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Speaker 2: You have the Cahn Fizzy quiver. Neither Sarah isn't in today.

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Speaker 2: She's not feeling too good this morning.

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Speaker 3: She had a call to the inner last week, and

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Speaker 3: the poor thinks she's pregnant. She's heavy. I think at

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Speaker 3: that stage your pregnancy to every day feels like awake pregnant,

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Speaker 3: you would not be heavy. I've definitely been heavy.

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Speaker 2: Yeah, yeah, world. I'm for all the lovely ladies out there.

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Speaker 3: That we're going throat sisters, hang in there. There will

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Speaker 3: be an end. We'll give birth, you'll give birth. Coming

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Speaker 3: here to call. You have a couple of three here waks,

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Speaker 3: haven't you what's going on there?

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Speaker 2: Just to call? Manse ahole family really noticed though, Tom, no,

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Speaker 2: thank you. I like to play it down.

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Speaker 3: But he sits, he stands next to me in the studio,

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Speaker 3: and I'm quite aware of any spit or snot flying

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Speaker 3: to the.

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Speaker 2: Life drank out of your water bottle this morning? Are

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Speaker 2: you still a bit rest in peace?

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Speaker 3: Okay, let's move on to this couple. They're now engaged,

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Speaker 3: which is just beautiful. But when they first hooked up.

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Speaker 3: I don't know about this one. They've been chatting online

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Speaker 3: for a little bit and they said, all right, well,

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Speaker 3: if we're getting on well and it looks like we're

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Speaker 3: going to date, how about we set up a set

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Speaker 3: of rules so that when we are together, I'm going

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Speaker 3: to let you know what I need in a relationship,

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Speaker 3: and you can let me know what you need in

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Speaker 3: a relationship. A little bit like what you struck with

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Speaker 3: your love of live music. Mister Fitzgerald, you said to

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Speaker 3: your wife before you got married, I'll tell you what, honey.

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Speaker 3: I like my bands and I like my festivals. And

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Speaker 3: you continue to play that card. That's genius.

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Speaker 2: No, I never I never said that works a trees.

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Speaker 2: I never said hey for us.

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Speaker 3: Wasn't a deal breaker. But she knows how much you

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Speaker 3: love Coachella.

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Speaker 2: I didn't write it.

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Speaker 3: Down trying to make you look like you've negotiated something

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Speaker 3: really clever here. So you can roll with it if

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Speaker 3: you like, but you set up very early. I mean,

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Speaker 3: there's a couple of rules around our place. Do you

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Speaker 3: know what she gets? My wife gets so angry about

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Speaker 3: it's just clothes left around engagement. So what she does

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Speaker 3: she wanted a pair of shape. I don't care how anyway,

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Speaker 3: I always put my shoes in the downstairs area, just

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Speaker 3: in the kitchen, and I'll put my socks. If they're

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Speaker 3: not dirty, still, I'll keep them in the shoes, so

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Speaker 3: I'll put them on next to the ground. Brain drives

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Speaker 3: her through the roof, drives her through the roof that

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Speaker 3: I would have a set of socks sitting in a

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Speaker 3: pair of shoes. Don't let it annoy you.

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Speaker 2: This is not a big deal around it. Go let

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Speaker 2: it go.

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Speaker 3: This couple's come up with a couple of great ideas.

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Speaker 3: So he said, what I'm going to need is footy Sundays.

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Speaker 3: They're important to me. I'm going to need to go

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Speaker 3: to a bar and watch the football on a Sunday.

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Speaker 3: That's just what I do and I'm not changing if

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Speaker 3: we're together, which seems like a great idea. Oka He

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Speaker 3: also said I'm into solo traveling, so every now and

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Speaker 3: then I'll have a weekend away.

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Speaker 2: I just think it's a great idea as well. That's

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Speaker 2: alarm bells go up for that solo travel. Yeah, I

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Speaker 2: just want to go away by myself, well, with the guys.

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Speaker 3: I'm sure it sort of turns into it just means

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Speaker 3: anywhere where she's not says a solo travel So, well,

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Speaker 3: you're right, maybe where are you off now?

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Speaker 2: By yourself? He's just got his backpack at the front door.

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Speaker 2: Travel by myself with the guys.

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Speaker 3: So the guys will be there, but I won't talk

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Speaker 3: to them. She's come out and said, no talk about

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Speaker 3: marriage or kids for the first six months of our relationship.

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Speaker 2: That'll be tough for him to do.

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Speaker 3: Not No, that's for her.

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Speaker 2: That's on her. You guys.

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Speaker 4: Yeah, yeah, but she said she said there's going to

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Speaker 4: be no talk about it for six months. It's not

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Speaker 4: like he's knocking down the door to well they want

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Speaker 4: to have family chat Thursday. It's a family chapter six months.

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Speaker 3: The minute she brings it up, I reckon he has

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Speaker 3: solo travel tar.

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Speaker 2: I'm locking in of that.

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Speaker 3: What are you doing with your bag at the door?

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Speaker 3: Friends are so important for me. I need to have girls,

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Speaker 3: not out. That's fair enough, that's what he's also put out.

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Speaker 2: Doesn't sound like these two want a relationship. It doesn't

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Speaker 2: mean trying to get away from it.

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Speaker 3: He's an interesting one, which I think is a great idea.

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Speaker 3: Five minutes of phone call per day, no more, no less.

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Speaker 3: That's it to each other. Yeah, that's his call. So

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Speaker 3: I understand this, and I've thought of a great app. Guys,

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Speaker 3: if you want to see the intricate details of the

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Speaker 3: workings of my mind, how good would it be if

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Speaker 3: every time someone rang, it would pop up and you

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Speaker 3: could select, when you saw who was calling, the amount

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Speaker 3: of time that you were prepared to spend talking to them.

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Speaker 3: Because you know, when you have those friends, you think,

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Speaker 3: I'm not going to get you off the phone. You

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Speaker 3: talk forever and I don't have the time, and then

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Speaker 3: I feel rude that I don't answer your call.

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Speaker 2: Yeah's my mum.

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Speaker 3: So how it would work is you would see, oh,

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Speaker 3: mum's calling, right, So then I would hit three minutes

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Speaker 3: on the app, the mum would pick up the phone.

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Speaker 3: It would say you have three minutes to speak with Michael,

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Speaker 3: and of the point, and then it would be like

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Speaker 3: at the one minute mark, one minute to go, and

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Speaker 3: then the countdown would happen. It's like if you're talking

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Speaker 3: to someone in prison. Don't you get that? Yeah, you do.

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Speaker 2: It counts down second it starts and he called.

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Speaker 4: You called the other night and we spoke for six

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Speaker 4: minutes and then he's like, it starts beeping.

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Speaker 2: He's I got to cut out. I call you back

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Speaker 2: in ten and we did it again.

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Speaker 4: You can call back, yes, yeah, because you get set

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Speaker 4: amount of time to call and a set amount of

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Speaker 4: minutes a week that you're able to chat.

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Speaker 3: And how many people can he call?

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Speaker 4: He has five people on his list off you're one

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Speaker 4: of them.

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Speaker 2: That's amazing. So do you like, does it get to

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Speaker 2: the point with a conversation where they'll go you got

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Speaker 2: ten seconds to go? That you go? That you go o?

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Speaker 2: Which's a bit of wine? This up? Or quickly just

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Speaker 2: just before I go, Maddie, I just the money in

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Speaker 2: the bank. Eminem broke the record at the MCG last

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Speaker 2: night performing with the Hilltop Hords over eighty thousand people

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Speaker 2: for the year last night.

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Speaker 3: Tell me what did the numbers look like leading up

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Speaker 3: to that? I mean, what are the bands?

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Speaker 2: What are them. Yeah, well the number two record, Hot

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Speaker 2: of Sound Relief.

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Speaker 5: Obviously that was eighty thousand, or wasn't it Yep, and

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Speaker 5: then Guns and Roses in twenty seventeen.

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Speaker 2: Seventeen guns Gez.

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Speaker 5: G Eminem finishes in Perth on Wednesday.

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Speaker 2: You know one man that could break bad record eighty

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Speaker 2: thousand at the mcg jar Roll big call. He's on,

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Speaker 2: He's on apps, He's.

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Speaker 3: On fire Festival.

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Speaker 2: Oh he is a few people are off jar Roll.

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Speaker 2: They think that he should have been charged as well

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Speaker 2: for the fire firstal. They think that he should owe

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Speaker 2: a lot of money to a lot of the workers

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Speaker 2: over in the Bahamas who didn't get paid.

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Speaker 3: If you've seen the documentary on Netflix, he kind of

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Speaker 3: goes missing, sort of three cours the way through it.

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Speaker 3: I mean he did well to pull the pin because

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Speaker 3: you know the guy Andy who keeps saying to the

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Speaker 3: main bloke, hey, just pull a pin down. Stop before

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Speaker 3: the people actually arrive on the island. See, jar Rull

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Speaker 3: was gone by then.

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Speaker 2: He was seal you later see this is the thing.

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Speaker 6: Though.

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Speaker 2: He was booked on the weekend to perform at the

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Speaker 2: halftime show of the Milwaukee Bucks and the Minnesota Timberwalls

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Speaker 2: NBA game and it was nineties night. Now he sort

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Speaker 2: of had a bit of a chuckle. You'll hear him

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Speaker 2: here because he sort of landed in ninety ninety nine,

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Speaker 2: So he said, I've sort of just snuck into the nineties.

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Speaker 2: The thing was, the crowd didn't really get behind him. Now,

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Speaker 2: I'm not talking about not getting behind him like you'll

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Speaker 2: hear a few people. They didn't get behind him at all.

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Speaker 2: No one by the sounds of it, the states are

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Speaker 2: off jar Roll, they said, this is so they brought

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Speaker 2: out a two thousand artists. My album came out in

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Speaker 2: ninety nine, so I guess that counts sat as we ready,

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Speaker 2: what are we reading? I guess there's no is he

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Speaker 2: in the toilet? Well, it sounds like he's on an

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Speaker 2: a plant was It was like, I don't know if

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Speaker 2: anyone is Hey.

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Speaker 3: When was anyone really into jar Roll?

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Speaker 2: Well, and I hate to break it to it, he

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Speaker 2: did go to jail jar rule for a while. He

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Speaker 2: brought out a cookbook from jail Tommy. What was it called?

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Speaker 5: There was a microwave cookbook, so all of the recipes

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Speaker 5: jar Roll Cookbook.

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Speaker 2: I think he brought out some songs after that wasn't it?

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Speaker 3: It was everything you could do in a microwave.

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Speaker 4: He was performing on the Stay on the Court and

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Speaker 4: then midway through his song, the players from one of

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Speaker 4: the teams just came out and just started shooting around

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Speaker 4: him and just started warming up as well.

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Speaker 2: I didn't even realize it. Performance.

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Speaker 3: More people turn up to a book signing for jar

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Speaker 3: Rule or a performance by jar Rule.

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Speaker 5: Well, now I'm trying to look for the name of

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Speaker 5: the cookbook, see if we can.

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Speaker 2: Buy Tommy, can we get that cookbook? And shot out

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Speaker 2: to Jamie Oliver. Can Jamie Oliver go through jar Rule's

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Speaker 2: cookbook show this week? Yes, yes, he's in.

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Speaker 3: You do your eggs in the microven? I've seen you

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Speaker 3: do that? Jar R would do that? Is that because

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Speaker 3: so he learned to cook in prison?

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Speaker 2: With his next performance?

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Speaker 3: Have you tried to get him on the show?

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Speaker 2: We have tried. No interviews. Performing last night was a

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Speaker 2: big one on Australian television. Married at first sight, I mean,

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Speaker 2: we knew what was going on between Sam and in Bombshell,

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Speaker 2: but did the others know? And one lady who should

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Speaker 2: have known was Sam's wife Elizabeth. She joins us now

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Speaker 2: But this was the moment last night when Sam revealed

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Speaker 2: to the group when I came up.

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Speaker 3: To the Gold Coast and obviously Elizabeth had left and

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Speaker 3: I didn't know she was going to come back or not.

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Speaker 2: So those times, yeah, there's times I've caught up within us.

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Speaker 2: Oh it was huge, she joins us.

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Speaker 3: Now, Elizabeth, one surprise for you or you'd heard the rumors.

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Speaker 7: So that when I went to the Gold Coast, right

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Speaker 7: and then had the girls night, the explosive girls night.

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Speaker 7: So after that happens, I well, actually I was texting

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Speaker 7: so well and I said to her, She goes, what

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Speaker 7: do you think I said, I was one hundred percent true.

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Speaker 7: I'm just like, I've no doubt in my minded that

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Speaker 7: would not be true because.

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Speaker 2: Do you know what this is what we can't get

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Speaker 2: our heads around. We thought it was so staged. Look,

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Speaker 2: the whole Sam Inness thing was staged that they were

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Speaker 2: never really into each other. No producers would have said, look,

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Speaker 2: you guys aren't matched with Bronson and you're not matched

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Speaker 2: with Elizabeth, so why don't you guys have something together?

