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Speaker 1: Apoche production.

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Speaker 2: On this episode of We Will Always Have I am.

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Speaker 1: Absolutely shocked and amazing horrified that we haven't actually rolled

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Speaker 1: the car the way in which you take it, you

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Speaker 1: would think you were on Dodge Ems. You were in

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Speaker 1: a dodgey and car and you were like, I am

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Speaker 1: literally having to hold on so that I don't have it.

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Speaker 2: That's a like, that's because you've never turned a corner

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Speaker 2: doing the suggested speed limit. Hi, it's Christian here and

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Speaker 2: armed with my best mate, best mate, oh a mate, Chrissy.

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Speaker 2: We've decided to take this season. We will always have

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Speaker 2: to camera. Christy and I are going to do a

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Speaker 2: bunch of things. God knows what they are. I mean,

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Speaker 2: you're about to find out. It's probably mostly yelling and

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Speaker 2: screaming and then discussing a bunch of random topics. Christy

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Speaker 2: and I keep ourselves entertained and hopefully you enjoy what

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Speaker 2: the hell this is. We will always have camera. While

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Speaker 2: we went to check into our Airbnb, We've come to

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Speaker 2: a cafe. Fuck, this is so camera. It's very like government,

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Speaker 2: another corporate, very good looking men.

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Speaker 1: And they've got such an attitude behind the counter that

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Speaker 1: I'm just living for it. Imagine saying this, in Sydney,

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Speaker 1: I can't possibly make five coffees. You're going to have

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Speaker 1: to stop taking orders because I have a backlog of

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Speaker 1: five coffee.

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Speaker 2: That's so camera well, so she started vacuuming the coffee

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Speaker 2: machine in the middle of all of this and was like, sorry, guys,

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Speaker 2: it's going to be five minutes while I vacuuming that

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Speaker 2: in Sydney. In Sydney you get six one star. Welcome

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Speaker 2: the camera. Welcome the camera. Also, so you were ordered.

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Speaker 2: You went and ordered your coffee.

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Speaker 1: Coffees and I asked you what do you want? You

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Speaker 1: said to me, because at that stage you were going

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Speaker 1: up to order and I see and then you looked

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Speaker 1: at me and you said what do you want? And

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Speaker 1: I said, flat white, Oh my god, extra hot, small,

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Speaker 1: soy one sugar, and you look at me like that

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Speaker 1: was an essay.

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Speaker 2: It was a flat white, so it got it, oh small,

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Speaker 2: extra hot sugar. Forgot what the coffee was, and then

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Speaker 2: I just said, here's my card. I went. But the

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Speaker 2: guy stopped you, Oh he did, and he said he.

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Speaker 1: Looked straight into my eyes and he said, who is

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Speaker 1: Christian Hull?

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Speaker 2: Because you've still got your shirt on.

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Speaker 1: I have I'm not taking this off.

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Speaker 2: I think it's going to be a really good seller.

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Speaker 1: This is a limited edition this book.

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Speaker 2: One post her on Facebook.

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Speaker 1: Now it's going off.

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Speaker 2: Yeah, you're going to make tens of dollars sold. Sh

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Speaker 2: someone that has sold merch before for tens of dollars

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Speaker 2: a profit.

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Speaker 1: This is big, babes. Get ready, your fingers are going

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Speaker 1: to be bleeding by the end of this.

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Speaker 2: So anyway, Christy comes back to tell me she loves

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Speaker 2: putting me in my place. Christian, Christian, you'll never guess,

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Speaker 2: he said, who's Christian Hull? He doesn't know who you are.

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Speaker 2: She was so excited to tell me because we were

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Speaker 2: sitting down at the service center. I got stopped for

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Speaker 2: quite a few photos. Okay, there's a couple of photos. Stop. Stop. No,

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Speaker 2: was definitely more than nos two, And Christy was like, oh,

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Speaker 2: for father's sake, Oh I'm here, I'm here.

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Speaker 1: No, no, I would.

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Speaker 2: You like me to take your photo? Yeah? But then

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Speaker 2: you pause and you wait for them to go, oh, no,

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Speaker 2: I need you to be in it, and they never do. Anyway,

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Speaker 2: sits down, Christian. He doesn't know who you are. He

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Speaker 2: has no idea who you are. Isn't that amazing.

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Speaker 1: I never said it like that, did. You're not gonna

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Speaker 1: believe it. He has no idea.

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Speaker 2: Who you are in that patronizing tone or in camera.

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Speaker 2: This is my demographic.

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Speaker 1: I love camera. I could live here.

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Speaker 2: Well, we've been here for ten minutes. Beauty of pulling

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Speaker 2: in and seeing Parliament House.

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Speaker 1: And the grass is very different. It's green apart from

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Speaker 1: being green, like a different is there.

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Speaker 2: It looks like you could roll in it. It looks softer.

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Speaker 1: Well, I don't know if my antihistamines are going to

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Speaker 1: be able to keep up with the onslaught of weeping

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Speaker 1: eyes and running nosing.

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Speaker 2: The reason why I wanted to record while we were

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Speaker 2: here is you started to say something and I know

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Speaker 2: exactly where this is going, and this is going to

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Speaker 2: crush me. It's going to crush me. So that what

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Speaker 2: were you saying right as I said, hold that thought?

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Speaker 2: I need to get the mind.

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Speaker 1: So I was about to engage in and say that.

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Speaker 1: I never worry now about what we're going to talk about.

