WEBVTT - The Downfall of MAFS: Meet The Puppet Master (Part 1)

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<v Speaker 1>Welcome to the first episode of the Downfall of Married

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<v Speaker 1>at First Sight Australia, an investigation by the Math Funny

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<v Speaker 1>podcast hosted by me Joshua Fox trigger Oning. This investigation

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<v Speaker 1>will cover topics such as anxiety, depression, domestic violence, misogyny,

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<v Speaker 1>homophobia and suicidal ideation. What you're about to hear will

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<v Speaker 1>shock you, infuriate you, and upset you as I revealed

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<v Speaker 1>the outrageous truth behind the biggest show in this country.

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<v Speaker 2>Just reading up on this new television show, Married.

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<v Speaker 3>At First Sight.

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<v Speaker 1>Married at First Sight, What a great show it's been

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<v Speaker 1>over the last couple of months on Channel.

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<v Speaker 3>Nine, Australia's biggest TV blockbuster.

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<v Speaker 4>This season was the best ever and I don't know

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<v Speaker 4>if they'll be able to top it.

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<v Speaker 1>From negligence at the highest level, repeated failures in duty

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<v Speaker 1>of care, the lack of background checks, cast members being

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<v Speaker 1>pushed to the point of wanting to end their own lives,

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<v Speaker 1>the enabling of domestic violence, etc, Etc.

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<v Speaker 2>Etc.

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<v Speaker 5>Now, I was eagerly awaiting Sunday nights all weekend to

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<v Speaker 5>watch Maths.

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<v Speaker 6>Last night on Maths every season, you go, it can't

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<v Speaker 6>get more drama, it can't get bigger and then it does,

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<v Speaker 6>and I say the true award goes to the producers

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<v Speaker 6>for creating that.

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<v Speaker 1>Every year, cast members of this show always come forward

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<v Speaker 1>blaming their edit, blaming the producers, and trying to share

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<v Speaker 1>their truth and just defend themselves.

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<v Speaker 6>The show is edited, and main thing with my eduit

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<v Speaker 6>was we all know that you only see one percent.

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<v Speaker 7>Almost questions who you are?

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<v Speaker 2>You look in the mirror?

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<v Speaker 3>Is that the real me?

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<v Speaker 1>And also every year, us the fans of this show,

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<v Speaker 1>we just instantly roll our eyes, thinking, here we go again,

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<v Speaker 1>and we'll comment things like, well, you said what you

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<v Speaker 1>said and no one made you do what you did.

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<v Speaker 8>You can't edit your bad behavior. You can't edit what

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<v Speaker 8>came out of your mouth. And it's like, here you

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<v Speaker 8>can it, and they're really good at it.

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<v Speaker 1>And we immediately disregard these rode posts and interviews from

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<v Speaker 1>whoever has become the latest victim of the show, because

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<v Speaker 1>we have whatever is just unfolded on TV in our

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<v Speaker 1>minds as we make those instant judgments.

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<v Speaker 3>How do you react when your public enemy number one?

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<v Speaker 7>Now, yeah, look, if we're being honest, I've taken absolute

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<v Speaker 7>beating plus given how fast this show moves, how relentless

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<v Speaker 7>the twenty four to seven news cycle is, and how

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<v Speaker 7>every hour something new and something more.

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<v Speaker 1>Shocking takes the spotlight and steals our attention. We forget

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<v Speaker 1>these isolated incidents and interviews and we just move on.

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<v Speaker 1>But when you compile what every cast member has said

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<v Speaker 1>across every season for nearly ten years now, it isn't

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<v Speaker 1>quite easy to just disregard that. I've spent weeks reading

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<v Speaker 1>hundreds of articles and interviews, and I've listened to hour

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<v Speaker 1>after hour of podcasts with cast members. I've spoken to

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<v Speaker 1>participant after participant after participant, and well, one person claiming something.

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<v Speaker 2>Against production is an accusation.

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<v Speaker 1>Two people making the same claim could be seen as

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<v Speaker 1>a coincidence. But an endless stream of people all sharing

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<v Speaker 1>similar horror stories across an almost ten year period, well,

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<v Speaker 1>to me, that's a pattern.

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<v Speaker 2>That being said, in this.

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<v Speaker 1>Series, I won't be focused on specific participants and their

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<v Speaker 1>individual issues. I'll be focusing on the show as a

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<v Speaker 1>whole and the people who pull the strings behind the scenes.

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<v Speaker 1>Those people are now the main characters they were always

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<v Speaker 1>destined to become, and the biggest star amongst them. Former

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<v Speaker 1>executive producer and current director of Content Tara McWilliams.

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<v Speaker 9>My first impressions of Tara were pretty good. I'd met

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<v Speaker 9>her on a zoom chat, had a chat with her.

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<v Speaker 9>Seemed like she was really nice and very open about

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<v Speaker 9>the experiment.

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<v Speaker 8>When you meet her, you want her on your good side,

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<v Speaker 8>like you want to impress her. It's just like something

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<v Speaker 8>about the way that she carries herself like that.

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<v Speaker 9>Then meeting her in person, I guess I really did

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<v Speaker 9>believe her that everything.

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<v Speaker 2>Was going to be good.

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<v Speaker 1>Tara single handedly made Married at First Sight the monster

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<v Speaker 1>we all know it as today, and anyone who's worked

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<v Speaker 1>with Tara has their own way to describe her pursuit

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<v Speaker 1>to the top.

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<v Speaker 2>Ruthless, that woman.

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<v Speaker 8>You know that telling her no is going to be

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<v Speaker 8>one of the worst things that you've ever done in

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<v Speaker 8>your life.

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<v Speaker 4>The only person you ever hear in this whole process

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<v Speaker 4>is Tara.

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<v Speaker 8>She gives this vibe that if you tell her no,

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<v Speaker 8>She's going to make your life a living hell.

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<v Speaker 1>Tara took Married at First Sight to such new heights

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<v Speaker 1>that the show's newfound level of success was credited for

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<v Speaker 1>nine's four billion dollar merger with Fairfax Media in twenty eighteen.

