1 00:00:00,080 --> 00:00:04,359 Speaker 1: Hey guys, working Away a very special podcast that involves 2 00:00:05,080 --> 00:00:05,960 Speaker 1: this man. 3 00:00:07,040 --> 00:00:13,760 Speaker 2: Good By my Lover, Goodbye Bangers. Yes, actually loved James Blunt. 4 00:00:13,800 --> 00:00:17,440 Speaker 3: He's so funny breakup songs. 5 00:00:17,560 --> 00:00:20,840 Speaker 1: What I don't love is a Sunday night interview. We 6 00:00:21,120 --> 00:00:23,040 Speaker 1: got the chance to interview James Blunt. It was a 7 00:00:23,079 --> 00:00:25,759 Speaker 1: Sunday evening and you know who put a hand up 8 00:00:25,760 --> 00:00:27,120 Speaker 1: and said, hey, guys, I would love this. 9 00:00:27,520 --> 00:00:32,519 Speaker 4: Jenny. Nope, that's not I actually loved j It was 10 00:00:32,600 --> 00:00:33,040 Speaker 4: gen Z. 11 00:00:34,000 --> 00:00:36,440 Speaker 3: The issue with gen Z, we were like absolutely gen 12 00:00:36,520 --> 00:00:41,320 Speaker 3: Z young producer in her twenties. The issue is that 13 00:00:41,360 --> 00:00:44,040 Speaker 3: she doesn't really know any of James Blund's music. She's 14 00:00:44,120 --> 00:00:44,680 Speaker 3: too young. 15 00:00:45,320 --> 00:00:46,280 Speaker 2: She made us. 16 00:00:46,159 --> 00:00:48,360 Speaker 4: Feel exactly, I didn't even know who James Blunt was. 17 00:00:48,479 --> 00:00:50,880 Speaker 3: She thought she was interviewing someone else, so she found 18 00:00:50,920 --> 00:00:51,560 Speaker 3: out it was JB. 19 00:00:52,120 --> 00:00:57,280 Speaker 4: Please enjoy gen Z with what is it okay? 20 00:00:57,320 --> 00:01:00,800 Speaker 2: So welcome to your first interview. Thank you. How's it 21 00:01:00,880 --> 00:01:01,400 Speaker 2: going so far? 22 00:01:01,640 --> 00:01:04,120 Speaker 5: I'm a bit nervous, not gonna lie me why. I 23 00:01:04,120 --> 00:01:06,760 Speaker 5: don't know. I just feel like, well, they originally told 24 00:01:06,800 --> 00:01:09,280 Speaker 5: me so. I don't usually work on Sundays, so it 25 00:01:09,360 --> 00:01:11,200 Speaker 5: was pretty big for me to come in on my weekend. 26 00:01:11,280 --> 00:01:13,319 Speaker 2: Well, that's amazing over me. Thank you. I'm so touched 27 00:01:13,319 --> 00:01:15,240 Speaker 2: that you should come in and work on a Sunday. 28 00:01:15,560 --> 00:01:18,800 Speaker 2: You must be gen Z. They just don't work weekends. 29 00:01:19,160 --> 00:01:21,840 Speaker 5: I don't work at all. No, but they originally told 30 00:01:21,920 --> 00:01:27,400 Speaker 5: me I was interviewing JB. I thought, oh my god, 31 00:01:27,480 --> 00:01:32,120 Speaker 5: I'm let and I was like, I'm so excited, so 32 00:01:32,280 --> 00:01:33,120 Speaker 5: am I. 33 00:01:32,760 --> 00:01:34,680 Speaker 2: I would have walked out, walked in the door, looked 34 00:01:34,680 --> 00:01:35,920 Speaker 2: at me and thought I'm out of here. 35 00:01:36,120 --> 00:01:38,559 Speaker 5: I was like, I was hoping to get like sung 36 00:01:38,640 --> 00:01:41,000 Speaker 5: like one less lonely girl, like baby, but I think 37 00:01:41,240 --> 00:01:42,520 Speaker 5: I think you're beautiful. 38 00:01:42,480 --> 00:01:44,280 Speaker 2: Were fine, Yeah, I'm so sorry. 39 00:01:44,560 --> 00:01:45,880 Speaker 5: It's okay. I'll forgive you this. 40 00:01:46,200 --> 00:01:47,480 Speaker 2: Well, I'll try and make up for it. 41 00:01:47,880 --> 00:01:50,440 Speaker 5: But so we hear it rod labor Arena before your 42 00:01:50,480 --> 00:01:54,280 Speaker 5: concept and you've just done sound check. So everything went well, you. 43 00:01:54,280 --> 00:01:57,080 Speaker 2: Never think seems to work. The guitars work, the ukulelely works, 44 00:01:57,120 --> 00:02:00,480 Speaker 2: the drammer is alive, and we're in. And so we 45 00:02:00,520 --> 00:02:03,040 Speaker 2: came from Sydney last night, which was an amazing concert 46 00:02:03,080 --> 00:02:06,200 Speaker 2: and an amazing audience, and I think the band went 47 00:02:06,240 --> 00:02:11,480 Speaker 2: to Better three like gen Z, Yes, exactly. And you 48 00:02:11,480 --> 00:02:15,440 Speaker 2: don't want to know my generation. I'm a seven am. Yeah, 49 00:02:15,560 --> 00:02:16,680 Speaker 2: I live in Spain. 50 00:02:16,720 --> 00:02:18,520 Speaker 5: That's true. Where about in Spain? 51 00:02:18,560 --> 00:02:19,960 Speaker 2: I live in Nibithai. 