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Speaker 1: Check the weather, rap activate my base shield, order a pizza,

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Speaker 2: You have the can that I'm really disappointed with this because, Sarah,

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Speaker 2: you've probably seen me around the bay Onmine area with

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Speaker 2: the old bike put on the pushbike.

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Speaker 3: Yeah, and your deadly.

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Speaker 2: And I like getting up to the top of Victoria,

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Speaker 2: ride up the big hill there, and I like pushing

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Speaker 2: this button, the pedestrian crossing button when I go across

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Speaker 2: Darling Street, and I usually have to wide a while,

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Speaker 2: and I'm one of those look doank look. I'll have

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Speaker 2: nothing more than hitting it a few times and I

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Speaker 2: feel like the quicker that I hit it, the quicker

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Speaker 2: It's going to tender, the little green Man's going to

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Speaker 2: come off, and I'm going to just push off on

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Speaker 2: my bike and go again.

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Speaker 3: Makes sense.

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Speaker 2: This is just really really got me down. I've read

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Speaker 2: this article which has come out overnight. If you've been

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Speaker 2: repeatedly bashing the pedestrian crossing button expecting that the lights

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Speaker 2: to change soon after you lead safely towards your destination,

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Speaker 2: you have been barking up the wrong tree for the

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Speaker 2: past twenty four years.

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Speaker 3: What do you mean?

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Speaker 2: Unfortunately, for Sydney ciders, if you've been pressing that button

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Speaker 2: from seven am to seven pm on any pedestrian crossing

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Speaker 2: Monday to Thursday, and from seven am to nine pm

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Speaker 2: on a Friday, you've been taken for a fall. That's

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Speaker 2: because they're automated pedestrian phases, which means clicking that big

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Speaker 2: button is rendered useless. And it has been that way

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Speaker 2: since ninety nine.

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Speaker 4: That's the same as the lights. They're on timers.

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Speaker 2: So so what do we have h we do have senses,

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Speaker 2: don't we?

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Speaker 3: I did it this morning, Sass, I did the reverse

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Speaker 3: back on the drive up again. It did. Sometimes I

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Speaker 3: reckon it just you feel like it works because you've

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Speaker 3: actually just feeled the time while you want to get

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Speaker 3: the lights trying to get the lights to change. Yeah,

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Speaker 3: but you know once a car is on the sensor,

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Speaker 3: well then it's registered. They're not going to go oh,

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Speaker 3: there's another car on the sensor. Now do there's two

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Speaker 3: cars that have pulled up in the one spot? Doesn't

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Speaker 3: make sense with that sense.

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Speaker 2: So have you found like do you go over the

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Speaker 2: sensor or you haven't hit the sensor? Sometimes because have

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Speaker 2: you been at lights before and they just don't change?

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Speaker 3: Yeah, it does your head in and there's no traffic

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Speaker 3: and it's five o'clock in the morning. Or if you've got.

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Speaker 2: Someone in front of you that obviously hasn't hit the

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Speaker 2: sensor and you're behind them, do you beep and get

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Speaker 2: on the sensor when.

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Speaker 3: They've pulled up too short? There is nothing more annoying

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Speaker 3: than that.

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Speaker 2: It's horrible.

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Speaker 5: So it's worse when they do press it because outside

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Speaker 5: of that phasing, you press it and so then they'll

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Speaker 5: know that they need to make the pedestrian crossing. But

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Speaker 5: people will often just get their press the button, realize

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Speaker 5: there's no cars and go and so then by the

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Speaker 5: time you get to the lights, it'll then go red.

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Speaker 2: But the person's already three quarters the way across the road.

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Speaker 2: You just have to sit there. You down is when

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Speaker 2: sensor on the road? Is it the weight of your

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Speaker 2: car that triggers.

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Speaker 3: You can see it cut into the road. You can

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Speaker 3: see it. It's like a cross grid. You'll see a

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Speaker 3: little it's like an asterisk. I suppose where's the sensor

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Speaker 3: on the pedestrian crossing.

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Speaker 2: Well, there's no sensor. It's an automatd it's time. It

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Speaker 2: just goes off.

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Speaker 4: Every top coordinates with the lights.

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Speaker 2: Let's see.

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Speaker 3: But why do we have makes me bloody nervous? Two

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Speaker 3: says is when you can walk diagonally across the road

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Speaker 3: square in the city and you're allowed to walk straight

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Speaker 3: across on the diagonal, and you go, oh my god,

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Speaker 3: I'm on the forty five guys, and I'm in the

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Speaker 3: middle of an intersection.

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Speaker 2: You know what I love? You can do in a

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Speaker 2: city now as well. You can walk down any street

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Speaker 2: down George Street because they're doing the light rails. All

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Speaker 2: the small businesses love it.

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Speaker 3: It's just been so great for business. It's run so smoothly.

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Speaker 3: There's been no disagreements, so celebt.

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Speaker 2: You only use now for these pedestrian crossing buttons are

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Speaker 2: for kids now to go up and fight over who's

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Speaker 2: going to at first.

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Speaker 3: That's true, or on your out of times on the weekend.

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Speaker 2: So it's just really disappointing. You can press it as

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Speaker 2: many times as you want, it's not making a difference

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Speaker 2: at all.

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Speaker 3: Great for germs as well. I need to pull this

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Speaker 3: article apart, says and I reference you here because it's

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Speaker 3: talking about the characteristics of the most promotable woman. Sure,

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Speaker 3: I didn't really think this came into play these days,

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Speaker 3: And to have an article like this in twenty eighteen,

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Speaker 3: I'm disgusted by it feels like it could be the sixties.

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Speaker 3: It says that if you want to climb the corporate ladder,

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Speaker 3: you need to be subtly attractive. It's important to have

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Speaker 3: the correct hair color because you could be perceived as

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Speaker 3: more competent.

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Speaker 2: How do you perceive subtly.

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Speaker 3: I'll have a listen to this. Be attractive, but not

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Speaker 3: over the top, guys. When it comes to being hired,

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Speaker 3: studies show that those who are attractive tend to be

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Speaker 3: viewed as more capable. However, this can become a liability

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Speaker 3: as women work their way up the corporate ladder. Once

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Speaker 3: women get to manager you or positions, positions of leadership

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Speaker 3: and positions of power, beauty becomes a liability because of

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Speaker 3: stereotypes surrounding women.

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Speaker 4: Would they maybe be saying more, be presentable.

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Speaker 6: You know that you don't have to be beautiful, but

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Speaker 6: you do need to look as though you put yourself

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Speaker 6: together well. Attractive in that sense, you're attractive as impresentable

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Speaker 6: because you're presentable, so it's attractive. You don't look at

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Speaker 6: you and think, oh God, she's wearing ripped, this, that

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Speaker 6: and the other.

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Speaker 3: You got the right shoes on, CEO, got the right gear.

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Speaker 3: Don't go to casual on the Friday.

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Speaker 4: Yeah, stuff like.

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Speaker 2: You like a good business suit. I know what you're saying, Sarah.

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Speaker 2: But then also to walk into a room with confidence.

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Speaker 3: You know what I mean.

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Speaker 2: Just walk into a room and pointed a man, what

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Speaker 2: are you doing nothing? See that? That would instantly I'll

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Speaker 2: go that girl is a leader. That's what you do

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Speaker 2: to Whipper and I every day.

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Speaker 6: Different You've been saying for the last nane as.

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Speaker 3: It goes on to say on that topic, though, it

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Speaker 3: goes on to say, in terms of speaking with a

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Speaker 3: confident time, this is a good thing. Include the tone.

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Speaker 3: Don't be too high pitched with your voice. That can

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Speaker 3: be frustrating and annoying in the workplace. I encourage women

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Speaker 3: to either lower their vocal tone or speak confidently and

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Speaker 3: pronounce each word clearly with a lower time, especially and

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Speaker 3: critical moments in meetings see.

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Speaker 2: Ow boss our CEO O'Connor. Cat's like that are very relaxed,

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Speaker 2: and that's great because when you have a conversation with

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Speaker 2: Kath you sort of let your guard down sometimes and

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Speaker 2: you try to make a laugh, but then she always

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Speaker 2: there can be moments where Kath can give you the

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Speaker 2: look and put your bag in the line.

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Speaker 7: You go yeah, yeah, and.

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Speaker 2: She's really really good at it, so you can have

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Speaker 2: a laugh with Kaf But every now and then you go, Okay,

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Speaker 2: maybe I've overstepped the mark here and I've got to

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Speaker 2: pull it back.

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Speaker 3: You know the good thing about Kath too, she's a brunette.

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Speaker 3: Now that is the key hair color to becoming just

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Speaker 3: so do you reckon?

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Speaker 6: It's the sad thing, yeah, because the world is that

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Speaker 6: crap when you're a woman, goes on that you would

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Speaker 6: get demoted for having blonde hair and looking too good.

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Speaker 3: So here, I think it's quite jarring to think that

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Speaker 3: the color of somebody's hair could affect whether or not

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Speaker 3: you are viewed as leadership material. But as it turns out,

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Speaker 3: men see brunette women as being more competent.

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Speaker 6: All these problems arise because the person giving you the

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Speaker 6: job is a bloke.

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Speaker 4: So this list has been written by a man, not

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Speaker 4: by a woman.

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Speaker 2: You're probably right it is.

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Speaker 6: It's all these tips are from a man saying I'll

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Speaker 6: hire you for the role. None of them have been

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Speaker 6: that you're qualified. They've all been about appearance.

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Speaker 3: Make sure that your clothes fit well. I warned you

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Speaker 3: nineteen sixties. Make sure that your clothes fit very well.

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Speaker 3: Research shows your parents strongly influences other people's perception of

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Speaker 3: your financial success.

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Speaker 2: Well, I reckon that goes for any employee. We somese

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Speaker 2: that fit you well?

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Speaker 4: Yeah, who's buying clothes don't fit them?

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Speaker 3: Go wearing market.

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Speaker 2: I don't think I'm going to become CEO if I

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Speaker 2: wear these bags.

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Speaker 3: Although we had a guy that used to work here

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Speaker 3: and he wore the Titus closed. It's almost like he

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Speaker 3: didn't realize the size of his body. I'm going to

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Speaker 3: say their name, and he would wear like he was

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Speaker 3: a biggish guy. He would wear t shirts.

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Speaker 2: That was so tight.

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Speaker 3: Are you talking about jeans that were just sucking like

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Speaker 3: a wrapped hand around his thighs?

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Speaker 2: And you would go nice.

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Speaker 3: There's nothing comfortable about what they were wearing.

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Speaker 6: He might have felt good wearing it. That's not up

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Speaker 6: to you to decide that he should wear it or not.

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Speaker 2: It looked horrible coming through brand new striped shirt.

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Speaker 3: And you wear women shoes that is not true. Says

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Speaker 3: they are a unisex sneaker and they were recommended by

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Speaker 3: a woman to me, and they look.

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Speaker 2: He's wearing for women's shoes because he wants to become

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Speaker 2: a leader. That's what he wants. Interesting story to come

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Speaker 2: out of the States overnight. Thereah, there's a guy over there.

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Speaker 2: He's forty five years of age. His name is Allan mccullenen.