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<v Speaker 5>She would scream at you she would manipulate it.

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<v Speaker 4>I've heard Tara say, I don't care if you're happy.

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<v Speaker 4>We just need your story to evolve. You're here, you've

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<v Speaker 4>signed a contract.

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<v Speaker 3>Your ass is mine.

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<v Speaker 4>I've been told that my ass belongs to her so

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<v Speaker 4>many times.

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<v Speaker 1>A quick Google search of Tara will bring up articles

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<v Speaker 1>calling her a mastermind from the most powerful woman in television,

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<v Speaker 1>or because of how her work and what she's achieved

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<v Speaker 1>led to that four billion dollar merger.

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<v Speaker 5>Can you deal would bring together television, radio, print, online

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<v Speaker 5>and streaming on demand.

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<v Speaker 6>You know, we'll certainly be reaching more than half of

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<v Speaker 6>Australia every day.

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<v Speaker 3>This is good for the public.

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<v Speaker 2>But at what cost did that come up?

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<v Speaker 4>Making money from someone's misery to their personal mental demise.

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<v Speaker 4>I don't think I could do that on.

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<v Speaker 5>A six foot five hundred kilo professional fighting athlete, and

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<v Speaker 5>even that woman scares me. I've got sweaty palms just

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<v Speaker 5>thinking about it. When this eventualates and evolves, I guarantee

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<v Speaker 5>you my fine will be ringing and she'll be on

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<v Speaker 5>the other end of it saying I'm so disappointed.

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<v Speaker 1>Now, before I really deep dive into Tara, how she

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<v Speaker 1>operates and the extremes she has to go to in

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<v Speaker 1>order to ensure that every episode of Married at First

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<v Speaker 1>Site continues to generate million after million after million.

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<v Speaker 2>Let's take things back to the very start.

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<v Speaker 1>Married at First Site first launched in two thousand and

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<v Speaker 1>first seen in Denmark, and it quickly became a global

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<v Speaker 1>franchise with spinoffs in Sweden, the Netherlands, the UK, America

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<v Speaker 1>and Australia, with our first season launching here in twenty

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<v Speaker 1>fifteen on Channel nine. That first season had four couples,

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<v Speaker 1>it was only six episodes long, and it was less

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<v Speaker 1>car crash reality show and more Fly on the World documentary.

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<v Speaker 2>Take a listen to this.

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<v Speaker 9>I am looking for someone to settle down.

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<v Speaker 6>With roughly the same age as myself, someone who makes

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<v Speaker 6>your heart beat three times faster than it ordinarily should.

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<v Speaker 3>I've always wanted to get married.

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<v Speaker 10>Eight Aussie singles are set to tie the knots. There's

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<v Speaker 10>just one catch. They'll meet for the very first time.

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<v Speaker 3>On their wedding day.

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<v Speaker 1>But then over time, that wholesome premise and approach has

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<v Speaker 1>morphed into this right And if you're wondering how that happened,

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<v Speaker 1>that's the Tara effect, which I will get to. But

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<v Speaker 1>before that, we must also ask why that happened. Well, well, us,

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<v Speaker 1>the consumers, we're kind of responsible. Since Married at First

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<v Speaker 1>Sight launched in Australia in twenty fifteen, how we watch

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<v Speaker 1>TV has changed, how we consume content has changed, and

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<v Speaker 1>while society has changed, our attention spans have become shorter.

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<v Speaker 1>Short form content on social media has taken over, and

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<v Speaker 1>seventy five percent of people now admit to scrolling on

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<v Speaker 1>their phones while watching the TV, which means traditional TV

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<v Speaker 1>networks have had to continually go to new extremes just

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<v Speaker 1>to compete and also to try and keep people engaged,

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<v Speaker 1>which is something that neuroscientist Andrew Huberman has talked about previously.

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<v Speaker 11>When we first get on social media after a war,

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<v Speaker 11>for the first time, or after a long period of time,

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<v Speaker 11>the amount of dopamine that's released, we think is quite substantial.

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<v Speaker 11>The dopamine quickly wanes and then you find that you're

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<v Speaker 11>just sort and we've all been there. You're scrolling like,

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<v Speaker 11>why am I doing this? This isn't that interesting? That

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<v Speaker 11>isn't this isn't that interesting? Now, the algorithms that they've

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<v Speaker 11>incorporated function on the most powerful way to keep people

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<v Speaker 11>doing a behavior or an animal for that matter, is

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<v Speaker 11>intermittent random reward or random intermittent reward that you don't

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<v Speaker 11>know when you're.

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<v Speaker 3>Gonna hit the jackpot.

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<v Speaker 11>So you're scrolling your going and then you see something

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<v Speaker 11>a riot or a person that is jump based, jumping

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<v Speaker 11>off of building, and then what happens is you start

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<v Speaker 11>getting the system working for that next dopamine hit that

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<v Speaker 11>you don't know when it's gonna come. It's just like gambling.

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<v Speaker 11>If we were to look at ourselves through the lens

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<v Speaker 11>of an experiment like we would an animal experiment, we

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<v Speaker 11>think that animal is sick. If you saw an animal

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<v Speaker 11>digging in the corner, looking looking, looking, looking for a bone,

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<v Speaker 11>the dog is looking looking, looking, looking, looking, looking, looking, looking,

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<v Speaker 11>you'd think that's really sad.

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<v Speaker 1>That's us Getting someone to sit in front of that

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<v Speaker 1>TV for an hour is no longer enough. TV networks

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<v Speaker 1>are no longer just up against each other. They're competing

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<v Speaker 1>with our news feeds, declining attention spans, and I personally

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<v Speaker 1>curated algorithms, which means the reality of a reality show is.

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<v Speaker 2>Also longer enough.