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Speaker 1: I used to worry about it. I'm thinking, oh shit,

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Speaker 1: are we going to be staring at each other thinking

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Speaker 1: what the fuck do we say next? I don't have

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Speaker 1: any concerns any longer.

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Speaker 2: About that, you said, I don't need to bring anything.

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Speaker 1: Well, you've always told me I'm the talent that I

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Speaker 1: just show up.

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Speaker 2: I'm happy to.

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Speaker 1: Do that, but I feel like I should be contributing,

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Speaker 1: and I feel I do I bring a lot.

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Speaker 2: So pause on that moment, Chrissy. Of all the four

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Speaker 2: seasons we've done, easily, the top two are Christine moments.

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Speaker 2: The top one literally shits all over the rest you

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Speaker 2: pooping in an open home. I'll never be topped. But

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Speaker 2: I didn't.

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Speaker 1: I was still using every munsel known to man to

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Speaker 1: hold it all together.

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Speaker 2: Celebrity listener said to me, she's amazing, She's really amazing.

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Speaker 1: In what way.

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Speaker 2: Had he thought the man, Okay, should I just know?

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Speaker 1: Oh no, let's do this now? So what else did

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Speaker 1: they say about me?

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Speaker 2: So this person don't is a thing huge in the

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Speaker 2: Australian music industry, right barns.

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Speaker 1: No?

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Speaker 2: No?

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Speaker 3: And he said Leo Sayer? He said, send me in Nan.

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Speaker 3: Is that Leo Sayer?

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Speaker 2: No? Send me No? What's Leo Sayer? What's the famous layers?

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Speaker 2: Stand by? Play Lego?

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Speaker 1: Sorryer hey Siri, play Leo? Say?

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Speaker 3: What's Leo Sayer in your Apple Music library.

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Speaker 2: You can ask me to play a radio station or

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Speaker 2: ask for your music on a different app.

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Speaker 1: Just play the song mates?

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Speaker 2: What's Oh god? S is the shiittest? Ai? Hang on?

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Speaker 1: Let me findere Spotify?

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Speaker 2: Okay, you go on? Okay, so this.

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Speaker 1: Don't tell me?

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Speaker 2: This said said you both are perfect together. This person

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Speaker 2: has been ought bands? And oh is that me? Was

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Speaker 2: that for you? Was Christian?

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Speaker 3: Oh?

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Speaker 1: Here we go?

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Speaker 3: Who knows?

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Speaker 2: Here we go? I'll go get it.

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Speaker 1: So we've got Leo Sayer? Thank you? So I found him?

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Speaker 3: Right?

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Speaker 1: This is Leo Sayer?

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Speaker 2: What's the Oh?

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Speaker 1: Hang, I've got to play an ad?

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Speaker 2: Food? You don't have premium? Oh god, stand by? How embarrassing?

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Speaker 2: Who's the ad for? Should we ask them for PayPal?

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Speaker 2: They wouldn't sponsor us? What they Oh my god? How

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Speaker 2: many apps do you have to sit through?

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Speaker 1: It's the same way.

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Speaker 2: So can you tell your going a cape?

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Speaker 1: We're in the back of the beyond. No one's going

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Speaker 1: to hear you. You do, It's okay, it's we're not

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Speaker 1: by anybody. Here we go, Here we go. So's on

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Speaker 1: and on and on. I feel like they do just

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Speaker 1: sponsor us after this? O' here the game Okay, oh

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Speaker 1: I feel like dancing.

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Speaker 2: We can't play it on the pod, but you feel.

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Speaker 1: Like, no, what is that one?

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Speaker 2: What if I told you it was No, it's not. No,

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Speaker 2: it's not, it's not, it's not. So he said to me, Okay,

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Speaker 2: I've listened to your podcast. Who's the bird that you

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Speaker 2: deal with?

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Speaker 1: The bird?

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Speaker 2: She's fantastic, she's fantastic. You both bring this different energy.

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Speaker 1: But she really is really an idiot.

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Speaker 2: No, no, no, she really she really like falls on her sword.

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Speaker 1: What does that mean?

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Speaker 2: It means it's one for the team.

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Speaker 1: Oh, that's not that's just me being normal.

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Speaker 2: He thinks, Wow, he thinks that you're not as used

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Speaker 2: listen in real life.

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Speaker 1: Oh god, no, I've got referees. I can back it

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Speaker 1: up with people.

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Speaker 2: I think exactly right, because he said, I liked it

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Speaker 2: when she really leant into going to the bathroom in

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Speaker 2: the open home, and I was like, now she lean

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Speaker 2: into it because she was actually pooping at the like

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Speaker 2: I looked at her the desire. Yeah, did him and

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Speaker 2: was like, she leant into it.

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Speaker 1: No, she was absolutely live in the moment.

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Speaker 2: Who just called out? They definitely just called out Christian.

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Speaker 2: This is a nice lasting mine. I'm soy. Yeah, you're soy.

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Speaker 1: See she can't cope with more than five or.

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Speaker 2: Sorry, I don't know if the mike's picked it up.

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Speaker 2: She definitely screamed.

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Speaker 1: Out Christian because so let's play a little game. Yeah,

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Speaker 1: what age bracket of person are we looking at?

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Speaker 2: Hey, I'm going to say on the biggest television show

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Speaker 2: in the naughties in Australia. Hey, hey, it's Saturday again

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Speaker 2: in the noughties.

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Speaker 1: They were in the nineties.

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Speaker 2: It's naughtyug h t aes.

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Speaker 1: What does that mean nineties, Christine?

