1 00:00:01,920 --> 00:00:03,680 Speaker 1: The old singer from Memphis, Tennessee. 2 00:00:03,880 --> 00:00:10,719 Speaker 2: Mister Alvis, I wish to promote you a misters director 3 00:00:10,760 --> 00:00:18,840 Speaker 2: of the brand new Phil Elvis joins wher. 4 00:00:20,079 --> 00:00:23,200 Speaker 3: Hey, guys here from No. Nine six nine, and we're 5 00:00:23,239 --> 00:00:25,480 Speaker 3: here with the magnificent baz Learment. 6 00:00:25,600 --> 00:00:27,720 Speaker 1: Welcome back. So we're going to blow the top of 7 00:00:27,760 --> 00:00:31,720 Speaker 1: some of these parties we've been to, not having wasn't that. 8 00:00:31,680 --> 00:00:32,960 Speaker 2: You know, we were talking about this on now that 9 00:00:33,000 --> 00:00:35,640 Speaker 2: my wife didn't realize who you were. I was asking 10 00:00:35,680 --> 00:00:38,440 Speaker 2: a couple of questions like what do you do with yourself? 11 00:00:38,680 --> 00:00:39,400 Speaker 1: And in the movies? 12 00:00:39,680 --> 00:00:40,159 Speaker 3: What have you done? 13 00:00:40,320 --> 00:00:42,200 Speaker 2: I just didn't think called gat speaking. 14 00:00:42,320 --> 00:00:44,720 Speaker 1: I didn't say that. I would have said, like, oh, 15 00:00:44,800 --> 00:00:48,400 Speaker 1: you know, I do kind of independent stuff like exploring 16 00:00:48,479 --> 00:00:50,840 Speaker 1: like subjects that no one's interested in, which is actually 17 00:00:50,840 --> 00:00:51,360 Speaker 1: what I do. 18 00:00:51,360 --> 00:00:51,920 Speaker 2: Do you do? 19 00:00:52,479 --> 00:00:54,480 Speaker 1: I take things that people are not interested in and 20 00:00:54,520 --> 00:00:58,640 Speaker 1: try and understand why were they interesting in the first place. 21 00:00:59,320 --> 00:01:01,520 Speaker 3: Well, this is right, and this is it's not a 22 00:01:01,560 --> 00:01:04,360 Speaker 3: biopic for Elvis is No, it's not. It's from a 23 00:01:04,400 --> 00:01:05,520 Speaker 3: different angle we're looking at it. 24 00:01:05,600 --> 00:01:08,720 Speaker 1: I think it's honestly to me, it was like like 25 00:01:08,880 --> 00:01:11,039 Speaker 1: how you look at America in the fifty six, sies 26 00:01:11,080 --> 00:01:13,600 Speaker 1: and the seventies. But more importantly this whole idea of 27 00:01:14,160 --> 00:01:16,560 Speaker 1: the artist in the cell, you know, the show and 28 00:01:16,640 --> 00:01:19,560 Speaker 1: the business. Now in the show you've got Elvis, but 29 00:01:19,600 --> 00:01:22,759 Speaker 1: the business, well that's Tom Hanks. Yes, never Colonel never time, 30 00:01:22,840 --> 00:01:25,120 Speaker 1: Never Parker, it's Jian Bass. 31 00:01:25,400 --> 00:01:29,399 Speaker 2: The movie is phenomenal, really like it's trauations. I couldn't 32 00:01:29,400 --> 00:01:31,560 Speaker 2: believe it. I couldn't believe it. And the detail in it, 33 00:01:31,920 --> 00:01:34,640 Speaker 2: which is your job as well. So when you're on set. 34 00:01:34,680 --> 00:01:38,319 Speaker 2: We were just talking about Austin about this. Yeah, how 35 00:01:38,560 --> 00:01:41,199 Speaker 2: do you think you'd be described you relaxed on set 36 00:01:41,920 --> 00:01:42,920 Speaker 2: overly particular? 