WEBVTT - 🚽 Workplace Toilet Etiquette | Is Hayesy Wrong For Doing This?

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<v Speaker 1>Get in the morning every day.

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<v Speaker 2>Hello friends, welcome along to the Jody and Hazy podcast.

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<v Speaker 2>Here's some of the best bits from the year.

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<v Speaker 1>What the Fork, It's back.

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<v Speaker 2>So we couldn't stop with the fact that this segment

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<v Speaker 2>was born out of, you know, people just stealing forks

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<v Speaker 2>from the cutlery draw in every single workplace ever in

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<v Speaker 2>South Australia. For our workplace, it's Abby in the newsroom.

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<v Speaker 2>In fact, she's got a collection of three on her

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<v Speaker 2>desk this morning, which is disgusting.

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<v Speaker 3>I'm sorry, it's four.

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<v Speaker 1>You should see her house too. It's like this absolute

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<v Speaker 1>jungle of fork. You turn up and it's like, oh

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<v Speaker 1>my gosh, I'm just trying to get through all the fork.

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<v Speaker 2>Hey, hey, Abby, where's the toilet? I need to go

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<v Speaker 2>the toilet. Well, you just need to go.

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<v Speaker 4>Through that set of forks and then that second set

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<v Speaker 4>and then turn right.

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<v Speaker 1>Don't open that door because a big giant hope of

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<v Speaker 1>forks will come out wrong with me.

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<v Speaker 3>I think I actually need help?

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<v Speaker 4>Oh you think?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah? When you got a falk psychiatrists.

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<v Speaker 2>Yeah, Falk psychiatrist, can you get in touch please as

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<v Speaker 2>I need you any who.

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<v Speaker 4>We didn't want to stop at that every day problem.

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<v Speaker 2>We thought, let's open this up to problems university universally

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<v Speaker 2>that you encounter every single day.

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<v Speaker 1>To it though it seems to be pretty heavily in workplaces.

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<v Speaker 2>It does, It does, and you're actually very triggered by

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<v Speaker 2>one this morning.

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<v Speaker 1>Yeah, then got a couple get involved this morning. Workplace

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<v Speaker 1>toilet etiquette, that's what we're talking about thirteen and twenty

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<v Speaker 1>four to ten. If you do it right now as well,

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<v Speaker 1>of course you get a little hundred dollars vout you

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<v Speaker 1>thanks to mcafe my other workplace. Quick little example. Okay,

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<v Speaker 1>there's two things for us males and you won't maybe

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<v Speaker 1>you won't be able to connect with this. So when

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<v Speaker 1>you go into a cubicle a tour, first of all,

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<v Speaker 1>and you're not using urinal, what's going on? Why so shy?

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<v Speaker 1>Why can't you use a urinal?

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<v Speaker 4>What you got to hide?

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<v Speaker 1>And secondly, lift up the seat for goodness sake?

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<v Speaker 2>Oh and if you do lift up the seat, feel

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<v Speaker 2>free to put it down when us women walk in there.

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<v Speaker 2>We can have something to see on that's good, not

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<v Speaker 2>just a toilet rim that'd be great.

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<v Speaker 4>And I don't have to touch the seat where you've

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<v Speaker 4>weed I.

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<v Speaker 1>Don't know why the girls are using the boys toots

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<v Speaker 1>with that anyway, that's all.

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<v Speaker 4>We've got a unisex on it up to you, of course.

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<v Speaker 1>Budget cuts, but you got the long drop as well.

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<v Speaker 1>Good stuff, guys. So if you walk into in a

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<v Speaker 1>men's establishment, if you walk in and there's droplets of

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<v Speaker 1>urine on the seat, then all of a sudden, that's

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<v Speaker 1>on you. Only ship one's on you because as soon

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<v Speaker 1>as you go in there, you're the next person. So

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<v Speaker 1>and if you leave you can't be like, oh, I

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<v Speaker 1>watch you have the tour and there the person before

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<v Speaker 1>we did that. Yeah, so you have to clean it up.

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<v Speaker 4>I know.

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<v Speaker 2>And if you think that's just a male only problem,

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<v Speaker 2>you are sadly mistaken.

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<v Speaker 4>My friends, surely not women.

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<v Speaker 2>We on the toilet seat all the time, we droplets

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<v Speaker 2>of we and then I go, oh, okay, I'll clean

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<v Speaker 2>that up for you, and then have to sit on

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<v Speaker 2>that seat that you've dropletted on.

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<v Speaker 1>You've dropletted on?

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<v Speaker 2>Do you know? The other thing is too is when

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<v Speaker 2>you're not doing a wing, you're doing the other thing.

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<v Speaker 4>I will always wait until the person.

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<v Speaker 2>If someone comes in before that's happened, I'll wait until

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<v Speaker 2>they leave.

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<v Speaker 4>I can't. I get that.

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<v Speaker 1>If I can't, I'm exactly the same. Really, So if

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<v Speaker 1>someone comes in, you don't want them to hear what

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<v Speaker 1>you're doing, especially if you think you might be doing

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<v Speaker 1>something somewhat aggressive, if you know what I mean. But

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<v Speaker 1>just the noises in general they come with it, that's private,

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<v Speaker 1>that's really private.

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<v Speaker 2>It certainly is. I'm just to peel back the curtain

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<v Speaker 2>here for one moment. We have the Brisbane Breakfast Show

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<v Speaker 2>broadcasting out of Adelaide because of the origin munch of

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<v Speaker 2>angels that a bunch of angels, and one of those

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<v Speaker 2>angels is Olympic swimming legends.