52 00:02:20,440 --> 00:02:22,320 Speaker 5: Yeah, I've always wanted to go that. I've been trying 53 00:02:22,360 --> 00:02:25,239 Speaker 5: to plan, like my brat euro Summer there, right, and 54 00:02:25,520 --> 00:02:28,399 Speaker 5: I was thinking of China go next year? 55 00:02:28,639 --> 00:02:29,959 Speaker 2: You must, it's really epic. 56 00:02:30,120 --> 00:02:31,639 Speaker 5: What is it like? Tell me about it? 57 00:02:31,760 --> 00:02:33,920 Speaker 2: Well, I mean I moved there because I really don't 58 00:02:33,960 --> 00:02:35,800 Speaker 2: like my style of music. I like dance music. 59 00:02:36,360 --> 00:02:38,679 Speaker 5: So yeah, that's so unexpected. 60 00:02:38,840 --> 00:02:43,280 Speaker 2: Yeah, totally. I mean who would like mine? So and 61 00:02:43,480 --> 00:02:45,519 Speaker 2: and well, in fact, my on my second album, there's 62 00:02:45,560 --> 00:02:48,680 Speaker 2: a song called nineteen seventy three and it's about the 63 00:02:48,720 --> 00:02:50,959 Speaker 2: most famous nightclub, which the very first night club in 64 00:02:50,960 --> 00:02:53,360 Speaker 2: a Beitha called Pasha, which opened in that same year. 65 00:02:53,600 --> 00:02:55,240 Speaker 5: So it's not about partying and idea. 66 00:02:55,280 --> 00:02:58,160 Speaker 2: Yeah, totally. And then and then remarkably that the DJ 67 00:02:58,200 --> 00:03:00,760 Speaker 2: Pete Tong remixed it and played it in Pasha the 68 00:03:00,840 --> 00:03:03,320 Speaker 2: nightclub when he had our residency there, so the song 69 00:03:03,360 --> 00:03:06,600 Speaker 2: did full circle. So and yeah, our club sort of 70 00:03:06,639 --> 00:03:09,160 Speaker 2: opened at one, but you wouldn't go there before two am. Yeah, 71 00:03:09,200 --> 00:03:12,240 Speaker 2: and they close at you know, seven am, seven thirty 72 00:03:12,240 --> 00:03:15,519 Speaker 2: eight am even and you know it's kind of full 73 00:03:15,560 --> 00:03:17,000 Speaker 2: on and really fun and you must go. 74 00:03:17,320 --> 00:03:18,720 Speaker 5: I was gonna say, I feel like I could out 75 00:03:18,760 --> 00:03:21,320 Speaker 5: party you. I think gen Z's got a good chance here. 76 00:03:21,440 --> 00:03:22,639 Speaker 2: I mean, I have a nightclub at the end of 77 00:03:22,680 --> 00:03:25,880 Speaker 2: my garden of what Yeah, I must go. So I 78 00:03:25,880 --> 00:03:28,200 Speaker 2: don't know if you could, because I do all day. 79 00:03:28,360 --> 00:03:30,760 Speaker 5: Okay, I could do all day and all night as well. 80 00:03:30,880 --> 00:03:32,440 Speaker 5: I think maybe we should collapse. 81 00:03:32,480 --> 00:03:34,520 Speaker 2: I think, okay, you should stop competing. 82 00:03:34,639 --> 00:03:38,120 Speaker 5: Yeah, we sho. Yeah, have you ever had a wet 83 00:03:38,120 --> 00:03:39,160 Speaker 5: pussy shot? 84 00:03:39,960 --> 00:03:42,360 Speaker 2: I'm sure I probably haven't. If I haven't, I'm definitely 85 00:03:42,400 --> 00:03:43,840 Speaker 2: open to it. 86 00:03:43,840 --> 00:03:45,200 Speaker 5: It is one of my favorites. 87 00:03:45,680 --> 00:03:46,040 Speaker 2: Do that. 88 00:03:46,080 --> 00:03:47,400 Speaker 5: Now, we should do one? 89 00:03:47,520 --> 00:03:48,000 Speaker 2: What is it? 90 00:03:48,160 --> 00:03:53,360 Speaker 5: Guys? Can we can we get some wet pussies in here? Please? Amazing? 91 00:03:53,680 --> 00:03:55,000 Speaker 5: We'll We'll slap back a few. 92 00:03:56,520 --> 00:03:58,320 Speaker 2: I mean, there's so many comments from I can make 93 00:03:58,360 --> 00:04:04,320 Speaker 2: it the stage, so many really crass comments. But great, Yeah, 94 00:04:04,520 --> 00:04:05,320 Speaker 2: let's we should move on. 95 00:04:05,320 --> 00:04:07,760 Speaker 5: We should move on from that anyway. So I have 96 00:04:07,840 --> 00:04:10,680 Speaker 5: a feeling I can guess your set list tonight? Can 97 00:04:10,680 --> 00:04:12,520 Speaker 5: I can I give you my run through? That's what 98 00:04:12,560 --> 00:04:13,240 Speaker 5: I think it's going to be. 99 00:04:13,240 --> 00:04:15,720 Speaker 2: It's going to be your beautiful twenty times, that's what 100 00:04:15,760 --> 00:04:18,000 Speaker 2: you're guessing at, and a little bit of sand Man 101 00:04:18,160 --> 00:04:18,640 Speaker 2: thrown in. 102 00:04:18,920 --> 00:04:21,599 Speaker 5: I don't even know what that is, Yeah it's but it's. 103 00:04:21,440 --> 00:04:23,800 Speaker 2: A totally guitar bassed rock band. 104 00:04:24,400 --> 00:04:26,640 Speaker 5: Welle that I'll keep that in mind for next time. 105 00:04:26,960 --> 00:04:29,000 Speaker 5: So I think you're going to start off with the 106 00:04:29,000 --> 00:04:30,040 Speaker 5: song you wrote about. 