1 00:00:00,080 --> 00:00:03,600 Speaker 1: Previously, I'm Relatables Baddie's book Club, and she goes, something 2 00:00:03,640 --> 00:00:10,840 Speaker 1: doesn't feel right. She turns around, Reese behind her, lifeless, 3 00:00:11,400 --> 00:00:19,680 Speaker 1: his chest not rising, and then the vine reesand was dead. 4 00:00:18,280 --> 00:00:18,320 Speaker 2: No. 5 00:00:21,239 --> 00:00:25,319 Speaker 3: Welcome to Relatables Baddies book Clubs, where we will embark on. 6 00:00:25,239 --> 00:00:27,840 Speaker 1: A journey reading some of the finest pieces of literature 7 00:00:27,960 --> 00:00:30,000 Speaker 1: you have ever laid eyes or he is if that's 8 00:00:30,000 --> 00:00:34,560 Speaker 1: your preferred way to consume a book on. 9 00:00:35,280 --> 00:00:38,479 Speaker 2: A court of frost and starlight. Chapters from the start 10 00:00:38,960 --> 00:00:43,760 Speaker 2: to fourteen the middle, exactly in the middle. 11 00:00:43,840 --> 00:00:47,160 Speaker 4: He's a small book. Look how little it is. Hold 12 00:00:47,159 --> 00:00:49,800 Speaker 4: it out to the camera. It's tiny. Look at the thickness. 13 00:00:50,440 --> 00:00:52,440 Speaker 4: It's honestly, you could we could smash it out in 14 00:00:52,520 --> 00:00:53,480 Speaker 4: a day, if you had a day. 15 00:00:53,560 --> 00:00:58,480 Speaker 2: I normally like to say good things come in small packages. However, 16 00:00:59,760 --> 00:01:02,680 Speaker 2: I'm having troubles with this book. 17 00:01:02,800 --> 00:01:06,679 Speaker 4: Yeah, Jake, quite a lot of troubles. I went into 18 00:01:06,720 --> 00:01:08,240 Speaker 4: it open minded, same. 19 00:01:08,520 --> 00:01:11,120 Speaker 2: I was quite excited, and everyone was telling us there's 20 00:01:11,200 --> 00:01:14,280 Speaker 2: new writing techniques, and you get to know the characters 21 00:01:14,319 --> 00:01:18,360 Speaker 2: even more. And obviously it's written from everyone's pov sort of. Yeah, 22 00:01:18,400 --> 00:01:21,240 Speaker 2: there's also some third person for some reason really confusing, 23 00:01:21,480 --> 00:01:25,600 Speaker 2: very ah, but I saw this thing actually and I 24 00:01:25,640 --> 00:01:28,720 Speaker 2: wanted to take this into my reading journey, and it was, 25 00:01:28,760 --> 00:01:31,399 Speaker 2: you know how we give thoughts and feelings and we 26 00:01:31,480 --> 00:01:36,000 Speaker 2: go through all the different plot twists. Someone said, like 27 00:01:36,120 --> 00:01:38,560 Speaker 2: everyone on social media and everything like that says what's 28 00:01:38,560 --> 00:01:42,240 Speaker 2: wrong with the books, but he is immersed in it 29 00:01:42,319 --> 00:01:44,840 Speaker 2: and whatever is written goes no matter what. 30 00:01:45,080 --> 00:01:46,959 Speaker 4: And I wanted to take that into my reading, like 31 00:01:47,000 --> 00:01:47,560 Speaker 4: I don't. 32 00:01:47,319 --> 00:01:49,680 Speaker 2: Have any sort of discrepancies at all, Like it's just 33 00:01:49,720 --> 00:01:50,240 Speaker 2: this is the book. 34 00:01:50,240 --> 00:01:52,120 Speaker 4: You can't have a discrepancy because this is the book. Yeah, 35 00:01:52,120 --> 00:01:56,960 Speaker 4: but I can't do it. I tried, I really try 36 00:01:57,120 --> 00:01:57,520 Speaker 4: to be fair. 37 00:01:57,600 --> 00:01:59,800 Speaker 1: I like that the way that whoever said it thinks 38 00:01:59,880 --> 00:02:01,680 Speaker 1: is like the book isn't going to change. 39 00:02:01,680 --> 00:02:05,960 Speaker 4: It's written, it's published. Yeah, Like it's the law, Like 40 00:02:06,000 --> 00:02:06,880 Speaker 4: you can't change it. 41 00:02:07,080 --> 00:02:09,280 Speaker 2: Yea. Like with the last one, how there was a 42 00:02:09,320 --> 00:02:11,000 Speaker 2: couple of things how Reese could just kill everyone but 43 00:02:11,000 --> 00:02:12,640 Speaker 2: he does like things like that, and we were like, 44 00:02:12,680 --> 00:02:14,560 Speaker 2: why doesn't he Reese is showing his powers and a 45 00:02:14,600 --> 00:02:17,720 Speaker 2: spell just yeah nullifies everything. Yeah, but that's just the 46 00:02:17,800 --> 00:02:20,440 Speaker 2: law with this one, Like I don't know, what do 47 00:02:20,560 --> 00:02:21,200 Speaker 2: you think. 48 00:02:21,760 --> 00:02:26,360 Speaker 4: I just think that you said it a while ago. 49 00:02:27,000 --> 00:02:29,400 Speaker 1: People were as you saw comments saying, people were like, 50 00:02:29,440 --> 00:02:31,160 Speaker 1: you don't have to read it, you know, you don't 51 00:02:31,160 --> 00:02:32,160 Speaker 1: have to, like obviously. 52 00:02:31,880 --> 00:02:33,200 Speaker 4: We knew we would because why not. 53 00:02:33,800 --> 00:02:35,160 Speaker 1: Ah, you were like, you can just maybe it's a 54 00:02:35,160 --> 00:02:37,160 Speaker 1: bit of a nothing book and it just it fits 55 00:02:37,240 --> 00:02:38,040 Speaker 1: under those things. 56 00:02:38,120 --> 00:02:42,639 Speaker 4: It's just in a nutshell, life in Valarius after the war. 57 00:02:43,280 --> 00:02:45,400 Speaker 1: That's literally what it is. It's just life in Valaris 58 00:02:45,480 --> 00:02:47,919 Speaker 1: after the war and kind of you know. 59 00:02:48,280 --> 00:02:50,840 Speaker 4: Bits and pieces of stuff that could be going on in. 60 00:02:50,800 --> 00:02:55,679 Speaker 1: Other courts, but other than that, it's pretty just it's 61 00:02:55,680 --> 00:02:56,320 Speaker 1: almost like. 62 00:02:57,800 --> 00:03:01,880 Speaker 4: What she's done is akatar good. 63 00:03:01,919 --> 00:03:04,000 Speaker 1: It's slow build up, slow build up, like well, to 64 00:03:04,040 --> 00:03:06,080 Speaker 1: be fair, got into it quickly but then slowed down 65 00:03:06,120 --> 00:03:11,680 Speaker 1: and like ends with you know, yeah a quarter miss 66 00:03:11,680 --> 00:03:15,440 Speaker 1: and fury. It is like just a lot you know, 67 00:03:16,160 --> 00:03:18,840 Speaker 1: enemies to lovers and then the ending where she goes. 68 00:03:18,760 --> 00:03:19,239 Speaker 4: To high Burn. 69 00:03:20,200 --> 00:03:22,680 Speaker 1: Yeah she had two back to backs exactly, and then 70 00:03:22,919 --> 00:03:24,800 Speaker 1: also she had a triple. 71 00:03:25,000 --> 00:03:26,160 Speaker 4: She had a fucking three. 72 00:03:25,919 --> 00:03:29,399 Speaker 1: Peet with the books at amazing as amazing AKA war 73 00:03:30,040 --> 00:03:33,480 Speaker 1: best one in my opinion is like then that's the war, 74 00:03:35,560 --> 00:03:38,240 Speaker 1: you know, happy ending. You could to be fair, you 75 00:03:38,240 --> 00:03:40,440 Speaker 1: could finish on that book, but if you want to 76 00:03:40,440 --> 00:03:42,280 Speaker 1: read on, it's like you're gonna need. 77 00:03:42,160 --> 00:03:43,200 Speaker 4: A little bit of boring. 78 00:03:43,760 --> 00:03:44,200 Speaker 2: Yeah. 79 00:03:44,240 --> 00:03:45,400 Speaker 4: And also, I'm not gonna lie to you. 80 00:03:45,480 --> 00:03:49,800 Speaker 1: I am refreshed that they all just they actually do 81 00:03:49,880 --> 00:03:51,800 Speaker 1: get to sit back and relax a bit, like kind 82 00:03:51,840 --> 00:03:54,640 Speaker 1: of not really, they're not thinking about war and their lives. 83 00:03:54,680 --> 00:03:55,839 Speaker 4: They're busy with other ship. 84 00:03:56,240 --> 00:04:00,920 Speaker 2: I have a question though, Yeah, why why why. 85 00:04:00,040 --> 00:04:02,320 Speaker 4: I would you say all these things. 86 00:04:03,880 --> 00:04:07,080 Speaker 1: It's gotta be setting up for something true. We're only 87 00:04:07,080 --> 00:04:10,200 Speaker 1: halfway through, yeah, Like there's still there's still predictions to 88 00:04:10,240 --> 00:04:15,320 Speaker 1: be made, so I want to say before. I don't 89 00:04:15,320 --> 00:04:16,480 Speaker 1: know if I want to say this before we get 90 00:04:16,520 --> 00:04:19,000 Speaker 1: into it or while we're in it. But it's gonna 91 00:04:19,040 --> 00:04:24,240 Speaker 1: it's gonna happen. We're gonna talk about it. But I 92 00:04:24,360 --> 00:04:25,760 Speaker 1: fucking hate Nesta again. 93 00:04:26,160 --> 00:04:27,919 Speaker 4: Yeah, she's jarring. 94 00:04:29,320 --> 00:04:32,039 Speaker 2: I thought her character was going to change after what 95 00:04:32,120 --> 00:04:33,679 Speaker 2: happened in the last one. 96 00:04:33,960 --> 00:04:37,919 Speaker 1: Yeah a war, Like, why didn't her and Cassie and 97 00:04:38,000 --> 00:04:43,479 Speaker 1: go home and just make sweet sweet love until the 98 00:04:43,560 --> 00:04:46,520 Speaker 1: sun didn't fucking rise no more. I don't understand she 99 00:04:46,680 --> 00:04:51,720 Speaker 1: hates his fucking guts for no reason, and then everyone's 100 00:04:51,760 --> 00:04:54,159 Speaker 1: talking about it and not bringing up her name around him, 101 00:04:54,360 --> 00:04:56,520 Speaker 1: and they're like, we all know why. So are we 102 00:04:56,520 --> 00:04:58,440 Speaker 1: gonna get a backstory of something that happened when they 103 00:04:58,480 --> 00:05:00,080 Speaker 1: got back from the war or some shit that we just. 104 00:05:00,080 --> 00:05:02,480 Speaker 4: Haven't gotten yet. That's what I want to know, because 105 00:05:02,920 --> 00:05:05,640 Speaker 4: I hate being left hanging. We want the tea. Yeah, 106 00:05:05,720 --> 00:05:07,520 Speaker 4: it's taking a long time to get there. Yeah, there's 107 00:05:07,560 --> 00:05:09,599 Speaker 4: like a a pardon here. We'll literally we'll talk about 108 00:05:09,600 --> 00:05:10,320 Speaker 4: it in like two minutes. 109 00:05:10,640 --> 00:05:12,839 Speaker 1: Where Reese goes, I know, casing is like his Nesta 110 00:05:12,880 --> 00:05:15,760 Speaker 1: coming to solstice, and he goes, Yep, both sisters will. 111 00:05:15,640 --> 00:05:17,640 Speaker 4: Be there, whether they like it or not. 112 00:05:18,240 --> 00:05:21,760 Speaker 1: And then he Reese is like, if Nessa doesn't want 113 00:05:21,760 --> 00:05:22,840 Speaker 1: to be there, you can talk to her about it 114 00:05:22,920 --> 00:05:24,640 Speaker 1: or some shit, and he goes, that'll probably end in violence. 115 00:05:24,960 --> 00:05:27,599 Speaker 1: I was like, why, why is it gonna end violence? 116 00:05:27,720 --> 00:05:29,279 Speaker 1: Why did she all of a sudden hate you again 117 00:05:29,360 --> 00:05:31,400 Speaker 1: the death of her father. Don't tell me that's the 118 00:05:31,400 --> 00:05:33,560 Speaker 1: excuse why she's depressed. I will not take that as 119 00:05:33,560 --> 00:05:35,160 Speaker 1: an excuse because she hated his fucking gun. 120 00:05:35,240 --> 00:05:37,760 Speaker 2: Yeah, when Phara was like Dad would have wanted you 121 00:05:37,800 --> 00:05:38,840 Speaker 2: to come or something like that. 122 00:05:38,839 --> 00:05:41,760 Speaker 4: So don't. Don't you like you had the best relationship 123 00:05:41,760 --> 00:05:43,640 Speaker 4: with him, and you have the right to act like that. 124 00:05:45,600 --> 00:05:48,719 Speaker 4: He's still there their father, I guess. And Reese hates 125 00:05:48,800 --> 00:05:51,080 Speaker 4: Nesta and I love him even more for it. I know, 126 00:05:51,160 --> 00:05:51,760 Speaker 4: I know, I know. 127 00:05:52,000 --> 00:05:55,520 Speaker 1: Okay, So chapter one, guys, what I want to say 128 00:05:55,600 --> 00:05:57,760 Speaker 1: is that also I spoke in an episode was E 129 00:05:57,800 --> 00:06:00,480 Speaker 1: the last episode of the episode before it, talking about 130 00:06:00,480 --> 00:06:03,400 Speaker 1: that duology. I read One Dark Window, Two Twisted Crowns 131 00:06:03,680 --> 00:06:06,800 Speaker 1: first one b second one Zeology. It's called a duology 132 00:06:06,920 --> 00:06:08,440 Speaker 1: where because it's two books, I learned that. 133 00:06:08,560 --> 00:06:14,440 Speaker 2: Yeah, yeah, there, thinking I'm not going to notice. 