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Speaker 2: Even to the point, you know, when you went away

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Speaker 2: for a little bit, you got into the lift and

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Speaker 2: you and Inness got into the lift just as you

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Speaker 2: were arriving that Australia. Australia were going this is ridiculous,

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Speaker 2: Like it looked like it was stage. So when you

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Speaker 2: arrived back, and we'll ask you about where you went

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Speaker 2: for a while, but when you arrived back, you had

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Speaker 2: no idea at all that those two were hooking.

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Speaker 8: Up, none, none, whatsoever. Yeah, look at that.

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Speaker 7: If that is meant to be staged, they both didn't

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Speaker 7: have a problem with trying to hurt me or Bronze

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Speaker 7: enjoying it.

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Speaker 3: So that's no, they didn't care. Because that's what I mean.

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Speaker 3: Sam's twenty six year old block. He's not a bad

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Speaker 3: looking rooster. What are you coming on the show for?

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Speaker 3: Not for love? Let's be honest.

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Speaker 7: And I was really surprising to watch back last night

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Speaker 7: when he's like, oh, illness is coming or too strong,

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Speaker 7: That's not what I'm here for.

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Speaker 8: It's married at first sight, I like, married at a side.

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Speaker 3: At least that was the only moment he was honest

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Speaker 3: on the show.

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Speaker 2: That's not what I'm here for.

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Speaker 7: I was like, Yeah, basically I was like, okay, well

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Speaker 7: that's what you actually came here for.

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Speaker 8: That is what we all care.

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Speaker 2: Well, I look apologies from a man, because I don't

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Speaker 2: want him to represent all men, because he treated you

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Speaker 2: quite bad on that show, the way that he was

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Speaker 2: speaking to you throughout that thing. Has he got in

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Speaker 2: contact with you because you film that quite a while ago.

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Speaker 2: Has he contacted you since then?

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Speaker 7: Okay, So here's the funny thing. A lot of like

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Speaker 7: people have wondered, have has he contacted me? Surely he

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Speaker 7: must have contacted.

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Speaker 8: Me literally, no joke.

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Speaker 7: Yesterday was the first time what a text message or

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Speaker 7: what was so it was he.

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Speaker 8: Slid into my d MS. Okay, he was just like

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Speaker 8: hey Lizzie and didn't even spell it right, like I'm

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Speaker 8: i E.

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Speaker 2: I'm pretty sure.

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Speaker 7: To my face he never called me. He was always Elizabeth.

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Speaker 7: It was like we just it just was that kind

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Speaker 7: of like hostile. Yeah, and he's just like, I'm so

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Speaker 7: sorry for everything. You know, you're a beautiful person, you're

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Speaker 7: a strong person. I'm so sorry I didn't bring up

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Speaker 7: the best qualities in you and just all this blah

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Speaker 7: blah blah, how you're going look with the you know,

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Speaker 7: look what we've.

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Speaker 8: Been put through. And he kind of wanted to put like,

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Speaker 8: look what we've been putting.

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Speaker 3: So he's the victim as well.

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Speaker 2: Did you reply naha, I want to get a you

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Speaker 2: want can when we get a photo of that? Why

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Speaker 2: don't we help you reply now?

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Speaker 3: I mean we could come up with something.

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Speaker 2: Is this is this? Is this on our Instagram account

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Speaker 2: right and everything? You can watch Liz having this chat

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Speaker 2: with him. And he was down at Bondi on the weekend.

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Speaker 2: There was all these photos of him and talking to

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Speaker 2: young girls. And it's not like he's going into hot

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Speaker 2: It made after that I would go into hiding for

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Speaker 2: a while. But it looks like he's out there already.

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Speaker 8: Sam just does them?

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Speaker 2: Do you know is he is he in a relationship already?

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Speaker 2: I know he's having having a few problems with his X.

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Speaker 2: Have you heard anything, Elizabeth?

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Speaker 7: So I'm like, I read like I read that in

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Speaker 7: the paper. Actually my uncle showed me yesterday. I don't

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Speaker 7: know anything about that.

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Speaker 3: I've got no comment on what about in it has

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Speaker 3: been in touch.

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Speaker 7: She did try to contact me and this was after

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Speaker 7: after filming. I never opened it.

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Speaker 3: You didn't even open the message. Can we open it out?

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Speaker 8: Yeah, let's have my phones.

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Speaker 2: I've got to get can we get can we get

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Speaker 2: the phone?

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Speaker 3: Someone's grabbing it?

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Speaker 2: And someone's grab it right now, because that would.

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Speaker 3: See what what is her approach going to? Because I

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Speaker 3: would suggest she will attempt to play the victim as well,

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Speaker 3: similar to Sam, there's your.

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Speaker 2: Bag, the good girl.

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Speaker 3: Oh you bought chockeys in and gatorade to trade his breakfast.

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Speaker 2: Request. And that's not just your normal block of chocolate.

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Speaker 3: That is you.

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Speaker 7: That's a bargain. I'm just taken out with them, a

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Speaker 7: bargain typeer.

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Speaker 2: I'll take two. Okay, let's let's find out this message

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Speaker 2: from us, because I need the way that she I

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Speaker 2: lookie and I can I just say I actually feel

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Speaker 2: sorry for in us as well, because I do feel

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Speaker 2: that I don't know she was pushed into this situation.

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Speaker 2: I think she's a very troubled soul and she's the

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Speaker 2: public's not going to treat her very very well after this.

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Speaker 3: How many people you've got in your DM there's even you.

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Speaker 2: Your phone with the size of those fingernails before?

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Speaker 3: Yeah, what's it like picking your eyes with a fingernail

329
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Speaker 3: like that?

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Speaker 2: Quite rewarding?

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Speaker 8: Okay, here we go.

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Speaker 2: Okay, this is from us.

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Speaker 8: You really want to read this?

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Speaker 2: Are you reading it for the first time?

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00:15:16,160 --> 00:15:17,240
Speaker 8: I haven't read this is.

336
00:15:17,800 --> 00:15:19,960
Speaker 2: It an email or a text message me to read it.

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00:15:19,960 --> 00:15:22,920
Speaker 2: It's a it's a damn an insta. Again.

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Speaker 8: I feel bad now.

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00:15:25,560 --> 00:15:27,480
Speaker 7: It's just hard because you know, you see what you

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Speaker 7: know she said about me and everything.

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Speaker 2: I think this is a good opportunity.

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Speaker 8: I don't know if I want to do that.

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Speaker 2: I don't want to.

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Speaker 8: Yeah, but I'll show you.

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Speaker 3: Yes, I'll give you the general understanding of what it was.

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Speaker 2: But see, but this is the thing. It's it might

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Speaker 2: be a little bit too late. Now.

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Speaker 3: Well, it's kind of suggesting that she knew that that

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Speaker 3: Sam wasn't really behaving all that well, and she's praising

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Speaker 3: you for being strong exactly.

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Speaker 8: So that's why I didn't know that.

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Speaker 3: And she's upset that you haven't spoken about it earlier.

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Speaker 3: So I mean, that's that at least you can see

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Speaker 3: a bit more of a human side than what you

355
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Speaker 3: see on the TV show.

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Speaker 2: I look, do you.

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00:16:07,560 --> 00:16:12,320
Speaker 7: Think what I had encountered with her was different? But

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Speaker 7: then you see things like that, and I just, yeah,

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Speaker 7: I don't know.

360
00:16:14,840 --> 00:16:17,560
Speaker 2: Can Elizabeth all right, I'm going to throw this at you,

361
00:16:17,640 --> 00:16:20,280
Speaker 2: and I know you still learn the contract, but do

362
00:16:20,360 --> 00:16:23,760
Speaker 2: you also see right, I can see inness and this

363
00:16:23,840 --> 00:16:25,560
Speaker 2: is what I said. I feel sorry a little bit

364
00:16:25,560 --> 00:16:28,920
Speaker 2: for Inness because do you think she was pressured in

365
00:16:28,960 --> 00:16:30,520
Speaker 2: to do a lot of the things that she's done

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Speaker 2: on the show.

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Speaker 8: I actually think she generally liked him.

368
00:16:33,040 --> 00:16:34,640
Speaker 2: Yep, so she genuinely liked.

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00:16:34,560 --> 00:16:38,880
Speaker 7: Him, and I think he again the comment yesterday like,

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00:16:38,920 --> 00:16:40,360
Speaker 7: oh you know, this is going too fast.

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00:16:40,440 --> 00:16:42,920
Speaker 8: It's like married at first sight.

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00:16:43,360 --> 00:16:46,480
Speaker 2: But you know what, their conversations together were so awkward.

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Speaker 2: I looked at them and I went, there's no way there,

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00:16:49,040 --> 00:16:50,680
Speaker 2: there's no attraction there at all.

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Speaker 8: What that the talks are about that I found out me?

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00:16:54,160 --> 00:16:56,400
Speaker 2: Yeah, yeah, about you flagging?

377
00:16:56,520 --> 00:16:58,080
Speaker 8: Yeah, that's seems.

378
00:17:00,040 --> 00:17:03,960
Speaker 3: And just from Sam from Sam, that's read you read

379
00:17:04,000 --> 00:17:06,600
Speaker 3: that read that I didn't mean to bother you, but

380
00:17:06,680 --> 00:17:09,080
Speaker 3: I just wanted to touch base and see how you going.

381
00:17:09,119 --> 00:17:11,399
Speaker 3: I wanted to be straight up. I'm sorry for my

382
00:17:11,480 --> 00:17:13,480
Speaker 3: actions on the show. It was wrong, and I'm disgusted

383
00:17:13,480 --> 00:17:16,800
Speaker 3: in the way that I acted and how I behaved.

384
00:17:16,880 --> 00:17:18,960
Speaker 3: I feel sorry for anything I may have said and

385
00:17:18,960 --> 00:17:21,960
Speaker 3: offended you and how I hurt you, and also hate

386
00:17:22,200 --> 00:17:25,119
Speaker 3: how you've been portrayed through the editing taking part of

387
00:17:25,119 --> 00:17:26,960
Speaker 3: this show. This is what annoys me.

388
00:17:27,800 --> 00:17:29,960
Speaker 2: Have a look at this, here's the victim. This is

389
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Speaker 2: him continuing.

390
00:17:33,640 --> 00:17:35,640
Speaker 3: Taking part in the show has taken a big toll

391
00:17:35,680 --> 00:17:39,800
Speaker 3: on my life, as I'm sure it has on yours.

392
00:17:39,840 --> 00:17:42,800
Speaker 3: And I really hope you're doing okay. You're beautiful and

393
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Speaker 3: strong and amazing.

394
00:17:44,800 --> 00:17:49,160
Speaker 2: Well, you know what, at least at least he's made

395
00:17:49,160 --> 00:17:51,960
Speaker 2: the first step of trying. But it's it's way too late,

396
00:17:52,280 --> 00:17:52,679
Speaker 2: that's the thing.

397
00:17:52,720 --> 00:17:53,240
Speaker 8: It's too late.

398
00:17:53,240 --> 00:17:54,120
Speaker 2: Why now? Why?

399
00:17:54,520 --> 00:17:57,119
Speaker 3: So have you met anybody since the show? Is that

400
00:17:57,160 --> 00:17:59,840
Speaker 3: you think there's a smile on your face?

401
00:18:00,119 --> 00:18:04,520
Speaker 2: What Forrily?

402
00:18:04,600 --> 00:18:05,560
Speaker 3: Five dollars?

403
00:18:06,600 --> 00:18:11,679
Speaker 2: Have you? Have you been kissing? I don't kiss and tell, right, okay,

404
00:18:11,720 --> 00:18:13,000
Speaker 2: but are you happy at the moment?

405
00:18:13,119 --> 00:18:16,879
Speaker 8: I'm very happy, Okay, Local boy or Newcastle, I'm very happy.

406
00:18:18,800 --> 00:18:20,480
Speaker 3: I'll get back onto the DM and I'll tell you

407
00:18:20,520 --> 00:18:21,320
Speaker 3: what's going on there.

408
00:18:21,680 --> 00:18:26,000
Speaker 2: Liz, you know what you went on to this experiment.

409
00:18:26,200 --> 00:18:28,600
Speaker 2: You know when you first when we saw the promotions

410
00:18:28,760 --> 00:18:30,399
Speaker 2: and all this girl is going to be a bit crazy.

411
00:18:30,440 --> 00:18:33,080
Speaker 2: But you know what, I watched you and I felt

412
00:18:33,200 --> 00:18:36,520
Speaker 2: very sorry for you throughout this experiment because I looked

413
00:18:36,920 --> 00:18:39,040
Speaker 2: you wanted to find love. You wanted to find someone

414
00:18:39,040 --> 00:18:41,080
Speaker 2: for the rest of your life. And from the start

415
00:18:41,119 --> 00:18:43,479
Speaker 2: you knew that that wasn't going to happen, and then

416
00:18:43,520 --> 00:18:46,320
Speaker 2: you just sort of watch it just crumble around you.

417
00:18:46,760 --> 00:18:48,400
Speaker 2: I thought you handled yourself very well.

418
00:18:48,560 --> 00:18:50,679
Speaker 3: Thank you out of the guys, though, I mean, if

419
00:18:50,720 --> 00:18:51,680
Speaker 3: you had to.

