1 00:00:01,520 --> 00:00:03,760 Speaker 1: How is this lady going in lockdown? We love it 2 00:00:03,800 --> 00:00:05,680 Speaker 1: at earth Tones and I how are you? Love? You 3 00:00:05,760 --> 00:00:06,240 Speaker 1: doing all right? 4 00:00:06,840 --> 00:00:08,240 Speaker 2: I'm good? How are you guys? 5 00:00:08,600 --> 00:00:09,560 Speaker 1: Where are you right now? 6 00:00:10,240 --> 00:00:13,960 Speaker 2: I'm in lockdown? Melburn got my house right a Tones? 7 00:00:14,560 --> 00:00:17,680 Speaker 1: Would you ever think about doing Eurovision and representing the country? 8 00:00:17,680 --> 00:00:19,840 Speaker 1: I na, Montane did an amazing job this year, but 9 00:00:19,880 --> 00:00:21,160 Speaker 1: would you think about doing it? 10 00:00:21,600 --> 00:00:23,639 Speaker 2: I actually had a chat about this because I was 11 00:00:23,920 --> 00:00:27,720 Speaker 2: asked to help write the Eurovision song from Montane, which 12 00:00:27,760 --> 00:00:31,320 Speaker 2: is honestly the coolest thing. I couldn't believe it, but 13 00:00:31,480 --> 00:00:35,480 Speaker 2: I didn't with lockdown a lockdown again, I wasn't able 14 00:00:35,520 --> 00:00:39,080 Speaker 2: to get to a studio or anything like that. So yes, 15 00:00:39,159 --> 00:00:41,640 Speaker 2: Then after that, I just spoke to the guys and said, look, 16 00:00:41,640 --> 00:00:43,600 Speaker 2: I want to be involved in Eurovision. I want to 17 00:00:43,600 --> 00:00:47,080 Speaker 2: help write the song and the artwork that artists. I 18 00:00:47,120 --> 00:00:49,360 Speaker 2: love writing the songs, I love doing the film clips. 19 00:00:49,600 --> 00:00:51,159 Speaker 2: I want to be a part of the artwork and 20 00:00:51,479 --> 00:00:54,440 Speaker 2: all that. So I said, next year, I don't mind 21 00:00:54,440 --> 00:00:56,440 Speaker 2: you by seeing I don't care about singing, that's fine, 22 00:00:56,440 --> 00:00:58,920 Speaker 2: but I want to be a part of the artistic 23 00:00:59,160 --> 00:01:01,280 Speaker 2: side of Europe year times. 24 00:01:01,320 --> 00:01:04,959 Speaker 1: With the international success that you've had what artists have 25 00:01:05,319 --> 00:01:06,880 Speaker 1: come out of the woodwork and said, my god, I 26 00:01:06,920 --> 00:01:08,280 Speaker 1: don't want to work with you. Who have you been 27 00:01:08,319 --> 00:01:08,920 Speaker 1: approached by? 28 00:01:11,080 --> 00:01:14,720 Speaker 2: Did you get an email from Sea's manager and just 29 00:01:14,800 --> 00:01:20,840 Speaker 2: read so recently Alicia Keys having a conversation soon Macimore 30 00:01:20,880 --> 00:01:22,319 Speaker 2: and I were in the studio together. 31 00:01:22,520 --> 00:01:23,959 Speaker 1: Oh wow, that would have been great. 32 00:01:25,080 --> 00:01:27,920 Speaker 2: Yeah. He was awesome, honestly, like a big brother. Really 33 00:01:27,959 --> 00:01:31,679 Speaker 2: helped me through a tough time as well. It was 34 00:01:31,920 --> 00:01:33,920 Speaker 2: about a year ago, so that was, you know, probably 35 00:01:34,000 --> 00:01:36,080 Speaker 2: right in the thick of it for me. And then 36 00:01:37,280 --> 00:01:39,160 Speaker 2: it was a year and alfter, sorry, we're in lockdown 37 00:01:39,240 --> 00:01:41,000 Speaker 2: year ago. Where's the time. 38 00:01:42,720 --> 00:01:45,040 Speaker 1: Have you had a conversation with Sea times? 