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Speaker 2: Well, not a decade after the nineties, the noughties. Yes,

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Speaker 2: and that's referred to as.

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Speaker 1: Oh is that the noise?

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Speaker 2: Zero zero zero zero? Teach you something? A breast of

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Speaker 2: pop culture over here?

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Speaker 1: Variously? I never knew that.

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Speaker 2: Okay, what would you say? Would be one of the

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Speaker 2: biggest TV shows in the noughties? Yea of your favorite genre?

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Speaker 1: Oh hey, hate Saturday, but you've told me that it's okay,

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Speaker 1: that is huge in its day.

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Speaker 2: Oh my, can you imagine if it was Darryl Summers?

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Speaker 2: I would froth for that, would froth for this person?

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Speaker 1: Okay, all right, so no idea? Was it a Monday

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Speaker 1: to Friday show or was it over the weekend?

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Speaker 2: It was it Monday to Friday. It was a reality show.

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Speaker 1: Oh not the Wheel, not the price is right, that's.

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Speaker 2: A game show. Okay, No, it wasn't. Glenn Rich. Do

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Speaker 2: you remember Glenn Rich from South Century.

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Speaker 1: Nicky who married the model Stewart?

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Speaker 2: Oh jeez, but doesn't know what the naughties are? Okay,

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Speaker 2: Australian Australian reality show.

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Speaker 1: Australian reality show in the naughties. Oh not? What was

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Speaker 1: his name and her name? I'm out of here. Remember

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Speaker 1: that show?

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Speaker 2: Not Sylvania, Yes, that was a brilliant naughties okay, zero zero,

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Speaker 2: you're going back to the eighties.

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Speaker 1: I think that was ninety.

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Speaker 2: I'm going to sing the theme song. Whoa whoah.

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Speaker 1: The voice.

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Speaker 2: Oh you're so.

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Speaker 1: Close with that man that made that really terrible comment

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Speaker 1: about the girl's dress.

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Speaker 2: Is it him?

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Speaker 1: What's his name?

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Speaker 2: He had a bob? What was he had?

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Speaker 1: The bobbert here to do at the time.

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Speaker 2: Keep in mind he's listening.

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Speaker 1: Oh sorry, but you did have a bobber. I'm here

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Speaker 1: for it.

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Speaker 2: Have a bob.

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Speaker 1: It was a bob. It was like a It was

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Speaker 1: very of its time. It was the the gray kind

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Speaker 1: of silver fox.

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Speaker 2: What what's my favorite male appendage?

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Speaker 3: He know?

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Speaker 2: Yeah, what's another word for a penis Dicky?

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Speaker 1: Dicky Summers or something.

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Speaker 2: You're still thinking about? S's so sorry, dick O Dixon.

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Speaker 1: That's right. He made the comment about Okay, yes, right.

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Speaker 2: Yeah, because I caught up with him. I did an

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Speaker 2: event and what dedn He's.

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Speaker 1: Come up and say, get a Christian.

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Speaker 2: Great it before I've done a podcast with him before.

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Speaker 1: So great to see you, Christian. How you're going and

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Speaker 1: you talk to you about your podcast? Is that what

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Speaker 1: he says? And he said, just love that she's leaning

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Speaker 1: into it like I'm acting.

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Speaker 2: He loves you. No, not like you're acting, but I

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Speaker 2: think he thinks that you're more well to do. Correct

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Speaker 2: me if I'm wrong here, Dicko. But it just felt

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Speaker 2: like the way he spoke so highly of you that

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Speaker 2: you sort of that you knew how to play the gate.

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Speaker 1: Did you use sophistication?

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Speaker 2: But you know, like he's been indie duty industry, put

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Speaker 2: back huge names and then had like such beautiful things

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Speaker 2: to say about you and said that we were really

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Speaker 2: good together, but said you were definitely the key to that.

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Speaker 1: Me. Yes, no, look I'm a train wreck, mate, But

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Speaker 1: I just would like.

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Speaker 2: Me on my own, I have my own podcast, complete drivel,

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Speaker 2: failed physical, bring in someone that shifts themselves, eat that

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Speaker 2: brings eight boiled eggs on a road trip and then

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Speaker 2: eats them in the car, fucking boiled eggs.

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Speaker 1: Oh my god, I'm trying to be healthy. Look, dick girl,

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Speaker 1: I need to tell you something, sweethe this is not

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Speaker 1: put on my love. What you here is absolutely me

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Speaker 1: on or off.

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Speaker 2: Yeah, I think he thought that, but he thought you

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Speaker 2: were smart enough to be like, oh no, no, I'm

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Speaker 2: not going to hold my bell go to the bathroom.

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Speaker 2: Yeah no, dicko, No babes. As much as I offered

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Speaker 2: to take her to my parents' house we were on

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Speaker 2: the way there.

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Speaker 1: I couldn't and she would never have made it. I

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Speaker 1: would never have made it. That was so traumatic.

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Speaker 2: He just had really nice. Isn't that lovely? Two celebrity listeners?

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Speaker 2: That's what I read?

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Speaker 1: Was there any I'm feeling like there's a butt coming this.

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Speaker 2: Something. I was like, compliment, compliment, and that No loved it.

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Speaker 1: Oh, Dicko, thank you so much. That's very lovely.

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Speaker 2: Also, who knows if he's still listening. I hope. So yeah, anyway,

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Speaker 2: shouts to Dicko. We had fun. We did a little

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Speaker 2: stage thing at of course I won't disclose where he lives,

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Speaker 2: but for his like he lives.