37 00:01:43,160 --> 00:01:45,320 Speaker 1: No, I'm always the same. I'm exacly. I am now 38 00:01:45,480 --> 00:01:47,840 Speaker 1: I mean no, look, no, no, that's not true. That's 39 00:01:47,880 --> 00:01:52,640 Speaker 1: not true. One. I absolutely believe that like any fear 40 00:01:52,680 --> 00:01:54,920 Speaker 1: I might how I have to check in, like check 41 00:01:54,960 --> 00:01:57,680 Speaker 1: in at breakfast. Well, because everyone has got fear, and 42 00:01:57,760 --> 00:02:00,880 Speaker 1: like you know, what we do is we professtionally play 43 00:02:01,040 --> 00:02:03,640 Speaker 1: for a living. And if you look at kids, little 44 00:02:03,720 --> 00:02:06,600 Speaker 1: kids can't play if they're scared. So I have to 45 00:02:06,640 --> 00:02:09,160 Speaker 1: remove all the fear and I create an environment. It's 46 00:02:10,160 --> 00:02:13,920 Speaker 1: it's somewhat fun, very serious. We get on with our work. 47 00:02:14,000 --> 00:02:17,760 Speaker 1: But it's professional play, you know. And preparation, I mean, 48 00:02:17,800 --> 00:02:20,120 Speaker 1: we just prepare, prepare, prepare. 49 00:02:20,280 --> 00:02:22,600 Speaker 3: Can we talk about preparation because we just spoke to 50 00:02:22,600 --> 00:02:25,360 Speaker 3: Buston and he said there were certain scenes where he 51 00:02:25,480 --> 00:02:27,919 Speaker 3: was preparing for months and months this certain scene, and 52 00:02:27,960 --> 00:02:29,880 Speaker 3: then you would rock up some days and go, I've 53 00:02:29,919 --> 00:02:31,079 Speaker 3: rewritten this seek. 54 00:02:32,320 --> 00:02:36,000 Speaker 1: And your question is challenge from you last time, like 55 00:02:36,000 --> 00:02:39,160 Speaker 1: why is this a shock? No? No, this and this 56 00:02:39,320 --> 00:02:42,120 Speaker 1: and actually that's true, but I testingly remarkable, which is 57 00:02:42,200 --> 00:02:44,840 Speaker 1: really true. So there's a scene, the scene in the 58 00:02:44,840 --> 00:02:49,240 Speaker 1: film where Elvis is because Elvis, like Michael Jackson, like 59 00:02:49,639 --> 00:02:52,280 Speaker 1: they sang all the lines. They wouldn't do no to go, 60 00:02:52,360 --> 00:02:56,359 Speaker 1: they just use their mouth. And the scene where Elvis 61 00:02:56,680 --> 00:02:58,959 Speaker 1: has got the big news sound and he's invoking the 62 00:02:59,040 --> 00:03:01,240 Speaker 1: orchest to do that all right, mama. For the Vager Show, 63 00:03:01,800 --> 00:03:04,600 Speaker 1: we rehearsed to a tape like a playback for six 64 00:03:04,680 --> 00:03:07,920 Speaker 1: months and we're they're doing it, and I'm looking and 65 00:03:07,919 --> 00:03:12,119 Speaker 1: I'm going, I go, is it just isn't real? It's 66 00:03:12,160 --> 00:03:15,840 Speaker 1: not working? And I could see viscerally he was terrified 67 00:03:16,320 --> 00:03:18,080 Speaker 1: and he said, I don't I can't do that. I said, Look, 68 00:03:18,120 --> 00:03:21,760 Speaker 1: they're real musicians. Let's unplug all let's get the drums out. 69 00:03:21,919 --> 00:03:25,840 Speaker 1: They can play instruments. Just be him, and that scene 70 00:03:26,360 --> 00:03:30,840 Speaker 1: is him, and that's that's happening. That's really happening. And 71 00:03:31,639 --> 00:03:33,960 Speaker 1: in all the testing as that becomes the number one 72 00:03:33,960 --> 00:03:36,440 Speaker 1: scene because you know, when he goes flames and all that, 73 00:03:36,520 --> 00:03:38,280 Speaker 1: he just made that all up. He just he was 74 00:03:38,840 --> 00:03:41,080 Speaker 1: was Elvis, because I mean, he lived as Elvis for 75 00:03:41,120 --> 00:03:41,960 Speaker 1: two years. You know. 76 00:03:42,280 --> 00:03:44,000 Speaker 2: Credit to you too, though, to go, all right, we're 77 00:03:44,000 --> 00:03:46,200 Speaker 2: going to tell the angle of the manager. And at 78 