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Speaker 1: This Cape podcast.

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Speaker 2: Welcome to the Fizzy, Whipper and Cake podcast. Wow, we

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Speaker 2: we got a massive one for you. Whenever you happen

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Speaker 2: to be listening to this, maybe it's on the treadmill.

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Speaker 2: I listened to all of our podcasts on the treadmill

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Speaker 2: the other day.

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Speaker 3: It faster because you're excited by the story.

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Speaker 2: I like when I listened to the Cardigan.

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Speaker 4: Yeah, what is that one my favorite game?

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Speaker 3: Yes?

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Speaker 2: What a great driving song running on the treadmill. I

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Speaker 2: want to talk to you about age on the podcast.

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Speaker 2: I will be talking to you about it today.

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Speaker 3: How do I write about it?

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Speaker 2: How old's too old? Nothing to do with my age,

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Speaker 2: although I think that's where we end up.

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Speaker 3: What about the hair gin? She says, No.

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Speaker 2: I can just listen to the podcast.

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Speaker 1: This is a friend Cape post.

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Speaker 3: So when you talk to your beautiful little girl May Darling, I.

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Speaker 2: No, I don't. I just always called it Darlin for

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Speaker 2: like eleven years. It's not a country, Twain, it's a darlin.

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Speaker 4: It's no country.

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Speaker 3: What is it?

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Speaker 4: Well, no it is. It's just the love of a

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Speaker 4: mother and a daughter. You know what I mean. You

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Speaker 4: don't need no twang in there, man.

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Speaker 3: Yeah, but I hear you go.

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Speaker 2: I would never whistle at anyone because can I tell

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Speaker 2: you something? I had a boyfriend many years ago.

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Speaker 4: Look what was his name?

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Speaker 2: I'm not going to tell you.

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Speaker 4: Just give his first name at least come on number

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Speaker 4: twenty six, Come.

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Speaker 2: On, no, But he did live in Queensland, Okay. And

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Speaker 2: and he would whistle.

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Speaker 4: Was it Lewis was.

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Speaker 2: Probably knows Wally. He would whistle to get my attention

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Speaker 2: in what way?

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Speaker 3: Would he go or go?

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Speaker 1: Yeah?

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Speaker 4: Oh that go and get? You didn't say go and get.

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Speaker 4: So that's what we do with Tommy sometimes get far

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Speaker 4: tipol Like.

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Speaker 2: Did you know that if you're over eighty one years

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Speaker 2: old you're part of something called a silent generation?

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Speaker 3: Feteen twenty four ten. If you're listening right now and

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Speaker 3: you're over eighty one, love to have a chat to

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Speaker 3: you on the show. We're not going to get yes,

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Speaker 3: we will.

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Speaker 4: No you reckon?

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Speaker 3: Yeah, one's not that old anymore.

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Speaker 2: Well that's what this is about, because apparently this is

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Speaker 2: a story about gen Z and if you're part of

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Speaker 2: gen Z, I want to I want to talk to you.

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Speaker 2: So if you're born between nineteen ninety seven and twenty twelve,

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Speaker 2: it's it's all of this article and this study is

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Speaker 2: all about how they perceive older people and when they

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Speaker 2: perceive people to be getting.

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Speaker 3: Old categorized as yeah, now.

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Speaker 2: Old because do you know gen Z? And this makes sense?

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Speaker 2: So they look at people like Michelle Obama, Brad Pitt,

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Speaker 2: Lisa Kudrou from Friends. They're all sixty two, right, and

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Speaker 2: gen Z think that they are over the hill. Do

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Speaker 2: you look at those people and think that they are?

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Speaker 4: Are you a grand Are you a grandparent at sixty two?

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Speaker 5: Yeah?

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Speaker 2: Yeah, that's what a grandparent at forty.

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Speaker 4: I'm sorry to say this, but once you become a grandparent,

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Speaker 4: for me, that's that's the first sign of the elderly stage.

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Speaker 3: If you were to ask the question are you past

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Speaker 3: your prime? You would probably say sixty two?

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Speaker 4: Would you are?