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Speaker 1: So what is to go doing currently? Is he something weak?

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Speaker 2: Well? By the time yes, by the time this podcast

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Speaker 2: goes to air, he's on Celebrity Traders. You know the traders?

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Speaker 1: Do I tell you who I was asked to audition

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Speaker 1: for that. Not the celebrity one of course, but the

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Speaker 1: normal ridgy Digi people one.

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Speaker 2: And here you go to prove Deco wrong. You were

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Speaker 2: just too useless.

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Speaker 1: No, I was going to.

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Speaker 2: Be a trader. I don't think you could be a trader.

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Speaker 1: It would be pathetic. I would be looking at them saying,

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Speaker 1: it's me you.

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Speaker 2: You saw the British one with Alan Carr.

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Speaker 1: Oh, Chattyman. Fucking love that man, like.

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Speaker 2: He was laughing when he was having to do anything

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Speaker 2: trade to rest.

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Speaker 1: I love chatty Man.

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Speaker 2: Anyway, we're building up our small list of Australian celebrities.

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Speaker 1: I can't believe it.

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Speaker 2: If you're an Australian celebrity, please shoose us a d M.

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Speaker 2: I actually just it's for self.

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Speaker 1: It's for self.

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Speaker 2: You know self gratificate.

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Speaker 1: It's just to bill the confidence because you know, I'm

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Speaker 1: riding on your coattails.

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Speaker 2: I'm trying to definitely not You're definitely the star of this,

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Speaker 2: she says with that, I'm not Christian Hull's mother t

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Speaker 2: shirt on in.

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Speaker 1: A limited edition. It could be yours for.

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Speaker 2: The price of We've got to discuss if we're going

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Speaker 2: to sell and do them. Would you like to be

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Speaker 2: involved in the podcast?

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Speaker 1: Do you have a question that you are just dying

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Speaker 1: to ask anything?

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Speaker 2: It can be absolutely anything. All you have to do

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Speaker 2: is head to either my Instagram or sign click the

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Speaker 2: link in our bio and follow the prompts to leave

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Speaker 2: us a voicemail.

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Speaker 1: Can't wait to hear you ask the question the link.

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Speaker 2: I want to take us back to nineteen seventy two,

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Speaker 2: to Women's Day. So I found these magazines and Opshop recently,

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Speaker 2: and I really want to go through a quiz with

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Speaker 2: you how to rate your driving skill right okay? And

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Speaker 2: it says, well, it's.

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Speaker 1: Going to be a plus, it's going to be ten

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Speaker 1: out of ten, it's going.

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Speaker 2: To be zero percent. This quiz refers to good and

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Speaker 2: bad driving techniques. It is not concerned with traffic regulations.

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Speaker 2: All drivers should have a sound, working knowledge of the

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Speaker 2: traffic laws pertaining to their state. Okay, all right, we're

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Speaker 2: going to both do this together. For each question, select

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Speaker 2: only one answer. If you feel that more than one

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Speaker 2: answer is appropriate, select the one you regard as the

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Speaker 2: safest thing to do. First. Here we go. Question one.

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Speaker 2: The road surface is wet and slippery. A vehicle in

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Speaker 2: front of you stops unexpectedly, so you have to break sharply.

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Speaker 2: Because of slippery conditions, some of the wheels of your

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Speaker 2: car lock up. This is, they stop revolving and slide.

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Speaker 2: To avoid colliding with the vehicle in front of you,

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Speaker 2: you should a pull on the handbrake, B press the brake,

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Speaker 2: pedal harder still see ease off pressure on the foot

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Speaker 2: brake until the wheels stop sliding. The last one C yeah, yeah,

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Speaker 2: with you on that one. ABS. You know what ABS is.

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Speaker 2: So ABS breaks is pretty much fitted in every car,

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Speaker 2: well not every car. The golf cart probably doesn't have it,

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Speaker 2: but some cars will automatically emergency brake. They basically pump

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Speaker 2: the brakes. So have you ever heard a cargo? Have

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Speaker 2: you ever been in my car? When I make I

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00:18:29,921 --> 00:18:31,241
Speaker 2: get a little bit close to another the car and go.

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Speaker 2: That's the brake going on and off, on and off,

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Speaker 2: on and off, on and off, on and off. Because

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Speaker 2: if you hold a break down the car to slides.

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Speaker 2: So what ABS does is it allows the wheel to

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Speaker 2: slowly turn so it's not sliding. So C would be

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Speaker 2: you would go foot on and off the brake until

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Speaker 2: the car stops sliding. So I agree with you on

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00:18:51,961 --> 00:18:55,241
Speaker 2: that one, and the answer is C reapply the brakes

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00:18:55,321 --> 00:19:00,281
Speaker 2: immediately the sliding stops. Like reapply. Well done, Chris, I

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00:19:00,321 --> 00:19:02,921
Speaker 2: didn't think you'd know that one. I don't have much

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00:19:02,921 --> 00:19:06,761
Speaker 2: of aaithing you're doing. You are approaching traffic lights which

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00:19:07,241 --> 00:19:11,120
Speaker 2: show green. Your speed is thirty five miles an hour,

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Speaker 2: and you wonder if the lights are going to change

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Speaker 2: before you get there. You therefore slow down in case

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Speaker 2: they change. No, A B. Keep traveling at thirty five,

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Speaker 2: ready to use the breaks if necessary. We'll see speed

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Speaker 2: up to make sure you reach the lights before they change.

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Speaker 1: No, you stay at the same speed.

