1 00:00:00,240 --> 00:00:03,640 Speaker 1: Fits in and wipper and one of our favorite characters, Irene, 2 00:00:03,800 --> 00:00:04,760 Speaker 1: she was back as well. 3 00:00:04,800 --> 00:00:07,000 Speaker 2: We love her, played by Lynn mcgrid. 4 00:00:07,040 --> 00:00:13,200 Speaker 1: Does she joined? When do you find out what the 5 00:00:13,920 --> 00:00:16,319 Speaker 1: year looks like? Do they tell you in blocks or 6 00:00:16,360 --> 00:00:19,119 Speaker 1: you get the whole year twenty twenty one here's the storyline. 7 00:00:19,720 --> 00:00:24,840 Speaker 3: No, absolutely not, and particularly with obviously last year and 8 00:00:24,880 --> 00:00:29,639 Speaker 3: all the hiccups. You can take the walk up the 9 00:00:29,720 --> 00:00:32,720 Speaker 3: stairs to the writer's room and you can sit down 10 00:00:32,880 --> 00:00:38,800 Speaker 3: with Louise or with our producers Lucy or Julie, and 11 00:00:38,840 --> 00:00:41,519 Speaker 3: you can say what's in store for my character or 12 00:00:41,560 --> 00:00:44,919 Speaker 3: you can say I have an idea for my character. Now, 13 00:00:45,040 --> 00:00:47,920 Speaker 3: last time I did that, I walked up the stairs 14 00:00:47,920 --> 00:00:50,080 Speaker 3: and I've found out that I was going to be 15 00:00:50,640 --> 00:00:52,400 Speaker 3: up on a murder charge. 16 00:00:52,960 --> 00:00:55,720 Speaker 2: And that was when before you've got the door, Yes, 17 00:00:56,280 --> 00:00:56,680 Speaker 2: and that. 18 00:00:56,800 --> 00:01:00,400 Speaker 3: Was when I found out that my charge, the lovely 19 00:01:00,440 --> 00:01:05,360 Speaker 3: Courtney Miller who plays Bella, was being groomed online and 20 00:01:05,480 --> 00:01:08,520 Speaker 3: I walked in and she was being attacked by this 21 00:01:08,680 --> 00:01:13,080 Speaker 3: Tommy guy. I just got back from Jasmine and Jasmine's wedding, 22 00:01:14,240 --> 00:01:16,640 Speaker 3: dressed to the night and then I find. 23 00:01:16,360 --> 00:01:21,520 Speaker 2: Myself Irene sober and alcohol and she's. 24 00:01:22,280 --> 00:01:25,559 Speaker 3: Recovering alcohol, so she can't drink unless she's cross fallen 25 00:01:25,560 --> 00:01:29,479 Speaker 3: off the world. But I walked in next minute, I'm 26 00:01:29,520 --> 00:01:33,720 Speaker 3: bludging in the sky with an empty champagne bottle that 27 00:01:33,880 --> 00:01:34,759 Speaker 3: just happened to be there. 28 00:01:34,800 --> 00:01:37,520 Speaker 2: And I don't know why, because but do they give 29 00:01:37,560 --> 00:01:39,280 Speaker 2: you that whole storyline when you walk in? Did they 30 00:01:39,319 --> 00:01:41,240 Speaker 2: get each character? Do they book you in? Come in? 31 00:01:41,280 --> 00:01:42,040 Speaker 2: This is unknown? 32 00:01:42,440 --> 00:01:46,080 Speaker 3: Sometimes you just go hi, how are you going, Louise? 33 00:01:46,120 --> 00:01:49,360 Speaker 3: And you go, hi, Oh, we've got some interesting stuff 34 00:01:49,400 --> 00:01:49,840 Speaker 3: coming up. 35 00:01:50,440 --> 00:01:52,880 Speaker 2: Oh god, here we go again. 36 00:01:52,720 --> 00:01:55,000 Speaker 1: With the voice of reason. Though Irene isn't she? I 37 00:01:55,040 --> 00:01:57,320 Speaker 1: mean everyone goes back to Irene's house for advice. 