420
00:18:51,640 --> 00:18:55,040
Speaker 7: Give it a crack, yeah, I'm very open about that.

421
00:18:55,440 --> 00:18:58,520
Speaker 7: You know, he's a lovely, lovely guy.

422
00:18:58,600 --> 00:19:00,320
Speaker 2: I want to you have a crack a bronze. Is

423
00:19:00,359 --> 00:19:02,200
Speaker 2: that the just just.

424
00:19:05,200 --> 00:19:07,840
Speaker 3: Two weeks for you as one week from so it's

425
00:19:07,880 --> 00:19:10,840
Speaker 3: not Bronnie, no world on Bronson.

426
00:19:10,960 --> 00:19:14,119
Speaker 2: World only is. And he's like, do you know anything

427
00:19:14,160 --> 00:19:18,479
Speaker 2: about these new couples that are getting married tonight? You know, okay,

428
00:19:18,560 --> 00:19:20,080
Speaker 2: but do you know a little bit about them?

429
00:19:20,200 --> 00:19:24,119
Speaker 3: Have to eat two new couples tonight till four? How man,

430
00:19:24,119 --> 00:19:24,680
Speaker 3: you're going in?

431
00:19:25,280 --> 00:19:25,680
Speaker 2: There's two?

432
00:19:26,680 --> 00:19:27,600
Speaker 3: I saw that on the promo.

433
00:19:27,720 --> 00:19:30,080
Speaker 2: World Only's appreciate it. Thank you very much for coming.

434
00:19:30,160 --> 00:19:33,359
Speaker 2: Thanks And it is Oscar's day and we're about to

435
00:19:33,400 --> 00:19:38,680
Speaker 2: throw to our red carpet. Correspondent to he Oscar goes

436
00:19:38,800 --> 00:19:45,440
Speaker 2: to Richard Wilkins, you bloody beautiful man, a live from

437
00:19:45,480 --> 00:19:48,320
Speaker 2: the red carpet. How many red carpets is this for you?

438
00:19:48,400 --> 00:19:49,760
Speaker 2: Forty seven? Forty eight.

439
00:19:51,440 --> 00:19:55,359
Speaker 6: This is the ninety first Daniel Academy Award covered the

440
00:19:55,400 --> 00:19:59,840
Speaker 6: ball bro Isn't it good? Is this is my night?

441
00:20:00,080 --> 00:20:00,280
Speaker 2: Teen?

442
00:20:01,119 --> 00:20:04,360
Speaker 6: I first came here when Russell Crowe won for Gladiator.

443
00:20:04,400 --> 00:20:06,399
Speaker 6: That was my first year and a very good years

444
00:20:06,520 --> 00:20:09,879
Speaker 6: to coming back every year. So until I get it right,

445
00:20:09,880 --> 00:20:11,320
Speaker 6: if they're going to make me come back.

446
00:20:11,200 --> 00:20:12,960
Speaker 3: Dickey, what can you see right now? You're standing on

447
00:20:13,000 --> 00:20:15,600
Speaker 3: the red carpet, no doubt you're looking sharp, makeup, hair done,

448
00:20:15,640 --> 00:20:16,280
Speaker 3: You're ready to go.

449
00:20:16,480 --> 00:20:18,159
Speaker 2: We can hear people screaming. What's going on?

450
00:20:18,280 --> 00:20:18,399
Speaker 9: Right?

451
00:20:19,800 --> 00:20:21,960
Speaker 6: Well, I've actually moved away a bit. I've sort of

452
00:20:22,600 --> 00:20:25,520
Speaker 6: over the side by the bleachers where the bleacher creatures

453
00:20:25,600 --> 00:20:27,960
Speaker 6: as they call them, are in place. They're doing a

454
00:20:28,000 --> 00:20:30,960
Speaker 6: bit of yelling and screaming, but most of the reporters

455
00:20:31,000 --> 00:20:33,119
Speaker 6: and things to cover them are in place.

456
00:20:33,200 --> 00:20:38,879
Speaker 10: So it's just people, various interviewers interviewing other interviewers. Just

457
00:20:39,720 --> 00:20:43,760
Speaker 10: you and Ryan Seacrest, Ready for the stars, Seacross. Seacrest

458
00:20:44,440 --> 00:20:47,600
Speaker 10: is here yet, you know, plenty of glamorous people from

459
00:20:47,640 --> 00:20:49,840
Speaker 10: around the world, lots of foreign languages and all that

460
00:20:49,920 --> 00:20:50,399
Speaker 10: sort of stuff.

461
00:20:50,760 --> 00:20:52,960
Speaker 2: Hey, Dicky, I'd love to get your thoughts. I haven't

462
00:20:53,240 --> 00:20:56,560
Speaker 2: actually asked you personally, because we see you quite a bit,

463
00:20:56,600 --> 00:20:59,080
Speaker 2: Dicky when we have to interview these big stars. You've

464
00:20:59,080 --> 00:21:01,280
Speaker 2: got to go see the movie, and we always see

465
00:21:01,320 --> 00:21:05,000
Speaker 2: you in a screening fast asleep. But I want it not.

466
00:21:05,760 --> 00:21:08,600
Speaker 6: That is not true of us. That was untrue.

467
00:21:09,400 --> 00:21:14,760
Speaker 10: Like I have, can I can I get your thoughts?

468
00:21:14,920 --> 00:21:17,919
Speaker 2: What did you honestly think of a Star is Born? Dickie?

469
00:21:19,520 --> 00:21:22,639
Speaker 6: I loved it, ye cried at the end and everything. Yeah,

470
00:21:22,800 --> 00:21:24,800
Speaker 6: but you didn't like it?

471
00:21:23,720 --> 00:21:28,480
Speaker 3: No, No, I was a critical one, Dickie. I just

472
00:21:28,520 --> 00:21:31,000
Speaker 3: felt the storyline was a little bit too similar to say,

473
00:21:31,119 --> 00:21:33,080
Speaker 3: walk the line and if you'd seen that, you'd seen

474
00:21:33,119 --> 00:21:33,440
Speaker 3: it all.

475
00:21:33,880 --> 00:21:34,199
Speaker 2: Give me.

476
00:21:34,400 --> 00:21:36,960
Speaker 3: That was my issue with very different What are you

477
00:21:37,040 --> 00:21:37,680
Speaker 3: talking about?

478
00:21:38,200 --> 00:21:41,400
Speaker 6: It was a wonderful film. I loved the first time,

479
00:21:41,680 --> 00:21:43,600
Speaker 6: which was very different than the Spinner. Was the sort

480
00:21:43,600 --> 00:21:46,800
Speaker 6: of gear change for the second half. Star is Born fantastic.

481
00:21:47,119 --> 00:21:50,360
Speaker 6: Sellow's going to win Best Song here today and Bradley

482
00:21:50,600 --> 00:21:54,400
Speaker 6: hippie nervous is all get out right? Really a singer? No,

483
00:21:54,640 --> 00:21:57,480
Speaker 6: don't tell him I said that, you know, you know,

484
00:21:58,080 --> 00:22:00,480
Speaker 6: singing for a billion people today? Would ladies Lady Gaga

485
00:22:00,520 --> 00:22:02,480
Speaker 6: who can sing it? Just sings very well.

486
00:22:03,000 --> 00:22:04,800
Speaker 3: Well, the big the big thing is too, I mean,

487
00:22:04,880 --> 00:22:07,040
Speaker 3: Lady Gaga. It'll be interesting to see whether she walks

488
00:22:07,040 --> 00:22:09,399
Speaker 3: the red carpet. I'm sure she will, but recently broken

489
00:22:09,480 --> 00:22:10,520
Speaker 3: up with a fiance Dicky.

490
00:22:12,240 --> 00:22:12,480
Speaker 2: Yeah.

491
00:22:12,600 --> 00:22:15,159
Speaker 6: Yeah, Well there's a little fast track lane sort of

492
00:22:15,160 --> 00:22:18,240
Speaker 6: with the white little things like up the middle of

493
00:22:18,280 --> 00:22:20,399
Speaker 6: the red carpet. So some of them actually just a

494
00:22:20,480 --> 00:22:27,600
Speaker 6: zip up there downy junior lane. He never stops. Lady

495
00:22:27,640 --> 00:22:30,080
Speaker 6: Gaga loves her red carpet. You know. Back in the

496
00:22:30,160 --> 00:22:32,879
Speaker 6: day she'd always arrive in an egg or something rudy

497
00:22:32,960 --> 00:22:35,880
Speaker 6: like that, But these days she does prefer the traditional

498
00:22:35,920 --> 00:22:39,000
Speaker 6: frock or not so traditional frock. But yeah, it'll be

499
00:22:39,440 --> 00:22:41,479
Speaker 6: sad that she's broken up. Would have been nice if

500
00:22:41,560 --> 00:22:46,160
Speaker 6: someone just touched up with a big screens, someone touched

501
00:22:46,280 --> 00:22:48,560
Speaker 6: just put some silver paint on one of the little ostry.

502
00:22:49,720 --> 00:22:51,560
Speaker 2: What do you mean on the tackle?

503
00:22:53,760 --> 00:22:56,040
Speaker 6: No, no, no, no no, there's there are big screens

504
00:22:56,080 --> 00:22:58,440
Speaker 6: around that you'll see when you switch in to watch

505
00:22:58,480 --> 00:23:01,280
Speaker 6: our Red Carpet coverage on channel You should have on

506
00:23:01,359 --> 00:23:03,480
Speaker 6: on the studio anyway, how many.

507
00:23:03,440 --> 00:23:06,359
Speaker 2: How many hip flasks can you sneak into your suit

508
00:23:06,400 --> 00:23:08,520
Speaker 2: there onto the red carpet full of gin have you?

509
00:23:08,960 --> 00:23:12,160
Speaker 6: I don't have any. I don't have any hip flasks

510
00:23:12,200 --> 00:23:15,760
Speaker 6: with me? Goodness me, she's falling asleep and moving hip

511
00:23:15,800 --> 00:23:20,920
Speaker 6: plan the red cap There no hip What about I've

512
00:23:20,960 --> 00:23:22,679
Speaker 6: had two bottles of water and I'm going to go

513
00:23:22,720 --> 00:23:26,440
Speaker 6: and have to find a portal as what about after parties?

514
00:23:26,440 --> 00:23:28,919
Speaker 2: Did he? What's the one that everyone wants to go to.

515
00:23:29,040 --> 00:23:29,840
Speaker 2: What's the big one?

516
00:23:31,520 --> 00:23:34,120
Speaker 6: Well, traditionally the big one is the Vanity Fair thing,

517
00:23:34,160 --> 00:23:37,720
Speaker 6: but it's less. People call it the after party, but

518
00:23:37,760 --> 00:23:40,120
Speaker 6: it's actually not the Vanity Fair. It's not Everyone gets

519
00:23:40,119 --> 00:23:42,679
Speaker 6: to go to the actual Oscars per day. So the

520
00:23:42,760 --> 00:23:45,359
Speaker 6: Vanity Fair is a sort of a dinner where you know,

521
00:23:45,640 --> 00:23:48,240
Speaker 6: fabulous people go if they're not going to the Oscars.

522
00:23:48,240 --> 00:23:50,960
Speaker 6: They sit down and have a nice meal and probably

523
00:23:50,960 --> 00:23:52,560
Speaker 6: a couple of G and t's and stuff like that.

524
00:23:52,640 --> 00:23:56,360
Speaker 6: And then traditionally the people who win the Oscars go

525
00:23:56,440 --> 00:23:59,000
Speaker 6: there afterwards so everyone can tell them how fabulous they are.

526
00:23:59,000 --> 00:23:59,400
Speaker 6: It's good.

527
00:24:00,119 --> 00:24:01,800
Speaker 3: I mean, Dickie, if you flashed back to the night

528
00:24:01,840 --> 00:24:04,119
Speaker 3: where Russell Crowe won the Oscar, what time do you

529
00:24:04,119 --> 00:24:04,920
Speaker 3: get to bed that night?

530
00:24:06,480 --> 00:24:10,080
Speaker 6: That was like, I must admit you know Russell had

531
00:24:10,119 --> 00:24:12,879
Speaker 6: a big well, Russell always has a big party, and

532
00:24:12,880 --> 00:24:16,880
Speaker 6: he's very very generous. Yes, we He snuck me into

533
00:24:16,880 --> 00:24:22,080
Speaker 6: the Governor's ball, actually, don't you, which was exciting. Actually

534
00:24:22,440 --> 00:24:23,960
Speaker 6: he said, meet me. It was all the way down there,

535
00:24:24,000 --> 00:24:26,240
Speaker 6: I'll get gym. So I went down there and I

536
00:24:26,280 --> 00:24:28,240
Speaker 6: was waiting there and I haven't I had Michael Asha

537
00:24:28,400 --> 00:24:31,359
Speaker 6: with me, and look at I said, I've got mushia.