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Speaker 2: It depends what the speed limit is.

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Speaker 1: What's thirty five?

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Speaker 2: It fifty, that'd be fifty commitus.

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Speaker 1: Well that's a standard street speed, So.

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Speaker 2: No, I'd just be I would personally do see and

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Speaker 2: what will see see is speed up to make sure

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Speaker 2: you reach the lights before they change. That's what I

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00:19:47,001 --> 00:19:49,160
Speaker 2: would do. I think the ads will be keep traveling

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Speaker 2: at thirty five, ready to use the brakes if necessary.

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Speaker 2: Do you ever take your foot off the accelerator and

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Speaker 2: hover over the break and go? I think it's coming.

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Speaker 1: Well, I have a little thing in my head, right,

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Speaker 1: I have a certain space wise length wise that I think.

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00:20:03,961 --> 00:20:07,640
Speaker 1: Now if that turns off orange, now I'm safe enough

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Speaker 1: to apply the break and stop in an orderly safe manner.

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00:20:13,041 --> 00:20:16,720
Speaker 1: If I'm just behind that, then I'll speed up a

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Speaker 1: little bit because I know I can get past before

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Speaker 1: the light goes read if an orange.

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Speaker 2: So you're saying, b keep traveling thirty five miles.

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Speaker 1: Away, I say that, but probably in all effects, I

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Speaker 1: probably speed up a little bit, depending on where I am.

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Speaker 2: The answer is, oh, bullshit. Answer is a any other

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Speaker 2: approach is dangerous? Slow downlowing down? Gram you heous ship?

395
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Speaker 1: Would you slow down?

396
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Speaker 2: Slow down?

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Speaker 1: As an accident? You just either at the same space speed, well,

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00:20:48,521 --> 00:20:52,041
Speaker 1: you'd cause an accident if it's slowing down. If you're

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Speaker 1: going from eighty then thinking oh, that light could potentially

400
00:20:55,600 --> 00:20:57,880
Speaker 1: change it any second. I'm just going to go down

401
00:20:57,921 --> 00:20:59,920
Speaker 1: to fifty.

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00:21:00,521 --> 00:21:02,640
Speaker 2: That's dangerous if you're in an eighty zone in your

403
00:21:02,640 --> 00:21:03,640
Speaker 2: traveling fifty.

404
00:21:04,001 --> 00:21:08,640
Speaker 4: No, I mean no, if I'm in eighty, difference if

405
00:21:08,681 --> 00:21:11,281
Speaker 4: I don't see a different So what you're saying, if

406
00:21:11,321 --> 00:21:14,881
Speaker 4: I'm in eighty doing eighty, and I just think to myself,

407
00:21:15,561 --> 00:21:17,361
Speaker 4: just might come off the speed a bit because I'm

408
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Speaker 4: heading towards maybe eighty five.

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Speaker 2: What's the difference of the set of traffic lights. No,

410
00:21:21,441 --> 00:21:24,600
Speaker 2: it's not eighty, and then you're sewing out to seventy five. Christ,

411
00:21:24,801 --> 00:21:27,640
Speaker 2: you do sixty in an eighty so and then when

412
00:21:27,721 --> 00:21:30,600
Speaker 2: I put the accelerator on and go to the speed limit,

413
00:21:30,640 --> 00:21:35,561
Speaker 2: you fucking gripped a side of the You're freaking out.

414
00:21:35,561 --> 00:21:38,201
Speaker 2: I'm like, I'm going sixty because it's seventy.

415
00:21:38,441 --> 00:21:40,801
Speaker 1: Because what you do is you take off like you

416
00:21:40,840 --> 00:21:43,200
Speaker 1: should be at eighty, like a minute after or a

417
00:21:43,281 --> 00:21:44,321
Speaker 1: second act the.

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Speaker 2: Green light makes such a raucous noise. I love you,

419
00:21:48,961 --> 00:21:53,161
Speaker 2: golf cut. No, My Master silent and speeds up, and

420
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Speaker 2: you wouldn't freak out if I put my foot down

421
00:21:55,441 --> 00:21:58,000
Speaker 2: in the Master. It gets to that speed pretty quickly,

422
00:21:58,201 --> 00:22:00,761
Speaker 2: whereas I have to put my foot the fucking floor

423
00:22:00,840 --> 00:22:02,840
Speaker 2: in the golf cart and then you grip the side

424
00:22:02,880 --> 00:22:03,561
Speaker 2: and freak out.

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00:22:04,241 --> 00:22:08,561
Speaker 1: I think this is an ideal opportunity to talk about

426
00:22:08,600 --> 00:22:13,120
Speaker 1: how you drive. You're going on like you are. What's

427
00:22:13,201 --> 00:22:16,840
Speaker 1: the Australia me driving? And I can tell you right

428
00:22:16,880 --> 00:22:18,561
Speaker 1: now you are not right.

429
00:22:18,600 --> 00:22:21,041
Speaker 2: I can get a phone out because I've actually.

430
00:22:20,681 --> 00:22:23,680
Speaker 1: Put some notes together, just wanted to make sure that

431
00:22:23,840 --> 00:22:27,920
Speaker 1: I gave a honest account of my kettle. Here we

432
00:22:27,961 --> 00:22:33,401
Speaker 1: go and turning corners all right. I am absolutely shocked

433
00:22:33,400 --> 00:22:38,761
Speaker 1: and amazing horrified that we haven't actually rolled the car

434
00:22:39,080 --> 00:22:40,921
Speaker 1: the way in which you take it.

