1 00:00:01,160 --> 00:00:03,400 Speaker 1: This is the City and with her with Kate Riki 2 00:00:03,520 --> 00:00:06,920 Speaker 1: podcast age. 3 00:00:09,640 --> 00:00:10,840 Speaker 2: I don't know a lot of the. 4 00:00:15,080 --> 00:00:17,960 Speaker 3: Song to be Today we are focusing on a. 5 00:00:17,920 --> 00:00:20,720 Speaker 4: Song that has taken the world by storm, a recent 6 00:00:20,800 --> 00:00:22,880 Speaker 4: one by an amazing artist called Ray. 7 00:00:23,120 --> 00:00:29,040 Speaker 3: It is called where is My Husband? What a three? 8 00:00:29,360 --> 00:00:30,040 Speaker 3: What a Freak? 9 00:00:30,200 --> 00:00:30,400 Speaker 5: Now? 10 00:00:30,480 --> 00:00:34,199 Speaker 4: I did not know this, but Ray has written a 11 00:00:34,240 --> 00:00:37,000 Speaker 4: lot of music for other artists. She's written for Beyonce, 12 00:00:37,360 --> 00:00:41,839 Speaker 4: Charlie x X, John Legend, Little Mix, Ellie Golding. This 13 00:00:41,920 --> 00:00:44,600 Speaker 4: is her first album, Whip that she's gone out on 14 00:00:44,640 --> 00:00:47,560 Speaker 4: her own solo. And you know what, with a song 15 00:00:47,640 --> 00:00:50,240 Speaker 4: like this, you could have easily handed this over to Beyonce, 16 00:00:50,880 --> 00:00:53,280 Speaker 4: but she know what, She's done it for the first time, 17 00:00:53,320 --> 00:00:55,959 Speaker 4: and this is her talking about how. 18 00:00:55,760 --> 00:00:57,560 Speaker 3: Important it was for her to go solo. 19 00:00:58,400 --> 00:01:02,400 Speaker 6: Getting to make my own one was a really beautiful experience. 20 00:01:02,400 --> 00:01:04,480 Speaker 6: And then on top of that, getting to be recognized 21 00:01:04,520 --> 00:01:07,039 Speaker 6: and listened to by that It's just opened so many 22 00:01:07,040 --> 00:01:09,400 Speaker 6: doors of me. It's just blown my mind. A lot 23 00:01:09,400 --> 00:01:12,440 Speaker 6: of people thought that I would never have success as 24 00:01:12,480 --> 00:01:14,720 Speaker 6: an artist, I mean, so it's just also so vindicating 25 00:01:14,720 --> 00:01:17,200 Speaker 6: to be able to prove to myself that they were 26 00:01:17,240 --> 00:01:19,039 Speaker 6: just all chatting rubbish. 27 00:01:18,760 --> 00:01:22,600 Speaker 2: Because Ray Also she's saying escape isn't didn't she massive 28 00:01:22,720 --> 00:01:23,399 Speaker 2: song here. 29 00:01:23,280 --> 00:01:27,920 Speaker 4: And she's very talented song So the inspiration for the song, 30 00:01:28,280 --> 00:01:30,440 Speaker 4: I don't have an audio grab for that, but she's 31 00:01:30,440 --> 00:01:32,759 Speaker 4: written in an article. I was lying in bed one 32 00:01:32,840 --> 00:01:35,520 Speaker 4: night and I pray a lot. She's very religious, she said, 33 00:01:35,560 --> 00:01:38,720 Speaker 4: and I was praying. I had it really heavy on 34 00:01:38,760 --> 00:01:41,520 Speaker 4: my heart to pray for my future husband. I went 35 00:01:41,520 --> 00:01:44,160 Speaker 4: into the studio the next day and the lyrics came 36 00:01:44,360 --> 00:01:48,600 Speaker 4: so effortlessly, just flowing out of my heart. Now, the 37 00:01:48,680 --> 00:01:53,000 Speaker 4: song title is where is my husband? Exclamation mark? And 38 00:01:53,000 --> 00:01:54,800 Speaker 4: there's a few interpretations of that. 39 00:01:55,960 --> 00:01:58,720 Speaker 6: The exclamation mark is open for interpretation. 