1 00:00:01,639 --> 00:00:05,360 Speaker 1: You're a beast. How dare you pick this topic? 2 00:00:07,480 --> 00:00:08,880 Speaker 2: I didn't know you were going to go t. 3 00:00:14,960 --> 00:00:17,520 Speaker 1: Hello and welcome to separate bathrooms. We would like to 4 00:00:17,520 --> 00:00:20,200 Speaker 1: acknowledge the Gadigle people of the e Or nation, the 5 00:00:20,239 --> 00:00:24,400 Speaker 1: traditional custodians of this land, and pay our respects to 6 00:00:24,400 --> 00:00:28,440 Speaker 1: the elders, both past and present. Welcome. My name's Cam Daddo, 7 00:00:28,960 --> 00:00:32,199 Speaker 1: Mali Daddo, and it's us today. You've just got us. 8 00:00:32,960 --> 00:00:36,959 Speaker 1: We're talking about the greatest film love stories and stories 9 00:00:37,000 --> 00:00:40,960 Speaker 1: that shape the way we view love and relationship. 10 00:00:41,080 --> 00:00:42,400 Speaker 2: Yeah, I like this. 11 00:00:43,320 --> 00:00:48,519 Speaker 1: Now we're hoping this inspires some thought with you. What 12 00:00:48,600 --> 00:00:52,919 Speaker 1: are your favorite love stories? Your favorite films? Firstly, honey, 13 00:00:53,360 --> 00:00:56,760 Speaker 1: what is your favorite form of entertainment? Is it film? 14 00:00:56,840 --> 00:00:59,280 Speaker 1: Is it TV? Is it me jumping up and down 15 00:01:00,000 --> 00:01:02,120 Speaker 1: on the couch going I love you? 16 00:01:03,040 --> 00:01:04,160 Speaker 2: Yes? 17 00:01:04,280 --> 00:01:06,039 Speaker 1: What is your favorite form of entertainment? 18 00:01:06,360 --> 00:01:08,280 Speaker 2: The books? Can I say books? 19 00:01:08,720 --> 00:01:13,440 Speaker 1: Why? Books are boring? I didn't think of books that 20 00:01:13,480 --> 00:01:16,120 Speaker 1: wasn't on my list here books, But it makes so 21 00:01:16,200 --> 00:01:17,320 Speaker 1: much sense with you. 22 00:01:17,440 --> 00:01:21,240 Speaker 2: Yeah, books are just my absolute Are. 23 00:01:21,080 --> 00:01:26,880 Speaker 1: There any movies of books that you've read that have 24 00:01:26,959 --> 00:01:33,119 Speaker 1: actually lived up to your imagination of the Yeah? 25 00:01:33,280 --> 00:01:35,640 Speaker 2: Sometimes? Yeah, I mean, I think across the board people 26 00:01:35,640 --> 00:01:37,399 Speaker 2: are going to say this that it's it's never as 27 00:01:37,440 --> 00:01:39,800 Speaker 2: good as the book, because I love the idea of 28 00:01:39,840 --> 00:01:42,640 Speaker 2: where you can take It's your imagination and you have 29 00:01:42,720 --> 00:01:45,399 Speaker 2: your own feeling in essence about that love story that 30 00:01:45,440 --> 00:01:48,520 Speaker 2: you're reading in the book. So sometimes it doesn't play 31 00:01:48,520 --> 00:01:49,520 Speaker 2: out as well. 32 00:01:49,520 --> 00:01:51,520 Speaker 1: Right, you know, it's your imagination. 33 00:01:52,160 --> 00:01:55,840 Speaker 2: In research for today, I happened to come across something 34 00:01:55,880 --> 00:01:58,480 Speaker 2: that I thought was really interesting. Do you know what 35 00:01:58,520 --> 00:02:01,160 Speaker 2: the oldest romance's story is? 36 00:02:02,440 --> 00:02:07,280 Speaker 1: The oldest romance story? Yeah, I'm gonna look, I'm just 37 00:02:07,320 --> 00:02:09,280 Speaker 1: going to go right back to biblical I'm just going 38 00:02:09,360 --> 00:02:10,280 Speaker 1: to go Adam and Eve. 39 00:02:11,360 --> 00:02:14,160 Speaker 2: Right. Well, that's what I thought. Well, I guess you'll 40 00:02:14,200 --> 00:02:17,880 Speaker 2: understand what I mean when I say this being a yeah. Yeah. 41 00:02:18,080 --> 00:02:22,320 Speaker 2: It's called the Love Song for Shin Sin and it 42 00:02:22,400 --> 00:02:27,360 Speaker 2: was written about two thousand years before Christ in ancient Mesopotamia, 43 00:02:27,960 --> 00:02:31,800 Speaker 2: and it's considered the oldest love poem that exists in 44 00:02:31,960 --> 00:02:36,840 Speaker 2: text form but also functioned as a song performed during 45 00:02:36,880 --> 00:02:41,080 Speaker 2: a sacred marriage ceremony. Wow, isn't that beautiful? 46 00:02:41,520 --> 00:02:44,119 Speaker 1: It is beautiful And that feels to me like when 47 00:02:44,120 --> 00:02:46,799 Speaker 1: I ask you, what's your favorite form of entertainment. Mine 48 00:02:47,200 --> 00:02:50,080 Speaker 1: is I do love the visual thing of movies, but 49 00:02:50,360 --> 00:02:50,960 Speaker 1: it's singing. 50 00:02:52,040 --> 00:02:53,600 Speaker 2: I would have chosen that for you as well. I 51 00:02:53,600 --> 00:02:56,160 Speaker 2: would have imagined that music yours. 52 00:02:55,960 --> 00:02:58,600 Speaker 1: And when you put them together, yeah, like the images 53 00:02:58,720 --> 00:03:01,799 Speaker 1: and the song dead in the Water, that's me Gone 54 00:03:02,120 --> 00:03:06,519 Speaker 1: and I'm tears and laughing and wow. Okay, so that's 55 00:03:06,880 --> 00:03:08,079 Speaker 1: the love song of. 56 00:03:10,080 --> 00:03:13,320 Speaker 2: Oldest love poem that they can. I'm sure there was more. 57 00:03:13,639 --> 00:03:14,200 Speaker 1: I'm wonder sure. 58 00:03:14,240 --> 00:03:18,000 Speaker 2: I'm sure the Stone Age people were, you know, professing love. 59 00:03:18,160 --> 00:03:20,320 Speaker 2: But that's your oldest Horiston one. 60 00:03:20,440 --> 00:03:22,720 Speaker 1: Yeah, smack on the head, smack head. 61 00:03:22,680 --> 00:03:25,440 Speaker 2: Drag by the hand, Come on, No, they were probably 62 00:03:25,440 --> 00:03:26,639 Speaker 2: a lot nicer to each other. 63 00:03:26,720 --> 00:03:28,640 Speaker 1: Actually, well they needed each other, didn't they. 64 00:03:28,840 --> 00:03:35,560 Speaker 3: Yeah. 65 00:03:35,640 --> 00:03:39,400 Speaker 1: Okay, so we're talking about the greatest film love stories 66 00:03:39,480 --> 00:03:43,520 Speaker 1: and stories that shape the way we view love and relationships. 67 00:03:43,520 --> 00:03:47,400 Speaker 1: And I was going back through old school examples and 68 00:03:47,920 --> 00:03:52,480 Speaker 1: so many lines from those old school movies. Yeah, yeah, 69 00:03:52,520 --> 00:03:55,440 Speaker 1: like I'm like to have and to have not nineteen 70 00:03:55,520 --> 00:03:59,600 Speaker 1: forty four Bogie and Bacall, we had it all, lack 71 00:03:59,680 --> 00:04:04,360 Speaker 1: Bell and becall. Remember that song? Vaguely, I can't remember 72 00:04:04,360 --> 00:04:07,240 Speaker 1: who sung the song that was totally like, wow, that's 73 00:04:07,280 --> 00:04:10,360 Speaker 1: what it was. But that that one, there's Lauren McCall 74 00:04:10,960 --> 00:04:15,080 Speaker 1: at age twenty three saying, you know how to whistle, 75 00:04:15,120 --> 00:04:18,560 Speaker 1: don't you, Steve? You put your lips together and blow. 76 00:04:18,800 --> 00:04:20,520 Speaker 1: You don't have to say anything and you don't have 77 00:04:20,600 --> 00:04:22,599 Speaker 1: to do anything, not a thing. 78 00:04:24,040 --> 00:04:28,760 Speaker 4: Oh maybe just whistle. You know how to whistle out, 79 00:04:28,800 --> 00:04:32,960 Speaker 4: just Steve, you just put your lips together and blow. 80 00:04:33,200 --> 00:04:35,480 Speaker 1: Forty three that was I think that was her first 81 00:04:35,560 --> 00:04:39,159 Speaker 1: movie out of the Blox working. Yeah, with Humphy Bogart, 82 00:04:39,560 --> 00:04:44,080 Speaker 1: I believe, so Casta Blanca again, bogie in mar Bergmann 83 00:04:44,279 --> 00:04:49,760 Speaker 1: or sorry Ingrid Bergmann. Yes, wartime romance said in Morocco? 