get the crickets in the background.

0:16:15.881 --> 0:16:18.881
<v Speaker 2>But see, this is this is where I get confused

0:16:18.921 --> 0:16:22.281
<v Speaker 2>with you, all right, because you are mister clean. You

0:16:22.281 --> 0:16:25.561
<v Speaker 2>don't like to swear. No, you don't like to reach.

0:16:25.441 --> 0:16:27.801
<v Speaker 1>Even though even though I just swore, yeah you.

0:16:27.721 --> 0:16:29.441
<v Speaker 2>Know what I mean? Like you you stopped just before

0:16:29.481 --> 0:16:30.961
<v Speaker 2>and said, excuse me, you like you know what I mean?

0:16:31.241 --> 0:16:35.681
<v Speaker 2>Yet you play fucking characters on under Belly and fucking

0:16:35.881 --> 0:16:36.841
<v Speaker 2>Australian Gangster.

0:16:37.321 --> 0:16:40.241
<v Speaker 1>Yeah, it's really weird. Man, it's really weird.

0:16:40.521 --> 0:16:42.321
<v Speaker 3>But see, I guess that's I guess that's just the

0:16:42.361 --> 0:16:43.721
<v Speaker 3>whole point of being an actor.

0:16:44.401 --> 0:16:46.801
<v Speaker 2>But Australian gangster. I counted how many times you sworn

0:16:46.801 --> 0:16:48.361
<v Speaker 2>on that and I fucking message you to say, like.

0:16:49.121 --> 0:16:51.801
<v Speaker 3>Yeah, I know, but look, you know that's that's me acting.

0:16:52.801 --> 0:16:56.361
<v Speaker 3>That's me acting. There's there's a difference between acting and

0:16:56.441 --> 0:16:57.961
<v Speaker 3>just me. You know, that's why I'm.

0:16:58.761 --> 0:17:00.601
<v Speaker 2>This is me.

0:17:00.481 --> 0:17:03.361
<v Speaker 3>I mean, yea, I know that, but like you know,

0:17:03.481 --> 0:17:06.921
<v Speaker 3>when when when you're when you're look, a lot of

0:17:06.961 --> 0:17:09.721
<v Speaker 3>people say that, like I am a pretty clean cut guy.

0:17:09.801 --> 0:17:12.400
<v Speaker 3>I like to be clean cut, big, and that's what

0:17:13.001 --> 0:17:15.201
<v Speaker 3>that's what I think is the beauty of what I do.

0:17:15.561 --> 0:17:18.321
<v Speaker 1>It's not me, but I play it well.

0:17:19.441 --> 0:17:21.521
<v Speaker 2>So tell me about the role on the Belly the

0:17:21.561 --> 0:17:24.921
<v Speaker 2>Golden Mayle. When you got that part, okay, Oh.

0:17:24.640 --> 0:17:27.521
<v Speaker 3>That was there was a lot more behind that, was it? Yeah,

0:17:27.561 --> 0:17:29.360
<v Speaker 3>there's a lot more behind that Okay. So when I

0:17:29.481 --> 0:17:31.080
<v Speaker 3>when I were going for the part.

0:17:31.281 --> 0:17:34.801
<v Speaker 1>Absolutely or absolutely I where it was going in for.

0:17:36.961 --> 0:17:40.921
<v Speaker 3>Well, we can honestly say that Harry Hammer is Sam Abraham,

0:17:41.281 --> 0:17:47.441
<v Speaker 3>thank you. Yeah, it's loosely based on Sam Abraham.

0:17:47.441 --> 0:17:48.201
<v Speaker 2>It's Sam Abraham.

0:17:48.321 --> 0:17:49.440
<v Speaker 1>Okay, it's Samy Braham.

0:17:49.481 --> 0:17:51.801
<v Speaker 2>See again, you're being clean, just fucking say it. It's

0:17:51.840 --> 0:17:52.561
<v Speaker 2>Sam Abraham.

0:17:52.761 --> 0:17:53.360
<v Speaker 1>You're saying it.

0:17:53.441 --> 0:17:54.761
<v Speaker 2>I'm saying it, you're saying it.

0:17:54.801 --> 0:17:58.041
<v Speaker 3>Okay, if you just give me a second, I'll probably

0:17:58.080 --> 0:17:58.481
<v Speaker 3>get there.

0:17:58.761 --> 0:17:59.240
<v Speaker 1>You know what I mean.

0:17:59.241 --> 0:18:02.080
<v Speaker 2>You're going straight because we've got this. We've had this

0:18:02.201 --> 0:18:04.441
<v Speaker 2>dilemma for a few years now, okay, And I knew

0:18:04.481 --> 0:18:05.801
<v Speaker 2>you couldn't say this and that, but.

0:18:06.080 --> 0:18:09.840
<v Speaker 3>Okay, so now so now so now it's actually done

0:18:09.921 --> 0:18:12.200
<v Speaker 3>and it's passed. Okay, you can kind of do it

0:18:12.241 --> 0:18:13.480
<v Speaker 3>and with what you know.

0:18:13.561 --> 0:18:14.080
<v Speaker 1>It's true.

0:18:14.561 --> 0:18:17.641
<v Speaker 3>Before I wasn't really kind of allowed to to sort

0:18:17.640 --> 0:18:19.441
<v Speaker 3>of like mention that sort of thing. But I think

0:18:19.481 --> 0:18:21.120
<v Speaker 3>it's all out there and people know.

0:18:21.441 --> 0:18:22.961
<v Speaker 2>I think we all know. Yeah, we do.

0:18:23.241 --> 0:18:24.001
<v Speaker 1>And I'll tell you.

0:18:24.001 --> 0:18:28.521
<v Speaker 3>I'll tell you when I when I originally was going

0:18:28.561 --> 0:18:31.600
<v Speaker 3>in for it, Okay, I'm actually was actually kind of

0:18:31.600 --> 0:18:32.641
<v Speaker 3>the same way I am now.

0:18:32.721 --> 0:18:34.441
<v Speaker 1>Yeah, And I.

0:18:34.400 --> 0:18:37.761
<v Speaker 3>Remember seeing it come up and I knew it was

0:18:37.801 --> 0:18:40.801
<v Speaker 3>going to be sad because really there was only one one, yeah,

0:18:40.880 --> 0:18:43.640
<v Speaker 3>you know, And as we went on, they had to

0:18:43.721 --> 0:18:46.360
<v Speaker 3>change the change the name due to legal reasons whatever.

0:18:46.880 --> 0:18:54.401
<v Speaker 3>But and so so I it must have been about oh,

0:18:54.521 --> 0:18:57.561
<v Speaker 3>it would have been a good six to eight months prior.

0:18:57.721 --> 0:19:00.201
<v Speaker 1>I was going in right, and.

0:19:00.120 --> 0:19:03.720
<v Speaker 3>There was something in my in my intuition that was saying,

0:19:04.201 --> 0:19:06.321
<v Speaker 3>you're going to get this, You're going to get this.

0:19:06.600 --> 0:19:08.080
<v Speaker 3>I don't know if it was just me saying that

0:19:08.120 --> 0:19:10.761
<v Speaker 3>because I wanted to get it. But as soon as

0:19:10.801 --> 0:19:12.760
<v Speaker 3>I as soon as I saw the casting come in

0:19:12.761 --> 0:19:15.880
<v Speaker 3>for the audition, come in for it, man, I was

0:19:15.921 --> 0:19:18.640
<v Speaker 3>straight at the gym. I went back to boxing, I

0:19:18.681 --> 0:19:20.360
<v Speaker 3>went back to doing all the stuff that I had

0:19:20.400 --> 0:19:21.641
<v Speaker 3>to do to get my body in there.

