1 00:00:05,640 --> 00:00:08,080 Speaker 1: If you like me. Grew up in Leave the nineteen 2 00:00:08,119 --> 00:00:11,400 Speaker 1: sixties nineteen seventies, there was a lot of American TV 3 00:00:11,600 --> 00:00:13,360 Speaker 1: that we watch a lot of series, a lot of 4 00:00:13,400 --> 00:00:18,560 Speaker 1: sitcoms particularly, and one of them was Batman. So if 5 00:00:18,600 --> 00:00:21,159 Speaker 1: I said the name Julie Newmar, if you were a 6 00:00:21,280 --> 00:00:24,959 Speaker 1: fan of Batman, you'll know Julie was Catwoman in that show. 7 00:00:25,000 --> 00:00:26,880 Speaker 1: She was a lot of things before that and has 8 00:00:26,920 --> 00:00:29,960 Speaker 1: done a lot after that, but it is probably the 9 00:00:30,040 --> 00:00:33,639 Speaker 1: one character, Catwoman, that defines her that she's known for. 10 00:00:33,960 --> 00:00:36,040 Speaker 1: We'll talk about all of that and how she got started. 11 00:00:36,080 --> 00:00:39,240 Speaker 1: She is on the line from California. Julie Newmar, Welcome 12 00:00:39,240 --> 00:00:40,839 Speaker 1: to the show. Thank you for coming on. 13 00:00:42,680 --> 00:00:46,839 Speaker 2: Well, good game mate, Who is that marculous? If my 14 00:00:47,080 --> 00:00:48,839 Speaker 2: Australian up to snooker? 15 00:00:49,360 --> 00:00:52,000 Speaker 1: It's okay? That was that was certainly possible. Have you 16 00:00:52,040 --> 00:00:52,840 Speaker 1: been to Australia? 17 00:00:54,200 --> 00:01:00,400 Speaker 2: No, I'm coming are yeah? Oh yeah, yeah, you get 18 00:01:00,400 --> 00:01:02,520 Speaker 2: my email in my next life. 19 00:01:02,800 --> 00:01:04,839 Speaker 1: Tell me about that. You're coming here with your next life. 20 00:01:06,280 --> 00:01:09,040 Speaker 2: Yeah, I'm going to be married, I'm going to live there. 21 00:01:09,160 --> 00:01:13,200 Speaker 2: I'm going to have two little girls. All right, that's 22 00:01:13,280 --> 00:01:16,400 Speaker 2: kind of jumping far forward. It is. 23 00:01:16,520 --> 00:01:19,039 Speaker 1: It is a little bit. Let's go far back, Julie. 24 00:01:19,560 --> 00:01:24,840 Speaker 1: And you started off learning the piano, you learned dancing, 25 00:01:25,400 --> 00:01:28,840 Speaker 1: you became a ballerina for a short while. All of 26 00:01:28,840 --> 00:01:32,199 Speaker 1: that particularly, and i've seen interviews you've given the music 27 00:01:32,240 --> 00:01:35,840 Speaker 1: and the dancing, particularly the music. Help with comedy, the dancing, 28 00:01:35,880 --> 00:01:37,279 Speaker 1: help with Catwoman. 29 00:01:38,760 --> 00:01:44,360 Speaker 2: Oh definitely, and I even I got old of two 30 00:01:44,480 --> 00:01:48,560 Speaker 2: cats when I was working at the Actors studio, and 31 00:01:48,720 --> 00:01:52,560 Speaker 2: I watched their movement and how they behaved, and so 32 00:01:52,840 --> 00:01:57,560 Speaker 2: by since I did six episodes, it got better and better. 33 00:01:58,360 --> 00:02:03,560 Speaker 2: So by studying the cats, yes, well, they have their 34 00:02:03,560 --> 00:02:07,520 Speaker 2: own personalities. You know, do you have a cat I had? 35 00:02:08,120 --> 00:02:09,760 Speaker 1: I've had a cat and a dog. I don't have 36 00:02:09,840 --> 00:02:10,639 Speaker 1: either at the moment. 37 00:02:12,040 --> 00:02:15,000 Speaker 2: Oh, they have you. That's the way it goes. 38 00:02:15,760 --> 00:02:16,760 Speaker 1: That's absolutely right. 