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<v Speaker 1>Producers can't rely on having one big moment each episode

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<v Speaker 1>and giving us one big dopamine hit. They almost need

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<v Speaker 1>to give us one hit in every ad break. Alongside that,

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<v Speaker 1>the bosses of these shows also need to ensure that

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<v Speaker 1>each of those spikes doesn't just captivate us, but compels

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<v Speaker 1>us to them want to engage with it on social media,

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<v Speaker 1>share it to our followers, talk about it, and work

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<v Speaker 1>the next day. They need to make sure that we

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<v Speaker 1>cannot escape what they are creating, which is why in

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<v Speaker 1>twenty sixteen, endemill Shine Australia, who create Married at First Sight,

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<v Speaker 1>brought in Tara McWilliams as the show's new executive producer,

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<v Speaker 1>and in no time at all, Tara supersized the wholesome

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<v Speaker 1>format we were all now familiar with, and she introduced

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<v Speaker 1>sex scandals, cheating storylines, and weekly dinner parties full of drama.

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<v Speaker 4>Pregnancy obsession.

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<v Speaker 8>Isn't Married at First Sight Australia and in two episodes

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<v Speaker 8>turns into three episodes, just.

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<v Speaker 10>The way that it's filmed, the way they it's edited.

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<v Speaker 6>The TV show I'm currently watching is Buried at First

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<v Speaker 6>Sight Australia.

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<v Speaker 10>A friend of mine sent me like a couple of

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<v Speaker 10>episodes I've Married at First Sight Australia and those.

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<v Speaker 2>It's intense, man, it's a vibe.

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<v Speaker 1>But how did Tara ensure that each scene went to

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<v Speaker 1>such an extreme that it gives the dopamine hit our

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<v Speaker 1>brains and our trains to want more and more of

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<v Speaker 1>And not just that, but how did Tara, with her

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<v Speaker 1>successes Molly and Alex by her side, then increase this

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<v Speaker 1>year on year despite the fact that in real life

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<v Speaker 1>and the fact this was meant to be reality TV

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<v Speaker 1>reflecting the lives of these real people just doesn't have

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<v Speaker 1>those constant spikes of drama. Here's someone for Mozi from

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<v Speaker 1>season nine answering that very question.

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<v Speaker 12>Yeah, so I was on Maths like three years ago

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<v Speaker 12>and I remember this dinner party like it was yesterday.

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<v Speaker 12>I would be like, this has actually been amazing. No

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<v Speaker 12>one screamed, no one's cried, no one smashed anything, like

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<v Speaker 12>it's fine. The head producer comes out and she goes,

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<v Speaker 12>how are you guys going? And I'm like, oh, we're

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<v Speaker 12>having a great time, Like this is awesome. Well I'm bored,

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<v Speaker 12>and Australia is going to be bored, Like what do

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<v Speaker 12>you think you guys are here to do? We're here

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<v Speaker 12>to make TV and this is boring and you guys

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<v Speaker 12>are not leaving until something exciting happens, and.

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<v Speaker 1>If you don't, then deliver the drama that Tara wants.

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<v Speaker 1>Michelle Curen from season seven claims that she has a

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<v Speaker 1>file full of secrets on each cast member and she

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<v Speaker 1>isn't afraid to use it.

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<v Speaker 4>You know, she already knows what's going to push your buttons,

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<v Speaker 4>because you've spoken to the psych you've spoken to the doctor,

0:11:20.640 --> 0:11:24.680
<v Speaker 4>you've spoken to the babysitter, So she already knows what

0:11:24.880 --> 0:11:29.120
<v Speaker 4>is getting fed back to them. So she knows what

0:11:29.120 --> 0:11:31.520
<v Speaker 4>buttons to push and what's going to cause a reaction.

0:11:32.280 --> 0:11:36.719
<v Speaker 4>So yeah, she's the puppet master and where the puppets.

0:11:36.760 --> 0:11:40.679
<v Speaker 4>Like I was like vomiting nearly every like with nervousness,

0:11:40.720 --> 0:11:45.760
<v Speaker 4>before every commitment ceremony, before every dinner party, like I

0:11:45.920 --> 0:11:49.520
<v Speaker 4>was there, like physically vomiting, like just from nerves.

0:11:49.559 --> 0:11:52.480
<v Speaker 1>In an interview with Get Real Entertainment on YouTube after

0:11:52.520 --> 0:11:56.440
<v Speaker 1>his season finished filming in late twenty nineteen, Michelle's co

0:11:56.600 --> 0:12:00.280
<v Speaker 1>star David Cannon elaborated on this further. This just and

0:12:00.360 --> 0:12:02.800
<v Speaker 1>go him and his co stars fund working with Tara.

0:12:03.160 --> 0:12:05.319
<v Speaker 5>She would scream at you, she would scream at you.

0:12:05.559 --> 0:12:10.280
<v Speaker 5>She would she would manipulate you. She would talk about

0:12:10.720 --> 0:12:14.640
<v Speaker 5>turn around and talk and say that we you know,

0:12:14.720 --> 0:12:17.080
<v Speaker 5>this is what you signed up for. I believe Jonathan

0:12:17.320 --> 0:12:22.040
<v Speaker 5>was was confronted by Tara and he was told to

0:12:22.960 --> 0:12:25.679
<v Speaker 5>have a go at other cast members, and he didn't

0:12:25.679 --> 0:12:28.120
<v Speaker 5>want to do it, and he ended up having a

0:12:28.200 --> 0:12:35.800
<v Speaker 5>small episode of emotional trauma. She's very well practiced at

0:12:36.480 --> 0:12:39.240
<v Speaker 5>at making you feel like you're the one that's doing

0:12:39.280 --> 0:12:42.240
<v Speaker 5>everything wrong. It's very well practiced and making us feel

0:12:42.280 --> 0:12:47.120
<v Speaker 5>like we're the bad guys, very well practiced. That She's

0:12:47.160 --> 0:12:48.760
<v Speaker 5>obviously seven seasons, isn't.

0:12:48.559 --> 0:12:51.600
<v Speaker 1>It Going into detail about just how dark things got

0:12:51.600 --> 0:12:55.640
<v Speaker 1>for her during filming. Michelle explained in her twenty nineteen

0:12:55.720 --> 0:12:59.480
<v Speaker 1>interview with Get Real Entertainment that she even contemplated ending

0:12:59.559 --> 0:13:02.119
<v Speaker 1>her own life just to escape the experiments.