39 00:01:45,360 --> 00:01:47,920 Speaker 2: Well, no, because it went through our managers, so I'm 40 00:01:47,960 --> 00:01:51,120 Speaker 2: not really sure what conversation was. And then I just see, 41 00:01:51,160 --> 00:01:53,760 Speaker 2: it's amazing, phenomenal, but I want to write the track 42 00:01:53,800 --> 00:01:55,480 Speaker 2: with her. I don't want to be ever given a 43 00:01:55,560 --> 00:01:58,720 Speaker 2: track ever in my life and be told just to see. Yeah, 44 00:01:58,720 --> 00:02:03,040 Speaker 2: I know she's the same. I know she really takes 45 00:02:03,040 --> 00:02:05,800 Speaker 2: a songwriting seriously. So yeah, so then it was all good. 46 00:02:05,880 --> 00:02:07,840 Speaker 2: After that, I just said, I want to release my 47 00:02:07,920 --> 00:02:12,440 Speaker 2: first album as the only songwriter, and yeah, times. 48 00:02:12,480 --> 00:02:14,760 Speaker 1: Can you just give put us into perspective for the 49 00:02:14,800 --> 00:02:18,720 Speaker 1: everyday punter, how much the music industry has been decimated. 50 00:02:18,800 --> 00:02:22,800 Speaker 1: Now your career has exploded, but you started out busking 51 00:02:22,840 --> 00:02:26,160 Speaker 1: as well. Tones, can you tell how tough has it 52 00:02:26,200 --> 00:02:28,400 Speaker 1: been for some of these people that you have that 53 00:02:28,480 --> 00:02:29,960 Speaker 1: you call very close friends. 54 00:02:30,520 --> 00:02:33,640 Speaker 2: Well, I mean the biggest stroke right now running between 55 00:02:33,639 --> 00:02:35,800 Speaker 2: me and any other artist friends that I have is 56 00:02:37,000 --> 00:02:39,160 Speaker 2: as much as we love it too, Chuck a footy 57 00:02:39,160 --> 00:02:40,960 Speaker 2: in the artist's hands and maybe they'll get some help 58 00:02:41,000 --> 00:02:41,640 Speaker 2: from the government. 59 00:02:41,800 --> 00:02:43,880 Speaker 1: Yeah, yeah, the sport. 60 00:02:43,600 --> 00:02:46,519 Speaker 2: Yep, we enjoy the footy and when it is open 61 00:02:46,520 --> 00:02:49,040 Speaker 2: where the we everyone knows. In my house it's puty 62 00:02:49,080 --> 00:02:51,440 Speaker 2: on whenever it's on. But at the same time, we 63 00:02:51,600 --> 00:02:54,640 Speaker 2: also support artists in this house where a bit of 64 00:02:54,960 --> 00:02:59,560 Speaker 2: a fifty to fifty those artists, especially those buskers. You know, 65 00:02:59,600 --> 00:03:05,440 Speaker 2: busking was not canceled. I guess you've called canceled in 66 00:03:05,480 --> 00:03:07,560 Speaker 2: Barron baby for quite a long time. I did reach 67 00:03:07,600 --> 00:03:10,560 Speaker 2: out to my friends and it is their means of 68 00:03:10,600 --> 00:03:14,040 Speaker 2: making money, and you know they're already one of those 69 00:03:15,680 --> 00:03:17,480 Speaker 2: you know. I will say. At the same time, when 70 00:03:17,520 --> 00:03:23,600 Speaker 2: I was busking, I didn't pay tack for a handout 71 00:03:23,600 --> 00:03:25,840 Speaker 2: for the buskers. A lot of the artists are doing 72 00:03:25,919 --> 00:03:28,760 Speaker 2: online things. The artists that really need the money, the 73 00:03:28,880 --> 00:03:30,919 Speaker 2: artists that have worked their us off to get from 74 00:03:30,919 --> 00:03:33,760 Speaker 2: that point where they kind of don't need a job anymore, 75 00:03:33,760 --> 00:03:37,960 Speaker 2: but they're just making enough, yes, yes, to go back 76 00:03:37,960 --> 00:03:38,560 Speaker 2: to get a job. 77 00:03:38,960 --> 00:03:42,400 Speaker 1: Times. Maybe they could re release some of the theme songs. 78 00:03:42,040 --> 00:03:44,760 Speaker 2: To the footy clubs. They could record them a little 79 00:03:44,760 --> 00:03:45,600 Speaker 2: bit of up there, because. 80 00:03:46,360 --> 00:03:48,080 Speaker 1: It is for I've spoken a lot of people in 81 00:03:49,400 --> 00:03:53,240 Speaker 1: to see, you know, full stadiums go back to normal. 82 00:03:53,240 --> 00:03:56,000 Speaker 1: And I know we're in lockdown a majority of Australia now, 83 00:03:56,040 --> 00:03:58,960 Speaker 1: but you know, full stadiums go back to normal. Yet 84 00:03:59,000 --> 00:04:01,800 Speaker 1: you can't. You know, people are on the dance floor 85 00:04:01,800 --> 00:04:03,720 Speaker 1: and are allowed to cheer for someone you know, who 86 00:04:03,760 --> 00:04:05,920 Speaker 1: are playing a musical gig. Times. 