435
00:22:41,080 --> 00:22:42,721
Speaker 2: You would think you were on dodgems.

436
00:22:42,880 --> 00:22:45,481
Speaker 1: You were in a dodgey car. I am literally having

437
00:22:45,521 --> 00:22:48,521
Speaker 1: to hold on so that I don't have down.

438
00:22:48,521 --> 00:22:50,680
Speaker 2: That's a light. That's because you've never turned a corner

439
00:22:50,721 --> 00:22:52,201
Speaker 2: doing the suggested speed limit.

440
00:22:52,481 --> 00:22:56,761
Speaker 1: No, I turned the corner. I turned the turn the

441
00:22:56,801 --> 00:22:59,480
Speaker 1: corner going So then once we've turned the corner, four.

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00:22:59,360 --> 00:23:01,721
Speaker 2: People create a four car pile up at the back.

443
00:23:02,001 --> 00:23:06,400
Speaker 1: You then accelerate out of the corner like your brock,

444
00:23:06,961 --> 00:23:09,481
Speaker 1: like you're at Bathist and you're coming down the turn

445
00:23:09,521 --> 00:23:13,841
Speaker 1: and you're making you go so fast as I'm reaccelerated,

446
00:23:14,201 --> 00:23:14,761
Speaker 1: I say.

447
00:23:14,640 --> 00:23:17,081
Speaker 2: No, this makes me sound like a redhead. I am

448
00:23:17,201 --> 00:23:20,521
Speaker 2: always going the speed limit, but I do want to

449
00:23:20,521 --> 00:23:22,281
Speaker 2: get to the speed limit instantaneously.

450
00:23:23,880 --> 00:23:30,041
Speaker 1: Okay, you swing out to the left when you're turning right.

451
00:23:32,041 --> 00:23:33,240
Speaker 1: Do you notice you do that?

452
00:23:33,400 --> 00:23:35,721
Speaker 2: I don't notice it, but I would agree with you.

453
00:23:36,961 --> 00:23:40,321
Speaker 1: The smallest carno to man, and you have got your

454
00:23:40,400 --> 00:23:44,761
Speaker 1: turning wheel. You are turning left to then turn right.

455
00:23:44,961 --> 00:23:47,200
Speaker 2: That is her, my mum. That was a bone of

456
00:23:47,201 --> 00:23:49,321
Speaker 2: contention with my mom about ten years ago. And I

457
00:23:49,360 --> 00:23:51,680
Speaker 2: refuse to drive. I can't drive with mum in the passage.

458
00:23:51,681 --> 00:23:55,321
Speaker 2: You say why, Ah, I mean all the points you're saying,

459
00:23:55,441 --> 00:23:57,400
Speaker 2: this is how my mom would sit in the passage.

460
00:23:57,441 --> 00:24:00,001
Speaker 2: See it fucking shits me off. She does what you

461
00:24:00,120 --> 00:24:03,480
Speaker 2: kind of do, Like there'll be lights so far ahead

462
00:24:03,521 --> 00:24:05,720
Speaker 2: and they'll go rid and she'll rip the seat and

463
00:24:05,761 --> 00:24:08,360
Speaker 2: she'll like push yourself like she's bracing for impact. And

464
00:24:08,360 --> 00:24:10,001
Speaker 2: I'm like, I can see it because I can just

465
00:24:10,001 --> 00:24:11,241
Speaker 2: see it out of the corner of my eye. Are

466
00:24:11,321 --> 00:24:13,840
Speaker 2: gripping and then you can see her foe putting the

467
00:24:13,840 --> 00:24:14,200
Speaker 2: brake on.

468
00:24:14,640 --> 00:24:17,600
Speaker 1: Oh yes, Mom, I've done that a coup so far away.

469
00:24:17,801 --> 00:24:21,281
Speaker 2: She's like, yeah, I know, like she's learned that if

470
00:24:21,281 --> 00:24:23,200
Speaker 2: she says anything, I have a meltdown in a tent.

471
00:24:25,201 --> 00:24:28,080
Speaker 2: And so now I just I just can't drive. Mumble politely,

472
00:24:28,080 --> 00:24:29,321
Speaker 2: be like, I'll just sit in the back.

473
00:24:29,721 --> 00:24:32,561
Speaker 1: Yes, okay, I'm with your mom there with the putting

474
00:24:32,600 --> 00:24:36,200
Speaker 1: the foot onto the imaginary break, which I've done several

475
00:24:36,201 --> 00:24:38,761
Speaker 1: times since i've been down here with you. What was

476
00:24:38,801 --> 00:24:42,041
Speaker 1: the other thing that I noticed? That you counting at

477
00:24:42,041 --> 00:24:45,441
Speaker 1: a stop so I took me, Oh, you proceed, take

478
00:24:45,521 --> 00:24:46,120
Speaker 1: me through your.

479
00:24:46,761 --> 00:24:48,041
Speaker 2: You fall up to a stop sign.

480
00:24:48,801 --> 00:24:52,161
Speaker 1: You counter two and one thousand and two one thousand

481
00:24:52,160 --> 00:24:54,001
Speaker 1: and three.

482
00:24:54,041 --> 00:24:57,481
Speaker 2: That's three seconds. But that's three seconds. No, you counter two. No,

483
00:24:58,041 --> 00:25:03,360
Speaker 2: it's one two. No. You also, I pulled up to

484
00:25:03,441 --> 00:25:08,120
Speaker 2: a stop sign, I stopped. I was stopped for thirty

485
00:25:08,160 --> 00:25:11,600
Speaker 2: seconds as cars drove past. Then when I went to go,

486
00:25:11,721 --> 00:25:15,640
Speaker 2: you went one. I'm like, why are you counting? Now?

