1 00:00:05,921 --> 00:00:07,281 Speaker 1: Approache production. 2 00:00:15,121 --> 00:00:18,281 Speaker 2: So when when you finished filming, did it affect your 3 00:00:18,320 --> 00:00:20,040 Speaker 2: next role on your on a on A on a 4 00:00:20,121 --> 00:00:20,721 Speaker 2: TV show. 5 00:00:20,961 --> 00:00:22,161 Speaker 3: No, no, you can. 6 00:00:22,081 --> 00:00:26,081 Speaker 1: Just change because straight after that it took a bit 7 00:00:26,081 --> 00:00:28,121 Speaker 1: of time. But then after that I went into playing 8 00:00:28,121 --> 00:00:31,241 Speaker 1: a copper in Catching My Lap, the story of I Lad, 9 00:00:31,761 --> 00:00:35,160 Speaker 1: and then from My Lad, I went to uh, playing 10 00:00:35,281 --> 00:00:38,161 Speaker 1: Peanut in the Peter Brock story. And then from the 11 00:00:38,161 --> 00:00:42,521 Speaker 1: Peter Brock story, I did something else that I did 12 00:00:42,721 --> 00:00:44,841 Speaker 1: good fruit change and the rest of it. No, I 13 00:00:44,881 --> 00:00:47,240 Speaker 1: did the Secret Daughter. Oh yes, yea, I did the 14 00:00:47,321 --> 00:00:49,480 Speaker 1: Secret Daughter. Then I did Sea Change, and then from 15 00:00:49,521 --> 00:00:51,040 Speaker 1: Sea Change I went into Home and Away. 16 00:00:51,601 --> 00:00:53,281 Speaker 3: Oh you missed australiaan Gangster. 17 00:00:53,200 --> 00:00:57,121 Speaker 1: And again against my apologies, yeah, straighting Gangsterstlian Gangster, Sholian 18 00:00:57,161 --> 00:00:58,161 Speaker 1: Gangster another one. 19 00:00:58,840 --> 00:01:00,801 Speaker 2: I actually thought your role in that was actually better 20 00:01:00,840 --> 00:01:03,481 Speaker 2: than what you did in an Underbelly only just the 21 00:01:03,521 --> 00:01:06,521 Speaker 2: fact is that was a you that I've never seen 22 00:01:06,561 --> 00:01:08,481 Speaker 2: before on a on a TV. 23 00:01:08,281 --> 00:01:15,280 Speaker 1: Show, which playing uh yeah, oh that's interesting because. 24 00:01:15,241 --> 00:01:18,440 Speaker 2: Even though you played Sam Abraham very good, this was 25 00:01:18,481 --> 00:01:21,640 Speaker 2: a different you where and I remember the text messes 26 00:01:21,640 --> 00:01:25,201 Speaker 2: I I'll be sending you like you know, a line. 27 00:01:24,961 --> 00:01:26,161 Speaker 3: Of co what the fuck you do? 28 00:01:28,081 --> 00:01:29,961 Speaker 2: Like you're the type of person to say to the 29 00:01:30,041 --> 00:01:31,761 Speaker 2: producer on a TV I'm doing that. 30 00:01:31,840 --> 00:01:33,481 Speaker 3: No, no, I'm not doing that, bro, you know what 31 00:01:33,481 --> 00:01:35,720 Speaker 3: I mean? And you did it. It's like, fucking hell, 32 00:01:35,840 --> 00:01:36,441 Speaker 3: go for gold. 33 00:01:38,521 --> 00:01:39,881 Speaker 1: Well, that's what that comes about. 34 00:01:39,920 --> 00:01:41,200 Speaker 3: That's that's that's that's. 35 00:01:41,041 --> 00:01:42,681 Speaker 2: Gotta take you on a Saturday nights out more often, 36 00:01:45,481 --> 00:01:50,841 Speaker 2: maybe this weekend. But and then you know, you're just 37 00:01:50,841 --> 00:01:53,881 Speaker 2: a different way of the way you're acting in this 38 00:01:54,041 --> 00:01:56,081 Speaker 2: Like I've never seen you swear so much in a 39 00:01:56,081 --> 00:01:58,201 Speaker 2: TV show. I've never seen you go out of your 40 00:01:58,241 --> 