84 00:04:50,640 --> 00:04:54,440 Speaker 1: What was the famous line from Casta Blanca? Isn't that 85 00:04:54,480 --> 00:04:55,440 Speaker 1: he is looking at you kid? 86 00:04:55,560 --> 00:04:59,400 Speaker 2: Well there's yes, yeah, yeah, yeah, because sometimes there was 87 00:04:59,480 --> 00:05:02,920 Speaker 2: there's line that have been accredited to movies that actually 88 00:05:02,960 --> 00:05:05,080 Speaker 2: never happened. But yeah, I think it is. He's looking 89 00:05:05,120 --> 00:05:10,719 Speaker 2: at him, He's. 90 00:05:10,600 --> 00:05:19,080 Speaker 1: Looking at your kid. Gone with the wind yep. Frankly, 91 00:05:19,160 --> 00:05:20,440 Speaker 1: my dear, I don't give. 92 00:05:20,240 --> 00:05:22,480 Speaker 3: A damn watch my do. 93 00:05:23,960 --> 00:05:32,480 Speaker 1: Frankly, my dear, I don't give a damn west Side Story. 94 00:05:33,360 --> 00:05:36,400 Speaker 2: Yeah, one of your favorites chick though, I mean based 95 00:05:36,440 --> 00:05:38,679 Speaker 2: off Romeo and Juliet right. 96 00:05:42,839 --> 00:05:51,400 Speaker 1: For John Day and Affair to remember you mentioned that 97 00:05:51,480 --> 00:05:54,400 Speaker 1: one I did. What was it about that movie? That's 98 00:05:54,440 --> 00:05:57,040 Speaker 1: not that's that's nineteen fifty seven, I know. 99 00:05:57,440 --> 00:06:00,120 Speaker 2: I know, and it just and that's one of if 100 00:06:00,120 --> 00:06:01,880 Speaker 2: you don't know it, that's the one where a couple 101 00:06:02,120 --> 00:06:04,159 Speaker 2: they meet on a cruise and they fall in love, 102 00:06:04,440 --> 00:06:06,760 Speaker 2: like they like desperately fall in love, and they plan 103 00:06:06,880 --> 00:06:10,239 Speaker 2: to reunite six months later at the Empire State Building, 104 00:06:11,200 --> 00:06:15,240 Speaker 2: but you know, spoiler alert, she ends up being in 105 00:06:15,279 --> 00:06:18,360 Speaker 2: a wheelchair and she doesn't want to meet him again 106 00:06:18,360 --> 00:06:20,080 Speaker 2: because she feels like he's not going to love her. 107 00:06:20,640 --> 00:06:23,520 Speaker 2: And it's just it's just really beautifully told. 108 00:06:24,080 --> 00:06:31,880 Speaker 5: I idealize every woman, right, it's hard to keep them 109 00:06:31,960 --> 00:06:33,800 Speaker 5: up pretty film. 110 00:06:33,839 --> 00:06:41,560 Speaker 1: The pedestal wobbles and then topples. That would happen a 111 00:06:41,560 --> 00:06:44,960 Speaker 1: lot in real life. I reckon like some especially today 112 00:06:45,839 --> 00:06:48,240 Speaker 1: with all the dating websites and things like that, you 113 00:06:48,320 --> 00:06:49,680 Speaker 1: might meet someone. 114 00:06:50,279 --> 00:06:51,880 Speaker 2: I'm going that would happen today? 115 00:06:52,040 --> 00:06:54,520 Speaker 1: Well yeah, yeah, wouldn't that happen today? Where someone's actually 116 00:06:54,520 --> 00:06:57,360 Speaker 1: not being honest with their circumstances. 117 00:06:57,480 --> 00:06:59,960 Speaker 2: So she was very honest. They met on the crew 118 00:07:00,600 --> 00:07:01,240 Speaker 2: and clearly I. 119 00:07:01,160 --> 00:07:04,919 Speaker 1: Haven't seen the movie. She was walking at the beginning. Yeah, 120 00:07:05,000 --> 00:07:09,000 Speaker 1: I haven't seen it. Really confused I did. I'm thinking 121 00:07:09,040 --> 00:07:10,560 Speaker 1: she was in a wheelchair at the very beginning, and 122 00:07:10,560 --> 00:07:10,920 Speaker 1: he didn't. 123 00:07:11,040 --> 00:07:15,679 Speaker 2: Said the couple means fall in love listening, and that no. 124 00:07:16,520 --> 00:07:18,360 Speaker 1: Still podcast, this is all about listening. 125 00:07:18,520 --> 00:07:23,520 Speaker 2: They plan to reunite in six months, but she then 126 00:07:24,280 --> 00:07:26,440 Speaker 2: is in a wheelchair. She has an accident and she's 127 00:07:26,440 --> 00:07:27,160 Speaker 2: in a wheelchair. 128 00:07:27,200 --> 00:07:28,000 Speaker 1: That's so sad. 129 00:07:28,280 --> 00:07:28,720 Speaker 3: I know. 130 00:07:33,000 --> 00:07:35,680 Speaker 2: That's carry grant, right, this is what I'm telling you, 131 00:07:37,360 --> 00:07:40,080 Speaker 2: carry Grand debriquet. I have to listen to it, or 132 00:07:40,120 --> 00:07:42,600 Speaker 2: listen to me one of the others. Really helpful. 133 00:07:43,840 --> 00:07:48,600 Speaker 1: And then you've got another great relationship movie, my fair lady. 134 00:07:48,840 --> 00:07:50,600 Speaker 2: Why is that a great relationship movie? 135 00:07:50,680 --> 00:07:53,360 Speaker 1: Because it's Rick Harrison. I mean he changed. 136 00:07:53,880 --> 00:07:56,960 Speaker 2: No, I don't think that's a great relationship movie, don't. No, 137 00:07:57,000 --> 00:07:57,640 Speaker 2: I don't like that one. 138 00:07:57,640 --> 00:08:00,720 Speaker 1: Audrey heapburns in it, though, But no, she have like 139 00:08:00,720 --> 00:08:02,720 Speaker 1: a really weird Cockney accent in that. 140 00:08:03,000 --> 00:08:04,800 Speaker 2: Yeah, but it's like he falls in love on you 141 00:08:04,840 --> 00:08:07,560 Speaker 2: when she changes, Like, no, no, he should have loved 142 00:08:07,600 --> 00:08:10,760 Speaker 2: it from the get go. Oh all right, Yeah, like, 143 00:08:11,040 --> 00:08:14,040 Speaker 2: why does she have to change for him? She doesn't, 144 00:08:14,120 --> 00:08:16,239 Speaker 2: and he molds her into the perfect woman. 145 00:08:16,360 --> 00:08:18,200 Speaker 1: That would Does that stand up today? 146 00:08:18,760 --> 00:08:18,960 Speaker 3: No? 147 00:08:19,040 --> 00:08:23,560 Speaker 2: I don't think it was right. And before I come, 148 00:08:23,680 --> 00:08:27,920 Speaker 2: if you know them, say them I I. 149 00:08:27,320 --> 00:08:31,240 Speaker 6: Owy a E, I owe you. 150 00:08:31,960 --> 00:08:34,560 Speaker 2: That's what I said. But did that influence you in 151 00:08:34,640 --> 00:08:35,080 Speaker 2: some way? 152 00:08:35,800 --> 00:08:39,600 Speaker 1: Trying to mold you for thirty three years? Is it working? 153 00:08:41,040 --> 00:08:42,599 Speaker 2: No? 154 00:08:42,600 --> 00:08:43,760 Speaker 1: Now I'm still trying. 155 00:08:43,800 --> 00:08:47,400 Speaker 2: No. I tell you a movie, A movie that I'm 156 00:08:47,440 --> 00:08:48,080 Speaker 2: not listener. 157 00:08:48,080 --> 00:08:49,480 Speaker 1: By the way, I'm not. 158 00:08:49,760 --> 00:08:52,640 Speaker 2: A movie that I love love. I loved it when 159 00:08:52,640 --> 00:08:54,560 Speaker 2: I was young, and I still love it. 160 00:08:54,720 --> 00:08:56,760 Speaker 1: So we're moving up to are we looking at old 161 00:08:56,800 --> 00:08:58,800 Speaker 1: school movies or we're bringing I'm. 162 00:08:58,760 --> 00:09:00,840 Speaker 2: Going to tell you the movie. Okay, it's called Say 163 00:09:00,920 --> 00:09:05,720 Speaker 2: Anything John Cusack. Yes, right, And actually Ione Sky she 164 00:09:05,920 --> 00:09:10,040 Speaker 2: interviewed her with her husband, Yeah, which I got really 165 00:09:10,160 --> 00:09:13,520 Speaker 2: like that's right, yes, And I got really kind of 166 00:09:14,240 --> 00:09:16,400 Speaker 2: fangirl but I got a bit star struck with her. 167 00:09:16,400 --> 00:09:19,400 Speaker 2: Did that movie? But she was so good in it. 168 00:09:19,440 --> 00:09:22,720 Speaker 2: But it's just I just love it because it was 169 00:09:23,440 --> 00:09:25,760 Speaker 2: as a teenage girl. It was kind of this different 170 00:09:25,880 --> 00:09:28,080 Speaker 2: kind of a love story because it was really this 171 00:09:28,320 --> 00:09:33,600 Speaker 2: lovely young fella who was genuinely in love with his girlfriend. 