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<v Speaker 1>Susie O'Neil just an absolute darling of Australia.

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<v Speaker 2>And so I've lived in fear the last couple of mornings.

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<v Speaker 2>When I've gone to do my business in the toilet,

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<v Speaker 2>I've just been like, this is my head. Please don't

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<v Speaker 2>let Susio your I know, please don't let Susie walk in.

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<v Speaker 1>Especially. We're so shocked as well that because you like

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<v Speaker 1>to do your number twos with the door open. So

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<v Speaker 1>we're like, don't let Susi O'Neil see this.

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<v Speaker 2>Next minute, he walks in and I haven't metoproperly and

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<v Speaker 2>I put my hand out, going, Hi, Susie.

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<v Speaker 4>I really admired your.

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<v Speaker 1>Career, Susie. I was so good to meet you. Can

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<v Speaker 1>I touch one of your gold medals?

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<v Speaker 2>She's like, I'm good, don't touch me or my medals.

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<v Speaker 4>Thank you very much.

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<v Speaker 1>Thirteen twenty four ten. What the fork. Let's do workplace,

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<v Speaker 1>let's do that. Let's do workplace toilet edicard.

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<v Speaker 4>Yes, let's do that.

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<v Speaker 1>Let's speak to Kate. Good morning to you, Kate, Good

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<v Speaker 1>morning Kate.

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<v Speaker 2>What's your eatiquette in the workplace when it comes to

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<v Speaker 2>doing your business?

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<v Speaker 5>Well, there's a toilet. Let's get stuck on red when

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<v Speaker 5>no one's in there and you can't get in there,

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<v Speaker 5>so we use a fork on the outside, openly left,

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<v Speaker 5>a happy little fork. That's to the toilet fork.

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<v Speaker 1>It's all connected, it's all connected. There's a fork shortage,

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<v Speaker 1>there's workplace toilet etiquette issues. The forks are used for

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<v Speaker 1>the toilet etiquette. Oh my god, it all dies.

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<v Speaker 2>Kate, for combining our themes this morning, you get a

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<v Speaker 2>one hundred dollars a cafe voucherre well done, thank you,

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<v Speaker 2>thank you. I just love I just love the call

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<v Speaker 2>going out like around her offers, has anyone got the toilet?

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<v Speaker 4>I've seen it?

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<v Speaker 1>Have you from the newsroom stolen it?

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<v Speaker 4>Angela? Tell us about your workplace toilet etiquette. Please.

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<v Speaker 6>I have people that leave two squares of toilet paper

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<v Speaker 6>on the toilet roll and then don't change it.

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<v Speaker 2>Two things, there is a special place in hell for

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<v Speaker 2>those people. And also, what do you think I'm going

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<v Speaker 2>to do for the last two squares? That isn't achieving anything?

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<v Speaker 2>Is it that cannot get the job done?

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<v Speaker 4>Can it? Angela?

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<v Speaker 7>No? And then you go into all the other care

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<v Speaker 7>picos and they're the same.

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<v Speaker 6>Everyone's kind of avoided them and tried.

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<v Speaker 4>Yeah, oh my god, grow up. It's twenty twenty three.

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<v Speaker 1>I have two squares. What do you think you're gonna

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<v Speaker 1>do with two scares? You just you're not you gonna do.

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<v Speaker 1>You're flirting with the situation. You're absolutely flirting with what's

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<v Speaker 1>going on down there, because then what down there, if

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<v Speaker 1>it could talk, would be go on, could go like

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<v Speaker 1>I'm given everything I can give.

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<v Speaker 2>I love that you're having chats with everything, like all

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<v Speaker 2>things what's going.

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<v Speaker 4>On down there?

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<v Speaker 1>People often say that I talk out my ass.

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<v Speaker 4>Julia, what's going on in your cubicle?

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<v Speaker 6>Well, I add that I think we've got two things

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<v Speaker 6>on a bench, and for some reason, there's always water

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<v Speaker 6>swimming all over the bench. So when you lean look

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<v Speaker 6>at the mirror, you get a sturdy cinemet of wet

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<v Speaker 6>patch across your ut area if you bore the water

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<v Speaker 6>off the We've even had notes to say, please slop

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<v Speaker 6>up your water. I don't know how people get so

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<v Speaker 6>much water on the bench.

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<v Speaker 1>Yeah.

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<v Speaker 2>The other thing that happens to Julia sometimes like because

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<v Speaker 2>you can't take your phone into the cubicle unless you're

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<v Speaker 2>an absolute animal like Andrew Hayes. So you've got to

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<v Speaker 2>put either your phone or your keys or whatever on

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<v Speaker 2>the bench, and then it gets all wet on the

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<v Speaker 2>back of it.

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<v Speaker 1>Yeah, yeah, yeah, and that's the like what sort of

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<v Speaker 1>water is this? What's in there?

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<v Speaker 4>Yeah?

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<v Speaker 1>And then if it is wet in that particular area

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<v Speaker 1>and the thing where you've got the dryer and you're

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<v Speaker 1>trying to dry it, it's really weird. It's a visual thing. Yeah.

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<v Speaker 2>And you're that guy that's straddling the dyson, you know,

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<v Speaker 2>those ones that have just got the hold in the middle.

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<v Speaker 1>You're like what do you do it with the mate? Jeez,

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<v Speaker 1>hope the Dyson doesn't take it.

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<v Speaker 2>Hr for that, Andrew, We've got a bit of here.

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<v Speaker 2>We've just got a bit of a formal complex, is it.