107 00:04:29,839 --> 00:04:32,760 Speaker 2: Me, You're Beautiful absolutely yep. 108 00:04:32,839 --> 00:04:34,640 Speaker 5: And then you're probably going to go into sand Man 109 00:04:34,839 --> 00:04:36,120 Speaker 5: as your second song. 110 00:04:35,960 --> 00:04:37,760 Speaker 2: Yeah, just to get ap. 111 00:04:37,880 --> 00:04:39,800 Speaker 5: And then I think you're got to close with Goodbye 112 00:04:39,839 --> 00:04:43,120 Speaker 5: My Lover. So I want to say it's going to 113 00:04:43,160 --> 00:04:45,680 Speaker 5: be about twelve minutes long. So that's quite a short concept. 114 00:04:45,800 --> 00:04:49,040 Speaker 5: We love a time sensitive King Sleigh pop off. 115 00:04:49,200 --> 00:04:50,920 Speaker 2: You know. I think I like to keep my setlist, 116 00:04:51,040 --> 00:04:54,440 Speaker 2: like myself, short and sweet. We love a good time, yeah, 117 00:04:54,640 --> 00:04:56,000 Speaker 2: and that means we can just move straight to the 118 00:04:56,120 --> 00:04:59,400 Speaker 2: arter party with a wet foota show. Yes exactly. If 119 00:04:59,400 --> 00:05:01,520 Speaker 2: I could just do three songs, I really I promise 120 00:05:01,560 --> 00:05:03,560 Speaker 2: you our words that would be you know, that's that 121 00:05:03,560 --> 00:05:04,560 Speaker 2: would be enough for me. Yeah. 122 00:05:04,640 --> 00:05:07,159 Speaker 5: No, we're very excited. What what inspired you for the 123 00:05:07,200 --> 00:05:08,479 Speaker 5: new album? Who We Used to be? 124 00:05:09,480 --> 00:05:12,400 Speaker 2: Really good question. I've got some kind of blurb I 125 00:05:12,400 --> 00:05:15,800 Speaker 2: could like say, which I repeat over and over. Yeah, 126 00:05:15,800 --> 00:05:17,760 Speaker 2: I'll let me try for it. Who we used to 127 00:05:17,760 --> 00:05:21,080 Speaker 2: be is my new autog and it's a reflection on 128 00:05:21,120 --> 00:05:22,760 Speaker 2: who the hell I was and where the hell I 129 00:05:22,760 --> 00:05:24,920 Speaker 2: am now. I don't know. I mean, I write songs 130 00:05:24,920 --> 00:05:27,279 Speaker 2: about real life and what's going on in my life 131 00:05:27,279 --> 00:05:30,280 Speaker 2: at that at this particular stage. I'm a married man now, 132 00:05:30,560 --> 00:05:32,320 Speaker 2: and so my muse is not the girl on the 133 00:05:32,360 --> 00:05:34,880 Speaker 2: subway who I passed for one second in time, but 134 00:05:34,920 --> 00:05:37,360 Speaker 2: my wife instead, And so I write, I can't just 135 00:05:37,400 --> 00:05:38,840 Speaker 2: say you're beautiful to her, because she's not going to 136 00:05:38,880 --> 00:05:42,679 Speaker 2: fall for that. And you've said that exactly many many times. 137 00:05:42,760 --> 00:05:45,240 Speaker 2: So I have to write deeper, rich songs saying all 138 00:05:45,240 --> 00:05:46,880 Speaker 2: the love that I ever needed, I got it from you. 139 00:05:47,800 --> 00:05:50,159 Speaker 2: I uh, you know, we've been on a journey. I'm 140 00:05:50,360 --> 00:05:52,480 Speaker 2: aspiring to start a family, and we've had successes, and 141 00:05:52,520 --> 00:05:54,919 Speaker 2: you have failures like anyone else along the way. So 142 00:05:54,960 --> 00:05:58,560 Speaker 2: I write poignant songs about that kind of journey. I 143 00:05:58,560 --> 00:06:02,280 Speaker 2: have friends who struggle with a dick and h and depression, 144 00:06:02,680 --> 00:06:05,720 Speaker 2: and so I write songs like saving a life for them, 145 00:06:06,360 --> 00:06:09,400 Speaker 2: and you know, and I write songs for my kids, 146 00:06:09,440 --> 00:06:12,680 Speaker 2: because because rather than being worried about myself, you know, 147 00:06:12,720 --> 00:06:14,880 Speaker 2: which I used to write songs for myself. Now I 148 00:06:14,960 --> 00:06:17,200 Speaker 2: now I'm the least important person in my equation and 149 00:06:17,200 --> 00:06:19,800 Speaker 2: I have to think about others. And I suppose there's 150 00:06:19,800 --> 00:06:22,640 Speaker 2: another touching song on this album for Carrie Fisher, who 151 00:06:23,160 --> 00:06:24,640 Speaker 2: was Princess Laire from Star Wars. 152 00:06:25,160 --> 00:06:27,159 Speaker 5: Uh think I was about two when that came out. 153 00:06:27,080 --> 00:06:32,200 Speaker 2: Yeah, exactly, but still around and I was lucky enough 154 00:06:32,200 --> 00:06:33,320 Speaker 2: to live with her, and so it took me a 155 00:06:33,360 --> 00:06:35,600 Speaker 2: few years since she died to write that song for her. 156 00:06:35,640 --> 00:06:37,080 Speaker 2: But I've kind of I feel I've nailed that and 157 00:06:37,080 --> 00:06:38,000 Speaker 2: that's on this album too. 158 00:06:38,120 --> 00:06:40,680 Speaker 5: Yeah, So how long, like does a process take? Like? 159 00:06:40,720 --> 00:06:43,280 Speaker 5: How long was the album from such? 160 00:06:43,279 --> 00:06:45,080 Speaker 2: I think it was probably about a year of writing 161 00:06:45,320 --> 00:06:47,640 Speaker 2: and then getting to a studio after just to put 162 00:06:47,680 --> 00:06:48,240 Speaker 2: it all together. 