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Speaker 2: Now he is well. It used to be a great

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Speaker 2: NFL player, a great Gridirron player. Over there, he's forty

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Speaker 2: five and he is adopted Sarah. He's the offspring of

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Speaker 2: Carol Briggs, who gave birth to him at the age

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Speaker 2: of sixteen after a fling with a young man who

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Speaker 2: had already left her hometown in Youngstown, Ohio. When she

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Speaker 2: discovered she was pregnant, she opted not to tell the

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Speaker 2: young man of his pending fatherhood, and she gave up

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Speaker 2: Delan McCullough who was originally named John Briggs up for

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Speaker 2: adoption now unaware of his origins. He became the son

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Speaker 2: of a local radio host and his wife, but then

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Speaker 2: he was fatherless again within two years when the marriage

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Speaker 2: broke down. So he's had a pretty tough upbringing.

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Speaker 3: Not fair.

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Speaker 2: Now, despite this unsettled upbringing, he became a star high

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Speaker 2: school football player and he signed with Miami University after

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Speaker 2: being recruited by the college's running backs coach. His name

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Speaker 2: was Sherman Smith. He was known as the Tank, the Tank,

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Speaker 2: Sherman the Smith. Now, this guy went on to be

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Speaker 2: a bit of a legend in the coaching ranks. He

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Speaker 2: went onto the Seattle Seahawks Srah who won a Super

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Speaker 2: Bowl in twenty fourteen. So this bloke was a bit

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Speaker 2: of a legend. But he took Dylan sort of under

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Speaker 2: his wing and became a confidante for him, a mentor,

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Speaker 2: and followed his career. Now Dylan didn't really He's one

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Speaker 2: of these guys forty five years of age. When you

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Speaker 2: find out you're adopted, I can understand there's a lot

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Speaker 2: of people out there that don't want to find out.

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Speaker 2: They don't want to find out who their biological parents

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Speaker 2: just carry on. You just move on with your life, mate,

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Speaker 2: And this guy went on to have a really good career.

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Speaker 2: Then at the age of forty five, he thought, you

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Speaker 2: know what, I think I've matured enough now that I'd

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Speaker 2: love to find out who.

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Speaker 3: Change of mind for Dylan. So this is going somewhere.

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Speaker 2: So new laws in his hometown allowed him to unseal

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Speaker 2: his adoption records and he contacted his biological mump, Carol Briggs,

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Speaker 2: on Facebook after seeing her on his birth certificate. So

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Speaker 2: he met his mom for the first time. There was

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Speaker 2: a few tears and his mom said, look, you know, look,

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Speaker 2: I had a fling with a guy for one night

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Speaker 2: and then he left. I'm so sorry I gave you

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Speaker 2: up for adoption. And it was really really emotional. There

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Speaker 2: was one piece of the puzzle left who was McCullough's father,

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Speaker 2: And when he got the results back, the mother said,

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Speaker 2: your father's name is Sherman. The tank smith that was

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Speaker 2: no wiful father, the guy that took him under his wing,

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Speaker 2: the coach, the tank that coached him up his confident,

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Speaker 2: his mental is his real biological father.

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Speaker 3: Did the tank know that?

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Speaker 2: No, the tank had no idea kidding even the Tank

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Speaker 2: didn't know no why And then the funny thing about

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Speaker 2: it as well as his teammates used to joke with

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Speaker 2: him and say how much he looked you look like

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Speaker 2: the Tank? Oh his whole career, you look like Sherman Smith.

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Speaker 4: So did they tell Sherman? Yeah, and is it okay

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Speaker 4: with Well?

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Speaker 2: See, I don't know this was I think the funny

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Speaker 2: Sherman was like, I Doug didn't even know I had

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Speaker 2: a kid. So even he was in shock. But then

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Speaker 2: he was stoked that the guy that he's sort of

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Speaker 2: mentored and took under his wing was.

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Speaker 3: Now he's had that amazing connection.

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Speaker 4: That's nice.

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Speaker 2: He's never spoken to him since. But it's just a

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Speaker 2: great story.

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Speaker 3: So that Preston could be my dad.

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Speaker 8: It's in with us.

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Speaker 9: Dad to school for formals bring people together.

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Speaker 3: They do bring people together, and everybody has a formal

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Speaker 3: story and that's what we're looking for as well. Yesterday

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Speaker 3: on the show What a Treat, we surprised Joel Creasy

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Speaker 3: in the studio with his formal partner, the girl he

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Speaker 3: took to his formal who was the star also on Masterschef, Yes,

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Speaker 3: Sarah that's right, walked into the studio couldn't believe it.

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Speaker 3: That's what we're doing. We're reuniting as well lost loved ones,

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Speaker 3: which is special. Natalie and Blaxland, Welcome to the show.

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Speaker 3: Your date had a bad time of the formal? Is

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Speaker 3: that right?

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Speaker 10: Yes?

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Speaker 11: He did so. My date was actually a back update

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Speaker 11: because my boyfriend at the time broke up with me

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Speaker 11: a week before the floor crush.

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Speaker 2: That's a tough going is a back up date knowing

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Speaker 2: that your second choice? How did that go down? Natalie?

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Speaker 11: Oh, he accepted it. He's been my best friend for years,

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Speaker 11: but he had a terrible time because my boyfriend, my

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Speaker 11: ex boyfriend, was a steely axer. He had to eat

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Speaker 11: all the glutes of free food.

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Speaker 2: Natalie as a best friend, is he really your best friend?

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Speaker 2: Or has there been a couple of moments where he said, Nat,

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Speaker 2: I wouldn't mind taking this a bit further. Well, he's opened.

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Speaker 3: One, Nat, You guys haven't just continued on without one

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Speaker 3: wanting more than the other. So who was it? Uken King?

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Speaker 11: At different times? I think we're both keen, but was him?

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Speaker 3: Do you want it to happen that? Do you want

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Speaker 3: it to happen?

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Speaker 2: Oh?

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Speaker 11: I love him, but no, I have a boyfriend of

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Speaker 11: my own. Now he is a girlfriend of his own.

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Speaker 2: Now he's still hoping, so it will happened. And Wednesday,

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Speaker 2: September nine, and let's look.

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Speaker 3: Yeah, Nat, you can come along if you bring your

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Speaker 3: best friend.

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Speaker 11: Okay, we'll see you there.

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Speaker 2: Your boyfriend is crap. Let's go. Let's go to Anna

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Speaker 2: and Wilhelmloe Hianna.

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Speaker 10: Hey, guys, hey going.

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Speaker 2: You had a very surprised guest at your formal.

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Speaker 10: Sure did. Ninety five went to marry Out High School

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Speaker 10: in Adelaide and it was the music high school, so

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Speaker 10: we were always going to have like a really cool

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Speaker 10: performer and we had a local acid funk band. Sea

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Speaker 10: was the lead singer.

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Speaker 2: Oh you're kidding me, So see your perform But obviously

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Speaker 2: you had no idea who she was Anna?

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Speaker 10: No, well look she was really like she she was.

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Speaker 10: She was a local girl and quite well known in

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Speaker 10: the area. Yeah, but obviously not the international star that

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Speaker 10: she used today.

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Speaker 3: But yeah, but did she do Chandelier?

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Speaker 8: No?

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Speaker 2: She was an Adelaide high school student. That's amazing. You

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Speaker 2: can't remember her band's.

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Speaker 10: Na, Manna, it was Chris Crisp.

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Speaker 2: We might next time we talked to see her. Bring

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Speaker 2: that up, Tommy, Yeah, and do you want to come

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Speaker 2: along to our formal.

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Speaker 3: And it's going to be here. We'll try and get

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Speaker 3: see you to perform. Chris, Chris, we has the full team.

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Speaker 3: All right, We're about to chat to Link. We spoke

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Speaker 3: the Lincoln the other day. Now. He took Marney to

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Speaker 3: his high school formal. They dated for ten months afterwards,

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Speaker 3: but then they broke up but didn't end too well.

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Speaker 3: Four years on, Lincoln's still in love with Marny, which

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Speaker 3: was great, and he wanted to come to the fitting

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Speaker 3: we show knowing that the formal was on and a

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Speaker 3: chance to reunite things. Link. Welcome to the show, buddy, really, really.

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Speaker 2: Well, you've been waiting by the phone for the last

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Speaker 2: few days.

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Speaker 3: Because the good news is we got onto it. On

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Speaker 3: Lucy's waving her hand. We got onto Marny. Oh, we

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Speaker 3: got money ready to go right.

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Speaker 12: Unfortunately, not great new news guys.

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Speaker 3: There, Link, Sorry, buddy, is we did get in touch

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Speaker 3: with what's happened.

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Speaker 2: You had one job on the show, and that was

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Speaker 2: to get Marnie. I did try really hard.

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Speaker 12: We tried to get in touch by her Facebook and email,

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Speaker 12: and we did get a reply Yeah.

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Speaker 13: No.

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Speaker 12: She actually asked if we would stop trying to reach her.

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Speaker 12: She's not interested in coming to the formal.

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Speaker 2: Why is that? Is she in a relationship now? Loose

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Speaker 2: or do you know?

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Speaker 12: It was very short the message and she didn't sort

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Speaker 12: of collaborate link.

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Speaker 4: Did you do something to upset her?

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Speaker 14: I honestly, I haven't spreken turned about four years or so.

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Speaker 14: I run into it.

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Speaker 8: Once and.

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Speaker 3: Link.

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Speaker 2: Sorry, would that be honest response? Loose? Do you guys?

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Speaker 3: Oh man? This is well? I mean that every cloud

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Speaker 3: you're a you're a single guy. You came to come

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Speaker 3: to the formal. Maybe we can do a little bit

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Speaker 3: more work behind the scenes here.

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Speaker 14: Yeah?

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Speaker 9: Yeah?

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Speaker 2: You guys who's broken up with their partner lately around Sydney? Kira?

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Speaker 2: Can we get Kira there here?

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Speaker 3: Lincoln, do you know who Kira is? Yeah?

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Speaker 2: Troy and Carli? Troy spit up with Carly. We can

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Speaker 2: get Carli along from merrit at first? Mean all right, Lincoln,

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Speaker 2: you're still coming along? Do you want to come along?

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Speaker 14: Yeah?

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00:17:28,880 --> 00:17:32,520
Speaker 3: Also, I can I be crazy?

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Speaker 2: Twenty four ten?

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Speaker 3: If you're listening right now, you like the sound of Lincoln.

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Speaker 3: What do you need?

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Speaker 13: Lincoln to sell himself?

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00:17:38,440 --> 00:17:40,320
Speaker 2: A little bit, or maybe we could get him to

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Speaker 2: do traffic dating or something.

385
00:17:41,680 --> 00:17:45,040
Speaker 3: Or something up Lincoln just quickly, just just to tease

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Speaker 3: the ladies of Sydney, what do you look like? May

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Speaker 3: do you look like a celebrity in particular or something

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Speaker 3: that we can paint a picture?

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Speaker 14: All right, so celebrity. I've been told twice. I don't

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Speaker 14: know how, but one is the first one, okay, and

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Speaker 14: the second one is Matt sull He played in the

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Speaker 14: first Sean.

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Speaker 2: Okay, you've set the bar really high high with Channing

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Speaker 2: Tatum from Magic.

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Speaker 3: That's and what do you do for work? Lenk?

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Speaker 14: I worked at Okay, great?

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Speaker 3: Now he needs a spare day. He's just got a

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Speaker 3: spare ticket.

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Speaker 2: Well where we're getting a lot of phone calls at

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Speaker 2: the moment, and well link and we will see you

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Speaker 2: at the back to school formal. True Story is on

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Speaker 2: back tonight eight forty on Channel nine. It is the

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Speaker 2: magnificent Andy Leewell.

404
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Speaker 3: Welcome, Hello guys.

405
00:18:40,920 --> 00:18:44,960
Speaker 15: I Reckon Hamish Blake posted one too many holiday shots

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Speaker 15: and that's what brought down Instagram.