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<v Speaker 1>The Yeah, I knew it. I knew the d.

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<v Speaker 2>We've got time for one more. Okay, let's go to Donna.

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<v Speaker 2>Good morning, Donna.

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<v Speaker 6>Hi here you going good?

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<v Speaker 2>Congratulations, You've got one hundred dollars a cafe voucher.

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<v Speaker 4>And what's going on in the toilets?

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<v Speaker 7>Oh, we have We've got four or five notes that

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<v Speaker 7>says please do not spot on the toilet. We've got notes, and.

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<v Speaker 6>It continues to happen. Just say, I'm a nationality issues

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<v Speaker 6>out for it because it's a shared complex, right, and

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<v Speaker 6>you can go in there at any time, given time.

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<v Speaker 6>And see, I've always.

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<v Speaker 4>Been sort of curious about that.

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<v Speaker 2>When you go to airports and there's like a no

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<v Speaker 2>squatting sign on the toilet.

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<v Speaker 1>Yeah, I like when you I like when you go

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<v Speaker 1>to airports and you see the picture of the guys

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<v Speaker 1>and it says don't do this, and it's a guy

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<v Speaker 1>standing on the toilet using it as a long drop.

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<v Speaker 1>Oh no, that now, what am I going to do.

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<v Speaker 1>Thanks so much, everyone got involved this morning. There's a

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<v Speaker 1>lot of discrumbled employees out there, isn't it?

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<v Speaker 2>No, why don't you take this opportunity to officially apologize

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<v Speaker 2>to that.

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<v Speaker 1>Dic No, I'll never This is an ongoing.

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<v Speaker 3>Complete the fort.

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<v Speaker 1>What the Fork? This is one of my favorite segments,

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<v Speaker 1>which is born out of frustration.

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<v Speaker 2>Well, yeah, it's just the fact that there's no cutlery,

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<v Speaker 2>specifically forks in any workplace kitchen right across this great

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<v Speaker 2>state of South Australia.

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<v Speaker 1>Yeah, what the fork? And all of a sudden just

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<v Speaker 1>the chance to really vent at the little things.

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<v Speaker 2>Yeah, and so now today we're going to ask what

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<v Speaker 2>the fork is with modern dating?

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<v Speaker 1>Wow? Wee, Oh my god, I just read an article

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<v Speaker 1>giving us a glossary of modern dating terminology.

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<v Speaker 4>Do tell And.

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<v Speaker 1>Who would have thought that it was so complicated? So

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<v Speaker 1>what am we going to do is I'm just going

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<v Speaker 1>to roll out a whole situations, a whole heap of words,

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<v Speaker 1>and tell you what they mean in terms of modern dating. Okay,

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<v Speaker 1>Benching when someone puts a potential relationship on ice for

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<v Speaker 1>the sake of a more promising one. Bread crumbing like

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<v Speaker 1>leaving a trail of bread crumbs. Bread Crumbing is when

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<v Speaker 1>someone leads a romantic interest on They keep attention from

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<v Speaker 1>far by dropping little bits of attention here and there,

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<v Speaker 1>whether it be text or on Instagram. Like cuffing slash

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<v Speaker 1>uncuffing when you find a bay for winter just to

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<v Speaker 1>keep company during cold nights indoors. Uncuffing is when you

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<v Speaker 1>dumb them for summer fun.

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<v Speaker 2>Isn't that the footballer is tactic during the season, not

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<v Speaker 2>that I need some company in the off season.

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<v Speaker 1>What about this one? Dtr enjoy the spoils things, dtr

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<v Speaker 1>I said, DTR jokes define the relationship is what that

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<v Speaker 1>stands for. It's that big awkward chat where two or

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<v Speaker 1>more people discuss where things are going right. And this

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<v Speaker 1>is my favorite. Submarining. We all know a ghosting is

0:10:24.480 --> 0:10:27.360
<v Speaker 1>where you just disappear. Yeah, submarining is like ghosting, but

0:10:27.400 --> 0:10:29.080
<v Speaker 1>when the person pops up again out of the blue,

0:10:29.120 --> 0:10:31.960
<v Speaker 1>acting like nothing ever happened, just like a submarine.

0:10:34.720 --> 0:10:37.280
<v Speaker 2>Do you not fascinates me with modern modern day dating,

0:10:37.440 --> 0:10:39.920
<v Speaker 2>especially the kids. Now, if you want to break up

0:10:39.920 --> 0:10:43.040
<v Speaker 2>with someone, you don't have the conversation. Apparently, apparently you

0:10:43.160 --> 0:10:44.920
<v Speaker 2>just post a photo of you and someone else, like

0:10:44.960 --> 0:10:47.160
<v Speaker 2>on Snapchat or TikTok or something like that.

0:10:47.240 --> 0:10:49.679
<v Speaker 4>Yeah, yeah, that's the thing. Don't don't you look horrified?

0:10:49.800 --> 0:10:50.520
<v Speaker 4>Projuices are it?

0:10:50.800 --> 0:10:53.320
<v Speaker 2>Yeah, that is an actual thing. It's not like we're

0:10:53.360 --> 0:10:55.240
<v Speaker 2>breaking up. It's just like he's a photo with me

0:10:55.280 --> 0:10:56.800
<v Speaker 2>with someone else that is so brutal.

0:10:56.960 --> 0:10:58.880
<v Speaker 1>Yeah, so this is a this is a different generation

0:10:58.920 --> 0:11:01.000
<v Speaker 1>for us. Don't make it sound we're really old. But

0:11:01.280 --> 0:11:04.360
<v Speaker 1>I mean we're both married. Yeah, producers married as well.