172 00:09:34,000 --> 00:09:37,160 Speaker 2: He didn't come from a bad background, and it wasn't 173 00:09:37,160 --> 00:09:40,280 Speaker 2: all unrequited, and he just loved her and he was 174 00:09:40,440 --> 00:09:45,520 Speaker 2: really nice. Yeah, the normal and working out the teenage stuff, 175 00:09:45,559 --> 00:09:49,360 Speaker 2: and yeah, I wanted that moment for myself. I wanted 176 00:09:49,360 --> 00:09:52,559 Speaker 2: a guy to come to my window with a boombox. 177 00:09:52,040 --> 00:09:53,240 Speaker 1: See in your eyes moment. 178 00:09:53,480 --> 00:10:09,760 Speaker 3: Yeah, it's so romantic. 179 00:10:09,800 --> 00:10:11,959 Speaker 1: I'm not giving you one of those moments in our time. 180 00:10:12,280 --> 00:10:15,120 Speaker 2: I have to think, Yeah, I have to think I'm 181 00:10:15,120 --> 00:10:17,360 Speaker 2: going to say yes, honey, Yes, yeah. 182 00:10:17,000 --> 00:10:20,000 Speaker 1: I'm going to go with me. I am, because that was. 183 00:10:20,000 --> 00:10:23,480 Speaker 2: A big influence on me I remember as a young girl. 184 00:10:23,559 --> 00:10:26,160 Speaker 2: But look here. But before we go any further, I 185 00:10:26,200 --> 00:10:29,360 Speaker 2: have a question for you. 186 00:10:29,360 --> 00:10:29,800 Speaker 1: Girls. 187 00:10:30,000 --> 00:10:32,880 Speaker 2: Girls grow up with fairy stories, right, girls grow up 188 00:10:32,920 --> 00:10:37,240 Speaker 2: with the Rapunzels and the snow whites and Cinderellas, And 189 00:10:37,880 --> 00:10:41,120 Speaker 2: we learned that you know, it's about the guy coming 190 00:10:41,200 --> 00:10:44,080 Speaker 2: and rescuing us, and you know you just wait for 191 00:10:44,120 --> 00:10:48,360 Speaker 2: your handsome prints after you've cleaned house with seven small men. 192 00:10:50,280 --> 00:10:53,440 Speaker 2: And it does, really, it does sink in like that 193 00:10:53,559 --> 00:10:58,320 Speaker 2: sort of stereotypes. Yeah, those stereotypes does an impact so 194 00:10:59,400 --> 00:11:02,920 Speaker 2: what made an impact to you as like you would 195 00:11:02,920 --> 00:11:05,920 Speaker 2: have probably seen those movies as a young boy. I 196 00:11:05,960 --> 00:11:09,840 Speaker 2: would think, like, are those those sort of Disney movies 197 00:11:09,920 --> 00:11:12,679 Speaker 2: or anything was Did any of those make an impact 198 00:11:13,240 --> 00:11:13,720 Speaker 2: on you? 199 00:11:15,880 --> 00:11:21,120 Speaker 1: I guess they did because I think I fell for 200 00:11:21,600 --> 00:11:28,280 Speaker 1: the stereotypical the man fixes things. I guess, the prince 201 00:11:28,400 --> 00:11:32,840 Speaker 1: charming aspect, saving the day, I think, and being a 202 00:11:32,880 --> 00:11:34,400 Speaker 1: fix it person. 203 00:11:34,640 --> 00:11:36,960 Speaker 2: That that was the role you felt like, yeah, I 204 00:11:37,040 --> 00:11:39,480 Speaker 2: do subtle, subtle imagery, I. 205 00:11:39,400 --> 00:11:43,240 Speaker 1: Think so yea, yeah, he wasn't very conscious, so it 206 00:11:43,280 --> 00:11:44,680 Speaker 1: was just more about, oh, this is the way you 207 00:11:44,720 --> 00:11:47,440 Speaker 1: need to be, you need to make things right and 208 00:11:47,559 --> 00:11:52,199 Speaker 1: fix things. Though I didn't actually watch those movies, weren't 209 00:11:52,200 --> 00:11:55,920 Speaker 1: the movies that I watched as a kid. I loved 210 00:11:56,120 --> 00:12:01,600 Speaker 1: things like so Sunday Nights was Disney Night, and Disney 211 00:12:01,720 --> 00:12:05,120 Speaker 1: Night my favorite Disney type of movies with a Huckleberry Finn, 212 00:12:05,240 --> 00:12:09,200 Speaker 1: the adventure, Swiss Family, Robertson, those sort of movies. 213 00:12:09,559 --> 00:12:12,240 Speaker 2: Not love stories, well, different kind of love stories. 214 00:12:12,280 --> 00:12:14,440 Speaker 1: I guess, yeah, I mean, and again I guess they 215 00:12:14,440 --> 00:12:16,840 Speaker 1: were every every movie is a bit of a relationship movie. 216 00:12:16,920 --> 00:12:21,280 Speaker 1: So huck Finn was Hauck and Tom or Jim and Hark. 217 00:12:22,440 --> 00:12:24,520 Speaker 1: They were important. I love those sort of stories, those 218 00:12:24,559 --> 00:12:25,480 Speaker 1: adventure kind of things. 219 00:12:25,520 --> 00:12:28,760 Speaker 2: And you've been looking for a big African American man 220 00:12:29,160 --> 00:12:31,200 Speaker 2: all your life to show me the way, to show 221 00:12:31,240 --> 00:12:32,360 Speaker 2: you the way. 222 00:12:34,440 --> 00:12:41,760 Speaker 1: That's really weird. I had it for a while. Michael 223 00:12:41,880 --> 00:12:43,240 Speaker 1: Edward Stevens was such a. 224 00:12:44,000 --> 00:12:46,439 Speaker 2: What about our son's godfather Oscar? 225 00:12:46,800 --> 00:12:51,160 Speaker 1: And Oscar there he is American? Yeah, but I love 226 00:12:51,200 --> 00:12:54,440 Speaker 1: my sports movies, so all those sort of things I 227 00:12:54,480 --> 00:12:58,199 Speaker 1: grew up with Cool and Goat of Gold and wind 228 00:12:58,280 --> 00:13:02,240 Speaker 1: Rider with Tom Burlinson, and then Horsey movies and Light 229 00:13:02,280 --> 00:13:05,480 Speaker 1: Horsemen and far Lap and things like that. They were 230 00:13:05,520 --> 00:13:08,480 Speaker 1: the movies that really they were kind of sport movies 231 00:13:08,480 --> 00:13:11,640 Speaker 1: that I still gravitate towards those. I'm a sucker for 232 00:13:11,640 --> 00:13:13,920 Speaker 1: those American sports movies. Who's he is? 233 00:13:14,000 --> 00:13:17,360 Speaker 2: And see? I think I I did a lot of 234 00:13:17,720 --> 00:13:22,680 Speaker 2: romance movies. I did a lot of especially romance coupled 235 00:13:22,720 --> 00:13:24,360 Speaker 2: with like Princess Bride. 236 00:13:24,760 --> 00:13:27,720 Speaker 1: Of course is well Princess Bride, that's on my list here. 237 00:13:27,960 --> 00:13:32,280 Speaker 2: Yeah, great Westy love story. 238 00:13:32,320 --> 00:13:33,400 Speaker 1: Why didn't you wait for me? 239 00:13:34,760 --> 00:13:35,040 Speaker 7: Well? 240 00:13:35,880 --> 00:13:36,440 Speaker 3: You were dead? 241 00:13:37,800 --> 00:13:42,040 Speaker 1: Death? Can I stop true love? All it can do 242 00:13:42,120 --> 00:13:43,120 Speaker 1: is to learn for a while. 243 00:13:43,400 --> 00:13:45,800 Speaker 2: One of the ones I really love to. I was 244 00:13:45,840 --> 00:13:47,959 Speaker 2: reminded of this the other day. It's called Lady Hawk 245 00:13:48,720 --> 00:13:54,960 Speaker 2: and it's Michelle Pfeiffer. Yes, and she is a hawk 246 00:13:55,520 --> 00:13:59,400 Speaker 2: by night and he is a wolf, a wolf in 247 00:13:59,440 --> 00:14:01,599 Speaker 2: the day and they never they can never meet in 248 00:14:01,720 --> 00:14:05,200 Speaker 2: hum wow, and it's so beautiful. But I love that 249 00:14:05,360 --> 00:14:08,280 Speaker 2: kind of magical. It's been called some magic and fantasy 250 00:14:08,280 --> 00:14:10,440 Speaker 2: in with a love story. You got me every time. 251 00:14:10,600 --> 00:14:14,080 Speaker 1: Yeah, don't go up there, don't go up there. There's 252 00:14:14,120 --> 00:14:16,960 Speaker 1: a wolf, a big wolf, the biggest wolf you've ever seen. 253 00:14:17,320 --> 00:14:17,800 Speaker 2: A dead Man. 254 00:14:26,000 --> 00:14:29,000 Speaker 1: The one movie that we watched together. Actually, I don't 255 00:14:29,040 --> 00:14:30,400 Speaker 1: know if we watched it too. I know we have 256 00:14:30,480 --> 00:14:33,920 Speaker 1: watched it several times together, but I don't. I think 257 00:14:33,960 --> 00:14:37,720 Speaker 1: you might have introduced me to it was about time. Yes, 258 00:14:37,960 --> 00:14:39,120 Speaker 1: did you see that before me? 259 00:14:39,320 --> 00:14:39,520 Speaker 2: Yeah? 260 00:14:39,520 --> 00:14:42,000 Speaker 1: I saw it with Lotus, Okay, so that was I'm 261 00:14:42,040 --> 00:14:45,640 Speaker 1: looking at my list. It's twenty thirteen, so I definitely 262 00:14:45,640 --> 00:14:47,640 Speaker 1: only came to it maybe five years ago. 263 00:14:49,160 --> 00:14:51,400 Speaker 2: It's one to put on your list, listener, is it? 264 00:14:51,440 --> 00:14:53,440 Speaker 1: Dominal Gleeson? Is that how you say his name? 265 00:14:53,760 --> 00:14:57,920 Speaker 2: I believe so. Yeah, Bill Nighy, Rachel McAdams. 