134 00:06:14,760 --> 00:06:18,240 Speaker 1: And so the second book was written in the pov 135 00:06:18,360 --> 00:06:22,160 Speaker 1: of the three main characters, and it was like, so 136 00:06:22,279 --> 00:06:25,799 Speaker 1: it was like Fayra, Reese, Cassian. Yeah, but it stayed 137 00:06:25,800 --> 00:06:27,440 Speaker 1: in that pattern, so on and so forth, and I 138 00:06:27,520 --> 00:06:31,160 Speaker 1: didn't like it. This book's written like that, but not exactly. 139 00:06:31,320 --> 00:06:32,960 Speaker 4: I don't like. I'm not a fan. 140 00:06:33,200 --> 00:06:38,440 Speaker 2: I like Reese. But then it's gone to third person 141 00:06:38,520 --> 00:06:41,880 Speaker 2: for some reason. And then I listen and read and 142 00:06:41,920 --> 00:06:45,440 Speaker 2: the narrator for more and Cassian is the same, and 143 00:06:45,640 --> 00:06:48,800 Speaker 2: it's just kind of like jarring in your ears. It 144 00:06:48,920 --> 00:06:52,039 Speaker 2: sounds semi like a robot. Obviously you should just be reading. 145 00:06:52,120 --> 00:06:53,680 Speaker 2: But still, no, I. 146 00:06:53,600 --> 00:06:57,719 Speaker 1: Agree because and Reese are literally talking from the first person. 147 00:06:58,880 --> 00:07:01,920 Speaker 4: Why can't Actually it was almost like I can't be bothered. 148 00:07:03,040 --> 00:07:04,960 Speaker 1: Maybe I don't know, because this other one I read, 149 00:07:05,000 --> 00:07:06,400 Speaker 1: even though I said I didn't like it as much 150 00:07:06,400 --> 00:07:10,640 Speaker 1: as the first one. They were all in the first person, 151 00:07:10,680 --> 00:07:12,200 Speaker 1: at least each one. 152 00:07:11,960 --> 00:07:17,480 Speaker 2: So well Moore's backstory, and she has like she goes 153 00:07:17,520 --> 00:07:19,280 Speaker 2: back in time to when she was dropped out the 154 00:07:19,280 --> 00:07:22,320 Speaker 2: front of the Autumn Court and abandoned. It was a 155 00:07:22,360 --> 00:07:24,880 Speaker 2: really heart wrenching moment, but it was written in third person. 156 00:07:24,920 --> 00:07:25,720 Speaker 2: I couldn't feel for her. 157 00:07:26,160 --> 00:07:27,840 Speaker 4: I've read it. I didn't listen to that. 158 00:07:28,120 --> 00:07:30,160 Speaker 1: I just read it, so I'm kind of chilling it 159 00:07:30,320 --> 00:07:32,160 Speaker 1: like I kind of was still heart rending, but also 160 00:07:32,200 --> 00:07:34,640 Speaker 1: I was reading it, yes, and as if I was saying, 161 00:07:36,640 --> 00:07:37,040 Speaker 1: but okay. 162 00:07:37,120 --> 00:07:38,960 Speaker 4: Chapter one is starts off with fairah. 163 00:07:40,120 --> 00:07:43,760 Speaker 1: Okay, so starts with a face she's waken up and 164 00:07:44,280 --> 00:07:46,680 Speaker 1: Reese isn't there, and she goes on to say, that's 165 00:07:46,720 --> 00:07:49,600 Speaker 1: actually not anything out of the ordinary anymore since we've 166 00:07:49,600 --> 00:07:52,800 Speaker 1: been home, because we've both been busy, busy, busy, Okay, 167 00:07:53,440 --> 00:07:56,800 Speaker 1: starting to snow. Summer was when they had the war. 168 00:07:57,040 --> 00:07:59,320 Speaker 1: That means a little bit times past, like Autumn's past. 169 00:07:59,320 --> 00:08:02,360 Speaker 1: They're going into win and Solstice is in a week, 170 00:08:03,240 --> 00:08:06,880 Speaker 1: so she's always she's talking about Solstus being in a week, 171 00:08:07,520 --> 00:08:11,080 Speaker 1: praying everyone forgets that that's her birthday. She goes downstairs, 172 00:08:11,120 --> 00:08:13,600 Speaker 1: having Brecky on her own recess off somewhere. She talks 173 00:08:13,600 --> 00:08:14,040 Speaker 1: down the bond. 174 00:08:14,040 --> 00:08:14,520 Speaker 4: Where are you? 175 00:08:14,880 --> 00:08:16,960 Speaker 1: Doesn't reply for a while. He must be far away, 176 00:08:17,320 --> 00:08:19,080 Speaker 1: she says, he must be. He could even not even 177 00:08:19,080 --> 00:08:21,040 Speaker 1: be in the night Court. It's not again, nothing out 178 00:08:21,040 --> 00:08:22,640 Speaker 1: of the norm these days. He had to have a 179 00:08:22,760 --> 00:08:26,280 Speaker 1: meet things bro. And then she goes and she says, says, 180 00:08:26,360 --> 00:08:28,720 Speaker 1: highlight Nuala and carriage win or maybe just one of them, 181 00:08:28,800 --> 00:08:33,360 Speaker 1: I don't remember. Not super important. But she talks about 182 00:08:33,400 --> 00:08:37,400 Speaker 1: cleaning her dishes. Guys, I'm telling you just life. She's 183 00:08:37,480 --> 00:08:41,440 Speaker 1: just doing life. She starts to add in stuff about 184 00:08:41,679 --> 00:08:45,679 Speaker 1: how busy they've been since they've been back, with just 185 00:08:45,760 --> 00:08:49,520 Speaker 1: the boring, mundane paperwork of running the night Court, because 186 00:08:49,520 --> 00:08:52,640 Speaker 1: she now also runs the night Court. And I was like, 187 00:08:54,600 --> 00:08:58,480 Speaker 1: you're literally an immortal magic thing. 188 00:08:59,240 --> 00:09:06,640 Speaker 4: Why are you doing people? It doesn't make sense, and 189 00:09:06,720 --> 00:09:08,200 Speaker 4: she's like, I don't know how Reese did this. 190 00:09:08,320 --> 00:09:10,560 Speaker 1: He talks about having like checking the budgets and shit, 191 00:09:10,720 --> 00:09:13,480 Speaker 1: and then she every time they talk about budget and money, 192 00:09:13,880 --> 00:09:16,360 Speaker 1: there's a reference to how they don't even need to think. 193 00:09:16,200 --> 00:09:17,320 Speaker 4: About it because they have so much. 194 00:09:19,120 --> 00:09:23,280 Speaker 1: Then stop talking about it, Bro, Yeah they have, like 195 00:09:23,679 --> 00:09:25,840 Speaker 1: I reckon, they must have been billionaires or some shit. 196 00:09:26,480 --> 00:09:28,920 Speaker 4: Oh yeah, reason never has to think about money ever. 197 00:09:29,080 --> 00:09:29,280 Speaker 2: Yeah. 198 00:09:29,280 --> 00:09:31,280 Speaker 1: And then finally, like Reese replies to her little thing 199 00:09:31,320 --> 00:09:34,320 Speaker 1: saying he's at Devlin's camp in Allyria in the mountains. 200 00:09:34,800 --> 00:09:39,040 Speaker 1: And then chapter two, Reese pov at least it's Reese's POV. 201 00:09:39,240 --> 00:09:43,000 Speaker 1: I like Reese's So he is at Devlin's camp with Cassian. 202 00:09:43,520 --> 00:09:46,240 Speaker 1: They are just going to like stay hi and help 203 00:09:46,280 --> 00:09:49,040 Speaker 1: out with some preparations for Solstice because they celebrate Solstice 204 00:09:49,080 --> 00:09:52,000 Speaker 1: as well, and having an argument about whether or not 205 00:09:52,920 --> 00:09:56,040 Speaker 1: the girls have been training because they're trying to get 206 00:09:56,040 --> 00:09:59,360 Speaker 1: the girls to train, and Devlon's like, come on, the boys, 207 00:09:59,400 --> 00:10:01,520 Speaker 1: they went to war this year, Let's give them a 208 00:10:01,520 --> 00:10:02,120 Speaker 1: good Solstice and. 209 00:10:02,160 --> 00:10:05,320 Speaker 4: Let the girls give it to them. Cassian's like, bro, I'm. 210 00:10:05,240 --> 00:10:06,920 Speaker 1: Telling you two hours in the morning, that's all I 211 00:10:06,920 --> 00:10:09,960 Speaker 1: want two hours of training and then they can go, they. 212 00:10:09,840 --> 00:10:11,800 Speaker 4: Can prepare for Solstice. 213 00:10:12,320 --> 00:10:16,080 Speaker 1: Blah blah blah. They're arguing. Then Reese cuts in. Reese 214 00:10:16,200 --> 00:10:19,000 Speaker 1: is having a little monologue moment. He goes, five hundred 215 00:10:19,080 --> 00:10:21,280 Speaker 1: years we've been fucking dealing with this, or like decade 216 00:10:21,480 --> 00:10:25,040 Speaker 1: however long Cassian's been general he's wanted women to train. 217 00:10:25,559 --> 00:10:27,880 Speaker 2: Which is fair, which is good, which is fucking good, 218 00:10:27,920 --> 00:10:30,560 Speaker 2: and I think it mirrors something in real life. Yeah, 219 00:10:30,600 --> 00:10:34,640 Speaker 2: And then Reese in his monologue is going, the whole time, 220 00:10:34,960 --> 00:10:38,240 Speaker 2: I could just go into their minds and make them 221 00:10:38,480 --> 00:10:40,720 Speaker 2: do it, like make them want to do it as well, 222 00:10:40,840 --> 00:10:42,320 Speaker 2: not even just make them against their will. 223 00:10:42,360 --> 00:10:43,400 Speaker 4: Would have loved if he did. 224 00:10:44,040 --> 00:10:45,480 Speaker 1: And then he goes, but that's a line I'll never 225 00:10:45,520 --> 00:10:51,679 Speaker 1: cross right again, across a line. 226 00:10:52,679 --> 00:10:55,280 Speaker 4: Like talking about Olympics. Bad still, but I mean, I 227 00:10:55,280 --> 00:10:57,800 Speaker 4: guess it adds story, like he has morals, at least 228 00:10:57,800 --> 00:10:59,199 Speaker 4: he has morals. And so. 229 00:11:00,800 --> 00:11:02,679 Speaker 1: They go, and this is the camp that they grew 230 00:11:02,760 --> 00:11:04,760 Speaker 1: up in, by the way, and then this is also 231 00:11:04,800 --> 00:11:07,640 Speaker 1: the camp that they winned back to in Akamath when 232 00:11:08,160 --> 00:11:11,559 Speaker 1: the first time they fucked in the cabin oh no, sorry, 233 00:11:11,559 --> 00:11:13,080 Speaker 1: when she found out they were mates, and then they 234 00:11:13,120 --> 00:11:14,480 Speaker 1: went to the they went back to the camp, and 235 00:11:14,520 --> 00:11:17,199 Speaker 1: then she went to the cabin. This is that camp, 236 00:11:17,520 --> 00:11:19,480 Speaker 1: and so him and after after the argument with Devlin, 237 00:11:19,840 --> 00:11:23,439 Speaker 1: Cassie and Reese go over to the house. They're talking. 238 00:11:24,040 --> 00:11:28,520 Speaker 1: They're talking about some I want to say, disruption within 239 00:11:28,520 --> 00:11:31,680 Speaker 1: the camps, the Illyrian camps, and because they're all coming together, 240 00:11:32,120 --> 00:11:35,679 Speaker 1: they're starting to for they've always just hated Reese as 241 00:11:35,720 --> 00:11:37,680 Speaker 1: Reel and Cassian for who they are, so no, not 242 00:11:37,720 --> 00:11:39,640 Speaker 1: for who they are, for what they are what and 243 00:11:39,679 --> 00:11:43,560 Speaker 1: who I guess bastards and you know, half breeds. But 244 00:11:44,520 --> 00:11:47,600 Speaker 1: now there's disruption in the camps because of the fact 245 00:11:47,640 --> 00:11:52,240 Speaker 1: that they sent them to war, and so they need. 246 00:11:52,120 --> 00:11:54,000 Speaker 4: To nip it in the butt, but they don't really 247 00:11:54,040 --> 00:11:54,520 Speaker 4: know how. 248 00:11:54,760 --> 00:11:57,000 Speaker 1: And now that Solsi has come about, everyone's coming together 249 00:11:57,000 --> 00:11:58,760 Speaker 1: and it's gonna get worse, and they're a little bit worried. 250 00:11:59,320 --> 00:12:00,800 Speaker 4: But then. 251 00:12:02,160 --> 00:12:05,600 Speaker 1: Reese is just saying the Cassian, well, all right, stick 252 00:12:05,640 --> 00:12:09,760 Speaker 1: around for three days and come back for Solstice. Cassian's going, well, 253 00:12:09,760 --> 00:12:11,920 Speaker 1: I could actually help out here at Solstice, and like, 254 00:12:11,960 --> 00:12:13,679 Speaker 1: you know, at least we have a presence here, and 255 00:12:13,720 --> 00:12:18,280 Speaker 1: then maybe they wouldn't be so upset, and and Reese 256 00:12:18,320 --> 00:12:22,360 Speaker 1: is like, nah, you're coming, everyone's coming for favor's sake 257 00:12:22,440 --> 00:12:22,800 Speaker 1: or some shit. 258 00:12:22,840 --> 00:12:24,920 Speaker 4: We're together, this way together for this one. We need 259 00:12:24,960 --> 00:12:25,680 Speaker 4: to be sweet. 