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Speaker 3: Tommy?

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Speaker 4: Just do a quick.

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Speaker 3: Google search on Colonel Sanders about how old he was

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Speaker 3: when he started KFC.

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Speaker 4: Sure, but I'm.

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Speaker 2: We're not talking about business.

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Speaker 3: You're looking about the business opportunities represents life and interest

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Speaker 3: hungry thing.

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Speaker 2: Doesn't you think that? But not to not to someone

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Speaker 2: who is younger, because like I was only telling a

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Speaker 2: story to somebody this morning about how my tutor on

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Speaker 2: set her name was Joe and I love her, still

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Speaker 2: love her, still have a relationship with her. But when

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Speaker 2: I was eight working on Home and Away, I thought

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Speaker 2: she was so old and she would squint when she

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Speaker 2: needed to see things. She was probably she was forty ye, Ray,

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Speaker 2: I was thirty five or something when I meet him.

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Speaker 3: Tommy, Colonel Sanders, he was sixty five.

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Speaker 4: Can you get can you speak to Linda? Let's ask

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Speaker 4: let's let's ask chat GPT what Kate Richie's prime was?

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Speaker 6: What.

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Speaker 2: I don't need chat GPT to tell me when I'm

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Speaker 2: what I'm what prime I am? When I'm in my prime?

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Speaker 4: I'm interested to see the answer is because you still

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Speaker 4: you could be in your prime.

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Speaker 2: I am in my prime.

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Speaker 3: Linda, You're there, babe, I'm right here.

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Speaker 7: You know I'm always ready.

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Speaker 3: To You know what I'm just talking about The squeen

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Speaker 3: of Australian TV and now on radio, Kite Ritchie. Uh

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Speaker 3: do you know who I'm talking about?

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Speaker 7: Of course, Kate Ritchie is a legend. She was a

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Speaker 7: household name on Home and Away for years and now

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Speaker 7: she's on the airwaves with you and Fitzie. The TV

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Speaker 7: to radio success story.

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Speaker 3: Right wow, plaid down, but yeah, you're mentioning some pretty

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Speaker 3: big names there. Hey, can you tell me? Look, she's

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Speaker 3: not listening right now. But would you suggest she's past

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Speaker 3: a prime?

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Speaker 7: I wouldn't say that at all. Success evolves, right, she's

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Speaker 7: transitioned from one iconic role into another. Prime isn't just

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Speaker 7: one moment.

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Speaker 4: It's what you make of each chapter.

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Speaker 7: And she's definitely still writing hers.

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Speaker 3: Yeah, but I would have saw a full wat sort

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Speaker 3: of a fade wife through. The book's a light chapteres,

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Speaker 3: an't they Well.

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Speaker 7: If they are, they're the exciting chapters where the plot

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Speaker 7: twists happen. Experience counts for a lot, And honestly, reinvention

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Speaker 7: is a kind of prime, and.

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Speaker 2: It's God, I say, she's still got plenty of story life.

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Speaker 3: Do you think the best is to come?

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Speaker 7: I think the best is whatever you create next for

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Speaker 7: someone like kid you for that matter, Each new chapter

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Speaker 7: just builds on all that's come before.

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Speaker 3: Okay, well, I don't know what about relationships? You think

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Speaker 3: she'll fall in over the man or a woman next.

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Speaker 7: That's really her personal journey.

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Speaker 4: And I don't think any ask how many eyes there

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Speaker 4: are in straw man?

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Speaker 3: Just quickly? How many eyes are there in Strawberry.

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Speaker 7: You've got two r's in strawberry, one in a straw

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Speaker 7: part and.

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Speaker 3: In the very we spoke about this year today, Barry

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Speaker 3: has two hours of it. You've got it wrong again.

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Speaker 7: Ah, you're right, Barry does have two rs, one after

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Speaker 7: the B and one before the wh.

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Speaker 8: So I would suggest you past your pride, cadis that's

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Speaker 8: the accuracy of.

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Speaker 3: Of course you're not, mate, But I've never asked you

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Speaker 3: wanted to know.

