1 00:00:00,040 --> 00:00:01,240 Speaker 1: It fits in with us. 2 00:00:01,400 --> 00:00:03,520 Speaker 2: We have the man himself and the voice is back 3 00:00:03,560 --> 00:00:06,560 Speaker 2: on Channel seven later this year. The magnificent Keith. Thanks 4 00:00:06,559 --> 00:00:09,440 Speaker 2: for sticking around, buddy, and do you know what for 5 00:00:09,480 --> 00:00:11,040 Speaker 2: anyone out there? If you want to give us a 6 00:00:11,039 --> 00:00:12,879 Speaker 2: call right now, I've got a double pass to go 7 00:00:12,960 --> 00:00:16,680 Speaker 2: see Keith. It's the Speed of Now World Tour twenty 8 00:00:16,800 --> 00:00:20,040 Speaker 2: twenty one. When are you playing here in Sydney December December? 9 00:00:20,440 --> 00:00:22,000 Speaker 2: If you would like a double give us a call 10 00:00:22,079 --> 00:00:23,599 Speaker 2: right now thirteen twenty four to ten. 11 00:00:24,000 --> 00:00:28,400 Speaker 3: Keith can ask a personal question because I'm that's probably 12 00:00:28,400 --> 00:00:29,000 Speaker 3: more about me. 13 00:00:29,600 --> 00:00:32,159 Speaker 1: You probably don't know this. I'm an absolute animal on 14 00:00:32,200 --> 00:00:32,600 Speaker 1: the acts. 15 00:00:33,479 --> 00:00:37,040 Speaker 2: Yeah really he knows sexual healing about it. 16 00:00:37,320 --> 00:00:38,360 Speaker 1: But I picked it up a bit late. 17 00:00:38,360 --> 00:00:38,879 Speaker 2: But I've got my. 18 00:00:38,880 --> 00:00:41,800 Speaker 4: Boat on the station. Do you know the song as well? 19 00:00:41,920 --> 00:00:43,880 Speaker 1: You've never heard of it? You never ever heard of 20 00:00:44,640 --> 00:00:47,400 Speaker 1: But then I've got the boys and I've got Ted 21 00:00:47,400 --> 00:00:49,320 Speaker 1: who's five, and Jack who's four. We went and bought 22 00:00:49,320 --> 00:00:51,560 Speaker 1: guitars the other day because the kids are interested. 23 00:00:51,600 --> 00:00:54,360 Speaker 3: Anyway, I'm trying to get them to play what was 24 00:00:54,400 --> 00:00:55,960 Speaker 3: the first song that you learned? 25 00:00:56,080 --> 00:00:56,880 Speaker 4: Oh Bloody Hell? 26 00:00:57,480 --> 00:00:58,520 Speaker 1: And how Old were Smoke? 27 00:00:58,600 --> 00:00:59,000 Speaker 2: On? The walls. 28 00:00:59,160 --> 00:01:00,319 Speaker 1: Six. 29 00:01:00,640 --> 00:01:08,760 Speaker 3: Yeah, yeah, it's quite often. It's yeah, sunshine of your love. Yeah, 30 00:01:09,000 --> 00:01:10,959 Speaker 3: Len came around. He's good on the axe. 31 00:01:11,040 --> 00:01:14,280 Speaker 1: Yes, So Whipper can't get his boys interested through his 32 00:01:14,360 --> 00:01:16,720 Speaker 1: own actions, so he gets someone younger and cooler. 