260 00:12:25,720 --> 00:12:29,000 Speaker 1: They've postponed their five days annual hunt that they're supposed 261 00:12:29,000 --> 00:12:31,640 Speaker 1: to do again. They've postponed it. It's postponed for fifty 262 00:12:31,720 --> 00:12:35,800 Speaker 1: years now because he was with Amorantha. But yeah, and 263 00:12:35,880 --> 00:12:39,240 Speaker 1: so Cassian starts asking about Nesta. Will Nesta be there? 264 00:12:39,240 --> 00:12:41,040 Speaker 1: And that's what I said before. She'll be there, whether 265 00:12:41,080 --> 00:12:43,320 Speaker 1: she likes it or not. It's gonna end in violence. 266 00:12:43,480 --> 00:12:47,280 Speaker 1: That's what it was said. And then again that's where 267 00:12:47,480 --> 00:12:50,880 Speaker 1: the instant that happened. I was just thinking, wait, why 268 00:12:50,920 --> 00:12:52,280 Speaker 1: aren't Cassie and Essa dating. 269 00:12:53,080 --> 00:12:54,760 Speaker 4: It was a big hop, skip. 270 00:12:54,679 --> 00:12:58,920 Speaker 2: And a jump from how Nessa ended in the last book. 271 00:12:59,440 --> 00:13:03,440 Speaker 2: Now she's backband bitchy with no explanation. 272 00:13:03,640 --> 00:13:05,559 Speaker 4: She killed the king in the last one, Yeah, finished 273 00:13:05,640 --> 00:13:06,000 Speaker 4: him off. 274 00:13:06,120 --> 00:13:10,160 Speaker 1: And she was like over Cassian's body, like, oh, she 275 00:13:10,280 --> 00:13:11,280 Speaker 1: was gonna die with him. 276 00:13:11,320 --> 00:13:14,080 Speaker 4: And now they won't even talk. Now they won't even 277 00:13:14,160 --> 00:13:18,079 Speaker 4: fucking talk. Cassian like won't even doesn't even want to 278 00:13:18,080 --> 00:13:20,400 Speaker 4: hear her name mentioned. To be fair fourteen. 279 00:13:20,080 --> 00:13:23,319 Speaker 2: Chapters without finding that out is quite a lot, I 280 00:13:23,400 --> 00:13:28,080 Speaker 2: agreeut finding what happens, yeah, agreed, bro, because we're busy 281 00:13:28,120 --> 00:13:29,800 Speaker 2: talking about fer painting random shit. 282 00:13:31,080 --> 00:13:35,920 Speaker 1: Chapter three, This is a Cassian chapter, but my narrated 283 00:13:36,240 --> 00:13:37,760 Speaker 1: in someone else's PV. 284 00:13:38,760 --> 00:13:42,240 Speaker 4: So recent leaves. Cassian then goes to have a fly. 285 00:13:42,800 --> 00:13:46,000 Speaker 1: He flies around and they get to find out a 286 00:13:46,000 --> 00:13:47,280 Speaker 1: bit of history about the Allyrians. 287 00:13:47,600 --> 00:13:48,920 Speaker 4: So he's flying. 288 00:13:49,000 --> 00:13:53,040 Speaker 2: Towards the heart of the night Court, but also the heart, 289 00:13:53,120 --> 00:13:54,280 Speaker 2: the heart of Oliria. 290 00:13:54,360 --> 00:13:57,520 Speaker 4: And there's a mountain I can't quite remember the name 291 00:13:57,559 --> 00:13:58,640 Speaker 4: of it. 292 00:13:58,679 --> 00:14:03,920 Speaker 1: Is it written down there? No, but not super important. 293 00:14:04,200 --> 00:14:07,480 Speaker 1: This mountain is where the blood Right is held every 294 00:14:07,559 --> 00:14:09,680 Speaker 1: year in spring, and that's where all the Allyrians. 295 00:14:09,679 --> 00:14:11,319 Speaker 4: We spoke about that before, where. 296 00:14:13,320 --> 00:14:18,720 Speaker 1: Novices turned into soldiers and they get their wings bound. 297 00:14:18,880 --> 00:14:20,320 Speaker 4: They aren't allowed to use any magic. 298 00:14:20,640 --> 00:14:22,640 Speaker 1: There's like a spell that doesn't let them use magic, 299 00:14:22,960 --> 00:14:24,360 Speaker 1: and they only get to go out in the woods 300 00:14:24,400 --> 00:14:26,680 Speaker 1: with the what they've got on their back, and then 301 00:14:26,840 --> 00:14:28,240 Speaker 1: they have to survive the week and get to the 302 00:14:28,280 --> 00:14:32,280 Speaker 1: top of this mountain and then you pass. And Cassie 303 00:14:32,320 --> 00:14:35,840 Speaker 1: and Asrael and Reese all did that, and he just 304 00:14:35,880 --> 00:14:39,320 Speaker 1: like talks about it and he even says like, I'll 305 00:14:39,320 --> 00:14:41,720 Speaker 1: do it again if it means they'll stop fucking trying 306 00:14:41,720 --> 00:14:45,360 Speaker 1: to like overthrow us. And then he flies from there 307 00:14:46,280 --> 00:14:50,080 Speaker 1: to the village he was born and that's where his mum. 308 00:14:50,480 --> 00:14:57,720 Speaker 1: He was born in the outskirts of this village, and. 309 00:14:55,320 --> 00:14:57,280 Speaker 4: His mum was super poor. He was a bastard. He 310 00:14:57,320 --> 00:14:58,880 Speaker 4: didn't have a dad. This was sad. 311 00:14:59,040 --> 00:15:03,600 Speaker 1: And then he speaks about the reason why he's getting 312 00:15:03,640 --> 00:15:04,680 Speaker 1: the girls to train. 313 00:15:04,680 --> 00:15:06,440 Speaker 4: Is for his mum. It's for. 314 00:15:07,920 --> 00:15:10,600 Speaker 1: It's all for her, regardless of what Amron says about him, 315 00:15:10,600 --> 00:15:12,680 Speaker 1: like Ameron always calls him like the Lirian brute and 316 00:15:12,680 --> 00:15:14,520 Speaker 1: he's stupid and shit. And I was actually kind of 317 00:15:14,520 --> 00:15:17,040 Speaker 1: like facts that fuck you, Amron. It made me mad 318 00:15:17,080 --> 00:15:20,320 Speaker 1: because I love Kassian. And then Cassian says the way 319 00:15:20,480 --> 00:15:22,640 Speaker 1: he's in like the village, he's in his ruins. It's 320 00:15:22,640 --> 00:15:25,120 Speaker 1: like an Allyrian camp turn of ruins, because when he 321 00:15:25,160 --> 00:15:27,120 Speaker 1: got old enough, he went back to the camp he 322 00:15:27,240 --> 00:15:30,520 Speaker 1: was born and he started to like torture everyone for 323 00:15:30,560 --> 00:15:32,520 Speaker 1: a fucking info on his mum, and they all were 324 00:15:32,520 --> 00:15:35,440 Speaker 1: spitting in his face and he just fucked the camp 325 00:15:35,520 --> 00:15:38,360 Speaker 1: up and then no one's lived there every again. It 326 00:15:38,440 --> 00:15:40,320 Speaker 1: used to be like as big as Devil's camp apparently, 327 00:15:41,200 --> 00:15:46,560 Speaker 1: and so then he just finishes off with saying, yeah, 328 00:15:46,560 --> 00:15:47,960 Speaker 1: I'll be a Solcialus in three days. 329 00:15:48,400 --> 00:15:52,120 Speaker 4: But yeah, that was a Cassian chapter. It was yeah, 330 00:15:52,200 --> 00:15:53,040 Speaker 4: it's funny. 331 00:15:53,120 --> 00:15:55,320 Speaker 2: Yeah, do you know what I think of with the 332 00:15:55,760 --> 00:15:58,440 Speaker 2: h how they all go and fight and go top 333 00:15:58,480 --> 00:16:01,760 Speaker 2: of the mountain. I was thinking of May's run. That's cool, 334 00:16:01,760 --> 00:16:03,160 Speaker 2: That's what I was thinking of, Like how they all 335 00:16:03,200 --> 00:16:06,080 Speaker 2: go into closes in the shit. 336 00:16:06,240 --> 00:16:08,840 Speaker 4: I was thinking of Hunger Games. Hunger Games. 337 00:16:09,040 --> 00:16:10,920 Speaker 1: Yeah, I think in first Hungry Games, how it's in 338 00:16:10,960 --> 00:16:12,560 Speaker 1: a forest but it's all snow. 339 00:16:12,600 --> 00:16:15,400 Speaker 4: In this one, chapter four, we're back to Fayra. 340 00:16:16,840 --> 00:16:25,000 Speaker 1: She talks about how her and Reese have been hosting weekly, yeah, 341 00:16:25,120 --> 00:16:28,080 Speaker 1: weekly open audiences at the House of Wind, and that's 342 00:16:28,080 --> 00:16:30,480 Speaker 1: where everyone in Valarus can come down with any problems 343 00:16:30,480 --> 00:16:32,400 Speaker 1: they have and they'll answer like anything. It could be 344 00:16:32,480 --> 00:16:35,360 Speaker 1: super simple, and she says like that a lantern on 345 00:16:35,360 --> 00:16:37,680 Speaker 1: the street is out, which is like okay, fixed. And 346 00:16:37,680 --> 00:16:41,960 Speaker 1: then it's harder ones where people are like, oh could 347 00:16:42,000 --> 00:16:44,680 Speaker 1: because they've opened up Valrus to trade with the other courts, 348 00:16:45,200 --> 00:16:47,520 Speaker 1: they're like, oh, it's actually impacting the locals. 349 00:16:47,560 --> 00:16:49,360 Speaker 4: We don't want it, and so then they have to 350 00:16:49,400 --> 00:16:50,360 Speaker 4: like navigate that. 351 00:16:50,400 --> 00:16:52,440 Speaker 1: She talks about how hard it is and they have 352 00:16:52,480 --> 00:16:54,240 Speaker 1: to reply to everyone, and she gets she doesn't know 353 00:16:54,240 --> 00:16:57,320 Speaker 1: how does it. She wants a secretary. They can afford it, 354 00:16:57,360 --> 00:16:58,680 Speaker 1: but why would she do it? And I was like, 355 00:16:58,920 --> 00:17:00,239 Speaker 1: do it, yeah, exactly. 356 00:17:00,200 --> 00:17:02,560 Speaker 4: If you can afford We've got the money. Yeah. 357 00:17:02,760 --> 00:17:05,520 Speaker 1: And then she's walking in the Artist Quarter and she 358 00:17:05,600 --> 00:17:07,280 Speaker 1: goes and she's looking at a building that it was 359 00:17:07,280 --> 00:17:10,720 Speaker 1: turned to rubble from the attack on Valrus from Highburn, 360 00:17:11,000 --> 00:17:12,720 Speaker 1: and she's thinking about it, and then there's a voice 361 00:17:12,720 --> 00:17:14,600 Speaker 1: behind her that startles her and says, oh, they made 362 00:17:14,600 --> 00:17:16,920 Speaker 1: it out alive, you know. And it's an artist from 363 00:17:16,960 --> 00:17:18,560 Speaker 1: the Artist Quarter talking to her. 364 00:17:19,200 --> 00:17:21,199 Speaker 4: And Parah goes, oh wow. Where they go. 365 00:17:21,320 --> 00:17:23,199 Speaker 1: She talks about how they've moved kind of closer to 366 00:17:23,240 --> 00:17:26,600 Speaker 1: the sea and with family, and then there's a building 367 00:17:26,640 --> 00:17:28,200 Speaker 1: behind her board it up and she goes, what about 368 00:17:28,200 --> 00:17:32,200 Speaker 1: that one? And the artist says, oh, that's a saddest story. 369 00:17:32,480 --> 00:17:34,000 Speaker 1: Didn't make it. 370 00:17:34,000 --> 00:17:35,640 Speaker 4: It was her art studio. 371 00:17:35,800 --> 00:17:39,399 Speaker 1: Her name was Paulina. I think it was her art 372 00:17:39,440 --> 00:17:42,040 Speaker 1: duty of studio for centuries. But yeah, she didn't make it. 373 00:17:42,440 --> 00:17:45,800 Speaker 1: And then she introduces herself as a Racina and she says, oh, 374 00:17:45,800 --> 00:17:48,640 Speaker 1: I'm Favra and she's like, yeah, fucking no, hello lady, 375 00:17:48,720 --> 00:17:53,600 Speaker 1: and boom you and she's like we She's like, we 376 00:17:53,640 --> 00:17:57,000 Speaker 1: all see you, you know, like you are welcome here. 377 00:17:57,000 --> 00:17:58,760 Speaker 1: We none of us approach you because we want to 378 00:17:58,760 --> 00:18:04,840 Speaker 1: give you your privacy, but you are welcome in any 379 00:18:04,840 --> 00:18:06,879 Speaker 1: one of these stores with open arms, you know that, 380 00:18:06,960 --> 00:18:08,000 Speaker 1: Like we remember what you. 381 00:18:07,960 --> 00:18:09,639 Speaker 4: Did for us. And Pharah is like, yeah, but it 382 00:18:09,680 --> 00:18:10,120 Speaker 4: wasn't enough. 