0:19:22.241 --> 0:19:24.961
<v Speaker 1>Man. I was like, yeah, like from now, I.

0:19:24.921 --> 0:19:27.840
<v Speaker 3>Was like at least eight kilos bigger, and was It

0:19:27.961 --> 0:19:31.600
<v Speaker 3>was such a great, great journey, and I was really

0:19:31.640 --> 0:19:35.520
<v Speaker 3>really glad that they allowed me to to to actually

0:19:35.561 --> 0:19:37.681
<v Speaker 3>play Sam.

0:19:38.120 --> 0:19:38.281
<v Speaker 1>You know.

0:19:38.400 --> 0:19:42.120
<v Speaker 3>Look, you know I was doing so much more research too.

0:19:42.120 --> 0:19:44.081
<v Speaker 3>You know, like every time i'd go in for an audition,

0:19:44.561 --> 0:19:46.281
<v Speaker 3>you know, I'd go to the two dollars shop and

0:19:46.281 --> 0:19:48.841
<v Speaker 3>I'd go get my tattoos and I'd put my tattoos on,

0:19:49.201 --> 0:19:51.120
<v Speaker 3>you know, I'd put them all over my body wherever

0:19:51.160 --> 0:19:51.761
<v Speaker 3>he had them.

0:19:52.241 --> 0:19:53.521
<v Speaker 2>I used to do. I did the whole I.

0:19:53.561 --> 0:19:57.400
<v Speaker 1>Used to walk in as him. That's it.

0:19:56.921 --> 0:19:59.360
<v Speaker 3>It's it was the best thing I've ever done, one

0:19:59.360 --> 0:20:01.720
<v Speaker 3>of the best journeys I've ever done.

0:20:02.561 --> 0:20:05.680
<v Speaker 2>And I can't say this because there's been other programs

0:20:05.880 --> 0:20:09.641
<v Speaker 2>that tried to portray him. Yeah, and even you other

0:20:09.681 --> 0:20:12.880
<v Speaker 2>characters too, And I must admit under Belly the Golden

0:20:12.880 --> 0:20:14.080
<v Speaker 2>Mile was probably the best one.

0:20:14.160 --> 0:20:16.400
<v Speaker 3>We're hands down. I mean, we're not saying that. We're

0:20:16.400 --> 0:20:20.161
<v Speaker 3>not saying that the current one I think you're talking

0:20:20.201 --> 0:20:23.840
<v Speaker 3>about allowed to say. You said the Last King of

0:20:23.840 --> 0:20:24.561
<v Speaker 3>the Cross is great.

0:20:24.561 --> 0:20:25.321
<v Speaker 1>I'm not saying it's not.

0:20:25.880 --> 0:20:28.801
<v Speaker 3>But you know what, what they did on on Underbelly

0:20:28.921 --> 0:20:31.761
<v Speaker 3>was really really specific to to it.

0:20:32.120 --> 0:20:34.480
<v Speaker 2>Because he's played the characters and he's played it to

0:20:34.521 --> 0:20:35.321
<v Speaker 2>Howard the storyline.

0:20:35.600 --> 0:20:37.600
<v Speaker 1>Yeah, but not only that, I think also.

0:20:37.880 --> 0:20:41.641
<v Speaker 2>And you did a lot of research you yeah, oh yeah.

0:20:41.521 --> 0:20:43.961
<v Speaker 3>But not not just me, all of us did, all

0:20:44.001 --> 0:20:47.961
<v Speaker 3>the other actors, you know, even the Coppers Mate, they

0:20:47.961 --> 0:20:50.281
<v Speaker 3>were they were on.

0:20:50.400 --> 0:20:53.281
<v Speaker 2>That effect that like I think we spoke about this before,

0:20:53.321 --> 0:20:56.480
<v Speaker 2>but we've done it offline. But it did it affect

0:20:56.561 --> 0:21:00.041
<v Speaker 2>you offset too? Yeah?

0:21:00.080 --> 0:21:00.961
<v Speaker 1>It did. It did.

0:21:01.041 --> 0:21:03.120
<v Speaker 3>Like when you're when you when you're in that mindset,

0:21:03.160 --> 0:21:08.201
<v Speaker 3>when you're constantly in that mindset of like playing someone's staunch.

0:21:08.961 --> 0:21:13.281
<v Speaker 3>It uses through your body. I mean you yourself, you know,

0:21:13.360 --> 0:21:16.360
<v Speaker 3>to test or contest to this as well. That when

0:21:16.400 --> 0:21:20.401
<v Speaker 3>your body, if you're constantly thinking I need to stay staunched,

0:21:20.400 --> 0:21:21.561
<v Speaker 3>you become staunch.

0:21:21.681 --> 0:21:23.921
<v Speaker 1>You become staunch, right, And it's.

0:21:23.761 --> 0:21:26.521
<v Speaker 3>Only it's only when you kind of you go, well,

0:21:26.600 --> 0:21:29.081
<v Speaker 3>I've got to remember, hey, I'm at a wedding here.

0:21:29.160 --> 0:21:31.920
<v Speaker 1>Yeah, you know, I can't do that. And it's interesting.

0:21:31.961 --> 0:21:34.321
<v Speaker 3>When I was playing Sam, I was doing a wedding

0:21:34.321 --> 0:21:39.680
<v Speaker 3>at concordor or and and I remember doing the wedding

0:21:39.681 --> 0:21:41.400
<v Speaker 3>and someone at someone had to pull me back. So

0:21:41.441 --> 0:21:42.680
<v Speaker 3>you got to calm down. I'm like, what do you

0:21:42.681 --> 0:21:44.680
<v Speaker 3>mean not, you gotta calm down, And they said, you

0:21:44.761 --> 0:21:46.360
<v Speaker 3>just you just look like you want to kill somebody.

0:21:46.321 --> 0:21:49.561
<v Speaker 3>I said, well, I am playing somebody that was to

0:21:49.600 --> 0:21:50.921
<v Speaker 3>kill somebody. But yeah, you know what I mean.

0:21:50.961 --> 0:21:57.001
<v Speaker 1>So yeah, so it does it does? It does? It does? Yeah?

0:21:57.120 --> 0:21:59.400
<v Speaker 1>Bring d Yeah, it does. It does. It does.

0:21:59.640 --> 0:22:01.680
<v Speaker 2>But after after you stuff and it took a while,

0:22:02.001 --> 0:22:03.321
<v Speaker 2>did it? Yeah, it took a while.

0:22:03.321 --> 0:22:03.920
<v Speaker 1>It took about.

0:22:04.041 --> 0:22:09.761
<v Speaker 3>It took me probably about.

0:22:07.761 --> 0:22:09.280
<v Speaker 2>Because I know a lot of the actors in that

0:22:09.921 --> 0:22:14.001
<v Speaker 2>kept going and going and going and going as that

0:22:14.001 --> 0:22:16.961
<v Speaker 2>that that actor well, well that person not actor, sorry,

0:22:17.001 --> 0:22:22.801
<v Speaker 2>that person, and I think they liked it. And you would,

0:22:22.921 --> 0:22:24.441
<v Speaker 2>you know what I mean if you if you're portraying

0:22:24.521 --> 0:22:27.961
<v Speaker 2>someone who's very well known in the underworld, are very

0:22:28.001 --> 0:22:32.440
<v Speaker 2>staunch and you can see because even though you're not

0:22:32.521 --> 0:22:37.160
<v Speaker 2>that person, you still get that power feeling, you know

0:22:37.201 --> 0:22:37.561
<v Speaker 2>what I mean?