33 00:01:16,760 --> 00:01:19,679 Speaker 2: Who that's your role, that's my role. Yeah, but six 34 00:01:19,760 --> 00:01:20,360 Speaker 2: is as well. 35 00:01:20,360 --> 00:01:22,800 Speaker 1: I couldn't get you, Keith, you were busy. But six 36 00:01:22,920 --> 00:01:24,880 Speaker 1: is a good age to pick up the axe. 37 00:01:24,959 --> 00:01:26,960 Speaker 4: Yeah, it was great. Well. My mum and dad gave 38 00:01:27,000 --> 00:01:29,520 Speaker 4: me a ukulele when I was four. Awesome, and they 39 00:01:29,560 --> 00:01:31,560 Speaker 4: said I could strum it in time with the songs 40 00:01:31,560 --> 00:01:34,560 Speaker 4: on the radio when we've got rhythm. What's a good 41 00:01:34,560 --> 00:01:36,160 Speaker 4: age for chords? And someone's about six? 42 00:01:36,280 --> 00:01:36,560 Speaker 1: Is good? 43 00:01:37,160 --> 00:01:41,080 Speaker 2: Any any musical interest from your kids at the moment, Keith, 44 00:01:41,120 --> 00:01:42,560 Speaker 2: what are you any instruments there? 45 00:01:42,959 --> 00:01:44,600 Speaker 4: A little bit of piano, a little bit of drums? O. 46 00:01:45,280 --> 00:01:46,480 Speaker 5: How hard do you push it? 47 00:01:46,520 --> 00:01:46,679 Speaker 4: Though? 48 00:01:46,720 --> 00:01:49,000 Speaker 5: I mean before you become the parent who shove it? 49 00:01:50,680 --> 00:01:53,960 Speaker 1: Show it again? 50 00:01:54,360 --> 00:01:56,280 Speaker 5: I mean if they if they looked at Nick and 51 00:01:56,280 --> 00:01:58,080 Speaker 5: said we want to be acted, I mean, do you 52 00:01:58,120 --> 00:01:59,960 Speaker 5: want to push them? Do you hold them back? Which 53 00:02:00,000 --> 00:02:01,160 Speaker 5: this one's the fair option? 54 00:02:01,400 --> 00:02:03,480 Speaker 4: To support them? Yeah, you know, just support them and 55 00:02:03,600 --> 00:02:05,400 Speaker 4: if they're passionate about it and they really want to 56 00:02:05,400 --> 00:02:06,160 Speaker 4: do it, go at it. 57 00:02:06,400 --> 00:02:08,600 Speaker 2: Our seven year old wants a drum kit. You've got 58 00:02:08,600 --> 00:02:10,800 Speaker 2: an actual drum kit? Or how do you have an 59 00:02:10,800 --> 00:02:14,800 Speaker 2: electronic electronic drum kit? Yeah, put the headphones. You can 60 00:02:14,800 --> 00:02:15,399 Speaker 2: hear it that way. 61 00:02:15,480 --> 00:02:18,920 Speaker 4: Good to keep peace in the home. Yeah, without the 62 00:02:18,919 --> 00:02:21,040 Speaker 4: headphones on the go at it. I had one set 63 00:02:21,120 --> 00:02:22,919 Speaker 4: up in the garage when I was a kid. I 64 00:02:22,919 --> 00:02:24,280 Speaker 4: had it set up out there and I'd come home 65 00:02:24,280 --> 00:02:26,880 Speaker 4: from school and just just play for hours. 66 00:02:27,840 --> 00:02:29,960 Speaker 2: The name of your first band, key we go? 67 00:02:30,120 --> 00:02:32,800 Speaker 4: My first band? Yeah, I had an imaginary band. 68 00:02:32,880 --> 00:02:33,840 Speaker 2: Yes, it was just you. 69 00:02:34,000 --> 00:02:35,120 Speaker 4: It's called rock Fever. 70 00:02:36,960 --> 00:02:39,720 Speaker 3: So you just would assume or could it could picture 71 00:02:39,960 --> 00:02:41,639 Speaker 3: the rest of the band behind you? Yeah? 72 00:02:42,120 --> 00:02:44,600 Speaker 4: I said to my dad. We had a garage that 73 00:02:44,720 --> 00:02:47,760 Speaker 4: was like disconnected from the house, old piece of ship 74 00:02:48,360 --> 00:02:50,840 Speaker 4: and on the side it was all made a firebro 75 00:02:51,080 --> 00:02:53,360 Speaker 4: falling apart, irom reading everything. And I said to Dad, 76 00:02:53,639 --> 00:02:55,200 Speaker 4: can I spray paint the name of the band on 77 00:02:55,240 --> 00:02:58,360 Speaker 4: the side of the garage? And he goes, no, absolutely 78 00:02:58,360 --> 00:03:01,120 Speaker 4: not forget. So after we for work, I went and 79 00:03:01,160 --> 00:03:02,760 Speaker 4: spread the name on the side. 80 00:03:04,080 --> 00:03:06,880 Speaker 1: Right Fever, Dad, I think I'm coming down with something. 