407
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Speaker 7: You said it started in the US.

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00:18:49,240 --> 00:18:54,040
Speaker 3: That's where he is exactly hashtag he's going with again

409
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Speaker 3: for this.

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Speaker 7: Blake Blake, Blake me with you, Blake me with you.

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Speaker 15: Yes, And they needed an fire into that, and Instagram thought,

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Speaker 15: let's shut this down.

413
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Speaker 7: I didn't get to the bottom of this.

414
00:19:03,320 --> 00:19:05,280
Speaker 3: It's just it's given up on any serious life.

415
00:19:05,440 --> 00:19:09,320
Speaker 2: Wherever he and Zoe want to go on Earth these days,

416
00:19:09,480 --> 00:19:13,280
Speaker 2: I mean speeding. You just jump on board and go. Boys, girls, family,

417
00:19:13,359 --> 00:19:15,560
Speaker 2: just jump onto a planet. Off you go wherever they

418
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Speaker 2: want across the world.

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Speaker 16: And now they're considering other planets.

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Speaker 7: Burn every the girls out.

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00:19:23,640 --> 00:19:27,720
Speaker 3: They're bored by Earth without enough mate grad show last

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Speaker 3: week and you would have gone through this, Andy, you're

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Speaker 3: a good looking rooster and you had a lot of

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Speaker 3: attention as a young man too from the ladies.

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Speaker 16: But was it Stephen, Yes, Stephen last week a protective tad.

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Speaker 3: Who got shot at He got shot in the back

427
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Speaker 3: for hitting on a girl.

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Speaker 15: Yeah, I pretective dad. That was a serious one. This

429
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Speaker 15: week again it's a man in peril. We're going back

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Speaker 15: to the eighties, but eighties back backyard barbecues. So showed

431
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Speaker 15: my dad this one in advance and he got very

432
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Speaker 15: nostalgic looking back. The outfits and you know, the stubby

433
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Speaker 15: stubby shot it's no one brilliant. This revolves around a

434
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Speaker 15: guy called Phil who promised his mum he'd never ever

435
00:20:08,840 --> 00:20:12,360
Speaker 15: tell this story. But essentially, this kid throws a ball

436
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Speaker 15: at Phil's heading towards his growing A dog's chasing it.

437
00:20:16,119 --> 00:20:19,359
Speaker 15: A dog jumps up to get the ball, misses, latches

438
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Speaker 15: onto his lefty right left, then gets lockedjaw. More so,

439
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Speaker 15: it's about how like ten blokes that are pretty ineborated

440
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Speaker 15: have to try, and I even struggle to say that

441
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Speaker 15: I've had a few this morning, try to work through

442
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Speaker 15: this problem for him and I just that's my One

443
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Speaker 15: of my favorite things in life is drunk boats, blokes

444
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Speaker 15: trying to be sober and trying to problem.

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Speaker 3: Everybody knows more than the next.

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Speaker 2: How long are we talking lockjaw? For? How long are

447
00:20:47,359 --> 00:20:47,960
Speaker 2: we talking here?

448
00:20:48,000 --> 00:20:50,840
Speaker 16: Andy, It's it's an hour, It's hours and hours.

449
00:20:51,800 --> 00:20:53,000
Speaker 7: Have to endure this.

450
00:20:53,200 --> 00:20:54,879
Speaker 3: Tommy, I mean, this is this is crazy to do

451
00:20:54,960 --> 00:20:56,879
Speaker 3: Thurday twenty four ten. Whenever you had a dog on

452
00:20:56,920 --> 00:21:01,560
Speaker 3: a nartin look at a niche. There's a gold classic,

453
00:21:01,920 --> 00:21:06,439
Speaker 3: tom go out. Or if you've got a door with lockjaw,

454
00:21:06,560 --> 00:21:08,119
Speaker 3: we can do it live on air, Tommy. If you

455
00:21:08,160 --> 00:21:08,920
Speaker 3: drop your strides.

456
00:21:09,640 --> 00:21:11,640
Speaker 2: Now, we're not going all the way back to the eighties,

457
00:21:11,680 --> 00:21:16,120
Speaker 2: but Andy Lee, we have discovered a photo of you.

458
00:21:16,680 --> 00:21:19,760
Speaker 2: This is unbelievable from your school format. We've got our

459
00:21:19,800 --> 00:21:22,520
Speaker 2: back to school forma in a couple of weeks. So

460
00:21:22,880 --> 00:21:24,560
Speaker 2: what year was this? When are we going.

461
00:21:24,400 --> 00:21:27,640
Speaker 3: Back between ninety nine? Wow? Look at this photo.

462
00:21:27,840 --> 00:21:28,000
Speaker 13: Now.

463
00:21:28,080 --> 00:21:30,239
Speaker 2: We can't put this up on our Instagram acgown at

464
00:21:30,240 --> 00:21:32,480
Speaker 2: the moment because it is down, but we are going

465
00:21:32,520 --> 00:21:34,920
Speaker 2: to put this up very very soon. Can you tell

466
00:21:35,000 --> 00:21:36,960
Speaker 2: us all about this shot? And you're there with four

467
00:21:37,000 --> 00:21:39,840
Speaker 2: of your best mates, but you coordinated something together.

468
00:21:40,000 --> 00:21:43,520
Speaker 15: We decided, I don't know why, but to go all black,

469
00:21:43,640 --> 00:21:48,080
Speaker 15: so suits, black suits, black shirts with hot like highlighter

470
00:21:48,119 --> 00:21:49,160
Speaker 15: colored tie.

471
00:21:48,960 --> 00:21:50,480
Speaker 7: Going loss the spectrum.

472
00:21:50,840 --> 00:21:54,200
Speaker 15: Yes, there's a bright yellow, a bright blue or bright

473
00:21:54,240 --> 00:21:56,399
Speaker 15: pink and then the orange and in the green.

474
00:21:56,480 --> 00:21:57,879
Speaker 7: My dad made the ties.

475
00:22:00,040 --> 00:22:02,159
Speaker 3: I go out and buy them. So I've got a

476
00:22:02,200 --> 00:22:08,119
Speaker 3: Genomi at home exactly. So why did I mean your

477
00:22:08,160 --> 00:22:10,040
Speaker 3: mate Hawks in the middle there? We love Hawgs. You

478
00:22:10,080 --> 00:22:12,320
Speaker 3: know he's been part of the Hamish Andy Show as well.

479
00:22:12,680 --> 00:22:14,560
Speaker 3: How did he get the pink tie? Did Mick make

480
00:22:14,600 --> 00:22:15,320
Speaker 3: that him as well?

481
00:22:15,359 --> 00:22:16,880
Speaker 7: We made that one forever, I think.

482
00:22:17,280 --> 00:22:21,200
Speaker 15: I think the yellow was sourced, but the blue, the pink,

483
00:22:21,240 --> 00:22:23,920
Speaker 15: the orange and the green were all made by my dad.

484
00:22:24,000 --> 00:22:26,040
Speaker 3: And to go the two yellows suggest we just had

485
00:22:26,040 --> 00:22:28,280
Speaker 3: a bit of a material left over. We bought too

486
00:22:28,359 --> 00:22:29,119
Speaker 3: much of the yellow.

487
00:22:29,240 --> 00:22:31,080
Speaker 7: One was meant to be an orange, so was it?

488
00:22:31,240 --> 00:22:34,240
Speaker 2: Yeah? So you went with all your mates that year, Anie,

489
00:22:34,280 --> 00:22:36,240
Speaker 2: But did you go Was that the only formal that

490
00:22:36,280 --> 00:22:37,960
Speaker 2: you went to? Did you get to take a girl

491
00:22:37,960 --> 00:22:39,400
Speaker 2: to another formal? Or well?

492
00:22:39,480 --> 00:22:42,280
Speaker 15: We only had one formal at Camel Grammar where I was,

493
00:22:42,280 --> 00:22:44,679
Speaker 15: so that was I got to take a girl. They

494
00:22:44,760 --> 00:22:46,600
Speaker 15: just got admitted from that shot.

495
00:22:48,080 --> 00:22:49,760
Speaker 3: How many formals did you end up going to?

496
00:22:49,760 --> 00:22:53,560
Speaker 16: And I went to fourteen fourteen formal?

497
00:22:55,520 --> 00:22:56,960
Speaker 3: Told you he was the ladies?

498
00:22:56,960 --> 00:22:59,040
Speaker 2: So what just around in the area?

499
00:22:59,560 --> 00:23:02,400
Speaker 7: Yeah, I was dial a date. I could hold a conversation.

500
00:23:02,520 --> 00:23:05,200
Speaker 2: You were that guy I went.

501
00:23:05,560 --> 00:23:08,320
Speaker 16: I went to six MLC formals.

502
00:23:08,440 --> 00:23:11,960
Speaker 15: Yeah, wow, from not through I only went one post

503
00:23:12,040 --> 00:23:12,560
Speaker 15: year twelve.

504
00:23:13,119 --> 00:23:15,439
Speaker 2: I was going to say when you're about twenty five,

505
00:23:17,960 --> 00:23:18,640
Speaker 2: but yes.

506
00:23:18,560 --> 00:23:20,359
Speaker 15: I was dial of dat and I was always single

507
00:23:20,400 --> 00:23:23,040
Speaker 15: through throughout all schools, so I was an easy person

508
00:23:23,080 --> 00:23:23,879
Speaker 15: to sure.

509
00:23:24,640 --> 00:23:26,320
Speaker 3: What was the worst mate? I mean we don't want

510
00:23:26,320 --> 00:23:28,680
Speaker 3: to rub any names in here. Or was there any

511
00:23:28,720 --> 00:23:29,960
Speaker 3: disasters along the way.

512
00:23:31,400 --> 00:23:33,879
Speaker 16: There was one where I clearly was on the dork table.

513
00:23:34,880 --> 00:23:42,679
Speaker 3: Clear yeah, family friend wasn't. Yeah, absolutely everyone did those sets.

514
00:23:43,200 --> 00:23:43,679
Speaker 4: Horrible thing.

515
00:23:44,119 --> 00:23:46,080
Speaker 6: Some poor girl thought all her dreams had come through

516
00:23:46,119 --> 00:23:48,160
Speaker 6: when Andy says yes, and you're calling her the.

517
00:23:48,160 --> 00:23:51,000
Speaker 3: Dork And I was saying to Sarah the other day,

518
00:23:51,080 --> 00:23:51,600
Speaker 3: she was great.

519
00:23:51,640 --> 00:23:54,800
Speaker 7: It was the dork table set that the other was.

520
00:23:55,320 --> 00:23:57,199
Speaker 3: It was it was the general rule. I mean, it

521
00:23:57,400 --> 00:23:59,320
Speaker 3: was the rule that your parents put in place that

522
00:23:59,359 --> 00:24:02,000
Speaker 3: if somebody called do you invited into the form I

523
00:24:02,160 --> 00:24:05,320
Speaker 3: had to say yes, and then you got fourteen of

524
00:24:05,320 --> 00:24:08,880
Speaker 3: those focus mom do I still have to say?

525
00:24:09,200 --> 00:24:12,480
Speaker 2: And don't those dogs look amazing? And colored tized as well.

526
00:24:13,240 --> 00:24:15,760
Speaker 15: I couldn't find a single photo of me with my

527
00:24:16,119 --> 00:24:18,040
Speaker 15: with the person I took to my year twelve formal,

528
00:24:18,400 --> 00:24:22,320
Speaker 15: but I found photos of other guys with formal with

529
00:24:22,359 --> 00:24:23,000
Speaker 15: my formal dat.