39 00:02:17,000 --> 00:02:17,200 Speaker 2: Now. 40 00:02:17,440 --> 00:02:21,880 Speaker 1: You started off in musical and dancing movies. You've danced 41 00:02:21,880 --> 00:02:26,440 Speaker 1: with Freda Stare. I was reading, Oh, that's unfair. 42 00:02:26,160 --> 00:02:30,720 Speaker 2: To Freda Stare. After I did a film called Seven 43 00:02:30,720 --> 00:02:34,440 Speaker 2: Brides for seven Brothers, the director said, would you mind 44 00:02:34,480 --> 00:02:38,359 Speaker 2: coming over for the afternoon, put on a pretty dress, 45 00:02:38,400 --> 00:02:41,919 Speaker 2: and you're just going to do a little another tours 46 00:02:41,960 --> 00:02:46,680 Speaker 2: you tay, well, see, I'm taller than Freda Stare. So 47 00:02:46,880 --> 00:02:50,160 Speaker 2: luckily I was wearing a long skirt to the floor, 48 00:02:50,720 --> 00:02:56,000 Speaker 2: and when he turned me around, I cleared that means 49 00:02:56,639 --> 00:03:02,080 Speaker 2: made myself shorter in Yeah, so yes, well, thank you 50 00:03:02,120 --> 00:03:02,920 Speaker 2: for that tribute. 51 00:03:03,680 --> 00:03:05,799 Speaker 1: You're five eleven. How do you make yourself shorter? 52 00:03:07,560 --> 00:03:11,919 Speaker 2: Oh it's easy. You just smile a lot, and then 53 00:03:11,960 --> 00:03:16,359 Speaker 2: you bend your knees and then and smart and men 54 00:03:16,440 --> 00:03:20,880 Speaker 2: feel taller. I've done it. It's a trick. I've done it. 55 00:03:20,960 --> 00:03:26,160 Speaker 2: The movie's so hot because I have to wear high heels, 56 00:03:26,200 --> 00:03:29,080 Speaker 2: you know, in the long shot, and then when you 57 00:03:29,120 --> 00:03:34,560 Speaker 2: walk into a two shot, then you're taller, so you 58 00:03:35,880 --> 00:03:36,920 Speaker 2: don't know anybody. 59 00:03:37,080 --> 00:03:40,440 Speaker 1: Okay, that's that's the trick of that. Yeah. You wouldn't 60 00:03:40,480 --> 00:03:42,320 Speaker 1: have had to do that with Adam West and Batman 61 00:03:42,320 --> 00:03:45,920 Speaker 1: because he was actually taller, wasn't he Yep. 62 00:03:45,920 --> 00:03:51,480 Speaker 2: He was taller. Yes, when he stretched his spine, yeah, 63 00:03:51,520 --> 00:03:54,840 Speaker 2: he was taller. He was wonderful. Wasn't he a Batman? 64 00:03:54,920 --> 00:03:55,760 Speaker 2: Oh my gosh? 65 00:03:55,840 --> 00:03:59,880 Speaker 1: Yeah, yeah, he missed those days, I'm sure, and I'm 66 00:04:00,160 --> 00:04:04,200 Speaker 1: seeing new episodes on TV. But that's how that goes. Catwoman, 67 00:04:04,280 --> 00:04:06,720 Speaker 1: you'd never heard of the role when you were off 68 00:04:06,720 --> 00:04:07,600 Speaker 1: at the part. 69 00:04:09,400 --> 00:04:12,760 Speaker 2: Well, I was sitting in New York. I'm doing plays 70 00:04:12,760 --> 00:04:17,400 Speaker 2: and musicals there with most actors wore by coastal. You 71 00:04:17,520 --> 00:04:21,080 Speaker 2: went to California to make movies. And my brother was 72 00:04:21,200 --> 00:04:25,640 Speaker 2: visiting me from Harvard, and I got a call and 73 00:04:25,680 --> 00:04:30,440 Speaker 2: they asked if about this part, and I said, well, no, no, 74 00:04:30,480 --> 00:04:34,320 Speaker 2: I've never heard of Batman. See my parents wouldn't let 75 00:04:34,360 --> 00:04:37,839 Speaker 2: me read comic books when I was little. So my 76 00:04:37,960 --> 00:04:41,240 Speaker 2: brother piped in, he said, oh my god, that's our 77 00:04:41,320 --> 00:04:44,919 Speaker 2: favorite show at Harvard. We stopped all our studies and 78 00:04:45,080 --> 00:04:48,240 Speaker 2: we watched the show. Come on, get on that plane, 79 00:04:48,360 --> 00:04:53,039 Speaker 2: go out there and do that role. So that's the story. 