81 00:03:06,960 --> 00:03:07,959 Speaker 1: I've been hit by rock? 82 00:03:08,560 --> 00:03:10,639 Speaker 2: Did you have a high school band? Was there a 83 00:03:10,720 --> 00:03:11,399 Speaker 2: high school band? 84 00:03:11,560 --> 00:03:14,720 Speaker 4: Was in a high school band called the Obscure Alternatives? 85 00:03:14,760 --> 00:03:15,880 Speaker 1: Really? Were they? 86 00:03:15,960 --> 00:03:17,399 Speaker 4: Their hits keep coming? Yeah? 87 00:03:17,520 --> 00:03:20,440 Speaker 2: Do you still talk to are you still mates with 88 00:03:20,480 --> 00:03:21,320 Speaker 2: any of the boys or you. 89 00:03:21,320 --> 00:03:23,119 Speaker 4: Haven't seen any of a long long time? 90 00:03:23,840 --> 00:03:26,440 Speaker 2: Yeah, you're back on the voice. We're excited about this. 91 00:03:26,520 --> 00:03:28,679 Speaker 2: You've got guys Sebastian with your reader or a Jess 92 00:03:28,760 --> 00:03:31,240 Speaker 2: moul Boy. How are they going? You're getting along with them? 93 00:03:31,320 --> 00:03:32,560 Speaker 2: Or do you hate their guts? Already? 94 00:03:32,800 --> 00:03:35,240 Speaker 4: Love them? They're actually excellent. It's a great panel. 95 00:03:35,400 --> 00:03:37,360 Speaker 2: Is it a little bit different than the American Idol? 96 00:03:37,600 --> 00:03:40,840 Speaker 4: Because when the first season of Idle at least. 97 00:03:40,760 --> 00:03:43,560 Speaker 2: Yeah, sure you were sitting in between Mariah Carey and 98 00:03:43,640 --> 00:03:46,040 Speaker 2: Nicki Minaj when all the fighting was going on. Yes, 99 00:03:46,040 --> 00:03:48,200 Speaker 2: were you just were you the middle men that had 100 00:03:48,240 --> 00:03:50,040 Speaker 2: to stop the fights or what was it? 101 00:03:50,240 --> 00:03:52,920 Speaker 4: Like I suddenly realized all these years of playing the 102 00:03:52,920 --> 00:03:56,080 Speaker 4: pubs up and brizzy, of paying off, this is like 103 00:03:56,120 --> 00:03:56,960 Speaker 4: a Friday. 104 00:03:56,680 --> 00:04:00,160 Speaker 2: Night someone's ring a schooner whenever you want to, I've 105 00:04:00,160 --> 00:04:01,440 Speaker 2: got a caste? 106 00:04:04,000 --> 00:04:04,520 Speaker 1: What what? 107 00:04:04,520 --> 00:04:07,240 Speaker 2: What was that all over. Why were they fighting so much, 108 00:04:07,280 --> 00:04:07,800 Speaker 2: those two? 109 00:04:08,680 --> 00:04:10,520 Speaker 4: I mean, it was it was a real setup. I 110 00:04:10,560 --> 00:04:12,960 Speaker 4: think they just they were you know, Paul Mariah was 111 00:04:13,120 --> 00:04:14,920 Speaker 4: sort of I think under the impression and rightly so 112 00:04:15,040 --> 00:04:16,600 Speaker 4: that she was the only girl on the panel, right 113 00:04:17,120 --> 00:04:19,000 Speaker 4: and then at