00:03:46,200 --> 00:03:49,560 Speaker 2: the same time, there's so much that we don't know 79 00:03:49,640 --> 00:03:51,800 Speaker 2: about Elvis that we thought we did. We thought we'd 80 00:03:51,800 --> 00:03:53,920 Speaker 2: heard our story. But you don't want to give parts 81 00:03:53,960 --> 00:03:55,640 Speaker 2: of the movie away. But there were certain things in 82 00:03:55,680 --> 00:03:58,280 Speaker 2: particular where you were. I had no idea about that. 83 00:03:58,440 --> 00:04:01,800 Speaker 1: Yeah, a lot of friends of mine, one friend of 84 00:04:01,800 --> 00:04:03,920 Speaker 1: Betica said, I felt like I met someone I never 85 00:04:04,000 --> 00:04:08,120 Speaker 1: knew who was not into Elvis and brought into a 86 00:04:08,120 --> 00:04:10,760 Speaker 1: lot of a lot of the Look. The thing about 87 00:04:10,840 --> 00:04:14,119 Speaker 1: him is he I mean the life you know forty two. 88 00:04:14,160 --> 00:04:15,840 Speaker 1: You know that line when he says, I'm almost forty 89 00:04:15,880 --> 00:04:18,880 Speaker 1: and I've never done no one ever remember me he 90 00:04:18,960 --> 00:04:21,000 Speaker 1: said that song I wanted to write. I never did 91 00:04:21,000 --> 00:04:24,040 Speaker 1: that series film and he said that. But what's remarkable 92 00:04:24,040 --> 00:04:27,000 Speaker 1: I think about it is it's a life in three acts. 93 00:04:27,000 --> 00:04:30,320 Speaker 1: There's rebel Elvis in the beginning, the first ever punk 94 00:04:30,640 --> 00:04:33,280 Speaker 1: And what people don't understand is there were no teenagers. 95 00:04:33,760 --> 00:04:36,880 Speaker 1: Teenagers were invented. Suddenly they're a market. This guy never 96 00:04:37,000 --> 00:04:41,000 Speaker 1: Colonel never to Never parker't plot twist right goes, wow, 97 00:04:41,080 --> 00:04:43,240 Speaker 1: I can He's a Carnival Barker. He says, I can 98 00:04:43,279 --> 00:04:47,000 Speaker 1: sell what he does to these kids, and they explode, 99 00:04:47,040 --> 00:04:51,000 Speaker 1: but they go beyond on pop culture their politics. So 100 00:04:51,040 --> 00:04:53,840 Speaker 1: there's that rebel. Then there's him in the bubble in Hollywood, 101 00:04:54,040 --> 00:04:57,159 Speaker 1: you know, like the River of Money, girls any he wants, 102 00:04:57,200 --> 00:04:59,280 Speaker 1: but he's in a bubble. He kind of fights back, 103 00:04:59,360 --> 00:05:02,159 Speaker 1: finds himself. That's all that, the comeback and the letter 104 00:05:02,200 --> 00:05:04,680 Speaker 1: and the gospel and then and then he's caught in 105 00:05:04,720 --> 00:05:07,400 Speaker 1: a trap in Vegas for reasons of which you have 106 00:05:07,440 --> 00:05:08,400 Speaker 1: to see the film find out. 107 00:05:08,520 --> 00:05:12,039 Speaker 3: Picking Austin was a huge, huge responsibility. There was talk 108 00:05:12,040 --> 00:05:15,440 Speaker 3: about Harry Stars, there was talk Miles Teller, did you 109 00:05:15,520 --> 00:05:16,480 Speaker 3: audition these guys? 110 00:05:16,640 --> 00:05:21,080 Speaker 1: Don't? I don't auditionally these really rich workshops. And I'll 111 00:05:21,120 --> 00:05:24,160 Speaker 1: talk about Harry only because Harry said it himself just recently. 112 00:05:24,400 --> 00:05:27,719 Speaker 1: First of all, Harry is really talented actor. I would 113 00:05:28,240 --> 00:05:30,320 Speaker 1: any work on something of him Harry. 114 00:05:31,000 --> 00:05:32,240 Speaker 3: Could he get the accents? 