538
00:24:31,480 --> 00:24:33,760
Speaker 6: He came out, he said, he said, who's that? I said,

539
00:24:33,760 --> 00:24:37,679
Speaker 6: Mike coelashes with me, damn another word for damp and

540
00:24:37,800 --> 00:24:40,280
Speaker 6: passed me. The Oscar said, hold on of this. He said,

541
00:24:40,280 --> 00:24:43,080
Speaker 6: I'll just go and make another ticket. So that around,

542
00:24:43,119 --> 00:24:45,840
Speaker 6: another ticket from somebody and into the governor.

543
00:24:47,680 --> 00:24:49,640
Speaker 2: Do you know, Diggy, just before you go as well?

544
00:24:49,680 --> 00:24:53,200
Speaker 2: Any whispers anyone talking about your performance on the island

545
00:24:54,320 --> 00:24:56,840
Speaker 2: as Richard Wade? Is anyone talking about it over there?

546
00:24:58,480 --> 00:25:03,479
Speaker 6: No, isn't it. I'm sure it's only a matter of

547
00:25:03,520 --> 00:25:06,840
Speaker 6: time before before the words spreads around the red carpet

548
00:25:06,920 --> 00:25:08,000
Speaker 6: that it'll happen.

549
00:25:08,400 --> 00:25:10,880
Speaker 3: Roy happened. Well, we're gonna give.

550
00:25:11,000 --> 00:25:11,439
Speaker 2: We're gonna give.

551
00:25:11,800 --> 00:25:13,879
Speaker 6: Thanks so much for that, Dickie.

552
00:25:13,920 --> 00:25:15,159
Speaker 3: Sorry, we've got to give a shout out to the

553
00:25:15,200 --> 00:25:18,560
Speaker 3: two Aussie's nominated as well Best Screenwriter, Tony mcnamaron also

554
00:25:18,640 --> 00:25:20,560
Speaker 3: Fiona Crombie.

555
00:25:21,040 --> 00:25:25,159
Speaker 6: Yeah, both nominated for the Favorite Screenwriter and Set Design.

556
00:25:26,320 --> 00:25:28,199
Speaker 6: Shame there up more of these, but we'll take what

557
00:25:28,240 --> 00:25:30,840
Speaker 6: we've got. And you know, I think they could both win.

558
00:25:31,080 --> 00:25:33,920
Speaker 6: I really think they could remember going to be talking

559
00:25:33,920 --> 00:25:37,240
Speaker 6: to them. Yeah. Great, twenty of the accidents on the stage.

560
00:25:37,240 --> 00:25:39,040
Speaker 6: That's what we've got on your boy very much.

561
00:25:39,040 --> 00:25:40,639
Speaker 2: Do you want to just send a quick message to

562
00:25:40,720 --> 00:25:44,080
Speaker 2: Virginia back emat she's watching you obviously live this morning,

563
00:25:44,080 --> 00:25:46,240
Speaker 2: the love of your Live Jean the two Jeans.

564
00:25:48,920 --> 00:25:52,920
Speaker 6: Yeah, she'll be. She listens to you, bokes so high

565
00:25:52,960 --> 00:25:56,280
Speaker 6: see miss you and I'll give you a secret wave

566
00:25:56,320 --> 00:25:59,919
Speaker 6: on the Telly forget what we ask is live.

567
00:25:59,800 --> 00:26:05,320
Speaker 10: And cancel, And I want to say.

568
00:26:05,240 --> 00:26:15,280
Speaker 2: To the love and we're about to make a phone

569
00:26:15,320 --> 00:26:19,679
Speaker 2: called a David Campbell on Celebrity screen it's because of.

570
00:26:24,960 --> 00:26:26,199
Speaker 8: Celebrity screeners.

571
00:26:27,160 --> 00:26:30,359
Speaker 2: All right, mate, I'm up today and I am very

572
00:26:30,400 --> 00:26:33,240
Speaker 2: confident because we get this man regularly on the show.

573
00:26:34,200 --> 00:26:37,080
Speaker 2: He's got my number. I love him to death. He's

574
00:26:37,119 --> 00:26:39,159
Speaker 2: the busiest man in the world. So we're lucky to

575
00:26:39,200 --> 00:26:42,040
Speaker 2: have a camera only I would say about three or

576
00:26:42,080 --> 00:26:44,639
Speaker 2: four meters away from him, behind a bush. At the moment.

577
00:26:44,720 --> 00:26:47,240
Speaker 2: It is David Campbell from Channel N the Old.

578
00:26:47,760 --> 00:26:50,760
Speaker 3: He is very busy at the moment. Mate, he's got mornings.

579
00:26:50,720 --> 00:26:56,280
Speaker 2: Because he breaks into song like that sometimes musical founder.

580
00:26:56,880 --> 00:26:57,719
Speaker 2: It's amazing.

581
00:26:58,240 --> 00:26:59,439
Speaker 3: He doesn't answer the phone like that.

582
00:26:59,640 --> 00:27:05,119
Speaker 2: He doesn't say speaking, it's not what he does. He

583
00:27:05,200 --> 00:27:08,960
Speaker 2: does sometimes. I've had some massive nights with him where

584
00:27:09,040 --> 00:27:12,359
Speaker 2: you know, families and all of stuff like that, and

585
00:27:12,400 --> 00:27:14,880
Speaker 2: I'll say, how are other kids going? And he will go, yeah, mate,

586
00:27:14,920 --> 00:27:16,560
Speaker 2: to be honest with and some of them have been

587
00:27:16,680 --> 00:27:17,960
Speaker 2: quite cruel. I don't know.

588
00:27:18,080 --> 00:27:20,119
Speaker 3: He doesn't speak like that. He's we've just got the

589
00:27:20,160 --> 00:27:21,040
Speaker 3: camera on him right now.

590
00:27:21,080 --> 00:27:22,920
Speaker 2: Okay, so he's in a meeting.

591
00:27:23,280 --> 00:27:27,040
Speaker 3: So we're outside the office a camera that's just cutting

592
00:27:27,040 --> 00:27:29,080
Speaker 3: through a couple of plants in the office.

593
00:27:29,160 --> 00:27:29,920
Speaker 2: Nicolina, are you.

594
00:27:29,920 --> 00:27:32,560
Speaker 11: There, Hello, I'm here on my knees.

595
00:27:34,680 --> 00:27:41,320
Speaker 2: Stay focused, mate. Now he can't see you because you're

596
00:27:41,560 --> 00:27:44,600
Speaker 2: very close to him. Are you outside that room? Because

597
00:27:44,920 --> 00:27:45,359
Speaker 2: a glass?

598
00:27:45,520 --> 00:27:49,600
Speaker 11: Okay, I'm outside the glass in front of a tripod.

599
00:27:49,119 --> 00:27:50,360
Speaker 3: And some indoor plan.

600
00:27:50,920 --> 00:27:55,119
Speaker 2: So his T shirt says, be kind is one. I

601
00:27:55,160 --> 00:27:59,919
Speaker 2: can see there. Nick, Yeah, okay, we go okay, here

602
00:28:00,080 --> 00:28:03,720
Speaker 2: you David Gambello in a meeting. I'm making the phone call.

603
00:28:04,600 --> 00:28:09,640
Speaker 3: Maybe are you rubbing his face? He's not happy.

604
00:28:11,480 --> 00:28:16,240
Speaker 2: He's looking at his updates. Picked it up. You're in

605
00:28:16,480 --> 00:28:23,240
Speaker 2: you're in your home, dude. It's it's not over yet.

606
00:28:23,440 --> 00:28:25,879
Speaker 2: Put it down. Pick it up. That you're distracting him.

607
00:28:25,880 --> 00:28:26,399
Speaker 2: He's angry.

608
00:28:26,560 --> 00:28:26,879
Speaker 9: D c.

609
00:28:27,400 --> 00:28:28,600
Speaker 2: Pick up your phone.

610
00:28:29,960 --> 00:28:30,760
Speaker 6: I can't get to the.

611
00:28:35,960 --> 00:28:36,880
Speaker 2: You've got two strikes.

612
00:28:38,280 --> 00:28:40,160
Speaker 3: Under the rule of two strikes, you've got a chance

613
00:28:40,160 --> 00:28:40,920
Speaker 3: to bring him back.

614
00:28:41,280 --> 00:28:46,600
Speaker 2: Clearly, I thought we were closed. Can pick up your phone. Okay,

615
00:28:46,640 --> 00:28:53,400
Speaker 2: one more time, Richard Wilkins. He's looked at it again.

616
00:28:56,560 --> 00:29:02,800
Speaker 2: The donut, Oh, Nicolina, can you go in there?

617
00:29:02,840 --> 00:29:03,960
Speaker 3: Play going there?

618
00:29:04,000 --> 00:29:05,880
Speaker 2: And right now?

619
00:29:06,800 --> 00:29:09,320
Speaker 11: Excuse me, Hi, David.

620
00:29:10,560 --> 00:29:14,440
Speaker 3: Six boy d.

621
00:29:15,560 --> 00:29:19,800
Speaker 2: It's your good mate, the guy that's the guy that's

622
00:29:19,840 --> 00:29:22,640
Speaker 2: been trying to call you for the last minute.

623
00:29:22,960 --> 00:29:28,480
Speaker 6: Hey, yep, I'm sorry, mate.

624
00:29:28,480 --> 00:29:29,280
Speaker 2: We've got a camera on you.

625
00:29:29,360 --> 00:29:30,920
Speaker 3: Can you just tell me you see that camera that's

626
00:29:31,040 --> 00:29:34,960
Speaker 3: right now in your face. We're watching from outside the studio. Yeah,

627
00:29:35,400 --> 00:29:38,680
Speaker 3: and first ring, right, you picked it up, put it down.

628
00:29:39,360 --> 00:29:41,560
Speaker 3: This second one you just gave him the Dona button.

629
00:29:41,720 --> 00:29:43,840
Speaker 12: It was like because the first one I couldn't turn

630
00:29:43,840 --> 00:29:46,240
Speaker 12: it off from my phone with that actually, and it's

631
00:29:46,320 --> 00:29:47,120
Speaker 12: doing that all good thing.

632
00:29:47,200 --> 00:29:49,560
Speaker 6: So it just came up with my Apple Watch because

633
00:29:49,560 --> 00:29:50,160
Speaker 6: I love Apple.

634
00:29:50,400 --> 00:29:54,800
Speaker 10: Yeah, I just decline it straight from my wrist.

635
00:29:56,480 --> 00:29:59,680
Speaker 3: Rachel Finch picked up you call Fitzy right and DC

636
00:30:00,000 --> 00:30:00,640
Speaker 3: gives you the barn.

637
00:30:00,880 --> 00:30:08,040
Speaker 2: I mean that's cold. Please tell me it was a

638
00:30:08,160 --> 00:30:10,840
Speaker 2: very important meeting, like were you could it was in

639
00:30:10,840 --> 00:30:13,800
Speaker 2: another negotiation of a contract, DC? Or what were you

640
00:30:13,840 --> 00:30:14,400
Speaker 2: doing in there?

641
00:30:15,200 --> 00:30:18,239
Speaker 6: And I just like to catch up before We just

642
00:30:18,280 --> 00:30:19,760
Speaker 6: gossiping like a couple of girls.

643
00:30:20,120 --> 00:30:22,560
Speaker 2: Really, we were just we were just saying how much

644
00:30:22,600 --> 00:30:24,480
Speaker 2: we love you because you break out in the song

645
00:30:24,520 --> 00:30:27,120
Speaker 2: every now and then. Can you apologize to me through

646
00:30:27,280 --> 00:30:29,680
Speaker 2: sh me.

647
00:30:40,920 --> 00:30:41,160
Speaker 6: Chap?

648
00:30:42,680 --> 00:30:47,959
Speaker 2: That is, you could have avoided all could have avoided

649
00:30:47,960 --> 00:30:50,280
Speaker 2: all of this by picking up the phone. We love you, Dave.

650
00:30:52,280 --> 00:30:57,920
Speaker 3: I'm sorry, geez, what about last night Sunday night? And

651
00:30:57,920 --> 00:30:59,080
Speaker 3: also sixty minutes around a.

652
00:30:59,080 --> 00:31:04,120
Speaker 2: Couple of him just it's okay, so set down. Obviously

653
00:31:04,160 --> 00:31:07,160
Speaker 2: a documentary is coming out on Channel ten. I think

654
00:31:07,200 --> 00:31:10,920
Speaker 2: Channel ten's picked it up. Never yes, four hour.

655
00:31:10,760 --> 00:31:12,880
Speaker 3: One good idea Channel ten are going to be amazing,

656
00:31:12,920 --> 00:31:14,120
Speaker 3: so they'll run it. And this was some one that

657
00:31:14,160 --> 00:31:16,960
Speaker 3: came out at Sundance and they had you know, psychologists

658
00:31:17,000 --> 00:31:19,600
Speaker 3: on standby for the interval because people needed to break

659
00:31:19,640 --> 00:31:24,040
Speaker 3: and some sort of balance after seeing what they apparently witnessed. Yeah,

660
00:31:24,080 --> 00:31:25,440
Speaker 3: Channel ten are going to run it over a couple

661
00:31:25,440 --> 00:31:26,280
Speaker 3: of nights because it is.