the last second they did a little 114 00:04:19,600 --> 00:04:21,679 Speaker 4: they'll switcheroo and threw Nicky into the mix. 115 00:04:22,120 --> 00:04:23,520 Speaker 1: As it turns out, we've got good TV. 116 00:04:24,160 --> 00:04:26,800 Speaker 4: Yes, it was all designed to make great TV, but 117 00:04:26,839 --> 00:04:28,480 Speaker 4: it just went a bit pair shak. 118 00:04:28,880 --> 00:04:31,320 Speaker 5: After that experience, do you now ask for. 119 00:04:31,360 --> 00:04:33,640 Speaker 4: Full approval first of panel? 120 00:04:33,680 --> 00:04:36,120 Speaker 5: Were you first on the boys that you've approved everyone else? 121 00:04:36,120 --> 00:04:36,840 Speaker 1: You didn't want Guy? 122 00:04:36,880 --> 00:04:38,680 Speaker 4: Did you Guy? 123 00:04:39,200 --> 00:04:39,400 Speaker 1: Yeah? 124 00:04:39,400 --> 00:04:45,320 Speaker 4: Because he's an animal, an unpredictable and just emotional roller coaster. 125 00:04:47,279 --> 00:04:49,640 Speaker 2: I would say with you on the voice, I mean, 126 00:04:49,680 --> 00:04:52,440 Speaker 2: you're in the you're in the prime position here, Keith, 127 00:04:52,560 --> 00:04:56,040 Speaker 2: because I mean you're the most experienced artist on the panel. 128 00:04:56,520 --> 00:04:59,200 Speaker 2: So have you got a lot of the contestants choosing you? 129 00:05:00,200 --> 00:05:02,240 Speaker 4: I think for different reasons, But here some of that 130 00:05:02,240 --> 00:05:06,480 Speaker 4: comes into play for sure, particularly this year we had 131 00:05:06,480 --> 00:05:10,520 Speaker 4: a couple But yeah, I mean, but you know, of course, 132 00:05:10,520 --> 00:05:13,599 Speaker 4: I don't know that anybody's playing anything, and the blind auditions. 133 00:05:13,720 --> 00:05:17,440 Speaker 3: Yeah, you know, the people that take on a show 134 00:05:17,520 --> 00:05:22,360 Speaker 3: like this, they're just unbelievably brave, Like the nerves that 135 00:05:22,400 --> 00:05:23,760 Speaker 3: you see come over them. A lot of the back 136 00:05:23,839 --> 00:05:26,560 Speaker 3: end story and everything that's left moment before they walk 137 00:05:26,600 --> 00:05:27,400 Speaker 3: out on stage. 138 00:05:27,520 --> 00:05:28,680 Speaker 1: Yes, a lot of courage. 139 00:05:28,920 --> 00:05:30,719 Speaker 4: Well, and I always want to remind people we don't 140 00:05:30,800 --> 00:05:34,520 Speaker 4: know the backstory. Yeah, of course, watching at home see 141 00:05:34,839 --> 00:05:37,840 Speaker 4: most devastating backstory and then none of us turn and 142 00:05:37,920 --> 00:05:40,960 Speaker 4: we're just like the you know, just complete scrooges up there. 143 00:05:42,440 --> 00:05:44,520 Speaker 4: But yeah I could. I couldn't do it. I couldn't 144 00:05:44,520 --> 00:05:46,000 Speaker 4: sing the knack of chairs. 145 00:05:46,320 --> 00:05:48,120 Speaker 1: What's the most nervous gig you've ever done? 146 00:05:48,400 --> 00:05:49,120 Speaker 4: This one? 147 00:05:49,960 --> 00:05:50,880 Speaker 1: How's it going for you? 148 00:05:51,320 --> 00:05:51,760 Speaker 2: Terrified? 