1 00:00:01,440 --> 00:00:05,520 Speaker 1: Telemarketers. You know what I've changed, you know? And now 2 00:00:05,880 --> 00:00:08,319 Speaker 1: my outlook on tellymarketers. I like to get to know 3 00:00:08,400 --> 00:00:10,120 Speaker 1: them a little bit more when they're on the phone. 4 00:00:10,160 --> 00:00:12,600 Speaker 2: That's interesting And I don't know why, but I feel 5 00:00:12,600 --> 00:00:15,120 Speaker 2: like the amount of calls I'm getting from Christmas onwards 6 00:00:15,160 --> 00:00:16,080 Speaker 2: has stepped up. 7 00:00:16,200 --> 00:00:18,400 Speaker 3: Do you block up the number afterwards as well? 8 00:00:18,480 --> 00:00:18,680 Speaker 4: Yes? 9 00:00:18,840 --> 00:00:19,560 Speaker 3: Put me onto that. 10 00:00:19,720 --> 00:00:20,560 Speaker 5: Every time, do you? 11 00:00:20,600 --> 00:00:21,479 Speaker 3: I don't know how to do that. 12 00:00:21,560 --> 00:00:22,160 Speaker 5: It doesn't matter. 13 00:00:22,200 --> 00:00:23,919 Speaker 6: They call back on a different number. 14 00:00:24,320 --> 00:00:26,880 Speaker 2: When you get naki with them, they almost become aggressive 15 00:00:26,880 --> 00:00:29,800 Speaker 2: with you. They do that if you're trying to pretend 16 00:00:29,840 --> 00:00:31,160 Speaker 2: to be a professional service. 17 00:00:31,280 --> 00:00:33,320 Speaker 3: Well, I try to get to know them a little 18 00:00:33,320 --> 00:00:33,680 Speaker 3: bit more. 19 00:00:33,720 --> 00:00:33,800 Speaker 4: So. 20 00:00:33,840 --> 00:00:37,760 Speaker 1: I recorded this one yesterday. Got him a beauty because 21 00:00:37,800 --> 00:00:39,640 Speaker 1: I asked him about his name and he didn't really 22 00:00:39,680 --> 00:00:43,240 Speaker 1: have too many Detailsyah. Sure, but he also didn't get 23 00:00:43,240 --> 00:00:45,920 Speaker 1: off to a good start when he got my surname 24 00:00:46,040 --> 00:00:47,000 Speaker 1: incorrect as well. 25 00:00:47,040 --> 00:00:47,720 Speaker 3: Here was the call. 26 00:00:49,000 --> 00:00:54,080 Speaker 4: I'm looking for Ryan. 27 00:00:51,560 --> 00:01:00,200 Speaker 3: And Ryan who? Yeah, this is Ryan Fitzgerald. Yes, made 28 00:01:00,280 --> 00:01:04,240 Speaker 3: him is Max. I'm really good Max. What's your surname? 29 00:01:07,000 --> 00:01:08,800 Speaker 4: Max? Max Kevin? 30 00:01:09,240 --> 00:01:10,560 Speaker 2: I'm talking about electricity? 31 00:01:11,800 --> 00:01:13,840 Speaker 3: What what is it? Max? Kevin? 32 00:01:14,319 --> 00:01:22,720 Speaker 1: Max Kevin Max Kevin, Max Kevin, what happened to? 33 00:01:23,480 --> 00:01:26,120 Speaker 3: Sorry? No, no, I'm we We grew up with the 34 00:01:26,200 --> 00:01:27,000 Speaker 3: Kevin family. 35 00:01:28,280 --> 00:01:32,679 Speaker 2: You want to, Michael, ask me about my history? 36 00:01:32,920 --> 00:01:34,720 Speaker 7: Yeah, I yeah. 37 00:01:35,200 --> 00:01:38,680 Speaker 3: Do you know well I knew David Kevin really well. 38 00:01:38,720 --> 00:01:40,679 Speaker 1: I went to school with David Kevin at flax Mill 39 00:01:40,760 --> 00:01:43,640 Speaker 1: Primary School, and then I was also good friends with 40 00:01:43,640 --> 00:01:45,360 Speaker 1: his older brother, Kevin Kevin. 41 00:01:46,760 --> 00:01:50,960 Speaker 3: Got him, He's got anywhere I got. 42 00:01:50,800 --> 00:01:54,200 Speaker 1: Him, got him Kevin Kevin moment when you ask him 43 00:01:54,200 --> 00:01:59,240 Speaker 1: what his surname is, the indecision Max Max Kevin. 44 00:02:02,920 --> 00:02:05,800 Speaker 3: Now obviously going to prison. You know it's a tough one. 45 00:02:05,880 --> 00:02:06,760 Speaker 3: It's not a good thing. 46 00:02:07,240 --> 00:02:11,040 Speaker 1: Jesus, this is this is the part in the movie Sarah. 47 00:02:11,080 --> 00:02:13,320 Speaker 1: You haven't seen it, and it stands to me, Miche 48 00:02:13,440 --> 00:02:14,320 Speaker 1: have you seen the movie? 49 00:02:14,480 --> 00:02:16,960 Speaker 5: Oh my god, I also read the Stephen Kings short. 50 00:02:17,000 --> 00:02:19,880 Speaker 2: Sorry this this music's from another movie. 51 00:02:20,040 --> 00:02:22,840 Speaker 3: No, No, this is sure Shank Redemption. This is Brooks 52 00:02:22,880 --> 00:02:25,080 Speaker 3: was here, mate. This is the bit where Brooks leaves 53 00:02:25,120 --> 00:02:27,359 Speaker 3: the prison. Are you serious? It's amazing. 54 00:02:27,520 --> 00:02:30,280 Speaker 6: This is the not seen it either. 55 00:02:30,560 --> 00:02:33,079 Speaker 2: No, No, we were about to talk about another film, 56 00:02:33,440 --> 00:02:35,360 Speaker 2: a new film. I hadn't seen it. Then when I went, oh, 57 00:02:35,440 --> 00:02:37,920 Speaker 2: my god, that's familiar, and I thought cruel intentions. 