00:01:59,961 Speaker 2: comfort zone so much, you know what I mean? 41 00:02:00,001 --> 00:02:03,160 Speaker 1: And that Yeah, but that's that's what that's what was. 42 00:02:02,561 --> 00:02:03,801 Speaker 3: Yeah, that was. 43 00:02:03,481 --> 00:02:07,401 Speaker 1: Was was was need it, you know, That's what was. 44 00:02:07,441 --> 00:02:10,641 Speaker 1: That's what I think was. Well. Personally, you joy that role, 45 00:02:10,761 --> 00:02:14,680 Speaker 1: oh yeah, more than well no way, still enjoyed doing 46 00:02:14,721 --> 00:02:16,960 Speaker 1: oh yeah yeah yeah yeah. And the reason is is 47 00:02:17,041 --> 00:02:19,161 Speaker 1: because I was working with some really good people too. 48 00:02:19,201 --> 00:02:22,400 Speaker 1: You know. The great thing about the training Gangster, I 49 00:02:22,441 --> 00:02:24,561 Speaker 1: know you're going to go, oh yeah, I'm softening it up, mate. 50 00:02:25,161 --> 00:02:27,921 Speaker 1: I've been pretty blessed, right, I've been very blessed that 51 00:02:28,041 --> 00:02:29,921 Speaker 1: a lot of the times, the people that I work 52 00:02:30,001 --> 00:02:33,761 Speaker 1: with are just being like down to earth, down to earth, 53 00:02:33,800 --> 00:02:36,721 Speaker 1: and we're all there for a common purpose, just to 54 00:02:36,761 --> 00:02:39,721 Speaker 1: do the best we possibly can. You generally find that 55 00:02:40,800 --> 00:02:42,681 Speaker 1: I generally find that a lot of the stuff that 56 00:02:42,721 --> 00:02:46,161 Speaker 1: I have been lucky enough to have done, we are 57 00:02:46,641 --> 00:02:49,401 Speaker 1: we are very creative kind of people, and we just 58 00:02:49,561 --> 00:02:52,120 Speaker 1: really want to do the best we can. I treat 59 00:02:52,201 --> 00:02:55,241 Speaker 1: every job like it's my last and that's it. You know, 60 00:02:55,321 --> 00:02:57,401 Speaker 1: I haven't actually worked for five years, to be honest 61 00:02:57,441 --> 00:02:59,441 Speaker 1: with you, So the last thing I did was was 62 00:02:59,441 --> 00:03:01,441 Speaker 1: Home and Away. I haven't worked for five years, and 63 00:03:01,520 --> 00:03:02,721 Speaker 1: I treat that job. 64 00:03:03,281 --> 00:03:05,520 Speaker 3: What have you been doing? Lining up potentially? Yeah, down 65 00:03:05,520 --> 00:03:06,001 Speaker 3: to the radio? 66 00:03:06,441 --> 00:03:11,561 Speaker 1: I like, yeah, so yeah, no, I've been doing my 67 00:03:11,561 --> 00:03:13,801 Speaker 1: weddings of that. But yeah, so but like I put 68 00:03:13,881 --> 00:03:18,761 Speaker 1: everything I possibly could in playing dimitipoolas, which is you know, 69 00:03:18,881 --> 00:03:21,041 Speaker 1: he was in Home and Away a while back, and 70 00:03:21,081 --> 00:03:23,240 Speaker 1: he came back again, and I treat it as if 71 00:03:23,641 --> 00:03:25,161 Speaker 1: my last gig. You know, that's it. 72 00:03:25,921 --> 00:03:26,880 Speaker 3: Did you like coming a week? 73 00:03:27,121 --> 00:03:29,881 Speaker 1: Oh yeah? Oh yeah, I'll tell you why I liked 74 00:03:29,881 --> 00:03:33,601 Speaker 1: Home and Away. Everyone turns their nose up at Home 75 00:03:33,641 --> 00:03:36,241 Speaker 1: and Away, right, and they go don away the stupid 76 00:03:36,281 --> 00:03:38,601 Speaker 1: solid lines. They always say the same things. But I'll 77 00:03:38,601 --> 00:03:42,521 Speaker 1: tell you