38 00:01:57,520 --> 00:02:00,840 Speaker 3: Well, I think that's her whole, you know, rais Detra, 39 00:02:00,960 --> 00:02:03,840 Speaker 3: it's her whole, kind of super objective because she was 40 00:02:03,960 --> 00:02:09,360 Speaker 3: such an awful mother, such a bad person, a terrible alcoholic, 41 00:02:09,400 --> 00:02:11,960 Speaker 3: and even now when she falls off the wagon. 42 00:02:12,120 --> 00:02:14,600 Speaker 2: I slapped Johnny Ruffo across. 43 00:02:14,240 --> 00:02:20,359 Speaker 3: The mush and there were people queued up behind me. 44 00:02:23,320 --> 00:02:24,680 Speaker 1: We know you keep in touch with Johnny. 45 00:02:24,680 --> 00:02:27,040 Speaker 2: How's it going, darling? Funny? You should ask. 46 00:02:27,200 --> 00:02:32,440 Speaker 3: I actually received a phone call from him on Friday night. 47 00:02:32,480 --> 00:02:35,399 Speaker 3: It was so lovely. Obviously we're in touch. But he's 48 00:02:35,440 --> 00:02:38,600 Speaker 3: been going through treatment, it's not no secret. And he 49 00:02:38,880 --> 00:02:44,160 Speaker 3: sounded really full of life. He really sounded in a 50 00:02:44,160 --> 00:02:47,240 Speaker 3: good place. And I believe he's at the end of 51 00:02:47,280 --> 00:02:50,640 Speaker 3: the current treatment and we're definitely going to catch up 52 00:02:50,720 --> 00:02:51,720 Speaker 3: in the next few weeks. 53 00:02:51,720 --> 00:02:53,359 Speaker 2: And you know, God. 54 00:02:53,120 --> 00:02:54,560 Speaker 1: Bless him all the time. 55 00:02:54,720 --> 00:02:57,959 Speaker 2: Thirty three in March. I mean it just SU's amazing, 56 00:02:58,200 --> 00:03:01,560 Speaker 2: God willing he will get through this about as he 57 00:03:01,639 --> 00:03:02,519 Speaker 2: did the last time. 58 00:03:02,600 --> 00:03:05,360 Speaker 1: Yeah, well said, well, you're just talking about Irene before 59 00:03:05,440 --> 00:03:08,480 Speaker 1: and how she's never kissed out, but she's ever been 60 00:03:08,560 --> 00:03:09,400 Speaker 1: married on the show. 61 00:03:09,960 --> 00:03:14,200 Speaker 3: Look she she was, she's had a little pillar. She 62 00:03:14,240 --> 00:03:18,480 Speaker 3: doesn't murder her husband's or killer husband's like like Leah does. Sure, 63 00:03:18,600 --> 00:03:22,760 Speaker 3: Lia's the resume widow like I have. I have a 64 00:03:23,440 --> 00:03:25,800 Speaker 3: in my house in the beach house. I have a 65 00:03:25,840 --> 00:03:29,000 Speaker 3: dead shelf, which is people who have come and lived 66 00:03:29,000 --> 00:03:30,800 Speaker 3: with me who have sadly passed away. 67 00:03:32,639 --> 00:03:37,320 Speaker 2: It's about good half a dozen or not. But Leah has. 68 00:03:37,200 --> 00:03:41,000 Speaker 3: Like all her husbands up on the mantelpiece that have 69 00:03:41,080 --> 00:03:42,600 Speaker 3: either died, you know, died. 70 00:03:42,720 --> 00:03:45,080 Speaker 2: But how come they won't give you a romantic storyline? 71 00:03:45,160 --> 00:03:48,680 Speaker 3: Well they have in the past. See I don't want 72 00:03:48,680 --> 00:03:50,640 Speaker 3: to sound boring, but the thing is Irene has a 73 00:03:50,680 --> 00:03:54,200 Speaker 3: certain role to play within the Bay and that role 74 00:03:54,520 --> 00:03:58,320 Speaker 3: doesn't involve midnight passes on the. 75 00:03:58,920 --> 00:04:02,760 Speaker 1: Well, you know, let's change that. Why you I think 76 00:04:02,840 --> 00:04:06,440 Speaker 1: this is the year that Irene needs you. You need 77 00:04:06,480 --> 00:04:07,800 Speaker 1: your Scott and Charlene moment. 