80 00:04:53,720 --> 00:04:58,200 Speaker 1: That's how it happened. Aren't you glad you did? In hindsight, indeed, 81 00:04:58,320 --> 00:04:58,840 Speaker 1: I am. 82 00:04:59,040 --> 00:05:03,000 Speaker 2: It's the parts kind of stuck to me. You know 83 00:05:03,160 --> 00:05:09,960 Speaker 2: you even you work a lifetime doing different roles in 84 00:05:10,080 --> 00:05:14,719 Speaker 2: different things, but always one part seems to you become 85 00:05:14,800 --> 00:05:18,120 Speaker 2: that in people's minds. And I couldn't be happier. It's 86 00:05:18,160 --> 00:05:24,320 Speaker 2: a wonderful role. I sort of designed the costume. It was, Yeah, 87 00:05:24,440 --> 00:05:31,280 Speaker 2: what kind of it looked like it looked like licorice 88 00:05:31,720 --> 00:05:34,800 Speaker 2: kind of poured over your body. You know, and so 89 00:05:34,960 --> 00:05:39,160 Speaker 2: it was shiny and pretty and it did like a glove. 90 00:05:39,960 --> 00:05:43,960 Speaker 2: And well, the part that I designed was the gold belt, 91 00:05:44,560 --> 00:05:47,599 Speaker 2: which I moved from the waist down to the down 92 00:05:47,640 --> 00:05:52,080 Speaker 2: to the hip line. It just kind of accentuated the curves. 93 00:05:52,920 --> 00:05:56,600 Speaker 2: If you didn't know what I mean, remember watching it. 94 00:05:57,160 --> 00:05:59,720 Speaker 2: You watched it with your son. You told me that 95 00:06:00,000 --> 00:06:01,720 Speaker 2: you bought a box set for you, sir. 96 00:06:01,960 --> 00:06:04,000 Speaker 1: I did when when they were about my age, two 97 00:06:04,000 --> 00:06:06,400 Speaker 1: of them, when when they were eight and ten, and 98 00:06:06,880 --> 00:06:08,840 Speaker 1: we sat down and watched it, and I tell them 99 00:06:08,839 --> 00:06:11,599 Speaker 1: this is what I used to watch coming home from school. 100 00:06:11,640 --> 00:06:14,200 Speaker 1: And we sat down and earth a Kit will come 101 00:06:14,240 --> 00:06:16,680 Speaker 1: on and in the third series, and Night'd say, well, 102 00:06:16,720 --> 00:06:19,600 Speaker 1: don't worry about her. Worry about Julie Neumar, the first catwoman. 103 00:06:20,960 --> 00:06:24,800 Speaker 2: Oh I love you for that. You know why. It 104 00:06:24,920 --> 00:06:28,440 Speaker 2: was a wonderful. It was a huge success. It was 105 00:06:28,600 --> 00:06:34,320 Speaker 2: it had a very moral tone. They were always it 106 00:06:34,440 --> 00:06:37,160 Speaker 2: was like a father in some kind of thing. Batman 107 00:06:37,240 --> 00:06:41,920 Speaker 2: talking to Robin. They even had they even the US 108 00:06:42,040 --> 00:06:46,640 Speaker 2: government made had them. They were seatbelts were coming online. 