163 00:06:48,400 --> 00:06:49,800 Speaker 5: Have you heard of chat GPT? 164 00:06:50,440 --> 00:06:53,080 Speaker 2: I have? And so what I do occasionally, you know, 165 00:06:53,080 --> 00:06:55,000 Speaker 2: and I'm writing a song is I'll say the chat 166 00:06:55,000 --> 00:06:57,480 Speaker 2: Gupta and I'm struggling with this second verse. So here's 167 00:06:57,480 --> 00:06:59,720 Speaker 2: the first verse, write the second verse in the style 168 00:06:59,760 --> 00:07:01,840 Speaker 2: of Sames Blunt, and then I and it just is 169 00:07:01,880 --> 00:07:04,039 Speaker 2: a total humiliation because of what it does is it 170 00:07:04,040 --> 00:07:07,200 Speaker 2: points out how really crap my lyrics by just you know, 171 00:07:07,240 --> 00:07:11,840 Speaker 2: everything sky and High and Goodbye, and it's just like, wow, 172 00:07:12,080 --> 00:07:13,160 Speaker 2: I really am really basic. 173 00:07:13,280 --> 00:07:15,440 Speaker 5: Yeah, I was like, we'll just do the whole album 174 00:07:15,480 --> 00:07:15,680 Speaker 5: like that. 175 00:07:15,680 --> 00:07:18,120 Speaker 2: It'd ben. I think it teaches me that I need 176 00:07:18,160 --> 00:07:21,720 Speaker 2: to aspire not to be James Blunt. Justin Bieber. 177 00:07:21,960 --> 00:07:25,320 Speaker 5: Yeah, I know, have you got like a favorite artist 178 00:07:25,400 --> 00:07:27,400 Speaker 5: or like, who's like your dream person you'd like to 179 00:07:27,440 --> 00:07:27,920 Speaker 5: collab with. 180 00:07:29,280 --> 00:07:33,679 Speaker 2: I think The Weekend is just an epic musician and 181 00:07:33,760 --> 00:07:37,119 Speaker 2: uh and and bizarrely that we write in obviously different 182 00:07:37,120 --> 00:07:39,800 Speaker 2: style of music, lots of the lot of lyrical content 183 00:07:39,840 --> 00:07:40,840 Speaker 2: is something I really relate to. 184 00:07:41,120 --> 00:07:43,200 Speaker 5: Yeah, awesome. Yeah, I watched The Weekend when he was 185 00:07:43,240 --> 00:07:46,040 Speaker 5: here and it was unreal. Is your constantly going to 186 00:07:46,080 --> 00:07:46,880 Speaker 5: be the same vibe? 187 00:07:48,040 --> 00:07:50,080 Speaker 2: I think probably, you know, probably more rocking. There'll be 188 00:07:50,120 --> 00:07:53,880 Speaker 2: some crowdsurfing, yeah, and you know, and a few fights 189 00:07:53,880 --> 00:07:56,480 Speaker 2: in the audience, and you know, the mosh pit's quite 190 00:07:56,480 --> 00:07:58,240 Speaker 2: a messy, messy place in my gig. 191 00:07:58,320 --> 00:08:00,960 Speaker 5: Yeah, I might. You might see me up there all right. 192 00:08:01,840 --> 00:08:04,520 Speaker 5: Do you have any like pre show superstitions or anything 193 00:08:04,560 --> 00:08:04,880 Speaker 5: like that? 194 00:08:05,120 --> 00:08:07,280 Speaker 2: I Uh, you know what I do. I have a 195 00:08:07,280 --> 00:08:09,480 Speaker 2: pre show ritual. I always checked my flies or my 196 00:08:09,480 --> 00:08:12,040 Speaker 2: trousers are done. It seems just a sensible thing to do. 197 00:08:12,160 --> 00:08:19,080 Speaker 5: Yeah, yeah, I love that. So you're obviously huge back 198 00:08:19,200 --> 00:08:20,160 Speaker 5: like forty years ago. 199 00:08:20,880 --> 00:08:21,760 Speaker 2: Just marginally fuck you. 200 00:08:22,960 --> 00:08:28,440 Speaker 5: I'll take that. That's giving iconic. Yeah. So do you 201 00:08:28,440 --> 00:08:31,440 Speaker 5: still get nervous like performing in front of sold out crowds? 202 00:08:32,000 --> 00:08:33,360 Speaker 2: I'm do you know, I'm super chilled? 203 00:08:33,400 --> 00:08:35,600 Speaker 5: Actually, yeah, yeah, I feel like you're very You've got 204 00:08:35,600 --> 00:08:36,440 Speaker 5: a very chill aura. 205 00:08:36,600 --> 00:08:39,120 Speaker 2: Yeah. I mean, I guess you know, if we've been 206 00:08:39,400 --> 00:08:42,960 Speaker 2: on the road since February and we chuck out quite 207 00:08:42,960 --> 00:08:45,160 Speaker 2: a few concerts. You know, on a full touring year, 208 00:08:45,160 --> 00:08:48,000 Speaker 2: I can do two hundred and sixty concerts in a year. Wow. 209 00:08:48,200 --> 00:08:50,120 Speaker 2: And so by the end, if the voice is struggling 210 00:08:50,160 --> 00:08:51,559 Speaker 2: a little bit, then you know, maybe I'll be a 211 00:08:51,600 --> 00:08:54,760 Speaker 2: little a little twitchy. But otherwise, you know, as far 212 00:08:54,840 --> 00:08:56,959 Speaker 2: as you know that an audience and performing, no, I'm 213 00:08:56,960 --> 00:08:58,840 Speaker 2: with super chilled. I've got that. I've got an amazing 214 00:08:58,880 --> 00:09:02,280 Speaker 2: band as well, and so you know, I'm just this short, 215 00:09:02,320 --> 00:09:04,079 Speaker 2: squeaky voice guy in the middle. 