58 00:02:37,919 --> 00:02:41,160 Speaker 3: But that's not right, Sarah. I'm sorry every year. 59 00:02:41,720 --> 00:02:44,240 Speaker 1: But Brooks was an old man who had been in 60 00:02:44,240 --> 00:02:46,480 Speaker 1: prison for quite a long time and then got told 61 00:02:46,480 --> 00:02:50,320 Speaker 1: he got Parali was out and he didn't want to go, Sarah. 62 00:02:50,600 --> 00:02:54,440 Speaker 1: He said, you become is it institutionalized in here? 63 00:02:54,520 --> 00:02:55,440 Speaker 3: You don't want to leave. 64 00:02:56,360 --> 00:02:59,080 Speaker 1: So he then tried to He got a knife, and 65 00:02:59,120 --> 00:03:01,440 Speaker 1: he tried to for another guy so they could keep 66 00:03:01,480 --> 00:03:03,240 Speaker 1: him in prison, and they said, no. 67 00:03:03,480 --> 00:03:05,200 Speaker 3: You got to go. This is your chart. You can 68 00:03:05,240 --> 00:03:07,760 Speaker 3: get out there. And Brooks couldn't handle the real world. 69 00:03:07,800 --> 00:03:07,960 Speaker 1: Man. 70 00:03:08,000 --> 00:03:10,480 Speaker 2: If you're not into the big wide world and you've 71 00:03:10,480 --> 00:03:12,639 Speaker 2: got a bed and you know that your meal's arriving 72 00:03:12,680 --> 00:03:14,560 Speaker 2: at this time, things are okay. 73 00:03:14,919 --> 00:03:16,520 Speaker 3: You know, prison's not that bad. 74 00:03:17,240 --> 00:03:17,840 Speaker 2: I could do it. 75 00:03:20,320 --> 00:03:22,919 Speaker 6: I'm happy for us to try that. Let's do a 76 00:03:23,000 --> 00:03:25,160 Speaker 6: vote around them. Let's put whips forward. 77 00:03:25,200 --> 00:03:27,400 Speaker 2: Similar well maybe it's me and three kids, but similar 78 00:03:27,440 --> 00:03:29,520 Speaker 2: to the idea of quarantine. What a hotel room for 79 00:03:29,560 --> 00:03:30,880 Speaker 2: two weeks? Yes, I'm interested. 80 00:03:30,960 --> 00:03:33,320 Speaker 1: What gang would you target first, just to be a 81 00:03:33,360 --> 00:03:34,920 Speaker 1: part of, just to make myself known. 82 00:03:35,000 --> 00:03:36,920 Speaker 3: What's premise or you go. 83 00:03:37,520 --> 00:03:39,920 Speaker 2: I wouldn't be looking at a gang. I'd just be 84 00:03:40,080 --> 00:03:41,680 Speaker 2: trying to work out who the toughest guy in the 85 00:03:41,720 --> 00:03:43,840 Speaker 2: yard is, and i'd probably smash his head with a kettle. 86 00:03:44,080 --> 00:03:45,440 Speaker 6: Not the guy with the pup collar. 87 00:03:45,560 --> 00:03:47,760 Speaker 3: That's what you're doing. You always got in the kitchen 88 00:03:47,760 --> 00:03:49,320 Speaker 3: from the lunch room. I grab a kettle. 89 00:03:49,440 --> 00:03:50,680 Speaker 6: They have like a thing in the wall. 90 00:03:51,920 --> 00:03:54,800 Speaker 3: I'll try that too. Giving what you got to do, 91 00:03:54,920 --> 00:03:56,040 Speaker 3: You've got to get in there and improve that. 92 00:03:56,080 --> 00:03:58,160 Speaker 2: You're a psycho, so no one picks on your day one. 93 00:03:58,200 --> 00:03:59,840 Speaker 3: Throw a kettle. You're aflerendza. 94 00:04:00,600 --> 00:04:02,480 Speaker 6: They don't just have a kitchen where you get to 95 00:04:02,520 --> 00:04:04,240 Speaker 6: go and I feel like it's snack time. 96 00:04:04,360 --> 00:04:06,160 Speaker 2: Yeah, but when I get my meal baying cray over 97 00:04:06,200 --> 00:04:06,520 Speaker 2: the head. 98 00:04:07,040 --> 00:04:09,800 Speaker 6: You would be if you're wasting a food drugs. 99 00:04:09,920 --> 00:04:13,440 Speaker 1: If you're wasting food, number one, flip the table number two. 100 00:04:13,920 --> 00:04:16,920 Speaker 3: Because you're a hairy man, very popular. 101 00:04:16,600 --> 00:04:17,320 Speaker 2: In the showers. 102 00:04:17,560 --> 00:04:19,840 Speaker 3: No, we're just just a popular around the yard. Make 103 00:04:19,880 --> 00:04:20,520 Speaker 3: good it will laugh. 104 00:04:20,600 --> 00:04:22,839 Speaker 5: Yeah, could ride you, that's the thing. 105 00:04:23,080 --> 00:04:23,920 Speaker 3: I'd suck them in. 106 00:04:24,240 --> 00:04:27,880 Speaker 2: So I'd say come over here, I'll be your friend. 107 00:04:28,279 --> 00:04:31,240 Speaker 2: Not hairy back baby. So I'd suck them in. Next thing, 108 00:04:31,279 --> 00:04:35,000 Speaker 2: you know, kettle through the face? What coust of all? 109 00:04:36,680 --> 00:04:39,479 Speaker 1: There's no kettles, there's not there's not an abundance of 110 00:04:39,560 --> 00:04:40,920 Speaker 1: kettles in prison. 111 00:04:40,600 --> 00:04:42,719 Speaker 6: Mate, And how do you know that everyone else isn't 112 00:04:42,720 --> 00:04:44,240 Speaker 6: going to turn on you because you're not a guy 113 00:04:44,279 --> 00:04:46,479 Speaker 6: who would have like you would. 114 00:04:46,360 --> 00:04:47,919 Speaker 3: Not even look me in the eye. I'd be so 115 00:04:48,040 --> 00:04:49,560 Speaker 3: wild what you would be. 116 00:04:49,560 --> 00:04:50,880 Speaker 2: Ripping up sprinkler systems? 