115 00:05:32,279 --> 00:05:34,720 Speaker 1: Could he do that? He wasn't that The real issue 116 00:05:34,720 --> 00:05:37,880 Speaker 1: with Harry is he's Harry Stars. He's already an icon' 117 00:05:38,040 --> 00:05:40,560 Speaker 1: like so you know, I think Harry and I came 118 00:05:40,560 --> 00:05:43,240 Speaker 1: to a place genuinely. I mean, he was just desperate 119 00:05:43,279 --> 00:05:45,039 Speaker 1: to put the suit on and explore it. He's such 120 00:05:45,040 --> 00:05:48,400 Speaker 1: a great spirit. And I have nothing but great things 121 00:05:48,440 --> 00:05:50,960 Speaker 1: to say about Harry Stars. But it was this thing 122 00:05:51,000 --> 00:05:54,360 Speaker 1: of like, you know, the thing about asked was that 123 00:05:54,680 --> 00:05:57,480 Speaker 1: he will tell you himself. I didn't pick him. It's 124 00:05:57,520 --> 00:06:02,240 Speaker 1: as if he was drawn, like the role draw him 125 00:06:02,279 --> 00:06:04,880 Speaker 1: in because he was almost born to play it. You know, 126 00:06:05,240 --> 00:06:07,599 Speaker 1: he had the We can talk about it now. You know. 127 00:06:07,640 --> 00:06:11,200 Speaker 1: He loses his mum in the same age that Elvis did. 128 00:06:11,520 --> 00:06:13,600 Speaker 1: He sends a video to me of this thing, and 129 00:06:14,640 --> 00:06:18,720 Speaker 1: I mean it just happened like two years non stop 130 00:06:18,960 --> 00:06:22,000 Speaker 1: living and breathing as Elvis. He's now going through a 131 00:06:22,040 --> 00:06:27,560 Speaker 1: sort of d It's like deprogramming thing because he's been 132 00:06:27,560 --> 00:06:29,279 Speaker 1: a long time since he's known who he was. 133 00:06:29,360 --> 00:06:31,240 Speaker 2: Yeah, because when you look at the size of the 134 00:06:31,279 --> 00:06:34,440 Speaker 2: films that you do and how much is involved, and 135 00:06:34,560 --> 00:06:36,320 Speaker 2: the success of this which is going to blow the 136 00:06:36,320 --> 00:06:37,240 Speaker 2: world away. 137 00:06:37,120 --> 00:06:40,640 Speaker 1: Well it's awesome. Man. 138 00:06:43,360 --> 00:06:45,720 Speaker 2: In the back of your mind though, you'd be thinking 139 00:06:46,360 --> 00:06:49,920 Speaker 2: what's next? 140 00:06:47,600 --> 00:06:56,279 Speaker 1: No, do you want any I you know? Da Vinci, 141 00:06:56,400 --> 00:06:59,000 Speaker 1: Leonard da Vinci. He liked to paint a bit. He 142 00:06:59,080 --> 00:07:00,960 Speaker 1: was big on making warmansh is. But his favorite thing 143 00:07:01,120 --> 00:07:04,320 Speaker 1: was the creation artistic creation parties. He never went to 144 00:07:04,360 --> 00:07:07,640 Speaker 1: the really yeah and I'm moving line myself, although I love. 145 00:07:07,560 --> 00:07:09,320 Speaker 2: To go to them in the extra space. 146 00:07:09,400 --> 00:07:11,600 Speaker 1: I mean, we'll put there are no extras in my parties. 147 00:07:12,600 --> 00:07:17,640 Speaker 1: Everybody wants everyone. Everyone's got a spot. Everyone's got to 148 00:07:17,640 --> 00:07:18,760 Speaker 1: be in my parties. 149 00:07:18,920 --> 00:07:20,960 Speaker 3: We had to carry you out of the last one. 150 00:07:21,000 --> 00:07:24,600 Speaker 1: You know that's not true. I know I needed. I 151 00:07:24,680 --> 00:07:27,600 Speaker 1: need to give you guys purpose. That's what he carried. Yeah, 152 00:07:28,200 --> 00:07:29,320 Speaker 1: we deserve to be carrying. 153 00:07:30,200 --> 00:07:34,600 Speaker 3: Congratulations on Elvis, Thank you so much, So good to 154 00:07:34,600 --> 00:07:37,840 Speaker 1: See but thanks mate, Fits and Whipper