what if you actually put yourself there and 78 00:03:42,641 --> 00:03:47,761 Speaker 1: see what those guys go through, like for one week, right, 79 00:03:48,281 --> 00:03:51,681 Speaker 1: you would literally you just you'd fall down with exhaustion, 80 00:03:52,761 --> 00:03:56,121 Speaker 1: being exhausted, kind of save the bloody word. Right. The 81 00:03:56,161 --> 00:03:59,761 Speaker 1: reason is they are doing like literally from five o'clock 82 00:03:59,761 --> 00:04:01,321 Speaker 1: in the mor or some Not only that, but they're 83 00:04:01,361 --> 00:04:06,041 Speaker 1: doing like five to six grips in one hit. Like 84 00:04:06,761 --> 00:04:09,921 Speaker 1: one minute they're like script number six and then the 85 00:04:09,961 --> 00:04:12,801 Speaker 1: next minute they're script number one. Next day there is 86 00:04:12,881 --> 00:04:15,241 Speaker 1: script number two. They're coming back to script number six. 87 00:04:15,601 --> 00:04:17,481 Speaker 1: Like you just they're just over the place, you know, 88 00:04:17,881 --> 00:04:20,161 Speaker 1: do you know what I mean? Like I'm not the 89 00:04:20,201 --> 00:04:23,961 Speaker 1: exact that they're once, yeah, but they're just from They're 90 00:04:24,001 --> 00:04:26,561 Speaker 1: like from here to there. Then they're coming back and 91 00:04:26,641 --> 00:04:28,681 Speaker 1: they're going there. They're going here and they're going there. 92 00:04:28,880 --> 00:04:31,281 Speaker 1: Myself being you know, like just a guest you that's 93 00:04:31,320 --> 00:04:33,921 Speaker 1: coming in, right, I can have my stuff prepared, but 94 00:04:34,041 --> 00:04:36,441 Speaker 1: can you imagine doing that for five like some of 95 00:04:36,481 --> 00:04:38,041 Speaker 1: those guys have been doing it for how many years? 96 00:04:38,121 --> 00:04:38,601 Speaker 3: Yeah? 97 00:04:38,761 --> 00:04:42,080 Speaker 1: Ten years? No wonder why they run around like like 98 00:04:42,201 --> 00:04:45,401 Speaker 1: crazy because they're just where are you supposed to be? Like, 99 00:04:45,721 --> 00:04:47,921 Speaker 1: how do you keep tabs of the character? You can't. 100 00:04:48,481 --> 00:04:51,441 Speaker 2: You just can't name of your top three shows that 101 00:04:51,481 --> 00:04:55,521 Speaker 2: you've done, the top three of everything you've done, namely 102 00:04:55,641 --> 00:04:57,401 Speaker 2: your first to seconds or third. 103 00:04:57,681 --> 00:04:58,681 Speaker 1: I can't, Yes she can. 104 00:04:58,841 --> 00:04:59,721 Speaker 3: I can't, Yes she can. 105 00:04:59,880 --> 00:05:00,320 Speaker 1: I can't. 106 00:05:01,161 --> 00:05:01,641 Speaker 3: Yeah she can. 107 00:05:01,721 --> 00:05:04,241 Speaker 1: I can't because they're all unique in their own way. Well, 108 00:05:04,320 --> 00:05:08,121 Speaker 1: just fucking name you man. You know what I'm gonna 109 00:05:08,161 --> 00:05:09,641 Speaker 1: go with the Let me just let me just let 110 00:05:09,681 --> 00:05:12,921 Speaker 1: me just say right, you cannot name the top three 111 00:05:13,001 --> 00:05:16,321 Speaker 1: that doesn't exist because each role has its own unique thing. 112 00:05:16,561 --> 00:05:18,321 Speaker 3: You must have a favor. 113 00:05:18,361 --> 00:05:21,481 Speaker 1: You're done walk the talk, Joey Grass I can tell 114 00:05:21,481 --> 00:05:26,481 Speaker 1: you Sam Ibrahim or Harry Hammer in Underbelly, Peanut, the 115 00:05:27,001 --> 00:05:31,121 Speaker 1: Peter Brock Story, fantastic playing Lester Lies in Australian Gangsty. 