109 00:06:46,760 --> 00:06:51,400 Speaker 2: So they wrote in every time Batman and Robin got 110 00:06:51,440 --> 00:06:55,159 Speaker 2: in to the car in those days. That was based 111 00:06:55,200 --> 00:07:00,880 Speaker 2: on a Lincoln yep for tour. It was design they 112 00:07:00,920 --> 00:07:05,840 Speaker 2: said buckle up. So it encouraged people to be good 113 00:07:05,880 --> 00:07:08,080 Speaker 2: in a good way, and it made fun of things 114 00:07:08,120 --> 00:07:11,120 Speaker 2: that were just too silly, you know. But then it 115 00:07:11,160 --> 00:07:14,559 Speaker 2: all became kind of dark once the movies were made. 116 00:07:15,040 --> 00:07:17,280 Speaker 1: I wanted to ask you about the movies, a doctor, 117 00:07:17,520 --> 00:07:18,360 Speaker 1: what do you think of that? 118 00:07:20,560 --> 00:07:24,280 Speaker 2: They're not so much fun? I mean, life is a 119 00:07:24,360 --> 00:07:31,760 Speaker 2: gift we have to you want to be in a joyous, happy, 120 00:07:32,760 --> 00:07:38,240 Speaker 2: receptive way. And I think that that the it's called 121 00:07:38,280 --> 00:07:42,800 Speaker 2: Batman sixty six that it was that was a really, 122 00:07:42,920 --> 00:07:48,679 Speaker 2: really sweet and good time, and it stands to reason 123 00:07:48,840 --> 00:07:53,720 Speaker 2: that the series has been popular for decades afterwards, and 124 00:07:55,600 --> 00:07:57,720 Speaker 2: so many sequels have been made out of it. 125 00:07:57,800 --> 00:08:00,240 Speaker 1: Yeah. Yeah, And you've blent your voice to a couple 126 00:08:00,280 --> 00:08:03,360 Speaker 1: of cartoon length movies in the last few years when 127 00:08:03,400 --> 00:08:06,040 Speaker 1: Adam was still alive, and Bert Ward as well. You're 128 00:08:06,040 --> 00:08:08,840 Speaker 1: the villain of course Catwoman, so you've lent your voice 129 00:08:08,840 --> 00:08:11,040 Speaker 1: to that. Why do you put the success down? Is 130 00:08:11,080 --> 00:08:13,720 Speaker 1: it just the good days of the nineteen sixties? Was 131 00:08:13,760 --> 00:08:17,080 Speaker 1: it the casting which seemed perfect? I mean the villains, 132 00:08:17,520 --> 00:08:20,560 Speaker 1: You and the Riddler were my favorite villains. Not to 133 00:08:20,680 --> 00:08:23,840 Speaker 1: take anything away from Burgess Meredith or Caesar Romero, but 134 00:08:24,880 --> 00:08:26,520 Speaker 1: they were excellent, in fact, all of them, all the 135 00:08:26,560 --> 00:08:29,680 Speaker 1: guest stars, Vincent Price, and everyone else who came on 136 00:08:29,720 --> 00:08:35,600 Speaker 1: the show. It has lasted decades. As you say, I know, I'm. 137 00:08:35,440 --> 00:08:40,160 Speaker 2: Glad you loved Frank Gorshai's such a great talent in 138 00:08:40,200 --> 00:08:44,680 Speaker 2: The Riddler, and the Joker was just played by Caesar Romero. 139 00:08:44,800 --> 00:08:47,720 Speaker 2: Do you know Frank Sinatra wandered that part? 140 00:08:48,120 --> 00:08:48,640 Speaker 1: Is that right? 141 00:08:48,920 --> 00:08:51,400 Speaker 2: Or at least yeah, at least they were talking to 142 00:08:51,440 --> 00:08:54,600 Speaker 2: the producers about it. But you asked why it was 143 00:08:54,640 --> 00:08:58,960 Speaker 2: such a big success, Well, I seek due to the 144 00:08:59,080 --> 00:09:06,240 Speaker 2: producers genius take on this kind of straight comic book character. 145 00:09:06,920 --> 00:09:09,800 Speaker 2: He said, oh no, this can't be real. So he 146 00:09:10,840 --> 00:09:14,320 Speaker 2: decided to make fun of it in a way and 147 00:09:14,440 --> 00:09:20,200 Speaker 2: got writers, brilliant writers who who made fun of the 148 00:09:20,320 --> 00:09:25,560 Speaker 2: situations and the characters. And remember when the camera was 149 00:09:25,960 --> 00:09:30,920 Speaker 2: tilted in an angle. Yep, it's called the crooked lens, 150 00:09:31,080 --> 00:09:37,160 Speaker 2: which really means it was for the crooked villains. And 151 00:09:37,320 --> 00:09:40,079 Speaker 2: you know they were even thinking of Robert Kennedy at 152 00:09:40,080 --> 00:09:42,000 Speaker 2: one time as a cameo. 