383 00:18:10,160 --> 00:18:11,920 Speaker 1: And I was like, you did some be shit fair, 384 00:18:12,640 --> 00:18:15,720 Speaker 1: some slack, some slack. And then she's like, you know, 385 00:18:15,720 --> 00:18:18,520 Speaker 1: you could buy that studio over there. She goes, whoa, whoa, no, no, no, 386 00:18:18,560 --> 00:18:19,879 Speaker 1: why would I do that? She goes, I've heard you're 387 00:18:19,920 --> 00:18:22,119 Speaker 1: quite the artist. I was thinking, fuck, yeah, Fara, you're 388 00:18:22,119 --> 00:18:23,000 Speaker 1: getting huked up here. 389 00:18:23,640 --> 00:18:24,200 Speaker 4: Let's go. 390 00:18:25,280 --> 00:18:28,359 Speaker 1: And then she just says that she's not in the market. 391 00:18:28,800 --> 00:18:30,000 Speaker 1: And so Rissina says. 392 00:18:29,760 --> 00:18:31,879 Speaker 4: Cool, Well, every every other day or. 393 00:18:31,880 --> 00:18:33,600 Speaker 2: Once a week or whatever, I mean, some artists go 394 00:18:33,640 --> 00:18:35,320 Speaker 2: to my studio just over there, I live above it, 395 00:18:35,760 --> 00:18:37,280 Speaker 2: and we just paint it together. 396 00:18:37,680 --> 00:18:40,520 Speaker 1: And she goes, whoa, what do you paint? She's like whatever, 397 00:18:40,560 --> 00:18:42,240 Speaker 1: needs to be painted, and I was kind of like, yeah, 398 00:18:42,280 --> 00:18:43,960 Speaker 1: my drop. And then she walks away and I was 399 00:18:44,000 --> 00:18:48,960 Speaker 1: like sick out of nowhere. More comes around, arm in hand. 400 00:18:49,359 --> 00:18:51,160 Speaker 4: They must be I think Pharaoh must have like next 401 00:18:51,160 --> 00:18:51,760 Speaker 4: scene or whatever. 402 00:18:52,040 --> 00:18:55,000 Speaker 1: She's going to look for presents and Moore comes up 403 00:18:55,000 --> 00:18:55,760 Speaker 1: says Hi to Pharah. 404 00:18:55,880 --> 00:18:56,359 Speaker 4: They're talking. 405 00:18:56,600 --> 00:18:58,359 Speaker 1: She says, oh, if you bought that sapphire fram and 406 00:18:58,359 --> 00:19:01,080 Speaker 1: she'd love you forever. So Pharaoh goes sick, put it 407 00:19:01,119 --> 00:19:06,160 Speaker 1: on the account, let's fucking go. And then she's her 408 00:19:06,240 --> 00:19:09,280 Speaker 1: more a chitty chatting talking about presents. What do they 409 00:19:09,280 --> 00:19:12,040 Speaker 1: get for the what should she get for Cassie and Azrael. 410 00:19:12,160 --> 00:19:13,639 Speaker 1: Moore was like, fuck this shit. I've got them like 411 00:19:13,680 --> 00:19:16,760 Speaker 1: five hundred gifts over the years. It's pointless. And then 412 00:19:17,320 --> 00:19:21,200 Speaker 1: she goes Pharaih says some more. I have a feeling 413 00:19:21,200 --> 00:19:22,760 Speaker 1: that you didn't come to find me for no reason 414 00:19:22,800 --> 00:19:24,159 Speaker 1: at all. She goes, yeah, actually we need to go 415 00:19:24,200 --> 00:19:25,160 Speaker 1: to the human City tonight. 416 00:19:27,080 --> 00:19:29,640 Speaker 4: He's like, fuck, why are you telling me now? It's 417 00:19:29,680 --> 00:19:31,600 Speaker 4: like she's got the info this morning. 418 00:19:31,680 --> 00:19:35,000 Speaker 1: Asriel told me this morning that bloody h Eiris is 419 00:19:35,040 --> 00:19:36,760 Speaker 1: going to be there talking to Dad, and I wanted 420 00:19:36,800 --> 00:19:37,360 Speaker 1: to go say hi. 421 00:19:37,400 --> 00:19:38,639 Speaker 4: It's tradition that we go give. 422 00:19:38,520 --> 00:19:40,879 Speaker 1: Him good will, especially after the war. You know a 423 00:19:40,880 --> 00:19:43,560 Speaker 1: lot of dark Bringers died. But also I want to 424 00:19:43,560 --> 00:19:45,320 Speaker 1: go just like show face and scare. 425 00:19:45,160 --> 00:19:45,520 Speaker 4: Them a bit. 426 00:19:46,880 --> 00:19:53,600 Speaker 1: Chapter five, farh Again, Reese comes home and he hasn't 427 00:19:53,640 --> 00:19:56,640 Speaker 1: been home all day because so Far has gone back home. 428 00:19:56,640 --> 00:19:58,800 Speaker 1: She's chilling in bed. She feels him coming back home. 429 00:19:58,880 --> 00:20:00,520 Speaker 1: She goes to read a book. She's like, I was 430 00:20:00,520 --> 00:20:02,640 Speaker 1: going to do some work, but More said, we're leaving 431 00:20:02,680 --> 00:20:04,880 Speaker 1: in an hour, so I read a book instead. 432 00:20:05,119 --> 00:20:06,040 Speaker 4: It's great use of your time. 433 00:20:06,680 --> 00:20:11,560 Speaker 1: And so then she's laying in bed and she said 434 00:20:11,600 --> 00:20:12,640 Speaker 1: she was ten pages in. 435 00:20:13,080 --> 00:20:15,159 Speaker 4: Wasn't there a bit about the books where they're like 436 00:20:15,720 --> 00:20:20,600 Speaker 4: they mentioned smart Yeah, has to reach smart. Yeah. Yeah. 437 00:20:20,680 --> 00:20:27,160 Speaker 1: So Reese comes in and you know, he's like, look 438 00:20:27,240 --> 00:20:29,159 Speaker 1: exactly where I left you. She goes, isn't that all 439 00:20:29,200 --> 00:20:31,000 Speaker 1: I'm good for? And I was like fuck yes. Finally 440 00:20:31,040 --> 00:20:31,960 Speaker 1: they go fuck like. 441 00:20:34,080 --> 00:20:38,400 Speaker 2: Yeah, and then they're talking. 442 00:20:38,920 --> 00:20:42,040 Speaker 1: She goes, you look exhausted. Can't we just postpone this meeting? 443 00:20:42,080 --> 00:20:44,560 Speaker 1: He says no, it's fine. He's like, yeah, let me 444 00:20:44,640 --> 00:20:46,199 Speaker 1: just I am hungry. I just want to eat you 445 00:20:46,320 --> 00:20:48,920 Speaker 1: she goes, what have you eaten today? It's like, seriously fair. 446 00:20:48,760 --> 00:20:49,160 Speaker 4: It's fine. 447 00:20:49,200 --> 00:20:51,320 Speaker 1: She goes, no, I'm going to the kitchen. She goes 448 00:20:51,320 --> 00:20:53,639 Speaker 1: and makes him a big ass meal, comes back in. 449 00:20:54,760 --> 00:20:57,960 Speaker 4: He's eating. All he's trying to do is fuck. 450 00:20:58,320 --> 00:21:01,520 Speaker 2: He's always trying to do in this scenario, You're like, 451 00:21:01,920 --> 00:21:04,000 Speaker 2: when I have sex with your girl and she just 452 00:21:04,000 --> 00:21:06,040 Speaker 2: disappears back of like a sandwich. 453 00:21:06,160 --> 00:21:09,520 Speaker 4: Yeah, yeah, yeah, have gone with you because you brought 454 00:21:09,520 --> 00:21:12,400 Speaker 4: the old kitchen. He just wants a fuck. And then. 455 00:21:14,040 --> 00:21:16,160 Speaker 1: They get down and they start to get a bit dirty. 456 00:21:16,160 --> 00:21:17,840 Speaker 1: He finally he's like, yeah, let's go, and then more 457 00:21:17,880 --> 00:21:19,920 Speaker 1: knocks on the door. We gotta fucking go. Whatever you 458 00:21:19,960 --> 00:21:20,560 Speaker 1: guys are doing. 459 00:21:20,400 --> 00:21:23,120 Speaker 4: In there, wrap it up? Whatever? Cool. 460 00:21:23,280 --> 00:21:27,280 Speaker 1: Chapter five Sorry no, Chapter six. This is a more chapter. 461 00:21:28,000 --> 00:21:31,000 Speaker 1: So they're at the Human City. They go to see 462 00:21:31,080 --> 00:21:34,960 Speaker 1: care here here, and while she's there, she's kind of 463 00:21:35,000 --> 00:21:36,720 Speaker 1: having a little bit of a bad flashback of the 464 00:21:36,800 --> 00:21:41,000 Speaker 1: day that she had the like steaks in her stomach 465 00:21:41,040 --> 00:21:42,520 Speaker 1: and she was just dropped on the border. 466 00:21:42,920 --> 00:21:44,280 Speaker 2: And so what happened on that day was she was 467 00:21:44,320 --> 00:21:46,919 Speaker 2: dropped on the border. She's like barely alive. She's like 468 00:21:46,960 --> 00:21:48,840 Speaker 2: barely barely awake. 469 00:21:48,560 --> 00:21:51,679 Speaker 1: But then she hears footsteps coming, and she's kind of 470 00:21:51,680 --> 00:21:53,960 Speaker 1: like fuck. All she's thinking is the people that love 471 00:21:54,000 --> 00:21:55,280 Speaker 1: me are never gonna be able to find me, like 472 00:21:55,359 --> 00:21:57,159 Speaker 1: Reese Azrael cast and they're never gonna be able to 473 00:21:57,160 --> 00:21:57,480 Speaker 1: find me. 474 00:21:58,320 --> 00:22:03,240 Speaker 4: And then it was an Autumn Court patrol on the border. 475 00:22:03,200 --> 00:22:07,720 Speaker 1: And it was led by Airis and Aris probably just 476 00:22:07,840 --> 00:22:08,960 Speaker 1: knew that she was going to be there because he 477 00:22:09,000 --> 00:22:10,480 Speaker 1: was coming to pick up his betrothed or some shit, 478 00:22:10,520 --> 00:22:13,719 Speaker 1: I don't know. But then the Autumn Court soldiers are like, 479 00:22:14,000 --> 00:22:16,159 Speaker 1: we have to help her, and he goes, do not 480 00:22:16,200 --> 00:22:18,760 Speaker 1: fucking touch her, because once we touch her, she then 481 00:22:18,840 --> 00:22:23,320 Speaker 1: becomes our problem. And I don't I don't want to 482 00:22:23,359 --> 00:22:23,720 Speaker 1: have like. 483 00:22:23,880 --> 00:22:25,240 Speaker 4: Some sloppy seconds, is what he says. 484 00:22:25,280 --> 00:22:28,199 Speaker 1: Basically, he goes, I don't want some sloppy seconds, all right, 485 00:22:29,080 --> 00:22:31,640 Speaker 1: especially after what I was promised, and I especially don't 486 00:22:31,640 --> 00:22:36,160 Speaker 1: want sloppy seconds from some random alirium bastard. So leave her. 487 00:22:36,440 --> 00:22:38,160 Speaker 1: And then they just leave, and I was like fair. 488 00:22:38,240 --> 00:22:41,560 Speaker 1: She obviously hates him for a reason. And so from 489 00:22:41,680 --> 00:22:43,920 Speaker 1: there does she say about Asrael finding her? I don't 490 00:22:43,920 --> 00:22:46,639 Speaker 1: really remember, No, she didn't know. She kind of just 491 00:22:46,680 --> 00:22:49,399 Speaker 1: goes flashed back into now she's at the meeting. 492 00:22:49,200 --> 00:22:51,760 Speaker 4: And then Pharah grabbed her hand or something. Yeah, she 493 00:22:52,440 --> 00:22:52,840 Speaker 4: knows more. 494 00:22:52,920 --> 00:22:55,920 Speaker 1: Pharaoh grabs her hand, and Reese is talking to kir 495 00:22:56,040 --> 00:23:00,359 Speaker 1: And and Ares is there and a bit of a nothing. 496 00:23:00,760 --> 00:23:03,439 Speaker 1: Not really the thing that was they really focused on 497 00:23:03,560 --> 00:23:11,359 Speaker 1: was more is like almost losing her maybe confidence with 498 00:23:11,640 --> 00:23:16,080 Speaker 1: running the Human City. The fact that Eris and her 499 00:23:16,320 --> 00:23:18,960 Speaker 1: dad are like together just brings back really bad memories 500 00:23:19,000 --> 00:23:20,840 Speaker 1: where if it's just her dad, she's sweet, she can 501 00:23:20,880 --> 00:23:23,320 Speaker 1: handle him, but when it's Ris and her dad, it's 502 00:23:23,320 --> 00:23:23,840 Speaker 1: just like it's. 503 00:23:23,720 --> 00:23:27,000 Speaker 4: Doing a bit too much for her. So she is 504 00:23:27,040 --> 00:23:28,680 Speaker 4: just yeah, some shitty memories are coming back. 505 00:23:28,720 --> 00:23:31,280 Speaker 2: Well, maybe we should show a little bit more empathy, 506 00:23:31,359 --> 00:23:35,159 Speaker 2: because I guess this whole book is they're all lost 507 00:23:35,359 --> 00:23:36,040 Speaker 2: because of the. 508 00:23:35,960 --> 00:23:39,480 Speaker 4: Impact of the war. Yeah, they're all fucking spiraling. 509 00:23:39,520 --> 00:23:42,720 Speaker 2: Bro, Maybe we jumping to conclusions and Nesta's being a 510 00:23:42,720 --> 00:23:45,719 Speaker 2: bitch because that's her way of dealing it confidence, Like 511 00:23:46,000 --> 00:23:48,359 Speaker 2: Moore's way of dealing with it is loss of confidence. 512 00:23:48,480 --> 00:23:52,000 Speaker 4: Yeah, And like Reese and Favor, they're nothing's really wrong 513 00:23:52,000 --> 00:23:53,679 Speaker 4: with them at the moment, not too bad, but they 514 00:23:53,680 --> 00:23:54,200 Speaker 4: have each other. 