266 00:14:57,520 --> 00:15:00,960 Speaker 1: And Rachel McCadam. Yeah, that's me. Is one of the 267 00:15:01,040 --> 00:15:05,600 Speaker 1: great relationship movies. How that changes through time? Did you 268 00:15:05,640 --> 00:15:11,720 Speaker 1: have trouble parking? It's just such a long way to 269 00:15:11,760 --> 00:15:12,160 Speaker 1: your car. 270 00:15:12,800 --> 00:15:15,600 Speaker 3: Yeah, well my car is actually parked outside my house. 271 00:15:15,680 --> 00:15:16,840 Speaker 2: I got a lift to the party. 272 00:15:19,040 --> 00:15:23,080 Speaker 1: Okay, that's good, that's perfect. 273 00:15:24,320 --> 00:15:25,120 Speaker 3: Okay. 274 00:15:26,200 --> 00:15:31,720 Speaker 1: His relationship, Dom's relationship with Rachel McAdams is certainly that 275 00:15:31,720 --> 00:15:35,000 Speaker 1: that's the obvious love story. But the father's son, Oh 276 00:15:35,040 --> 00:15:40,280 Speaker 1: my god, now, listener, you have to know this. I 277 00:15:40,320 --> 00:15:43,880 Speaker 1: don't know if you've seen the movie The Moment. So 278 00:15:44,160 --> 00:15:46,440 Speaker 1: they travel through time and they can change time. It's 279 00:15:46,480 --> 00:15:48,840 Speaker 1: a gift that the is it the eldest son in 280 00:15:48,880 --> 00:15:51,960 Speaker 1: the family or the males, just the males in this 281 00:15:52,120 --> 00:15:56,720 Speaker 1: family have where they can actually go back in time 282 00:15:56,880 --> 00:15:57,720 Speaker 1: and change things. 283 00:15:58,120 --> 00:15:59,920 Speaker 2: And they tell the story well like it sounds that's 284 00:16:00,000 --> 00:16:03,320 Speaker 2: sounds a bit like ridiculous, but it's actually told really well. 285 00:16:03,400 --> 00:16:06,200 Speaker 1: Yeah, and you're actually I think this must be happening 286 00:16:06,240 --> 00:16:10,160 Speaker 1: somewhere on the planet. Someone must have this superpower. But 287 00:16:10,200 --> 00:16:13,760 Speaker 1: Bill Nighy, who is one of my favorite actors alive, 288 00:16:14,440 --> 00:16:16,840 Speaker 1: and he's just done so many wonderful things, and he's 289 00:16:16,920 --> 00:16:22,160 Speaker 1: so stinking quirky and interesting to watch. We talk about 290 00:16:22,160 --> 00:16:24,880 Speaker 1: this bit and I don't want to give away the 291 00:16:24,920 --> 00:16:27,120 Speaker 1: movie if you haven't seen it, but it is twenty thirteen, 292 00:16:27,360 --> 00:16:30,600 Speaker 1: so you've had a long time to see it. But 293 00:16:30,680 --> 00:16:34,080 Speaker 1: it's that last scene with when he's with his son 294 00:16:34,200 --> 00:16:39,120 Speaker 1: together and he realizes I start to get here right now, 295 00:16:39,160 --> 00:16:41,120 Speaker 1: when he realizes this is the last time they're going 296 00:16:41,160 --> 00:16:42,960 Speaker 1: to see each other, and he goes, this is it. 297 00:16:43,880 --> 00:16:49,280 Speaker 7: Wow, oh I won, I haven't one of yours. 298 00:16:51,000 --> 00:16:52,040 Speaker 1: You finally got good? 299 00:16:53,680 --> 00:16:54,600 Speaker 5: What's my priors? 300 00:16:54,640 --> 00:16:58,680 Speaker 1: Apart from the Olympic gold medal? Of course a kiss 301 00:16:58,680 --> 00:17:02,640 Speaker 1: will have to do. Kiss I guss. 302 00:17:04,240 --> 00:17:06,840 Speaker 3: Ah, I get you. 303 00:17:08,520 --> 00:17:10,840 Speaker 1: This isn't that you know, and then they get to 304 00:17:10,880 --> 00:17:12,200 Speaker 1: spend that moment together. 305 00:17:12,800 --> 00:17:16,760 Speaker 2: But it's also about that movie. It always inspires me 306 00:17:16,840 --> 00:17:20,720 Speaker 2: because it's really about the choices that you make. Are 307 00:17:20,760 --> 00:17:23,439 Speaker 2: the choices that you make and you just love you 308 00:17:23,600 --> 00:17:25,679 Speaker 2: love the people that you have in that moment, Like 309 00:17:25,760 --> 00:17:30,000 Speaker 2: that's really that underlying theme across it as well. Even 310 00:17:30,040 --> 00:17:33,600 Speaker 2: if you go back in time, like you still you 311 00:17:33,640 --> 00:17:35,840 Speaker 2: know the choices that you make, is you just stand 312 00:17:35,920 --> 00:17:37,400 Speaker 2: by them in a way. Do you know what I mean, 313 00:17:37,480 --> 00:17:39,800 Speaker 2: like how that's really important all the way through. 314 00:17:40,760 --> 00:17:43,720 Speaker 1: Yeah, and that is true. What I'm thinking about in 315 00:17:43,760 --> 00:17:46,639 Speaker 1: that moment is I'm very fortunate we both are to 316 00:17:46,680 --> 00:17:50,600 Speaker 1: still have our parents with us. Yeah, And it's to 317 00:17:50,760 --> 00:17:55,760 Speaker 1: make really make sure that I am fully present with 318 00:17:55,880 --> 00:17:58,800 Speaker 1: my parents every time I get together with them, Yeah, 319 00:17:58,840 --> 00:18:03,159 Speaker 1: because I know that that time is fleeting, you know, so, 320 00:18:03,720 --> 00:18:05,080 Speaker 1: and you never know when it's going to be the 321 00:18:05,160 --> 00:18:05,680 Speaker 1: last time. 322 00:18:05,960 --> 00:18:11,000 Speaker 2: Yeah. Yeah. And what about speaking of which, that's also 323 00:18:11,560 --> 00:18:14,600 Speaker 2: true of the most beautiful love story, which is the 324 00:18:14,640 --> 00:18:19,760 Speaker 2: Notebook also Rachel McAdams, Yeah, Ryan Gosling. 325 00:18:19,640 --> 00:18:21,400 Speaker 1: Yeah, and beautiful. 326 00:18:22,480 --> 00:18:25,760 Speaker 2: That's a gorgeous story. The retelling of that. 327 00:18:26,359 --> 00:18:30,560 Speaker 1: Yeah, well, them as older people, General Rowlands and James Garner. 328 00:18:30,640 --> 00:18:33,920 Speaker 1: James Garner was always one of my favorite actors because 329 00:18:33,920 --> 00:18:36,959 Speaker 1: he was Maverick on TV and I loved his Maverick 330 00:18:37,000 --> 00:18:39,159 Speaker 1: and General Rowlands. I had the privilege of working with 331 00:18:39,280 --> 00:18:40,640 Speaker 1: her getting to know them. 332 00:18:40,880 --> 00:18:44,080 Speaker 2: Yeah. Did that movie influence you? And it? 333 00:18:44,119 --> 00:18:49,000 Speaker 1: Well, it did. His care with his wife and obviously 334 00:18:49,160 --> 00:18:51,000 Speaker 1: you don't know that that's the case. 335 00:18:51,200 --> 00:18:53,760 Speaker 2: Yeah, as it unfolds, Yeah, you'll get. 336 00:18:53,600 --> 00:18:57,119 Speaker 1: It and you go, oh my gosh, his patience that 337 00:18:57,200 --> 00:18:59,880 Speaker 1: he has and then her just her beauty. 