153 00:09:43,200 --> 00:09:43,800 Speaker 1: Through the window. 154 00:09:45,200 --> 00:09:49,200 Speaker 2: Yeah, you got it. That's right, amazing, that's such a 155 00:09:49,200 --> 00:09:50,000 Speaker 2: good memory. 156 00:09:50,200 --> 00:09:54,120 Speaker 1: By gosh, Julie, tell me about yourself and what you've 157 00:09:54,160 --> 00:09:55,959 Speaker 1: done since. I know there's been other movies all the 158 00:09:56,000 --> 00:09:59,200 Speaker 1: way through, but I do know you love gardening and 159 00:09:59,240 --> 00:10:01,400 Speaker 1: your garden it's something to be envied. 160 00:10:03,840 --> 00:10:09,280 Speaker 2: Yes, it's the favorite garden here in Los Angeles for 161 00:10:09,600 --> 00:10:13,720 Speaker 2: raising money for charities and uh. And the reason I've 162 00:10:13,720 --> 00:10:18,280 Speaker 2: been told is because it's very personal. You know, if 163 00:10:18,280 --> 00:10:22,240 Speaker 2: you're you got enough money, you can buy some won 164 00:10:22,320 --> 00:10:28,520 Speaker 2: to decorate your garden. And but oh, one of the 165 00:10:28,559 --> 00:10:31,320 Speaker 2: things that makes it so popular. And I built this 166 00:10:31,400 --> 00:10:37,000 Speaker 2: for my son. There are four secret gardens and and 167 00:10:37,000 --> 00:10:40,679 Speaker 2: and all the stones are child side foot sizes, you know. 168 00:10:42,200 --> 00:10:46,959 Speaker 2: So it's it takes that kind of person. Well, I 169 00:10:47,080 --> 00:10:52,160 Speaker 2: traveled around the world, so I've picked up ideas from everywhere. 170 00:10:53,280 --> 00:10:56,480 Speaker 2: And one the one great thing is I think of 171 00:10:56,840 --> 00:11:02,520 Speaker 2: Los Angeles as kind of a sitters to Adelaide. We 172 00:11:02,640 --> 00:11:05,200 Speaker 2: have more or less the same. We're near the ocean, 173 00:11:05,240 --> 00:11:08,720 Speaker 2: you know, when we get fog in the morning and heat, 174 00:11:09,880 --> 00:11:13,239 Speaker 2: so I think we have maybe the same temperatures. 175 00:11:13,320 --> 00:11:16,280 Speaker 1: Yes, you're good for roses than we are too. 176 00:11:16,400 --> 00:11:21,640 Speaker 2: In your candle, Yes, yes, yes, I have eighty eight 177 00:11:21,720 --> 00:11:25,160 Speaker 2: roses in my garden. And it's not that dick, It's 178 00:11:25,240 --> 00:11:28,520 Speaker 2: less than half an acre. I mean the house included. 179 00:11:29,400 --> 00:11:37,439 Speaker 2: So oh, the gardens are where I go to heal myself. 180 00:11:38,440 --> 00:11:42,640 Speaker 2: You know, there's certain stresses during the day, in taxes, money, whatever, 181 00:11:43,120 --> 00:11:47,720 Speaker 2: and I just go right outside my office door and 182 00:11:48,280 --> 00:11:52,280 Speaker 2: right on the porch down the most beautiful plants. And 183 00:11:52,880 --> 00:11:56,720 Speaker 2: of course I have someone who's even better than I am, 184 00:11:57,000 --> 00:12:01,400 Speaker 2: a gardening master who's brought in things for me. Now, 185 00:12:01,760 --> 00:12:04,680 Speaker 2: of course I deserve it, you know, but I've learned 186 00:12:05,120 --> 00:12:09,680 Speaker 2: and I've done it myself. And all the English and 187 00:12:09,800 --> 00:12:13,400 Speaker 2: Australian New Zealand gardens, I just think of them and 188 00:12:13,880 --> 00:12:18,880 Speaker 2: it's just, oh, I it's just something I love. Right now. 189 00:12:19,400 --> 00:12:21,040 Speaker 1: You do work for a lot of causes, and you 190 00:12:21,080 --> 00:12:23,920 Speaker 1: say you open the garden for charities, but the LGBTQ 191 00:12:24,240 --> 00:12:26,200 Speaker 1: community is very close to your heart. 