117 00:04:51,680 --> 00:04:52,719 Speaker 3: People? What are you in there for? 118 00:04:52,920 --> 00:04:53,280 Speaker 1: Fraud? 119 00:04:53,720 --> 00:04:55,560 Speaker 3: No one I'll ever know fashion. 120 00:04:55,560 --> 00:04:59,039 Speaker 1: I actually tell anyone they've actually worked out that you've 121 00:04:59,040 --> 00:05:01,200 Speaker 1: done ten years of a show and you've been done 122 00:05:01,240 --> 00:05:06,640 Speaker 1: for fraud. Anyway, Can I talk about Marcus Goodman? So 123 00:05:06,920 --> 00:05:10,120 Speaker 1: Marcus thirty one years of age, was released from prison 124 00:05:10,800 --> 00:05:13,200 Speaker 1: last week, Sarah at ten oh eight pm? 125 00:05:13,720 --> 00:05:17,800 Speaker 3: Thing is that a cab so much better in the morning? 126 00:05:19,640 --> 00:05:20,400 Speaker 3: Was a pm, wasn't it? 127 00:05:20,480 --> 00:05:20,640 Speaker 8: Yeah? 128 00:05:20,680 --> 00:05:24,919 Speaker 6: What an inappropriate time? No one's offering your left. 129 00:05:24,720 --> 00:05:26,840 Speaker 3: Time at Sarah. This is the thing. No one was 130 00:05:26,880 --> 00:05:27,600 Speaker 3: there to pick him. 131 00:05:27,520 --> 00:05:28,320 Speaker 5: Up because it's late. 132 00:05:29,240 --> 00:05:32,440 Speaker 1: It was like Brooks in sure shape redemption on the bus, 133 00:05:32,480 --> 00:05:34,440 Speaker 1: remember that bit o guid during that. 134 00:05:34,320 --> 00:05:35,800 Speaker 5: Bit because he had to get public change. 135 00:05:36,040 --> 00:05:38,039 Speaker 3: He was so scared. Sarah couldn't get a murder. 136 00:05:38,920 --> 00:05:45,359 Speaker 1: Marcus ten o eight pm ten thirty eight pm. Twenty 137 00:05:45,400 --> 00:05:52,680 Speaker 1: minutes later, Marcus car jacked a woman in a car. Well, 138 00:05:52,720 --> 00:05:54,440 Speaker 1: no one was going to be made out. He had 139 00:05:54,480 --> 00:05:57,800 Speaker 1: a gun in his T shirt. Said give me the car, 140 00:05:58,000 --> 00:06:00,000 Speaker 1: smash a kettle. Read for a bit of a joy. 141 00:06:00,240 --> 00:06:02,320 Speaker 1: I got busted straight. 142 00:06:02,040 --> 00:06:04,640 Speaker 3: Back into prison. As good, isn't it? Half an hour later, 143 00:06:04,720 --> 00:06:05,960 Speaker 3: be it's not even cold yet. 144 00:06:06,760 --> 00:06:09,120 Speaker 2: If you think about it, though, they're the only faces 145 00:06:09,160 --> 00:06:12,520 Speaker 2: you know. You've known the guards for long enough, you're 146 00:06:12,560 --> 00:06:15,680 Speaker 2: probably hooking up with one of the women that work there. 147 00:06:15,720 --> 00:06:18,680 Speaker 2: That happens a lot in prison. No more than you'd 148 00:06:18,680 --> 00:06:22,000 Speaker 2: think three times, three hundred times. You think you know 149 00:06:22,240 --> 00:06:25,719 Speaker 2: prison now, because I've been to I went to prison once. 150 00:06:26,920 --> 00:06:29,520 Speaker 3: I went and interviewed some prisoners. I told you this story. 151 00:06:29,640 --> 00:06:33,400 Speaker 2: Minimum security was in there for armed robbery. And he 152 00:06:33,520 --> 00:06:37,080 Speaker 2: spends twelve hours in his cellar day postcard bandit No, 153 00:06:38,640 --> 00:06:40,760 Speaker 2: And I said to him, mate, what's the toughest part 154 00:06:40,800 --> 00:06:43,120 Speaker 2: about being in prison? He said, knowing the cop that 155 00:06:43,120 --> 00:06:45,279 Speaker 2: put me behind bars took off with my wife. 156 00:06:46,040 --> 00:06:47,080 Speaker 3: Yeah tough. 157 00:06:47,320 --> 00:06:49,760 Speaker 2: Now there's a kettle in that it. 158 00:06:51,560 --> 00:06:54,680 Speaker 1: Let's do the TESTA challenge right now, the deep voice challenge. 159 00:06:54,720 --> 00:06:57,320 Speaker 1: This is where I've said to Sarah, got very nervous 160 00:06:57,320 --> 00:06:59,640 Speaker 1: with this. Tommy, you did as well. Can I say, 161 00:07:00,400 --> 00:07:03,800 Speaker 1: be disappointed with Fitz and Whip. We're gonna kick it 162 00:07:03,839 --> 00:07:07,359 Speaker 1: off with Whipper first. This is whippers attempt at test 163 00:07:07,760 --> 00:07:08,559 Speaker 1: Let's go down. 164 00:07:08,720 --> 00:07:13,440 Speaker 2: Let's go down to business one more night, one more night. 165 00:07:13,520 --> 00:07:14,760 Speaker 9: You got this, go u. 166 00:07:15,000 --> 00:07:19,160 Speaker 2: We've heard a million million it's just like this. 167 00:07:19,480 --> 00:07:21,880 Speaker 9: So let's go down. Let's get downs. 