487
00:25:16,041 --> 00:25:18,521
Speaker 2: I've been stopped here for thirty seconds? The rule is

488
00:25:18,921 --> 00:25:19,841
Speaker 2: two seconds.

489
00:25:20,041 --> 00:25:24,241
Speaker 1: Hey, Siri, how many seconds do you need to stop

490
00:25:24,400 --> 00:25:28,240
Speaker 1: at a stop sign before going?

491
00:25:28,321 --> 00:25:31,080
Speaker 2: I can't wait, to be right, I can get.

492
00:25:30,561 --> 00:25:35,840
Speaker 1: Wait three seconds of bulls bullshit. Does a three second

493
00:25:35,961 --> 00:25:38,840
Speaker 1: rule applier to stop sign when stopping or at a

494
00:25:38,880 --> 00:25:40,281
Speaker 1: stop sign? Yes?

495
00:25:41,001 --> 00:25:45,400
Speaker 2: Yeah, fuck off, No, it's two seconds. I learnt with

496
00:25:45,721 --> 00:25:48,120
Speaker 2: L Trent and they said, did they say two seconds?

497
00:25:48,160 --> 00:25:49,201
Speaker 2: It's three seconds? Mate?

498
00:25:49,961 --> 00:25:53,281
Speaker 1: Well, lipten to the fine that you could get two

499
00:25:53,400 --> 00:25:56,321
Speaker 1: hundred and ninety eight dollars and three demerits.

500
00:25:56,561 --> 00:25:58,521
Speaker 2: Okay, I'll take that. I'll take that. L. I'd also

501
00:25:58,561 --> 00:26:01,920
Speaker 2: have to point out camera, I have really enjoyed my

502
00:26:02,041 --> 00:26:06,481
Speaker 2: time here. Your roads are fucked harmed with your roads

503
00:26:06,481 --> 00:26:11,600
Speaker 2: A roundabouts? Oh my goodness, that fine and our camera

504
00:26:11,681 --> 00:26:14,281
Speaker 2: is a city around about what I hate? Now we're

505
00:26:14,281 --> 00:26:17,441
Speaker 2: in forest or anyone that knows it's right outside Parliament.

506
00:26:17,921 --> 00:26:21,521
Speaker 2: There's so many circles. It's the most inefficient way to

507
00:26:21,561 --> 00:26:25,520
Speaker 2: get around. Everything's a fucking circle. And also every lane

508
00:26:25,801 --> 00:26:29,160
Speaker 2: has like an island in the middle, so it's like,

509
00:26:29,400 --> 00:26:31,561
Speaker 2: if I want to go lane, I want to cross over,

510
00:26:32,080 --> 00:26:34,680
Speaker 2: you know the oncoming lanes, you can't because there's so

511
00:26:34,761 --> 00:26:37,160
Speaker 2: far apart from each other and there's an island in

512
00:26:37,201 --> 00:26:39,200
Speaker 2: the middle. Like it's really hard to get into the

513
00:26:39,241 --> 00:26:43,321
Speaker 2: garage of where we're staying. It's so annoying and sometimes

514
00:26:43,840 --> 00:26:46,521
Speaker 2: I go to turn and I'm like, I don't know whether.

515
00:26:46,321 --> 00:26:47,840
Speaker 1: Because you think you're up the wrong way.

516
00:26:47,961 --> 00:26:52,761
Speaker 2: Well, because the lanes are so far apart, they feel

517
00:26:52,761 --> 00:26:56,120
Speaker 2: like two separate roads, and it's a two lane situation.

518
00:26:56,241 --> 00:26:58,521
Speaker 2: So I'm like, is this a one way? And so

519
00:26:58,640 --> 00:27:02,080
Speaker 2: coming out of the garage here in this apartment complex,

520
00:27:02,640 --> 00:27:05,001
Speaker 2: you're actually coming out into a one way road essentially,

521
00:27:05,360 --> 00:27:07,600
Speaker 2: but there's no signs that say one way.

522
00:27:07,681 --> 00:27:07,881
Speaker 1: Yeah.

523
00:27:08,001 --> 00:27:11,600
Speaker 2: No, you're right, it's so odd, so confusing. Anyway, is

524
00:27:11,600 --> 00:27:15,160
Speaker 2: that it? That's it? Well, I drive the speed limit

525
00:27:15,201 --> 00:27:17,961
Speaker 2: and god forbid I turn and you go on an angle. Well,

526
00:27:18,120 --> 00:27:19,761
Speaker 2: you're the g force. We're about to.

527
00:27:19,721 --> 00:27:21,761
Speaker 1: Go on two wheels at some of the corners that

528
00:27:21,801 --> 00:27:25,881
Speaker 1: you've gone. I'm leaning over you without even trying to be.

529
00:27:26,441 --> 00:27:28,400
Speaker 2: Did you write that down? And got all pissy because

530
00:27:28,441 --> 00:27:31,721
Speaker 2: of the last twenty minute talk breakout to you loustic.

531
00:27:31,521 --> 00:27:35,241
Speaker 1: God no, no. But it's always, you know, I think

532
00:27:36,281 --> 00:27:40,400
Speaker 1: and communications about each other's you know, faults, or.

533
00:27:40,761 --> 00:27:43,721
Speaker 2: My favorite is driving are we driving along? Driving along?