192 00:12:28,080 --> 00:12:32,600 Speaker 2: Well it is maybe because my brother, my brother is 193 00:12:32,720 --> 00:12:38,080 Speaker 2: gay and he has two children. Won't go into all 194 00:12:38,080 --> 00:12:43,040 Speaker 2: the details on that. Very interesting and and why not, 195 00:12:44,080 --> 00:12:47,800 Speaker 2: I mean what beautiful people growing up in show business, 196 00:12:48,320 --> 00:12:52,319 Speaker 2: we immediately are able to work with anyone at any kind, 197 00:12:52,840 --> 00:12:57,800 Speaker 2: any color, any language. We adopt what we say what 198 00:12:57,960 --> 00:13:02,480 Speaker 2: becomes an instant family. So we're very We're very It's 199 00:13:02,600 --> 00:13:07,840 Speaker 2: very easasy for me to love people that are kind 200 00:13:07,840 --> 00:13:11,720 Speaker 2: of like outsiders. I feel that I'm one myself anyway. 201 00:13:12,400 --> 00:13:12,920 Speaker 1: Hell sor. 202 00:13:14,760 --> 00:13:20,079 Speaker 2: How so just being different, you know, being five eleven, 203 00:13:20,160 --> 00:13:26,160 Speaker 2: that's different, you know, being looking like I do. I'm 204 00:13:26,200 --> 00:13:32,440 Speaker 2: different females. I mean, you're not supposed to handle money. 205 00:13:32,880 --> 00:13:37,920 Speaker 2: And the way I've supported myself and later life is 206 00:13:38,440 --> 00:13:43,920 Speaker 2: actually I'm a landlord. Not in a big way, but 207 00:13:44,080 --> 00:13:47,200 Speaker 2: I'm a good landlord. I really take care of people, 208 00:13:47,360 --> 00:13:53,280 Speaker 2: and and I so extole the life the work of 209 00:13:54,240 --> 00:13:58,400 Speaker 2: small business people and what they give to this into 210 00:13:58,480 --> 00:14:00,920 Speaker 2: the city and their neighborhood in the world. 211 00:14:02,120 --> 00:14:06,360 Speaker 1: Well, I see you provide housing for people for social needs, 212 00:14:06,400 --> 00:14:09,239 Speaker 1: and you've become a bit of a real estate developer, 213 00:14:09,280 --> 00:14:12,160 Speaker 1: which is just fantastic in the way you do that. 214 00:14:12,320 --> 00:14:14,480 Speaker 1: But I wanted to ask you before we run out 215 00:14:14,480 --> 00:14:17,600 Speaker 1: of time about your philosophy on life, because it's seen 216 00:14:17,640 --> 00:14:21,320 Speaker 1: you through nine decades and you do have a bit 217 00:14:21,320 --> 00:14:24,080 Speaker 1: of a thing for joy and happiness as being the 218 00:14:24,080 --> 00:14:24,840 Speaker 1: core of life. 219 00:14:26,640 --> 00:14:31,640 Speaker 2: Matthew, you hit it right on the head. Everything that 220 00:14:31,760 --> 00:14:35,680 Speaker 2: will sustain you into a long life. And I'm ninety 221 00:14:35,720 --> 00:14:40,120 Speaker 2: one now. Is what's going on in your head and 222 00:14:41,040 --> 00:14:43,960 Speaker 2: you have to be very careful what's floating around in there. 