216 00:09:04,840 --> 00:09:06,439 Speaker 5: We love a short king, thank you. 217 00:09:06,400 --> 00:09:08,079 Speaker 2: And but they're these kind of you know, there are 218 00:09:08,160 --> 00:09:09,800 Speaker 2: the rock stars I always wanted to be. So it's 219 00:09:09,880 --> 00:09:11,559 Speaker 2: kind of rock concert and they carry me. I can, 220 00:09:11,600 --> 00:09:13,280 Speaker 2: I can make mistakes and they'll carry me through. 221 00:09:13,600 --> 00:09:17,440 Speaker 5: Because we saw some just back outside, but I think 222 00:09:17,440 --> 00:09:19,600 Speaker 5: they're heading off to a pub. So I'm sad that 223 00:09:19,640 --> 00:09:21,760 Speaker 5: you couldn't go with them or either could we? But 224 00:09:22,000 --> 00:09:24,320 Speaker 5: what about like, yeah, I think it was the bandy 225 00:09:24,920 --> 00:09:25,480 Speaker 5: I'm kidding. 226 00:09:25,600 --> 00:09:28,160 Speaker 2: So the well amazing thing about my my band is 227 00:09:28,200 --> 00:09:30,640 Speaker 2: that three of three of them have married girls from 228 00:09:30,640 --> 00:09:31,160 Speaker 2: the audience. 229 00:09:31,600 --> 00:09:34,959 Speaker 5: Really, Yeah, that's lit, that'sn't it. That's a slight. 230 00:09:35,000 --> 00:09:37,360 Speaker 2: I love that. That's amazing. Two of them are Australian. 231 00:09:37,720 --> 00:09:40,720 Speaker 5: Really do you love Australia? Like do you? Well? 232 00:09:40,920 --> 00:09:43,679 Speaker 2: The two of them girls in Perth, so one of 233 00:09:43,679 --> 00:09:45,520 Speaker 2: my so I lost I lost two of my band 234 00:09:45,880 --> 00:09:48,360 Speaker 2: to Australian girls. One now lives in Perth, he works 235 00:09:48,400 --> 00:09:53,199 Speaker 2: down in Mine so that that serves him right, and 236 00:09:52,880 --> 00:09:56,440 Speaker 2: and the other one lives in Sydney with his with 237 00:09:56,480 --> 00:09:59,440 Speaker 2: his with his girlfriend his wife on Perth. So yeah, 238 00:09:59,520 --> 00:10:01,360 Speaker 2: it's been you know, we've been looked after. 239 00:10:01,520 --> 00:10:03,720 Speaker 5: Yeah, have you got like a favorite spot in Australia 240 00:10:03,800 --> 00:10:05,400 Speaker 5: that you always go to when you come back. 241 00:10:05,480 --> 00:10:07,440 Speaker 2: Well, do you know I lived in Sydney for six months. 242 00:10:07,960 --> 00:10:14,040 Speaker 2: I lived on BONDI Classic, Yeah, in Michael Clark's bachelor pad. 243 00:10:14,160 --> 00:10:14,720 Speaker 5: Oh my gosh. 244 00:10:14,800 --> 00:10:17,760 Speaker 2: And I did the Bond Eye to Bronze walk every day. 245 00:10:17,760 --> 00:10:20,240 Speaker 2: And it's just really really a standing you beautiful place. 246 00:10:20,280 --> 00:10:22,760 Speaker 2: But you know, Australia generally you have a very lovely 247 00:10:23,360 --> 00:10:23,920 Speaker 2: way of life. 248 00:10:24,040 --> 00:10:25,959 Speaker 5: I feel like it's well, especially in the summer, it's 249 00:10:25,960 --> 00:10:28,480 Speaker 5: not as cold as the UK, which I'm sure you'd prefer. 250 00:10:28,720 --> 00:10:30,440 Speaker 2: Yeah, but you know what a bit of global warming 251 00:10:30,440 --> 00:10:31,360 Speaker 2: and we'll be sorted on. 252 00:10:31,280 --> 00:10:35,240 Speaker 5: That that's true. Yeah. Well, if you're wanting to head 253 00:10:35,240 --> 00:10:38,240 Speaker 5: out tonight, I could probably hook you up to go 254 00:10:38,320 --> 00:10:38,840 Speaker 5: out somewhere. 255 00:10:39,000 --> 00:10:40,240 Speaker 2: So sweet of you. But you know what, We've got 256 00:10:40,280 --> 00:10:41,720 Speaker 2: a ton of bars already lined up. 257 00:10:42,240 --> 00:10:43,760 Speaker 5: I can get you on the guest you can come. 258 00:10:44,920 --> 00:10:46,360 Speaker 5: Gen Z will get you in. I can get you 259 00:10:46,440 --> 00:10:48,440 Speaker 5: on the guest list. Okay, and I think we should 260 00:10:48,480 --> 00:10:50,440 Speaker 5: go to Electric Great slap back. 261 00:10:50,360 --> 00:10:51,880 Speaker 2: Some you're definitely old enough to get in. 262 00:10:51,960 --> 00:10:54,640 Speaker 5: Yeah, I'm a lot older than I. Look, let's just 263 00:10:54,679 --> 00:10:55,079 Speaker 5: say that. 264 00:10:55,320 --> 00:10:58,000 Speaker 2: Well, one day that will be a bad but right. 