0:11:05.320 --> 0:11:07.679
<v Speaker 1>Producer Zoe though, I mean, you're right in the guts

0:11:07.679 --> 0:11:10.080
<v Speaker 1>of it, in a beautiful relation with a very handsome

0:11:10.080 --> 0:11:14.520
<v Speaker 1>young man. I'll tell you what. Zoe over here, she's

0:11:16.920 --> 0:11:20.280
<v Speaker 1>she slayd some toads.

0:11:20.880 --> 0:11:23.280
<v Speaker 8>Yeah, I'm way too familiar with this. I was single

0:11:23.360 --> 0:11:25.719
<v Speaker 8>for five years before I met Alex this year, so

0:11:26.200 --> 0:11:28.600
<v Speaker 8>I've been privy to it all, particularly ghosting.

0:11:28.640 --> 0:11:31.520
<v Speaker 1>Unfortunately, so ghosting, you've been on the end of ghost

0:11:31.600 --> 0:11:33.400
<v Speaker 1>I've been ghosted, ghosting yourself.

0:11:33.440 --> 0:11:36.040
<v Speaker 8>I might have done some ghosting and that was fine,

0:11:36.040 --> 0:11:39.160
<v Speaker 8>but when I was ghosted, it wasn't fine. And it

0:11:39.280 --> 0:11:41.240
<v Speaker 8>was really rude as well, because when I date with

0:11:41.280 --> 0:11:43.120
<v Speaker 8>this guy, and I remember getting home and saying to

0:11:43.120 --> 0:11:44.320
<v Speaker 8>my housemates and not keen.

0:11:44.440 --> 0:11:45.080
<v Speaker 1>He wasn't great.

0:11:45.240 --> 0:11:46.679
<v Speaker 8>They give him a chance, give him a chance, so

0:11:46.679 --> 0:11:49.760
<v Speaker 8>I didn't he ghosted me. That's brutal.

0:11:50.120 --> 0:11:52.160
<v Speaker 1>We saw the ghosting coming exactly.

0:11:52.000 --> 0:11:55.280
<v Speaker 8>But genuine ghost of just never responded to my text message,

0:11:55.520 --> 0:11:56.960
<v Speaker 8>never heard from him ever again.

0:11:57.000 --> 0:11:59.280
<v Speaker 1>But you say genuine ghost like I was actually hooking

0:11:59.320 --> 0:11:59.800
<v Speaker 1>up with Cable.

0:12:03.880 --> 0:12:06.240
<v Speaker 2>The thing that horrifies me about like all the dating

0:12:06.280 --> 0:12:08.880
<v Speaker 2>apps in particular, is I guess when we were younger,

0:12:09.559 --> 0:12:12.959
<v Speaker 2>you would never be rejected just purely on what you.

0:12:12.920 --> 0:12:15.079
<v Speaker 4>Look like like. Is that? Does that feel awful?

0:12:15.600 --> 0:12:16.040
<v Speaker 2>I don't know.

0:12:16.240 --> 0:12:18.559
<v Speaker 8>I feel like you you're a little bit dissensitized to it.

0:12:18.600 --> 0:12:20.240
<v Speaker 8>When you're on the apps regularly, you're just kind of

0:12:20.280 --> 0:12:22.199
<v Speaker 8>go whatever, because you're doing the same thing to other people. Yeah,

0:12:22.240 --> 0:12:24.160
<v Speaker 8>and it's not like you get a notification every time

0:12:24.160 --> 0:12:24.800
<v Speaker 8>you reject it.

0:12:25.160 --> 0:12:27.960
<v Speaker 4>Yeah, you only get the good ones. You just were

0:12:28.000 --> 0:12:29.600
<v Speaker 4>left on the shelf, like not selected.

0:12:29.760 --> 0:12:32.160
<v Speaker 1>Y's right, you don't get a notification. But you look

0:12:32.200 --> 0:12:33.880
<v Speaker 1>at your dating app and it says you have.

0:12:33.840 --> 0:12:37.280
<v Speaker 8>No you've exhausted all singles in your area.

0:12:40.760 --> 0:12:42.640
<v Speaker 4>Let's go to Liz. Good morning, Lise.

0:12:42.800 --> 0:12:44.439
<v Speaker 6>Mornings are Yeah.

0:12:44.240 --> 0:12:45.640
<v Speaker 4>We're good. How are you.

0:12:46.559 --> 0:12:49.880
<v Speaker 6>Okay, where do I start? I know you haven't got

0:12:49.920 --> 0:12:51.800
<v Speaker 6>a lot of time. I'm going to give you a

0:12:51.840 --> 0:12:55.240
<v Speaker 6>couple of things. I haven't been on a one day

0:12:55.440 --> 0:12:59.440
<v Speaker 6>since I've been separated from my ex for about six

0:12:59.520 --> 0:13:03.000
<v Speaker 6>are the experts? Sorry everyone six and a half years.

0:13:03.360 --> 0:13:07.120
<v Speaker 6>And it's more about to get the apes. I know

0:13:07.320 --> 0:13:10.320
<v Speaker 6>everybody loves them, but I'll give me a break. And

0:13:10.360 --> 0:13:13.520
<v Speaker 6>then getting ready, Oh my god, how long is to

0:13:13.640 --> 0:13:15.920
<v Speaker 6>take now? I don't know if I'm allowed to say this.