338 00:19:00,680 --> 00:19:01,600 Speaker 3: I loved it in't it? 339 00:19:02,080 --> 00:19:04,080 Speaker 1: Yes, they did good. 340 00:19:04,720 --> 00:19:06,080 Speaker 2: I like this kind of story on. 341 00:19:07,280 --> 00:19:11,040 Speaker 1: I'm glad you like it. 342 00:19:11,240 --> 00:19:17,960 Speaker 5: I before, yes, perhaps more than was. 343 00:19:19,160 --> 00:19:22,399 Speaker 1: Again, what it's taught me is, as you're looking at 344 00:19:22,400 --> 00:19:25,000 Speaker 1: the seasons of a relationship, and you've mentioned this to 345 00:19:25,080 --> 00:19:29,520 Speaker 1: me in private, just going oh the seasons of our relationship, 346 00:19:29,600 --> 00:19:33,240 Speaker 1: like we've been together for thirty odd years, and how 347 00:19:33,400 --> 00:19:37,679 Speaker 1: where things started to where things are today, and you 348 00:19:37,760 --> 00:19:41,880 Speaker 1: work through these different chapters. So to see that it's 349 00:19:41,960 --> 00:19:45,159 Speaker 1: really played out beautifully in that in that movie, and 350 00:19:45,880 --> 00:19:52,520 Speaker 1: I hope it's such a lovely depiction of where she's at, sorry, 351 00:19:52,520 --> 00:19:55,560 Speaker 1: where General Rowlands gets to in older life, where she's 352 00:19:55,600 --> 00:19:58,399 Speaker 1: lost her memory. There is some dementia, and there's a 353 00:19:58,440 --> 00:20:03,520 Speaker 1: lot of there's a lot of attention today around dementia 354 00:20:03,880 --> 00:20:08,199 Speaker 1: and what happens to us when we get older. I 355 00:20:08,240 --> 00:20:11,240 Speaker 1: hope that we both stay like our parents are very 356 00:20:11,240 --> 00:20:14,280 Speaker 1: present of mind, you know, so that we we are 357 00:20:14,320 --> 00:20:18,159 Speaker 1: that James Garner shows a great example of how to 358 00:20:18,320 --> 00:20:23,080 Speaker 1: be respectful and love, what love does, and what he 359 00:20:23,119 --> 00:20:26,560 Speaker 1: will do for her in the notebook, It's It's It's 360 00:20:26,600 --> 00:20:35,400 Speaker 1: a beauty did you write Crazy Stupid Love. 361 00:20:35,560 --> 00:20:40,679 Speaker 2: I did write crazy stupid because I love that yours. 362 00:20:41,119 --> 00:20:42,280 Speaker 1: I think it's relationship. 363 00:20:42,400 --> 00:20:45,240 Speaker 2: What I love about that movie is, well, there's different 364 00:20:45,600 --> 00:20:48,040 Speaker 2: love stories within it as well, and I think that 365 00:20:48,080 --> 00:20:50,880 Speaker 2: they hit it really well. Like you've got a teenage 366 00:20:50,960 --> 00:20:55,080 Speaker 2: kid with the older crush. You've got the player who 367 00:20:56,080 --> 00:20:57,920 Speaker 2: finds the woman of his dreams. 368 00:20:57,720 --> 00:20:58,960 Speaker 1: Ryan Goslin again. 369 00:20:59,080 --> 00:21:01,639 Speaker 2: Yeah, it is like, nah, this is it. I've actually 370 00:21:01,680 --> 00:21:04,560 Speaker 2: found her. And then you've got again, You've got the 371 00:21:04,600 --> 00:21:11,440 Speaker 2: couple that have been together for so many years like us. 372 00:21:11,680 --> 00:21:14,120 Speaker 1: That sounds labored, I'm sound tired. 373 00:21:15,119 --> 00:21:19,800 Speaker 2: No, no, but it's nice to see a love story 374 00:21:20,480 --> 00:21:23,359 Speaker 2: with people of a certain age that have weathered the 375 00:21:23,440 --> 00:21:26,920 Speaker 2: storms of relationship, and they do. In this one, they're 376 00:21:26,960 --> 00:21:30,040 Speaker 2: doing crazy Stupid Love. There's infidelity and they get back 377 00:21:30,080 --> 00:21:33,040 Speaker 2: together because they've been together for so long and they 378 00:21:33,080 --> 00:21:35,720 Speaker 2: still love each other, and it's like it was a mistake. 379 00:21:36,280 --> 00:21:38,520 Speaker 7: I met my soulmate when I was fifteen years old. 380 00:21:39,440 --> 00:21:42,920 Speaker 7: We went out for ice cream after my dad started 381 00:21:42,920 --> 00:21:45,240 Speaker 7: teasing me about my first aid the way dads do, 382 00:21:46,160 --> 00:21:49,040 Speaker 7: and I told him, Dad, it's no big deal. I'm 383 00:21:49,080 --> 00:21:51,119 Speaker 7: going to be going out with a lot of different 384 00:21:51,160 --> 00:21:55,199 Speaker 7: girls on a lot of different dates, and that is 385 00:21:55,240 --> 00:21:58,040 Speaker 7: the first time that I ever lied to my father. 386 00:21:58,520 --> 00:22:00,919 Speaker 2: They come back together at the end, and I just 387 00:22:01,119 --> 00:22:03,800 Speaker 2: love that movie. I just think it's a it's a ripper. 388 00:22:04,440 --> 00:22:08,639 Speaker 1: I also love you know, there's David is it David Niedermeyer. 389 00:22:09,560 --> 00:22:12,600 Speaker 2: That yeah, yeah, yeah. 390 00:22:12,720 --> 00:22:15,200 Speaker 1: I just love the way Steve Carell says his name, 391 00:22:15,400 --> 00:22:19,840 Speaker 1: you know, fucking David Leader. But I love when they 392 00:22:19,880 --> 00:22:22,919 Speaker 1: come back together. They come back together again in a 393 00:22:22,960 --> 00:22:27,520 Speaker 1: whole new way. There just seems more respect and more listening. 394 00:22:28,040 --> 00:22:31,440 Speaker 1: So I go with you on that one. Yeah, And 395 00:22:31,440 --> 00:22:34,639 Speaker 1: and it is entertaining because there's so many different levels 396 00:22:34,680 --> 00:22:38,000 Speaker 1: of relationship. Like you said, there's the young son with 397 00:22:38,119 --> 00:22:40,880 Speaker 1: the older girl, but the older girls in love with 398 00:22:40,880 --> 00:22:44,200 Speaker 1: with with the dad dad, and it's all weird. And 399 00:22:44,240 --> 00:22:47,239 Speaker 1: then you throw Kevin Bacon into the mix and it 400 00:22:47,320 --> 00:22:49,679 Speaker 1: is like that what about see we talked about at 401 00:22:49,680 --> 00:22:55,439 Speaker 1: the very beginning my entertainment. I guess where I really 402 00:22:55,440 --> 00:22:59,600 Speaker 1: connect with is through music. I love it when music 403 00:22:59,680 --> 00:23:05,640 Speaker 1: and movies come together. And to me again, Ryan Gosling, Wow, 404 00:23:06,240 --> 00:23:09,240 Speaker 1: La La Land, I could watch that movie. That would 405 00:23:09,280 --> 00:23:12,280 Speaker 1: be one of those movies when you're scrolling through You'll stop, 406 00:23:12,480 --> 00:23:14,280 Speaker 1: You'll always stop and watch that one. 407 00:23:14,680 --> 00:23:18,560 Speaker 2: Yeah, and I also adore that movie. I just I'm 408 00:23:18,800 --> 00:23:21,919 Speaker 2: just a sucker for a really really happy ending and 409 00:23:21,960 --> 00:23:24,399 Speaker 2: the fact that they're not together at the end, and 410 00:23:24,440 --> 00:23:29,160 Speaker 2: I wanted them to be together so badly, and it's like, oh, no, 411 00:23:30,000 --> 00:23:30,960 Speaker 2: it's not gonna happen. 412 00:23:31,359 --> 00:23:39,840 Speaker 6: Yeah, maybe there's appear because someone not he heels or do anything. 413 00:23:42,440 --> 00:23:49,439 Speaker 6: There's some chance, but I'm frankly feeling nothings that, so 414 00:23:49,960 --> 00:23:51,560 Speaker 6: it could be less than nothing. 415 00:23:52,160 --> 00:24:04,439 Speaker 1: Too LOVESO you agree that fine, always lovely. No, So 416 00:24:04,880 --> 00:24:08,760 Speaker 1: I think pursuing your dream is really important because that's 417 00:24:08,880 --> 00:24:12,320 Speaker 1: part of that relationship with self going. If you don't 418 00:24:12,359 --> 00:24:18,359 Speaker 1: pursue your dreams, that can hurt who you are. And 419 00:24:18,480 --> 00:24:21,119 Speaker 1: they both give each other the space to pursue their dreams. 