168 00:07:22,640 --> 00:07:24,800 Speaker 1: I Am not going to have a coffee with that guy. 169 00:07:24,920 --> 00:07:27,640 Speaker 1: That's this is my effort at it. 170 00:07:28,280 --> 00:07:38,440 Speaker 9: Let's get let's get sounds to get all it's just 171 00:07:38,680 --> 00:07:43,040 Speaker 9: like this. Arrest him, so let's get down. Let's get now. 172 00:07:43,520 --> 00:07:46,120 Speaker 1: I'm wondering if there is a bit of auto tune 173 00:07:46,160 --> 00:07:49,680 Speaker 1: in the actual Testo song, because Snitchy put a bit of. 174 00:07:49,640 --> 00:07:53,560 Speaker 3: Auto tune with his voice. Okay, and it sounds amazing. 175 00:07:53,680 --> 00:07:57,200 Speaker 2: Let's get let's that sounds cool. 176 00:07:57,200 --> 00:08:01,200 Speaker 3: It's not very low, it's not that good. Pretty sorry 177 00:08:01,280 --> 00:08:01,560 Speaker 3: man't you. 178 00:08:03,560 --> 00:08:07,440 Speaker 1: But you won't to be honest. Jermaine, who works on 179 00:08:07,480 --> 00:08:10,200 Speaker 1: the show. Jermaine is the one that does the fassa 180 00:08:10,400 --> 00:08:13,280 Speaker 1: impoliation has a very deep voice. 181 00:08:13,960 --> 00:08:17,280 Speaker 3: Was you know what. I wasn't impressed with this one. 182 00:08:17,360 --> 00:08:22,080 Speaker 9: Let's get down, let's get down to give you a monight, 183 00:08:22,280 --> 00:08:23,000 Speaker 9: one monnight. 184 00:08:23,200 --> 00:08:23,680 Speaker 8: Get this. 185 00:08:24,520 --> 00:08:29,200 Speaker 6: We've heard a moon, so. 186 00:08:29,280 --> 00:08:32,280 Speaker 3: Let's get down. Let's get down to should have stuck 187 00:08:32,360 --> 00:08:34,320 Speaker 3: with everything. The light touches as our kingdom. 188 00:08:34,480 --> 00:08:37,080 Speaker 1: I was impressed, and I think he takes out the competition. 189 00:08:37,520 --> 00:08:42,480 Speaker 1: Well done, Matthew degreed. I was impressed with your deep voice. 190 00:08:42,600 --> 00:08:45,720 Speaker 4: This is let's get down, let's get down to business. 191 00:08:46,600 --> 00:08:49,360 Speaker 4: Give you one more n one more night to get this. 192 00:08:50,280 --> 00:08:55,319 Speaker 4: We had a million million just like this, so let's 193 00:08:55,360 --> 00:08:57,000 Speaker 4: get down. Let's get down to. 194 00:08:58,760 --> 00:09:01,760 Speaker 3: This is this is where. This is where we bring 195 00:09:01,800 --> 00:09:03,840 Speaker 3: a bit of humor into it. Sarah. And you know what, 196 00:09:04,000 --> 00:09:06,920 Speaker 3: Sarah really reved herself up for this. I tried. 197 00:09:07,000 --> 00:09:08,719 Speaker 6: You asked for something that I was never going to 198 00:09:08,760 --> 00:09:09,920 Speaker 6: be able to do, so I tried. 199 00:09:10,120 --> 00:09:12,320 Speaker 3: I love your commitment, Sarah. Have a listen to this. 200 00:09:12,520 --> 00:09:14,200 Speaker 3: Let's go let's go down. 201 00:09:15,160 --> 00:09:22,400 Speaker 6: Just stop one more, one more not let us starts 202 00:09:22,640 --> 00:09:29,360 Speaker 6: just like, let's get down, let's go down. 203 00:09:28,240 --> 00:09:33,280 Speaker 3: Well. Tom is a lovely man. 204 00:09:35,200 --> 00:09:37,800 Speaker 1: When you give him a challenge to get down deep 205 00:09:37,800 --> 00:09:40,560 Speaker 1: and dirty, Tom finds it really hard. 206 00:09:41,320 --> 00:10:03,640 Speaker 7: Let's let's get down, might not? Let's try. 207 00:09:58,440 --> 00:10:01,520 Speaker 3: You're lucky a lucky wife, Tom. 208 00:10:03,080 --> 00:10:05,720 Speaker 1: If you want to see the video of us having 209 00:10:05,720 --> 00:10:07,520 Speaker 1: a crack at the t yes day challenge. You know 210 00:10:07,600 --> 00:10:09,640 Speaker 1: what the unfortunate thing is, you're going to have that 211 00:10:09,760 --> 00:10:11,360 Speaker 1: song in your head for the rest of the day. 212 00:10:11,440 --> 00:10:13,400 Speaker 5: Sorry about that, everyone, you're no good mate. 213 00:10:14,760 --> 00:10:17,079 Speaker 1: We've got an up and coming artist in the studio 214 00:10:17,200 --> 00:10:18,559 Speaker 1: now he's going to do really well. 215 00:10:18,800 --> 00:10:21,240 Speaker 3: He's got a huge future. This guy, his name is 216 00:10:21,320 --> 00:10:25,439 Speaker 3: Keith Urban, Keith well the buddy. 217 00:10:25,520 --> 00:10:27,080 Speaker 5: Good to see your folks that much here too. 218 00:10:27,800 --> 00:10:29,880 Speaker 1: You're back on the voice. We're excited about this. You've 219 00:10:29,880 --> 00:10:32,520 Speaker 1: got guy Sebastian with your reader or a Jess moul Boy. 220 00:10:32,800 --> 00:10:34,599 Speaker 3: How are they going? You're getting along with them or 221 00:10:34,600 --> 00:10:35,720 Speaker 3: do you hate their guts? Already? 222 00:10:36,040 --> 00:10:38,480 Speaker 5: Love them? They're actually excellent. It's a great panel. 223 00:10:38,640 --> 00:10:41,400 Speaker 3: Is it a little bit different than the American Idol because. 