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Speaker 2: I past my prom're helping you out. I don't need

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Speaker 2: your help. Let me very very clear about that. I

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Speaker 2: don't need either of you to be helping me out.

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Speaker 3: You on the next stage, go back to the bay, mate.

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Speaker 4: I can't wait to read the next chapter.

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Speaker 3: Oh yeah, it's a pretty thin chapter. I don't know why.

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Speaker 3: It's like you're not doing anything but knitting jumpers and

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Speaker 3: making pies.

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Speaker 2: Do you know that's a reflection on you? Though it

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Speaker 2: because I'm here with you. This is where I picked

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Speaker 2: it up.

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Speaker 3: I didn't think about that. Let's move on, Amy Shark, Tommy,

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Speaker 3: if you tracked it down when you're in the studio,

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Speaker 3: please please. Her new song is called the Biggest Icky.

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Speaker 3: I got that right. There is a that he's a podcast,

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Speaker 3: The Biggest Dick. It's the latest from Amy Shark and

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Speaker 3: the timing is perfect. What a great track. We're loving

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Speaker 3: it here at over Fits. Please do the formal introduction.

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Speaker 4: Love nothing more when we have a good mate in

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Speaker 4: the studio where you can relax. They've got a brand

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Speaker 4: new single. Also, this young lady is going to be

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Speaker 4: starring in a motion picture that I'm very very excited about.

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Speaker 4: She's an x MMA fighter's daughter, Russell Crow's daughter. It's

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Speaker 4: a shot.

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Speaker 2: Or intro. You're the best intros.

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Speaker 3: You always have. You're not mucking around? Are you? Brand

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Speaker 3: new music? Brand new movie? Where do we start?

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Speaker 4: Should we?

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Speaker 3: Should we start with the Biggest Dick?

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Speaker 4: Yes, the Biggest Dick?

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Speaker 3: For sure?

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Speaker 1: We What are we doing?

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Speaker 2: What are we doing over at this side of the woods?

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Speaker 2: We're doing? Are we do an I?

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Speaker 3: Well? Could you confirm?

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Speaker 9: Lyrics can confirm it's the d.

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Speaker 4: Energy.

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Speaker 9: What I can say though, is is you know people

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Speaker 9: see it as a very alarming title, which is obviously

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Speaker 9: was meant to be because you know, fourth album, I

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Speaker 9: need to turn some heads.

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Speaker 4: You and I.

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Speaker 9: But it is not about a body part and it

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Speaker 9: can be a girl as well. There's so many people

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Speaker 9: that can just act like but.

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Speaker 2: In this in this instance, you wrote the song about

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Speaker 2: whip whip.

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Speaker 4: Yeah, okay, it is the biggest dick? Is it a

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Speaker 4: revenge song?

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Speaker 9: Well? I see it so all my songs that the

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Speaker 9: sort of trick to my songs forever has been I

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Speaker 9: have heaps of hidden agendas in the song. So it

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Speaker 9: sounds like one big Gnarali breakup, but realistically it's about

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Speaker 9: a million different things in a way to get over something.

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Speaker 9: And also I randomly put a line in their five

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Speaker 9: six pickup sticks and it just felt right.

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Speaker 2: I don't know.

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Speaker 9: It was also just fun to write, you know. Yeah,

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Speaker 9: I didn't ever think it. I think that's the thing.

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Speaker 9: That's when those lyrics come out when you don't overthink

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Speaker 9: it and it's like it just feels right.

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Speaker 3: Can we reenact the moment? Okay? Can you do a

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Speaker 3: phone like a phone ring?

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Speaker 4: Gosh? Here we go.

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Speaker 2: Like an old fire, old.

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Speaker 3: Old fine because I'm at the farm.

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Speaker 2: Oh now, nervous action ring ring?

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Speaker 4: Hello?

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Speaker 8: How's it going? Is Russell crowey your old made here?

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Speaker 8: Wo working on a brand new Australian movie and I

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Speaker 8: need to ask a question. Have your bloody acted before.

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Speaker 2: I mean, kid, I have Russell. I've been waiting for this.