530
00:24:22,920 --> 00:24:25,600
Speaker 7: When I was going for I wonder you were a

531
00:24:25,600 --> 00:24:26,200
Speaker 7: single mate.

532
00:24:27,000 --> 00:24:30,480
Speaker 15: But I looked she was a woman, and I was

533
00:24:30,920 --> 00:24:33,400
Speaker 15: just a young like she was obviously my age.

534
00:24:33,400 --> 00:24:34,720
Speaker 7: But girls always look.

535
00:24:34,720 --> 00:24:39,080
Speaker 15: So womanly, yes, and we look like such idiots guys,

536
00:24:39,600 --> 00:24:42,960
Speaker 15: it's unbelievable. We grow into ourselves around about thirty, so

537
00:24:42,960 --> 00:24:47,000
Speaker 15: I'm about ten years off like looking anything vaguely manny.

538
00:24:47,480 --> 00:24:50,160
Speaker 3: If you stick with that green tie, you can't go wrong.

539
00:24:53,760 --> 00:24:56,480
Speaker 17: What's the best mattress for you? Well, if you're an

540
00:24:56,480 --> 00:24:59,320
Speaker 17: egg or a kitten, check out the competition. But if

541
00:24:59,359 --> 00:25:02,840
Speaker 17: you're a human person, put your body on a Nectar mattress.

542
00:25:03,280 --> 00:25:06,240
Speaker 17: As well as award winning layers of comfort, you can

543
00:25:06,280 --> 00:25:10,680
Speaker 17: sleep easy knowing you got incredible value. Mattresses start at

544
00:25:10,720 --> 00:25:14,080
Speaker 17: just four hundred dollars and you get hundreds of dollars

545
00:25:14,080 --> 00:25:16,879
Speaker 17: and accessories thrown in, as well as a three hundred

546
00:25:16,920 --> 00:25:20,000
Speaker 17: and sixty five and eight home trail and a forever warranty.

547
00:25:21,080 --> 00:25:27,080
Speaker 17: Go to Nectar Sleep dot com.

548
00:25:27,320 --> 00:25:29,160
Speaker 2: We haven't spoken about my old man for a while,

549
00:25:29,200 --> 00:25:31,879
Speaker 2: Mik Fitzgerald now and make look my whole life. I've

550
00:25:31,880 --> 00:25:34,159
Speaker 2: stitched up the old man, but it has been a

551
00:25:34,160 --> 00:25:37,600
Speaker 2: while until Mum rang me over the weekend. I think

552
00:25:37,640 --> 00:25:41,720
Speaker 2: this was worth doing because in our local area where

553
00:25:41,720 --> 00:25:44,359
Speaker 2: we grew up, Portaalunga is our footy club Sarah and

554
00:25:44,359 --> 00:25:46,639
Speaker 2: there were the local grudge match was on and it

555
00:25:46,680 --> 00:25:48,720
Speaker 2: was the first final as well, So it was Porta

556
00:25:48,720 --> 00:25:51,880
Speaker 2: a lunger versus no longer the cockle divers versus the shoes,

557
00:25:52,440 --> 00:25:59,240
Speaker 2: the shoes, the shoe, it's a horse shoe, yeah, shoes shoe.

558
00:25:59,359 --> 00:26:02,760
Speaker 2: So unfortunately for Portna Lunga they got flogged by ten

559
00:26:02,840 --> 00:26:06,120
Speaker 2: gals where we got a double chance. So we're still

560
00:26:06,119 --> 00:26:08,480
Speaker 2: in the mix this weekend with a qualifying final, but

561
00:26:08,600 --> 00:26:11,800
Speaker 2: unfortunately we didn't win that first final. Now, Mum told

562
00:26:11,840 --> 00:26:14,920
Speaker 2: me a quarter time Dad wasn't happy with the umpires,

563
00:26:15,240 --> 00:26:17,000
Speaker 2: so he went out and he jumped the fence at

564
00:26:17,040 --> 00:26:19,160
Speaker 2: quarter of time and went out to the two umpires

565
00:26:19,160 --> 00:26:21,120
Speaker 2: out there, and there was a backup umpire as well,

566
00:26:21,440 --> 00:26:25,000
Speaker 2: and he then proceeded to berate them, kidding in front

567
00:26:25,040 --> 00:26:27,639
Speaker 2: of everyone. I think the line that he used the

568
00:26:27,640 --> 00:26:31,000
Speaker 2: big one was, I don't think you should be umpiring

569
00:26:31,040 --> 00:26:34,120
Speaker 2: in finals because you know what, mate, you're not very

570
00:26:34,119 --> 00:26:34,640
Speaker 2: good at it.

571
00:26:34,680 --> 00:26:36,040
Speaker 3: Okay, very clear with his wording.

572
00:26:37,000 --> 00:26:40,679
Speaker 2: Now, Lena is new to the show, Leno, he doesn't

573
00:26:40,680 --> 00:26:43,800
Speaker 2: know your voice. So I'm going to give your dad's number.

574
00:26:44,160 --> 00:26:46,399
Speaker 2: What I want you to do, I've worked out. Jason

575
00:26:46,560 --> 00:26:49,360
Speaker 2: Edwards is the bloke. Note now he's the umpires coordinator

576
00:26:49,359 --> 00:26:52,199
Speaker 2: in the Southern Footy League. So I'm Jason, you're Jason Edwards.

577
00:26:52,280 --> 00:26:54,080
Speaker 2: I want you to bring Dad and I want you

578
00:26:54,119 --> 00:26:56,080
Speaker 2: to wind him up. The other guy that you need

579
00:26:56,119 --> 00:26:58,360
Speaker 2: to think of is Craig Warman. Now he's the president

580
00:26:58,400 --> 00:27:01,280
Speaker 2: of the Southern Foota League. Okay remember that name as well,

581
00:27:02,119 --> 00:27:03,840
Speaker 2: and I want you to raise him up. And the

582
00:27:03,880 --> 00:27:05,400
Speaker 2: big thing that I want you to do is tell

583
00:27:05,480 --> 00:27:08,480
Speaker 2: him that the final this weekend against Ronella, he's not

584
00:27:08,560 --> 00:27:09,399
Speaker 2: allowed to go to it.

585
00:27:09,560 --> 00:27:10,520
Speaker 7: He's been banned.

586
00:27:10,600 --> 00:27:13,200
Speaker 2: Great, ye, great, all right, so let's give him a call.

587
00:27:13,359 --> 00:27:19,000
Speaker 2: Good luckily mate. Hello?

588
00:27:19,280 --> 00:27:20,760
Speaker 9: Hello, is that Mick Fitzgerald?

589
00:27:21,320 --> 00:27:21,679
Speaker 16: It is.

590
00:27:22,040 --> 00:27:24,840
Speaker 9: This is Jason Edwards calling you, the umpires coordinator and

591
00:27:24,880 --> 00:27:26,400
Speaker 9: coach at the Southern Footy League.

592
00:27:26,400 --> 00:27:26,560
Speaker 7: Mate.

593
00:27:26,600 --> 00:27:28,240
Speaker 9: I just wanted to call and speak to you about

594
00:27:28,280 --> 00:27:31,320
Speaker 9: the incident from the weekend. Oh yes, So we've had

595
00:27:31,320 --> 00:27:34,760
Speaker 9: a complaint about your about what happened at quarter time

596
00:27:34,840 --> 00:27:36,760
Speaker 9: some of the words that you've said to my umpires.

597
00:27:37,080 --> 00:27:39,800
Speaker 8: Oh okay, So what do you want to know?

598
00:27:40,240 --> 00:27:42,720
Speaker 9: Well, mate, for the information I've received at one of

599
00:27:42,760 --> 00:27:45,920
Speaker 9: our young umpires that you told him that he shouldn't

600
00:27:45,920 --> 00:27:48,320
Speaker 9: be umpiring a final because he's not any good at

601
00:27:48,359 --> 00:27:50,840
Speaker 9: his job now. He's pretty flat about it. Actually, Nick,

602
00:27:50,880 --> 00:27:53,040
Speaker 9: then you know how hard it is to keep umpires around.

603
00:27:53,240 --> 00:27:54,960
Speaker 9: Why are you getting stuck into these guys.

604
00:27:54,680 --> 00:27:58,280
Speaker 8: Mate, I'll do your What that one particular umpire you're

605
00:27:58,320 --> 00:28:01,920
Speaker 8: talking about up markets but no one has scored a goal.

606
00:28:02,000 --> 00:28:04,000
Speaker 8: It's tight a tell us. But he could have gone

607
00:28:04,040 --> 00:28:07,240
Speaker 8: either way soft free kick. We thought we had the

608
00:28:07,280 --> 00:28:10,040
Speaker 8: free kick, It went the other way. No one knows

609
00:28:10,040 --> 00:28:13,760
Speaker 8: why fifty penalty into the goal square. They get a

610
00:28:13,760 --> 00:28:16,080
Speaker 8: goal and they've picked three in five in about the

611
00:28:16,160 --> 00:28:18,080
Speaker 8: next three minutes. Game over.

612
00:28:18,240 --> 00:28:20,159
Speaker 9: Well, I've had a chatter Craig Warman and he's not

613
00:28:20,160 --> 00:28:21,120
Speaker 9: too happy about it either.

614
00:28:21,600 --> 00:28:24,399
Speaker 8: Oh, that's just part of it. I mean, what is

615
00:28:24,440 --> 00:28:27,960
Speaker 8: it going on now than an umpire cann't take a

616
00:28:27,960 --> 00:28:29,520
Speaker 8: little bit of criticism, No, Mick.

617
00:28:29,600 --> 00:28:32,080
Speaker 9: I mean, yes, umpires do get a bit of criticism,

618
00:28:32,080 --> 00:28:33,680
Speaker 9: but you went pretty far on the weekend.

619
00:28:34,119 --> 00:28:38,080
Speaker 8: Oh my god, how I don't want to be criticized

620
00:28:38,120 --> 00:28:38,360
Speaker 8: at all?

621
00:28:38,440 --> 00:28:38,680
Speaker 2: Is that on?

622
00:28:38,760 --> 00:28:39,720
Speaker 8: It is? Okay?

623
00:28:39,920 --> 00:28:40,720
Speaker 7: What is going to happen.

624
00:28:40,840 --> 00:28:42,959
Speaker 9: What's going to happen now is that we do have

625
00:28:43,040 --> 00:28:45,840
Speaker 9: to ban you from the from the final this weekend.

626
00:28:47,080 --> 00:28:51,520
Speaker 8: What I no longer over you're going to stop me.

627
00:28:52,240 --> 00:28:54,280
Speaker 9: Well, the thing is, Mick, if you come within any

628
00:28:54,520 --> 00:28:56,920
Speaker 9: within one hundred meters of that oval, the authorities will

629
00:28:56,960 --> 00:28:57,320
Speaker 9: be called.

630
00:28:57,760 --> 00:28:59,360
Speaker 8: I'll be going to the footy. I'll be going to

631
00:28:59,400 --> 00:29:01,280
Speaker 8: the footy. So to get the cops ready, mate.

632
00:29:03,240 --> 00:29:05,240
Speaker 9: I can tell your attitude hasn't changed, so we will

633
00:29:05,280 --> 00:29:07,000
Speaker 9: not see you at Portlan no longer verse from now

634
00:29:07,040 --> 00:29:11,120
Speaker 9: this weekend on at no longer Oval, Nick, And in

635
00:29:11,160 --> 00:29:13,080
Speaker 9: that time, while you're away this weekend, I think you

636
00:29:13,080 --> 00:29:15,440
Speaker 9: should have a think about have a think about these

637
00:29:15,480 --> 00:29:16,360
Speaker 9: young guys giving it a.