224 00:10:42,480 --> 00:10:44,400 Speaker 5: The first season of Idle at least, Yeah. 225 00:10:44,280 --> 00:10:47,120 Speaker 1: Sure, you were sitting in between Mariah Carey and Nicki 226 00:10:47,160 --> 00:10:49,439 Speaker 1: Minaj when all the fighting was going on, Yes, were 227 00:10:49,480 --> 00:10:51,560 Speaker 1: you just were you the middle men that had to 228 00:10:51,640 --> 00:10:52,880 Speaker 1: stop the fights or. 229 00:10:52,840 --> 00:10:53,320 Speaker 3: What was it? 230 00:10:53,440 --> 00:10:53,560 Speaker 4: Like? 231 00:10:53,720 --> 00:10:56,480 Speaker 8: I suddenly realized all these years of playing the pubs 232 00:10:56,520 --> 00:10:57,800 Speaker 8: up and Brizzy of paying off. 233 00:10:58,800 --> 00:11:00,080 Speaker 5: This is like a Friday. 234 00:10:59,840 --> 00:11:06,560 Speaker 2: Night someone's trying to scoon. 235 00:11:07,240 --> 00:11:07,760 Speaker 7: What what? 236 00:11:07,760 --> 00:11:10,480 Speaker 3: What was that all over? Why were they fighting so much? 237 00:11:10,520 --> 00:11:11,040 Speaker 3: Those two? 238 00:11:11,880 --> 00:11:13,320 Speaker 5: I mean it was it was a real set up. 239 00:11:13,679 --> 00:11:16,000 Speaker 8: I think they just they were you know, Paul Mariah 240 00:11:16,080 --> 00:11:18,079 Speaker 8: was sort of I think under the impression and rightly 241 00:11:18,120 --> 00:11:19,560 Speaker 8: so that she was the only girl on the panel. 242 00:11:20,320 --> 00:11:22,240 Speaker 8: And then at the last second they did a little 243 00:11:22,800 --> 00:11:24,880 Speaker 8: they'll switcheroo and threw Nikki into the mix. 244 00:11:25,320 --> 00:11:26,760 Speaker 2: As it turns out, we've got good TV. 245 00:11:27,400 --> 00:11:30,000 Speaker 8: Yes, it was all designed to make great TV, but 246 00:11:30,040 --> 00:11:31,720 Speaker 8: it just went a bit pair shape. 247 00:11:32,160 --> 00:11:33,280 Speaker 2: Up to that experience. 248 00:11:33,360 --> 00:11:35,320 Speaker 6: Do you now ask for full approval? 249 00:11:35,400 --> 00:11:38,040 Speaker 5: First panel? Were you first on the boys? 250 00:11:38,240 --> 00:11:39,319 Speaker 6: You've approved everyone else? 251 00:11:39,320 --> 00:11:40,040 Speaker 3: You didn't want Guy? 252 00:11:40,120 --> 00:11:41,920 Speaker 5: Did you Guy? 253 00:11:42,440 --> 00:11:42,600 Speaker 2: Yeah? 254 00:11:42,640 --> 00:11:45,200 Speaker 5: Because he's just so com What an animal? 255 00:11:45,640 --> 00:11:48,480 Speaker 8: An unpredictable and just emotional rollercoaster. 256 00:11:49,600 --> 00:11:51,240 Speaker 2: What's the most nervous gig you've ever done? 257 00:11:51,679 --> 00:11:52,360 Speaker 5: This one? 258 00:11:53,240 --> 00:11:54,160 Speaker 3: How's it going for you? 259 00:11:54,559 --> 00:11:57,520 Speaker 5: Terrified? The last your chairs have turns? So that's good. 260 00:11:57,640 --> 00:12:01,640 Speaker 5: We're all around, I reckon. 261 00:12:01,640 --> 00:12:04,079 Speaker 8: The hardest gig I did was I played an airport? 262 00:12:04,760 --> 00:12:05,960 Speaker 2: Oh wow, this was The. 263 00:12:05,840 --> 00:12:08,960 Speaker 8: Worst situation ever had a you know, questionable manager who's 264 00:12:08,960 --> 00:12:10,640 Speaker 8: set up some sort of dodgy deal for a. 265 00:12:10,640 --> 00:12:12,240 Speaker 3: Couple of three airfares. 266 00:12:12,520 --> 00:12:13,760 Speaker 5: We got to do is playing that plane. 267 00:12:13,800 --> 00:12:17,800 Speaker 8: It was at the Tamworth Airport, the Mecca, and it 268 00:12:17,920 --> 00:12:18,120 Speaker 8: was a. 269 00:12:18,200 --> 00:12:20,480 Speaker 5: Regional Tamworth airport. It just opened up. 270 00:12:21,160 --> 00:12:23,520 Speaker 8: So we get there, me and my three piece bands, 271 00:12:23,520 --> 00:12:25,240 Speaker 8: and they go where do we set up? And they go, 272 00:12:25,360 --> 00:12:27,640 Speaker 8: I see the baggage carousel, and you know that little 273 00:12:27,679 --> 00:12:30,439 Speaker 8: carpeted area on the middle top of the baggage You 274 00:12:30,520 --> 00:12:33,720 Speaker 8: know that little strip of carpet. 275 00:12:33,720 --> 00:12:36,440 Speaker 5: Can you set up on that strip of carpet? You think? 276 00:12:36,920 --> 00:12:39,400 Speaker 8: So we go, all right, So we set up on there, 277 00:12:40,160 --> 00:12:42,520 Speaker 8: and I go, when do we start against We'll start now, 278 00:12:42,559 --> 00:12:47,720 Speaker 8: I said, nobody here he goes that wandering. I'm like, okay, 279 00:12:47,800 --> 00:12:51,160 Speaker 8: So we start singing. Sure enough, a couple of people wandering, 280 00:12:51,200 --> 00:12:53,320 Speaker 8: then a few more than a few. We've got a 281 00:12:53,320 --> 00:12:54,960 Speaker 8: bit of a crowd happening here. And all right, as 282 00:12:55,000 --> 00:12:59,400 Speaker 8: I'm getting into it, all the bags duck and they 283 00:12:59,440 --> 00:12:59,960 Speaker 8: all got their. 284 00:13:01,520 --> 00:13:02,920 Speaker 3: Flugs just landed from Perth. 