515 00:23:54,359 --> 00:23:56,680 Speaker 1: Yeah, so that's why they're kind of like they're they're 516 00:23:56,680 --> 00:23:58,480 Speaker 1: the strongest front because they have each other and they 517 00:23:58,520 --> 00:23:59,760 Speaker 1: do talk, have good communication. 518 00:24:00,040 --> 00:24:04,080 Speaker 4: Best why Asrael doesn't talk, as I gotta say, Asrael, 519 00:24:04,359 --> 00:24:07,040 Speaker 4: he is the foundation of the family. 520 00:24:07,160 --> 00:24:11,200 Speaker 1: Yeah, I'll tell you what, Asrael for someone who doesn't talk, 521 00:24:11,280 --> 00:24:14,240 Speaker 1: it's got the best comedic timing I've ever seen. He 522 00:24:14,280 --> 00:24:16,879 Speaker 1: has the best communication skills too, Oath he does. He 523 00:24:16,960 --> 00:24:19,560 Speaker 1: just says what needs to be said. It doesn't beat 524 00:24:19,600 --> 00:24:20,280 Speaker 1: around the bush. 525 00:24:20,400 --> 00:24:22,600 Speaker 4: True're trying to take that more into my life. 526 00:24:22,880 --> 00:24:29,679 Speaker 1: Try Chapter seven, back to Reese, So he's up in 527 00:24:29,840 --> 00:24:33,760 Speaker 1: his Reese couldn't sleep very well that night, so he's 528 00:24:33,760 --> 00:24:35,960 Speaker 1: gone up to his office in the House of Wind. 529 00:24:37,240 --> 00:24:39,359 Speaker 1: I personally just want to before we get into just 530 00:24:39,560 --> 00:24:41,040 Speaker 1: where would you live in Valarus? 531 00:24:42,480 --> 00:24:44,919 Speaker 2: I would have been in the House of Window Kid. Oh, 532 00:24:45,320 --> 00:24:46,880 Speaker 2: I would not that shed down there? 533 00:24:46,960 --> 00:24:47,760 Speaker 4: Are you kidding? 534 00:24:48,560 --> 00:24:52,359 Speaker 3: They're living in a literal garden shed compared to the 535 00:24:52,400 --> 00:24:53,159 Speaker 3: House of Wind. 536 00:24:54,119 --> 00:24:55,480 Speaker 4: It's just too big. It's not homie. 537 00:24:55,520 --> 00:24:59,480 Speaker 1: But all they're doing is complaining about a cramped space 538 00:24:59,520 --> 00:24:59,880 Speaker 1: in the town. 539 00:25:00,840 --> 00:25:02,320 Speaker 4: Sorry, it's got to add that's what they're talking about 540 00:25:02,320 --> 00:25:02,600 Speaker 4: as well. 541 00:25:02,880 --> 00:25:06,040 Speaker 1: So I'll give a quick, not little thing. So Elaine 542 00:25:06,080 --> 00:25:10,679 Speaker 1: still lives at the house, the townhouse. Nessa lives at 543 00:25:10,680 --> 00:25:13,720 Speaker 1: her own apartment. She's chosen for some reason, like there's 544 00:25:13,800 --> 00:25:16,280 Speaker 1: like two blocks in the city that are slummy, not 545 00:25:16,320 --> 00:25:18,960 Speaker 1: even slummy, just old, and she's chosen, like the worst 546 00:25:19,000 --> 00:25:22,480 Speaker 1: place you could pssibly live. Lucian he comes back, he 547 00:25:22,560 --> 00:25:23,600 Speaker 1: gets a nice apartment. 548 00:25:23,920 --> 00:25:26,560 Speaker 4: Of course, it's got taste. Boy, he's got taste. Of 549 00:25:26,560 --> 00:25:27,080 Speaker 4: course he does. 550 00:25:27,160 --> 00:25:32,240 Speaker 1: As Reel, I'm assuming he just has a crib. Cassian 551 00:25:33,200 --> 00:25:35,640 Speaker 1: he has a house, but it's in Aliria. Every time 552 00:25:35,680 --> 00:25:38,359 Speaker 1: he comes to Valarus, he literally just crashes on someone's bed, 553 00:25:38,560 --> 00:25:40,080 Speaker 1: in someone's bed or lange or whatever. 554 00:25:40,920 --> 00:25:41,080 Speaker 2: More. 555 00:25:41,160 --> 00:25:43,040 Speaker 1: Has to have a place. Amaron has a place. But yeah, 556 00:25:43,080 --> 00:25:47,159 Speaker 1: so Elaine and Farah and Reese still live in the townhouse. 557 00:25:48,480 --> 00:25:51,359 Speaker 1: But now Reese couldn't sleep. He is up at the 558 00:25:51,359 --> 00:25:55,200 Speaker 1: House of Wind in his office and as Reel knock knock, 559 00:25:55,320 --> 00:25:56,320 Speaker 1: he's brought him some info. 560 00:25:57,480 --> 00:26:00,320 Speaker 4: The spreading of rumors and and. 561 00:26:02,280 --> 00:26:07,879 Speaker 1: Distent distaste just hate towards Reese, Asrael and Cassian in 562 00:26:07,920 --> 00:26:09,600 Speaker 1: the Illyrian camps is worse than they thought. 563 00:26:10,440 --> 00:26:15,320 Speaker 4: But they don't want to have ah. 564 00:26:15,440 --> 00:26:17,040 Speaker 1: They don't want to tell Cassian yet because he won't 565 00:26:17,040 --> 00:26:21,160 Speaker 1: be able to relax on on SOLSTICEE. Yeah, so they're 566 00:26:21,160 --> 00:26:23,080 Speaker 1: gonna wait to Yeah, descent. 567 00:26:23,240 --> 00:26:25,600 Speaker 4: The descent is spreading. Then. 568 00:26:26,280 --> 00:26:29,440 Speaker 1: Jurian and Vasa both are still in the human lands. 569 00:26:29,560 --> 00:26:31,280 Speaker 1: Vasa for some reason has been able not to go 570 00:26:31,359 --> 00:26:32,680 Speaker 1: back to the Lake. 571 00:26:33,160 --> 00:26:38,000 Speaker 4: I can't really remember why, but Jurian has pretty much 572 00:26:38,040 --> 00:26:40,080 Speaker 4: been left like in charge. 573 00:26:40,240 --> 00:26:42,560 Speaker 1: They trust him now, yeah, they trust him. He just 574 00:26:42,600 --> 00:26:47,359 Speaker 1: like is like left in charge. But the Solution has 575 00:26:47,359 --> 00:26:49,400 Speaker 1: been spending time in the spring Court trying to rekindle 576 00:26:49,400 --> 00:26:56,840 Speaker 1: a friendship with Tamlin, and Asrael has noticed that Tamlin 577 00:26:56,920 --> 00:27:02,240 Speaker 1: has got his borders wide fucking open, the legs open 578 00:27:02,280 --> 00:27:03,960 Speaker 1: for anyone to trot in and go down to the 579 00:27:04,040 --> 00:27:07,200 Speaker 1: human doesn't care, he doesn't give a ship. So Reese 580 00:27:07,240 --> 00:27:09,440 Speaker 1: is thinking, fuck, might have to have a go chat 581 00:27:09,440 --> 00:27:10,760 Speaker 1: with might have to go have a chat with him, 582 00:27:10,760 --> 00:27:16,640 Speaker 1: And I was like, let's go. So chapter eight back 583 00:27:16,680 --> 00:27:23,200 Speaker 1: to Cassian. He's still at the Devil's camp. He goes 584 00:27:23,320 --> 00:27:27,600 Speaker 1: to see a cloth the air and the clothier's name 585 00:27:27,640 --> 00:27:29,959 Speaker 1: you've got written down here, which his name is Proteus, 586 00:27:30,840 --> 00:27:32,800 Speaker 1: a protest or something like that, and he goes in 587 00:27:32,840 --> 00:27:36,240 Speaker 1: and he finds the guy's daughter instead. So he finds 588 00:27:36,240 --> 00:27:38,040 Speaker 1: out that the shop was left to his daughter. It's 589 00:27:38,119 --> 00:27:40,040 Speaker 1: quite a nice shop, and he talks about how Protist 590 00:27:40,119 --> 00:27:42,920 Speaker 1: was a very well off Ollyrian, making much more than 591 00:27:43,080 --> 00:27:45,720 Speaker 1: you know, any Ollyrians would ever make. Ollyans sounds super 592 00:27:45,720 --> 00:27:49,800 Speaker 1: poor or something, maybe eh, And so he goes in 593 00:27:49,880 --> 00:27:51,639 Speaker 1: finds his daughter. She says, well, my dad died in 594 00:27:51,680 --> 00:27:52,040 Speaker 1: the war. 595 00:27:53,119 --> 00:27:57,800 Speaker 4: And then she's running the shop and it's full of stock. 596 00:27:58,440 --> 00:28:00,359 Speaker 1: No one goes in there. Everyone hates her. She's a 597 00:28:00,400 --> 00:28:03,000 Speaker 1: woman and she owns something and they don't like her 598 00:28:03,040 --> 00:28:05,840 Speaker 1: for it. And so Cassie goes, well, I want to 599 00:28:05,840 --> 00:28:09,920 Speaker 1: buy all of that and a bunch of winter gear. 600 00:28:10,520 --> 00:28:13,200 Speaker 1: And he goes, can you spread it out to everyone 601 00:28:13,280 --> 00:28:14,800 Speaker 1: and say it's on behalf of their high lord? 602 00:28:15,200 --> 00:28:17,920 Speaker 4: And she's like, why not you? And he goes, better 603 00:28:17,960 --> 00:28:18,879 Speaker 4: to keep my name out of it. 604 00:28:19,680 --> 00:28:22,880 Speaker 1: M humble guy, What a humble guy. She goes, I'll 605 00:28:22,880 --> 00:28:26,280 Speaker 1: see it done. She's on the money, let's go well. 606 00:28:26,280 --> 00:28:27,520 Speaker 4: He says, yeah, go get it two. He needs it 607 00:28:27,560 --> 00:28:27,960 Speaker 4: most okay. 608 00:28:28,000 --> 00:28:31,000 Speaker 1: Chapter nine, back to Favor, she's on her way to 609 00:28:31,080 --> 00:28:33,840 Speaker 1: Rascina place to paint. She talks about having it, you know, 610 00:28:33,920 --> 00:28:37,440 Speaker 1: canvas in hand, a little nervous, and then she gets 611 00:28:37,480 --> 00:28:41,920 Speaker 1: nearly there and I can't quite remember what triggers it 612 00:28:42,000 --> 00:28:44,120 Speaker 1: in her, but she kind of has this moment. 613 00:28:43,880 --> 00:28:47,760 Speaker 4: Of like, fucking favor archer On, bro. What's Reese's last name? 614 00:28:47,800 --> 00:28:49,800 Speaker 4: Do we know? Do we? 615 00:28:50,680 --> 00:28:53,400 Speaker 1: Does he have one? Resand what's Recon's last name? I 616 00:28:53,400 --> 00:28:57,320 Speaker 1: don't looking up sand what is it? 617 00:28:57,400 --> 00:28:58,440 Speaker 4: Definitely hasn't been set. 618 00:28:58,760 --> 00:29:02,200 Speaker 1: What is Reeson's last name? He does not have a 619 00:29:02,240 --> 00:29:03,400 Speaker 1: confirmed last name? 620 00:29:03,760 --> 00:29:06,720 Speaker 4: Yeah, I don't think so. Oh, should we make one? However, 621 00:29:06,760 --> 00:29:08,400 Speaker 4: there are many fan theories. 622 00:29:08,600 --> 00:29:14,840 Speaker 1: Should we make one too? Forget this? His surname is Darling. 623 00:29:15,600 --> 00:29:19,880 Speaker 4: Because he always says hello, favorite Darling. That's not right. 624 00:29:20,400 --> 00:29:20,959 Speaker 4: Can't be right? 625 00:29:21,080 --> 00:29:26,960 Speaker 1: Here we go because or it could be Danaan or Moonbeam. 626 00:29:29,600 --> 00:29:32,680 Speaker 1: Denian or Moonbeam links him to other characters in Mass's book. 627 00:29:32,920 --> 00:29:36,440 Speaker 4: Cool ah, that would be cool, But it's all fan fiction, 628 00:29:36,680 --> 00:29:39,360 Speaker 4: not real fiction. Why can't she come out and confirm 629 00:29:39,400 --> 00:29:39,960 Speaker 4: some fun ship? 630 00:29:40,760 --> 00:29:43,760 Speaker 1: So she's like a fair artron hag lady than I 631 00:29:43,840 --> 00:29:49,960 Speaker 1: caught and winnows into that abandoned Paulina's abandoned studio and 632 00:29:50,520 --> 00:29:55,160 Speaker 1: sets up the shop and she starts painting. Let's go 633 00:29:55,560 --> 00:30:02,480 Speaker 1: favorite she's painting, and so chapter ten she paints what 634 00:30:02,680 --> 00:30:06,920 Speaker 1: the araboris mirror looked like, the beast within and what 635 00:30:07,040 --> 00:30:07,480 Speaker 1: she saw. 636 00:30:07,640 --> 00:30:10,400 Speaker 4: You're gonna be cool if there were like paintings in 637 00:30:10,440 --> 00:30:10,960 Speaker 4: the book. 638 00:30:11,400 --> 00:30:14,840 Speaker 1: I love a book with a cheeky, little like photo page. 639 00:30:15,400 --> 00:30:16,240 Speaker 4: I love that. 640 00:30:17,080 --> 00:30:19,680 Speaker 1: Yeah, it would be cool to a because I do 641 00:30:19,760 --> 00:30:21,800 Speaker 1: want to have one. Okay, one thing I think is 642 00:30:21,800 --> 00:30:24,600 Speaker 1: cool about books is that you and I would picture 643 00:30:24,640 --> 00:30:28,800 Speaker 1: everything about this differently. Oh yeah, and that's why I 644 00:30:28,840 --> 00:30:33,200 Speaker 1: saw this on something. But the reason why everyone is 645 00:30:33,240 --> 00:30:35,880 Speaker 1: like the books are way better is because when something 646 00:30:35,920 --> 00:30:38,760 Speaker 1: is depicted on screen, it's depicted the way the director 647 00:30:39,120 --> 00:30:41,840 Speaker 1: and the writer see it, like you and I. 648 00:30:41,840 --> 00:30:44,360 Speaker 4: See it different to Sarah J. Mass Oh. 649 00:30:44,400 --> 00:30:47,160 Speaker 1: And so when if this is depicted on screen, it's 650 00:30:47,160 --> 00:30:49,320 Speaker 1: going to be depicted from her brain and the director's brain. 