78 00:04:07,960 --> 00:04:10,560 Speaker 3: I wouldn't say no as long as he was a 79 00:04:10,640 --> 00:04:13,040 Speaker 3: nice person and a good sword. If I've got to 80 00:04:13,080 --> 00:04:17,839 Speaker 3: play tonsil hockey with someone on national television, give. 81 00:04:17,680 --> 00:04:20,800 Speaker 1: Me a character, any character you want at all? 82 00:04:21,120 --> 00:04:27,320 Speaker 2: Character or actor? No character or yeah, Colin Firth. 83 00:04:29,440 --> 00:04:30,480 Speaker 1: That's going to be hard to do. 84 00:04:30,680 --> 00:04:33,040 Speaker 2: That would be very nice. 85 00:04:33,080 --> 00:04:33,480 Speaker 1: That's on. 86 00:04:33,920 --> 00:04:36,880 Speaker 2: That's in Summer by Shane Withington Lovely. 87 00:04:37,920 --> 00:04:38,960 Speaker 1: Who does Shane play? 88 00:04:39,200 --> 00:04:43,400 Speaker 3: Shane plays John Palmer and they have Irene and John 89 00:04:43,480 --> 00:04:47,520 Speaker 3: have a strange and wonderful relationship. He's strange and Irene's wonderful. 90 00:04:50,040 --> 00:04:53,880 Speaker 3: But so okay, we're good mates, so it could develop. 91 00:04:54,279 --> 00:04:57,400 Speaker 1: Okay, you're just talking about Lucy? Is that Lucy Adario's 92 00:04:57,440 --> 00:04:57,960 Speaker 1: the producer? 93 00:04:58,360 --> 00:04:59,320 Speaker 2: Lucy is the producer? 94 00:04:59,520 --> 00:05:00,640 Speaker 1: Her number in your phone? 95 00:05:01,200 --> 00:05:02,200 Speaker 2: I think I have. 96 00:05:03,200 --> 00:05:05,240 Speaker 1: Why don't you give her a call? This is the 97 00:05:05,360 --> 00:05:08,880 Speaker 1: year that Irene gets married, has a bit of kissing. 98 00:05:09,680 --> 00:05:12,600 Speaker 2: All right, Okay, I can do that and yeah, all right, 99 00:05:12,640 --> 00:05:13,640 Speaker 2: we're plugged it and ready to go. 100 00:05:13,680 --> 00:05:15,960 Speaker 1: Okay, you ready to make the call in okay? Good luck? 101 00:05:20,839 --> 00:05:23,080 Speaker 2: Hello Oleen, Hi sweetheart? How are you? 102 00:05:23,720 --> 00:05:24,000 Speaker 3: God? 103 00:05:24,160 --> 00:05:26,240 Speaker 2: How are you? I'm great, love. 104 00:05:26,400 --> 00:05:29,880 Speaker 3: I've been thinking about it over the weekend and everybody, 105 00:05:29,920 --> 00:05:35,040 Speaker 3: people just keep saying, why can't Irene find love? Would 106 00:05:35,080 --> 00:05:37,799 Speaker 3: be I know this is really random, right, but she said, 107 00:05:38,080 --> 00:05:40,680 Speaker 3: They all say, oh, we'd love to see Irene happy 108 00:05:40,720 --> 00:05:43,480 Speaker 3: and find love. And so I've kind of been thinking 109 00:05:43,520 --> 00:05:47,919 Speaker 3: about it, and I know I've talked to Shane about 110 00:05:47,960 --> 00:05:50,919 Speaker 3: it too, and we just wondered if there was is 111 00:05:50,960 --> 00:05:57,960 Speaker 3: there any mileage in say, you know, Irene and John's 112 00:05:58,200 --> 00:06:02,840 Speaker 3: relationship just kind of getting a little bit awkward, a 113 00:06:02,880 --> 00:06:05,920 Speaker 3: little bit flirty, a little bit weird, and you know, 114 00:06:06,040 --> 00:06:08,880 Speaker 3: then they kind of fall for each other, whether it 115 00:06:09,040 --> 00:06:12,960 Speaker 3: goes anywhere. I just thought, and you know that maybe 116 00:06:13,000 --> 00:06:19,279 Speaker 3: even a wedding that goes horribly wrong or something like that, 117 00:06:19,680 --> 00:06:22,680 Speaker 3: beautifully right, beautifully right, but then one of us that 118 