265 00:10:57,880 --> 00:11:04,160 Speaker 5: Now, pop off let's go. Have you ever done a 266 00:11:04,160 --> 00:11:04,720 Speaker 5: boiler room? 267 00:11:06,040 --> 00:11:07,560 Speaker 2: I mean I've done the whole bloody room. 268 00:11:07,640 --> 00:11:09,959 Speaker 5: Yeah, but have you do you know what the boiler 269 00:11:10,040 --> 00:11:10,400 Speaker 5: room is? 270 00:11:10,920 --> 00:11:14,000 Speaker 2: Yeah, I mean sort of. Well, first you do a 271 00:11:14,040 --> 00:11:16,720 Speaker 2: boiler run, okay, and then you and then you do 272 00:11:16,760 --> 00:11:17,440 Speaker 2: the boiler room. 273 00:11:17,600 --> 00:11:18,800 Speaker 5: Are you talking about a sauna? 274 00:11:19,760 --> 00:11:21,439 Speaker 2: No, I'm talking about something else. But you're going to 275 00:11:21,440 --> 00:11:23,280 Speaker 2: show me. Maybe it's a difference in language. 276 00:11:23,320 --> 00:11:26,120 Speaker 5: So we're basically at a boiler room right now. I 277 00:11:26,160 --> 00:11:31,920 Speaker 5: think you should put these on. Great please, Okay, so 278 00:11:31,960 --> 00:11:35,680 Speaker 5: I've recently just been to the recent boiler room. 279 00:11:35,960 --> 00:11:37,080 Speaker 2: Have these safety glasses? 280 00:11:37,280 --> 00:11:41,480 Speaker 5: These are speedies like you just speed through the audience basically, 281 00:11:41,880 --> 00:11:44,440 Speaker 5: But I think you should try and get on the 282 00:11:44,520 --> 00:11:46,960 Speaker 5: list and do a little set. But you have to 283 00:11:46,960 --> 00:11:51,880 Speaker 5: wear these a small club, is it? Oh, it's it 284 00:11:51,920 --> 00:11:53,960 Speaker 5: goes off. I can't explain what it is you have 285 00:11:54,000 --> 00:11:55,120 Speaker 5: to be there, but you can only do it with 286 00:11:55,160 --> 00:11:58,040 Speaker 5: speedies on. Okay, I think you leave it up to 287 00:11:58,080 --> 00:11:58,720 Speaker 5: your imagination. 288 00:11:58,920 --> 00:12:02,000 Speaker 2: No, no, I'm wearing my speed like. I think I've got 289 00:12:02,000 --> 00:12:04,559 Speaker 2: some parrots smugglers on you. 290 00:12:05,920 --> 00:12:08,880 Speaker 5: Well that's well, I mean that helps, but just think 291 00:12:08,880 --> 00:12:14,560 Speaker 5: of like Fredigan and like scrillax love the collab of 292 00:12:14,640 --> 00:12:17,520 Speaker 5: James Blunt. I think we could really get something going here. 293 00:12:18,360 --> 00:12:20,840 Speaker 2: Yeah. I'm not sure if they would be game, but 294 00:12:21,679 --> 00:12:22,640 Speaker 2: we can put it to them. 295 00:12:22,760 --> 00:12:26,040 Speaker 5: I think we should. And another reason why I think 296 00:12:26,160 --> 00:12:30,080 Speaker 5: you might be in Australia is, so are you the 297 00:12:30,160 --> 00:12:31,960 Speaker 5: surprise guest at BTV this year? 298 00:12:32,840 --> 00:12:33,560 Speaker 2: How did you know? 299 00:12:33,880 --> 00:12:37,040 Speaker 5: Because you're wearing speedies and we're so excited. 300 00:12:37,559 --> 00:12:39,640 Speaker 2: Don't tell anyone, it's just between us. 301 00:12:39,720 --> 00:12:40,840 Speaker 5: Can you get me backstage? 302 00:12:41,760 --> 00:12:46,520 Speaker 2: No? Okay, sorry, that's okay. Another if I can keep 303 00:12:46,520 --> 00:12:48,439 Speaker 2: the glasses then yes, okay. 304 00:12:48,240 --> 00:12:52,520 Speaker 5: Let's go great slight. Okay, another question for you? How 305 00:12:52,520 --> 00:12:54,880 Speaker 5: did you get to Australia from UK? 306 00:12:55,760 --> 00:12:58,400 Speaker 2: Yeah? Well the way you do it? Do you have 307 00:12:58,440 --> 00:12:58,960 Speaker 2: a passport? 308 00:12:59,600 --> 00:13:01,760 Speaker 5: I do, but I'm thinking of like a plane? 309 00:13:02,000 --> 00:13:04,080 Speaker 2: Great, which, so while you do that, and it probably 310 00:13:04,120 --> 00:13:06,720 Speaker 2: has to stop somewhere like hongcour k bio. 311 00:13:06,920 --> 00:13:10,040 Speaker 5: So do you have a private jet? A couple a few? 312 00:13:10,520 --> 00:13:10,760 Speaker 2: Yeah? 313 00:13:10,960 --> 00:13:13,400 Speaker 5: Can gen Z have a private jet and flat first class? 314 00:13:13,440 --> 00:13:15,000 Speaker 2: You're going to have to work for it. That's the thing, 315 00:13:15,160 --> 00:13:16,880 Speaker 2: gen Z. You have to work for these things. 316 00:13:16,880 --> 00:13:17,160 Speaker 5: Okay. 317 00:13:17,200 --> 00:13:18,720 Speaker 2: If I just given. 318 00:13:18,480 --> 00:13:22,400 Speaker 5: Things, if I make you the BTV surprise guest, like 319 00:13:22,440 --> 00:13:24,800 Speaker 5: you said you are, you should fly me in your 320 00:13:24,800 --> 00:13:28,160 Speaker 5: private jet to the UK to your next concept deal. 321 00:13:29,440 --> 00:13:35,439 Speaker 5: Let's go epic, okay, sleigh pop off? 322 00:13:35,559 --> 00:13:35,840 Speaker 3: All right. 