0:13:02.200 --> 0:13:03.760
<v Speaker 4>Like when it got to the point where I just

0:13:03.960 --> 0:13:06.480
<v Speaker 4>I couldn't cope anymore, and I said, look, if you

0:13:06.520 --> 0:13:08.480
<v Speaker 4>want me to do this, like I just can't do it.

0:13:08.480 --> 0:13:12.440
<v Speaker 4>Like I wanted to actually physically jump off the balcony.

0:13:12.760 --> 0:13:14.760
<v Speaker 4>And then they said, oh no, so they locked the balcony.

0:13:14.760 --> 0:13:15.440
<v Speaker 3>I said, okay, I'll.

0:13:15.360 --> 0:13:19.200
<v Speaker 5>Just you wanted to physically jump off the really really

0:13:19.360 --> 0:13:20.840
<v Speaker 5>had suicidal thoughts.

0:13:20.920 --> 0:13:21.440
<v Speaker 3>Yeah I did.

0:13:21.520 --> 0:13:25.560
<v Speaker 4>I really did. It's not even like not even pretend thoughts.

0:13:25.559 --> 0:13:27.840
<v Speaker 4>It's like, I just this is an easy way out

0:13:27.880 --> 0:13:30.240
<v Speaker 4>at the time, you thought that was your best option

0:13:30.520 --> 0:13:31.040
<v Speaker 4>to get out?

0:13:31.120 --> 0:13:32.920
<v Speaker 13>Did you think I need to reach out to somebody?

0:13:32.960 --> 0:13:33.880
<v Speaker 5>And I did.

0:13:33.960 --> 0:13:34.679
<v Speaker 3>I did ask.

0:13:34.760 --> 0:13:38.800
<v Speaker 4>I asked for help. So I went to see a

0:13:38.840 --> 0:13:42.200
<v Speaker 4>doctor in Sydney who, like I spoke to at length

0:13:42.679 --> 0:13:45.360
<v Speaker 4>about the whole process and what was going on and

0:13:45.480 --> 0:13:49.400
<v Speaker 4>if she could help me like just set on my nerves.

0:13:49.800 --> 0:13:55.640
<v Speaker 4>And then I also spoke to their doctor because I

0:13:55.720 --> 0:14:00.120
<v Speaker 4>needed some value and more medication because I just couldn't cope.

0:14:00.280 --> 0:14:03.720
<v Speaker 4>And so yeah, he gave me some medication so I

0:14:03.880 --> 0:14:07.080
<v Speaker 4>would be a little bit calmer and maybe not vomit

0:14:07.120 --> 0:14:11.800
<v Speaker 4>every three seconds. But yeah, it was like very hard.

0:14:11.800 --> 0:14:13.240
<v Speaker 3>But how bad did things get?

0:14:14.120 --> 0:14:16.400
<v Speaker 4>Oh, it gets so bad that you just want to

0:14:16.480 --> 0:14:20.040
<v Speaker 4>end the whole thing, like you are willing to commit

0:14:20.120 --> 0:14:24.240
<v Speaker 4>suicide or like jump off the balcony to get out.

0:14:24.440 --> 0:14:26.880
<v Speaker 1>In an email I sent on Wednesday, I asked Channel

0:14:26.920 --> 0:14:29.560
<v Speaker 1>nine if they'd like to comment on this directly, as

0:14:29.560 --> 0:14:31.280
<v Speaker 1>well as if they'd like to comment on so many

0:14:31.320 --> 0:14:33.720
<v Speaker 1>other claims I've included in this podcast, and I have

0:14:33.800 --> 0:14:37.040
<v Speaker 1>had no reply, but for the sake of journalistic fairness,

0:14:37.360 --> 0:14:39.880
<v Speaker 1>Nine have previously shared this statement in regards to the

0:14:39.920 --> 0:14:42.840
<v Speaker 1>mental health of the cast members. Nine and Animals Shine

0:14:42.840 --> 0:14:45.120
<v Speaker 1>take their obligations in respect to the health and well

0:14:45.160 --> 0:14:48.840
<v Speaker 1>being of the participants of this program extremely seriously. All

0:14:48.880 --> 0:14:52.400
<v Speaker 1>participants have access to the show psychologists and welfare resources

0:14:52.440 --> 0:14:55.440
<v Speaker 1>during filming, during broadcast, and once the program has ended.

0:14:56.040 --> 0:14:58.760
<v Speaker 1>Nine also have an additional service for the participants, should

0:14:58.800 --> 0:15:02.760
<v Speaker 1>they like or need further individual and confidential psychological support.

0:15:03.560 --> 0:15:07.280
<v Speaker 1>This service gives participants access to clinics to support those

0:15:07.400 --> 0:15:10.560
<v Speaker 1>involved in the program in relation to their experiences. This

0:15:10.680 --> 0:15:13.480
<v Speaker 1>service is available to our participants for as long as.

0:15:13.400 --> 0:15:16.880
<v Speaker 2>They need it. It does not end. As shocking as

0:15:16.920 --> 0:15:17.560
<v Speaker 2>that is to hear.

0:15:18.000 --> 0:15:20.680
<v Speaker 1>I assume you are now saying, well, why didn't Michelle

0:15:20.720 --> 0:15:23.160
<v Speaker 1>just leave? Why won't any of the cash just quit

0:15:23.200 --> 0:15:27.640
<v Speaker 1>when things reach that point? And unfortunately that isn't quite

0:15:27.640 --> 0:15:30.880
<v Speaker 1>as easy as it sounds. I've spoken to so many

0:15:30.880 --> 0:15:33.800
<v Speaker 1>different cast members from so many different seasons over the years,

0:15:34.400 --> 0:15:36.480
<v Speaker 1>and all of them pretty much tell me that Tara

0:15:36.720 --> 0:15:38.960
<v Speaker 1>uses the same threat to them if they ever say

0:15:39.080 --> 0:15:39.880
<v Speaker 1>they want to quit.