0:22:37.761 --> 0:22:40.120
<v Speaker 3>Yeah, you know, I mean that's the thing when you start,

0:22:40.481 --> 0:22:44.721
<v Speaker 3>when you start doing things and you know, you you

0:22:44.721 --> 0:22:48.360
<v Speaker 3>you take you embody, whatever it is that you're trying

0:22:48.400 --> 0:22:51.640
<v Speaker 3>to portray, you know, it's it's in your head, it

0:22:51.721 --> 0:22:53.080
<v Speaker 3>becomes you.

0:22:53.080 --> 0:22:53.281
<v Speaker 1>You know.

0:22:53.840 --> 0:22:56.960
<v Speaker 3>And you know because I used to THEND that I

0:22:57.080 --> 0:22:59.600
<v Speaker 3>was teaching for a while and I tried to explain

0:22:59.640 --> 0:23:01.720
<v Speaker 3>it to the students that you've got to remember you've

0:23:01.721 --> 0:23:04.561
<v Speaker 3>got to separate yourself from what it is that you're

0:23:04.640 --> 0:23:08.600
<v Speaker 3>you're pt train to you your two different things. It

0:23:08.640 --> 0:23:11.400
<v Speaker 3>can really take it. Yeah, it can go down the

0:23:11.400 --> 0:23:14.601
<v Speaker 3>wrong path if if it's not controlled properly. And thankfully

0:23:14.640 --> 0:23:16.360
<v Speaker 3>I got the right I had the right tools to

0:23:16.441 --> 0:23:19.201
<v Speaker 3>kind of get me out of that sort of mindset.

0:23:20.160 --> 0:23:23.600
<v Speaker 2>But yeah, prize to that that you've you've you've met

0:23:24.321 --> 0:23:27.321
<v Speaker 2>prior to that. Never, so you've never met some Abraham

0:23:27.481 --> 0:23:30.600
<v Speaker 2>never to see how you had to? Never?

0:23:31.241 --> 0:23:34.801
<v Speaker 3>Well never, so you just went from what you see. Yeah,

0:23:34.921 --> 0:23:37.401
<v Speaker 3>just and what I've heard. That's all from what I've

0:23:37.441 --> 0:23:39.920
<v Speaker 3>seen and what I heard. I've never met him. No,

0:23:40.681 --> 0:23:45.720
<v Speaker 3>there was a time I remember, I I I was

0:23:45.840 --> 0:23:49.801
<v Speaker 3>asked if I could, if I would, I can't remember

0:23:49.801 --> 0:23:52.681
<v Speaker 3>if it was production or something like that, and I said, nah,

0:23:52.840 --> 0:23:55.880
<v Speaker 3>that's fine, No I didn't need to, you know what

0:23:55.921 --> 0:23:58.120
<v Speaker 3>I mean, there was no there was actually no need.

0:23:59.400 --> 0:24:01.400
<v Speaker 2>How did how did they feel filming and the cross

0:24:01.400 --> 0:24:02.041
<v Speaker 2>do and all that shit?

0:24:02.400 --> 0:24:08.640
<v Speaker 3>Fantastic? Yeah, fantastic, fantastic. You know, it's you know, it

0:24:08.681 --> 0:24:11.400
<v Speaker 3>was just before they cleaned it up so much like

0:24:11.481 --> 0:24:17.961
<v Speaker 3>it was like now it's so sterile. Yeah, but yeah, yeah,

0:24:17.961 --> 0:24:20.241
<v Speaker 3>you know it's it was just it's just a buzz.

0:24:21.001 --> 0:24:23.240
<v Speaker 3>It's just a buzz to kind of be there, just

0:24:23.321 --> 0:24:25.200
<v Speaker 3>you know, because you know that was the strip.

0:24:25.321 --> 0:24:25.920
<v Speaker 1>That was the strip.

0:24:26.001 --> 0:24:29.400
<v Speaker 2>Yeah, yeah, you know, because I think from what I remember,

0:24:29.441 --> 0:24:33.281
<v Speaker 2>the the the launch was at the after party or

0:24:33.321 --> 0:24:34.601
<v Speaker 2>something like that was at then.

0:24:34.600 --> 0:24:35.120
<v Speaker 1>You have the tunnel.

0:24:35.201 --> 0:24:35.761
<v Speaker 2>Yeah, that's correct.

0:24:35.840 --> 0:24:38.841
<v Speaker 3>Yeah, yeah, it was at the tunnel. Yeah, it was awesome.

0:24:38.961 --> 0:24:39.681
<v Speaker 3>That was awesome.

0:24:40.681 --> 0:24:42.200
<v Speaker 1>Yeah, that's right. It was at the tunnel.

0:24:42.241 --> 0:24:44.161
<v Speaker 2>Yeah, were you there? I was there, I was there

0:24:44.160 --> 0:24:44.640
<v Speaker 2>that man.

0:24:44.561 --> 0:24:47.481
<v Speaker 1>You were there. Yeah, oh yeah, that was a good night.

0:24:47.721 --> 0:24:49.481
<v Speaker 2>Yeah, because we were all looking at you said should

0:24:49.481 --> 0:24:50.801
<v Speaker 2>we show me the real people are?

0:24:55.041 --> 0:24:55.360
<v Speaker 1>Okay?

0:24:56.441 --> 0:24:59.680
<v Speaker 2>Okay, but now I remember that night, but it was

0:24:59.721 --> 0:25:02.920
<v Speaker 2>it was it was it hard. Like I was going,

0:25:03.041 --> 0:25:07.481
<v Speaker 2>I say, did anyone approach you? And after the show

0:25:08.160 --> 0:25:10.041
<v Speaker 2>in relation to who you's?

0:25:10.241 --> 0:25:10.600
<v Speaker 1>Ah?

0:25:10.721 --> 0:25:11.041
<v Speaker 2>Yeah?

0:25:11.080 --> 0:25:15.360
<v Speaker 3>Oh yeah, oh yeah, so you know, you know when

0:25:16.160 --> 0:25:17.241
<v Speaker 3>it was really weird.

0:25:17.400 --> 0:25:19.681
<v Speaker 1>It was really weird. I don't know if I told

0:25:19.721 --> 0:25:21.321
<v Speaker 1>you this story. Do you I tell you this story?

0:25:21.441 --> 0:25:22.001
<v Speaker 2>We haven't told me it?

0:25:22.080 --> 0:25:28.481
<v Speaker 1>Yeah, I can't mind. So I remember us.

0:25:29.761 --> 0:25:32.801
<v Speaker 3>We just just came, just went on air, right, okay,

0:25:32.880 --> 0:25:34.920
<v Speaker 3>And I don't know. I think I had to go

0:25:35.001 --> 0:25:39.321
<v Speaker 3>do an event somewhere in King's Cross and I walked through, right,

0:25:39.681 --> 0:25:44.600
<v Speaker 3>And I'll never forget the dorman going, Sam, Hey, Sam,

0:25:44.681 --> 0:25:46.761
<v Speaker 3>what what the what the hell?

0:25:47.400 --> 0:25:48.561
<v Speaker 1>That's how good I played him?