638
00:29:16,280 --> 00:29:16,720
Speaker 7: Crack, you know.

639
00:29:20,640 --> 00:29:23,800
Speaker 8: Oh my god? Okay, fair enough, but I know a

640
00:29:23,800 --> 00:29:26,120
Speaker 8: lot of umpires and I happen to beat with about

641
00:29:26,120 --> 00:29:29,800
Speaker 8: three or four legends of the league that don't buy it.

642
00:29:29,920 --> 00:29:32,400
Speaker 2: Back in my day.

643
00:29:35,080 --> 00:29:35,440
Speaker 8: Knew it.

644
00:29:35,560 --> 00:29:38,840
Speaker 2: I knew it.

645
00:29:39,360 --> 00:29:41,280
Speaker 9: I've just started working for the team, and you that

646
00:29:41,560 --> 00:29:42,600
Speaker 9: you wouldn't know me voice.

647
00:29:43,960 --> 00:29:45,480
Speaker 8: If I have anything to do that, you'll get the

648
00:29:45,480 --> 00:29:50,520
Speaker 8: sack from that. I don't take the pleasure of bloody

649
00:29:50,640 --> 00:29:55,200
Speaker 8: abusing the umpires away from me. For christ you never

650
00:29:55,240 --> 00:29:59,040
Speaker 8: get me again, and.

651
00:29:58,200 --> 00:29:58,920
Speaker 7: All right, love you.

652
00:29:59,680 --> 00:29:59,920
Speaker 8: Thanks.

653
00:30:06,480 --> 00:30:09,800
Speaker 2: Oh he's just so easy to get. Someone was in

654
00:30:09,800 --> 00:30:10,600
Speaker 2: the car as well.

655
00:30:10,640 --> 00:30:12,920
Speaker 5: It's one of the great Australian lines. Don't take the

656
00:30:13,000 --> 00:30:20,240
Speaker 5: pleasure of abusing away from Sarah to be aware.

657
00:30:20,640 --> 00:30:22,719
Speaker 4: I can't remember if we made out on a bus.

658
00:30:26,440 --> 00:30:28,240
Speaker 3: It was a bust from the Christmas party.

659
00:30:29,240 --> 00:30:31,240
Speaker 2: You were looking at Heed at the time as well,

660
00:30:31,240 --> 00:30:33,000
Speaker 2: which was a bit disappointing that I.

661
00:30:33,320 --> 00:30:36,960
Speaker 3: Was mount you thought he turned up and was winking

662
00:30:36,960 --> 00:30:37,880
Speaker 3: at you again this morning.

663
00:30:38,000 --> 00:30:39,200
Speaker 4: I know, I thought it was a come on.

664
00:30:39,640 --> 00:30:40,560
Speaker 3: It's just a growth.

665
00:30:41,200 --> 00:30:43,040
Speaker 2: It's a blinding on his head and he's had a

666
00:30:43,080 --> 00:30:44,680
Speaker 2: real cracket and he's got to go and see a

667
00:30:44,760 --> 00:30:46,560
Speaker 2: doctor today. It's not a good someone when you have

668
00:30:46,600 --> 00:30:47,600
Speaker 2: to go see a doctor.

669
00:30:47,360 --> 00:30:51,560
Speaker 3: Amount blind, your eye is closing over. Tommy's got stinker

670
00:30:51,680 --> 00:30:55,000
Speaker 3: and he's got a Thank you very much guys.

671
00:30:55,600 --> 00:30:58,400
Speaker 6: Eva has contacted the show and I feel like I

672
00:30:58,440 --> 00:30:59,600
Speaker 6: feel like this is something that.

673
00:30:59,600 --> 00:31:01,280
Speaker 4: Was close to your heart. Whips.

674
00:31:01,360 --> 00:31:01,959
Speaker 3: Is she Russian?

675
00:31:02,040 --> 00:31:05,040
Speaker 6: You're going to have no, You're going to have some

676
00:31:05,080 --> 00:31:07,920
Speaker 6: input on this. Eve says my mum. Dress is younger

677
00:31:07,960 --> 00:31:10,000
Speaker 6: than what she is. She wears a lot of low

678
00:31:10,040 --> 00:31:13,840
Speaker 6: cut shirts and dresses that I even wouldn't wear, and

679
00:31:13,880 --> 00:31:16,280
Speaker 6: she wears them at important events like Chris things.

680
00:31:16,360 --> 00:31:18,720
Speaker 2: The worst Christine oh sorry, I'm.

681
00:31:21,040 --> 00:31:23,240
Speaker 6: The worst is when she came to my school speech

682
00:31:23,320 --> 00:31:26,200
Speaker 6: night wearing a tight, low leopard dress and I could

683
00:31:26,280 --> 00:31:26,760
Speaker 6: see all.

684
00:31:26,680 --> 00:31:28,800
Speaker 4: The other kids looking and commenting. I've told her before

685
00:31:28,840 --> 00:31:31,680
Speaker 4: it makes me feel uncomfortable, but she doesn't listen. What

686
00:31:31,720 --> 00:31:32,480
Speaker 4: do I do.

687
00:31:32,480 --> 00:31:33,800
Speaker 3: About the larger bazoon?

688
00:31:34,000 --> 00:31:35,360
Speaker 7: The old lay dress?

689
00:31:35,440 --> 00:31:38,560
Speaker 3: You do with your My mum has been told to

690
00:31:38,600 --> 00:31:41,680
Speaker 3: cover up on a couple of occasions. My sister's wedding,

691
00:31:41,760 --> 00:31:43,800
Speaker 3: I was the MC and I was told off for

692
00:31:43,880 --> 00:31:48,040
Speaker 3: mentioning what was on display that day. As my grandfather

693
00:31:48,200 --> 00:31:51,000
Speaker 3: used to say, well she's advertising, isn't she. Oh that

694
00:31:51,120 --> 00:31:51,600
Speaker 3: was my mother.

695
00:31:51,680 --> 00:31:54,120
Speaker 2: On the day we went to rose Hill, we went

696
00:31:54,160 --> 00:31:57,360
Speaker 2: to the Golden Supper, you remember that one God, And

697
00:31:57,360 --> 00:31:59,600
Speaker 2: it wasn't just young guys having a look. There was

698
00:31:59,600 --> 00:32:01,760
Speaker 2: a couple of horses to taka and I think even

699
00:32:01,760 --> 00:32:04,600
Speaker 2: wonder he wouldn't jump out of the gates he saw

700
00:32:04,680 --> 00:32:05,760
Speaker 2: Christine's cleavage?

701
00:32:05,920 --> 00:32:07,080
Speaker 4: Whips? Did you find?

702
00:32:07,160 --> 00:32:07,280
Speaker 18: Though?

703
00:32:07,320 --> 00:32:10,640
Speaker 4: In all seriousness, Eve has a proper problem. That's not

704
00:32:10,680 --> 00:32:11,000
Speaker 4: the right.

705
00:32:11,040 --> 00:32:13,400
Speaker 3: She'll tell you that I think she's doing really well

706
00:32:13,400 --> 00:32:16,480
Speaker 3: because say that about you, She said, I think they're

707
00:32:16,520 --> 00:32:17,920
Speaker 3: hanging the hanging up really well.

708
00:32:18,000 --> 00:32:19,840
Speaker 4: Or sitting up really well, you don't mind.

709
00:32:19,960 --> 00:32:21,680
Speaker 6: So if you were, if you would say, just relaxed

710
00:32:21,680 --> 00:32:22,600
Speaker 6: about it and don't worry.

711
00:32:22,840 --> 00:32:24,480
Speaker 3: It depends where you are and the timing.

712
00:32:24,840 --> 00:32:26,040
Speaker 4: I mean school function.

713
00:32:26,320 --> 00:32:30,360
Speaker 3: School functions, not too much cleavage. Sometimes it's hard to

714
00:32:30,440 --> 00:32:33,640
Speaker 3: hide if you're a bigger lady says true. I mean, Tommy,

715
00:32:33,800 --> 00:32:38,800
Speaker 3: your mum when we were at the christening, there was

716
00:32:38,840 --> 00:32:40,840
Speaker 3: no showing away from the tight top of your mum

717
00:32:40,840 --> 00:32:41,560
Speaker 3: had on that day.

718
00:32:41,640 --> 00:32:47,800
Speaker 13: Well, my mum referred to it as as her veranda,

719
00:32:45,160 --> 00:32:50,920
Speaker 13: so she will often say I've spilt food all down

720
00:32:50,960 --> 00:32:57,320
Speaker 13: my veranda.

721
00:32:57,520 --> 00:32:59,640
Speaker 3: Many jokes we could make there, Tom, but we won't.

722
00:33:00,120 --> 00:33:00,880
Speaker 2: Any job made it.

723
00:33:01,600 --> 00:33:02,600
Speaker 3: We're going to start now.

724
00:33:02,640 --> 00:33:07,840
Speaker 2: Oh god, well look if your mom does this get involved.

725
00:33:07,880 --> 00:33:10,320
Speaker 2: Thirteen twenty fourteen, we want to hear from your helens

726
00:33:10,360 --> 00:33:11,280
Speaker 2: from Marsden Park.

727
00:33:11,360 --> 00:33:13,520
Speaker 19: Hi Helen, good morning guys.

728
00:33:13,680 --> 00:33:16,040
Speaker 2: Have you got some advice for this poor young lady?

729
00:33:16,840 --> 00:33:18,960
Speaker 20: Oh look, my mom's sounds the same as these, mum,

730
00:33:19,000 --> 00:33:21,600
Speaker 20: and I've just learned to embrace my mom. She's comfortable

731
00:33:21,600 --> 00:33:24,280
Speaker 20: in skin. She's always told us to be comfortable. Where

732
00:33:24,440 --> 00:33:26,959
Speaker 20: was comfortable for us? If you've got it flaunted, if

733
00:33:26,960 --> 00:33:28,200
Speaker 20: you've got it and you want to cover it up,

734
00:33:28,200 --> 00:33:30,520
Speaker 20: cover it up. I think, just a role model for

735
00:33:30,560 --> 00:33:33,200
Speaker 20: everyone else out there who just doesn't care what anyone else.

736
00:33:33,240 --> 00:33:36,080
Speaker 20: Seeing the self humans is such a big thing these days.

737
00:33:36,240 --> 00:33:38,440
Speaker 20: I think the mom's gone out there. It's comfortable as

738
00:33:38,440 --> 00:33:39,480
Speaker 20: she could be, whatever she's wearing.

739
00:33:39,480 --> 00:33:42,360
Speaker 3: I think it's really brace the body, Embrace the body.

740
00:33:43,160 --> 00:33:45,600
Speaker 3: And it's taken a long time. It's taking a long time,

741
00:33:45,640 --> 00:33:47,240
Speaker 3: say to do the phone top because you haven't got

742
00:33:47,240 --> 00:33:49,760
Speaker 3: big boobs. But that's great. We got there.

743
00:33:51,120 --> 00:33:53,520
Speaker 4: It is coming up. It could have been short skirts too,

744
00:33:53,920 --> 00:33:54,120
Speaker 4: do you know?

745
00:33:54,440 --> 00:33:56,720
Speaker 3: You know what I remember at one stage you're talking

746
00:33:56,720 --> 00:34:00,000
Speaker 3: about the razors, Fitzy, we had a cardboard and overboard

747
00:34:00,360 --> 00:34:03,440
Speaker 3: and I'd put it down mum's top slightly so it

748
00:34:03,480 --> 00:34:06,600
Speaker 3: would block the cleavage scarf.