0:15:40.480 --> 0:15:42.720
<v Speaker 2>As Michelle explains here, I wants to leave.

0:15:42.680 --> 0:15:46.480
<v Speaker 4>So many times, and you can't. You just aren't until

0:15:46.520 --> 0:15:51.920
<v Speaker 4>your story is told. Unless your value has diminished, then

0:15:52.200 --> 0:15:57.240
<v Speaker 4>you do not leave. You leave when when like you're boring,

0:15:57.360 --> 0:16:00.520
<v Speaker 4>or when you're like like when you have nothing else

0:16:00.560 --> 0:16:03.280
<v Speaker 4>to offer. You know, I had a few girlfriends that

0:16:03.320 --> 0:16:06.800
<v Speaker 4>I could call and speak to who had said, Michelle,

0:16:07.080 --> 0:16:09.280
<v Speaker 4>this place is killing you. You need to get out,

0:16:09.360 --> 0:16:11.560
<v Speaker 4>you need to get out. I'm just like, I've got

0:16:11.560 --> 0:16:13.560
<v Speaker 4>a plan with Steve. I've got a plan with Steve.

0:16:13.600 --> 0:16:15.200
<v Speaker 4>You know we're going to leave. We're gonna leave it

0:16:15.240 --> 0:16:19.280
<v Speaker 4>the next one, and that would always come unfoiled, like

0:16:19.360 --> 0:16:24.440
<v Speaker 4>some way, like we didn't get out. If you've worked

0:16:24.920 --> 0:16:27.640
<v Speaker 4>in your life and you've established something to make yourself

0:16:28.000 --> 0:16:31.080
<v Speaker 4>like and something for your children, then they use that,

0:16:31.600 --> 0:16:34.160
<v Speaker 4>you know, against you, so that you know, you could

0:16:34.200 --> 0:16:36.160
<v Speaker 4>lose your job, you could use your house, you could

0:16:36.200 --> 0:16:40.040
<v Speaker 4>lose all your property, all your assets, because you've got assets.

0:16:40.360 --> 0:16:42.720
<v Speaker 4>If you don't, then what have you got to lose.

0:16:42.760 --> 0:16:45.520
<v Speaker 4>You've got to lose your dignity, your pride, everything else.

0:16:45.560 --> 0:16:49.120
<v Speaker 4>So not only going to lose that because you've also worked,

0:16:49.160 --> 0:16:52.200
<v Speaker 4>you're gonna lose all the stuff that you've hoped to

0:16:52.280 --> 0:16:53.080
<v Speaker 4>leave to your children.

0:16:53.240 --> 0:16:55.480
<v Speaker 1>The line about if you do leave, will ruin your

0:16:55.520 --> 0:16:59.840
<v Speaker 1>reputation is one that Michelle's costar Poppy Jennings says terrified

0:16:59.840 --> 0:17:01.200
<v Speaker 1>her when she made it.

0:17:01.200 --> 0:17:03.320
<v Speaker 2>Claire, from the very start that she wanted out.

0:17:03.440 --> 0:17:06.320
<v Speaker 6>You are told things like as Dred's gonna hate you.

0:17:06.440 --> 0:17:11.640
<v Speaker 6>I was freaking scared, scared of being so hated if

0:17:11.640 --> 0:17:14.200
<v Speaker 6>I didn't, you know, play to this.

0:17:15.560 --> 0:17:15.840
<v Speaker 3>Part.

0:17:17.200 --> 0:17:22.040
<v Speaker 6>I was pulled up a couple of days into the

0:17:22.040 --> 0:17:28.959
<v Speaker 6>honeymoon and basically told you're the next Inness, You're treating

0:17:29.040 --> 0:17:33.200
<v Speaker 6>him really badly. Just a whole lot of stuff that

0:17:33.560 --> 0:17:35.600
<v Speaker 6>absolutely petrified me.

0:17:35.920 --> 0:17:39.000
<v Speaker 1>Earlier this week season eight, groom Brace told me that

0:17:39.040 --> 0:17:41.160
<v Speaker 1>this fret wasn't just used if you wanted to quit.

0:17:41.880 --> 0:17:43.520
<v Speaker 1>It was also rolled out if you said you didn't

0:17:43.560 --> 0:17:46.040
<v Speaker 1>want to take part in a certain task for whatever reason.

0:17:46.160 --> 0:17:48.399
<v Speaker 9>So it turned for me when we had a task

0:17:48.680 --> 0:17:53.200
<v Speaker 9>that involved writing a feedback letter for another couple in

0:17:53.240 --> 0:17:56.520
<v Speaker 9>the experiment, and basically we've been asked to write a

0:17:56.640 --> 0:17:59.280
<v Speaker 9>letter to Rebecca and Jake, and there was no secret

0:17:59.280 --> 0:18:02.639
<v Speaker 9>that listening, I had a clear dislike and lack of

0:18:02.680 --> 0:18:06.240
<v Speaker 9>respect for Rebecca due to her behavior towards us prior

0:18:06.280 --> 0:18:08.520
<v Speaker 9>to being asked to do the task. We had no

0:18:08.560 --> 0:18:10.680
<v Speaker 9>issue with Jake. We thought Jake was a good bloke,

0:18:10.720 --> 0:18:12.639
<v Speaker 9>but we just didn't think it was gonna beneficial for

0:18:12.720 --> 0:18:15.119
<v Speaker 9>us to write I let her or give any feedback

0:18:15.520 --> 0:18:20.280
<v Speaker 9>to Rebecca and Jake on their relationship. Anyway, long story short,

0:18:20.600 --> 0:18:22.720
<v Speaker 9>our couple's produced. I tried to convince this for about

0:18:22.760 --> 0:18:24.840
<v Speaker 9>half an hour to write it. I refused, and then

0:18:25.080 --> 0:18:27.399
<v Speaker 9>she dragged me outside of our room, had a bit

0:18:27.400 --> 0:18:29.240
<v Speaker 9>of a gulp if not wanting to do the task,

0:18:29.440 --> 0:18:33.120
<v Speaker 9>and then basically broke down in tears and then stormed

0:18:33.160 --> 0:18:35.280
<v Speaker 9>off from our room because I said I wouldn't do it.