149 00:05:52,480 --> 00:05:54,240 Speaker 4: The least your chairs have turned? So that's good. 150 00:05:54,360 --> 00:05:58,359 Speaker 2: We're all around now, I reckon. 151 00:05:58,400 --> 00:06:00,839 Speaker 4: The hardest gig I did was I play an airport. 152 00:06:01,520 --> 00:06:02,480 Speaker 1: Oh wow, this was. 153 00:06:02,440 --> 00:06:05,480 Speaker 4: The worst situation ever had a you know, questionable manager 154 00:06:05,480 --> 00:06:07,440 Speaker 4: who set up some sort of dodgy deal for a. 155 00:06:07,360 --> 00:06:09,000 Speaker 2: Couple of three airfares. 156 00:06:09,279 --> 00:06:10,719 Speaker 4: We got to do is playing that plane. It was 157 00:06:10,720 --> 00:06:15,400 Speaker 4: at the Tamworth Airport Mecca and it was a regional 158 00:06:15,440 --> 00:06:18,680 Speaker 4: Tamworth airport. It just opened up. So we get there, 159 00:06:18,800 --> 00:06:20,760 Speaker 4: me and my three piece band, and I go where 160 00:06:20,760 --> 00:06:22,440 Speaker 4: do we set up? And they go, I see the 161 00:06:22,440 --> 00:06:25,880 Speaker 4: baggage carousel, and you know that little carpeted area on 162 00:06:26,040 --> 00:06:28,840 Speaker 4: the middle top of the baggage You know that little 163 00:06:29,440 --> 00:06:31,320 Speaker 4: that strip of carpet. Can you set up on that 164 00:06:31,360 --> 00:06:35,039 Speaker 4: strip of carpet? You think? So we go, all right, 165 00:06:35,080 --> 00:06:37,920 Speaker 4: So we set up on there, and I go, when 166 00:06:37,960 --> 00:06:40,000 Speaker 4: do we start against We'll start now, I said, it 167 00:06:40,160 --> 00:06:44,440 Speaker 4: is nobody here. He goes, no, that wandering. I'm like, okay, 168 00:06:44,560 --> 00:06:47,880 Speaker 4: So we start singing. Sure enough, a couple of people wandering, 169 00:06:47,960 --> 00:06:49,960 Speaker 4: then a few more than a few more. We've got 170 00:06:49,960 --> 00:06:51,720 Speaker 4: a bit of a crowd happening here. And right as 171 00:06:51,720 --> 00:06:56,160 Speaker 4: I'm getting into it, all the bags duck and they 172 00:06:56,200 --> 00:06:56,600 Speaker 4: all got. 173 00:06:56,480 --> 00:06:59,640 Speaker 1: Their flights just landed from Perth. 174 00:07:03,040 --> 00:07:06,840 Speaker 2: I've also going to double past the baggage carousel at 175 00:07:08,520 --> 00:07:11,320 Speaker 2: Kelly from Oakdale's giving us a cool good morning kill that. 176 00:07:11,440 --> 00:07:13,040 Speaker 1: Is gold good morning. 177 00:07:13,360 --> 00:07:15,240 Speaker 2: Do you want to go and see Keith Eban live 178 00:07:16,000 --> 00:07:19,360 Speaker 2: at the time with airport, I don't care where I 179 00:07:19,400 --> 00:07:21,800 Speaker 2: see you, Kelly. 180 00:07:21,840 --> 00:07:23,400 Speaker 1: Turn on your Kelly. You've got a couple of tickets. 181 00:07:23,440 --> 00:07:25,440 Speaker 2: Well done, you get some free. 182 00:07:25,320 --> 00:07:26,080 Speaker 4: Luggage with that? 183 00:07:27,640 --> 00:07:29,480 Speaker 2: Have you selling Keith before killing? 184 00:07:30,520 --> 00:07:30,760 Speaker 4: No? 185 00:07:31,600 --> 00:07:33,160 Speaker 1: Well this sound have been excited? Kel? 186 00:07:33,360 --> 00:07:36,520 Speaker 5: Yeah, I am shaking like no tomorrow. 