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Speaker 3: You've got the role. I gotta go.

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Speaker 8: I've got a wild Drumbie and paddic number three. You're

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Speaker 8: doing a movie with me. I shut up, I'll see

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Speaker 8: you on set.

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Speaker 3: That was brilliant.

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Speaker 4: When you've got the role, you've got the role.

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Speaker 2: We actually don't need Russell anymore.

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Speaker 3: Nervous.

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Speaker 4: How do you get your first role in a movie?

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Speaker 4: In a movie called Beast? Now we know the star

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Speaker 4: attraction and this is Daniel McPherson. Yeah, Russell is an

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Speaker 4: ex mm A fighter. Now he's a coach. You're the

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Speaker 4: daughter of him. So were you freaking out on set?

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Speaker 4: Because if you acted before?

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Speaker 9: Look, I was somewhat of a thespian back in the day.

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Speaker 1: I did a bit of theater.

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Speaker 9: But I would always joke with Russell and be like,

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Speaker 9: when are you gonna give me a tap me and coach?

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Speaker 3: Give me a film?

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Speaker 9: And then he called my bluff. One day he sent

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Speaker 9: me a script and he said, look, I can't in

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Speaker 9: your great of course, in that voice.

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Speaker 2: He said exactly that.

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Speaker 9: No, he said, I'll send you a script. I can't

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Speaker 9: promise anything. I can set up an audition, but then

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Speaker 9: the rest is up to you. So yeah, I went

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Speaker 9: and auditioned. It was terrifying.

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Speaker 3: Yeah, the roles of Daniel McPherson.

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Speaker 9: I look, I have somewhat of a crush on him.

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Speaker 4: And The Biggest written after him, two separate projects, mate,

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Speaker 4: two different ratings as well.

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Speaker 9: No, it was funny because when they said you know

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Speaker 9: that Danieeferson's in it, I'm like, I like the Biggest,

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Speaker 9: like crush on him when he was a Navy Yeah,

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Speaker 9: so when I rocked up, I was like, oh, hello,

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Speaker 9: hello Dan.

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Speaker 3: Hello, no state.

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Speaker 2: Why does it have to be this is what happens?

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Speaker 9: Can you write a song called the Biggest?

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Speaker 8: Yeah?

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Speaker 3: Kate would be able to coach you through that. She's

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Speaker 3: done a lot of on screen because either with Dan,

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Speaker 3: not with or damn, but just years of home and

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Speaker 3: away making out on the phone.

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Speaker 9: You would have yeah, true, Okay, do you actually have

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Speaker 9: to kiss or do you have like a film in

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Speaker 9: between or do you just go for it?

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Speaker 2: Why are you asking me? Because a lot of it

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Speaker 2: wondering if you have to kissed kiss?

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Speaker 4: Do you open your eyes Kate or do you close them?

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Speaker 2: Do you think I'm an eye opener or tongue, or

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Speaker 2: you just like getting you've kissed in other things, but

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Speaker 2: I've also that Home and Away it was a good

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Speaker 2: show mate, or.

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Speaker 4: You kiss the ratings goodbye and cops.

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Speaker 3: Hang on a minute, mate, I've really missed you. Guys

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Speaker 3: like show. Don't accept that tell us about kissing.

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Speaker 2: Been ghana tongue?

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Speaker 3: Oh God, for goodness sake, do you put the tongue in?

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Speaker 2: Because on Home and Away you don't.

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Speaker 3: That that wasn't on screen fits that was a Christmas party?

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Speaker 2: When not allowed to talk about that anymore?

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Speaker 4: He didn't get to see you, creep.

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Speaker 2: Let's not start talking about my mango nearly saw them

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Speaker 2: in your reverse floods.

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Speaker 3: Sorry, the wheels are falling on We're.

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Speaker 4: We adore you, Amy Shark. I always have to drop

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Speaker 4: that every time you're in the studio. It's my favorite line.

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Speaker 4: You've got a new song, it's called the Biggest Tickets

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Speaker 4: Available everywhere right now, and Amy's fourth studio album, Soft Pop,

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Speaker 4: It's out July thirty. Fi do we have to wait

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Speaker 4: till July thirty? First, where's Sony?