534
00:27:43,721 --> 00:27:48,721
Speaker 2: And because he goes ha ha, gets out the phone

535
00:27:48,801 --> 00:27:51,481
Speaker 2: starts writing and I'm like, what did I do? Though?

536
00:27:51,600 --> 00:27:54,840
Speaker 2: Like I know you're compiling a list of criticisms to

537
00:27:54,880 --> 00:27:55,600
Speaker 2: my driving.

538
00:27:55,360 --> 00:27:58,761
Speaker 1: That I'm like criticisms, feedback my criticism for you.

539
00:27:59,441 --> 00:28:02,200
Speaker 2: It's a sixty zone. Why are you going sixty? I

540
00:28:02,321 --> 00:28:08,840
Speaker 2: like to travel twenty time to spend the mat. Well,

541
00:28:08,880 --> 00:28:10,880
Speaker 2: I don't want to do this quiz anymore. Oh no,

542
00:28:10,880 --> 00:28:13,521
Speaker 2: because you've got the chets, because I've sh you have,

543
00:28:13,561 --> 00:28:16,761
Speaker 2: because I haven't got the ships. No, I'm fine. I'm

544
00:28:16,761 --> 00:28:18,600
Speaker 2: a good driver. Now I'm not a good driver. I

545
00:28:18,600 --> 00:28:20,920
Speaker 2: know I'm not a good driver. I'm not delusional like

546
00:28:21,001 --> 00:28:23,640
Speaker 2: some people. My god, I've gotten so I rate. I

547
00:28:23,681 --> 00:28:27,001
Speaker 2: need to settle down. Okay, thank you for bringing those

548
00:28:27,041 --> 00:28:30,921
Speaker 2: to my attention. I will try to work on them.

549
00:28:31,120 --> 00:28:36,361
Speaker 2: Good work on going the speed limit, because that feels

550
00:28:36,441 --> 00:28:42,681
Speaker 2: like something that everyone does well, not everyone. Just optional.

551
00:28:42,881 --> 00:28:46,801
Speaker 1: Yeah okay, but the speed limit is optional. You don't

552
00:28:47,001 --> 00:28:50,481
Speaker 1: actually have to go at that speed. Obviously, you want

553
00:28:50,481 --> 00:28:52,601
Speaker 1: to be up around that speed.

554
00:28:52,801 --> 00:28:53,441
Speaker 2: I understand.

555
00:28:53,481 --> 00:28:55,401
Speaker 1: That's why they have the left lane.

556
00:28:55,481 --> 00:28:57,240
Speaker 2: Sometimes they don't have the left lane.

557
00:28:57,361 --> 00:28:59,480
Speaker 1: Yeah, but then you keep up with the traffic in

558
00:28:59,521 --> 00:29:02,681
Speaker 1: front of you, which sometimes doesn't always necessarily mean that

559
00:29:02,721 --> 00:29:04,121
Speaker 1: you're traveling at the speed limit.

560
00:29:04,681 --> 00:29:06,601
Speaker 2: I want I'd like to point out, though, that you

561
00:29:06,681 --> 00:29:09,481
Speaker 2: were going sixty in an eighty zone because you were

562
00:29:09,641 --> 00:29:13,921
Speaker 2: driving in third year, so it may not have essentially

563
00:29:13,961 --> 00:29:17,440
Speaker 2: have been your fault, that's right. But now that you

564
00:29:17,561 --> 00:29:21,721
Speaker 2: worked out that you can drive with fourth, fifth, and six. God,

565
00:29:21,721 --> 00:29:26,481
Speaker 2: you're a meander, you are a Mian dur see.

566
00:29:26,561 --> 00:29:29,001
Speaker 1: I don't think I am, because I have been always.

567
00:29:29,121 --> 00:29:30,841
Speaker 1: So let's go quick quick.

568
00:29:30,881 --> 00:29:32,281
Speaker 2: We've got to be here, got to be here, got

569
00:29:32,281 --> 00:29:32,641
Speaker 2: to be here.

570
00:29:33,001 --> 00:29:34,001
Speaker 1: I don't think I do.

571
00:29:34,161 --> 00:29:36,641
Speaker 2: Now you rush because it takes you twice as long

572
00:29:36,681 --> 00:29:37,161
Speaker 2: on the road.

573
00:29:39,721 --> 00:29:42,761
Speaker 1: I think you're being very high on the next we

574
00:29:42,921 --> 00:29:46,241
Speaker 1: will always have Are you going to go quoinitely?

575
00:29:46,441 --> 00:29:46,561
Speaker 3: Now?

576
00:29:46,601 --> 00:29:51,081
Speaker 1: Who We've got a Kasha and she's a girl obviously yes.

577
00:29:51,721 --> 00:29:53,480
Speaker 2: Oh my god, I just straight away gonna put that

578
00:29:53,481 --> 00:29:56,241
Speaker 2: on Christy. You would like, oh my god. Okay, well

579
00:29:56,281 --> 00:30:01,601
Speaker 2: she is at the side, Oh my god.

580
00:30:02,081 --> 00:30:04,440
Speaker 1: Okay. So I just need to ask a couple of questions. First,

581
00:30:05,441 --> 00:30:08,001
Speaker 1: is she going to bite me? Any of them I

582
00:30:08,041 --> 00:30:08,401
Speaker 1: can bite?

583
00:30:08,521 --> 00:30:09,001
Speaker 2: Is my technic?

584
00:30:09,041 --> 00:30:10,841
Speaker 1: Blanzer m