0:18:35.880 --> 0:18:39.280
<v Speaker 9>Fifteen minutes later, she came back with a phone and said,

0:18:39.320 --> 0:18:40.919
<v Speaker 9>Tara's on the phone and she wants to talk to me.

0:18:41.400 --> 0:18:43.520
<v Speaker 9>So I spoked her for about five minutes, and the

0:18:43.560 --> 0:18:46.240
<v Speaker 9>conversation ended by Tara saying to me that if I

0:18:46.400 --> 0:18:50.080
<v Speaker 9>don't participate in the feedback task, that she would make

0:18:50.119 --> 0:18:52.120
<v Speaker 9>me look like the worst human being in the country,

0:18:52.800 --> 0:18:55.400
<v Speaker 9>and that she will make sure that when the show

0:18:55.480 --> 0:18:57.679
<v Speaker 9>is put together that no one will like me and

0:18:57.880 --> 0:19:01.840
<v Speaker 9>essentially serious pender as didn't. I guess she stuck to

0:19:01.840 --> 0:19:03.359
<v Speaker 9>a word because we didn't want to do the task,

0:19:03.800 --> 0:19:06.640
<v Speaker 9>which is the funny thing was eventually they sent another

0:19:06.680 --> 0:19:10.159
<v Speaker 9>producer to our room, from a different couple, and we said, okay,

0:19:10.160 --> 0:19:12.879
<v Speaker 9>we'll do the task and listen, I agree, just to

0:19:12.920 --> 0:19:14.720
<v Speaker 9>fake it and write nice things about them, which we

0:19:14.760 --> 0:19:17.560
<v Speaker 9>did and that's how it was shown on the TV.

0:19:17.760 --> 0:19:21.720
<v Speaker 9>But yeah, I guess Tara just went through with her

0:19:22.119 --> 0:19:24.240
<v Speaker 9>I guess promise of making me look like the worst

0:19:24.320 --> 0:19:26.439
<v Speaker 9>human of the country at the time. And yeah, that

0:19:26.560 --> 0:19:29.439
<v Speaker 9>was literally one of many examples I could give. But

0:19:29.560 --> 0:19:31.960
<v Speaker 9>that was the first time I thought that Tara definitely

0:19:31.960 --> 0:19:33.560
<v Speaker 9>didn't have our best interest at heart.

0:19:33.600 --> 0:19:36.320
<v Speaker 1>Now, David, Michelle, Poppy and Bryce, we're all on the

0:19:36.359 --> 0:19:39.480
<v Speaker 1>show a long time ago now, and since then, Tara

0:19:39.600 --> 0:19:43.080
<v Speaker 1>has been promoted from executive producer to a production company

0:19:43.119 --> 0:19:45.919
<v Speaker 1>and then We'll Shine Australia's director of content and in

0:19:45.960 --> 0:19:50.840
<v Speaker 1>twenty twenty two, Tara's successors, Molly Harwood and Alex Spurway

0:19:51.119 --> 0:19:54.679
<v Speaker 1>then took the reins as co executive producers. And although

0:19:54.720 --> 0:19:57.240
<v Speaker 1>Tara's promotion meant she still oversees the show as a

0:19:57.240 --> 0:20:00.560
<v Speaker 1>whole and is across everything that's happening. It also meant

0:20:00.840 --> 0:20:04.199
<v Speaker 1>she was no longer their day to day so maybe,

0:20:04.600 --> 0:20:08.080
<v Speaker 1>just maybe things started to get better. I recently asked

0:20:08.080 --> 0:20:10.680
<v Speaker 1>Marena from this year's season if that line about will

0:20:10.760 --> 0:20:13.399
<v Speaker 1>ruin your reputation and you'll lose everything you work for

0:20:13.560 --> 0:20:15.520
<v Speaker 1>was ever used to her or any of her cast

0:20:15.520 --> 0:20:17.680
<v Speaker 1>members this year, and she told me this.

0:20:17.880 --> 0:20:20.840
<v Speaker 13>They sure did. How dare you threaten me that I

0:20:20.880 --> 0:20:24.480
<v Speaker 13>will never work in Australia again? Guys, I know you

0:20:24.520 --> 0:20:26.120
<v Speaker 13>put a lot of money into this show, but that's

0:20:26.160 --> 0:20:29.240
<v Speaker 13>below the bell. I was counting the clock. How do

0:20:29.320 --> 0:20:31.800
<v Speaker 13>I get out of here? I was looking for cameras,

0:20:31.880 --> 0:20:36.000
<v Speaker 13>any opportunity I had to file away, I would.

0:20:36.200 --> 0:20:38.120
<v Speaker 1>Marena went on to claim to me that she asked

0:20:38.119 --> 0:20:40.959
<v Speaker 1>to leave several times during filming, but was obviously told

0:20:41.160 --> 0:20:44.000
<v Speaker 1>that would not be happening. She says it was only

0:20:44.040 --> 0:20:46.360
<v Speaker 1>as she then threatened to call the police and say

0:20:46.359 --> 0:20:48.920
<v Speaker 1>she was being held against a will that they then

0:20:49.200 --> 0:20:50.560
<v Speaker 1>orchestrated an exit for her.

0:20:50.640 --> 0:20:52.680
<v Speaker 13>I said to them, I'm going to court your below.

0:20:52.920 --> 0:20:55.960
<v Speaker 13>You're holding me against my will. This stops, This stops today.

0:20:56.080 --> 0:20:58.639
<v Speaker 13>That's when I said, okay, she's really going to do it.

0:20:59.160 --> 0:21:02.080
<v Speaker 13>I should have just done in hindsight, should have, could have,

0:21:02.160 --> 0:21:05.520
<v Speaker 13>would have, should have. Instead, they wound me up and

0:21:05.560 --> 0:21:07.639
<v Speaker 13>they said, look, we know you. You haven't had a

0:21:07.680 --> 0:21:10.239
<v Speaker 13>good a good run with him. So they said, all right,

0:21:10.440 --> 0:21:13.120
<v Speaker 13>let's let's plan this. We'll let you come on set.