0:25:49.441 --> 0:25:51.121
<v Speaker 2>All right, fucking hell, come back to life.

0:25:51.321 --> 0:25:53.880
<v Speaker 3>Yeah, but that's but I'm not joking. That's that's literally

0:25:53.921 --> 0:25:54.681
<v Speaker 3>what was going on.

0:25:55.241 --> 0:25:56.241
<v Speaker 2>They knew who I was.

0:25:56.201 --> 0:26:00.321
<v Speaker 3>But they knew straightaway they could associate it to him,

0:26:00.481 --> 0:26:04.321
<v Speaker 3>you know, And yeah, that's a good feeling, man, that's

0:26:04.321 --> 0:26:07.120
<v Speaker 3>a really good when you know that, you like, I

0:26:07.160 --> 0:26:09.600
<v Speaker 3>put my heart and soul into it, you know, I

0:26:09.640 --> 0:26:10.761
<v Speaker 3>put my heart and soul into it.

0:26:10.801 --> 0:26:12.480
<v Speaker 1>I put everything I could into it, you know.

0:26:12.561 --> 0:26:15.960
<v Speaker 3>And I didn't want to I didn't like even so,

0:26:16.281 --> 0:26:18.921
<v Speaker 3>like going back to what we're talking about, the last

0:26:18.961 --> 0:26:21.001
<v Speaker 3>King of the Cross, right, and if you see the

0:26:21.001 --> 0:26:25.600
<v Speaker 3>transition with with Sam Ibrahim when he's like in his

0:26:25.681 --> 0:26:27.961
<v Speaker 3>younger days and he had longer hair, so now he's

0:26:27.961 --> 0:26:33.161
<v Speaker 3>got that Caesar haircut. I were in under Belly when

0:26:33.160 --> 0:26:36.761
<v Speaker 3>we were when we're when we were getting to that

0:26:36.880 --> 0:26:40.241
<v Speaker 3>stages where where Sam goes into the bike is right.

0:26:41.921 --> 0:26:45.440
<v Speaker 3>You know, I actually asked the producers please let me

0:26:45.721 --> 0:26:49.241
<v Speaker 3>get the Caesar. Let me yeah, please let me get

0:26:49.281 --> 0:26:51.120
<v Speaker 3>because that was the George Michael look, do you remember,

0:26:51.441 --> 0:26:53.281
<v Speaker 3>And I said please, please please, and.

0:26:53.241 --> 0:26:54.640
<v Speaker 1>They said, no, we can't let you do that.

0:26:55.360 --> 0:26:57.960
<v Speaker 3>But I was I really want I wanted to do

0:26:58.001 --> 0:27:01.841
<v Speaker 3>the whole the whole transition because I remember I remember

0:27:01.961 --> 0:27:04.561
<v Speaker 3>like reading a lot of that stuff, and you know,

0:27:04.681 --> 0:27:06.281
<v Speaker 3>I want to to do that. But you know they

0:27:06.360 --> 0:27:09.321
<v Speaker 3>did actually capture that in the Last King of the Cross. Yeah,

0:27:09.360 --> 0:27:10.920
<v Speaker 3>which is good, you know, because I think that was

0:27:11.201 --> 0:27:15.041
<v Speaker 3>quite honest to what was going on, you know, in

0:27:15.120 --> 0:27:20.001
<v Speaker 3>the whole let's just say the storyline of the Ibrahim's

0:27:20.041 --> 0:27:22.921
<v Speaker 3>at that stage. Yeah, I have to say, I got

0:27:22.921 --> 0:27:24.080
<v Speaker 3>to be honest with you. I have to say the

0:27:24.120 --> 0:27:26.281
<v Speaker 3>second series for me of The Last King of the Cross,

0:27:26.640 --> 0:27:29.961
<v Speaker 3>when we're talking about episode four, five, six, and seven

0:27:30.001 --> 0:27:30.561
<v Speaker 3>and eight.

0:27:30.600 --> 0:27:33.080
<v Speaker 1>I loved it. Are we talk about what were we

0:27:33.080 --> 0:27:34.681
<v Speaker 1>talk about the Last King of the Cross.

0:27:34.481 --> 0:27:36.440
<v Speaker 2>One that's on now, Yeah, I love it it.

0:27:37.400 --> 0:27:40.720
<v Speaker 3>The last bit when Mike, when Michael, when Michael Kanan

0:27:40.801 --> 0:27:44.000
<v Speaker 3>comes in and all they not Michael Kanan, Michael Abraham

0:27:44.041 --> 0:27:44.761
<v Speaker 3>comes in and stuff.

0:27:44.801 --> 0:27:47.281
<v Speaker 1>I loved it. I loved it.

0:27:49.521 --> 0:27:50.961
<v Speaker 2>Because I'm trying to think what you loved.

0:27:51.201 --> 0:27:54.360
<v Speaker 3>No, I just thought I thought the performances were good. Yeah,

0:27:54.360 --> 0:27:56.360
<v Speaker 3>I'm talking about performances. I thought I thought the guys

0:27:56.360 --> 0:28:00.201
<v Speaker 3>had done a really good job. They really found their feet. Then,

0:28:00.600 --> 0:28:04.680
<v Speaker 3>you know, I actually I actually messaged one of the directors,

0:28:05.360 --> 0:28:06.321
<v Speaker 3>Ian Watson, and.

0:28:06.321 --> 0:28:08.081
<v Speaker 1>Said, what mate, you nailed it.

0:28:08.201 --> 0:28:08.760
<v Speaker 2>You nailed it.

0:28:08.840 --> 0:28:11.160
<v Speaker 1>Yeah, in regards to the direction, I loved it.

0:28:11.360 --> 0:28:13.201
<v Speaker 2>What direction? Was there? One direction?

0:28:13.640 --> 0:28:14.640
<v Speaker 1>Not one direction.

0:28:15.600 --> 0:28:18.400
<v Speaker 2>I'm just saying the direction because I looked at that,

0:28:18.521 --> 0:28:20.880
<v Speaker 2>and as I've just said before, now you're going to

0:28:20.961 --> 0:28:23.080
<v Speaker 2>make me get in a debate here, because.

0:28:23.160 --> 0:28:24.801
<v Speaker 1>Okay, that's good. That's what we're here for.

0:28:24.801 --> 0:28:26.760
<v Speaker 2>If not a debate, we're talking about your fucking life.

0:28:27.120 --> 0:28:30.960
<v Speaker 2>Under Belly the Golden Mile told a story which was

0:28:31.241 --> 0:28:38.401
<v Speaker 2>virtually true, virtually true. Last King of the Cross. I'm lost.

0:28:38.761 --> 0:28:42.561
<v Speaker 2>I'm fucking lost with the storyline. Look and don't try,

0:28:42.561 --> 0:28:44.561
<v Speaker 2>and don't you did?

0:28:44.721 --> 0:28:45.200
<v Speaker 1>I can't.

0:28:45.281 --> 0:28:48.161
<v Speaker 2>I'm lost because I don't know half the ship that

0:28:48.241 --> 0:28:49.200
<v Speaker 2>in this what's happened?

0:28:49.241 --> 0:28:53.161
<v Speaker 1>But he's only supposed to be non fiction.

0:28:53.841 --> 0:28:58.081
<v Speaker 2>Yeah, so I tell a story. Then, okay, I'm not

0:28:58.081 --> 0:28:59.601
<v Speaker 2>going to get in this debate because I'm you know

0:28:59.601 --> 0:28:59.961
<v Speaker 2>what I mean.