285 00:13:06,320 --> 00:13:09,040 Speaker 1: I've also going to double plaster the baggage carousel at 286 00:13:11,760 --> 00:13:12,840 Speaker 1: Kelly was giving us a call. 287 00:13:12,960 --> 00:13:15,840 Speaker 3: Do you want to go and see Keith Eban live at. 288 00:13:15,679 --> 00:13:19,360 Speaker 5: The time with airport? I don't care where I see. 289 00:13:19,200 --> 00:13:23,000 Speaker 2: You, Kelly on your kell you've got a couple of tickets. 290 00:13:23,000 --> 00:13:24,920 Speaker 3: Well done, you get some free. 291 00:13:24,840 --> 00:13:25,600 Speaker 5: Luggage with that. 292 00:13:27,200 --> 00:13:29,040 Speaker 3: Have you seen Keith before killing? 293 00:13:30,080 --> 00:13:30,320 Speaker 1: No? 294 00:13:31,160 --> 00:13:32,880 Speaker 3: Well this sound a bit excited, Kel. 295 00:13:32,920 --> 00:13:36,080 Speaker 6: Yeah, I am shaking like no tomorrow. 296 00:13:36,280 --> 00:13:38,000 Speaker 3: Who are you going to? You got a double? Who 297 00:13:38,040 --> 00:13:39,040 Speaker 3: will you take with you? Kill? 298 00:13:40,600 --> 00:13:42,560 Speaker 7: I'm not sure because there's going to be. 299 00:13:42,559 --> 00:13:43,360 Speaker 5: A fight in the house. 300 00:13:43,679 --> 00:13:47,400 Speaker 8: Here we go between whom my daughters? 301 00:13:48,440 --> 00:13:49,360 Speaker 3: How many you got, kel? 302 00:13:49,440 --> 00:13:50,840 Speaker 2: How many daughters? 303 00:13:50,840 --> 00:13:52,320 Speaker 3: Two daughters? 304 00:13:52,440 --> 00:13:54,680 Speaker 4: Just become a grandma? 305 00:13:54,800 --> 00:13:56,520 Speaker 3: Can we can we throw in another one? 306 00:13:56,720 --> 00:13:57,400 Speaker 2: We all? 307 00:13:57,880 --> 00:13:58,400 Speaker 3: Can we do this? 308 00:13:58,559 --> 00:13:59,160 Speaker 5: Just give them all? 309 00:14:00,840 --> 00:14:03,439 Speaker 8: I mean, it's been a it's been a ten year 310 00:14:03,480 --> 00:14:04,600 Speaker 8: her families already. 311 00:14:04,960 --> 00:14:06,040 Speaker 5: Look it's not add to that. 312 00:14:06,360 --> 00:14:07,080 Speaker 6: Got no idea? 313 00:14:07,240 --> 00:14:08,000 Speaker 7: Oh my gosh. 314 00:14:08,080 --> 00:14:13,600 Speaker 3: How many of you got in? The's gone out? 315 00:14:13,880 --> 00:14:14,200 Speaker 5: Sorry? 316 00:14:15,160 --> 00:14:18,760 Speaker 6: There is that there is my daughter's husband? 317 00:14:19,360 --> 00:14:20,720 Speaker 5: Sixty four tickets later? 318 00:14:22,120 --> 00:14:25,080 Speaker 1: No, No, would you like a meet and great? 319 00:14:26,080 --> 00:14:27,640 Speaker 5: You know what, We're just going to hook you up, Kelly. 320 00:14:27,720 --> 00:14:29,640 Speaker 8: Tell us what you need and we will take care 321 00:14:29,640 --> 00:14:31,200 Speaker 8: of it, I promise you. 322 00:14:31,400 --> 00:14:34,320 Speaker 5: Yeah. Serious, serious, You've got no idea. 323 00:14:34,400 --> 00:14:36,200 Speaker 6: You wrote parallel lines for me. 324 00:14:36,640 --> 00:14:39,080 Speaker 5: Oh that's beautiful, that's really nice. 325 00:14:39,080 --> 00:14:39,960 Speaker 7: You have no idea. 326 00:14:40,320 --> 00:14:41,320 Speaker 3: That is a great song. 327 00:14:41,400 --> 00:14:52,880 Speaker 8: Take a little bit of singer to m Kelly hot. 328 00:14:44,800 --> 00:14:50,280 Speaker 2: And we're also going to throw in a hotel room 329 00:14:50,280 --> 00:14:50,960 Speaker 2: with Keith. 330 00:14:52,320 --> 00:14:54,400 Speaker 3: Just for the two of you. 331 00:14:54,800 --> 00:14:59,080 Speaker 5: Nicole can come for you. Wow, she is wild girl, 332 00:14:59,160 --> 00:14:59,600 Speaker 5: isn't she? 333 00:15:00,160 --> 00:15:00,800 Speaker 3: Rumor is right? 334 00:15:01,480 --> 00:15:09,240 Speaker 1: Mariah Carey, Mariah details Keith, you are a gym. Thank 335 00:15:09,280 --> 00:15:10,360 Speaker 1: you very much for coming. 336 00:15:10,120 --> 00:15:10,760 Speaker 5: Anytime, lady. 337 00:15:10,920 --> 00:15:11,240 Speaker 3: Thank you. 338 00:15:11,240 --> 00:15:12,240 Speaker 5: Guys. 339 00:15:12,960 --> 00:15:16,720 Speaker 3: Let's check in on Phil Collins. Guys, what a song. 340 00:15:16,920 --> 00:15:19,040 Speaker 2: I don't think I've ever seen Phil Colin smile. 341 00:15:19,400 --> 00:15:23,760 Speaker 1: Well, he's my favorite album Onlins is no jacket requie? 342 00:15:23,920 --> 00:15:26,360 Speaker 3: Sure, I'm interested in that dinner. 343 00:15:27,440 --> 00:15:28,000 Speaker 2: You know what I mean? 344 00:15:28,960 --> 00:15:31,800 Speaker 1: No, you you are not interested because you love a 345 00:15:31,880 --> 00:15:33,440 Speaker 1: jacket jacket entire requiet. 346 00:15:33,480 --> 00:15:34,040 Speaker 2: I'm interested. 347 00:15:34,160 --> 00:15:36,760 Speaker 3: How's the grub the Glee club going? 