116 00:05:31,241 --> 00:05:33,320 Speaker 1: That's just that, I mean, I was I did something with. 117 00:05:34,361 --> 00:05:35,961 Speaker 2: The rest of you're all dead in so well they 118 00:05:36,001 --> 00:05:40,160 Speaker 2: can't be that one's so you're playing at dead person 119 00:05:40,281 --> 00:05:41,841 Speaker 2: most of them. You said at the start, Yeah, I know, 120 00:05:41,961 --> 00:05:43,481 Speaker 2: but you know what I mean, Like I reckon to 121 00:05:43,521 --> 00:05:46,801 Speaker 2: me my top three? Yeah, okay for you hit me up? 122 00:05:47,521 --> 00:05:51,561 Speaker 2: Would be Sam Abraham. First, Well, if you say one 123 00:05:51,601 --> 00:05:53,080 Speaker 2: hundred percent, why couldn't you tell me that? 124 00:05:53,281 --> 00:05:55,801 Speaker 1: But because I agree with you, I agree with you, 125 00:05:55,841 --> 00:05:57,521 Speaker 1: But I don't agree that it's the top three? 126 00:05:58,041 --> 00:06:06,400 Speaker 3: Can't I would say the Brock or Catching my Lap? 127 00:06:07,121 --> 00:06:10,801 Speaker 1: No, but what about Comboardino? He was great? You know 128 00:06:10,801 --> 00:06:11,201 Speaker 1: what I mean? 129 00:06:11,281 --> 00:06:13,001 Speaker 3: And I don't want to said Heartbreak High because that 130 00:06:13,121 --> 00:06:13,440 Speaker 3: made you. 131 00:06:14,681 --> 00:06:16,881 Speaker 1: You see what I mean, Neil, you can't just say 132 00:06:16,921 --> 00:06:19,961 Speaker 1: the top three? Man. My I'm not trying to I'm 133 00:06:20,001 --> 00:06:22,121 Speaker 1: not trying to fucking boast. I'm not trying to boast. Man. 134 00:06:22,161 --> 00:06:23,561 Speaker 1: But at the end of the day, man, my career 135 00:06:23,601 --> 00:06:25,801 Speaker 1: goes for thirty years, how do you put it down 136 00:06:25,841 --> 00:06:28,881 Speaker 1: to the top three? You just can't. You can't. It's 137 00:06:28,921 --> 00:06:33,841 Speaker 1: impossible sorting to be a hot shot. But that's a 138 00:06:33,921 --> 00:06:34,520 Speaker 1: real holley of it. 139 00:06:35,001 --> 00:06:37,281 Speaker 2: You know, Is there is there a TV show you've 140 00:06:37,281 --> 00:06:38,960 Speaker 2: never been on that you've loved to be on? Is 141 00:06:38,961 --> 00:06:40,760 Speaker 2: that ever being a TV show that you've seen and 142 00:06:40,801 --> 00:06:42,320 Speaker 2: you've gone, Fuck, I love to be on that. Why 143 00:06:42,320 --> 00:06:43,841 Speaker 2: can't I get on that? I want to get on. 144 00:06:43,801 --> 00:06:47,561 Speaker 1: That missed in between? That's a great one. Anyone that's 145 00:06:47,561 --> 00:06:49,801 Speaker 1: listening to this check it out missed in between. That 146 00:06:50,041 --> 00:06:51,320 Speaker 1: was really really good. 147 00:06:52,481 --> 00:06:54,281 Speaker 3: Okay, The Magician. 148 00:06:54,081 --> 00:06:57,561 Speaker 1: It's actually it's actually ah, yes it was. It's a 149 00:06:57,721 --> 00:07:01,681 Speaker 1: it's the longer version of the short film The Magician out. 150 00:07:01,681 --> 00:07:03,441 Speaker 1: It was good. He was really really good in that 151 00:07:04,041 --> 00:07:07,601 Speaker 1: the whole, the whole, the whole, which editing was what 152 00:07:07,641 --> 00:07:10,241 Speaker 1: I can't remember which editing was, Is it Nash, Yeah, 153 00:07:10,441 --> 00:07:14,561 Speaker 1: one of the two. When they directed it, it was fantastic. 