651 00:30:49,560 --> 00:30:51,440 Speaker 4: That's not our brains. And that's why everyone's like the 652 00:30:51,480 --> 00:30:53,720 Speaker 4: books are better. The books are better. So excited to 653 00:30:53,720 --> 00:30:56,280 Speaker 4: say that too, By the way, we've never been able 654 00:30:56,320 --> 00:30:58,520 Speaker 4: to say it before. I've never been able to say that. 655 00:30:58,560 --> 00:31:00,040 Speaker 4: I'm so excited to say it. 656 00:31:00,120 --> 00:31:00,200 Speaker 2: So. 657 00:31:00,720 --> 00:31:02,360 Speaker 1: But one thing I do think where I would like 658 00:31:02,360 --> 00:31:07,040 Speaker 1: some continuity, is like things like the cauldron on one page. 659 00:31:07,120 --> 00:31:08,520 Speaker 1: Just have a picture of the cauldron so we all 660 00:31:08,800 --> 00:31:10,680 Speaker 1: can agree on what the culdron is. Were you picturing 661 00:31:10,800 --> 00:31:11,440 Speaker 1: or a boris mirror. 662 00:31:11,440 --> 00:31:14,280 Speaker 2: I'm picturing a bathtub, bro, I was pitching a bathtub too, 663 00:31:14,280 --> 00:31:16,720 Speaker 2: but I was thinking like a witch's cauldron, like a 664 00:31:16,760 --> 00:31:17,640 Speaker 2: cylinder type thing. 665 00:31:17,720 --> 00:31:22,040 Speaker 1: So I'm thinking bathtub shaped and everything, but old. 666 00:31:22,280 --> 00:31:24,080 Speaker 2: That's what I was thinking about all our bars. Maybe 667 00:31:24,160 --> 00:31:25,920 Speaker 2: we are thinking of the same all our baths are 668 00:31:25,920 --> 00:31:26,520 Speaker 2: built in now. 669 00:31:26,600 --> 00:31:28,560 Speaker 4: Yeah, it's like one of those ones with feet. I 670 00:31:28,640 --> 00:31:31,200 Speaker 4: was thinking that. Yeah, and like black and like sort 671 00:31:31,200 --> 00:31:33,440 Speaker 4: of like rustick. I'm thinking gold. 672 00:31:33,720 --> 00:31:36,160 Speaker 2: You were thinking gold, gold, bro, I was thinking like 673 00:31:36,200 --> 00:31:38,200 Speaker 2: it looks broken I've been thinking I was. 674 00:31:38,240 --> 00:31:41,320 Speaker 4: I'm thinking porcelain bath. Oh really, I wasn't thinking that. 675 00:31:41,440 --> 00:31:44,440 Speaker 1: I'm thinking gold on the outside, white in the middle. 676 00:31:44,520 --> 00:31:46,880 Speaker 1: But the water is black as night, and then the 677 00:31:46,960 --> 00:31:48,080 Speaker 1: feet are also white. 678 00:31:48,360 --> 00:31:49,840 Speaker 2: I was pushing you know when you leave like a 679 00:31:49,840 --> 00:31:51,800 Speaker 2: bird bath outside for like ten years. 680 00:31:51,880 --> 00:31:55,040 Speaker 4: Yeah, that with like nice legs. Yeah's what I was picturing. 681 00:31:55,080 --> 00:31:59,400 Speaker 4: That's actually also a good description. Mine is like cartoony. Yeah, right, 682 00:31:59,600 --> 00:32:02,440 Speaker 4: I went full cartoon. Interesting. I suppose that is the 683 00:32:02,440 --> 00:32:03,400 Speaker 4: beauty of it though. 684 00:32:03,280 --> 00:32:05,840 Speaker 1: Yeah, true, how we picture it different? Yeah, but it's 685 00:32:05,880 --> 00:32:09,479 Speaker 1: funny with mine. It's like when the when the cauldron 686 00:32:09,520 --> 00:32:12,760 Speaker 1: broke in AKA war. You picturing it is like whoa 687 00:32:12,840 --> 00:32:16,719 Speaker 1: like intense? I'm picturing like a white golden bathtub broken? 688 00:32:17,320 --> 00:32:18,320 Speaker 1: What damage can that do? 689 00:32:20,720 --> 00:32:22,840 Speaker 4: Okay? Chapter eleven? 690 00:32:23,320 --> 00:32:26,240 Speaker 1: Sorry, chapter ten was quick one Chapter ten, So chapter 691 00:32:26,280 --> 00:32:27,720 Speaker 1: eleven back to Reese. 692 00:32:28,440 --> 00:32:30,400 Speaker 4: He goes to the spring Court. 693 00:32:30,680 --> 00:32:36,320 Speaker 1: Okay, he gets in there and it's worse for fucking wear, Bro. 694 00:32:36,320 --> 00:32:39,440 Speaker 4: I was thinking about time. Something's about that happened? Zero up? 695 00:32:39,560 --> 00:32:42,280 Speaker 1: Keep all right, it looks he says, it looks worse 696 00:32:42,720 --> 00:32:46,719 Speaker 1: than after Amarantha's cronies went and trashed to the place, 697 00:32:47,080 --> 00:32:49,600 Speaker 1: all right after Tamlin san Fara home and Akatar. 698 00:32:50,680 --> 00:32:53,240 Speaker 4: He goes. He knocks on the door and he's sinking. 699 00:32:53,320 --> 00:32:56,040 Speaker 4: What this place sucking? Gross? Bro? What is going on? 700 00:32:57,200 --> 00:33:05,840 Speaker 4: He's like, what's that? Brother? Brother? Brother? He knocks, knocks again, Tamlin, 701 00:33:06,360 --> 00:33:09,480 Speaker 4: what do you want see? I was picturing Tamlon in 702 00:33:09,520 --> 00:33:10,240 Speaker 4: like a bath robe. 703 00:33:10,360 --> 00:33:10,560 Speaker 2: Yeah. 704 00:33:12,880 --> 00:33:17,720 Speaker 4: Have you watched Mega Mind the movie? Who could I? 705 00:33:17,760 --> 00:33:20,720 Speaker 4: What else is another thing? I could think? Made Jack 706 00:33:20,760 --> 00:33:22,480 Speaker 4: with like his vape in his bodies when he used 707 00:33:22,480 --> 00:33:22,720 Speaker 4: to come. 708 00:33:25,120 --> 00:33:27,920 Speaker 1: So he talks about if you guys have watched Mega 709 00:33:27,920 --> 00:33:32,280 Speaker 1: Mind the movie, so there's the superhero that vanishes and 710 00:33:32,320 --> 00:33:36,320 Speaker 1: then when they go find him and he's just like, oh, 711 00:33:36,400 --> 00:33:40,720 Speaker 1: it's this ready, Mega Mind, No More Incredibles. Yeah, back 712 00:33:40,760 --> 00:33:43,280 Speaker 1: in the day he was a base mister incredible. And 713 00:33:43,320 --> 00:33:45,680 Speaker 1: then you just he's sitting in his office fat and 714 00:33:46,080 --> 00:33:47,120 Speaker 1: that's Tamilin. It is. 715 00:33:48,960 --> 00:33:53,720 Speaker 4: Do we feel bad for Tamlin a little bit? I don't. 716 00:33:54,880 --> 00:33:59,760 Speaker 4: He saved everyone say favor I his friend cheated on him. 717 00:33:59,800 --> 00:34:03,480 Speaker 1: Said they're talking about a lot of Reese will say, 718 00:34:03,520 --> 00:34:05,560 Speaker 1: you know, like this is what Tamilin deserves or he 719 00:34:05,640 --> 00:34:06,440 Speaker 1: deserves death. 720 00:34:06,760 --> 00:34:15,439 Speaker 4: Like I just think he's had a pretty hard run. 721 00:34:15,840 --> 00:34:19,799 Speaker 4: I like him. I wouldn't say I like Tamilin. He's 722 00:34:19,800 --> 00:34:23,920 Speaker 4: had a redemption arc and no one's helping him. He 723 00:34:24,000 --> 00:34:30,160 Speaker 4: had a big redemption arc. Save Save Race would be 724 00:34:30,160 --> 00:34:31,040 Speaker 4: dead if it wasn't for Tamlin. 725 00:34:31,040 --> 00:34:32,520 Speaker 2: If he said no and then he said I want 726 00:34:32,560 --> 00:34:38,800 Speaker 2: you to be happy. 727 00:34:36,360 --> 00:34:39,160 Speaker 4: Wrote some shitty note to him. Yes, Stan the wound, 728 00:34:39,840 --> 00:34:41,839 Speaker 4: that's what that was. But I wouldn't say I. 729 00:34:41,880 --> 00:34:43,640 Speaker 1: Liked Tamilin, but I don't think he's had enough of 730 00:34:43,680 --> 00:34:47,440 Speaker 1: like a redemption arc. It's got to be like redemption 731 00:34:47,560 --> 00:34:49,040 Speaker 1: arc to me is so he's done some good ship 732 00:34:49,080 --> 00:34:51,279 Speaker 1: to save Printhian, Like he's big, played a big part 733 00:34:51,280 --> 00:34:53,320 Speaker 1: and saved Prithian. But he also is the reason Prithian 734 00:34:53,400 --> 00:34:57,000 Speaker 1: was fucking there was a war, true, Like, just because 735 00:34:57,040 --> 00:34:58,320 Speaker 1: you ended it doesn't mean. 736 00:34:58,520 --> 00:35:01,040 Speaker 4: You didn't start it. 737 00:35:00,680 --> 00:35:03,440 Speaker 2: All because you wanted your mate back. Not even your mate, 738 00:35:03,719 --> 00:35:05,560 Speaker 2: a girlfriend that you didn't even fucking listen to. 739 00:35:05,560 --> 00:35:11,040 Speaker 4: You don't even know her birthday. So so he goes. 740 00:35:11,680 --> 00:35:12,800 Speaker 1: So he goes, Oh, tell him, we need to have 741 00:35:12,800 --> 00:35:15,080 Speaker 1: a chat, bro, Like, what's this about your borders? I 742 00:35:15,120 --> 00:35:17,800 Speaker 1: was like, fuck, come on, in, the house is trashed. 743 00:35:18,280 --> 00:35:20,200 Speaker 1: Tay Talent takes res to the only place that hasn't 744 00:35:20,200 --> 00:35:20,600 Speaker 1: been trashed. 745 00:35:20,680 --> 00:35:23,080 Speaker 4: That's his bedroom. There's a table in there. He sits down. 746 00:35:23,160 --> 00:35:25,799 Speaker 1: He goes, Okay, what do you want? He says, these borders, man, 747 00:35:26,680 --> 00:35:29,440 Speaker 1: we need to enforce this shit. He's like, hey, do 748 00:35:29,520 --> 00:35:30,279 Speaker 1: you see. 749 00:35:31,120 --> 00:35:36,520 Speaker 4: Anyone in this house? Legit? He says that. He's like, 750 00:35:36,560 --> 00:35:38,600 Speaker 4: do you see anyone around us? 751 00:35:39,920 --> 00:35:44,640 Speaker 3: Your little girlfriend, your little wife, she ruined my court, bro, 752 00:35:45,160 --> 00:35:49,080 Speaker 3: and he's like, you know what, Yeah, she did. 753 00:35:49,160 --> 00:35:50,799 Speaker 4: And he's like, oh, was that you in her head? 754 00:35:50,840 --> 00:35:52,560 Speaker 4: She learned from you, didn't she? And he goes, honestly, 755 00:35:52,640 --> 00:35:55,560 Speaker 4: this was all hers, So leave me out of this, bro, 756 00:35:56,239 --> 00:35:56,840 Speaker 4: leave me out of this. 757 00:35:56,920 --> 00:35:58,680 Speaker 1: The whole time, he just wanted to like kill Talentlan 758 00:35:58,760 --> 00:36:00,680 Speaker 1: kill Talentin, and I was like, fuck, go kill an 759 00:36:00,719 --> 00:36:01,480 Speaker 1: animal or something. 760 00:36:02,600 --> 00:36:04,759 Speaker 2: And then well, Lucian wasn't there because he was hunting, 761 00:36:04,760 --> 00:36:06,040 Speaker 2: because Lucia was supposed to be there. 762 00:36:06,120 --> 00:36:07,359 Speaker 4: Yeah, but he goes where he's Lousi. He goes, oh, 763 00:36:07,360 --> 00:36:10,879 Speaker 4: he's hunting because again, no people here to give us food, 764 00:36:11,080 --> 00:36:11,839 Speaker 4: will make us food. 765 00:36:12,160 --> 00:36:16,160 Speaker 1: And then he says, well, if it's people you need, 766 00:36:16,239 --> 00:36:18,160 Speaker 1: it's I can give you that. I can have a 767 00:36:18,200 --> 00:36:20,360 Speaker 1: fucking you know, a platoon or whatever he calls it 768 00:36:20,440 --> 00:36:23,640 Speaker 1: here tomorrow or now, and he goes, you can. 769 00:36:23,600 --> 00:36:27,080 Speaker 4: Leave those filthy Allyrium beasts off my fucking lawn. 770 00:36:27,160 --> 00:36:27,359 Speaker 2: Bro. 771 00:36:28,960 --> 00:36:31,240 Speaker 1: He's like, okay, fair, and he's like all right, whatever, 772 00:36:32,200 --> 00:36:35,439 Speaker 1: and he's like getting in Tamlin's head. He goes, he's 773 00:36:35,440 --> 00:36:37,560 Speaker 1: wanting Tamlin to like pounce out him, and shit, he's 774 00:36:37,560 --> 00:36:40,680 Speaker 1: making Tamla angry. And then Tamilin just keeps and saying leave, 775 00:36:40,960 --> 00:36:41,799 Speaker 1: all right, I'm done. 776 00:36:41,960 --> 00:36:45,120 Speaker 4: Leave. Reese is like, oh, come on, baby boy, like 777 00:36:45,520 --> 00:36:48,319 Speaker 4: get those claws out. Let's just a little bit. Cama's like, 778 00:36:48,600 --> 00:36:52,200 Speaker 4: just just fucking leave. I feel bad for him. I 779 00:36:52,200 --> 00:36:54,439 Speaker 4: didn't feel bad for him too, So Reese winnows away. 780 00:36:54,560 --> 00:36:55,560 Speaker 4: He's in peak depression. 