223 00:14:45,240 --> 00:14:50,560 Speaker 2: And it's extremely important to feel good, to know how 224 00:14:50,600 --> 00:14:55,760 Speaker 2: to feel good, to live on the positive side of 225 00:14:55,840 --> 00:15:00,640 Speaker 2: life and not negative. Yes, you can acknowledge since something 226 00:15:00,760 --> 00:15:04,240 Speaker 2: is broken or wrong, but you don't have to blame 227 00:15:04,320 --> 00:15:09,760 Speaker 2: the world or another or even yourself. I you know 228 00:15:09,840 --> 00:15:13,680 Speaker 2: what it is. I think you have to be all 229 00:15:13,840 --> 00:15:19,280 Speaker 2: right with where you are in that very moment. You know, 230 00:15:19,400 --> 00:15:22,680 Speaker 2: you kind of say I'm okay now. Once you realize 231 00:15:22,720 --> 00:15:25,360 Speaker 2: you're all right and you don't have to fix things 232 00:15:24,960 --> 00:15:29,120 Speaker 2: or critique things or god live in the past, then 233 00:15:30,040 --> 00:15:33,760 Speaker 2: something opens up that allows you to in a very 234 00:15:33,960 --> 00:15:39,040 Speaker 2: creative and a new or imaginative way to wake up 235 00:15:39,040 --> 00:15:44,480 Speaker 2: in the morning and have wonderful things to do. That's, 236 00:15:44,680 --> 00:15:48,200 Speaker 2: I think, is what a long life is about, that 237 00:15:48,280 --> 00:15:51,840 Speaker 2: you wake up with marvelous things you want to do 238 00:15:51,920 --> 00:15:52,520 Speaker 2: in life. 239 00:15:53,480 --> 00:15:56,480 Speaker 1: Julie Nima, on that point, thank you so much for 240 00:15:56,520 --> 00:15:58,840 Speaker 1: your time. It's been lovely chatting with you this morning. 241 00:15:59,120 --> 00:16:01,400 Speaker 1: We're out of time. Fortunately, I had so many other 242 00:16:01,440 --> 00:16:05,280 Speaker 1: things to ask you about Phil Silver's working with him. 243 00:16:05,520 --> 00:16:08,520 Speaker 1: James Mason, I know you hold both of them in 244 00:16:08,600 --> 00:16:11,400 Speaker 1: high regard. I wanted to ask you about my living 245 00:16:11,480 --> 00:16:15,160 Speaker 1: Dole who he played Rhode of the Robot and all 246 00:16:15,200 --> 00:16:18,880 Speaker 1: the guest appearances in other shows, but unfortunately, maybe we'll 247 00:16:18,920 --> 00:16:20,120 Speaker 1: have a chat again in the future. 248 00:16:21,120 --> 00:16:24,880 Speaker 2: Yeah, stick around another ten years. Who too. 249 00:16:27,160 --> 00:16:30,160 Speaker 1: Good on you, Julie, thank you, Matthew, thank you, thank 250 00:16:30,200 --> 00:16:32,920 Speaker 1: you for your time. Julie Numa And look, we do 251 00:16:33,080 --> 00:16:36,360 Speaker 1: know her best for her role as the very first 252 00:16:36,360 --> 00:16:40,840 Speaker 1: on screen Catwoman in the nineteen sixty six Batman series 253 00:16:40,880 --> 00:16:43,840 Speaker 1: with Adam West and Burt Ward as Batman and Robin 254 00:16:43,920 --> 00:16:47,560 Speaker 1: and everyone else who took part in that Burgess Meredith 255 00:16:47,560 --> 00:16:50,320 Speaker 1: as the Penguin and Caesar Romero with his mustache under 256 00:16:50,360 --> 00:16:53,360 Speaker 1: the makeup as the Joker, and Frank Gorshen as the 257 00:16:54,120 --> 00:16:56,840 Speaker 1: Riddler and everyone else who took part as villains. What 258 00:16:56,920 --> 00:16:59,160 Speaker 1: a great show that was and takes me right back 259 00:16:59,280 --> 00:17:01,840 Speaker 1: fifty years immediately. Incredible