662
00:31:26,240 --> 00:31:28,160
Speaker 2: Four hours a lot. See, I don't know what sixty

663
00:31:28,200 --> 00:31:30,800
Speaker 2: minutes and Sunday Night had that we don't already know

664
00:31:31,080 --> 00:31:33,400
Speaker 2: about case because it went to.

665
00:31:33,400 --> 00:31:35,560
Speaker 3: Court, great question and a lot of the stuff. And

666
00:31:35,600 --> 00:31:38,040
Speaker 3: like they said, after the Sundance that show Leaving Neverland

667
00:31:38,080 --> 00:31:40,160
Speaker 3: the movie came out, they said, hang on, this has

668
00:31:40,160 --> 00:31:42,240
Speaker 3: been put to bed, This has been put to rest.

669
00:31:42,360 --> 00:31:47,040
Speaker 3: Well this happened, Well that's what the problem was. Unfortunately,

670
00:31:47,680 --> 00:31:50,760
Speaker 3: well we don't know that because Michael Jackson was proven

671
00:31:50,760 --> 00:31:52,400
Speaker 3: innocent on all fourteen counts.

672
00:31:52,680 --> 00:31:54,000
Speaker 2: This is tough for you, isn't it.

673
00:31:54,000 --> 00:31:56,040
Speaker 3: It is tough. I'm a fan, but I'm a skeptic

674
00:31:56,080 --> 00:32:00,000
Speaker 3: as well. But I see as a thirty nine years

675
00:32:00,080 --> 00:32:02,920
Speaker 3: old bloke that some of the behavior is definitely strange.

676
00:32:03,120 --> 00:32:05,880
Speaker 3: More than eccentric, It is very strange.

677
00:32:06,280 --> 00:32:08,360
Speaker 2: And like I said, when he had that young man

678
00:32:08,400 --> 00:32:10,760
Speaker 2: who was leaning on his shoulder in that documentary that

679
00:32:10,840 --> 00:32:13,040
Speaker 2: was from years and years and years ago, and that

680
00:32:13,080 --> 00:32:17,160
Speaker 2: you know stuff like you know that young boy was saying,

681
00:32:17,360 --> 00:32:19,480
Speaker 2: Michael said, if you love me, you'll come up and

682
00:32:19,520 --> 00:32:22,400
Speaker 2: sleep in my bed. I honestly, you look into Michael

683
00:32:22,480 --> 00:32:26,000
Speaker 2: Jackson's eyes, though it is weird and it's probably wrong

684
00:32:26,040 --> 00:32:28,600
Speaker 2: if you don't know the child too well, but you know,

685
00:32:28,840 --> 00:32:31,640
Speaker 2: you look into his eyes and you honestly, the guy

686
00:32:31,760 --> 00:32:34,120
Speaker 2: was robbed of a childhood and it was like he

687
00:32:34,200 --> 00:32:35,520
Speaker 2: was a giant kid himself.

688
00:32:35,720 --> 00:32:38,200
Speaker 3: It was a giant kid. I think his friendships they

689
00:32:38,240 --> 00:32:42,200
Speaker 3: weren't even they weren't even like father and son. They

690
00:32:42,200 --> 00:32:43,400
Speaker 3: were just like best friends.

691
00:32:43,440 --> 00:32:45,840
Speaker 2: He does know the difference between right and wrong, Yes

692
00:32:45,840 --> 00:32:46,200
Speaker 2: he does.

693
00:32:46,280 --> 00:32:48,640
Speaker 3: And I think he wouldn't have exposed himself like in

694
00:32:48,640 --> 00:32:51,360
Speaker 3: that documentary he did with the other guy. I don't

695
00:32:51,360 --> 00:32:54,200
Speaker 3: think he would have exposed himself like that if he

696
00:32:54,280 --> 00:32:56,080
Speaker 3: thought there was something wrong with what he was doing.

697
00:32:56,160 --> 00:32:59,400
Speaker 3: I honestly don't think. I don't want to think that

698
00:32:59,480 --> 00:33:01,760
Speaker 3: he was doing anything wrong. I mean, the guy was

699
00:33:01,800 --> 00:33:04,640
Speaker 3: the most powerful guy in the game, and he was

700
00:33:04,680 --> 00:33:06,760
Speaker 3: the biggest celebrity on the planet and the money in

701
00:33:06,800 --> 00:33:09,120
Speaker 3: the fame obviously kept whatever was going on hidden to

702
00:33:09,200 --> 00:33:12,400
Speaker 3: a point, and then they came in after that documentary

703
00:33:12,400 --> 00:33:14,840
Speaker 3: and what do they have? The seventy police turn up

704
00:33:14,840 --> 00:33:17,200
Speaker 3: at Neverland and have a look through the ranch. I

705
00:33:17,240 --> 00:33:19,600
Speaker 3: watched the sixty minutes one where they interviewed the maid

706
00:33:19,760 --> 00:33:22,280
Speaker 3: last night. Adrian McManus. Her name was.

707
00:33:22,320 --> 00:33:24,840
Speaker 2: First time I've seen a female Adrian thirteen.

708
00:33:24,520 --> 00:33:29,640
Speaker 3: Twenty Adrian, Oh, yeah, in what Rocky in Rocky.

709
00:33:31,520 --> 00:33:31,960
Speaker 2: Was a girl?

710
00:33:32,200 --> 00:33:32,680
Speaker 6: She was?

711
00:33:33,200 --> 00:33:35,920
Speaker 2: She's glad you he for Rocky references. So the character

712
00:33:36,080 --> 00:33:38,800
Speaker 2: was based on too, was Adrian manus? Is that right?

713
00:33:38,880 --> 00:33:39,840
Speaker 2: Jackson's mate?

714
00:33:40,000 --> 00:33:42,120
Speaker 3: If you're a female in her name's Adrian, give the

715
00:33:42,160 --> 00:33:42,760
Speaker 3: show a call.

716
00:33:43,520 --> 00:33:46,400
Speaker 2: I'm glad. That's all you took from sixty minutes last time.

717
00:33:47,320 --> 00:33:51,280
Speaker 3: What was interesting? I mean everything she said was what

718
00:33:51,480 --> 00:33:54,800
Speaker 3: she witnessed, and there was interpretation around it. So in

719
00:33:54,840 --> 00:33:57,880
Speaker 3: this so called evidence that she was supplying, there was

720
00:33:57,880 --> 00:34:01,440
Speaker 3: often reasons for the situation. So have listened to this

721
00:34:01,480 --> 00:34:02,040
Speaker 3: first comment.

722
00:34:02,360 --> 00:34:06,720
Speaker 9: I started realizing when he was kicking baths with him,

723
00:34:07,000 --> 00:34:09,839
Speaker 9: they were sleeping in his bed, and when I would

724
00:34:09,840 --> 00:34:12,320
Speaker 9: go in the next day there were little boys underwears,

725
00:34:12,880 --> 00:34:16,000
Speaker 9: either on the floor with Michael's or they were in

726
00:34:16,040 --> 00:34:16,600
Speaker 9: the jacuzzi.

727
00:34:18,560 --> 00:34:19,120
Speaker 2: Yeah, that's weir.

728
00:34:19,560 --> 00:34:21,480
Speaker 3: You got out of the jacuzzi and your undies are wet,

729
00:34:21,600 --> 00:34:22,720
Speaker 3: so you leave them on the floor.

730
00:34:24,239 --> 00:34:26,239
Speaker 2: Oh well yeah, look you know what I mean.

731
00:34:26,560 --> 00:34:28,799
Speaker 3: That's a way of looking at it, and I'm sure

732
00:34:28,840 --> 00:34:31,520
Speaker 3: that's the way it was then portrayed in court when

733
00:34:31,560 --> 00:34:34,680
Speaker 3: these charges were initially filed. This, I mean, when she

734
00:34:34,800 --> 00:34:37,480
Speaker 3: made this statement, I thought, this is a stretch and

735
00:34:37,520 --> 00:34:39,839
Speaker 3: this is bizarre. But this was another one of her

736
00:34:39,840 --> 00:34:43,280
Speaker 3: claims that possibly suggested there was inappropriate behavior.

737
00:34:43,960 --> 00:34:47,320
Speaker 9: There was a lot of ar selena in neverline. Sometimes

738
00:34:47,320 --> 00:34:49,440
Speaker 9: it was found in the golf courts, and there was

739
00:34:49,480 --> 00:34:53,240
Speaker 9: a lot of arsolene in Michael's bedroom. It was actually

740
00:34:53,280 --> 00:34:55,600
Speaker 9: all over the ranch with.

741
00:34:55,600 --> 00:34:59,040
Speaker 4: People like this who have come out and have such explicit,

742
00:34:59,440 --> 00:35:03,439
Speaker 4: weird accusations and allegations to make you go why Now,

743
00:35:03,960 --> 00:35:06,279
Speaker 4: obviously there's money in it, and in order to get

744
00:35:06,320 --> 00:35:09,359
Speaker 4: paid you need to say some things that are going

745
00:35:09,440 --> 00:35:14,320
Speaker 4: to get your interview across the worthwhile we're going to

746
00:35:14,840 --> 00:35:18,759
Speaker 4: if vascillates eat your hail, Mary, you struggle And so

747
00:35:18,800 --> 00:35:21,360
Speaker 4: where was she ten years ago? If she was really

748
00:35:21,400 --> 00:35:24,440
Speaker 4: concerned when all this was coming out, speaking, She's coming out.

749
00:35:24,320 --> 00:35:26,719
Speaker 3: Now, mild man. We grew up with dad and he

750
00:35:26,800 --> 00:35:29,399
Speaker 3: kept the tub of vasselene in the letterbox because every

751
00:35:29,400 --> 00:35:31,040
Speaker 3: time you go for running, to get a bit of chafe.

752
00:35:31,120 --> 00:35:34,360
Speaker 2: So I mean, you never know. Well, I have a

753
00:35:34,400 --> 00:35:37,480
Speaker 2: vassaline everywhere in the house. You guys know, climb my

754
00:35:37,600 --> 00:35:39,600
Speaker 2: moisture at it. I have it on my lips all

755
00:35:39,640 --> 00:35:40,000
Speaker 2: the time.

756
00:35:40,120 --> 00:35:43,200
Speaker 3: And Michael Jackson had a skin condition lanoline.

757
00:35:44,000 --> 00:35:46,759
Speaker 4: I have not forecast as to that the takeaway, but

758
00:35:46,880 --> 00:35:50,880
Speaker 4: we all have vassaline everywhere, and I don't have any better.

759
00:35:50,920 --> 00:35:53,640
Speaker 3: Known as the King of vas the King of pop

760
00:35:53,680 --> 00:35:56,640
Speaker 3: the king of vass Does that immediately put you into

761
00:35:56,680 --> 00:35:59,200
Speaker 3: that category of you were using it for the wrong reason?

762
00:35:59,200 --> 00:36:03,240
Speaker 3: What what's he doing in the golf cart? Was heading

763
00:36:03,280 --> 00:36:05,160
Speaker 3: out of the playground of the golf carts.

764
00:36:06,680 --> 00:36:10,080
Speaker 2: Well you're out in the sun. You're obviously got chapped lips.

765
00:36:10,000 --> 00:36:11,520
Speaker 3: Could be you never know.

766
00:36:11,760 --> 00:36:12,520
Speaker 2: This was the lawyer.

767
00:36:12,560 --> 00:36:13,319
Speaker 3: This is what he has said.

768
00:36:13,400 --> 00:36:17,520
Speaker 9: I am one convinced Michael never abused a child, never

769
00:36:17,600 --> 00:36:20,760
Speaker 9: harmed a child, certainly never molested a child.

770
00:36:20,920 --> 00:36:24,239
Speaker 3: I think this is hardwash. It's just when you see

771
00:36:24,320 --> 00:36:26,920
Speaker 3: your right fits the footage of that strange interview he

772
00:36:26,920 --> 00:36:28,880
Speaker 3: did where he's holding the kid's hand and talking about

773
00:36:28,920 --> 00:36:30,600
Speaker 3: to show a real sign of love is to sleep

774
00:36:30,640 --> 00:36:31,439
Speaker 3: next to them in bed.

775
00:36:32,320 --> 00:36:35,680
Speaker 2: He just didn't look grining. Is never looked growing. And

776
00:36:36,000 --> 00:36:38,160
Speaker 2: you also get asked where all the parents in all

777
00:36:38,200 --> 00:36:40,400
Speaker 2: of this as well? That was strange.

778
00:36:40,840 --> 00:36:43,200
Speaker 3: And why these two guys that are in this new

779
00:36:43,239 --> 00:36:47,040
Speaker 3: documentary leaving Neverland, why they've spoken before on the record

780
00:36:47,120 --> 00:36:50,839
Speaker 3: in court and said that Michael Jackson never touched me inappropriately,

781
00:36:50,880 --> 00:36:53,640
Speaker 3: and then all of a sudden, ten years later, they're saying,

782
00:36:53,640 --> 00:36:53,920
Speaker 3: you did.

783
00:36:54,040 --> 00:36:56,560
Speaker 2: You're not allowed to go into Neverland? Are you the sale?

784
00:36:56,880 --> 00:36:59,920
Speaker 2: Is it really? Yeah, it's a sale because we passed.