00:06:22,839 --> 00:06:26,239 Speaker 3: have to die after that, So of course they're always 119 00:06:26,279 --> 00:06:28,880 Speaker 3: going white. Doesn't alf and Irene have sex on the 120 00:06:28,880 --> 00:06:31,640 Speaker 3: beach or something ridiculous like that. I know, I know, 121 00:06:31,760 --> 00:06:34,039 Speaker 3: I went. We want people to turn on, not to 122 00:06:34,120 --> 00:06:37,520 Speaker 3: turn off. It's a beautiful sort. 123 00:06:37,360 --> 00:06:39,040 Speaker 2: Of friendship that. 124 00:06:40,600 --> 00:06:43,600 Speaker 1: You know of all the time, and well it's a 125 00:06:43,640 --> 00:06:45,880 Speaker 1: friendship now, but yeah, how friendships. 126 00:06:46,160 --> 00:06:48,840 Speaker 3: Yeah, if it's not Shane, then maybe we could get 127 00:06:48,839 --> 00:06:50,560 Speaker 3: Colin Firth in just saying. 128 00:06:52,920 --> 00:06:57,440 Speaker 2: That's a joke. I was just stung silence for a minute. 129 00:06:58,040 --> 00:07:01,760 Speaker 1: Lucy, it's fits be here. Please can you give Iren 130 00:07:01,839 --> 00:07:02,240 Speaker 1: a wedding? 131 00:07:04,600 --> 00:07:06,920 Speaker 2: I'm so sorry they made me do it. 132 00:07:09,880 --> 00:07:12,200 Speaker 1: I'm so sorry, but it's just been too long and 133 00:07:12,240 --> 00:07:14,480 Speaker 1: we want to see some hot love for Irene. 134 00:07:16,480 --> 00:07:19,000 Speaker 2: Sorry, Luci, they made me do it. But you know what, 135 00:07:19,080 --> 00:07:23,920 Speaker 2: it's not a bad idea anyway, it's not. They've just 136 00:07:23,960 --> 00:07:27,840 Speaker 2: been banging on about Irine having sex on the beach 137 00:07:27,960 --> 00:07:30,840 Speaker 2: with somebody or other and then they said, why don't 138 00:07:30,840 --> 00:07:32,920 Speaker 2: we ring Lucy and then see if we can get 139 00:07:32,960 --> 00:07:33,320 Speaker 2: a story. 140 00:07:34,280 --> 00:07:36,800 Speaker 3: My apologies, darling, but you're a great sport and yes 141 00:07:36,840 --> 00:07:39,560 Speaker 3: I think it's a great idea. Okay, well, don't speak 142 00:07:39,560 --> 00:07:42,520 Speaker 3: to Louise, and you know I'm careful what you wish. 143 00:07:44,200 --> 00:07:46,960 Speaker 2: Love you, darling, thank you for being a good sport. 144 00:07:50,800 --> 00:07:55,080 Speaker 1: She was when we thought about it. 145 00:07:56,640 --> 00:07:59,520 Speaker 3: Good. You know how when things change, there's just like 146 00:07:59,560 --> 00:08:02,200 Speaker 3: a slow click and all of a sudden there's kind 147 00:08:02,240 --> 00:08:04,160 Speaker 3: of a brush of a hand and it's awkward and 148 00:08:04,160 --> 00:08:04,520 Speaker 3: it's like. 149 00:08:04,520 --> 00:08:08,080 Speaker 2: Oh my god, my gosh, I don't know, Oh my god. 150 00:08:08,200 --> 00:08:14,440 Speaker 2: You guys are obsessed. A drink is it can be 151 00:08:14,520 --> 00:08:15,440 Speaker 2: whatever you doesn't drink. 152 00:08:15,880 --> 00:08:17,400 Speaker 3: It can be whatever you want it to be. 153 00:08:18,520 --> 00:08:20,440 Speaker 1: It's so good to have you back. You are one 154 00:08:20,440 --> 00:08:22,400 Speaker 1: of our favorites on the show Home and Away every 155 00:08:22,440 --> 00:08:24,960 Speaker 1: night seven o'clock on Channel seven. Love you and thank 156 00:08:25,000 --> 00:08:25,480 Speaker 1: you very much. 157 00:08:25,520 --> 00:08:30,240 Speaker 2: Oh my great pleasure. Sorry Louise. It fits in Whipper