0:29:00.841 --> 0:29:01.801
<v Speaker 1>I guess that's what it is.

0:29:01.841 --> 0:29:03.681
<v Speaker 2>I mean, we all know we're trying to sell a

0:29:03.721 --> 0:29:06.641
<v Speaker 2>TV show. Yeah overseas. We all know we're trying to

0:29:06.641 --> 0:29:10.761
<v Speaker 2>get viewers. Because the problem with Underbelly was it was

0:29:10.761 --> 0:29:13.921
<v Speaker 2>only shown on local TV. I never hit anywhere else,

0:29:13.921 --> 0:29:14.361
<v Speaker 2>you know what I mean?

0:29:14.441 --> 0:29:15.121
<v Speaker 1>Yeah, that's true.

0:29:15.241 --> 0:29:17.921
<v Speaker 2>Okay, So this one was to sell Netflix or fucking

0:29:17.921 --> 0:29:21.921
<v Speaker 2>where it's going to go overseas. But I'm lost with

0:29:21.961 --> 0:29:22.561
<v Speaker 2>the storyline.

0:29:23.401 --> 0:29:25.161
<v Speaker 1>I have to be very honest with you.

0:29:25.441 --> 0:29:28.241
<v Speaker 3>In series one, I didn't know what the hell was

0:29:28.281 --> 0:29:30.241
<v Speaker 3>going on. I don't know who was who, what was what.

0:29:30.521 --> 0:29:32.720
<v Speaker 2>I didn't watch season one at all because I was

0:29:32.721 --> 0:29:35.321
<v Speaker 2>lost after ten minutes. Yeah, you do get a little.

0:29:35.401 --> 0:29:36.681
<v Speaker 1>But season two is much better.

0:29:36.801 --> 0:29:40.401
<v Speaker 2>Season two I watched because I just thought, well, let's

0:29:40.401 --> 0:29:42.121
<v Speaker 2>go go with the ride because I don't know where

0:29:42.121 --> 0:29:45.401
<v Speaker 2>we're going. But anyway, but.

0:29:46.121 --> 0:29:47.761
<v Speaker 1>That's but that's television, you know what I mean.

0:29:47.801 --> 0:29:50.841
<v Speaker 2>I guess, I guess I thought I was watching John Wick,

0:29:52.201 --> 0:29:57.441
<v Speaker 2>John Wick. Yeah, John Wick or fucking Ramber. I'm telling

0:29:57.481 --> 0:30:00.321
<v Speaker 2>you the truth, Brom. Being honest, I thought I was

0:30:00.361 --> 0:30:03.641
<v Speaker 2>watching There's There was more fucking ship in that season

0:30:04.241 --> 0:30:05.481
<v Speaker 2>than John Wig Scot.

0:30:05.681 --> 0:30:09.961
<v Speaker 3>I love it, and I just went wig anyway. Yeah,

0:30:10.161 --> 0:30:12.241
<v Speaker 3>back to you, going back to me, So, when when.

0:30:12.081 --> 0:30:15.440
<v Speaker 2>You finished filming, did it affect your next role on

0:30:15.481 --> 0:30:17.921
<v Speaker 2>your on a on a on a TV show. No, No,

0:30:18.161 --> 0:30:18.561
<v Speaker 2>you can just.

0:30:18.641 --> 0:30:22.801
<v Speaker 3>Change because straight after that it took a bit of time.

0:30:22.841 --> 0:30:24.960
<v Speaker 3>But then after that I went into playing a copper

0:30:25.441 --> 0:30:28.240
<v Speaker 3>in Catching My Latt the Story of My Lad and

0:30:28.281 --> 0:30:32.281
<v Speaker 3>then from my lad. I went to playing Peanut in

0:30:32.721 --> 0:30:35.521
<v Speaker 3>the Peter Brock story, and then from the Peter Brock story,

0:30:36.081 --> 0:30:40.521
<v Speaker 3>I did something else that I good, fruit change and

0:30:40.521 --> 0:30:42.241
<v Speaker 3>the rest of it. No, I did the Secret Daughter.

0:30:42.601 --> 0:30:44.321
<v Speaker 3>Oh yes, yeah, I did the Secret Daughter.

0:30:44.441 --> 0:30:46.481
<v Speaker 1>Then I did Sea Change, and then from Sea Change

0:30:46.481 --> 0:30:47.440
<v Speaker 1>I went into Home and Away.

0:30:48.001 --> 0:30:49.361
<v Speaker 2>Oh you missed Australian gangster.

0:30:49.641 --> 0:30:53.121
<v Speaker 3>And again against my apologies, yeah, straining gangster, Australian gangster,

0:30:53.241 --> 0:30:54.521
<v Speaker 3>Sholian gangster, another one.

0:30:55.241 --> 0:30:57.241
<v Speaker 2>I actually thought your role and that was actually better

0:30:57.281 --> 0:30:59.881
<v Speaker 2>than what you did in an Underbelly only just the

0:30:59.921 --> 0:31:02.921
<v Speaker 2>fact is that was a you that I've never seen

0:31:02.961 --> 0:31:08.161
<v Speaker 2>before on a on a TV show, which playing us.

0:31:08.281 --> 0:31:11.121
<v Speaker 1>Yeah, oh that's interesting.

0:31:10.881 --> 0:31:14.521
<v Speaker 2>Because even though you played Sam Abraham very good, this

0:31:14.761 --> 0:31:17.721
<v Speaker 2>was a different you where and I remember the text

0:31:17.721 --> 0:31:21.321
<v Speaker 2>messages I'll be sending you like, you know, a line

0:31:21.361 --> 0:31:25.240
<v Speaker 2>of co what the fuck you do? Like you're the

0:31:25.281 --> 0:31:27.121
<v Speaker 2>type of person to say to the producer on a

0:31:27.161 --> 0:31:29.480
<v Speaker 2>TV I'm doing that. No, No, I'm not doing that, bro,

0:31:29.681 --> 0:31:31.241
<v Speaker 2>you know what I mean? And you did it. It's

0:31:31.281 --> 0:31:32.841
<v Speaker 2>like fucking hell, go for gold.

0:31:33.521 --> 0:31:37.441
<v Speaker 1>Well, that's what that gets about. That's that's that's I'm

0:31:37.481 --> 0:31:39.081
<v Speaker 1>gonna take you on a Saturday nights out more often

0:31:41.921 --> 0:31:42.720
<v Speaker 1>maybe this weekend.

0:31:44.121 --> 0:31:48.441
<v Speaker 2>But and then you know, you're just a different way

0:31:48.481 --> 0:31:51.041
<v Speaker 2>of the way you're acting in this Like I've never

0:31:51.081 --> 0:31:53.241
<v Speaker 2>seen you swear so much in a TV show. I've

0:31:53.241 --> 0:31:55.601
<v Speaker 2>never seen you go out of your comfort zone so much,

0:31:55.881 --> 0:31:56.681
<v Speaker 2>you know what I mean? And that.

0:31:56.841 --> 0:31:59.881
<v Speaker 3>Yeah, but that's that's what that's what was. That was

0:31:59.881 --> 0:32:03.841
<v Speaker 3>was was was needed. Yeah, you know, that's what was.