187 00:07:36,720 --> 00:07:38,600 Speaker 4: Where's home, Kelly? Where are you calling from? 188 00:07:39,280 --> 00:07:43,239 Speaker 3: I'm Oakdale, nice Camden in the bush. 189 00:07:43,440 --> 00:07:45,200 Speaker 2: Who are you going to? You got a double? Who 190 00:07:45,200 --> 00:07:46,200 Speaker 2: are you taking with you? Kill? 191 00:07:47,760 --> 00:07:49,800 Speaker 5: I'm not sure because there's going to be. 192 00:07:49,720 --> 00:07:50,520 Speaker 2: A fight in the house. 193 00:07:50,840 --> 00:07:54,560 Speaker 4: Here we go between whom my daughters? 194 00:07:55,600 --> 00:07:57,360 Speaker 1: How many you got, kel? How many daughters? 195 00:07:58,000 --> 00:07:59,960 Speaker 2: Two daughters? Come? 196 00:08:00,120 --> 00:08:00,520 Speaker 4: Grandma? 197 00:08:00,880 --> 00:08:03,680 Speaker 2: Oh wow? Can we can we throw in another one? 198 00:08:03,840 --> 00:08:04,720 Speaker 4: We just put them all in? 199 00:08:05,040 --> 00:08:05,440 Speaker 2: Can we do? 200 00:08:05,520 --> 00:08:09,760 Speaker 4: Let's just give him all. I mean, it's been it's 201 00:08:09,800 --> 00:08:12,960 Speaker 4: been a ten year for families already. It's not add 202 00:08:13,040 --> 00:08:13,280 Speaker 4: to that. 203 00:08:13,320 --> 00:08:14,240 Speaker 2: I've got no idea. 204 00:08:14,400 --> 00:08:15,400 Speaker 5: Oh my god, how. 205 00:08:15,400 --> 00:08:23,120 Speaker 4: Many of you in the 's gone out? Sorry? There is? 206 00:08:23,120 --> 00:08:27,880 Speaker 4: There is my daughter's husband sixty four tickets later? 207 00:08:29,280 --> 00:08:32,240 Speaker 2: No, No, would you like a meet? And great? 208 00:08:33,240 --> 00:08:34,800 Speaker 4: You know what, We're just going to hook you up, Kelly. 209 00:08:34,880 --> 00:08:36,800 Speaker 4: Tell us what you need and we will take care 210 00:08:36,800 --> 00:08:40,880 Speaker 4: of it, I promise you. Yeah, serious, serious, you've got 211 00:08:40,880 --> 00:08:41,480 Speaker 4: no idea. 212 00:08:41,559 --> 00:08:43,360 Speaker 5: You wrote parallel lines for me? 213 00:08:43,800 --> 00:08:46,200 Speaker 4: Oh that's beautiful, that's really nice. 214 00:08:46,240 --> 00:08:48,480 Speaker 2: You have no idea that is a great song. 215 00:08:48,559 --> 00:09:00,040 Speaker 4: Take a little bit of singer to m Kelly hot. 216 00:08:51,960 --> 00:08:57,440 Speaker 1: And we're also going to throw in a hotel room 217 00:08:57,440 --> 00:08:58,120 Speaker 1: with Keith. 218 00:08:59,440 --> 00:09:00,400 Speaker 2: Just for the two of you. 219 00:09:00,960 --> 00:09:03,079 Speaker 5: Yeah, Nicole can come from. 220 00:09:03,520 --> 00:09:06,760 Speaker 4: Wow, she is wild this girl, isn't she. 221 00:09:07,120 --> 00:09:11,640 Speaker 2: The room is right stored to Mariah Carey and can 222 00:09:11,720 --> 00:09:16,520 Speaker 2: keep Mariah details. Keith, you are a gym. Thank you 223 00:09:16,600 --> 00:09:17,600 Speaker 2: very much for coming anytime. 224 00:09:17,679 --> 00:09:18,720 Speaker 4: Maddie, Thank you guys. 225 00:09:18,880 --> 00:09:19,880 Speaker 1: Thanks make good to see 226 00:09:20,160 --> 00:09:21,120 Speaker 4: It fits and whipper