781 00:36:56,480 --> 00:37:00,640 Speaker 1: Reese winnows away, right, and then he goes, fuck, I 782 00:37:00,760 --> 00:37:03,640 Speaker 1: noticed this guy hasn't got a single ward on his house. 783 00:37:04,040 --> 00:37:06,280 Speaker 4: He's waiting for someone to come in and slid his throat. 784 00:37:06,800 --> 00:37:11,200 Speaker 2: He's given up, mate, this guy has given up with 785 00:37:11,239 --> 00:37:11,759 Speaker 2: that some bread. 786 00:37:11,880 --> 00:37:13,320 Speaker 4: He's also skinny. 787 00:37:13,560 --> 00:37:18,440 Speaker 1: He goes like less muscle hairs, disgusting shirts, clothes like 788 00:37:18,640 --> 00:37:19,399 Speaker 1: dirty bro. 789 00:37:20,280 --> 00:37:23,279 Speaker 2: We definitely have to have some predictions about how, yeah, 790 00:37:23,320 --> 00:37:24,440 Speaker 2: he comes back to himself. 791 00:37:24,640 --> 00:37:29,239 Speaker 4: Fuck yeah, okay. Chapter twelve, Faarah is at the townhouse. 792 00:37:29,400 --> 00:37:32,080 Speaker 1: Cassie's rocked up for Solstice that's two days prior or something, 793 00:37:32,920 --> 00:37:38,200 Speaker 1: and he's brought a bunch of just like pine needles. 794 00:37:38,520 --> 00:37:40,360 Speaker 4: She's like, what is this, bro? 795 00:37:40,480 --> 00:37:44,719 Speaker 1: He goes, decorations traditions, Solstice, we gotta decorate with the 796 00:37:44,760 --> 00:37:45,360 Speaker 1: pine needles. 797 00:37:45,360 --> 00:37:46,040 Speaker 4: She goes, fuck it. 798 00:37:46,400 --> 00:37:48,480 Speaker 1: They go down and get a bottle of wine. They 799 00:37:48,520 --> 00:37:52,919 Speaker 1: get drunk together, they start decorating. As comes in, Who 800 00:37:53,120 --> 00:37:55,040 Speaker 1: the fuck let YouTube drunks decorate? 801 00:37:55,200 --> 00:37:58,520 Speaker 4: This is hideous and he's like disappointed in them. 802 00:37:59,239 --> 00:38:01,239 Speaker 1: He goes men try to fix it, and Fara's like, 803 00:38:02,080 --> 00:38:04,920 Speaker 1: come on, kim me give me like I'm just thinking. 804 00:38:04,760 --> 00:38:10,560 Speaker 4: Like a drunk mom. You have some wine, some wine, please, 805 00:38:10,600 --> 00:38:12,319 Speaker 4: as you please. He comes over. 806 00:38:12,400 --> 00:38:17,560 Speaker 1: He said, fine, glogok, glog glog, and then everyone starts 807 00:38:17,600 --> 00:38:19,000 Speaker 1: to rock up. You know, it's two days for souls 808 00:38:19,040 --> 00:38:21,840 Speaker 1: to someone someone hang out that people walk in Reese 809 00:38:22,400 --> 00:38:26,160 Speaker 1: Asrael's mid skull of an old, old bottle of wine, 810 00:38:26,239 --> 00:38:28,359 Speaker 1: right because Cassie and Faara was just like, we don't care, 811 00:38:29,080 --> 00:38:31,920 Speaker 1: and as Reel still like respects Reese. And so Reese 812 00:38:31,920 --> 00:38:33,920 Speaker 1: comes in from wherever he was seeing Tomlin, I think, 813 00:38:34,920 --> 00:38:37,040 Speaker 1: and he goes, oh, that's where my wine's been going, 814 00:38:37,160 --> 00:38:41,919 Speaker 1: and as like, and I was like, dude, own that ship. 815 00:38:42,280 --> 00:38:44,279 Speaker 1: I was like, as you, what's your confidence with my guy? 816 00:38:44,560 --> 00:38:46,080 Speaker 4: Own that ship? Legit? 817 00:38:46,440 --> 00:38:48,520 Speaker 2: And they're laughing and he goes and I know it's 818 00:38:48,520 --> 00:38:52,600 Speaker 2: Cassie and don't worry whatever, it's some real p Yeah. 819 00:38:52,640 --> 00:39:00,359 Speaker 4: It's hilarious, kind of cringey and so oh. 820 00:39:00,520 --> 00:39:04,359 Speaker 1: So Fara gets up after decorating. I think either next 821 00:39:04,400 --> 00:39:05,719 Speaker 1: day or same night. She goes in to talk to 822 00:39:05,760 --> 00:39:09,000 Speaker 1: Elaine in the kitchen and she's talking to Eline. Nuala 823 00:39:09,040 --> 00:39:10,680 Speaker 1: and Carol do were are there, and they're kind of 824 00:39:10,680 --> 00:39:13,160 Speaker 1: like shaking their head because they're like Elaine's besties. Now 825 00:39:13,160 --> 00:39:14,920 Speaker 1: she spends heaps of time with them, and they're like 826 00:39:14,960 --> 00:39:18,440 Speaker 1: shaking her at Paris saying don't I wouldn't try today 827 00:39:18,800 --> 00:39:19,799 Speaker 1: because she's in a bad mood. 828 00:39:20,520 --> 00:39:22,080 Speaker 4: She starts trying to ask about Nesta. 829 00:39:22,480 --> 00:39:25,839 Speaker 1: Elaine's going to see Nesta that day and she won't 830 00:39:25,880 --> 00:39:30,279 Speaker 1: come to Solstice, so Farah' is like, fuck, okay, I'll 831 00:39:30,280 --> 00:39:30,960 Speaker 1: go talk to her. 832 00:39:31,239 --> 00:39:33,440 Speaker 4: They have dinner. Paris says the Reese, I need to 833 00:39:33,440 --> 00:39:34,839 Speaker 4: go somewhere after this. They go. 834 00:39:35,320 --> 00:39:37,719 Speaker 1: They win if they go to her apartment, she's not there, 835 00:39:38,280 --> 00:39:41,359 Speaker 1: and then Reese goes, I could just literally like put 836 00:39:41,360 --> 00:39:43,560 Speaker 1: my power everywhere and find her, and she goes fine. 837 00:39:43,880 --> 00:39:44,680 Speaker 4: They go find her in. 838 00:39:44,600 --> 00:39:49,160 Speaker 1: Some seedy rundown bar in Valarus. She's playing cards with 839 00:39:49,719 --> 00:39:55,160 Speaker 1: four bachelors or whatever. Fara goes over reestairs outside Paris. 840 00:39:54,840 --> 00:39:59,919 Speaker 2: Saying, hey, you know, time for a fucking lin eventu 841 00:40:00,080 --> 00:40:04,000 Speaker 2: and all Ness has been doing apparently is drinking. 842 00:40:04,600 --> 00:40:08,600 Speaker 4: And fucking bro. Yeah, but it's not Cassie yet. 843 00:40:08,600 --> 00:40:11,080 Speaker 1: It's not Cassie and she's just She goes over the 844 00:40:11,120 --> 00:40:13,319 Speaker 1: three three guys look at fair. They go, oh, ship 845 00:40:13,400 --> 00:40:15,680 Speaker 1: my lady. They walk away. She goes which one of 846 00:40:15,719 --> 00:40:17,760 Speaker 1: them are taking him tonight? And necesss like, haven't decided? 847 00:40:18,760 --> 00:40:20,239 Speaker 1: Fucking hell nessa. 848 00:40:21,600 --> 00:40:24,279 Speaker 4: Hey, and is what? It is? Gorgeous? This is how 849 00:40:24,280 --> 00:40:26,319 Speaker 4: she's she's got the pick of the town. This is 850 00:40:26,360 --> 00:40:32,600 Speaker 4: how she's using her time. Starts talking to far She says, Farah, 851 00:40:32,640 --> 00:40:36,919 Speaker 4: where the fuck is your dog? Husband? She's like Jesus, 852 00:40:37,480 --> 00:40:40,239 Speaker 4: it's like, fuck, this is such a bitch. Bro. 853 00:40:41,120 --> 00:40:43,240 Speaker 1: They've offered her jobs and everything. She won't do anything. 854 00:40:43,760 --> 00:40:47,920 Speaker 1: She says, come to solstice. I don't want to come 855 00:40:47,960 --> 00:40:48,440 Speaker 1: to solstice. 856 00:40:48,640 --> 00:40:48,920 Speaker 4: Please. 857 00:40:48,960 --> 00:40:50,600 Speaker 1: You're part of the family. Why do actually part of 858 00:40:50,640 --> 00:40:53,920 Speaker 1: your family? Because you're literally our sister, all right blood. 859 00:40:54,960 --> 00:40:58,799 Speaker 1: She's like, you know, father Nest He goes, don't finish. 860 00:40:58,520 --> 00:41:03,080 Speaker 4: That sentence, so good, don't you speak his name? Fuck off? 861 00:41:03,600 --> 00:41:05,440 Speaker 1: She's giving him a nice tomb and stuff, like Pharaoh 862 00:41:05,440 --> 00:41:07,640 Speaker 1: gave him a nice, nice tombstone. In the city somewhere. 863 00:41:07,680 --> 00:41:10,359 Speaker 1: Well he had his redemption ar. Yeah, he's a bee bro, 864 00:41:11,200 --> 00:41:14,439 Speaker 1: And so she says to Nesta. Then she's like gets 865 00:41:14,480 --> 00:41:16,360 Speaker 1: up to theeve and she goes, look, please just just 866 00:41:16,400 --> 00:41:20,120 Speaker 1: can't you know she's not doesn't have hopes very high. 867 00:41:20,160 --> 00:41:22,200 Speaker 1: And then Nesta goes as Fara is about to walk out, 868 00:41:22,200 --> 00:41:25,919 Speaker 1: and Nessa's like, oh, my rent, My rent's due next week. 869 00:41:25,960 --> 00:41:29,319 Speaker 3: And I was like, what the fuck the audacity you're 870 00:41:29,800 --> 00:41:30,640 Speaker 3: fucking bitch. 871 00:41:30,719 --> 00:41:34,319 Speaker 4: Acity is the word. And Pharah goes, she like turns back, 872 00:41:34,360 --> 00:41:35,800 Speaker 4: she goes see a. 873 00:41:35,920 --> 00:41:40,479 Speaker 1: Solstice's like, come to Solstice and we'll see about your rent. 874 00:41:40,880 --> 00:41:43,080 Speaker 4: It's like the fucking audacity, bro. 875 00:41:43,960 --> 00:41:48,239 Speaker 1: So Chapter fourteen is Reese, and Reese is. 876 00:41:49,680 --> 00:41:54,759 Speaker 4: On his own today. Everyone's busy, and he bumps. 877 00:41:54,400 --> 00:41:57,560 Speaker 1: Into more somewhere and he goes like, fuck, let's go 878 00:41:57,640 --> 00:42:01,120 Speaker 1: for a walk. I haven't really spoken. They definitely spoken 879 00:42:01,160 --> 00:42:05,480 Speaker 1: about how the fact that he's you know, given Valarus, 880 00:42:05,480 --> 00:42:07,560 Speaker 1: like let Kier have access to Valarus, which is coming 881 00:42:07,600 --> 00:42:10,320 Speaker 1: in the spring, and also set up the meeting heress 882 00:42:10,320 --> 00:42:10,640 Speaker 1: and stuff. 883 00:42:10,640 --> 00:42:12,480 Speaker 4: So he's talking and. 884 00:42:12,440 --> 00:42:14,600 Speaker 1: They're talking about that a little bit, and she's like, 885 00:42:14,600 --> 00:42:17,800 Speaker 1: when are they going to come, and he goes, probably spring. 886 00:42:17,920 --> 00:42:19,320 Speaker 1: You know I can, I can literally put you on 887 00:42:19,400 --> 00:42:21,759 Speaker 1: duties elsewhere. If that's if that helps that she goes no. 888 00:42:22,280 --> 00:42:24,040 Speaker 1: He wins, then I want to be here and I 889 00:42:24,040 --> 00:42:27,400 Speaker 1: want to act like unbothered, and he goes, well, I 890 00:42:27,400 --> 00:42:29,120 Speaker 1: actually I really am going to need you in these 891 00:42:29,160 --> 00:42:32,799 Speaker 1: next few decades or whatever. I need you to be 892 00:42:32,840 --> 00:42:37,000 Speaker 1: the bridge between the night Court and everyone else. You know, 893 00:42:37,280 --> 00:42:38,880 Speaker 1: that's what you're good at. I need you to be 894 00:42:38,920 --> 00:42:40,640 Speaker 1: doing this. I need you to be going to the 895 00:42:40,680 --> 00:42:43,200 Speaker 1: other courts the continent. And he talks about how in 896 00:42:43,239 --> 00:42:47,600 Speaker 1: the past, like more, she traveled everywhere all over the world. 897 00:42:47,640 --> 00:42:50,719 Speaker 1: That's where she learned how to fight. You know, she 898 00:42:50,880 --> 00:42:53,000 Speaker 1: ort to these skills. That's why she knows what she knows. 899 00:42:53,680 --> 00:42:57,880 Speaker 1: And so she's like, are you doing this because you 900 00:42:57,920 --> 00:43:00,000 Speaker 1: think I need to leave or And he's like, no, no, 901 00:43:00,280 --> 00:43:02,960 Speaker 1: your choice. Think of this as an offer. I'm not demanded. 902 00:43:02,960 --> 00:43:03,919 Speaker 1: This is not an order. 