154 00:07:14,441 --> 00:07:17,721 Speaker 3: Actor or theater work like which on stage or. 155 00:07:18,121 --> 00:07:24,281 Speaker 1: Or financially You definitely go film and television, but like 156 00:07:25,041 --> 00:07:28,721 Speaker 1: you know what you prefer, I do like I do 157 00:07:28,921 --> 00:07:31,361 Speaker 1: like television and film? You do? Yeah? 158 00:07:31,761 --> 00:07:32,281 Speaker 3: Like doing live? 159 00:07:32,761 --> 00:07:34,361 Speaker 1: No, I love doing live, but I do live all 160 00:07:34,401 --> 00:07:37,761 Speaker 1: the time. Like just like honestly, being at weddings is theater. 161 00:07:38,881 --> 00:07:41,721 Speaker 1: It's you might get it's not. It's a wedding, trust me, 162 00:07:41,801 --> 00:07:42,321 Speaker 1: it's theater. 163 00:07:42,561 --> 00:07:44,521 Speaker 4: So you like hosting more than anything. You like to 164 00:07:44,521 --> 00:07:49,361 Speaker 4: be a host. Look, I just love to entertain. That's 165 00:07:49,201 --> 00:07:52,081 Speaker 4: a That's my honest answer. I love to entertain. I 166 00:07:52,281 --> 00:07:54,001 Speaker 4: like anyone that sees me. 167 00:07:54,081 --> 00:07:58,041 Speaker 1: Like on Saturday, I did a very small local business. 168 00:07:58,401 --> 00:08:00,601 Speaker 1: They were just promoting an Italian theme and I was 169 00:08:00,641 --> 00:08:03,841 Speaker 1: there part of it, you know, hosting it, singing, doing this, 170 00:08:04,001 --> 00:08:08,521 Speaker 1: doing that, and I just love I just love making 171 00:08:08,601 --> 00:08:12,561 Speaker 1: people happy. You know, do I like hosting, presenting? Yeah, 172 00:08:12,561 --> 00:08:14,160 Speaker 1: I do, of course I do. But I just also 173 00:08:14,401 --> 00:08:17,001 Speaker 1: like making people feel great. I just do it. I 174 00:08:17,041 --> 00:08:18,841 Speaker 1: just love it. I love it. A lot of people 175 00:08:18,921 --> 00:08:21,321 Speaker 1: say it, you can see it. I'm not just saying it. 176 00:08:21,561 --> 00:08:23,401 Speaker 1: People actually say you can see that. You've got a 177 00:08:23,441 --> 00:08:24,841 Speaker 1: lot of love for what you do. I do. I 178 00:08:24,881 --> 00:08:27,801 Speaker 1: love it. I absolutely love it. I love it. I 179 00:08:27,841 --> 00:08:30,961 Speaker 1: love I love the fact that you know, there could 180 00:08:30,961 --> 00:08:33,921 Speaker 1: be someone on the table and and they you know, 181 00:08:34,001 --> 00:08:36,681 Speaker 1: they're just they just feel you know, just they're not. 182 00:08:37,521 --> 00:08:39,361 Speaker 1: You can feel a vibe and the ViBe's a little 183 00:08:39,361 --> 00:08:41,601 Speaker 1: bit and I just bring them to another level. And 184 00:08:41,601 --> 00:08:44,041 Speaker 1: when they're walking out the same thank you, And I 185 00:08:44,041 --> 00:08:45,801 Speaker 1: think that was a really good night, you know. I 186 00:08:45,881 --> 00:08:48,001 Speaker 1: just love that, whether or not that's you know, in 187 00:08:48,041 --> 00:08:50,601 Speaker 1: between in front of a camera, presenting to a camera, 188 00:08:50,641 --> 00:08:53,361 Speaker 1: because you can actually make someone feel great in front 189 00:08:53,401 --> 00:08:56,561 Speaker 1: of the camera, you can, you know, or whether or 190 00:08:56,601 --> 00:08:59,681 Speaker 1: not face to face. I just love it. I love entertainment. 