785
00:37:00,600 --> 00:37:02,600
Speaker 2: Would they turn it into a graceland?

786
00:37:03,520 --> 00:37:03,680
Speaker 10: Oh?

787
00:37:03,719 --> 00:37:04,239
Speaker 2: I don't know.

788
00:37:04,400 --> 00:37:06,560
Speaker 3: That's the thing. It's tarnished. I don't think anyone would

789
00:37:06,560 --> 00:37:09,719
Speaker 3: tour for the love of Yes they would. Yeah, but

790
00:37:09,760 --> 00:37:11,680
Speaker 3: it's still now sure, there's a bit of stink about

791
00:37:11,680 --> 00:37:14,880
Speaker 3: it now though, wasn't there? And remember they sold everything

792
00:37:14,920 --> 00:37:17,000
Speaker 3: the giant auction that took place a couple of years ago,

793
00:37:17,640 --> 00:37:23,120
Speaker 3: Everything from Neverland went. And just remember the words of Michael.

794
00:37:23,800 --> 00:37:27,120
Speaker 9: These statements about me are totally foss. Don't treat me

795
00:37:27,160 --> 00:37:29,160
Speaker 9: like a criminal, so I am innocent.

796
00:37:29,920 --> 00:37:35,160
Speaker 2: Innocent said it the same stuff that's been talked about

797
00:37:35,160 --> 00:37:36,600
Speaker 2: for the last ten fifteen years.

798
00:37:36,600 --> 00:37:38,520
Speaker 3: Mate, you've got nothing, have you seen much? I was

799
00:37:38,680 --> 00:37:42,760
Speaker 3: really disappointing searching for a world that I come from.

800
00:37:43,400 --> 00:37:45,560
Speaker 2: I want to hear from young people this morning. Thirteen

801
00:37:45,640 --> 00:37:49,520
Speaker 2: twenty fourteen. If you've done unpaid work before, if you

802
00:37:49,560 --> 00:37:54,520
Speaker 2: may have done an internship work experience, gone to somewhere

803
00:37:54,520 --> 00:37:56,279
Speaker 2: and said, can I work for free just to get

804
00:37:56,320 --> 00:37:59,280
Speaker 2: into the WorkFirst, please give me a call. Thirteen twenty fourteen.

805
00:37:59,480 --> 00:38:00,080
Speaker 3: We all did it.

806
00:38:00,400 --> 00:38:02,920
Speaker 2: This was a huge topic over the weekend because the

807
00:38:03,160 --> 00:38:06,359
Speaker 2: general manager of Muff and Break, Natalie Brennan, has come

808
00:38:06,400 --> 00:38:10,720
Speaker 2: out and said entitled millennials have been given an inflated

809
00:38:10,840 --> 00:38:13,680
Speaker 2: sense of self importance due to social media and are

810
00:38:13,760 --> 00:38:17,360
Speaker 2: no longer willing to do unpaid work to advance their careers.

811
00:38:17,640 --> 00:38:20,839
Speaker 2: She's really angry, she said, there's just nobody walking in

812
00:38:20,880 --> 00:38:25,600
Speaker 2: my door asking for an internship work experience or unpaid work. Nobody.

813
00:38:26,080 --> 00:38:29,080
Speaker 2: That's because you're a Muff and Break who's going into

814
00:38:29,160 --> 00:38:31,120
Speaker 2: Muff and Break for an internship.

815
00:38:32,640 --> 00:38:35,280
Speaker 4: Work is required? A Muff and Break. That's free work

816
00:38:35,719 --> 00:38:36,960
Speaker 4: that sort of kicks you up.

817
00:38:38,360 --> 00:38:39,360
Speaker 2: It's a funny one, isn't it.

818
00:38:39,360 --> 00:38:41,359
Speaker 3: Because you look at a kid, right you're coming out

819
00:38:41,360 --> 00:38:43,279
Speaker 3: of UNI or you're getting into it. You've chosen not

820
00:38:43,360 --> 00:38:45,360
Speaker 3: to go to UNI, so you might think, what's a career.

821
00:38:45,360 --> 00:38:48,520
Speaker 3: I might be interested in small business in the food

822
00:38:48,520 --> 00:38:50,680
Speaker 3: and beverage game, so one day you might have a

823
00:38:50,760 --> 00:38:54,400
Speaker 3: dream of owning your own business that in that industry.

824
00:38:55,000 --> 00:38:57,200
Speaker 3: Do you knock on the door saying can I work

825
00:38:57,200 --> 00:38:59,000
Speaker 3: at Muff and Break for free? Because I want to

826
00:38:59,000 --> 00:39:02,120
Speaker 3: get experience for what I The links just aren't there.

827
00:39:02,480 --> 00:39:04,480
Speaker 3: Are they trying to help her out?

828
00:39:04,520 --> 00:39:06,279
Speaker 2: Did anyone do an internship here? No?

829
00:39:06,400 --> 00:39:07,880
Speaker 3: But you did a bit of free stuff. I mean

830
00:39:07,920 --> 00:39:09,799
Speaker 3: you did a lot of work experience. You did a

831
00:39:09,800 --> 00:39:12,560
Speaker 3: lot of you know, I can only pay you eight

832
00:39:12,600 --> 00:39:14,680
Speaker 3: bucks an hour or five bucks an hour just to

833
00:39:14,680 --> 00:39:15,680
Speaker 3: get in there and have a chat.

834
00:39:15,800 --> 00:39:18,399
Speaker 2: I worked at Southbound gyms just so I could use

835
00:39:18,440 --> 00:39:20,080
Speaker 2: the gym. I couldn't get paid there.

836
00:39:20,320 --> 00:39:22,600
Speaker 4: Yeah, but these are all workplaces that give you a

837
00:39:22,640 --> 00:39:27,120
Speaker 4: greater benefit in life or media or a legal internship.

838
00:39:27,160 --> 00:39:30,440
Speaker 4: It's an aspirational job where.

839
00:39:30,080 --> 00:39:31,480
Speaker 3: I want to go for muff and break, get some

840
00:39:31,520 --> 00:39:32,840
Speaker 3: experience and head off to subway.

841
00:39:33,480 --> 00:39:35,439
Speaker 2: You know, I just, you know what, my whole life,

842
00:39:35,440 --> 00:39:37,920
Speaker 2: I've dreamed of handing out muffins. Can I do it

843
00:39:37,960 --> 00:39:38,360
Speaker 2: for free?

844
00:39:38,440 --> 00:39:39,560
Speaker 3: How do they cook them things?

845
00:39:39,680 --> 00:39:44,400
Speaker 5: I worked at the community switchboard at our local radio station,

846
00:39:45,480 --> 00:39:47,719
Speaker 5: answering phone. I answered phones and people would ring up

847
00:39:47,719 --> 00:39:49,839
Speaker 5: and ask what the weather was going to be and

848
00:39:49,880 --> 00:39:52,160
Speaker 5: what was that ad?

849
00:39:52,200 --> 00:39:54,080
Speaker 2: No muffins? I wish they were my card, isn't it?

850
00:39:54,080 --> 00:39:55,920
Speaker 3: Because you're right, if you want to get experience in

851
00:39:55,960 --> 00:39:58,360
Speaker 3: the industry, like people come along here to the radio station,

852
00:39:58,440 --> 00:40:00,000
Speaker 3: I'll do a few hours and month spend a week.

853
00:40:00,040 --> 00:40:02,000
Speaker 3: Having a bit of a look around helps them get

854
00:40:02,000 --> 00:40:03,640
Speaker 3: a leg up. If you want to be able to

855
00:40:03,640 --> 00:40:06,279
Speaker 3: say that you've had experience in an industry, that might

856
00:40:06,320 --> 00:40:07,080
Speaker 3: be a way to do it.

857
00:40:07,120 --> 00:40:09,360
Speaker 2: But I can up on that muffin break. If it

858
00:40:09,400 --> 00:40:11,839
Speaker 2: was a legal firm or a big company, of course

859
00:40:11,880 --> 00:40:13,840
Speaker 2: you want to go for an internship because hopefully it

860
00:40:13,920 --> 00:40:15,960
Speaker 2: leads into something else. Is you know what? You know

861
00:40:16,000 --> 00:40:18,600
Speaker 2: what the most important, one of the most important jobs

862
00:40:18,600 --> 00:40:20,879
Speaker 2: here at Nova is And a lot of people don't

863
00:40:20,920 --> 00:40:23,160
Speaker 2: want to become a receptionist. But I'll tell you rot

864
00:40:23,600 --> 00:40:26,160
Speaker 2: right now, fifteen years I've been at NOVA. If you

865
00:40:26,160 --> 00:40:28,400
Speaker 2: can get a job as a receptionist in NOV, it

866
00:40:28,520 --> 00:40:31,919
Speaker 2: then leads into another area in NOV because they only

867
00:40:32,000 --> 00:40:33,839
Speaker 2: last about six months and they get a job here

868
00:40:33,840 --> 00:40:35,160
Speaker 2: at NOV. That's the way to do it.

869
00:40:35,280 --> 00:40:38,480
Speaker 3: James is on reception now he's our executive producer as

870
00:40:38,480 --> 00:40:43,440
Speaker 3: of next week. My current Sorry, so Jimmy stepped up

871
00:40:43,480 --> 00:40:44,240
Speaker 3: and he's got the gigs.

872
00:40:44,560 --> 00:40:47,360
Speaker 5: One of the girls who was on reception Max she

873
00:40:48,200 --> 00:40:51,840
Speaker 5: went from reception to singing on your born to rap.

874
00:40:52,880 --> 00:40:57,319
Speaker 3: Everybody climbs the ladder just to a certain height.

875
00:40:57,400 --> 00:40:58,080
Speaker 2: You're managing.

876
00:40:58,400 --> 00:40:59,200
Speaker 3: I'll take twenty.

877
00:40:58,960 --> 00:41:02,799
Speaker 2: Percent, Norman Hers, have you done some free work?

878
00:41:03,920 --> 00:41:04,359
Speaker 13: I have?

879
00:41:04,640 --> 00:41:05,839
Speaker 2: Yeah? What did you do? Now?

880
00:41:07,000 --> 00:41:11,080
Speaker 11: I worked in a marketing firm for nine months as

881
00:41:11,080 --> 00:41:12,360
Speaker 11: a social media intern.

882
00:41:12,960 --> 00:41:15,040
Speaker 2: And what did you get paid at all? Net? Did

883
00:41:15,040 --> 00:41:16,800
Speaker 2: you get anything? What were the benefits?

884
00:41:17,400 --> 00:41:20,359
Speaker 11: No, well, it was part of my degree that I did,

885
00:41:20,719 --> 00:41:24,080
Speaker 11: so it was totally unpaid. But the experience that I

886
00:41:24,120 --> 00:41:25,400
Speaker 11: got from it was amazing.

887
00:41:25,560 --> 00:41:27,640
Speaker 2: But was that a placement by the course.

888
00:41:28,320 --> 00:41:30,920
Speaker 11: Yeah, it was, so it was included within the degree.

889
00:41:31,080 --> 00:41:33,279
Speaker 2: Are you a millennial? Net? Are you that young to

890
00:41:33,320 --> 00:41:34,000
Speaker 2: be a millennial?

891
00:41:34,800 --> 00:41:37,080
Speaker 11: Yeah, I'm twenty one, so I would think.

892
00:41:37,160 --> 00:41:40,160
Speaker 3: So, yeah, what course are you doing at UNI or tafe?

893
00:41:40,160 --> 00:41:41,920
Speaker 3: Where they say or maybe you want to run your

894
00:41:41,960 --> 00:41:43,719
Speaker 3: own bakery. I don't know whether they say go and

895
00:41:43,719 --> 00:41:45,880
Speaker 3: get some work experience doesn't matter if it's paid or unpaid,

896
00:41:45,880 --> 00:41:47,399
Speaker 3: but you need it for your course. Got a muff

897
00:41:47,400 --> 00:41:47,760
Speaker 3: and Breaks?

898
00:41:48,000 --> 00:41:50,320
Speaker 2: All right? Can we go to Mitch in Campbellton? Mitchell?

899
00:41:50,760 --> 00:41:52,600
Speaker 2: What do you think of the general manager of Muff

900
00:41:52,600 --> 00:41:53,560
Speaker 2: and Break Natalie Brown?

901
00:41:55,400 --> 00:41:55,560
Speaker 6: Yeah?

902
00:41:55,600 --> 00:41:57,480
Speaker 12: I couldn't think. It's the sacrifice that you've got to

903
00:41:57,480 --> 00:41:59,520
Speaker 12: make to get into the industry that you want to do.

904
00:42:00,800 --> 00:42:01,800
Speaker 2: What did you do to Midge?

905
00:42:02,400 --> 00:42:05,640
Speaker 12: I'm a tattoo apprentice, which is a completely unpaid industry.

906
00:42:05,760 --> 00:42:06,280
Speaker 2: Wow.

907
00:42:06,480 --> 00:42:07,640
Speaker 3: Okay, so yeah.

908
00:42:08,400 --> 00:42:11,239
Speaker 12: Sometimes it's two days a week, sometimes it's five days

909
00:42:11,239 --> 00:42:13,799
Speaker 12: a week, but we don't get paid until we pay

910
00:42:13,840 --> 00:42:15,880
Speaker 12: for our license and start making money off it.