87 00:04:06,480 --> 00:04:09,720 Speaker 2: Yeah, and look, I know that, I know that. You know, 88 00:04:09,760 --> 00:04:11,760 Speaker 2: they're like, it's open air. I just went on tour. 89 00:04:11,800 --> 00:04:13,960 Speaker 2: My tour was open air. I was playing at River 90 00:04:14,040 --> 00:04:16,600 Speaker 2: Stage in Brisbane and there was just to see if 91 00:04:16,640 --> 00:04:18,279 Speaker 2: I had to be spread out. I was at the 92 00:04:18,279 --> 00:04:21,039 Speaker 2: same I was playing in tazzy open air stage on 93 00:04:21,040 --> 00:04:23,360 Speaker 2: this big field. People weren't even allowed to stand up. 94 00:04:24,080 --> 00:04:26,720 Speaker 2: So when I was at the footy, even though they're 95 00:04:26,760 --> 00:04:28,520 Speaker 2: not spreading out, I want to say, oh, we're all 96 00:04:28,560 --> 00:04:30,520 Speaker 2: spreading out. We're not. They're not spreading out. Half the 97 00:04:30,520 --> 00:04:33,160 Speaker 2: stadiums empty. The rest were all over here when I 98 00:04:33,240 --> 00:04:35,880 Speaker 2: went to the toilet, when I went to lineup food, 99 00:04:36,160 --> 00:04:38,880 Speaker 2: when I got out. I have videos of it. It 100 00:04:39,000 --> 00:04:42,919 Speaker 2: is mad crazy ness. Which I wanted the foody to 101 00:04:42,920 --> 00:04:45,359 Speaker 2: come back in Victoria. Hell yeah, But I just wanted 102 00:04:45,360 --> 00:04:47,400 Speaker 2: to be fair. I understand the government's not making a 103 00:04:47,400 --> 00:04:50,120 Speaker 2: whole bunch of money from artists. I get it. We're 104 00:04:50,120 --> 00:04:53,080 Speaker 2: not making any money. It's so well, artists aren't making 105 00:04:53,120 --> 00:04:55,320 Speaker 2: any money. Like that's if you can, if you can 106 00:04:55,320 --> 00:04:57,120 Speaker 2: stream well enough, you can make a bit of money 107 00:04:57,120 --> 00:04:58,839 Speaker 2: in here and there. But these others need to go 108 00:04:58,880 --> 00:05:01,320 Speaker 2: play their shows. They need to go, you know. And 109 00:05:01,320 --> 00:05:03,039 Speaker 2: I'm not so much talking about me. I did just 110 00:05:03,120 --> 00:05:04,640 Speaker 2: I was lucky enough to just go on a tour, 111 00:05:04,680 --> 00:05:07,800 Speaker 2: which crazily none of it got canceled. It's awesome we 112 00:05:08,320 --> 00:05:10,440 Speaker 2: all the COVID in each stage as we left. But 113 00:05:10,920 --> 00:05:12,960 Speaker 2: there's so many artists right now that just need a 114 00:05:12,960 --> 00:05:15,480 Speaker 2: bit more support, like to go on and buy their 115 00:05:15,560 --> 00:05:17,240 Speaker 2: vinyls or if you know one of your friends is 116 00:05:17,240 --> 00:05:20,200 Speaker 2: an artist, or you know someone's working, you know, I'm like, 117 00:05:20,360 --> 00:05:23,880 Speaker 2: just post some up on my story. Just a bad idea, 118 00:05:24,120 --> 00:05:24,719 Speaker 2: got said. 119 00:05:25,040 --> 00:05:27,440 Speaker 1: I got to support them, well said, Well, you know 120 00:05:27,560 --> 00:05:30,000 Speaker 1: what you keep us saying. Tones, that's for sure your 121 00:05:30,000 --> 00:05:33,799 Speaker 1: brand new album, Welcome to the Madhouse. It's your debut album. 122 00:05:33,800 --> 00:05:35,960 Speaker 1: You can go get it now, listen to it in lockdown. 123 00:05:36,000 --> 00:05:37,880 Speaker 1: We love it. Tones, thank you so much for coming 124 00:05:37,880 --> 00:05:38,359 Speaker 1: on the show. 125 00:05:38,720 --> 00:05:43,600 Speaker 2: Thank god it fits in with her