323 00:13:35,840 --> 00:13:39,600 Speaker 5: I want to test you on some quick gen z 324 00:13:39,760 --> 00:13:43,280 Speaker 5: words that I think, Roger, I feel like you might 325 00:13:43,360 --> 00:13:44,880 Speaker 5: know a few, but I just want to I want 326 00:13:44,920 --> 00:13:48,880 Speaker 5: to test you anyway. Okay, what do you think merizriz 327 00:13:49,040 --> 00:13:49,680 Speaker 5: not Brisbane? 328 00:13:50,000 --> 00:13:52,080 Speaker 2: Riz? Riz is? 329 00:13:52,920 --> 00:13:53,720 Speaker 5: Do you have Riz? 330 00:13:53,840 --> 00:13:54,959 Speaker 2: Yeah? Of course absolutely? 331 00:13:55,160 --> 00:13:57,240 Speaker 5: How much? What would you rate your RIZ game? 332 00:13:57,360 --> 00:13:59,440 Speaker 2: I mean, you know, a whole bottom half of it. 333 00:14:01,640 --> 00:14:06,520 Speaker 5: That's iconic. Okay, you're we might just leave that one. Okay, 334 00:14:07,280 --> 00:14:08,240 Speaker 5: what about no Cap? 335 00:14:08,880 --> 00:14:10,880 Speaker 2: Well, you know I'm pretty chill, so yeah, I would 336 00:14:10,920 --> 00:14:11,880 Speaker 2: say so no cap. 337 00:14:12,679 --> 00:14:14,600 Speaker 5: All right. That's what about Sebes? 338 00:14:15,160 --> 00:14:17,120 Speaker 2: Well, I don't really like hanging out with them, but 339 00:14:17,160 --> 00:14:18,440 Speaker 2: I you know, I don't mind that they can do 340 00:14:18,480 --> 00:14:20,840 Speaker 2: what they like, you know, and live and let live. 341 00:14:21,680 --> 00:14:23,280 Speaker 5: But yeah, so close. 342 00:14:24,160 --> 00:14:26,760 Speaker 2: But the Seas they're cool with me. But you know, 343 00:14:26,840 --> 00:14:28,600 Speaker 2: we just we don't hang so much. 344 00:14:28,720 --> 00:14:30,680 Speaker 5: Okay, I might put that in the Urban Dictionary as 345 00:14:30,720 --> 00:14:34,680 Speaker 5: a definition. Okay, what about lit, Like, let's get lit, 346 00:14:34,760 --> 00:14:36,680 Speaker 5: let's get lit. We can get lit tonight, do you. 347 00:14:36,720 --> 00:14:40,640 Speaker 2: Know I am in the Cockney the Dictionary for Cockney 348 00:14:40,720 --> 00:14:41,360 Speaker 2: rhyming slang. 349 00:14:42,080 --> 00:14:46,000 Speaker 5: Really yeah, James Blunt is a specific thank you James One. 350 00:14:46,120 --> 00:14:47,600 Speaker 2: Well, you know, no, you're a complete. Now to James 351 00:14:47,680 --> 00:14:53,160 Speaker 2: Blunt would be that is you. It's a slur on someone, 352 00:14:53,360 --> 00:14:55,280 Speaker 2: You're a complete. 353 00:14:56,200 --> 00:14:59,920 Speaker 5: What about like peaking peaking? James One is peaking? 354 00:15:00,120 --> 00:15:02,040 Speaker 2: Yeah, yeah, I mean it takes me about three minutes, but. 355 00:15:02,040 --> 00:15:04,880 Speaker 5: I get okay, I'm glad. I mean it's short but sweet, 356 00:15:04,880 --> 00:15:05,240 Speaker 5: that's fine. 357 00:15:05,320 --> 00:15:06,000 Speaker 2: Yeah. 358 00:15:06,040 --> 00:15:09,760 Speaker 5: And what about Aura? Like I thought, you know, James 359 00:15:09,800 --> 00:15:11,280 Speaker 5: Blake would have a negative aura. 360 00:15:11,080 --> 00:15:15,080 Speaker 2: But it's actually Aura used to be an epic, epic 361 00:15:15,360 --> 00:15:17,520 Speaker 2: little tiny club in a beef which has since died, 362 00:15:17,600 --> 00:15:22,000 Speaker 2: so it has nostalgia nostalgia for me. 363 00:15:22,360 --> 00:15:26,680 Speaker 5: Let's just move on from that. So you're obviously from. 364 00:15:26,560 --> 00:15:29,440 Speaker 2: The pop Off Yeah, I know, pop Off King. Yeah, 365 00:15:29,680 --> 00:15:31,600 Speaker 2: I love g Yeah no, I put a cap in 366 00:15:31,640 --> 00:15:33,120 Speaker 2: that ass anyhow. 367 00:15:34,120 --> 00:15:39,240 Speaker 5: That's an absolute slight. Oh my god. JB is like daddy, 368 00:15:39,280 --> 00:15:42,720 Speaker 5: Oh my god. Okay, So you're from the UK, I am, 369 00:15:42,800 --> 00:15:44,080 Speaker 5: which is close to Ireland. 370 00:15:44,400 --> 00:15:45,040 Speaker 2: Well done? 371 00:15:45,320 --> 00:15:47,280 Speaker 5: Can you split the g Yeah? 372 00:15:47,280 --> 00:15:49,280 Speaker 2: Of course have you done it before? Well no, I 373 00:15:49,320 --> 00:15:52,080 Speaker 2: mean you know you say England that I can slip 374 00:15:52,120 --> 00:15:53,480 Speaker 2: the G if I tried. 