0:21:13.560 --> 0:21:18.000
<v Speaker 13>You can make this grand entry. And I promise this

0:21:18.080 --> 0:21:23.959
<v Speaker 13>came out of Alex's mouth. I promise that the experts

0:21:24.480 --> 0:21:26.160
<v Speaker 13>will not give you a hard time. I said, really,

0:21:26.320 --> 0:21:28.679
<v Speaker 13>because they've given me a hard time on every commitment ceremony,

0:21:29.040 --> 0:21:31.960
<v Speaker 13>every single commitment seminary. They have given it to me.

0:21:32.560 --> 0:21:34.639
<v Speaker 13>So they said, nope, they're not going to talk. And

0:21:34.680 --> 0:21:40.120
<v Speaker 13>guess what, they didn't talk. So the next day they producers,

0:21:40.840 --> 0:21:42.920
<v Speaker 13>you ought to be ashamed of yourselves, but that's okay.

0:21:42.920 --> 0:21:46.000
<v Speaker 13>You've got to live with what you've done. They accompany

0:21:46.040 --> 0:21:47.919
<v Speaker 13>me to the lift because there's always a guard at

0:21:47.960 --> 0:21:49.919
<v Speaker 13>the lift, and they just go bye bye, and I

0:21:50.000 --> 0:21:50.520
<v Speaker 13>just went.

0:21:51.000 --> 0:21:54.040
<v Speaker 1>What From what I've been told? The subject of police

0:21:54.080 --> 0:21:56.479
<v Speaker 1>involvement is one of the only things cust members can

0:21:56.520 --> 0:21:59.840
<v Speaker 1>say in order to be taken seriously, which was made

0:21:59.920 --> 0:22:03.520
<v Speaker 1>up parent during the infamous season nine retreat, when Dominica

0:22:03.640 --> 0:22:06.840
<v Speaker 1>violently smashed the glass during an argument with Olivia, which

0:22:06.880 --> 0:22:08.240
<v Speaker 1>she may remember, I.

0:22:18.720 --> 0:22:21.160
<v Speaker 2>Mean telling that mean that my voice isn't enough.

0:22:21.359 --> 0:22:23.680
<v Speaker 12>You don't you remember someone?

0:22:23.720 --> 0:22:26.440
<v Speaker 3>Why it's turning up? Why would you do that? Why?

0:22:26.480 --> 0:22:28.720
<v Speaker 2>Because she's having a guy At my point.

0:22:29.080 --> 0:22:32.200
<v Speaker 1>Olivia claims to me that after initially stating she wanted

0:22:32.240 --> 0:22:35.720
<v Speaker 1>to pond the police regarding that incident, she was told that, well,

0:22:35.840 --> 0:22:37.720
<v Speaker 1>if you do that, you're going to risk the jobs

0:22:37.720 --> 0:22:40.120
<v Speaker 1>of the hundreds of people who work on this show,

0:22:40.160 --> 0:22:43.560
<v Speaker 1>and almost guilty out of doing it. But as she

0:22:43.640 --> 0:22:46.280
<v Speaker 1>then said, actually no, I do want to phone the police.

0:22:46.320 --> 0:22:49.240
<v Speaker 1>I don't feel safe here. Olivia tells me what then

0:22:49.320 --> 0:22:50.720
<v Speaker 1>happened next after the.

0:22:50.680 --> 0:22:54.200
<v Speaker 8>Glass smashing, like the next day she she had to

0:22:54.280 --> 0:22:58.280
<v Speaker 8>drive down to Bargo from Sydney. And it must have

0:22:58.400 --> 0:23:01.560
<v Speaker 8>been like my cycle, like my psychology was it called

0:23:01.560 --> 0:23:06.880
<v Speaker 8>psychological evaluations and stuff that I am really really sensitive

0:23:06.880 --> 0:23:10.440
<v Speaker 8>to authority figures like I can't. I have a really

0:23:10.440 --> 0:23:13.800
<v Speaker 8>hard time sticking up for myself when it's figures of authority.

0:23:14.520 --> 0:23:19.119
<v Speaker 8>And so that's why I think her, Molly and Alex

0:23:19.560 --> 0:23:23.800
<v Speaker 8>all three like them isolated and cornered me in mine,

0:23:23.920 --> 0:23:26.920
<v Speaker 8>in Jackson's bedroom, they wouldn't let Jackson be there because

0:23:26.960 --> 0:23:28.840
<v Speaker 8>they knew that if he was there, he would probably

0:23:28.840 --> 0:23:30.600
<v Speaker 8>stick up for me, And they knew that they had

0:23:30.600 --> 0:23:33.879
<v Speaker 8>a better chance of getting what they wanted, which was

0:23:33.920 --> 0:23:36.520
<v Speaker 8>me staying even though I felt unsafe, and me sort

0:23:36.520 --> 0:23:39.520
<v Speaker 8>of sucking it up and shutting up and taking it

0:23:39.600 --> 0:23:42.240
<v Speaker 8>like taking the glass mashing and all that sort of

0:23:42.240 --> 0:23:44.280
<v Speaker 8>shit and not saying boo. They knew that they would

0:23:44.280 --> 0:23:46.439
<v Speaker 8>be able to shut me up if the three of

0:23:46.480 --> 0:23:49.600
<v Speaker 8>them sort of cornered me in my bed and shamed

0:23:49.640 --> 0:23:50.000
<v Speaker 8>me for that.