348 00:15:36,840 --> 00:15:40,240 Speaker 2: Grub Pop's really good mate? Four official founding members myself, 349 00:15:40,360 --> 00:15:43,480 Speaker 2: Tom Ivy, mister Hamish Blake and also Ryan Shelton. 350 00:15:43,640 --> 00:15:47,880 Speaker 3: We have embroidered embroidered white shirts. Yeah, you do your 351 00:15:47,960 --> 00:15:48,840 Speaker 3: names for each other. 352 00:15:49,040 --> 00:15:51,400 Speaker 2: Well, you get to choose the title your own title, 353 00:15:51,920 --> 00:15:54,880 Speaker 2: and then you are well and then the street name 354 00:15:54,920 --> 00:15:56,720 Speaker 2: that you lived in the most. So I'm the honorable 355 00:15:56,800 --> 00:16:01,440 Speaker 2: round Fairly Hamish is Brigadier Barkley Chelze is Lord Wellington 356 00:16:01,600 --> 00:16:06,080 Speaker 2: and Tommy's snipean highway. 357 00:16:06,840 --> 00:16:09,040 Speaker 3: What's the chant that you guys. 358 00:16:08,800 --> 00:16:11,680 Speaker 2: Do move by food? Look, if you're not part of 359 00:16:11,720 --> 00:16:15,000 Speaker 2: an eating group, mate, and you're feeling left out, no need. 360 00:16:14,840 --> 00:16:16,360 Speaker 3: To start firing off bulleteers. 361 00:16:16,400 --> 00:16:18,520 Speaker 1: It's the unfortunate thing with you. You're a part of 362 00:16:18,760 --> 00:16:21,880 Speaker 1: a numerous eating groups over. 363 00:16:21,920 --> 00:16:22,880 Speaker 6: Ita is anonymous. 364 00:16:23,920 --> 00:16:25,080 Speaker 2: You're jumping you know, mate? 365 00:16:25,440 --> 00:16:27,920 Speaker 6: Sorry, felt mean to leave fits you out there. 366 00:16:27,840 --> 00:16:31,960 Speaker 2: Alone while he was attacking me my grub club friends. 367 00:16:31,960 --> 00:16:34,080 Speaker 2: Sorry mate, And if you're looking for an invite, that's 368 00:16:34,080 --> 00:16:35,560 Speaker 2: not the way to go about it. 369 00:16:35,560 --> 00:16:42,560 Speaker 3: It's goods. 370 00:16:41,080 --> 00:16:41,920 Speaker 2: For your submission. 371 00:16:42,120 --> 00:16:45,800 Speaker 6: Jackets being made requires. 372 00:16:46,840 --> 00:16:53,160 Speaker 2: Let's go back to Phil Collins close his ex wife Orian. 373 00:16:53,400 --> 00:16:57,080 Speaker 6: How do I say that ORI's one of five? 374 00:16:57,560 --> 00:17:03,480 Speaker 1: Not Orithya, not Orient, Phil Colin's Orient. 375 00:17:03,800 --> 00:17:06,400 Speaker 2: Here's the thing they have separated. And the weird part 376 00:17:06,440 --> 00:17:08,600 Speaker 2: about this story was, and we were discussing it during 377 00:17:08,640 --> 00:17:12,720 Speaker 2: your news a while ago, says that Ori Ori Anne, 378 00:17:12,800 --> 00:17:16,159 Speaker 2: let's call it oh Ori Anne and the new bloke, 379 00:17:16,240 --> 00:17:18,800 Speaker 2: the new Hobby had been living in Phil Collins's house. 380 00:17:18,920 --> 00:17:22,760 Speaker 2: That's right, fifty million dollars, but it was so separate wings. 381 00:17:22,800 --> 00:17:25,159 Speaker 1: Yeah, he Field didn't even get to see the philm 382 00:17:25,240 --> 00:17:26,399 Speaker 1: You still wouldn't be happy. 383 00:17:26,760 --> 00:17:29,680 Speaker 2: What's my wife up to tonight? Another guy over there 384 00:17:29,680 --> 00:17:32,000 Speaker 2: in room forty five that was. 385 00:17:31,920 --> 00:17:34,080 Speaker 6: Like Jamie Fox's parents. Remember he said they live in 386 00:17:34,119 --> 00:17:37,040 Speaker 6: different wings of his house and they both date other people. 387 00:17:37,160 --> 00:17:37,440 Speaker 5: Really. 388 00:17:37,600 --> 00:17:41,240 Speaker 2: Yeah, Anyway, she's decided in this bit of divorce to 389 00:17:41,280 --> 00:17:43,480 Speaker 2: take all this stuff and is now selling it out 390 00:17:43,520 --> 00:17:46,640 Speaker 2: of his control. She is selling it so gold albums, 391 00:17:47,320 --> 00:17:48,000 Speaker 2: that's brutal. 392 00:17:48,119 --> 00:17:50,440 Speaker 3: No pre nut require, no prenut record. 393 00:17:50,640 --> 00:17:53,520 Speaker 6: But this is the second time he's divorced this woman, 394 00:17:53,640 --> 00:17:56,240 Speaker 6: So she got the payout the first time, and now 395 00:17:56,280 --> 00:17:57,080 Speaker 6: she's done. 396 00:17:57,119 --> 00:17:59,879 Speaker 3: Well, I mean he's got it. He's got Rolex Watcher, 397 00:18:00,600 --> 00:18:02,639 Speaker 3: he's got five hundred pairs of shoes. 398 00:18:03,520 --> 00:18:07,359 Speaker 2: There's a ten point thirty five carrot diamond estimated at 399 00:18:07,480 --> 00:18:09,600 Speaker 2: eight hundred thousand dollars. 400 00:18:10,080 --> 00:18:13,320 Speaker 6: I wonder where she gets that. We have kids at 401 00:18:13,359 --> 00:18:15,560 Speaker 6: an age that need no money. 