420 00:24:21,160 --> 00:24:23,879 Speaker 1: But as you say, the happy ending is they pursue 421 00:24:23,920 --> 00:24:27,320 Speaker 1: their dreams, they fulfill their dreams, and they're together now. 422 00:24:29,720 --> 00:24:31,760 Speaker 1: It almost happens, yeah, kind of. 423 00:24:32,000 --> 00:24:36,160 Speaker 2: I mean, there's so many in any way, shape or form. 424 00:24:36,200 --> 00:24:40,680 Speaker 2: You've got your movies like Your Ghost, which is devastating, 425 00:24:40,800 --> 00:24:44,520 Speaker 2: You've got Mulin Rouge, which is another death of the 426 00:24:44,800 --> 00:24:46,040 Speaker 2: loved ones, you. 427 00:24:46,000 --> 00:24:51,280 Speaker 1: Know, and again entwined in music, great great music and entertainment. 428 00:24:51,480 --> 00:24:54,760 Speaker 2: Yeah, that's right. Shakespeare in Love as well, which that's 429 00:24:54,800 --> 00:24:57,360 Speaker 2: one of your favorites, all that movie. I just think 430 00:24:57,359 --> 00:24:58,120 Speaker 2: that's really. 431 00:24:57,880 --> 00:25:03,800 Speaker 1: Beautiful, like a sickness and it's cure together. 432 00:25:05,400 --> 00:25:11,320 Speaker 2: Yes, like rain and sun, like cold and heat. 433 00:25:13,600 --> 00:25:14,639 Speaker 1: Is your lady beautiful? 434 00:25:16,280 --> 00:25:18,520 Speaker 2: Since I came here from the country, I have not 435 00:25:19,080 --> 00:25:23,440 Speaker 2: seen her close to me. Is it's beautiful? 436 00:25:23,920 --> 00:25:27,399 Speaker 1: Thomas? If I could write the beauty of our eyes, 437 00:25:27,920 --> 00:25:29,920 Speaker 1: I was born to look in them and know myself? 438 00:25:30,240 --> 00:25:30,720 Speaker 3: What is it? 439 00:25:30,760 --> 00:25:34,119 Speaker 2: Do you think why do we keep making films about 440 00:25:34,240 --> 00:25:35,359 Speaker 2: unrequired love? 441 00:25:36,280 --> 00:25:36,439 Speaker 3: You know? 442 00:25:36,480 --> 00:25:38,919 Speaker 2: Why do they keep on writing about that? Is it 443 00:25:39,119 --> 00:25:42,480 Speaker 2: just because we've all experienced it at some point? 444 00:25:42,640 --> 00:25:45,000 Speaker 1: And well, I think that's it. It's the it's we 445 00:25:45,040 --> 00:25:46,000 Speaker 1: can relate to it. 446 00:25:46,160 --> 00:25:46,520 Speaker 2: Yeah. 447 00:25:46,640 --> 00:25:50,520 Speaker 1: Plus, as far as you know, the technical side of 448 00:25:50,720 --> 00:25:54,480 Speaker 1: what makes a movie interesting is that it's tension. I do. 449 00:25:55,680 --> 00:25:57,720 Speaker 1: I do, as I said it before. It holds up 450 00:25:57,720 --> 00:26:00,840 Speaker 1: bridges and buildings. You've got to have it. And in 451 00:26:00,880 --> 00:26:05,879 Speaker 1: this unrequired love just builds so much tension and then 452 00:26:06,359 --> 00:26:09,600 Speaker 1: you know, to have the payoff. I remember our therapist 453 00:26:10,440 --> 00:26:16,080 Speaker 1: in La was saying that Jerry McGuire right. She was like, no, 454 00:26:16,320 --> 00:26:20,960 Speaker 1: that's wrong, especially when when Jerry Maguire stands up in 455 00:26:21,000 --> 00:26:23,400 Speaker 1: front of Rene Zelwiger at the end and says, you 456 00:26:23,480 --> 00:26:34,480 Speaker 1: complete me, you complete me, just has shut up, just 457 00:26:34,560 --> 00:26:39,920 Speaker 1: shut You had me at hello, you know, and she's going, 458 00:26:39,920 --> 00:26:45,359 Speaker 1: we shouldn't need someone else to complete us, and whilst, yeah, 459 00:26:45,400 --> 00:26:48,199 Speaker 1: that's true. Like I think if I didn't have you, 460 00:26:48,240 --> 00:26:49,240 Speaker 1: i'd still be okay. 461 00:26:49,320 --> 00:26:54,600 Speaker 4: But there's part of you that completes me, which I 462 00:26:54,680 --> 00:26:59,040 Speaker 4: don't know, because there's stuff that there's always something undone, right, 463 00:26:59,040 --> 00:27:00,600 Speaker 4: there's always I mean, maybe that's it. 464 00:27:01,040 --> 00:27:04,359 Speaker 1: Maybe that's what it is. Maybe it's the carrot. There's 465 00:27:04,400 --> 00:27:09,440 Speaker 1: still more. And I love that because that keeps me engaged, 466 00:27:09,680 --> 00:27:10,360 Speaker 1: that keeps. 467 00:27:10,160 --> 00:27:17,320 Speaker 2: The tension right, right, Yeah, okay, you're just making stuff, 468 00:27:18,119 --> 00:27:18,280 Speaker 2: you know. 469 00:27:18,960 --> 00:27:21,600 Speaker 1: I'm not. Actually, I'm not. Actually I do think because 470 00:27:22,359 --> 00:27:24,800 Speaker 1: bloody hell, we lasted twenty five years over there, there 471 00:27:24,840 --> 00:27:27,640 Speaker 1: was a carrot that was being chased. There was something. 472 00:27:28,080 --> 00:27:32,119 Speaker 1: There was always something you know, that keeps the momentum going, 473 00:27:32,240 --> 00:27:35,200 Speaker 1: keeps me engaged, and I do like that. So maybe 474 00:27:35,200 --> 00:27:39,760 Speaker 1: this is your maybe this is your psychic your way going. Ah, 475 00:27:40,040 --> 00:27:44,760 Speaker 1: just withhold that little thing or keeping going. 476 00:27:43,960 --> 00:27:47,040 Speaker 2: No, I'm not that com' not that initility either. 477 00:27:47,640 --> 00:27:49,720 Speaker 1: What do you think about that? That you complete me? 478 00:27:50,680 --> 00:27:53,280 Speaker 1: Does that resonate with you or do you agree with that? 479 00:27:53,359 --> 00:27:55,680 Speaker 1: Do you agree with the therapist going you can't? 480 00:27:56,080 --> 00:27:59,320 Speaker 2: Ah, I don't know. In a way, I get why 481 00:27:59,359 --> 00:28:01,920 Speaker 2: it was such a powerful line and when when it came, 482 00:28:02,240 --> 00:28:05,800 Speaker 2: you know, when that line was delivered because he finally 483 00:28:05,840 --> 00:28:08,359 Speaker 2: realized how in love he actually was with her, and 484 00:28:08,400 --> 00:28:10,399 Speaker 2: he was willing to sort of go in and say it. 485 00:28:11,160 --> 00:28:11,359 Speaker 1: You know. 486 00:28:11,440 --> 00:28:13,280 Speaker 2: I think he says it in front of a whole bunch. 487 00:28:13,119 --> 00:28:15,160 Speaker 1: Of other all the women women's group. 488 00:28:15,320 --> 00:28:18,639 Speaker 2: I love that. I think that's cool, and I do 489 00:28:18,920 --> 00:28:22,320 Speaker 2: kind of get that thing where, yeah, you shouldn't have 490 00:28:22,440 --> 00:28:27,440 Speaker 2: someone to completely complete you, you should feel completed yourself, 491 00:28:28,560 --> 00:28:30,120 Speaker 2: you know. But it is a lovely thing to say 492 00:28:30,160 --> 00:28:33,159 Speaker 2: at the same time. So, yeah, I guess if you 493 00:28:33,240 --> 00:28:35,399 Speaker 2: go in the romance world, it's great. If you go 494 00:28:35,440 --> 00:28:39,080 Speaker 2: in the therapist world, it might not be. Yeah, I'm 495 00:28:39,160 --> 00:28:42,720 Speaker 2: completed and I want to join you in my completeness. 496 00:28:42,760 --> 00:28:44,520 Speaker 2: It doesn't quite sound as good. 497 00:28:44,440 --> 00:28:47,280 Speaker 1: It doesn't. Yeah, I'm choosing to walk beside you because 498 00:28:47,320 --> 00:28:50,200 Speaker 1: I'm I'm I'm happy, I'm all one alone. 499 00:28:51,360 --> 00:28:55,160 Speaker 2: Yeah, yeah, correct, there's some. Some of my favorite romance 500 00:28:55,200 --> 00:28:58,560 Speaker 2: films are the are the classics that the Jane Austen's 501 00:28:58,600 --> 00:29:02,680 Speaker 2: like that those period dry. I love them, and I 502 00:29:02,680 --> 00:29:05,840 Speaker 2: mean things like Pride and Prejudice. That's a that's a 503 00:29:05,880 --> 00:29:09,120 Speaker 2: love story that a lot like Shakespeare stories as well, 504 00:29:09,160 --> 00:29:12,160 Speaker 2: But the Jane Austen ones they just keep being retold 505 00:29:12,480 --> 00:29:16,320 Speaker 2: as well because the story is so fantastic, you know, 506 00:29:16,400 --> 00:29:19,480 Speaker 2: from TVs to movies, and that lets you know that 507 00:29:19,480 --> 00:29:20,760 Speaker 2: that's a good love story. 