191 00:09:00,041 --> 00:09:00,481 Speaker 3: Regrets. 192 00:09:00,721 --> 00:09:04,561 Speaker 1: Everybody's got regrets, one hundred percent. We've all got regrets. Yeah, 193 00:09:04,641 --> 00:09:06,041 Speaker 1: I probably, But we have to say there was a 194 00:09:06,081 --> 00:09:10,081 Speaker 1: time I was offered a big contract on Home and 195 00:09:10,121 --> 00:09:14,361 Speaker 1: Away to come on as Dmitry Pools and and I 196 00:09:14,401 --> 00:09:15,361 Speaker 1: didn't take that on. 197 00:09:15,761 --> 00:09:17,521 Speaker 3: How long it was that when you were doing it 198 00:09:17,521 --> 00:09:18,081 Speaker 3: all before that? 199 00:09:18,161 --> 00:09:20,481 Speaker 1: No, that was that was just after I finished Heartbreak 200 00:09:20,601 --> 00:09:23,481 Speaker 1: High and I was going to come on to do 201 00:09:23,761 --> 00:09:26,041 Speaker 1: a big stint. And I didn't do it because I 202 00:09:26,121 --> 00:09:29,921 Speaker 1: decided that I needed to find going back to you know, 203 00:09:30,201 --> 00:09:32,921 Speaker 1: to me or you're a chef by trade. I decided, 204 00:09:33,081 --> 00:09:35,201 Speaker 1: you know what, I'm going to sacrifice this and get 205 00:09:35,201 --> 00:09:38,081 Speaker 1: myself a trade. That's why I didn't do it. But 206 00:09:38,161 --> 00:09:41,321 Speaker 1: I actually had it. I had the opportunity many many 207 00:09:41,401 --> 00:09:44,321 Speaker 1: years ago to do that. That's probably one of my 208 00:09:44,321 --> 00:09:45,001 Speaker 1: biggest regrets. 209 00:09:45,041 --> 00:09:46,161 Speaker 3: Describe yourself in one word. 210 00:09:46,641 --> 00:09:48,881 Speaker 1: Fun So what was the future hall for mister cell 211 00:09:49,121 --> 00:09:50,521 Speaker 1: who bloody knows. 212 00:09:50,401 --> 00:09:52,281 Speaker 3: You don't know. I got to find you a job, bro. 213 00:09:52,601 --> 00:09:54,201 Speaker 1: You know at that time that I told you that 214 00:09:54,401 --> 00:10:00,561 Speaker 1: I didn't I didn't accept that agreement for Home and Away. 215 00:10:01,441 --> 00:10:04,841 Speaker 1: There was a time that I really didn't work like 216 00:10:05,161 --> 00:10:11,681 Speaker 1: a lot for about say eight years. And you know 217 00:10:12,601 --> 00:10:15,921 Speaker 1: it will come. I've been around for a long time. 218 00:10:16,601 --> 00:10:19,761 Speaker 1: I don't plan to go anywhere. I'll stick around. I've been. 219 00:10:19,881 --> 00:10:22,681 Speaker 1: I've been auditioning for heaps of things, you know, I 220 00:10:22,841 --> 00:10:25,441 Speaker 1: just don't land them. Whether or not it's because I'm 221 00:10:25,521 --> 00:10:27,881 Speaker 1: not right for the role. Whatever it is, I don't know. 222 00:10:28,081 --> 00:10:30,601 Speaker 1: It doesn't matter. You know, I'm going to be around. 223 00:10:30,641 --> 00:10:33,401 Speaker 1: I'm not going nowhere. I'm not going nowhere. I'll be 224 00:10:33,441 --> 00:10:35,401 Speaker 1: around for a while. I'm not going nowhere. 225 00:10:38,281 --> 00:10:40,401 Speaker 2: I want to listen to the episode in four click 226 00:10:40,441 --> 00:10:41,361 Speaker 2: the link in the description.