0:32:03.881 --> 0:32:06.761
<v Speaker 3>That's what I think was well personally, that you enjoying

0:32:06.801 --> 0:32:10.361
<v Speaker 3>that role. Oh yeah more than well, no way, I

0:32:10.441 --> 0:32:12.760
<v Speaker 3>still enjoyed doing oh yeah, yeah, yeah, yeah. And the

0:32:12.761 --> 0:32:14.881
<v Speaker 3>reason is is because I was working with some really

0:32:14.881 --> 0:32:17.361
<v Speaker 3>good people too. You know the great thing about the

0:32:17.481 --> 0:32:19.801
<v Speaker 3>training Gangster. I know you're going to go, oh yeah,

0:32:19.841 --> 0:32:23.041
<v Speaker 3>I'm softening it up, mate. I've been pretty blessed, right,

0:32:23.121 --> 0:32:25.401
<v Speaker 3>I've been very blessed. At a lot of the times.

0:32:25.441 --> 0:32:27.921
<v Speaker 3>The people that I work with are just being like

0:32:28.041 --> 0:32:31.041
<v Speaker 3>down to earth, down to earth, and we're all there

0:32:31.201 --> 0:32:33.841
<v Speaker 3>for a common purpose, just to do the best we

0:32:33.921 --> 0:32:38.161
<v Speaker 3>possibly can. You generally find that I generally find that

0:32:38.241 --> 0:32:40.200
<v Speaker 3>a lot of the stuff that I have been lucky

0:32:40.281 --> 0:32:44.241
<v Speaker 3>enough to have done, we are we are very creative

0:32:44.321 --> 0:32:46.801
<v Speaker 3>kind of people, and we just really want to do

0:32:46.841 --> 0:32:49.681
<v Speaker 3>the best we can. I treat every job like it's

0:32:49.681 --> 0:32:52.440
<v Speaker 3>my last, and that's it. You know, I haven't actually

0:32:52.481 --> 0:32:54.161
<v Speaker 3>worked for five years, to be honest with you, So

0:32:54.401 --> 0:32:56.361
<v Speaker 3>the last thing I did was was Home and Away.

0:32:56.361 --> 0:32:59.121
<v Speaker 1>I haven't worked for five years, and I treat that job.

0:32:59.681 --> 0:33:01.321
<v Speaker 2>What have you been doing lining up at centially?

0:33:01.481 --> 0:33:03.361
<v Speaker 1>Yeah? I like that?

0:33:05.161 --> 0:33:08.921
<v Speaker 3>Yeah so yeah, I've been my weddings of that. But yeah,

0:33:09.001 --> 0:33:12.161
<v Speaker 3>so but like I put everything I possibly could in

0:33:12.561 --> 0:33:16.361
<v Speaker 3>playing Dimitipoulos, which is you know, he was in Home

0:33:16.401 --> 0:33:18.281
<v Speaker 3>and Away a while back and he came back again,

0:33:18.761 --> 0:33:20.681
<v Speaker 3>and I treat it as if my last gig.

0:33:20.721 --> 0:33:21.561
<v Speaker 1>You know, that's it.

0:33:22.321 --> 0:33:23.281
<v Speaker 2>Did you like coming a week?

0:33:23.561 --> 0:33:24.240
<v Speaker 1>Oh yeah?

0:33:24.441 --> 0:33:27.161
<v Speaker 3>Oh yeah, I'll tell you why I liked Home and Away.

0:33:27.961 --> 0:33:30.681
<v Speaker 3>Everyone turns their nose up at Home and Away, right,

0:33:30.761 --> 0:33:33.601
<v Speaker 3>and they go away the stupid solid lines. They always

0:33:33.601 --> 0:33:35.921
<v Speaker 3>say the same things. But I'll tell you what if

0:33:35.961 --> 0:33:40.361
<v Speaker 3>you actually put yourself there and see what those guys

0:33:40.441 --> 0:33:45.561
<v Speaker 3>go through like for one week, right, you would literally

0:33:45.921 --> 0:33:50.401
<v Speaker 3>you just you'd fall down with exhaustion, being exhausted, kind

0:33:50.401 --> 0:33:53.721
<v Speaker 3>of save the bloody word, right. The reason is they

0:33:53.761 --> 0:33:56.401
<v Speaker 3>are doing like literally from five o'clock in the morn

0:33:56.481 --> 0:33:58.761
<v Speaker 3>or some Not only that, but they're doing like five

0:33:58.881 --> 0:34:03.641
<v Speaker 3>to six s grips in one hit. Like one minute

0:34:03.681 --> 0:34:06.801
<v Speaker 3>they're like script number six, and then the next minute

0:34:06.801 --> 0:34:10.080
<v Speaker 3>there's script number one. Next day there is script number two.

0:34:10.081 --> 0:34:12.521
<v Speaker 3>They're coming back to script number six. Like you just

0:34:12.521 --> 0:34:14.561
<v Speaker 3>they're just over the place, you know, do you know

0:34:14.561 --> 0:34:18.641
<v Speaker 3>what I mean? Like I'm not the exact that they're once, Yeah,

0:34:18.681 --> 0:34:21.960
<v Speaker 3>but they're just from They're like from here to there.

0:34:22.081 --> 0:34:24.081
<v Speaker 3>Then they're coming back and they're going there. They're going

0:34:24.121 --> 0:34:26.801
<v Speaker 3>here and they're going there. Myself being you know, like

0:34:26.921 --> 0:34:29.121
<v Speaker 3>just a guest you that's coming in, right, I can

0:34:29.161 --> 0:34:31.441
<v Speaker 3>have my stuff prepared, But can you imagine doing that

0:34:31.561 --> 0:34:33.881
<v Speaker 3>for five Like some of those guys have been doing it.

0:34:33.801 --> 0:34:34.480
<v Speaker 1>For how many years?

0:34:34.561 --> 0:34:34.721
<v Speaker 2>Yeah?

0:34:35.201 --> 0:34:38.601
<v Speaker 1>Ten years? No wonder why they run around like like.

0:34:38.601 --> 0:34:41.841
<v Speaker 3>Crazy because they're just where are you supposed to be? Like,

0:34:42.121 --> 0:34:43.841
<v Speaker 3>how do you keep tabs of the character?

0:34:43.961 --> 0:34:44.361
<v Speaker 1>You can't?

0:34:44.921 --> 0:34:47.881
<v Speaker 2>You just can't name of your top three shows that

0:34:47.921 --> 0:34:51.921
<v Speaker 2>you've done, the top three of everything you've done, namely

0:34:52.041 --> 0:34:53.801
<v Speaker 2>your first to second to third.

0:34:54.081 --> 0:34:56.161
<v Speaker 1>I can't, Yes she can, I can't, Yes she can

0:34:56.281 --> 0:34:56.721
<v Speaker 1>I can't.

0:34:57.561 --> 0:34:58.041
<v Speaker 2>Yeah you can.

0:34:58.121 --> 0:35:00.241
<v Speaker 1>I can't because they're all unique in their own way.

0:35:00.721 --> 0:35:04.521
<v Speaker 3>Just name you, man, you know what I'm going to

0:35:04.561 --> 0:35:06.081
<v Speaker 3>go with the Let me just let me just let

0:35:06.081 --> 0:35:09.321
<v Speaker 3>me just say, right, you cannot name the top three

0:35:09.441 --> 0:35:12.761
<v Speaker 3>that doesn't exist because each role has its own unique thing.

0:35:13.001 --> 0:35:14.761
<v Speaker 2>You must have a favor.