0:13:16.120 --> 0:13:19.560
<v Speaker 6>So you you're really on that button? How long it

0:13:19.600 --> 0:13:22.160
<v Speaker 6>takes this trap up your boots to get into a

0:13:22.240 --> 0:13:25.280
<v Speaker 6>really nice dress to go out? It takes a long time.

0:13:25.559 --> 0:13:27.200
<v Speaker 6>There you go? Boys, you didn't know that one did.

0:13:27.760 --> 0:13:31.600
<v Speaker 6>And just the makeup and just you know, like I

0:13:31.679 --> 0:13:35.559
<v Speaker 6>love putting a frock on and getting out, but in

0:13:35.679 --> 0:13:36.680
<v Speaker 6>the fifties it's.

0:13:36.640 --> 0:13:40.000
<v Speaker 1>Like really really, but it's not.

0:13:40.480 --> 0:13:43.880
<v Speaker 6>Yeah, and I'm not a negative person. Not men love

0:13:44.000 --> 0:13:46.839
<v Speaker 6>going out, but it's just look, you know, I'd rather

0:13:46.920 --> 0:13:48.680
<v Speaker 6>have it there and just go see Evan. Thank you

0:13:48.760 --> 0:13:49.120
<v Speaker 6>very much.

0:13:51.559 --> 0:13:53.320
<v Speaker 4>You'd like to date Lise? Give us a call.

0:13:59.640 --> 0:14:01.320
<v Speaker 1>We're going to undred dollars sh house about you to

0:14:01.320 --> 0:14:03.400
<v Speaker 1>give to you, But you're going to find someone to

0:14:03.440 --> 0:14:03.680
<v Speaker 1>go with.

0:14:05.240 --> 0:14:10.839
<v Speaker 6>Oh that's cruel, you know that's actually but look, you

0:14:10.960 --> 0:14:13.280
<v Speaker 6>know what, I love men. I think that. I mean

0:14:13.360 --> 0:14:15.800
<v Speaker 6>I train like being a sporty girl. I train of

0:14:15.840 --> 0:14:18.200
<v Speaker 6>blokes all the time. I don't want any bloats to sing,

0:14:18.520 --> 0:14:22.920
<v Speaker 6>oh what an absolute bitch. It's not it's just I'm

0:14:22.920 --> 0:14:24.080
<v Speaker 6>going to shut up, all right.

0:14:28.320 --> 0:14:29.400
<v Speaker 1>Your alleged hazy.

0:14:29.440 --> 0:14:32.200
<v Speaker 2>When we started talking about what the fork this week,

0:14:32.480 --> 0:14:35.720
<v Speaker 2>I didn't think the perils of modern dating would involve

0:14:36.200 --> 0:14:38.080
<v Speaker 2>a woman who hates having to strap up.

0:14:40.360 --> 0:14:41.120
<v Speaker 4>I didn't pick.

0:14:40.960 --> 0:14:43.640
<v Speaker 1>That's that going? And even lizens like get her get

0:14:43.640 --> 0:14:45.800
<v Speaker 1>ready with the dump button and I heard it. I'm

0:14:45.800 --> 0:14:48.560
<v Speaker 1>still trying to work it out and seven seconds has

0:14:48.600 --> 0:14:50.360
<v Speaker 1>passed too late to dump, and I think I know

0:14:50.440 --> 0:14:52.240
<v Speaker 1>what's going on? Is that dumbworthy?

0:14:53.120 --> 0:14:56.920
<v Speaker 4>It's fine, dear, what.

0:15:01.240 --> 0:15:01.840
<v Speaker 1>Welcome back.

0:15:02.280 --> 0:15:06.280
<v Speaker 2>This is where we raise some serious life questions. We

0:15:06.360 --> 0:15:09.040
<v Speaker 2>tackle all the issues that you look at in every

0:15:09.120 --> 0:15:09.520
<v Speaker 2>day and.

0:15:09.480 --> 0:15:11.320
<v Speaker 4>You go, what is that?

0:15:11.440 --> 0:15:14.440
<v Speaker 1>Why when some people wouldn't tackle them because they're too dangerous, No,

0:15:14.520 --> 0:15:15.440
<v Speaker 1>they're too peculiar.

0:15:15.560 --> 0:15:17.400
<v Speaker 4>Yeah exactly right. Well we're going.

0:15:17.200 --> 0:15:18.880
<v Speaker 1>There today and you take them head on.

0:15:19.280 --> 0:15:22.600
<v Speaker 2>Yeah, okay, let me preface this story by saying, normally,

0:15:22.680 --> 0:15:25.360
<v Speaker 2>I make my kids eat pretty healthy food. Right, However,

0:15:25.760 --> 0:15:28.680
<v Speaker 2>on holidays, which we have recently been, all bets are

0:15:28.680 --> 0:15:30.280
<v Speaker 2>off and we just take that little food.

0:15:30.040 --> 0:15:32.680
<v Speaker 4>Pyramid and we dip her upside down. You flip it up,

0:15:32.800 --> 0:15:34.160
<v Speaker 4>so she's fats and sugars first.

0:15:34.320 --> 0:15:37.400
<v Speaker 1>Yeah, it's like an upside down pair. Yeah.