40 00:01:59,360 --> 00:02:01,880 Speaker 3: It's not like you got the husband, and it's like. 41 00:02:02,280 --> 00:02:04,360 Speaker 6: Well, actually know it could be that, like you could 42 00:02:04,680 --> 00:02:07,000 Speaker 6: have a husband, but just be wondering where he is 43 00:02:07,360 --> 00:02:09,200 Speaker 6: in that current moment that he went to the shop. 44 00:02:09,240 --> 00:02:11,280 Speaker 6: He was supposed to be back ten minutes ago. 45 00:02:11,360 --> 00:02:13,240 Speaker 3: Exactly kind of vib clearly in the pub. 46 00:02:13,160 --> 00:02:14,679 Speaker 6: Yeah, so I wanted to create, you know, kind of 47 00:02:14,680 --> 00:02:17,519 Speaker 6: an open topic for single and married women. Yeah. 48 00:02:18,000 --> 00:02:20,720 Speaker 3: I love that. We need to focus on the range 49 00:02:20,760 --> 00:02:21,440 Speaker 3: of her voice. 50 00:02:21,520 --> 00:02:24,720 Speaker 4: It is unbelievable and basically, we're about to play you 51 00:02:24,800 --> 00:02:27,200 Speaker 4: a live version of the song when we do play it, 52 00:02:27,440 --> 00:02:30,800 Speaker 4: and this is unbelievable. With a huge big band behind 53 00:02:30,840 --> 00:02:34,000 Speaker 4: her with she could basically do this song with her 54 00:02:34,080 --> 00:02:37,360 Speaker 4: own vocals. So she breaks down the chorus for us 55 00:02:37,400 --> 00:02:38,240 Speaker 4: in the studio. 56 00:02:38,360 --> 00:02:41,440 Speaker 3: Have a listener, right, like a dumb and ringing on. 57 00:02:41,480 --> 00:02:45,560 Speaker 6: My we welcome to my breakdown of my song. Originally 58 00:02:45,800 --> 00:02:48,600 Speaker 6: was just me going oh, but I was like, no, 59 00:02:48,800 --> 00:02:51,639 Speaker 6: We've got the lyrics, eight layers of me singing. I 60 00:02:51,680 --> 00:02:53,080 Speaker 6: would like a ring. 61 00:02:53,280 --> 00:02:54,040 Speaker 5: I would like a ring. 62 00:02:54,080 --> 00:02:56,680 Speaker 6: I would take one vocal and only in that speed. 63 00:02:57,360 --> 00:03:01,120 Speaker 6: Put one voice there, one voice there. You get this 64 00:03:01,200 --> 00:03:03,760 Speaker 6: kind of surround sound feeling in your headphones or in 65 00:03:03,800 --> 00:03:06,920 Speaker 6: your speakers or in your car. This is called pannic 66 00:03:06,960 --> 00:03:17,280 Speaker 6: lovely harmonies. I just thought it was quite funny. Yes, yes, yes, yes, 67 00:03:17,520 --> 00:03:23,480 Speaker 6: take the lead and the music with it. 68 00:03:30,040 --> 00:03:32,320 Speaker 3: Yeah, that's awesome, isn't it crazy? 69 00:03:32,600 --> 00:03:33,520 Speaker 2: I love that. 70 00:03:33,680 --> 00:03:37,200 Speaker 4: Would you like to hear more isolated vocal please without 71 00:03:37,240 --> 00:03:40,160 Speaker 4: any of the music, because it's just it's crazy. 72 00:03:40,440 --> 00:03:48,080 Speaker 3: Listen, So. 73 00:03:52,240 --> 00:03:58,680 Speaker 7: Getting down with another tell tell it your husband is 74 00:03:58,760 --> 00:04:07,000 Speaker 7: coming like a diamond ring on my weather, big rubber 75 00:04:09,400 --> 00:04:11,920 Speaker 7: and dim and Deimer and Dimer. 76 00:04:15,400 --> 00:04:15,800 Speaker 6: Smart. 77 00:04:18,400 --> 00:04:21,799 Speaker 2: That's ah, oh my god, it's like a theater show. 78 00:04:22,400 --> 00:04:24,320 Speaker 3: That's their legacy. Right then, this is the. 79 00:04:24,360 --> 00:04:26,920 Speaker 4: Fitzi and Whipper with Cape Ritchie podcast. 80 00:04:28,920 --> 00:04:39,880 Speaker 1: Song the process of a hit song song. 81 00:04:42,960 --> 00:04:44,200 Speaker 3: Yeah, this is fascinating. 82 00:04:44,279 --> 00:04:46,839 Speaker 4: We go down the road and we we hear grabs 83 00:04:46,880 --> 00:04:50,840 Speaker 4: of how bands put songs together and artists put songs together. 84 00:04:51,120 --> 00:04:54,200 Speaker 4: It's fascinating. Actually, there's a great podcast you. 85 00:04:54,160 --> 00:04:56,640 Speaker 3: Need to listen to. It's called song Exploder. 