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Speaker 3: Where's Mike? Coming album out early? Mike? Yes?

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Speaker 4: But if you want to pre order your CuPy, go

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Speaker 4: to amyshark dot com. We love you Aames, Thanks, thank

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Speaker 4: you guys, what a time, Thank you.

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Speaker 1: This is a friend podcast.

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Speaker 3: He did was in that film clip and I want

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Speaker 3: to move on to Juju. You didn't talk about it

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Speaker 3: her and also the greater man Courdy Simpson. He's a

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Speaker 3: great blow Cody Simpson.

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Speaker 2: Yeah, we've had him in the studio quite a bit.

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Speaker 3: We have. I mean when were the performance we went

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Speaker 3: to fits might have even been the GQ Awards and

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Speaker 3: he did a Jeff Buckley song on guitar lilac, Oh my.

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Speaker 4: God, like like wine, just like it was beautiful.

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Speaker 3: It was absolutely beautiful.

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Speaker 2: Highly skilled, can perform, can can swim.

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Speaker 4: He's back on the market, isn't he.

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Speaker 3: I think he is. I thought that was forever.

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Speaker 4: No, Emma kin I think it was. Yeah, I think.

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Speaker 2: I mean, I don't think anything is forever, really is

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Speaker 2: it not?

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Speaker 3: Not? Just I'm not don't mean relationships can last, Yeah.

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Speaker 2: They can, but they evolve, That's true.

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Speaker 3: Friends through seasons. Some people explain it us the season.

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Speaker 4: Of that relationship motivation.

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Speaker 3: There's something wrong with moving on from a season.

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Speaker 2: No, but I want to move on to.

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Speaker 4: What's your favorite season?

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Speaker 3: No different topic again. Let's get up with this one

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Speaker 3: because I want to know. Thirteen twenty four ten, did

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Speaker 3: you lie to get a date with someone? Did you

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Speaker 3: make up a bit of a porky, a white lie

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Speaker 3: to try and make yourself a little more interesting so

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Speaker 3: that person might did you?

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Speaker 2: Yeah?

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Speaker 4: So do you got Kate? Did you ever go to

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Speaker 4: the Pontoon Bar in Darling Harbor in Sydney? That's all

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Speaker 4: the Wallabies owned it? You went to the Pontain?

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Speaker 2: I mean I never lined up though, Okay, I never lined.

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Speaker 3: Up straight to the front of the record.

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Speaker 2: Downstairs from Wallaby Bar.

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Speaker 4: It was we rocked up and there was a huge

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Speaker 4: line for it, and me and a mate, Dulstools, was

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Speaker 4: there and we to impress some girls in the line.

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Speaker 4: We made out that Duels was a massive rap star

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Speaker 4: from America and I was his manager and the guy

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Speaker 4: we we suck the guy in at the door. We

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Speaker 4: got him over the line. He goes, okay, who's a

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Speaker 4: part of your party? And we looked down the line

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Speaker 4: and there was a group of girls there and we said, well,

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Speaker 4: this is our entarage here awesome and they got in

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Speaker 4: and we were like, yeah, what so, what so? What

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Speaker 4: kind of style rap are.

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Speaker 3: You what are your wrap?

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Speaker 4: Steels didn't even have an American accent.

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Speaker 3: Well, I love the ef here from Cody Simpson because

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Speaker 3: he cold called gig had did and said this.

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Speaker 6: This is going to sound so stupid, but I I

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Speaker 6: called called her and I said, hey, it's Cody. I'm

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Speaker 6: a musician, like I'm doing this music video. I was

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Speaker 6: just can't ask if you want to be in it.

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Speaker 6: There was no music video, no plans for videos of aventure.

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Speaker 6: I'm pretty sure I like picture this whole concept that

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Speaker 6: didn't exist.

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Speaker 3: So from there, Ballsy. From there it turned into a conversation.

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Speaker 3: Then he rang back and said, you're not going to

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Speaker 3: believe it. The shoots not going ahead.