0:35:14.761 --> 0:35:17.881
<v Speaker 3>You don't walk the talk, Joey Grasso. I can tell

0:35:17.921 --> 0:35:22.881
<v Speaker 3>you Sam Ibrahim or Harry Hammer in Underbelly, Peanut, the

0:35:23.401 --> 0:35:27.561
<v Speaker 3>Peter Brock Story, fantastic playing Leser lies in Straining gangsty

0:35:27.641 --> 0:35:29.801
<v Speaker 3>That's just that when I was I did something with.

0:35:30.761 --> 0:35:32.401
<v Speaker 2>The rest of you're all dead in so well, they

0:35:32.401 --> 0:35:36.561
<v Speaker 2>can't be that one's so you're playing the dead person

0:35:36.681 --> 0:35:37.041
<v Speaker 2>most of them.

0:35:37.041 --> 0:35:38.641
<v Speaker 1>You said at the start, Yeah, I know, but you

0:35:38.641 --> 0:35:39.521
<v Speaker 1>know what I mean, Like I.

0:35:39.481 --> 0:35:42.321
<v Speaker 2>Reckon to me my top three? Yeah, go okay for

0:35:42.401 --> 0:35:47.521
<v Speaker 2>you hit me up? Would be Sam Abraham first. Well,

0:35:47.521 --> 0:35:49.121
<v Speaker 2>if you say one hundred percent, why couldn't you tell

0:35:49.161 --> 0:35:49.481
<v Speaker 2>me that?

0:35:49.681 --> 0:35:52.201
<v Speaker 3>But because I agree with you, I agree with you,

0:35:52.241 --> 0:35:53.961
<v Speaker 3>but I don't agree that it's the top three.

0:35:54.321 --> 0:36:02.801
<v Speaker 2>I can't. I would say either Brock or Catching My Lap.

0:36:03.521 --> 0:36:07.201
<v Speaker 1>No, but what about Comboardino? He was great? You know

0:36:07.241 --> 0:36:07.641
<v Speaker 1>what I mean?

0:36:07.721 --> 0:36:09.401
<v Speaker 2>I don't know what I said, heartbreak high because that

0:36:09.521 --> 0:36:11.121
<v Speaker 2>made you.

0:36:11.121 --> 0:36:13.281
<v Speaker 3>You see what I mean, Neil, You can't just say

0:36:13.321 --> 0:36:16.401
<v Speaker 3>the top three, man, My I'm not trying to I'm

0:36:16.401 --> 0:36:17.521
<v Speaker 3>not trying to fucking boast.

0:36:17.561 --> 0:36:18.561
<v Speaker 1>I'm not trying to boast. Man.

0:36:18.561 --> 0:36:19.960
<v Speaker 3>But at the end of the day, man, my career

0:36:20.001 --> 0:36:21.921
<v Speaker 3>goes for thirty years. Do you how do you put

0:36:21.921 --> 0:36:23.000
<v Speaker 3>it down to the top three?

0:36:23.081 --> 0:36:24.561
<v Speaker 1>You just can't. You can't.

0:36:25.121 --> 0:36:30.201
<v Speaker 3>It's impossible sorting to be a hot shot. But that's

0:36:30.241 --> 0:36:32.081
<v Speaker 3>the reality of it, you know, is.

0:36:32.001 --> 0:36:34.121
<v Speaker 2>There is there a TV show you've never been on

0:36:34.121 --> 0:36:35.921
<v Speaker 2>that you've loved to be on? Is that ever being

0:36:35.961 --> 0:36:37.761
<v Speaker 2>a TV show that you've seen and you've gone, Fuck,

0:36:37.801 --> 0:36:39.201
<v Speaker 2>I'd love to be on that. Why can't I get

0:36:39.241 --> 0:36:40.361
<v Speaker 2>on that? I want to get on that.

0:36:40.841 --> 0:36:44.321
<v Speaker 3>Missed in Between. That's a great one. Anyone that's listening

0:36:44.321 --> 0:36:46.521
<v Speaker 3>to this, check it out. Missed in Between. That was

0:36:46.721 --> 0:36:48.041
<v Speaker 3>really really good.

0:36:48.881 --> 0:36:50.641
<v Speaker 2>Okay, The Magician.

0:36:50.481 --> 0:36:53.481
<v Speaker 1>It's actually it's actually ah, yes, it was.

0:36:53.681 --> 0:36:56.841
<v Speaker 3>It's a it's the longer version of the short film

0:36:56.881 --> 0:36:58.081
<v Speaker 3>The Magician Out.

0:36:58.121 --> 0:36:59.841
<v Speaker 1>It was good. He was really really good in that.

0:37:00.441 --> 0:37:02.961
<v Speaker 1>The whole, the whole, the whole, Oh is it?

0:37:03.121 --> 0:37:05.361
<v Speaker 3>Which Edgon was what I can't remember which editing was,

0:37:05.601 --> 0:37:07.401
<v Speaker 3>is it Nash, Yeah, one of the two.

0:37:07.761 --> 0:37:10.881
<v Speaker 1>When they directed it, it was fantastic.

0:37:10.841 --> 0:37:14.121
<v Speaker 2>Actor or theater work like which on stage or.

0:37:16.761 --> 0:37:21.521
<v Speaker 3>Financially you definitely go film and television, but like you

0:37:21.601 --> 0:37:25.401
<v Speaker 3>know what you prefer, I do like I do like

0:37:25.481 --> 0:37:26.441
<v Speaker 3>television and film.

0:37:27.601 --> 0:37:28.721
<v Speaker 2>Yeah. Like doing live?

0:37:29.161 --> 0:37:30.761
<v Speaker 3>No, I love doing live, but I do live all

0:37:30.801 --> 0:37:34.201
<v Speaker 3>the time. Like just like, honestly, being at weddings is theater.

0:37:35.321 --> 0:37:38.121
<v Speaker 3>It's you might get it's not it's a wedding, trust me,

0:37:38.241 --> 0:37:38.721
<v Speaker 3>it's theater.

0:37:39.001 --> 0:37:40.921
<v Speaker 2>So you like hosting more than anything. You like to

0:37:40.921 --> 0:37:42.041
<v Speaker 2>be a host, I don't.

0:37:42.841 --> 0:37:46.121
<v Speaker 3>Look, I just love to entertain. That's a That's my

0:37:46.241 --> 0:37:49.961
<v Speaker 3>honest answer. I love to entertain. I like anyone that

0:37:50.041 --> 0:37:53.081
<v Speaker 3>sees me. Like on Saturday, I did a very small

0:37:53.601 --> 0:37:56.761
<v Speaker 3>local business that were just promoting an Italian theme and

0:37:56.801 --> 0:37:59.561
<v Speaker 3>I was there part of it, you know, hosting it, singing,

0:37:59.801 --> 0:38:03.801
<v Speaker 3>doing this, doing that, and I just love I just

0:38:03.961 --> 0:38:06.401
<v Speaker 3>love making people happy.

0:38:06.521 --> 0:38:06.801
<v Speaker 1>You know.

0:38:07.201 --> 0:38:09.601
<v Speaker 3>Do I like hosting presenting? Yeah, I do, of course

0:38:09.601 --> 0:38:12.241
<v Speaker 3>I do. But I just also like making people feel great.

0:38:12.681 --> 0:38:14.681
<v Speaker 1>I just do it. I just love it. I love it.

0:38:14.681 --> 0:38:16.281
<v Speaker 3>A lot of people say it. You can see it.

0:38:16.681 --> 0:38:19.041
<v Speaker 3>I'm not just saying it. People actually say, you can

0:38:19.081 --> 0:38:19.521
<v Speaker 3>see that.