903 00:43:04,000 --> 00:43:05,719 Speaker 4: I always loved this from me. Yeah, this is not 904 00:43:05,760 --> 00:43:06,160 Speaker 4: an order. 905 00:43:06,239 --> 00:43:08,239 Speaker 1: I when you think about it, but I will have 906 00:43:08,320 --> 00:43:10,319 Speaker 1: you know that I do need you right something. I 907 00:43:10,320 --> 00:43:13,520 Speaker 1: think that your best, your time will be best. And 908 00:43:13,760 --> 00:43:16,799 Speaker 1: it's so she's like, cool, think about it, and that's 909 00:43:16,880 --> 00:43:18,600 Speaker 1: really that's the fourteenth chapters, guys. 910 00:43:19,840 --> 00:43:21,640 Speaker 4: Interesting and look we're talking about it. 911 00:43:21,680 --> 00:43:23,160 Speaker 1: When you're talk about it's kind of it is cool, 912 00:43:23,200 --> 00:43:26,040 Speaker 1: but it's just also boring. But yeah, thinking back, like 913 00:43:26,719 --> 00:43:28,520 Speaker 1: we've had boring episodes of the other books, to. 914 00:43:28,440 --> 00:43:33,200 Speaker 2: Be fair, very true, I guess like we know there's nothing, there's. 915 00:43:33,040 --> 00:43:36,480 Speaker 4: Not going to be any like amazing moment in this book. 916 00:43:36,560 --> 00:43:38,120 Speaker 1: Well, yeah, you know what with the other books, even 917 00:43:38,160 --> 00:43:39,759 Speaker 1: if it was it was even if it was a 918 00:43:39,800 --> 00:43:43,080 Speaker 1: boring episode because the chaps were boring, we. 919 00:43:42,920 --> 00:43:46,200 Speaker 2: Were still building up to something. Yeah, I have no 920 00:43:46,239 --> 00:43:48,000 Speaker 2: idea what we're building up to in this Yeah, there's 921 00:43:48,000 --> 00:43:51,720 Speaker 2: no blue balls at all in this book at all. Overall, 922 00:43:51,800 --> 00:43:55,080 Speaker 2: let's do some predictions, eh, Okay, So obviously the book's 923 00:43:55,080 --> 00:43:57,479 Speaker 2: going to finish at the winter solstice, you. 924 00:43:57,360 --> 00:44:01,560 Speaker 1: Think, so, I assume I have a feeling right now, 925 00:44:01,600 --> 00:44:03,240 Speaker 1: we're like a day away from which solstice. 926 00:44:03,280 --> 00:44:06,600 Speaker 2: Well, this whole book is a week, isn't it. So 927 00:44:06,640 --> 00:44:09,560 Speaker 2: there's two more days fourteen chapters finishes. Well, I think 928 00:44:09,719 --> 00:44:12,200 Speaker 2: like ten chapters or six chapters is going to be 929 00:44:12,280 --> 00:44:17,000 Speaker 2: at the winter solstress. My prediction is Nesta rocks up late, 930 00:44:17,840 --> 00:44:20,680 Speaker 2: something happens and there's a massive ordeal. She causes a 931 00:44:20,719 --> 00:44:23,480 Speaker 2: scene and you find out what happened with. 932 00:44:23,440 --> 00:44:29,120 Speaker 4: Her and cass In. Okay that or I hope they kiss, Okay, 933 00:44:29,239 --> 00:44:35,440 Speaker 4: I do not effing no, bro, I think so. 934 00:44:35,520 --> 00:44:37,560 Speaker 1: It says in there that Lucian's going to go spend 935 00:44:37,680 --> 00:44:42,719 Speaker 1: Solstice with Tamlin. Yeah, yep, somewhere so nothing of a lane. 936 00:44:42,760 --> 00:44:44,759 Speaker 1: So he probably won't come back. No, I don't think 937 00:44:44,800 --> 00:44:46,520 Speaker 1: so if he does. 938 00:44:46,640 --> 00:44:51,440 Speaker 4: Cool, I guess what actually happens on the night slash day. 939 00:44:51,560 --> 00:44:53,840 Speaker 2: I think it's a Christmas Yeah, okay, we got her 940 00:44:53,880 --> 00:44:56,919 Speaker 2: birthday to favors birthday. Rize will do some extravagant thing, 941 00:44:57,640 --> 00:45:00,120 Speaker 2: get a like sick. Maybe there'll be an amazing gest 942 00:45:00,880 --> 00:45:02,600 Speaker 2: like you know how he took her into that like 943 00:45:02,680 --> 00:45:04,600 Speaker 2: secret room of all the crowns and you could pick one. 944 00:45:04,960 --> 00:45:06,480 Speaker 2: Maybe there would be something cool like that. 945 00:45:07,200 --> 00:45:10,279 Speaker 4: Maybe. Well here's what I think. I think. Yeah, so 946 00:45:10,440 --> 00:45:12,920 Speaker 4: everyone will be there. They're waiting for. 947 00:45:12,920 --> 00:45:19,799 Speaker 1: Nessa's go rock up drunk, oh causing drunk of a man. 948 00:45:21,440 --> 00:45:24,200 Speaker 4: I hope you don't mind me bringing a date. That's 949 00:45:24,360 --> 00:45:28,960 Speaker 4: petty Cassian fights the date. Oh, what do you mean 950 00:45:29,239 --> 00:45:32,160 Speaker 4: that's slaughter. Cassie will kill that guy with the fucking. 951 00:45:32,160 --> 00:45:35,440 Speaker 2: But he's been playing with him obviously, won't kill him 952 00:45:35,440 --> 00:45:35,960 Speaker 2: on purpose. 953 00:45:36,520 --> 00:45:41,319 Speaker 1: Fair well, Okay, Yeah, I like the thought of Nessa 954 00:45:41,400 --> 00:45:44,680 Speaker 1: rocking it up, and it's been a bit and then 955 00:45:45,560 --> 00:45:50,879 Speaker 1: I still think that this book needs to lead to 956 00:45:50,920 --> 00:45:55,320 Speaker 1: something happening in the next one, because the next. 957 00:45:55,160 --> 00:45:56,759 Speaker 4: One isn't going to start off with like we were 958 00:45:56,760 --> 00:46:00,960 Speaker 4: all happy days. The next one Cargan a quarter silver flame? Silver? 959 00:46:01,880 --> 00:46:04,279 Speaker 2: Does that have something to do with the when he's 960 00:46:04,280 --> 00:46:07,200 Speaker 2: cursed and turns into a bird? 961 00:46:07,280 --> 00:46:07,879 Speaker 4: That'll be cool? 962 00:46:08,160 --> 00:46:12,399 Speaker 1: Vasa, Yeah, Basa because they mentioned during and Vasa she's 963 00:46:12,400 --> 00:46:16,480 Speaker 1: still maybe maybe Solcias gets wrapped up pretty quick in 964 00:46:16,480 --> 00:46:16,799 Speaker 1: the next. 965 00:46:16,719 --> 00:46:19,200 Speaker 4: Couple of chapters. Maybe maybe socials s gets wrapped up. 966 00:46:19,520 --> 00:46:22,840 Speaker 1: And then they go have a little visit down with 967 00:46:22,960 --> 00:46:26,960 Speaker 1: human Lands. How you guys going, Vasa, what's the delioh, 968 00:46:27,160 --> 00:46:28,760 Speaker 1: let's actually go see about that curse? 969 00:46:30,120 --> 00:46:32,319 Speaker 4: Ah? What's I like? That too? 970 00:46:33,320 --> 00:46:35,480 Speaker 2: Leads onto silver flames and because what else could that 971 00:46:35,480 --> 00:46:37,840 Speaker 2: one be? That makes sense in my head? 972 00:46:38,080 --> 00:46:43,920 Speaker 1: You do remember when we said this isn't smart? Yeah, 973 00:46:44,000 --> 00:46:48,600 Speaker 1: but then someone's left comment and they were like always 974 00:46:48,719 --> 00:46:52,719 Speaker 1: gets there hasn't got the silver flames might be there 975 00:46:52,920 --> 00:46:54,720 Speaker 1: just full of sex scenes. 976 00:46:55,040 --> 00:46:59,040 Speaker 2: Well, I'm hoping in this book Reese uh was in 977 00:46:59,120 --> 00:47:00,840 Speaker 2: Favor's mind and said you can pay me naked at 978 00:47:00,880 --> 00:47:03,400 Speaker 2: one point when she was nervous about painting. I'm hoping 979 00:47:03,440 --> 00:47:05,640 Speaker 2: she actually gets to pain him naked and he's like, yeah, 980 00:47:05,640 --> 00:47:07,239 Speaker 2: I have missed the pain or some ship and they 981 00:47:07,239 --> 00:47:08,360 Speaker 2: have another sexy scene. 982 00:47:08,680 --> 00:47:10,040 Speaker 4: Yeah, that would be great in this book. 983 00:47:10,120 --> 00:47:13,719 Speaker 1: I think that this is book's going to end with 984 00:47:13,760 --> 00:47:15,160 Speaker 1: Cassie and Nessa hooking up. 985 00:47:16,920 --> 00:47:19,680 Speaker 2: I think it might be another as real more situation. Oh, 986 00:47:19,760 --> 00:47:23,520 Speaker 2: it never happens, It never happens, she teases. Maybe she teases. 987 00:47:23,600 --> 00:47:25,040 Speaker 4: What does she know that they're mates? 988 00:47:25,440 --> 00:47:29,000 Speaker 1: Are they mates? I think they have suspicions. Yeah, there's 989 00:47:29,080 --> 00:47:31,080 Speaker 1: Cassie and even everyone's mates in this book. 990 00:47:31,120 --> 00:47:35,640 Speaker 4: Mate fair, fair, but. 991 00:47:35,640 --> 00:47:39,040 Speaker 2: Also mates doesn't mean anything because look at Lucian and 992 00:47:39,040 --> 00:47:42,640 Speaker 2: fucking Laye. True true, true, But overall, look, it's something different. 993 00:47:44,040 --> 00:47:47,319 Speaker 2: It's still entertaining at the end of the day, and 994 00:47:48,400 --> 00:47:51,040 Speaker 2: it is leading. Maybe this is just leading onto the 995 00:47:51,080 --> 00:47:52,920 Speaker 2: next book, which is going to be amazing. 996 00:47:52,960 --> 00:47:54,719 Speaker 4: Again. It's a filler book. Yeah, it's a filler it's 997 00:47:54,719 --> 00:47:57,640 Speaker 4: a filler, but it's like filler episodes in shows. Some 998 00:47:57,719 --> 00:47:59,759 Speaker 4: episodes boring. Bro. 999 00:48:00,480 --> 00:48:04,520 Speaker 1: The best filler episode ever written the Last of Us 1000 00:48:04,680 --> 00:48:08,960 Speaker 1: episode two or whatever, when so you've been introduced to 1001 00:48:09,040 --> 00:48:11,239 Speaker 1: the main people. But then that episode where it's that 1002 00:48:11,280 --> 00:48:12,320 Speaker 1: guy that was a prepper. 1003 00:48:12,719 --> 00:48:17,359 Speaker 2: Yeah yeah, okay, yeah that was also traver Bro. 1004 00:48:18,440 --> 00:48:20,960 Speaker 4: That episode that didn't even feel like a filler episode. 1005 00:48:21,080 --> 00:48:22,839 Speaker 1: I didn't feel like a filler episode, even though it was. 1006 00:48:23,120 --> 00:48:26,960 Speaker 1: They went from they had, like in the one episode, 1007 00:48:27,120 --> 00:48:29,840 Speaker 1: a twenty year fucking marriage. 1008 00:48:30,640 --> 00:48:32,080 Speaker 4: And it was the most emotional thing you can ever 1009 00:48:32,120 --> 00:48:32,480 Speaker 4: go through. 1010 00:48:32,719 --> 00:48:35,000 Speaker 2: To be fair, all those episodes were like movies. Yeah 1011 00:48:35,000 --> 00:48:38,120 Speaker 2: that was crazy, but still, how about make this book 1012 00:48:38,120 --> 00:48:40,000 Speaker 2: as good as The hard thing about this book too, 1013 00:48:40,040 --> 00:48:42,520 Speaker 2: is the timeline of it. Like it's only ten days 1014 00:48:42,600 --> 00:48:44,480 Speaker 2: or something in this whole book so far, we're like 1015 00:48:44,520 --> 00:48:46,000 Speaker 2: ten days now, you know. I think the whole thing 1016 00:48:46,080 --> 00:48:48,000 Speaker 2: is like two weeks ten days. Yeah, So that's why 1017 00:48:48,040 --> 00:48:49,760 Speaker 2: it's boring. Imagine if you wrote. 1018 00:48:49,560 --> 00:48:56,279 Speaker 1: About your week, I wake up, eat breakfast, go to 1019 00:48:56,320 --> 00:48:58,880 Speaker 1: the gym, come back work, and then go to the 1020 00:48:58,880 --> 00:49:00,120 Speaker 1: dog park that. 1021 00:49:00,160 --> 00:49:02,920 Speaker 2: Every day exactly, mate. 1022 00:49:03,560 --> 00:49:04,319 Speaker 4: It's the same thing. 1023 00:49:04,560 --> 00:49:08,239 Speaker 2: The occasional phone call with I have the occasional phone 1024 00:49:08,239 --> 00:49:09,520 Speaker 2: call with Beth Welsh is a. 1025 00:49:09,560 --> 00:49:11,480 Speaker 4: World the highlight, mate, the highlight. 1026 00:49:11,760 --> 00:49:15,799 Speaker 2: Alright, so join us next week four Chapter fourteen to 1027 00:49:15,840 --> 00:49:18,840 Speaker 2: the end, Yes, Part two, Part two bick one Yeah, 1028 00:49:19,040 --> 00:49:23,920 Speaker 2: sweet as guys, I mean look again happy, So everyone 1029 00:49:23,920 --> 00:49:28,279 Speaker 2: get out there, stuff fucking reading all right, and stay bad, Yeah, 1030 00:49:28,320 --> 00:49:29,120 Speaker 2: stay bad.