749
00:34:06,720 --> 00:34:10,520
Speaker 2: Okay went missing for a few weeks.

750
00:34:10,640 --> 00:34:16,000
Speaker 3: Yeah, eighteen year old on work experience.

751
00:34:15,920 --> 00:34:17,840
Speaker 2: Was down there longer than the tie boys were in

752
00:34:17,880 --> 00:34:19,400
Speaker 2: the car doing to you're touching.

753
00:34:19,200 --> 00:34:25,040
Speaker 3: Your chest Veranda of the Verandah, my god, Rosemary Ivy,

754
00:34:26,120 --> 00:34:27,880
Speaker 3: this is an interesting one out of the paper this morning.

755
00:34:27,920 --> 00:34:30,440
Speaker 3: Technology overload, that's what they're calling. People are wanting to

756
00:34:30,440 --> 00:34:32,560
Speaker 3: go back to the basics, and eBay has put out

757
00:34:32,560 --> 00:34:36,279
Speaker 3: a study saying that the more basic types of traditional

758
00:34:36,360 --> 00:34:39,439
Speaker 3: things that would entertain us a threefold on this time

759
00:34:39,520 --> 00:34:42,880
Speaker 3: last year. So booming at the moment on a bag,

760
00:34:43,000 --> 00:34:52,520
Speaker 3: the sales in jigsawspeg that's a different sort of website.

761
00:34:53,280 --> 00:34:55,640
Speaker 3: Don't go there or buy anything from there. It would

762
00:34:55,680 --> 00:34:56,440
Speaker 3: be my first.

763
00:34:58,000 --> 00:34:59,960
Speaker 7: Of a traditional mode of entertainment.

764
00:35:00,160 --> 00:35:04,080
Speaker 3: Yeah, you know what I love when I saying something

765
00:35:04,160 --> 00:35:06,680
Speaker 3: and her eyes just dart around the studio and I

766
00:35:06,760 --> 00:35:09,919
Speaker 3: don't know what I've said. eBay, guys, not any bag.

767
00:35:12,840 --> 00:35:16,720
Speaker 2: Things that are booming on eBay.

768
00:35:17,200 --> 00:35:23,000
Speaker 3: Move on jigsaws, coloring books, fishing rods, plastic model kits.

769
00:35:23,640 --> 00:35:25,400
Speaker 3: This is great. This is what people are going to

770
00:35:26,160 --> 00:35:30,239
Speaker 3: instead of computer games and streaming services. I mean puzzles

771
00:35:30,280 --> 00:35:33,399
Speaker 3: back in the day thirteen twenty fourteen. If anybody has

772
00:35:33,400 --> 00:35:35,960
Speaker 3: bought a puzzle in the past twelve months, my mom.

773
00:35:35,800 --> 00:35:36,879
Speaker 4: Buys them all the time.

774
00:35:36,920 --> 00:35:39,600
Speaker 6: She has her board, so she sets it up on

775
00:35:39,640 --> 00:35:41,720
Speaker 6: the table and she does a puzzle over summer.

776
00:35:42,000 --> 00:35:43,800
Speaker 4: If we ever go over to a holiday house.

777
00:35:43,640 --> 00:35:45,239
Speaker 6: Even when we were kids, she would always bring a

778
00:35:45,280 --> 00:35:47,520
Speaker 6: really big puzzle and work on it over the few weeks.

779
00:35:47,800 --> 00:35:50,319
Speaker 3: Now over a few weeks, depending how long it takes

780
00:35:50,400 --> 00:35:51,440
Speaker 3: you would you do that?

781
00:35:52,160 --> 00:35:54,000
Speaker 6: I don't mind a puzzle. We all walk over and

782
00:35:54,080 --> 00:35:55,719
Speaker 6: either sort of remove a piece.

783
00:35:55,560 --> 00:35:58,239
Speaker 3: Just to throw her off on Nicolina's waven come in,

784
00:35:58,320 --> 00:36:00,840
Speaker 3: Nick if you like a puzzle. She loves to tell puzzles.

785
00:36:01,000 --> 00:36:03,520
Speaker 3: You know, we friends of ours down the road they

786
00:36:03,560 --> 00:36:07,879
Speaker 3: would do boring this. They would do puzzles and then

787
00:36:08,040 --> 00:36:08,960
Speaker 3: frame the puzzles.

788
00:36:09,239 --> 00:36:12,400
Speaker 2: So if you glue every piece.

789
00:36:12,440 --> 00:36:13,759
Speaker 3: They do, I don't know how you do it. Do

790
00:36:13,760 --> 00:36:15,320
Speaker 3: you spray it at the end? Who cares? I'm not

791
00:36:15,360 --> 00:36:17,719
Speaker 3: going to think about it. They they You walk up

792
00:36:17,719 --> 00:36:21,200
Speaker 3: the stairs in the house and there's the puzzles framed,

793
00:36:21,280 --> 00:36:25,080
Speaker 3: and they've written down when the puzzle was completed, completed

794
00:36:25,080 --> 00:36:29,480
Speaker 3: by and they have three sons houses, Keith Graham and Douglas.

795
00:36:30,000 --> 00:36:33,320
Speaker 3: So there's the puzzle completed by Keith Graham and Douglas

796
00:36:33,360 --> 00:36:34,160
Speaker 3: summer ninety four.

797
00:36:34,719 --> 00:36:36,040
Speaker 2: They're worth of it. You can sell them.

798
00:36:37,600 --> 00:36:39,040
Speaker 3: You love a puzzle it I.

799
00:36:39,040 --> 00:36:41,120
Speaker 18: Love a good puzzle. Me and my sisters used to

800
00:36:41,200 --> 00:36:42,800
Speaker 18: have like puzzle parties.

801
00:36:42,880 --> 00:36:44,759
Speaker 9: I know that sounds really.

802
00:36:46,360 --> 00:36:48,960
Speaker 18: It's so satisfying to complete them in a group. It's

803
00:36:48,960 --> 00:36:51,320
Speaker 18: really fun. You can talk while you do the puzzles.

804
00:36:51,640 --> 00:36:53,560
Speaker 18: We used to go to Vinnie's and buy the packs

805
00:36:53,560 --> 00:36:54,640
Speaker 18: of like a thousand.

806
00:36:54,320 --> 00:36:57,719
Speaker 3: Pieces secondhand puzzles. Yeah, the pieces wouldn't be there.

807
00:36:57,840 --> 00:36:59,560
Speaker 18: Yeah, but that's the kind of risk of it.

808
00:36:59,600 --> 00:37:04,440
Speaker 2: You don't know if it's crazy. Lock her up, guys,

809
00:37:04,520 --> 00:37:08,240
Speaker 2: there are there are pieces missing. I can't believe.

810
00:37:08,520 --> 00:37:09,680
Speaker 3: We're still going to go for it.

811
00:37:09,880 --> 00:37:10,520
Speaker 2: We're gonna do it.

812
00:37:10,560 --> 00:37:11,759
Speaker 3: We're gonna talk while we're doing.

813
00:37:12,400 --> 00:37:14,520
Speaker 18: You try it and then tell me if you didn't

814
00:37:14,680 --> 00:37:16,080
Speaker 18: like it, all right, don't it.

815
00:37:16,280 --> 00:37:17,280
Speaker 3: I mean, what are you going?

816
00:37:17,360 --> 00:37:20,319
Speaker 2: Are you going like famous landmarks? Is that what you got?

817
00:37:20,400 --> 00:37:22,280
Speaker 2: Nicolina or anything that's.

818
00:37:22,160 --> 00:37:22,560
Speaker 9: On the shelf.

819
00:37:22,560 --> 00:37:25,000
Speaker 18: There's not much of a collection in Vinnie's.

820
00:37:25,800 --> 00:37:26,759
Speaker 3: Been a puzzle house to me.

821
00:37:27,400 --> 00:37:31,440
Speaker 13: Yes, I was very good at puzzles, but no one

822
00:37:31,480 --> 00:37:33,239
Speaker 13: would like to do them with me, so I just

823
00:37:33,239 --> 00:37:34,120
Speaker 13: do them by myself.

824
00:37:34,160 --> 00:37:35,640
Speaker 18: You can come to my puzzle parties.

825
00:37:36,440 --> 00:37:40,239
Speaker 2: I don't want to go to that coloring.

826
00:37:39,920 --> 00:37:43,920
Speaker 6: Books one the other day I was in getting had

827
00:37:43,920 --> 00:37:45,719
Speaker 6: a new range. Yeah I did, but he's way too

828
00:37:45,760 --> 00:37:46,160
Speaker 6: young for.

829
00:37:46,120 --> 00:37:47,560
Speaker 4: Coloring in books, so I thought i'd give.

830
00:37:47,400 --> 00:37:47,840
Speaker 16: It a crack.

831
00:37:49,160 --> 00:37:49,960
Speaker 2: What did you coloring?

832
00:37:50,239 --> 00:37:50,520
Speaker 7: It was?

833
00:37:50,560 --> 00:37:53,240
Speaker 4: It was just all sorts of shapes and chair.

834
00:37:56,320 --> 00:37:58,960
Speaker 6: Sure that you do stuff like chess with Lisa, don't

835
00:37:59,000 --> 00:37:59,800
Speaker 6: you chess?

836
00:38:00,360 --> 00:38:01,480
Speaker 4: Gary and I started.

837
00:38:01,200 --> 00:38:03,920
Speaker 2: Playing chessople will never play chess.

838
00:38:04,880 --> 00:38:06,080
Speaker 4: It's like your sort of chess.

839
00:38:06,480 --> 00:38:11,440
Speaker 2: Great Chess is a great ga game about it?

840
00:38:12,080 --> 00:38:16,319
Speaker 3: Is Melissa there or what she was? We're going to

841
00:38:16,520 --> 00:38:17,840
Speaker 3: talk to Melissa from.

842
00:38:17,640 --> 00:38:21,719
Speaker 2: Pat's board games. Board games are the same as well. Well,

843
00:38:21,840 --> 00:38:24,680
Speaker 2: we love going away and getting onto a board game.

844
00:38:24,719 --> 00:38:27,000
Speaker 2: But you didn't. You just don't play the minute?

845
00:38:27,239 --> 00:38:29,680
Speaker 3: Did you have nightmare? Did anyone have that when they

846
00:38:29,680 --> 00:38:31,360
Speaker 3: were growing up? So that was one where you put

847
00:38:31,400 --> 00:38:34,160
Speaker 3: a video in so you would play along to a

848
00:38:34,200 --> 00:38:36,919
Speaker 3: guy who was in a hood on a screen and

849
00:38:37,000 --> 00:38:38,919
Speaker 3: you'd be there and you'd, you know, roll the dice

850
00:38:38,960 --> 00:38:41,200
Speaker 3: and move three places and then hit play again and

851
00:38:41,239 --> 00:38:44,480
Speaker 3: he'd come on and go, whool, I can't believe you

852
00:38:44,560 --> 00:38:45,000
Speaker 3: did that.

853
00:38:45,200 --> 00:38:48,760
Speaker 2: Sounds I would rather get a puzzle, to be honest

854
00:38:48,800 --> 00:38:51,240
Speaker 2: with you, a really good game.

855
00:38:53,200 --> 00:38:55,879
Speaker 3: If you've got a wild grandparent story of a nine

856
00:38:55,880 --> 00:39:00,040
Speaker 3: of them. A granny who's ninety three years old and

857
00:39:00,040 --> 00:39:02,200
Speaker 3: the police turned up at her house and arrested her.