0:15:37.440 --> 0:15:40.520
<v Speaker 2>We went to what can only be described as the

0:15:40.560 --> 0:15:43.880
<v Speaker 2>best buffet in the world on the Goldie. So we

0:15:43.920 --> 0:15:46.880
<v Speaker 2>were staying at the Star Residences at the casino there,

0:15:47.240 --> 0:15:49.440
<v Speaker 2>and it's called the Harvest Buffet. If you ever get

0:15:49.440 --> 0:15:51.240
<v Speaker 2>the chance to take your kids, just to see the

0:15:51.280 --> 0:15:54.560
<v Speaker 2>sheer look on their face as incredible. So we walk

0:15:54.600 --> 0:15:58.440
<v Speaker 2>in straight away, they make a beeline for the Natella fountain.

0:15:58.600 --> 0:16:00.000
<v Speaker 4>It's basically a chocolate fountain.

0:16:00.440 --> 0:16:01.080
<v Speaker 1>It's dangerous.

0:16:01.240 --> 0:16:04.600
<v Speaker 2>Yeah, they've also got an ice cream machine, some real

0:16:04.680 --> 0:16:05.440
<v Speaker 2>sizzler vibes.

0:16:06.640 --> 0:16:08.120
<v Speaker 1>I was just thinking, I was like, why am I

0:16:08.160 --> 0:16:09.960
<v Speaker 1>getting these beautiful flashbacks from my child?

0:16:10.880 --> 0:16:14.160
<v Speaker 2>But because because it's a buffet, they cater for everyone.

0:16:14.240 --> 0:16:17.080
<v Speaker 4>So there's the Asian selection as well.

0:16:17.960 --> 0:16:20.560
<v Speaker 2>So one stage I look over at my ten year

0:16:20.600 --> 0:16:24.160
<v Speaker 2>old and she's sitting there on her plate is a

0:16:24.240 --> 0:16:27.800
<v Speaker 2>marshmallow stick dipped in a tella. She's holding onto an

0:16:28.000 --> 0:16:29.760
<v Speaker 2>ice cream cone just.

0:16:31.280 --> 0:16:33.440
<v Speaker 4>But then next to all of that was a plate

0:16:33.440 --> 0:16:34.120
<v Speaker 4>of fried rice.

0:16:34.240 --> 0:16:36.720
<v Speaker 1>Yeah, that's the combination you're looking for.

0:16:36.920 --> 0:16:43.200
<v Speaker 2>Yeah, she's a balanced meal, sugars, carbs, and you've got

0:16:43.200 --> 0:16:47.160
<v Speaker 2>your sweetness and your spices. So I'm disgusted in myself

0:16:47.200 --> 0:16:49.840
<v Speaker 2>as a parent for allowing this to unfold. But I thought,

0:16:49.960 --> 0:16:53.160
<v Speaker 2>you know, we're on holidays. It's the real variety pack

0:16:53.320 --> 0:16:55.720
<v Speaker 2>vibes about it, and not the variety pack that you

0:16:55.720 --> 0:16:57.280
<v Speaker 2>get for your kids with the just ride in it.

0:16:57.600 --> 0:17:00.400
<v Speaker 4>We're talking the cocoa pops, fruit loops. So I let

0:17:00.440 --> 0:17:03.520
<v Speaker 4>it go through to the keeper, right, But then I

0:17:03.640 --> 0:17:06.280
<v Speaker 4>draw I drew the line at one point.

0:17:06.000 --> 0:17:08.359
<v Speaker 2>When I looked at the woman sitting next to me

0:17:08.560 --> 0:17:12.119
<v Speaker 2>at the table, and she had been to the Asian

0:17:12.160 --> 0:17:15.560
<v Speaker 2>buffet and collected herself some steamed port.

0:17:15.400 --> 0:17:18.680
<v Speaker 4>Dumplings, beautiful for breakfast. But she was dipping it.

0:17:19.119 --> 0:17:22.720
<v Speaker 2>She was dipping it in one of those little mango

0:17:22.920 --> 0:17:24.480
<v Speaker 2>yogurt compote things.

0:17:24.600 --> 0:17:25.800
<v Speaker 4>Is a compote compidate.

0:17:25.920 --> 0:17:30.199
<v Speaker 2>Whatever she was dipping her dim sims in yogurt for breakfast.

0:17:30.520 --> 0:17:34.440
<v Speaker 1>You can't do that. Come, It's just it just goes.

0:17:34.800 --> 0:17:37.320
<v Speaker 1>I mean there's things that should not go together. For example,

0:17:37.359 --> 0:17:39.640
<v Speaker 1>if it's like who do you go for? Someone goes,

0:17:39.640 --> 0:17:41.680
<v Speaker 1>I go for the crows, but I also go for port.

0:17:42.320 --> 0:17:42.959
<v Speaker 1>You can't do that.

0:17:43.040 --> 0:17:43.520
<v Speaker 2>No I do.

0:17:43.680 --> 0:17:44.480
<v Speaker 1>You can't do that.

0:17:44.520 --> 0:17:46.320
<v Speaker 4>I like the most. I like them both to win.

0:17:46.480 --> 0:17:48.120
<v Speaker 1>Oh my gosh, that's.

0:17:48.440 --> 0:17:51.360
<v Speaker 2>That's vastly different from putting your dim sims in some

0:17:51.480 --> 0:17:52.479
<v Speaker 2>yogurt with mango.

0:17:52.720 --> 0:17:56.280
<v Speaker 1>You're mixing your sweets and your savories. Come on. I

0:17:56.320 --> 0:17:58.959
<v Speaker 1>saw a train the other day on TikTok I think

0:17:59.000 --> 0:18:00.520
<v Speaker 1>it was, and I'm like, oh, his new train. You

0:18:00.520 --> 0:18:03.600
<v Speaker 1>get an orio mcflurry and you get two hash browns

0:18:03.640 --> 0:18:06.080
<v Speaker 1>and put the Oroo mcflurry in the middle. It's it's delicious.