375 00:15:53,680 --> 00:15:55,480 Speaker 5: But can you splinting the G? 376 00:15:56,200 --> 00:15:58,760 Speaker 2: Can you split the G? I mean, why would you 377 00:15:58,800 --> 00:16:01,200 Speaker 2: do that? It seems like an dude. It would really 378 00:16:01,640 --> 00:16:02,360 Speaker 2: even it would hurt. 379 00:16:03,920 --> 00:16:06,760 Speaker 5: This is so off, but it's great. I love it. 380 00:16:07,320 --> 00:16:09,200 Speaker 5: JB is really popping off today. 381 00:16:09,320 --> 00:16:10,800 Speaker 2: Hey gen Z, this is awesome. 382 00:16:11,240 --> 00:16:14,080 Speaker 5: I love you, James, James. I was gonna say JB, 383 00:16:14,120 --> 00:16:16,400 Speaker 5: but I went to James. Okay, another one for you. 384 00:16:17,200 --> 00:16:19,880 Speaker 5: So I'm gonna give you three artists and I just 385 00:16:19,920 --> 00:16:24,160 Speaker 5: want you to like rate them from slaps to canceled. 386 00:16:24,520 --> 00:16:25,800 Speaker 2: Okay, slaps are canceled, so. 387 00:16:25,840 --> 00:16:28,040 Speaker 5: Like slaps is like pull Mascal. 388 00:16:28,400 --> 00:16:30,600 Speaker 2: Yeah, yeah, I mean I think the only problem is 389 00:16:30,640 --> 00:16:32,120 Speaker 2: I may not have heard of any of these people 390 00:16:32,120 --> 00:16:34,760 Speaker 2: as it comes up. But let's see what happens exactly. 391 00:16:34,400 --> 00:16:37,360 Speaker 5: What we need. Okay. So I'm gonna name three and 392 00:16:37,400 --> 00:16:39,240 Speaker 5: then I want you to put an order from slaps 393 00:16:39,280 --> 00:16:44,840 Speaker 5: to canceled. So we've got Sabrina Carpenter slaps, Chapel Rone, 394 00:16:46,120 --> 00:16:48,280 Speaker 5: and Charlie XCX slaps. 395 00:16:48,280 --> 00:16:49,600 Speaker 2: Absolutely we're on the same label. 396 00:16:50,160 --> 00:16:54,480 Speaker 5: Charlie XCX, oh my god, pop off totally. Can you 397 00:16:54,560 --> 00:16:57,160 Speaker 5: name can you sing? One of her songs for me. No, okay, 398 00:16:57,200 --> 00:16:57,720 Speaker 5: all right. 399 00:16:59,440 --> 00:17:02,800 Speaker 2: All right, so she just do you know what? She 400 00:17:02,920 --> 00:17:04,919 Speaker 2: just beat me in the charts. Really, and if she 401 00:17:04,920 --> 00:17:06,360 Speaker 2: hadn't beat me to the charts, I would have changed 402 00:17:06,400 --> 00:17:08,320 Speaker 2: my name. I said I was going to change my 403 00:17:08,359 --> 00:17:10,359 Speaker 2: name to whatever the British public chose if I got 404 00:17:10,400 --> 00:17:11,720 Speaker 2: to number one in the charts. And she beat me 405 00:17:11,720 --> 00:17:13,040 Speaker 2: to number one, so I didn't have to change my 406 00:17:13,119 --> 00:17:15,680 Speaker 2: name and the British public could chosen blunt blunt face. 407 00:17:15,920 --> 00:17:18,880 Speaker 2: So I'm quite relieved. But I came second. That's because 408 00:17:18,920 --> 00:17:19,320 Speaker 2: I don't. 409 00:17:19,200 --> 00:17:22,640 Speaker 5: Normally you're usually number one, but it's all right, we'll 410 00:17:22,640 --> 00:17:23,560 Speaker 5: take you for number two. 411 00:17:23,960 --> 00:17:24,360 Speaker 4: All right. 412 00:17:24,720 --> 00:17:27,080 Speaker 5: So you've obviously got more than two songs, and I 413 00:17:27,160 --> 00:17:30,679 Speaker 5: obviously am a big fan. What are like? What are 414 00:17:30,720 --> 00:17:31,880 Speaker 5: your can't. 415 00:17:31,680 --> 00:17:32,520 Speaker 2: Name a third song? 416 00:17:32,560 --> 00:17:32,800 Speaker 3: Though? 417 00:17:34,119 --> 00:17:34,800 Speaker 5: I really can't. 418 00:17:34,800 --> 00:17:36,800 Speaker 2: I'm so sorry. That's that's totally fine. 419 00:17:36,920 --> 00:17:38,440 Speaker 5: Can you name me one more song? 420 00:17:39,320 --> 00:17:40,640 Speaker 2: I mean, it's not worth it. 421 00:17:40,800 --> 00:17:43,920 Speaker 5: Well, like your favorite song that you've ever done, My. 422 00:17:43,880 --> 00:17:45,959 Speaker 2: Favorite song I've ever done is a song called Same Mistake. 423 00:17:46,080 --> 00:17:48,200 Speaker 5: Okay, can we please get the track ID for this 424 00:17:48,520 --> 00:17:50,080 Speaker 5: and put it on SoundCloud? Okay? 425 00:17:50,200 --> 00:17:53,280 Speaker 2: Yeah, sorry, okay, cool? We should play it. Yeah, let's 426 00:17:53,280 --> 00:17:53,760 Speaker 2: do a song. 427 00:17:54,520 --> 00:17:57,159 Speaker 5: No, in all seriousness, James, thank you so much for 428 00:17:57,760 --> 00:18:01,120 Speaker 5: coming back to Australia and Australia. 429 00:18:00,760 --> 00:18:03,040 Speaker 2: So much and let's hit the town later. 430 00:18:03,119 --> 00:18:05,480 Speaker 5: Yeah, let's go. What Pilsies come up? 431 00:18:05,520 --> 00:18:05,760 Speaker 2: Off? 432 00:18:06,040 --> 00:18:06,840 Speaker 5: Pop off King