0:23:50.320 --> 0:23:53.240
<v Speaker 1>Again, for journalistic balance and fanness, I must state that

0:23:53.359 --> 0:23:57.199
<v Speaker 1>although so many participants have shared similar stories like the above,

0:23:57.720 --> 0:24:00.760
<v Speaker 1>Sarah from season eleven last year did re state that

0:24:00.840 --> 0:24:04.919
<v Speaker 1>when she attempted to quit, no one threatened her reputation, career,

0:24:05.400 --> 0:24:07.520
<v Speaker 1>or you know, the loss of everything she's ever built

0:24:07.520 --> 0:24:11.240
<v Speaker 1>for herself. Instead, Sarah tells Yahu Lifestyle that this was

0:24:11.240 --> 0:24:12.800
<v Speaker 1>the response she received when I.

0:24:12.720 --> 0:24:15.440
<v Speaker 14>Did try to leave, like packed up my stuff and went.

0:24:15.600 --> 0:24:17.560
<v Speaker 14>I had producers coming in constantly.

0:24:18.000 --> 0:24:18.640
<v Speaker 3>What do you need?

0:24:18.760 --> 0:24:21.080
<v Speaker 14>What do you need us to do? If you don't

0:24:21.080 --> 0:24:22.520
<v Speaker 14>want to do this, you don't have to do this.

0:24:23.400 --> 0:24:25.320
<v Speaker 14>Please just go talk to Tim or do this, like,

0:24:25.359 --> 0:24:28.159
<v Speaker 14>I promise it it'll work out. They just they like

0:24:28.359 --> 0:24:31.000
<v Speaker 14>pretty much tell you it's going to be okay, and

0:24:31.040 --> 0:24:33.480
<v Speaker 14>then you kind of go, okay, well, if this is what.

0:24:33.400 --> 0:24:34.359
<v Speaker 3>You're saying, I'll stay.

0:24:34.560 --> 0:24:36.440
<v Speaker 14>They would have been like, we know exactly what's going

0:24:36.480 --> 0:24:38.480
<v Speaker 14>on in your head, Like what you think about him

0:24:38.640 --> 0:24:40.359
<v Speaker 14>is what we see and that's what the world is

0:24:40.400 --> 0:24:43.040
<v Speaker 14>going to see. And that's how they convince them. That's

0:24:43.080 --> 0:24:44.359
<v Speaker 14>what they said to me. They're like, we see what

0:24:44.400 --> 0:24:44.800
<v Speaker 14>you see.

0:24:45.160 --> 0:24:46.080
<v Speaker 12>I was like, oh okay.

0:24:46.119 --> 0:24:48.239
<v Speaker 1>And in case you're wondering, well, did people end up

0:24:48.240 --> 0:24:52.600
<v Speaker 1>seeing what Sarah saw? No, she ended up becoming hated

0:24:52.760 --> 0:24:55.919
<v Speaker 1>Australia sided with her husband instead, and everything that that

0:24:55.960 --> 0:24:58.760
<v Speaker 1>producer told her did not happen. And to me, that

0:24:58.920 --> 0:25:02.720
<v Speaker 1>is just another clear example of manipulation. Having heard all

0:25:02.760 --> 0:25:05.840
<v Speaker 1>of this, I imagine you're now thinking, well, why does

0:25:05.880 --> 0:25:08.640
<v Speaker 1>anyone still go on these shows? Why would anyone make

0:25:08.680 --> 0:25:12.080
<v Speaker 1>that decisions despite everything out there saying don't do it?

0:25:12.640 --> 0:25:14.080
<v Speaker 2>And that's a very valid point.

0:25:14.520 --> 0:25:17.840
<v Speaker 1>But as I've recently discovered, like most things with this show,

0:25:18.280 --> 0:25:20.679
<v Speaker 1>how they get people on it isn't as straightforward as

0:25:20.720 --> 0:25:24.160
<v Speaker 1>you'd think. It's actually quite shocking. And if you're also

0:25:24.200 --> 0:25:26.080
<v Speaker 1>now thinking, well, hey, at least the cast of the

0:25:26.119 --> 0:25:28.439
<v Speaker 1>experts back in them, right, you know, supporting them and

0:25:28.440 --> 0:25:31.240
<v Speaker 1>looking after them and having their best interest at heart,

0:25:31.359 --> 0:25:33.280
<v Speaker 1>you know, because they spent months back and forth with

0:25:33.320 --> 0:25:35.800
<v Speaker 1>them during the application process and all those interviews with

0:25:36.000 --> 0:25:37.879
<v Speaker 1>John Mel Alessandra.

0:25:38.800 --> 0:25:42.600
<v Speaker 2>Not quite No, I'm sorry. I came to you for advice.

0:25:42.720 --> 0:25:45.439
<v Speaker 3>What should I do? No? No, no, no, no, I'm sorry.

0:25:46.440 --> 0:25:47.960
<v Speaker 3>I'm not here to tell you what to do.

0:25:48.240 --> 0:25:50.000
<v Speaker 13>You're not here to give me advice.

0:25:51.160 --> 0:25:54.080
<v Speaker 1>The things I've encouraged relating to those three the apparent

0:25:54.200 --> 0:25:58.399
<v Speaker 1>experts will also leave you speechless. Episode two of the

0:25:58.480 --> 0:26:01.320
<v Speaker 1>Downfall of Married at First Sight Australia will be live

0:26:01.400 --> 0:26:04.399
<v Speaker 1>on the Math Funny podcast next Sunday at eight thirty pm.

0:26:04.720 --> 0:26:10.159
<v Speaker 3>Oh, We've heard everything we need to hear from you.

0:26:10.359 --> 0:26:15.040
<v Speaker 1>And this time John Mel and Alessandra, I think it's

0:26:15.080 --> 0:26:17.000
<v Speaker 1>time to public learn the truth about you three.

0:26:17.200 --> 0:26:20.080
<v Speaker 3>The way you're talking right now, don't do that.

0:26:20.640 --> 0:26:23.000
<v Speaker 1>If you've struggled with some of the topics discussed in

0:26:23.040 --> 0:26:27.080
<v Speaker 1>this episode, please call Lifeline on thirteen eleven fourteen. There's

0:26:27.119 --> 0:26:29.760
<v Speaker 1>always somebody there to talk to, and if your life

0:26:29.840 --> 0:26:32.359
<v Speaker 1>is in immediate danger, please call triple zero