858
00:39:02,360 --> 00:39:04,840
Speaker 3: Was known as a gentle arrest people and the neighbors

859
00:39:04,920 --> 00:39:06,480
Speaker 3: were trying to work out what's going on to the

860
00:39:06,480 --> 00:39:08,439
Speaker 3: lovely old lady here We just see out the front

861
00:39:08,480 --> 00:39:11,200
Speaker 3: preen in the garden as she was stuffed into the

862
00:39:11,239 --> 00:39:13,840
Speaker 3: cop car and taken back to a cell for questioning.

863
00:39:14,800 --> 00:39:16,880
Speaker 3: Everyone was concerned, even the fan. We were trying to

864
00:39:16,920 --> 00:39:19,240
Speaker 3: work out what had gone on. As it turns out,

865
00:39:20,239 --> 00:39:23,120
Speaker 3: it was the request of the grandma. She saw it

866
00:39:23,120 --> 00:39:25,759
Speaker 3: as a bit exciting as always as a wish at

867
00:39:25,800 --> 00:39:28,640
Speaker 3: the age of ninety three, it was to be arrested,

868
00:39:29,160 --> 00:39:31,760
Speaker 3: to have the officer turn up and say you're under arrest,

869
00:39:32,200 --> 00:39:34,279
Speaker 3: cuff her and put her into the car.

870
00:39:36,239 --> 00:39:40,399
Speaker 2: Institutionalized. Remember that Shaw Shank redemption when Brooks got out

871
00:39:40,400 --> 00:39:42,360
Speaker 2: and he just wanted to get arrested again so he

872
00:39:42,360 --> 00:39:43,520
Speaker 2: could go back into prison.

873
00:39:43,680 --> 00:39:45,400
Speaker 6: You always bring up this movie and I have not

874
00:39:45,520 --> 00:39:46,799
Speaker 6: seen it, Shaw Shank.

875
00:39:46,640 --> 00:39:48,440
Speaker 4: Yeah, and you both stare at me, and then I

876
00:39:48,440 --> 00:39:50,040
Speaker 4: haven't seen it because I don't add MS.

877
00:39:50,560 --> 00:39:52,120
Speaker 2: Sooner he would have seen it, wouldn't.

878
00:39:52,440 --> 00:39:53,759
Speaker 3: We watched it together when we lived together.

879
00:39:54,920 --> 00:39:55,200
Speaker 7: You seen.

880
00:39:55,640 --> 00:39:57,200
Speaker 3: He just asked me what has been up to mate?

881
00:39:57,480 --> 00:40:00,520
Speaker 3: Because we lived together. Sign better than says. But if

882
00:40:00,560 --> 00:40:02,719
Speaker 3: you've got a grandma, that's a grandpa. That's a little

883
00:40:02,719 --> 00:40:05,000
Speaker 3: bit out of control, even in nursing homes. And we've

884
00:40:05,000 --> 00:40:07,440
Speaker 3: discussed this to fit on a full moon. Often in

885
00:40:07,440 --> 00:40:12,760
Speaker 3: the nursing homes, the patrons okay, mad, completely.

886
00:40:12,120 --> 00:40:13,239
Speaker 2: Mad, they lose it.

887
00:40:13,360 --> 00:40:15,799
Speaker 3: What about you, Lucy. You've got a mad granny, haven't you? Yeah?

888
00:40:16,080 --> 00:40:16,680
Speaker 2: I do well.

889
00:40:16,680 --> 00:40:19,239
Speaker 12: Actually, she was a good country girl, my grandma. But

890
00:40:19,440 --> 00:40:20,920
Speaker 12: we found out she had a bit of a rebel

891
00:40:20,960 --> 00:40:23,960
Speaker 12: streak and for her eightieth birthday she wanted a ride

892
00:40:24,000 --> 00:40:26,239
Speaker 12: on the back of a Harley with a bikey. But

893
00:40:26,320 --> 00:40:29,560
Speaker 12: not only that, she also wanted to dye her hair blue.

894
00:40:30,080 --> 00:40:32,080
Speaker 12: Eighty alright, so we died.

895
00:40:31,880 --> 00:40:32,560
Speaker 4: Her hair blue.

896
00:40:32,840 --> 00:40:37,640
Speaker 2: I don't know, it was just she was wilders ever since.

897
00:40:39,600 --> 00:40:40,279
Speaker 3: She loved it.

898
00:40:40,640 --> 00:40:41,920
Speaker 4: She absolutely loved it.

899
00:40:41,920 --> 00:40:43,360
Speaker 12: She was holding on tight to the back of this

900
00:40:43,560 --> 00:40:46,280
Speaker 12: massive bikey looking guy with a beard and leather jacket

901
00:40:46,280 --> 00:40:48,160
Speaker 12: and she was just on the back, holding on and

902
00:40:48,520 --> 00:40:52,880
Speaker 12: off for a joyride harleyvable.

903
00:40:53,360 --> 00:40:56,840
Speaker 3: Georgie, welcome on the show, are you. I'm good, Georgie.

904
00:40:56,920 --> 00:40:58,520
Speaker 3: Your in laws are a bit on the odd, aren't they.

905
00:40:59,480 --> 00:40:59,719
Speaker 2: Oh?

906
00:40:59,840 --> 00:41:03,600
Speaker 19: My grandma and law Nancy just the best woman ever.

907
00:41:04,600 --> 00:41:08,399
Speaker 19: She likes men. She's a big fan of gentlemen. So

908
00:41:08,440 --> 00:41:10,520
Speaker 19: we got her a stripper for her eightieth birthday?

909
00:41:10,600 --> 00:41:13,800
Speaker 2: Oh wow? And did did she keep her hands to herself?

910
00:41:13,840 --> 00:41:16,560
Speaker 19: George, No, that was the problem. We gave him a

911
00:41:16,560 --> 00:41:19,280
Speaker 19: big talking to first, saying, mate, this is an eightieth

912
00:41:19,520 --> 00:41:22,000
Speaker 19: you have to behave. He had to stop her halfway

913
00:41:22,000 --> 00:41:24,120
Speaker 19: through the first song because she's trying to claw off

914
00:41:24,120 --> 00:41:26,600
Speaker 19: his hands. I'm not at that part of.

915
00:41:26,520 --> 00:41:30,560
Speaker 3: The song yet, We're not, I mean, without going to

916
00:41:30,640 --> 00:41:33,479
Speaker 3: too much detail, Georgie, how naked did the man get?

917
00:41:34,000 --> 00:41:34,160
Speaker 9: Oh?

918
00:41:34,200 --> 00:41:36,880
Speaker 19: He was in a disgusting little lime green gee string

919
00:41:36,920 --> 00:41:38,400
Speaker 19: by the end, and that was quite enough for me.

920
00:41:38,640 --> 00:41:39,759
Speaker 3: And Granny was still into it.

921
00:41:40,600 --> 00:41:42,920
Speaker 19: Oh yeah, she got his card for later because she

922
00:41:42,960 --> 00:41:47,879
Speaker 19: wanted to organize something with her friend. The year later,

923
00:41:47,920 --> 00:41:49,719
Speaker 19: at her eighty first birthday, we went out for a

924
00:41:49,800 --> 00:41:53,120
Speaker 19: lovely lunch and she's looking around, going where's the strippers?

925
00:41:53,120 --> 00:41:54,239
Speaker 11: I started to get through this year.

926
00:41:55,280 --> 00:41:59,879
Speaker 2: Gosh, so was Tom dancing to the bee?

927
00:42:02,239 --> 00:42:03,759
Speaker 3: How'd you go to sleep last night? You have a

928
00:42:03,800 --> 00:42:04,240
Speaker 3: good sleep?

929
00:42:04,280 --> 00:42:05,279
Speaker 4: Yeah, alright at the moment.

930
00:42:05,360 --> 00:42:07,239
Speaker 3: It's funny how you go through strange cycles, isn't it?

931
00:42:07,280 --> 00:42:10,000
Speaker 3: Where sometimes you get to switch off the light says

932
00:42:10,480 --> 00:42:12,640
Speaker 3: and on other times you just can't get to sleep

933
00:42:12,640 --> 00:42:14,840
Speaker 3: and it does your head in. You roll around and

934
00:42:15,320 --> 00:42:15,920
Speaker 3: too hot on.

935
00:42:16,040 --> 00:42:17,960
Speaker 6: Well, I'm doing the three am wake up and just

936
00:42:18,000 --> 00:42:19,080
Speaker 6: can't shut my mind off.

937
00:42:19,160 --> 00:42:20,879
Speaker 3: Yeah, I know, what are you thinking about? You want

938
00:42:20,880 --> 00:42:21,680
Speaker 3: to talk through it with the team.

939
00:42:21,760 --> 00:42:23,719
Speaker 4: You know what was some guy on the street this time?

940
00:42:23,719 --> 00:42:24,400
Speaker 4: It was his fault.

941
00:42:24,520 --> 00:42:26,319
Speaker 6: I don't know what he was doing with her. He

942
00:42:26,360 --> 00:42:28,680
Speaker 6: was a builder delivering something, but he was playing five

943
00:42:28,760 --> 00:42:30,440
Speaker 6: sas so loudly.

944
00:42:30,680 --> 00:42:31,279
Speaker 3: You're kidding me.

945
00:42:31,400 --> 00:42:33,160
Speaker 6: No, So I had young Blood in my head and

946
00:42:33,239 --> 00:42:34,520
Speaker 6: I couldn't get back to sleep.

947
00:42:34,880 --> 00:42:38,319
Speaker 3: A great song though, So it's a number one.

948
00:42:38,560 --> 00:42:41,440
Speaker 2: See here are the situations that I think of to

949
00:42:41,480 --> 00:42:44,880
Speaker 2: make myself relaxed. I need to be in a comfortable spot.

950
00:42:44,920 --> 00:42:47,960
Speaker 2: But there's chaos around me, do you know what I mean?

951
00:42:48,560 --> 00:42:52,880
Speaker 2: So what I do is I there's situations where I

952
00:42:52,880 --> 00:42:55,360
Speaker 2: think there's people chasing me and I might be in

953
00:42:55,360 --> 00:42:58,640
Speaker 2: a forest erah, but I've found this hiding spot that

954
00:42:58,800 --> 00:43:01,719
Speaker 2: no one can see me, Like I'm under these bushes

955
00:43:02,080 --> 00:43:03,759
Speaker 2: and they're all around going we've got to get him,

956
00:43:03,760 --> 00:43:06,080
Speaker 2: We've got to get him. So there's chaos around me,

957
00:43:06,600 --> 00:43:09,680
Speaker 2: but I'm nice and comfortable going well, they can't see me,

958
00:43:09,760 --> 00:43:11,800
Speaker 2: and I feel really comfortable and I go to sleep.

959
00:43:12,000 --> 00:43:14,640
Speaker 3: If you can go as a doctor today?

960
00:43:16,440 --> 00:43:18,280
Speaker 2: You know the other one that I do and sitting

961
00:43:18,280 --> 00:43:22,080
Speaker 2: on a light because you're going to talk about the military. Yeah,

962
00:43:22,239 --> 00:43:23,640
Speaker 2: the other one that I do is that you know

963
00:43:23,840 --> 00:43:26,040
Speaker 2: soldiers when they go to sleep out in the desert

964
00:43:26,400 --> 00:43:30,120
Speaker 2: in Afghanistans here, they actually dig holes in the sand

965
00:43:30,200 --> 00:43:33,359
Speaker 2: and they sleep under so they can't be seen from

966
00:43:33,440 --> 00:43:36,799
Speaker 2: the from the landscape to your picture. So I dig

967
00:43:36,880 --> 00:43:39,440
Speaker 2: my hole and I sleep under, and I think myself,

968
00:43:39,480 --> 00:43:41,759
Speaker 2: oh God, there's a war going on outside, and I'm

969
00:43:41,840 --> 00:43:43,120
Speaker 2: nice and comforting in my little bit.