508 00:29:22,680 --> 00:29:25,000 Speaker 1: I might wonder, vibe, it's so little effort, it's civility. 509 00:29:25,040 --> 00:29:28,160 Speaker 5: I'm rejected, and I might wonder why, what's so evident 510 00:29:28,240 --> 00:29:29,880 Speaker 5: a desire to offend and insult me? 511 00:29:29,920 --> 00:29:31,560 Speaker 2: You chose to tell me that you like me against 512 00:29:31,560 --> 00:29:34,479 Speaker 2: your will, against your reason, and even against your character. 513 00:29:34,720 --> 00:29:34,800 Speaker 1: Ye. 514 00:29:34,960 --> 00:29:38,560 Speaker 2: Bride and Prejudice, well we've seen both that. The Bollywood 515 00:29:38,600 --> 00:29:41,400 Speaker 2: version is bright and the kid love. 516 00:29:53,320 --> 00:29:55,280 Speaker 1: What about the Bodyguard? 517 00:29:55,840 --> 00:29:56,960 Speaker 2: Will you got that jacket for me? 518 00:29:56,960 --> 00:29:57,400 Speaker 6: The red one? 519 00:29:57,440 --> 00:29:57,720 Speaker 3: Please? 520 00:29:58,720 --> 00:30:00,760 Speaker 1: I'm here to keep you alive, help you sharp? 521 00:30:02,040 --> 00:30:02,440 Speaker 7: Thanks? 522 00:30:04,280 --> 00:30:07,920 Speaker 1: Is that a relationship movie that sticks with you? 523 00:30:07,960 --> 00:30:08,160 Speaker 2: No? 524 00:30:08,280 --> 00:30:09,200 Speaker 1: Does that come up at all? 525 00:30:09,440 --> 00:30:13,480 Speaker 2: No? Good, It's not relation. It's not relational for me, 526 00:30:13,680 --> 00:30:17,400 Speaker 2: because I'll never be a singer with Whitney. 527 00:30:17,720 --> 00:30:19,480 Speaker 1: Well, no one's going to be like Whitney Houston. 528 00:30:20,040 --> 00:30:21,600 Speaker 2: But I'll never be a singer full stop. 529 00:30:22,200 --> 00:30:24,560 Speaker 1: And no one will ever be a bodyguard like Kevin Costner, 530 00:30:25,160 --> 00:30:28,040 Speaker 1: especially when that silk falls down over the top of 531 00:30:28,080 --> 00:30:31,880 Speaker 1: his Japanese sword and it just because it's so sharp 532 00:30:31,920 --> 00:30:33,080 Speaker 1: and it splits into. 533 00:30:33,320 --> 00:30:36,440 Speaker 2: Oh wow, I really remember that film. I don't remember 534 00:30:36,440 --> 00:30:40,240 Speaker 2: that part at all. Things clearly stayed with you. Yeah, No, 535 00:30:40,320 --> 00:30:44,160 Speaker 2: I think for romance movies, I often look for things that, yeah, 536 00:30:44,320 --> 00:30:47,680 Speaker 2: just a bit more relatable, mind you. Princess Pride was 537 00:30:47,720 --> 00:30:48,680 Speaker 2: relatable about that. 538 00:30:49,040 --> 00:30:50,640 Speaker 1: I'm looking for the six Fingered Man. 539 00:30:50,840 --> 00:30:54,400 Speaker 2: Yeah. Oh, but I have to say one of my 540 00:30:54,600 --> 00:30:59,280 Speaker 2: all time favorite A movies and B romance movies. And 541 00:30:59,280 --> 00:31:02,440 Speaker 2: when you were talking about books to movies, the Guernsey 542 00:31:02,560 --> 00:31:06,480 Speaker 2: Literary and Potato Pie Society, how did. 543 00:31:06,360 --> 00:31:09,120 Speaker 1: You imagine me, mister Adams when you wrote me a letter? 544 00:31:10,040 --> 00:31:16,200 Speaker 5: A tweed hunting skirt, very large in the bottom teeth 545 00:31:16,320 --> 00:31:19,320 Speaker 5: like a horse, A few wisps of ginger gray hair 546 00:31:19,960 --> 00:31:22,320 Speaker 5: and glasses thicker is jam jarss. 547 00:31:22,520 --> 00:31:23,760 Speaker 2: She sounds lovely? 548 00:31:25,360 --> 00:31:26,400 Speaker 1: Who was the pig farmy? 549 00:31:26,400 --> 00:31:26,440 Speaker 7: You? 550 00:31:26,560 --> 00:31:27,120 Speaker 1: Some books to. 551 00:31:27,880 --> 00:31:30,360 Speaker 7: I did have a couple of ideas, but it was 552 00:31:30,760 --> 00:31:33,680 Speaker 7: more of a sense that I was writing to someone 553 00:31:33,720 --> 00:31:35,040 Speaker 7: who already understood me. 554 00:31:35,680 --> 00:31:37,520 Speaker 2: I adore that film. 555 00:31:37,720 --> 00:31:40,800 Speaker 1: I Reckon, I Reckon. You've just knocked about twenty percent 556 00:31:40,840 --> 00:31:42,840 Speaker 1: of our listeners off their chair when you said that, 557 00:31:42,840 --> 00:31:46,560 Speaker 1: They've gone, yes, you reckon. Yes. 558 00:31:47,200 --> 00:31:49,840 Speaker 2: I think it's an underrated film as well. 559 00:31:50,400 --> 00:31:51,320 Speaker 1: It's a great movie. 560 00:31:51,400 --> 00:31:54,040 Speaker 2: It's a great movie. Is it because? 561 00:31:54,280 --> 00:31:57,200 Speaker 1: Is it also because for you? Or why is it 562 00:31:57,240 --> 00:31:58,360 Speaker 1: a great movie for you? 563 00:31:58,440 --> 00:32:01,680 Speaker 2: Well, she's she's a writer, which I love number one, 564 00:32:01,840 --> 00:32:05,600 Speaker 2: and a great writer as well. Yeah, it's just going 565 00:32:05,600 --> 00:32:09,360 Speaker 2: out to that little island in Guernsey and just post 566 00:32:09,400 --> 00:32:12,760 Speaker 2: World War two and just the stories of the people there, 567 00:32:12,800 --> 00:32:17,000 Speaker 2: but the connection that they have with each other, and 568 00:32:17,040 --> 00:32:19,760 Speaker 2: again the kindness. It's like, that's what gets me. It's 569 00:32:19,800 --> 00:32:22,800 Speaker 2: the kindness of two people who are in love and 570 00:32:22,880 --> 00:32:26,000 Speaker 2: finding their way to each other. And I just that 571 00:32:26,600 --> 00:32:30,080 Speaker 2: I really relate to. It's just a it's a beautifully 572 00:32:30,080 --> 00:32:32,360 Speaker 2: well told story. 573 00:32:32,400 --> 00:32:34,320 Speaker 1: How do you relate to that? What is it when 574 00:32:34,320 --> 00:32:37,680 Speaker 1: you say two people trying to find each other? Is that? 575 00:32:37,800 --> 00:32:39,040 Speaker 1: Have you got experience in that? 576 00:32:39,720 --> 00:32:48,479 Speaker 2: No? No? I mean look, I just think that's I 577 00:32:48,600 --> 00:32:50,960 Speaker 2: just love that kind of a love story. I just 578 00:32:51,000 --> 00:32:53,320 Speaker 2: think it's it's very simply told, like you know, in 579 00:32:53,680 --> 00:32:56,360 Speaker 2: comparison to The Bodyguard where I go, it's you know, 580 00:32:56,400 --> 00:32:58,800 Speaker 2: it's a good, hit me in the face love story. Sure, 581 00:32:59,240 --> 00:33:01,800 Speaker 2: but when you got something for me that I just 582 00:33:02,000 --> 00:33:06,440 Speaker 2: find a little bit softer, gentler, And that's what I 583 00:33:06,520 --> 00:33:08,680 Speaker 2: that's what gets me. That's what I just like again, 584 00:33:08,960 --> 00:33:12,600 Speaker 2: you know, like the Say Anything movie where it's two 585 00:33:12,600 --> 00:33:13,520 Speaker 2: teenagers in love. 586 00:33:14,080 --> 00:33:17,080 Speaker 1: Yeah, any movie really about love that you connect with. 587 00:33:17,160 --> 00:33:20,760 Speaker 1: The last one I was thinking of was love Actually, Yeah, 588 00:33:20,760 --> 00:33:23,280 Speaker 1: and all the different stories in love actually, and the 589 00:33:23,320 --> 00:33:28,320 Speaker 1: different way love is expressed and all the machinations of love. 590 00:33:29,440 --> 00:33:33,120 Speaker 2: Colin Firth's my favorite one in that for the love story, Yes, 591 00:33:33,680 --> 00:33:36,800 Speaker 2: learning another language. They had love across, you know, without 592 00:33:36,800 --> 00:33:41,200 Speaker 2: even understanding each other with words. There was a feeling, 593 00:33:41,720 --> 00:33:44,120 Speaker 2: you know, and when they captured that feeling on film 594 00:33:44,160 --> 00:33:47,120 Speaker 2: of like that spark that you could see between them, 595 00:33:47,280 --> 00:33:49,680 Speaker 2: it's like, oh, I love that, you know. That's the 596 00:33:49,800 --> 00:33:53,320 Speaker 2: essence of love and attraction, which is so exciting to me. 597 00:33:53,480 --> 00:33:57,120 Speaker 1: It's my favorite time of day. Criving you. 598 00:34:00,800 --> 00:34:02,480 Speaker 2: A part mastrich. 