0:18:06.200 --> 0:18:07.879
<v Speaker 4>Oh, it is actually quite delicious.

0:18:12.400 --> 0:18:15.720
<v Speaker 2>Well, I've done chips in ice cream, yeah, which is disgusting.

0:18:15.800 --> 0:18:19.760
<v Speaker 3>But also whatever, Yeah, someone me that day.

0:18:20.000 --> 0:18:22.560
<v Speaker 2>We're not food shaming here this morning. That's not the

0:18:22.600 --> 0:18:23.520
<v Speaker 2>purpose of these, but.

0:18:23.840 --> 0:18:26.240
<v Speaker 1>That's food shap Abby.

0:18:27.080 --> 0:18:29.520
<v Speaker 2>Do you have an unusual food combination that you like

0:18:29.560 --> 0:18:32.399
<v Speaker 2>to put together? Thirteen twenty fourteen or send us a

0:18:32.440 --> 0:18:34.640
<v Speaker 2>text o four double nine one nine nine one nice.

0:18:34.760 --> 0:18:36.159
<v Speaker 1>The one that I can't work at as well. I'm

0:18:36.200 --> 0:18:37.399
<v Speaker 1>not sure if it's still a thing, but it was

0:18:37.400 --> 0:18:40.680
<v Speaker 1>a good couple of years ago where chocolate infused with

0:18:40.760 --> 0:18:43.040
<v Speaker 1>chili chili chocolate was.

0:18:43.040 --> 0:18:44.080
<v Speaker 4>A thing about that.

0:18:44.200 --> 0:18:45.439
<v Speaker 1>Yeah that's strange, isn't it.

0:18:45.520 --> 0:18:46.440
<v Speaker 4>Yeah, that's very old.

0:18:46.480 --> 0:18:48.120
<v Speaker 1>I don't want my chocolate to be spicy at all.

0:18:48.240 --> 0:18:51.199
<v Speaker 4>No, like chocolate to be sweet like you, don't you?

0:18:51.320 --> 0:18:54.760
<v Speaker 1>Yeah, that's exactly right. Her heads up once again. That

0:18:54.840 --> 0:18:57.399
<v Speaker 1>best call this morning is gonna get this little school

0:18:57.440 --> 0:18:59.400
<v Speaker 1>holiday package. So that's one hundred dolls reading cinem about

0:18:59.440 --> 0:19:01.760
<v Speaker 1>you and Beach House batch as well. So give us cool.

0:19:02.080 --> 0:19:03.640
<v Speaker 1>What the fork has returned?

0:19:03.840 --> 0:19:05.280
<v Speaker 4>What the fork it's back.

0:19:06.800 --> 0:19:07.040
<v Speaker 9>Back?

0:19:07.320 --> 0:19:08.800
<v Speaker 1>Is your sixty seconds?

0:19:09.200 --> 0:19:12.440
<v Speaker 6>Tell me afl Young Guns, Joshua, Shelley and Zach.

0:19:12.920 --> 0:19:16.359
<v Speaker 4>Go to Michelle your food combinations dell, oh.

0:19:16.240 --> 0:19:19.880
<v Speaker 9>Look that's hurt my soul as well. I will put

0:19:21.240 --> 0:19:24.240
<v Speaker 9>well anything in bread, but honestly, I'll make ham without

0:19:24.240 --> 0:19:28.560
<v Speaker 9>it anything really but like ham and cheese with like

0:19:28.640 --> 0:19:31.600
<v Speaker 9>dorritos and maybe like dipping in thace Like it's gross,

0:19:31.600 --> 0:19:32.400
<v Speaker 9>but it's so good.

0:19:32.600 --> 0:19:38.000
<v Speaker 8>Yeah, okay've taken after Yeah, wow, weekend, very brad.

0:19:38.119 --> 0:19:41.080
<v Speaker 2>You've lost me at Dorito's in your sandwich Michelle, I'm.

0:19:40.920 --> 0:19:45.720
<v Speaker 1>Sood Oh no, so what are you mixing?

0:19:45.760 --> 0:19:45.879
<v Speaker 6>Though?

0:19:45.960 --> 0:19:48.199
<v Speaker 1>So Very bread is a genuine mixture of savory and

0:19:48.240 --> 0:19:51.320
<v Speaker 1>sweet when you're putting stuff in your sandwich, Michelle, is

0:19:51.320 --> 0:19:53.719
<v Speaker 1>it purely savories together or will you sort of mix

0:19:53.800 --> 0:19:55.240
<v Speaker 1>it up? Could you see could you throw on a

0:19:55.240 --> 0:19:56.320
<v Speaker 1>bit of chocolate sauce.

0:19:56.040 --> 0:19:58.919
<v Speaker 2>In your Oh no, no, no, no no, it's not

0:19:58.960 --> 0:20:04.080
<v Speaker 2>that sick everybody, So, I'm it's real.

0:20:04.320 --> 0:20:08.720
<v Speaker 9>But no. Did Very braid licorice in like a dip

0:20:08.800 --> 0:20:09.320
<v Speaker 9>dip egg?

0:20:09.880 --> 0:20:10.440
<v Speaker 2>It was gress.

0:20:10.520 --> 0:20:13.680
<v Speaker 4>I let it go, Thank you for Zink.

0:20:13.760 --> 0:20:16.520
<v Speaker 2>Let's go to Louise watch your weird food combo.