0:38:19.481 --> 0:38:20.841
<v Speaker 1>You've got a lot of love for what you do.

0:38:20.921 --> 0:38:21.121
<v Speaker 2>I do.

0:38:21.201 --> 0:38:24.001
<v Speaker 1>I love it. I absolutely love it. I love it.

0:38:24.041 --> 0:38:27.121
<v Speaker 3>I love I love the fact that you know, there

0:38:27.121 --> 0:38:30.321
<v Speaker 3>could be someone on the table and and they you know,

0:38:30.401 --> 0:38:33.081
<v Speaker 3>they're just they just feel you know, just they're not.

0:38:33.921 --> 0:38:35.761
<v Speaker 3>You can feel a vibe, and the ViBe's a little

0:38:35.801 --> 0:38:38.001
<v Speaker 3>bit and I just bring them to another level and

0:38:38.041 --> 0:38:39.641
<v Speaker 3>when they walking out the same thank you.

0:38:40.001 --> 0:38:41.721
<v Speaker 1>You know, I think that was a really good night,

0:38:41.801 --> 0:38:42.001
<v Speaker 1>you know.

0:38:42.081 --> 0:38:44.321
<v Speaker 3>I just love that, whether or not that's you know,

0:38:44.361 --> 0:38:47.001
<v Speaker 3>in between in front of a camera, present into a camera,

0:38:47.041 --> 0:38:49.801
<v Speaker 3>because you can actually make someone feel great in front

0:38:49.801 --> 0:38:50.641
<v Speaker 3>of a camera.

0:38:50.681 --> 0:38:54.041
<v Speaker 1>You can, you know, or whether or not face to face.

0:38:54.601 --> 0:38:56.081
<v Speaker 1>I just love it. I love entertainment.

0:38:56.441 --> 0:38:56.801
<v Speaker 2>Regrets.

0:38:57.121 --> 0:39:01.000
<v Speaker 3>Everybody's got regrets, one hundred percent. We've all got regrets. Yeah,

0:39:01.041 --> 0:39:02.881
<v Speaker 3>I probably have to say. There was a time I

0:39:03.001 --> 0:39:06.921
<v Speaker 3>was offered a big contract on Home and Away to

0:39:07.001 --> 0:39:11.281
<v Speaker 3>come on as Dmitry Pulos and and I didn't take

0:39:11.321 --> 0:39:12.481
<v Speaker 3>that on How.

0:39:12.361 --> 0:39:14.041
<v Speaker 2>Long it was that when you were doing it all

0:39:14.121 --> 0:39:14.481
<v Speaker 2>before that?

0:39:14.561 --> 0:39:16.921
<v Speaker 3>No, that was that was just after I finished Heartbreak

0:39:17.001 --> 0:39:19.881
<v Speaker 3>High and I was going to come on to do

0:39:20.161 --> 0:39:22.441
<v Speaker 3>a big stint, and I didn't do it because I

0:39:22.521 --> 0:39:26.321
<v Speaker 3>decided that I needed to find going back to you know,

0:39:26.601 --> 0:39:29.361
<v Speaker 3>to me or you're a chef by trade. I decided,

0:39:29.521 --> 0:39:31.641
<v Speaker 3>you know what, I'm going to sacrifice this and get

0:39:31.641 --> 0:39:32.521
<v Speaker 3>myself a trade.

0:39:32.921 --> 0:39:35.721
<v Speaker 1>That's why I didn't do it. But I actually had it.

0:39:35.801 --> 0:39:38.281
<v Speaker 1>I had the opportunity many many years.

0:39:38.041 --> 0:39:41.441
<v Speaker 3>Ago to do that. That's probably one of my biggest regrets.

0:39:41.441 --> 0:39:42.561
<v Speaker 2>Describe yourself in one word.

0:39:43.041 --> 0:39:45.321
<v Speaker 1>Fun So what was the future hole for mister cell

0:39:45.521 --> 0:39:46.601
<v Speaker 1>who bloody knows.

0:39:46.801 --> 0:39:48.681
<v Speaker 2>You don't know. I got to find you a job, bro.

0:39:49.001 --> 0:39:50.641
<v Speaker 3>You know, in that time that I told you that

0:39:50.801 --> 0:39:56.961
<v Speaker 3>I didn't I didn't accept that agreement for home and away.

0:39:57.841 --> 0:40:01.241
<v Speaker 3>There was a time that I really didn't work like

0:40:01.521 --> 0:40:08.121
<v Speaker 3>a lot for about say a years. And you know

0:40:09.001 --> 0:40:12.441
<v Speaker 3>it will come. I've been around for a long time,

0:40:12.681 --> 0:40:15.521
<v Speaker 3>all right. I don't plan to go anywhere. I'll stick around.

0:40:15.881 --> 0:40:16.201
<v Speaker 1>I've been.

0:40:16.281 --> 0:40:19.121
<v Speaker 3>I've been auditioning for heaps of things, you know, I

0:40:19.241 --> 0:40:21.841
<v Speaker 3>just don't land them. Whether or not it's because I'm

0:40:21.921 --> 0:40:24.321
<v Speaker 3>not right for the role. Whatever it is, I don't know,

0:40:24.521 --> 0:40:27.041
<v Speaker 3>it doesn't matter. You know, I'm going to be around.

0:40:27.041 --> 0:40:29.801
<v Speaker 3>I'm not going nowhere. I'm not going nowhere. I'll be

0:40:29.841 --> 0:40:31.801
<v Speaker 3>around for a while. I'm not going nowhere.

0:40:31.961 --> 0:40:33.521
<v Speaker 2>I know, you know, you're fucking annoying. Come.

0:40:36.601 --> 0:40:41.041
<v Speaker 1>I wouldn't have it any other way. No, but you know, man,

0:40:41.081 --> 0:40:41.801
<v Speaker 1>I just love it.

0:40:42.001 --> 0:40:43.921
<v Speaker 2>I love it. Yeah, thanks for coming on.

0:40:44.041 --> 0:40:46.041
<v Speaker 3>An absolute pleasure, And I just got to say, it's

0:40:46.041 --> 0:40:48.841
<v Speaker 3>great to see mister Neil Cummings like in the success

0:40:48.841 --> 0:40:50.681
<v Speaker 3>that he's got with the Secrets of the Underworld.

0:40:50.881 --> 0:40:54.000
<v Speaker 1>Going back how many years ago? Was it? Two years ago? Three?

0:40:54.161 --> 0:40:57.601
<v Speaker 3>When we started twenty twenty right, and look at that

0:40:57.801 --> 0:41:00.881
<v Speaker 3>twenty twenty four years ladies own little studio right here

0:41:00.961 --> 0:41:01.641
<v Speaker 3>at Nova.

0:41:01.681 --> 0:41:03.681
<v Speaker 1>I love it. It's the best, it's the best. It's

0:41:03.681 --> 0:41:04.241
<v Speaker 1>good to see u.

0:41:04.521 --> 0:41:05.801
<v Speaker 2>Thanks being everywhere.

0:41:07.881 --> 0:41:09.440
<v Speaker 1>You know, the man, the man that used to keep

0:41:09.481 --> 0:41:11.841
<v Speaker 1>swaying to the general of Tongue. Nah, I'm not anyone,

0:41:11.881 --> 0:41:14.041
<v Speaker 1>all right, Neil, thanks so much. I appreciate it, all right.

0:41:15.801 --> 0:41:19.641
<v Speaker 3>Yeah, h m hm