402 00:18:15,720 --> 00:18:18,320 Speaker 2: But then all his stuff that means more to him, 403 00:18:18,359 --> 00:18:22,119 Speaker 2: like the gold records and the albums. She's just selling 404 00:18:22,119 --> 00:18:26,000 Speaker 2: them for a hundred bucks like their scrap, rubbing it in. 405 00:18:26,440 --> 00:18:29,280 Speaker 2: But she's not interested in the music and anything that's quality. 406 00:18:29,760 --> 00:18:32,399 Speaker 2: She's selling that too, anything that has any memory of 407 00:18:32,440 --> 00:18:34,800 Speaker 2: the two of them together, after what she's already taken 408 00:18:34,840 --> 00:18:38,159 Speaker 2: from two divorces. She's chasing the extra dollars from the scrap. 409 00:18:38,200 --> 00:18:38,760 Speaker 1: On the side. 410 00:18:38,920 --> 00:18:43,920 Speaker 3: It was probably probably Keane just to offline, you take 411 00:18:43,960 --> 00:18:46,080 Speaker 3: what you want. I need you out of my life. 412 00:18:46,320 --> 00:18:47,800 Speaker 3: Does that mean she's out of the wing now? 413 00:18:47,920 --> 00:18:50,200 Speaker 2: She's still in there, she's out, she's gone. He's gone, 414 00:18:50,240 --> 00:18:54,159 Speaker 2: she's gone. His gear's gone. Phil Is single could be 415 00:18:54,200 --> 00:18:57,200 Speaker 2: the next Batchelor, Phil. 416 00:18:57,000 --> 00:18:59,679 Speaker 5: Collins White's mag six. Will he get a prenup? 417 00:19:00,040 --> 00:19:05,080 Speaker 2: All that gets out of the car, still not smiling, 418 00:19:05,560 --> 00:19:06,520 Speaker 2: still not smiling. 419 00:19:08,520 --> 00:19:10,320 Speaker 3: A cappella I mean, I don't mind it. 420 00:19:10,359 --> 00:19:12,480 Speaker 1: Remember we got that A cappella group in for Maddie 421 00:19:12,480 --> 00:19:13,720 Speaker 1: to group while he was reading his. 422 00:19:16,000 --> 00:19:19,120 Speaker 2: Followed him around. 423 00:19:23,440 --> 00:19:25,399 Speaker 3: I did like that A little bit in the middle 424 00:19:25,600 --> 00:19:27,400 Speaker 3: was it's good enough? Depressingly catched. 425 00:19:27,560 --> 00:19:29,240 Speaker 2: They follow you to the gym that day, though kind 426 00:19:29,240 --> 00:19:29,679 Speaker 2: of everywhere. 427 00:19:29,720 --> 00:19:32,199 Speaker 5: When they went to the gym, they came to my house. 428 00:19:32,840 --> 00:19:34,240 Speaker 3: They went to the cafe. 429 00:19:34,960 --> 00:19:37,800 Speaker 5: The whole day was dedicated to always What a waste 430 00:19:37,800 --> 00:19:38,480 Speaker 5: of a day for them. 431 00:19:38,880 --> 00:19:41,760 Speaker 3: I always wanted to be baritone. You know, Simon the 432 00:19:41,800 --> 00:19:44,320 Speaker 3: red Wigge, Remember the guy from Boys to Men? There 433 00:19:44,400 --> 00:19:49,719 Speaker 3: was the guy tool guy into the road, great him 434 00:19:49,800 --> 00:19:52,040 Speaker 3: under the pump. You want to be that real deep 435 00:19:52,240 --> 00:19:53,840 Speaker 3: ballsy bar you don't? 436 00:19:53,880 --> 00:19:56,119 Speaker 2: You just think how big is that guy's plumps? 437 00:19:56,359 --> 00:19:59,520 Speaker 3: This is God? Have I listened to this talented a 438 00:19:59,520 --> 00:20:00,280 Speaker 3: cappella rope? 439 00:20:00,359 --> 00:20:05,359 Speaker 1: Because they have mastered the sounds that come out of 440 00:20:05,480 --> 00:20:07,000 Speaker 1: Windows on your computer. 441 00:20:09,040 --> 00:20:10,520 Speaker 3: This is this is humans. 442 00:20:10,760 --> 00:20:14,240 Speaker 1: Yes, okay, so this is Windows XP opening up. 443 00:20:17,320 --> 00:20:19,080 Speaker 3: It's pretty good. It's not bad. Is that good? 444 00:20:19,320 --> 00:20:21,520 Speaker 1: What about when you work about when you put your 445 00:20:21,640 --> 00:20:29,679 Speaker 1: USB in? That's a couple of girls. 446 00:20:29,680 --> 00:20:33,240 Speaker 3: So bad? This is you always get this one. Something 447 00:20:33,280 --> 00:20:34,880 Speaker 3: goes wrong with the computer and the error. 448 00:20:38,520 --> 00:20:40,960 Speaker 5: That's really clever. 449 00:20:41,440 --> 00:20:42,840 Speaker 3: It's got the year to work that out. 450 00:20:42,880 --> 00:20:45,679 Speaker 1: That's pretty good. What about yeah, we all we you 451 00:20:45,760 --> 00:20:47,760 Speaker 1: have to empty your trash every just in free up 452 00:20:47,800 --> 00:20:48,240 Speaker 1: some space. 453 00:20:48,280 --> 00:20:54,640 Speaker 3: And they can't do the bin. That's that's not through 454 00:20:54,680 --> 00:20:57,800 Speaker 3: their mouths. BJ's just gone through my search history. Better 455 00:20:57,800 --> 00:21:02,320 Speaker 3: get rid of that. Wow, this is Windows shutting down. 456 00:21:05,440 --> 00:21:10,239 Speaker 3: It's pretty good. You could do concerts with that thing. 457 00:21:10,359 --> 00:21:12,680 Speaker 6: Worse than how they spent their days, how you spent 458 00:21:12,760 --> 00:21:13,480 Speaker 6: yours looking for 459 00:21:13,560 --> 00:21:15,240 Speaker 5: The fits in whipper