0:20:17.280 --> 0:20:19.919
<v Speaker 4>As a child, I used to have studine some toast,

0:20:20.000 --> 0:20:22.000
<v Speaker 4>and then I'd have a chocolate not Sunday after the.

0:20:23.720 --> 0:20:29.400
<v Speaker 1>Gosh, imagine the absolute battle that was happening in your

0:20:29.440 --> 0:20:33.840
<v Speaker 1>stomach afterwards, swimming around chocolate.

0:20:36.359 --> 0:20:38.879
<v Speaker 4>It was just like little fish in Louise's gus. So

0:20:38.920 --> 0:20:40.640
<v Speaker 4>I know, not the chocolate.

0:20:43.000 --> 0:20:45.480
<v Speaker 1>So what's that your childhood? Did you say, Louise? Do

0:20:45.480 --> 0:20:46.399
<v Speaker 1>you still do that? Yes?

0:20:46.600 --> 0:20:49.680
<v Speaker 4>Yes, yep, every morning? What you still do?

0:20:50.680 --> 0:20:50.920
<v Speaker 3>No?

0:20:50.920 --> 0:20:52.560
<v Speaker 9>No, no, every morning as a child.

0:20:52.840 --> 0:20:53.240
<v Speaker 4>Not now.

0:20:54.560 --> 0:20:56.400
<v Speaker 1>I don't think my body could cope with that now

0:20:58.359 --> 0:21:00.840
<v Speaker 1>stomach matures a little bit, thanks Louise.

0:21:01.280 --> 0:21:03.280
<v Speaker 4>Cindy, what the four are you putting together?

0:21:04.520 --> 0:21:07.680
<v Speaker 10>Pineapple fritters and gravy?

0:21:07.880 --> 0:21:11.920
<v Speaker 1>That's an interesting one because amazing. The pineapple part, of course,

0:21:12.000 --> 0:21:15.000
<v Speaker 1>is very sweet, but the fried element turns into a

0:21:15.000 --> 0:21:17.960
<v Speaker 1>bit of a savory, and then gravy goes pretty well

0:21:17.960 --> 0:21:18.680
<v Speaker 1>on most things.

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<v Speaker 10>It has to be a good thick gravy, like a

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<v Speaker 10>Madgie thick gravy. It just can't be runny gravy. It's

0:21:24.600 --> 0:21:26.440
<v Speaker 10>got to be good gravy as well.

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<v Speaker 2>This rule, where are you purchasing this from your pineapple

0:21:29.680 --> 0:21:30.600
<v Speaker 2>fritters with gravy?

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<v Speaker 5>Either?

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<v Speaker 10>I go the local fish and chip shop. But I

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<v Speaker 10>actually started to add red rooster because you used to

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<v Speaker 10>get a pineapple fridder in a pack with gravy, and

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<v Speaker 10>I thought this might work.

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<v Speaker 4>I'm onto something here.

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<v Speaker 1>I love it. You would go in there as well

0:21:44.760 --> 0:21:49.120
<v Speaker 1>as Cindy, and they'd go, we've got one pineapple.

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<v Speaker 2>Oh my god, that's like those deep fried bananas that

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<v Speaker 2>you get at Chinese restaurants.

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<v Speaker 1>Yes, actually a quiet taste.

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<v Speaker 2>Kasha, good morning. Take us home with this one. What

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<v Speaker 2>are you putting together?

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<v Speaker 11>When I went to school, I went to school with

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<v Speaker 11>a kid who would rock up to refirst and he'd

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<v Speaker 11>have a little trouble sauce, smarto sauce and he would

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<v Speaker 11>have diced up watermelon and picked the watermelon in the

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<v Speaker 11>tomato sauce and eat it.

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<v Speaker 1>Yep, that's the one. Oh my very goodness.

0:22:23.080 --> 0:22:24.160
<v Speaker 9>He would have it every day.

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<v Speaker 11>He would live off it.

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<v Speaker 10>He loved it so much.

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<v Speaker 9>And it always be tomato sauce.

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<v Speaker 1>Oh, smato sauce goes well on most things because it

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<v Speaker 1>does actually have a lot of sugar in it. But

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<v Speaker 1>that's just I mean, did this kid have any friends

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<v Speaker 1>at all?

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<v Speaker 4>He did?

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<v Speaker 1>Indeed, you still, mate, Kasha, I haven't both for him

0:22:43.760 --> 0:22:47.399
<v Speaker 1>for a couple of years. He flew off the handle.

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<v Speaker 4>Watermelon tomato sauce kid, We're not speaking to him. Oh,

0:22:51.800 --> 0:22:52.640
<v Speaker 4>thank you so much.

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<v Speaker 2>I've just had a message from a friend of mine

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<v Speaker 2>who wants me to ask Jody something. She said that

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<v Speaker 2>her girlfriend, who grew up in Tasmania has pasta with

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<v Speaker 2>milk and sugar on it and butter. And she said,

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<v Speaker 2>is this just a Tasmania thing or is this do

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<v Speaker 2>you guys have this growing up? And I said that's

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<v Speaker 2>filthy and never message me again. But was that a

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<v Speaker 2>Tasmanian thing?

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<v Speaker 1>I'm telling you right now, are you the Tasmanians? They

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<v Speaker 1>love it because Tasmanian aliens.

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<v Speaker 4>That's disgusting, all right.

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<v Speaker 2>That is so offensive to think that just because we're

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<v Speaker 2>from Hobart, we like pasta and sugar and milk.

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<v Speaker 4>But I can't give their mind.

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<v Speaker 3>Didn't have it as a job.