86 00:04:56,320 --> 00:04:59,080 Speaker 4: To the point where they've actually filmed a couple of 87 00:04:59,120 --> 00:05:02,800 Speaker 4: Epps episode and put it up on Netflix. Actually, a 88 00:05:02,880 --> 00:05:04,560 Speaker 4: really good one if you want to go see. One 89 00:05:04,680 --> 00:05:08,280 Speaker 4: is Aram's Losing My Religion. That is an unbelieved so 90 00:05:08,520 --> 00:05:11,280 Speaker 4: big song. The one that we are focusing on today, 91 00:05:11,360 --> 00:05:13,760 Speaker 4: let's go back to two thousand and two with one 92 00:05:13,800 --> 00:05:16,120 Speaker 4: of the biggest rock songs of all time. It's Franz 93 00:05:16,160 --> 00:05:17,320 Speaker 4: Ferdinand's Take Me. 94 00:05:17,480 --> 00:05:21,520 Speaker 3: It was huge, wasn't it? It was just massive Scottish. 95 00:05:21,040 --> 00:05:23,760 Speaker 2: Fan am I right by saying it came out around 96 00:05:23,800 --> 00:05:28,359 Speaker 2: the same time as The Killers Mister Brightside. 97 00:05:28,440 --> 00:05:31,640 Speaker 4: It landed in Australia in two thousand and four. 98 00:05:31,920 --> 00:05:33,320 Speaker 3: Do you know why I remember that? 99 00:05:34,320 --> 00:05:34,960 Speaker 2: Where were you. 100 00:05:35,520 --> 00:05:38,479 Speaker 4: The night that I was booted out of Big Brother, 101 00:05:39,120 --> 00:05:42,279 Speaker 4: I couldn't sleep, like I just I was so excited. 102 00:05:42,800 --> 00:05:45,040 Speaker 4: I was too excited in the hotel room, going what 103 00:05:45,040 --> 00:05:45,960 Speaker 4: the hell is going on? 104 00:05:46,080 --> 00:05:46,840 Speaker 3: And I turned on. 105 00:05:46,960 --> 00:05:50,080 Speaker 4: Rage and this was the first song that came on Rage, 106 00:05:50,400 --> 00:05:51,239 Speaker 4: and I just went. 107 00:05:51,200 --> 00:05:52,480 Speaker 2: What It's great. 108 00:05:52,560 --> 00:05:55,320 Speaker 4: I've been stuck in this house for three months and 109 00:05:55,360 --> 00:05:56,720 Speaker 4: I've missed out on this song. 110 00:05:56,839 --> 00:05:57,599 Speaker 2: Yeah. 111 00:05:57,720 --> 00:06:02,800 Speaker 4: So anyway, let's let's hear from Alex, the lead singer, 112 00:06:02,960 --> 00:06:06,120 Speaker 4: and he is talking about the this is fascinating. 113 00:06:06,160 --> 00:06:08,120 Speaker 3: So he's in with the lead guitarists. 114 00:06:08,240 --> 00:06:11,080 Speaker 4: They're in a hotel room and they've got a little 115 00:06:11,160 --> 00:06:16,039 Speaker 4: Yamaha sort of organ keyboard whip, and they start putting 116 00:06:16,120 --> 00:06:17,080 Speaker 4: the demo together. 117 00:06:17,160 --> 00:06:19,160 Speaker 3: Have a listen to this. Yeah, I remember it very well. 118 00:06:19,200 --> 00:06:22,680 Speaker 5: I had an acoustic guitar and Nick was playing on 119 00:06:22,760 --> 00:06:34,080 Speaker 5: this little kind of keyboard thing. 120 00:06:38,920 --> 00:06:40,840 Speaker 3: So that was the original demo whip. 121 00:06:40,920 --> 00:06:44,680 Speaker 4: Now like that, let's focus on the Yamaha keyboard and 122 00:06:44,720 --> 00:06:48,200 Speaker 4: that sound that was playing, because that was an actual 123 00:06:48,279 --> 00:06:49,680 Speaker 4: there's a there's a twist to this. 124 00:06:49,720 --> 00:06:50,239 Speaker 3: Have a listen. 125 00:06:52,960 --> 00:06:57,440 Speaker 5: So that's the bluegrass accompaniment setting on a Yamaha keyboard 126 00:06:57,480 --> 00:07:05,440 Speaker 5: from the mid eighties. 127 00:07:02,600 --> 00:07:04,000 Speaker 2: Right, that's what presets sound. 128 00:07:04,040 --> 00:07:08,200 Speaker 4: It's a pre set on because remember Gorillas did that 129 00:07:08,240 --> 00:07:11,760 Speaker 4: and Damon Album spoke about one of their hit songs 130 00:07:11,800 --> 00:07:14,280 Speaker 4: just coming from one of the settings from one of 131 00:07:14,280 --> 00:07:15,880 Speaker 4: those Yamaha keyboards. 