970
00:43:43,520 --> 00:43:44,600
Speaker 4: How you get to sleep?

971
00:43:45,600 --> 00:43:46,960
Speaker 3: But you're in a nice house in Balmain.

972
00:43:47,080 --> 00:43:49,800
Speaker 2: That makes me feel comfortable.

973
00:43:49,280 --> 00:43:51,280
Speaker 4: Not giving your wife a kiss and saying love you honey.

974
00:43:52,600 --> 00:43:55,439
Speaker 2: That's done and dust that was that was ten minutes ago.

975
00:43:55,680 --> 00:43:57,720
Speaker 3: That's my mattress and I'm under a dorney a little beauty.

976
00:43:57,719 --> 00:43:58,879
Speaker 3: Why don't you need to be shot at?

977
00:43:58,880 --> 00:44:00,400
Speaker 2: Mate?

978
00:44:00,040 --> 00:44:01,680
Speaker 3: One wonder you're coming in time.

979
00:44:01,960 --> 00:44:03,120
Speaker 2: I've got about eight others.

980
00:44:03,160 --> 00:44:04,520
Speaker 3: You're sleeping in the wall zone.

981
00:44:04,840 --> 00:44:05,560
Speaker 7: What are you doing?

982
00:44:05,600 --> 00:44:05,799
Speaker 3: Mate?

983
00:44:05,920 --> 00:44:12,680
Speaker 2: There's a Jason Bourne movie. Mattdmon and he was out

984
00:44:12,680 --> 00:44:15,280
Speaker 2: in the fields, right, and he was he was hiding

985
00:44:15,280 --> 00:44:16,960
Speaker 2: in the grass, and he's being shot at and you're

986
00:44:17,000 --> 00:44:19,759
Speaker 2: trying to shoots that huge gas tank. Do you remember that?

987
00:44:20,280 --> 00:44:22,279
Speaker 2: But when he was hiding in the grass, I'm going

988
00:44:22,320 --> 00:44:24,400
Speaker 2: they can't see him at I'm nice and comfortable.

989
00:44:26,000 --> 00:44:28,440
Speaker 3: No one can see me. You know what's interesting? In

990
00:44:28,480 --> 00:44:31,400
Speaker 3: this article talks about two different types of insomnia. Type

991
00:44:31,480 --> 00:44:34,120
Speaker 3: one insomnia is where you can't get to sleep right,

992
00:44:34,160 --> 00:44:36,320
Speaker 3: and we've all experienced at a different stages. Some people

993
00:44:36,360 --> 00:44:40,000
Speaker 3: have it severely. Type two is where you wake at

994
00:44:40,120 --> 00:44:43,399
Speaker 3: least once a night. Doesn't everyone wake at least once

995
00:44:43,440 --> 00:44:43,759
Speaker 3: a night.

996
00:44:44,080 --> 00:44:45,880
Speaker 4: No, not if you're in a good sleep.

997
00:44:46,080 --> 00:44:46,960
Speaker 2: Oh no, you do it.

998
00:44:47,040 --> 00:44:49,160
Speaker 3: You do wake, or if you're being shot at, says

999
00:44:49,680 --> 00:44:53,759
Speaker 3: in this In this new book Relax and Win, You're

1000
00:44:53,800 --> 00:44:56,080
Speaker 3: right fits, he talks about this military method to help

1001
00:44:56,120 --> 00:44:58,680
Speaker 3: you get to sleep. Can get anyone to sleep in

1002
00:44:59,480 --> 00:45:02,720
Speaker 3: just hundred and twenty seconds. Takes up to six weeks

1003
00:45:02,719 --> 00:45:04,520
Speaker 3: to get this right, and it has a ninety six

1004
00:45:04,560 --> 00:45:08,440
Speaker 3: percent success for two minutes one hundred and twenty seconds

1005
00:45:08,480 --> 00:45:11,040
Speaker 3: to two minutes roughly. Yeah, and try it for not

1006
00:45:11,080 --> 00:45:11,840
Speaker 3: six months.

1007
00:45:14,400 --> 00:45:14,600
Speaker 8: Week?

1008
00:45:14,680 --> 00:45:16,239
Speaker 3: Oh I can't. I was going to go to twelve

1009
00:45:16,239 --> 00:45:20,720
Speaker 3: months or he says, twenty six is all right. Firstly,

1010
00:45:20,719 --> 00:45:22,160
Speaker 3: what you have to do is relax the muscles in

1011
00:45:22,160 --> 00:45:24,640
Speaker 3: your face, including your tongue, your jaw, and the muscles

1012
00:45:24,680 --> 00:45:28,840
Speaker 3: around your eyes. Say it is. But when you're thinking

1013
00:45:28,880 --> 00:45:31,279
Speaker 3: about it and they're asking you to think about doing that,

1014
00:45:31,560 --> 00:45:33,279
Speaker 3: then you should drop your shoulders as low as they

1015
00:45:33,280 --> 00:45:36,560
Speaker 3: go before relaxing your upper and lower arm on one

1016
00:45:36,600 --> 00:45:38,279
Speaker 3: side and then the other.

1017
00:45:38,400 --> 00:45:40,200
Speaker 2: Well, you're in bed, you know what I mean.

1018
00:45:41,000 --> 00:45:44,080
Speaker 3: You're already down, aren't you. You're already Step three involves breathing.

1019
00:45:44,239 --> 00:45:47,960
Speaker 3: Says you should breathe out, relax your chest, and finally

1020
00:45:48,320 --> 00:45:51,600
Speaker 3: relax your legs. You should start with your thighs and

1021
00:45:51,680 --> 00:45:53,880
Speaker 3: move to your lower legs. Anyway, this goes on for

1022
00:45:53,920 --> 00:45:55,960
Speaker 3: a while, banging on about the body. This is the

1023
00:45:56,000 --> 00:45:57,879
Speaker 3: part where I got confused because I was lying there

1024
00:45:57,920 --> 00:46:00,520
Speaker 3: last night next to Lisa trying to drop off, and

1025
00:46:00,560 --> 00:46:02,279
Speaker 3: when you're tired, your full sleep anyway, so I don't

1026
00:46:02,320 --> 00:46:04,800
Speaker 3: know if it actually worked. Then it says according to

1027
00:46:04,840 --> 00:46:08,839
Speaker 3: the book, firstly, pitch yourself lying in a canoe on

1028
00:46:08,880 --> 00:46:12,600
Speaker 3: a calm lake, nothing but blue sky above you. If

1029
00:46:12,640 --> 00:46:15,879
Speaker 3: I pitchure myself in a canoe. I'm a fat guy.

1030
00:46:16,160 --> 00:46:20,440
Speaker 3: Concerned about fat guys and canoes.

1031
00:46:20,520 --> 00:46:25,040
Speaker 6: Don't mean you're worried about having to all of a

1032
00:46:25,080 --> 00:46:27,480
Speaker 6: sudden says I'm rocking in this little canoe.

1033
00:46:27,480 --> 00:46:29,040
Speaker 3: Am I going to fall out and drown? Hit man

1034
00:46:29,160 --> 00:46:30,800
Speaker 3: on a rock? I can't relax?

1035
00:46:31,520 --> 00:46:32,919
Speaker 2: And finally, what's another one?

1036
00:46:33,080 --> 00:46:36,320
Speaker 3: Finally it says, don't oh, sorry, try saying don't think,

1037
00:46:36,840 --> 00:46:41,200
Speaker 3: don't think, don't think. The other one, the other again,

1038
00:46:41,280 --> 00:46:41,720
Speaker 3: the other.

1039
00:46:41,600 --> 00:46:43,839
Speaker 2: One that you missed, which I thought was a good one.

1040
00:46:43,880 --> 00:46:46,960
Speaker 2: To pitch yourself snuggled in a black velvet in a

1041
00:46:47,040 --> 00:46:48,040
Speaker 2: pitch black room.

1042
00:46:48,600 --> 00:46:51,200
Speaker 3: Now, if I'm in company, do you can you imagine?

1043
00:46:52,680 --> 00:46:55,200
Speaker 3: Can you imagine how slippery velvet canoe is?

1044
00:46:56,080 --> 00:46:56,839
Speaker 2: That's not bad.

1045
00:46:56,920 --> 00:46:58,719
Speaker 3: I mean, firstly, I'm asked to be sitting in a

1046
00:46:58,760 --> 00:47:00,279
Speaker 3: canoe as a fat guy and going to and I

1047
00:47:00,280 --> 00:47:02,640
Speaker 3: have an issue. Then look, I'm in a velvet hammock.

1048
00:47:02,960 --> 00:47:05,239
Speaker 3: But that is just a hazard. There's a broken arm

1049
00:47:05,280 --> 00:47:05,919
Speaker 3: in that for sure.

1050
00:47:06,040 --> 00:47:09,279
Speaker 2: So then I think you do have to think to

1051
00:47:09,440 --> 00:47:10,640
Speaker 2: say don't think.

1052
00:47:11,080 --> 00:47:13,000
Speaker 3: So thinking about what you're saying.

1053
00:47:13,400 --> 00:47:15,879
Speaker 2: It's ridiculous, Sarah. You need to train the body though

1054
00:47:15,920 --> 00:47:17,839
Speaker 2: a lot of people will go you can't go home

1055
00:47:17,920 --> 00:47:20,560
Speaker 2: to not do it straight a six months, they say,

1056
00:47:20,640 --> 00:47:25,719
Speaker 2: six month, So I don't know. I thought, if you've

1057
00:47:25,760 --> 00:47:26,800
Speaker 2: got the time to try.

1058
00:47:26,760 --> 00:47:30,000
Speaker 3: You're releasing your book of scary situations to think about

1059
00:47:30,080 --> 00:47:31,000
Speaker 3: so you can sleep better.

1060
00:47:41,400 --> 00:47:42,880
Speaker 9: I like a bed that's really firm.

1061
00:47:43,040 --> 00:47:45,080
Speaker 1: I need something a little softer than that.

1062
00:47:45,200 --> 00:47:47,279
Speaker 21: Rest easy. Did the Sleep number three sixty smart bet?

1063
00:47:47,280 --> 00:47:49,239
Speaker 21: You can both adjust your comfort with your sleep number seven.

1064
00:47:49,280 --> 00:47:51,279
Speaker 3: Can it really help me fall asleep faster? Yes?

1065
00:47:51,320 --> 00:47:52,439
Speaker 21: By gently warning your feet?

1066
00:47:52,480 --> 00:47:54,080
Speaker 2: Okay, but can it help keep us asleep?

1067
00:47:54,160 --> 00:47:56,719
Speaker 21: It senses your movements automatically adjust to keep you effortlessly.

1068
00:47:57,160 --> 00:48:00,359
Speaker 21: Sleep number proven quality sleep is life changing sleep. It's

1069
00:48:00,400 --> 00:48:02,239
Speaker 21: our biggest sale of the year. Where all beds are

1070
00:48:02,239 --> 00:48:04,359
Speaker 21: on sale, save fifty percent on the Sleep Number three

1071
00:48:04,440 --> 00:48:07,600
Speaker 21: sixty Limited edition smartbed only for a limited time. To

1072
00:48:07,680 --> 00:48:13,319
Speaker 21: learn more, go to sleep number dot com.