599 00:34:03,520 --> 00:34:13,160 Speaker 1: The shell, Well, we'd love to know your favorite love 600 00:34:13,200 --> 00:34:18,200 Speaker 1: stories and also why why they shaped your view of 601 00:34:18,280 --> 00:34:19,640 Speaker 1: love and relationship. 602 00:34:19,960 --> 00:34:22,560 Speaker 2: I have one more question for you, because this one 603 00:34:22,680 --> 00:34:26,719 Speaker 2: kind of blew me away. On the list, you have 604 00:34:26,840 --> 00:34:29,560 Speaker 2: Beauty and the Beast, and I'm wondering. 605 00:34:29,360 --> 00:34:31,719 Speaker 1: Yeah, Beauty and the Beast. The Robbie Benson Beauty and 606 00:34:31,760 --> 00:34:36,400 Speaker 1: the Beast. Yeah, why from nineteen ninety one? Look, and 607 00:34:36,480 --> 00:34:41,000 Speaker 1: this is weird. I don't know. Robbie Benson is an 608 00:34:41,000 --> 00:34:45,040 Speaker 1: American actor and he did a movie about he lived 609 00:34:45,040 --> 00:34:47,959 Speaker 1: in a bubble. His immunity was down. 610 00:34:48,040 --> 00:34:49,640 Speaker 2: Yeah, in the bubble. 611 00:34:50,320 --> 00:34:52,719 Speaker 1: I guess I was maybe fifteen or sixteen, And the 612 00:34:52,719 --> 00:34:55,920 Speaker 1: whole concept of that was blew me away as an 613 00:34:55,960 --> 00:35:00,719 Speaker 1: adolescent guy. And I just really liked his act. And 614 00:35:00,760 --> 00:35:02,600 Speaker 1: then when I heard his voice and he was the 615 00:35:02,640 --> 00:35:06,400 Speaker 1: Beast and he could do this. 616 00:35:05,000 --> 00:35:07,600 Speaker 2: This beastly acting, he fell in love with Robbie Benson 617 00:35:07,760 --> 00:35:08,480 Speaker 2: all over again. 618 00:35:09,640 --> 00:35:13,480 Speaker 1: Yeah, all over again. And this thing that the Beast 619 00:35:13,719 --> 00:35:17,240 Speaker 1: was so arrogant as a prince right before he became 620 00:35:17,280 --> 00:35:21,359 Speaker 1: the Beast, and then he had to find humility and 621 00:35:21,760 --> 00:35:27,160 Speaker 1: kindness and he does and it's too late in the end, 622 00:35:27,760 --> 00:35:30,399 Speaker 1: but then the magic comes and it's not too late, 623 00:35:30,440 --> 00:35:34,800 Speaker 1: it's all saved and he ends up changing, and I 624 00:35:35,400 --> 00:35:38,279 Speaker 1: just I love that. And maybe that's a tailor's old 625 00:35:38,280 --> 00:35:43,160 Speaker 1: of time. It is, it definitely is. Thank you Angela 626 00:35:43,680 --> 00:35:52,640 Speaker 1: Lansbury Taylor's Oldest Tale, US oldest time song as old 627 00:35:52,719 --> 00:36:03,520 Speaker 1: as rhyme beauty sub. I think that maybe I related 628 00:36:03,520 --> 00:36:05,799 Speaker 1: to it because maybe I felt beastly in a way 629 00:36:06,400 --> 00:36:09,200 Speaker 1: and needed to change and grow and learn and learn 630 00:36:09,280 --> 00:36:13,120 Speaker 1: humility and learn. Just it just touched me. Yeah, it 631 00:36:13,120 --> 00:36:16,480 Speaker 1: it did. It just I learned a lot and was like, okay, now, no, 632 00:36:16,640 --> 00:36:17,960 Speaker 1: you need to be a better listener. 633 00:36:18,400 --> 00:36:20,640 Speaker 2: It does need to be more patient. Yeah, I do 634 00:36:21,040 --> 00:36:23,400 Speaker 2: get that. That is that that is a good imagery, 635 00:36:23,719 --> 00:36:27,160 Speaker 2: you know, to put across that those the arrogance of 636 00:36:27,520 --> 00:36:32,160 Speaker 2: people is not going to win you. Yeah, friends and lovers, it's. 637 00:36:32,040 --> 00:36:35,080 Speaker 1: Not all about me, you know. We had to learn that. Yeah, 638 00:36:35,280 --> 00:36:39,600 Speaker 1: which was a really big lesson for me. You know, 639 00:36:39,840 --> 00:36:44,520 Speaker 1: it's not all about me, mate, the narcissistic part of it, 640 00:36:45,040 --> 00:36:48,279 Speaker 1: I get. I learned a lot from that. Interesting and 641 00:36:48,400 --> 00:36:50,080 Speaker 1: yes it was a cartoon and the fact that I 642 00:36:50,120 --> 00:36:52,600 Speaker 1: probably watched it twenty times because we watched it with 643 00:36:52,640 --> 00:36:54,960 Speaker 1: the kids, you know, So I mean it was a 644 00:36:55,000 --> 00:36:58,840 Speaker 1: bit like Tarzan watching Tarzan the animated movie, and I 645 00:36:58,840 --> 00:37:01,800 Speaker 1: watched it with Lotus when she was all those times, 646 00:37:01,800 --> 00:37:05,160 Speaker 1: and coupled with the Phil Collins soundtrack. Yes, and I 647 00:37:05,200 --> 00:37:09,279 Speaker 1: mean it's still I'm swallowing purposefully to hold back the 648 00:37:09,320 --> 00:37:31,400 Speaker 1: tears of You'll be in my heart. I still get it. 649 00:37:33,680 --> 00:37:39,800 Speaker 1: So you're a beast? How dare you pick this topic? 650 00:37:40,000 --> 00:37:43,600 Speaker 2: You? I didn't know you were going to go Tarzi. 651 00:37:43,719 --> 00:37:47,920 Speaker 1: I don't know either. I didn't even ride it on 652 00:37:47,960 --> 00:37:48,960 Speaker 1: my legs. 653 00:37:48,960 --> 00:37:53,359 Speaker 2: It's not here in my heart, I know. See that's 654 00:37:53,400 --> 00:37:56,160 Speaker 2: you that texts you back to your That's what touches 655 00:37:56,200 --> 00:37:57,359 Speaker 2: you is the music. 656 00:37:57,280 --> 00:37:59,879 Speaker 1: And also the fact that Lola would which she would 657 00:37:59,880 --> 00:38:02,759 Speaker 1: sit in my lap and she'd lie back and put 658 00:38:02,760 --> 00:38:06,480 Speaker 1: her arms around my ears. And yeah, let's watch it again. 659 00:38:06,800 --> 00:38:08,800 Speaker 2: It's a great love story you and your daughter. 660 00:38:09,080 --> 00:38:09,480 Speaker 1: It is. 661 00:38:09,760 --> 00:38:12,040 Speaker 2: And I think that's probably also what does make a 662 00:38:12,120 --> 00:38:15,600 Speaker 2: movie specialist. Who you see it with, what time of 663 00:38:15,600 --> 00:38:17,160 Speaker 2: your life you're seeing it in. 664 00:38:17,280 --> 00:38:20,319 Speaker 1: And yeah, because you can watch these films also at 665 00:38:20,320 --> 00:38:23,520 Speaker 1: a time when you've just caught the parking inspector putting 666 00:38:23,520 --> 00:38:27,320 Speaker 1: a ticket on your on your windshield and all the 667 00:38:27,320 --> 00:38:29,520 Speaker 1: feelings that go along with that sort of thing. And then, 668 00:38:29,640 --> 00:38:32,400 Speaker 1: and but then when your other times, when your receptors 669 00:38:32,440 --> 00:38:34,920 Speaker 1: are open and you're ready to suck it to me. Okay, 670 00:38:35,080 --> 00:38:43,040 Speaker 1: I'm in. I'm in for this ride. So we'd love 671 00:38:43,120 --> 00:38:45,880 Speaker 1: to hear yours. We'd love to hear your Hit us 672 00:38:45,920 --> 00:38:48,480 Speaker 1: up on our socials. I'm on Instagram at Cameron Dado 673 00:38:48,640 --> 00:38:52,759 Speaker 1: and Ali you're at Ali Daddo, Ali Daddo. Yeah, hit 674 00:38:52,840 --> 00:38:55,640 Speaker 1: us up, and we'd love to hear your romance. 675 00:38:55,880 --> 00:38:58,120 Speaker 2: Yeah, and if you agree with any of our favorite 676 00:38:58,160 --> 00:39:04,560 Speaker 2: films as well, especially any Man. Thanks for listening, all right, 677 00:39:04,600 --> 00:39:05,040 Speaker 2: take care