132 00:07:15,920 --> 00:07:18,720 Speaker 2: Awesome. Does Yamaha get royalties for that? 133 00:07:19,280 --> 00:07:22,480 Speaker 4: So then let's talk about the inspiration behind the lyrics 134 00:07:22,480 --> 00:07:24,560 Speaker 4: and what's going on, because there's a lot of shooting 135 00:07:24,640 --> 00:07:27,160 Speaker 4: and stuff in the lyrics that I was trying to 136 00:07:27,240 --> 00:07:31,680 Speaker 4: understand when I first heard the song. But let's talk 137 00:07:31,760 --> 00:07:34,560 Speaker 4: about a movie that he was watching the night before 138 00:07:34,640 --> 00:07:36,840 Speaker 4: that inspired him to write the song. 139 00:07:36,920 --> 00:07:37,960 Speaker 3: This is Alex talking. 140 00:07:38,600 --> 00:07:43,880 Speaker 5: The night before, I'd watched a film called Anime at 141 00:07:43,880 --> 00:07:46,680 Speaker 5: the Geats. One of the themes of the film is 142 00:07:47,720 --> 00:07:53,440 Speaker 5: this standoff between two snipers to Laws the Soviet Snaper 143 00:07:53,640 --> 00:07:58,160 Speaker 5: and Ad Harris's the evil Nazi, that both kind of 144 00:07:58,360 --> 00:08:02,080 Speaker 5: tucked away had from each other, waiting for the other 145 00:08:02,200 --> 00:08:04,480 Speaker 5: to make a move, because as soon as the other 146 00:08:04,560 --> 00:08:07,000 Speaker 5: makes a move, the other will know where they are 147 00:08:07,680 --> 00:08:10,760 Speaker 5: and will take them out. 148 00:08:11,840 --> 00:08:14,360 Speaker 4: You write a song just from that, and that's how 149 00:08:14,400 --> 00:08:18,200 Speaker 4: the lyrics came together, so I could write. 150 00:08:18,600 --> 00:08:20,720 Speaker 5: So you can't really tell what I'm talking about here, 151 00:08:20,720 --> 00:08:23,200 Speaker 5: am I talking about snipers? Or am I talking about 152 00:08:23,640 --> 00:08:26,880 Speaker 5: some kind of romantic situation. I wrote down a bunch 153 00:08:26,920 --> 00:08:29,720 Speaker 5: of imagery straight away for the idea for the verses. 154 00:08:30,240 --> 00:08:33,280 Speaker 5: So if you're lonely, you know I'm here waiting for you. 155 00:08:33,840 --> 00:08:37,320 Speaker 5: I'm just a crosshair, just a shot away from you. 156 00:08:37,559 --> 00:08:39,839 Speaker 2: Tied in the actual Sniper of love. 157 00:08:40,160 --> 00:08:45,559 Speaker 3: So it was from a sniper movie tied into romance. 158 00:08:46,520 --> 00:08:49,760 Speaker 4: And then you've got the guitars that are in this 159 00:08:50,120 --> 00:08:52,600 Speaker 4: song are just unbelievable, and how the tempo of the 160 00:08:52,640 --> 00:08:55,840 Speaker 4: songs gets fast and then it slows down. But he 161 00:08:55,960 --> 00:08:59,080 Speaker 4: talks about putting all the guitars together. 162 00:09:00,040 --> 00:09:02,199 Speaker 5: Took the three notes and put them on the three 163 00:09:02,559 --> 00:09:22,319 Speaker 5: different instruments, the beasts guitar one, the guitar two, which 164 00:09:22,520 --> 00:09:23,600 Speaker 5: felt pretty cool to me. 165 00:09:31,480 --> 00:09:34,640 Speaker 3: I find this fascinating. It's just fascinating how it all 166 00:09:34,679 --> 00:09:37,320 Speaker 3: comes together. It starts in our hotel room. Then you 167 00:09:37,440 --> 00:09:40,160 Speaker 3: layer the guitars and then you produce a song like this. 168 00:09:40,559 --> 00:09:43,480 Speaker 4: It's in Whippa with Kate Ritchie is a Nova podcast 169 00:09:43,640 --> 00:09:44,839 Speaker 4: walk great shows like this. 170 00:09:45,200 --> 00:09:48,280 Speaker 2: Download the Nova player, find the app store or Google 171 00:09:48,360 --> 00:09:51,360 Speaker 2: Play