911
00:42:16,040 --> 00:42:16,360
Speaker 6: Wow.

912
00:42:17,280 --> 00:42:19,480
Speaker 2: So have you have you started tattooing? Now?

913
00:42:19,600 --> 00:42:19,680
Speaker 7: Like?

914
00:42:19,760 --> 00:42:20,960
Speaker 2: Can you use the needle?

915
00:42:22,040 --> 00:42:22,239
Speaker 4: No?

916
00:42:22,280 --> 00:42:24,040
Speaker 12: Not yet. I'm going to save up for the license

917
00:42:24,120 --> 00:42:26,080
Speaker 12: and then pay for that before I could do anything.

918
00:42:26,280 --> 00:42:27,640
Speaker 3: How much is the license, Mitch?

919
00:42:28,040 --> 00:42:30,120
Speaker 12: It's about eight nine hundred dollars, right.

920
00:42:30,040 --> 00:42:31,839
Speaker 3: And then you need how many years of experience as

921
00:42:31,840 --> 00:42:32,600
Speaker 3: an apprentice.

922
00:42:33,400 --> 00:42:36,440
Speaker 12: It depends on your personal progression. So the faster you

923
00:42:36,760 --> 00:42:39,479
Speaker 12: draw and sit down and work at everything, the further

924
00:42:39,520 --> 00:42:42,439
Speaker 12: you advance. If you take your time and don't really

925
00:42:42,440 --> 00:42:44,200
Speaker 12: put your thumb out, then you kind of stuck where

926
00:42:44,200 --> 00:42:44,440
Speaker 12: you are.

927
00:42:44,640 --> 00:42:46,920
Speaker 3: I Mitch, we've got Matt Degret's Bucks party coming up.

928
00:42:47,239 --> 00:42:48,320
Speaker 3: Can I just keep your number?

929
00:42:48,320 --> 00:42:49,319
Speaker 2: Will keep you on call.

930
00:42:49,480 --> 00:42:55,080
Speaker 4: I'm not certain that a tattooing intern is the body

931
00:42:55,080 --> 00:42:55,919
Speaker 4: for the rest of your life.

932
00:42:56,200 --> 00:42:59,960
Speaker 2: He forgets his haircut from an apprentice from So thanks much.

933
00:43:00,000 --> 00:43:02,080
Speaker 2: How you do it? Claire in Kingsford, You've had a

934
00:43:02,160 --> 00:43:05,279
Speaker 2: lot of interns when you worked in television, clear, yes

935
00:43:05,680 --> 00:43:06,120
Speaker 2: I did.

936
00:43:06,320 --> 00:43:08,200
Speaker 13: And they were all millennials, and I have to tell

937
00:43:08,239 --> 00:43:09,600
Speaker 13: you they were very hard working.

938
00:43:09,760 --> 00:43:10,480
Speaker 2: Yeah, I bet they were.

939
00:43:10,480 --> 00:43:11,960
Speaker 3: But the thing is there might be a little bit

940
00:43:11,960 --> 00:43:15,719
Speaker 3: more aspirational or aspirations around working in the TV game

941
00:43:15,760 --> 00:43:16,520
Speaker 3: than Muff and Bake.

942
00:43:17,680 --> 00:43:21,399
Speaker 4: That you have a low a low impression of muff

943
00:43:21,400 --> 00:43:23,880
Speaker 4: and break a career choice, That's what's kind.

944
00:43:23,719 --> 00:43:26,120
Speaker 3: Of I'm just trying to I'm trying to follow the

945
00:43:26,200 --> 00:43:28,239
Speaker 3: steps that you go beyond muff and break.

946
00:43:28,320 --> 00:43:31,160
Speaker 2: I assume it's baking so clear. Does this get you

947
00:43:31,239 --> 00:43:34,120
Speaker 2: angry when you hear about Anadalie Brendan's comments.

948
00:43:34,440 --> 00:43:37,719
Speaker 11: Yes, it does, actually because my little.

949
00:43:37,480 --> 00:43:40,920
Speaker 13: Millennials that work for me were so hard working. We

950
00:43:41,080 --> 00:43:44,400
Speaker 13: used to shoot for twelve hours a day in the mud,

951
00:43:44,640 --> 00:43:46,520
Speaker 13: in the rain, and they were there.

952
00:43:46,280 --> 00:43:48,640
Speaker 11: Bringing us coffees, running.

953
00:43:48,320 --> 00:43:51,880
Speaker 13: Around picking up talent like they were really really hardworking.

954
00:43:52,000 --> 00:43:55,360
Speaker 13: And I understand obviously they're looking for a job in television,

955
00:43:55,400 --> 00:43:57,759
Speaker 13: and I did place a lot of them in jobs.

956
00:43:57,960 --> 00:44:00,839
Speaker 13: But even the ones that didn't get job, they still

957
00:44:00,840 --> 00:44:02,320
Speaker 13: are asking me for references.

958
00:44:02,400 --> 00:44:04,040
Speaker 2: Yeah, it's good going.

959
00:44:03,880 --> 00:44:05,880
Speaker 13: On to the next show, trying to get their break.

960
00:44:06,400 --> 00:44:09,120
Speaker 13: Like I can understand muff and break. You know, I'm

961
00:44:09,160 --> 00:44:11,000
Speaker 13: not sure where that sort of goes.

962
00:44:11,040 --> 00:44:15,000
Speaker 2: When you know you're well, they will bring in your coffees, clear,

963
00:44:15,040 --> 00:44:16,880
Speaker 2: But they weren't bringing your muffins because no one was

964
00:44:16,920 --> 00:44:17,560
Speaker 2: prepared to do it.

965
00:44:17,560 --> 00:44:20,560
Speaker 3: Well, that's the thing. What show were you working on, Claire?

966
00:44:20,560 --> 00:44:21,960
Speaker 11: What was it?

967
00:44:21,960 --> 00:44:23,520
Speaker 13: It was a show called Deadly.

968
00:44:23,239 --> 00:44:26,160
Speaker 2: Women, Deadly Women Married at First Sight? Was it?

969
00:44:26,200 --> 00:44:26,560
Speaker 3: Okay?

970
00:44:26,760 --> 00:44:27,000
Speaker 5: Sure?

971
00:44:27,880 --> 00:44:30,719
Speaker 3: Was Elizabeth on it? Claire? That's great. I mean, you

972
00:44:30,760 --> 00:44:33,120
Speaker 3: need a good report. It's just I'm in big shout

973
00:44:33,160 --> 00:44:36,359
Speaker 3: out of the term muff I'm just I'm trying.

974
00:44:37,160 --> 00:44:39,840
Speaker 4: What I'm trying to do is I'm trying to work

975
00:44:39,880 --> 00:44:42,680
Speaker 4: out a franchised a few and are pretty pumped at

976
00:44:42,680 --> 00:44:43,120
Speaker 4: what they've done.

977
00:44:43,160 --> 00:44:45,880
Speaker 3: I would suggest if you wanted experience in small business

978
00:44:45,880 --> 00:44:47,359
Speaker 3: and franchise, muffin break would be.

979
00:44:47,360 --> 00:44:49,279
Speaker 2: But this is the thing, and millennials are going into

980
00:44:49,320 --> 00:44:52,400
Speaker 2: other areas. So now when I don't like these comments

981
00:44:52,400 --> 00:44:52,920
Speaker 2: as well.

982
00:44:52,840 --> 00:44:54,440
Speaker 3: When I got off my bumb as a kid, I

983
00:44:54,440 --> 00:44:56,440
Speaker 3: would have been and I worked down at the local

984
00:44:56,520 --> 00:44:59,560
Speaker 3: chemist and all I did was crush boxes, just smashing boxes,

985
00:44:59,560 --> 00:45:05,440
Speaker 3: all dame five bucks. I got paid five bucks an hour, no, no, no,

986
00:45:05,600 --> 00:45:08,920
Speaker 3: five bucks a morning to crush them.

987
00:45:09,640 --> 00:45:14,080
Speaker 2: That's all I got one weekend. Five dollars. Yeah, twenty

988
00:45:14,160 --> 00:45:17,399
Speaker 2: thirty bucks a crack box crushing Your old man looked

989
00:45:17,440 --> 00:45:20,480
Speaker 2: after you. That's for sure. You're a guy where you

990
00:45:20,560 --> 00:45:21,400
Speaker 2: got it.

991
00:45:23,800 --> 00:45:25,520
Speaker 3: Needed to have a chat with the kids on the weekend.

992
00:45:25,520 --> 00:45:29,560
Speaker 3: Their behavior was out of control. Out of control. You

993
00:45:29,600 --> 00:45:31,440
Speaker 3: know when you think if I promise a little present

994
00:45:31,480 --> 00:45:33,480
Speaker 3: or surprise that they're going to behave themselves from that

995
00:45:33,520 --> 00:45:35,839
Speaker 3: moment on, it just doesn't have an I said, God,

996
00:45:35,920 --> 00:45:37,800
Speaker 3: you want to go get a Jelati. You want to

997
00:45:37,800 --> 00:45:40,520
Speaker 3: go to Jelati. You've got a cup of two for one.

998
00:45:40,560 --> 00:45:41,640
Speaker 2: So I thought, here's a steal.

999
00:45:42,000 --> 00:45:45,240
Speaker 3: Let's go get the chucky so good. It's like ninety

1000
00:45:45,280 --> 00:45:47,879
Speaker 3: seven percent sugar free and still it tastes like full

1001
00:45:47,880 --> 00:45:52,040
Speaker 3: of sugar. Anyway, nothing to do with the story, really,

1002
00:45:52,080 --> 00:45:53,359
Speaker 3: but we pull him on the side of the road

1003
00:45:53,360 --> 00:45:56,439
Speaker 3: to park the car. Jack said, I'm busting for a WII.

1004
00:45:56,600 --> 00:45:57,759
Speaker 3: So I took him out of the side of the

1005
00:45:57,840 --> 00:46:00,320
Speaker 3: road and he's just doing away on the side. Lisa

1006
00:46:00,360 --> 00:46:03,520
Speaker 3: had Ted as I've got my back to Lisa and Ted.

1007
00:46:03,640 --> 00:46:05,759
Speaker 3: I could tell when that when we jumped out of

1008
00:46:05,800 --> 00:46:08,200
Speaker 3: the car there was like a tree and had there

1009
00:46:08,280 --> 00:46:10,359
Speaker 3: was some rocks around the base of the tree. Ted

1010
00:46:10,400 --> 00:46:13,200
Speaker 3: had picked up a rock standing on the side of

1011
00:46:13,200 --> 00:46:17,000
Speaker 3: the road. I'm helping Jack, and then I hear this thud.

1012
00:46:18,239 --> 00:46:21,000
Speaker 3: Ted's thrown the rock at the carving past and it's

1013
00:46:21,040 --> 00:46:24,120
Speaker 3: hit the back panel and gone whack. So I've turned

1014
00:46:24,160 --> 00:46:27,359
Speaker 3: around to see this car screech their brakes and then

1015
00:46:27,440 --> 00:46:31,839
Speaker 3: keep driving. And then what was strange was Lisa said

1016
00:46:31,840 --> 00:46:34,759
Speaker 3: they were waving at us before Ted had thrown the rock.

1017
00:46:35,760 --> 00:46:37,839
Speaker 3: So Ted's crying because we're yelling at him.

1018
00:46:37,880 --> 00:46:40,680
Speaker 2: Mate, you can't throw a rock at a car. What

1019
00:46:40,680 --> 00:46:41,160
Speaker 2: are you doing?

1020
00:46:41,160 --> 00:46:42,600
Speaker 3: You're going to cause an accent. The car is going

1021
00:46:42,680 --> 00:46:46,080
Speaker 3: to go up the road anyway. We didn't didn't know

1022
00:46:46,080 --> 00:46:47,960
Speaker 3: who it was, and we just thought, okay, we'll just

1023
00:46:48,000 --> 00:46:49,919
Speaker 3: wait AND's get a text message if we actually knew

1024
00:46:49,920 --> 00:46:52,759
Speaker 3: that person that was waving. And then the message came

1025
00:46:52,840 --> 00:46:54,920
Speaker 3: through and her back panel was dinted as she was

1026
00:46:55,200 --> 00:46:58,680
Speaker 3: driving off, and turns out it was an ex producer

1027
00:46:58,719 --> 00:47:01,560
Speaker 3: from the Fitting and Whipper show. She used to work

1028
00:47:01,600 --> 00:47:02,680
Speaker 3: here with us as a team.

1029
00:47:03,160 --> 00:47:04,080
Speaker 2: I was so ted.

1030
00:47:04,200 --> 00:47:06,239
Speaker 3: Stop you can't do that, mate, And it was a

1031
00:47:06,400 --> 00:47:10,360
Speaker 3: time out. I said, pick up another ted have another

1032
00:47:10,360 --> 00:47:11,040
Speaker 3: crack at this one.

1033
00:47:11,160 --> 00:47:11,720
Speaker 2: It was Millie.

1034
00:47:12,000 --> 00:47:17,439
Speaker 3: Unfortunately, so she off Jones and Amanda and the only

1035
00:47:17,680 --> 00:47:18,960
Speaker 3: she's going to be getting in the panel of.

1036
00:47:18,880 --> 00:47:22,799
Speaker 2: Her car oppressive is your son. I know that he

1037
00:47:22,840 --> 00:47:25,000
Speaker 2: can throw a passing.

1038
00:47:24,760 --> 00:47:27,120
Speaker 3: Car an ex team member.

1039
00:47:27,719 --> 00:47:30,880
Speaker 2: How good is that someone who left the show everything

1040
00:47:31,000 --> 00:47:37,160
Speaker 2: she deserved. You've got to sort that out, MILLI, she

1041
00:47:37,400 --> 00:47:39,840
Speaker 2: was or will you try to get that on insurance?

1042
00:47:40,920 --> 00:47:41,480
Speaker 2: To bring it up?

1043
00:47:41,840 --> 00:47:44,360
Speaker 3: Maybe I shouldn't have mentioned a word keep driving, MILLI.

1044
00:47:44,640 --> 00:47:48,000
Speaker 2: Can we talk about Pitball now because Pitball. This is

1045
00:47:48,040 --> 00:47:51,719
Speaker 2: the biggest news from the weekend for me. Pitball is

1046
00:47:51,760 --> 00:47:55,120
Speaker 2: bringing out an audio book called From Negative to Positive,

1047
00:47:55,160 --> 00:47:58,160
Speaker 2: which lands on audible Latino very very soon.

1048
00:47:58,280 --> 00:48:00,719
Speaker 3: That's exciting. We haven't heard any thing from Pitbull for

1049
00:48:00,760 --> 00:48:01,120
Speaker 3: a while.

1050
00:48:01,239 --> 00:48:05,640
Speaker 2: What is pitbulls a nickname? It's not mister three oh five.

1051
00:48:05,680 --> 00:48:07,640
Speaker 2: There's another one, but he doesn't get to tell us

1052
00:48:07,640 --> 00:48:21,239
Speaker 2: too much. Mister ware, mister, mister ware, mister mister that

1053
00:48:21,400 --> 00:48:24,160
Speaker 2: is every song that he says the words mister worldwide.

1054
00:48:23,719 --> 00:48:26,279
Speaker 4: Except Australia, where he had to unfortunately just canceled his

1055
00:48:26,360 --> 00:48:29,440
Speaker 4: most recent tour with Kesher. Was it that good sales

1056
00:48:29,440 --> 00:48:30,640
Speaker 4: didn't quite go as hoped.

1057
00:48:31,840 --> 00:48:35,200
Speaker 2: I think there was a I think there was a

1058
00:48:35,360 --> 00:48:41,800
Speaker 2: they double booked. That'll do it. I think jar rules organized.

1059
00:48:43,040 --> 00:48:46,080
Speaker 2: He's I'm really looking forward to this audio book because

1060
00:48:46,080 --> 00:48:49,840
Speaker 2: I mean, lyrics over the years have been unbelievable. International

1061
00:48:49,880 --> 00:48:52,400
Speaker 2: Love was one of his biggest hits. I don't play football,

1062
00:48:52,400 --> 00:48:54,600
Speaker 2: but I've touched down everywhere. I don't play baseball, but

1063
00:48:54,640 --> 00:48:57,160
Speaker 2: I've hit a home run everywhere I've been. The countries

1064
00:48:57,200 --> 00:48:59,840
Speaker 2: and cities are curr't pronounced, and the places on the

1065
00:49:00,239 --> 00:49:02,680
Speaker 2: I didn't know existed in Romania. She pulled me to

1066
00:49:02,719 --> 00:49:04,759
Speaker 2: the side and said to me, Pitt, you can have me,

1067
00:49:04,840 --> 00:49:08,719
Speaker 2: and my sister is just astounded.

1068
00:49:08,960 --> 00:49:10,400
Speaker 3: He knew where he was because he said he's been

1069
00:49:10,440 --> 00:49:12,359
Speaker 3: to places he doesn't know, so thank god it was Roman.

1070
00:49:12,480 --> 00:49:15,839
Speaker 2: And he's another song that I I haven't heard this one.

1071
00:49:15,880 --> 00:49:20,600
Speaker 2: This one was with j Lo. It was called Sexy Body,

1072
00:49:21,200 --> 00:49:24,920
Speaker 2: and he goes through the letters of sexy Body, tells

1073
00:49:24,960 --> 00:49:30,120
Speaker 2: us what they mean. Sure, haven't listened to this. Forget

1074
00:49:30,120 --> 00:49:30,719
Speaker 2: about your ex?

1075
00:49:35,400 --> 00:49:35,600
Speaker 6: Now?

1076
00:49:38,120 --> 00:49:43,399
Speaker 2: Why Yellow done? Why Yolo done? It was the E

1077
00:49:43,480 --> 00:49:46,360
Speaker 2: in there is for I think that's what he said.

1078
00:49:46,719 --> 00:49:50,439
Speaker 4: For x XS for X go again.

1079
00:49:51,640 --> 00:49:52,359
Speaker 3: What do you call these?

1080
00:49:52,640 --> 00:49:53,279
Speaker 2: Get about your.

1081
00:49:56,239 --> 00:49:59,040
Speaker 3: Forget about for the didn't say.

1082
00:49:58,800 --> 00:50:02,040
Speaker 2: For the for the ex? What did you call those things?

1083
00:50:02,280 --> 00:50:11,359
Speaker 2: Limerick across the right X Forget about your ex? No

1084
00:50:11,400 --> 00:50:13,440
Speaker 2: one's ever done that, No one's ever done it.

1085
00:50:13,600 --> 00:50:15,560
Speaker 3: He's so good. And remember the time when we caught

1086
00:50:15,600 --> 00:50:16,480
Speaker 3: up with him and he's there.

1087
00:50:16,560 --> 00:50:18,279
Speaker 2: I think it was about forty five degrees. He was

1088
00:50:18,280 --> 00:50:22,000
Speaker 2: in his suit, sweat was running down his bald head,

1089
00:50:22,080 --> 00:50:23,759
Speaker 2: and Dolly is his vodka, isn't it?

1090
00:50:23,840 --> 00:50:26,040
Speaker 3: Yeah, that's right. And he just sat there with a

1091
00:50:26,040 --> 00:50:26,360
Speaker 3: bottle of.

1092
00:50:26,360 --> 00:50:28,680
Speaker 2: Vodka on the table, just plug in his vodka.

1093
00:50:29,880 --> 00:50:30,719
Speaker 3: Here we get it, mate.

1094
00:50:30,800 --> 00:50:33,200
Speaker 2: There it is the audio book. You can go to

1095
00:50:33,280 --> 00:50:36,680
Speaker 2: Audio Audible Latino very soon to grab are going to

1096
00:50:36,680 --> 00:50:39,440
Speaker 2: play it on the role negative to positive. Thank you

1097
00:50:39,520 --> 00:50:42,480
Speaker 2: very much to Elizabeth Jesus was a Jimpeg showed this morning.

1098
00:50:42,280 --> 00:50:44,600
Speaker 3: Wasn't it to think what I thought was interesting too?

1099
00:50:45,080 --> 00:50:47,200
Speaker 3: To think that she's sitting there with a message on

1100
00:50:47,239 --> 00:50:50,560
Speaker 3: her phone from in Us that she's never read, actually

1101
00:50:50,600 --> 00:50:52,719
Speaker 3: opened it in the studio for the first time.

1102
00:50:52,719 --> 00:50:54,880
Speaker 2: Why couldn't you read it? Did you? It was just

1103
00:50:55,040 --> 00:50:55,399
Speaker 2: I did?

1104
00:50:55,440 --> 00:50:57,440
Speaker 3: I read out the crucial guts to it where she

1105
00:50:57,680 --> 00:51:02,160
Speaker 3: read message read it as well, just just an indication

1106
00:51:02,239 --> 00:51:03,360
Speaker 3: she didn't want me to read it.

1107
00:51:03,239 --> 00:51:05,400
Speaker 2: It was nothing in there that was particularly cutting.

1108
00:51:05,560 --> 00:51:08,000
Speaker 3: It's just her saying I'm embarrassed. But what happened, I'm

1109
00:51:08,040 --> 00:51:10,240
Speaker 3: sorry we didn't get to talk much.

1110
00:51:10,719 --> 00:51:15,440
Speaker 4: Was it was regretful about the stage nature of it.

1111
00:51:15,440 --> 00:51:17,000
Speaker 2: It feels like they struck.

1112
00:51:16,719 --> 00:51:19,160
Speaker 4: Gold last year with Divina and whatnot, and they've tried

1113
00:51:19,239 --> 00:51:20,439
Speaker 4: too hard, and I.

1114
00:51:20,360 --> 00:51:24,920
Speaker 2: Think was this The contracts are so concrete that they

1115
00:51:24,920 --> 00:51:27,360
Speaker 2: can't talk about anything because they don't get paid or

1116
00:51:27,400 --> 00:51:30,239
Speaker 2: they may get sued because you know, there's contentionants from

1117
00:51:30,360 --> 00:51:33,120
Speaker 2: last year series that are now starting to come out going, well,

1118
00:51:33,160 --> 00:51:34,839
Speaker 2: we were told we had to go down this road,

1119
00:51:35,200 --> 00:51:37,520
Speaker 2: and can you please start that argument up again?

1120
00:51:37,640 --> 00:51:41,799
Speaker 3: And Elizabeth was saying that, you know those dinners that

1121
00:51:41,880 --> 00:51:44,920
Speaker 3: you see, they'd start filming at five pm, still there

1122
00:51:44,920 --> 00:51:52,719
Speaker 3: at two am. Nothing wrong with the cartins, you can

1123
00:51:52,760 --> 00:51:53,480
Speaker 3: I also do.

1124
00:51:53,480 --> 00:51:56,160
Speaker 2: You know how I've also warm too? Is so real.

1125
00:51:56,840 --> 00:51:59,560
Speaker 2: She's sticking up for the girls. Man and last night

1126
00:52:00,080 --> 00:52:04,760
Speaker 2: a crack at Sam and called Sam a girl. Sam's

1127
00:52:04,840 --> 00:52:08,640
Speaker 2: nickname now has to be this You ain't king king?

1128
00:52:12,000 --> 00:52:12,719
Speaker 3: What did she say?

1129
00:52:12,840 --> 00:52:17,080
Speaker 2: You ain't king digging? You ain't king king? Well said?

1130
00:52:17,800 --> 00:52:20,080
Speaker 2: Well said? And they sounds like a pit bull lyric.

1131
00:52:20,239 --> 00:52:23,759
Speaker 2: This doesn't doesn't it exactly like a This is what

1132
00:52:23,840 --> 00:52:26,160
Speaker 2: I love about Cyrel as well. This is a real

1133
00:52:26,400 --> 00:52:30,640
Speaker 2: serious chat that she had with Elizabeth. You know, with

1134
00:52:30,800 --> 00:52:34,239
Speaker 2: the you know there could be a possibility here that

1135
00:52:34,320 --> 00:52:36,719
Speaker 2: your husband's cheating on you, and she just had a

1136
00:52:36,760 --> 00:52:39,200
Speaker 2: serious chat with her. At the end of the day,

1137
00:52:39,480 --> 00:52:41,719
Speaker 2: I would like to know if Inness is that much

1138
00:52:41,760 --> 00:52:44,239
Speaker 2: of a dirty dog that she's going to jump onto

1139
00:52:44,280 --> 00:52:48,040
Speaker 2: my husband. Next. That's but how serious she is?

1140
00:52:48,440 --> 00:52:51,600
Speaker 3: Dirty dog, dirty dog, dirty dog, dirty dogs.

1141
00:52:53,000 --> 00:52:55,479
Speaker 2: Well in it's left last night, so there's a new song,

1142
00:52:56,360 --> 00:53:00,640
Speaker 2: dirty dog, Let him out, Let him out, Dirty Dog

1143
00:53:00,840 --> 00:53:04,800
Speaker 2: and King Dingling. That was Sorell.

1144
00:53:05,960 --> 00:53:08,480
Speaker 4: The first interview off the series that you had in

1145
00:53:08,520 --> 00:53:10,560
Speaker 4: and you called it at the point you're like, no chance,

1146
00:53:10,640 --> 00:53:11,120
Speaker 4: not together.

1147
00:53:11,160 --> 00:53:12,720
Speaker 2: But they're actually reasonably.

1148
00:53:12,280 --> 00:53:15,000
Speaker 3: Swa handh holding.

1149
00:53:15,040 --> 00:53:17,520
Speaker 2: We knew where now are any they're not together? I

1150
00:53:17,560 --> 00:53:20,160
Speaker 2: can tell you that you could read it. You're a

1151
00:53:20,160 --> 00:53:23,279
Speaker 2: dirty dog for so nut that's what you want to

1152
00:53:23,280 --> 00:53:24,040
Speaker 2: tell you? What I ain't.

1153
00:53:26,280 --> 00:53:29,680
Speaker 3: You'll never be King Dingling man sits in Whippo