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Speaker 2: Why don't we catch up for coffee anyway, like the

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Speaker 2: old school, I can make you a star kind of

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Speaker 2: is it?

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Speaker 3: So if you were to say, hey, do you want

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Speaker 3: to come and see Taylor Swift with me?

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Speaker 4: And the day he got the did he get the

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Speaker 4: day he got for a while of years?

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Speaker 3: No, No, that was massive, he said, a bevy of ladies,

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Speaker 3: the old Cody Simmons. I didn't know he dated Simpson

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Speaker 3: and his donkey.

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Speaker 2: That's the donkey.

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Speaker 3: It's a War reference. Great story. So he then went

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Speaker 3: out with Marley Cyrus. As we know. For a long

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Speaker 3: time they were just friends and then during the panic

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Speaker 3: they hooked up. That was after Jiuji did and then

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Speaker 3: he went and wanted a bit of normality and he

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Speaker 3: came back to Australia.

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Speaker 2: Oh, just went out with an Olympic medalist.

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Speaker 3: Yeah, that's so talking about a normal life. Oh okay,

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Speaker 3: and they were a very normal couple. White lasted. I

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Speaker 3: didn't know it was Gone. Who was he spotted with.

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Speaker 4: The other day, Pip Edwards. I think there was a

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Speaker 4: he's at the Grand Prix with a few year and Lara,

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Speaker 4: Lara Worthington.

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Speaker 3: No, it was somebody else.

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Speaker 2: Because you're in the same vicinity as someone doesn't mean

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Speaker 2: that you even like that.

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Speaker 3: I don't want to start any rumors, but I saw

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Speaker 3: photos on the Daily Mail today of Tom carrying your

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Speaker 3: handbag last night. You were overdressed, apparently according to.

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Speaker 4: The I actually know.

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Speaker 2: I just need to say one thing. I never comment

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Speaker 2: on the Daily Mail. This is the first and the

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Speaker 2: last time right to comment about that.

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Speaker 4: They would be in the office right now, you're talking

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Speaker 4: about it with their grandma. It's totally got seven stories

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Speaker 4: out of the day.

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Speaker 2: One Tommy and I are leaving the Kelly Holiday event

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Speaker 2: last night. It's Selena's and couldjie right? And it was

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Speaker 2: lovely because Tommy is a great producer, and you make

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Speaker 2: sure I get to the car, okay, so I don't

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Speaker 2: get hijacked on the way if you knew the camera well,

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Speaker 2: I did actually say Jaden, would you like me to

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Speaker 2: hold hands anyway?

400
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Speaker 4: Did you address him by his name because they're regulars.

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00:18:54,080 --> 00:18:56,600
Speaker 2: Yeah, okay, I'll hooked the whole thing up because that's

402
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Speaker 2: just my style.

403
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Speaker 3: To go with overdress for the event.

404
00:19:00,080 --> 00:19:02,640
Speaker 2: Because the whole thing what I need to say is

405
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Speaker 2: that you call them what this is bothering me? The

406
00:19:06,640 --> 00:19:10,560
Speaker 2: dress I was wearing was a lovely Zimmerman dress, but

407
00:19:10,760 --> 00:19:16,680
Speaker 2: I would say cocktail at the very least formal, could

408
00:19:16,760 --> 00:19:22,840
Speaker 2: be quite formal, Attie, because previously we've been at a

409
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Speaker 2: Nova up corporate event, corporate event where the dress code

410
00:19:28,280 --> 00:19:28,840
Speaker 2: was like.

411
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Speaker 3: Formal, but it also cost fifteen hundred dollars.

412
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Speaker 2: I actually didn't. It was it's not a fifteen hundred

413
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Speaker 2: dollars dress dress.

414
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Speaker 4: You're hanging at the could hotel at a fifteen hundred

415
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Speaker 4: dollar dress yeah, And.

416
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Speaker 2: I told Tommy on the way out had been asked

417
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Speaker 2: to leave from there. So I thinks have changed.

418
00:19:46,720 --> 00:19:49,280
Speaker 4: You're going to be careful ourselves. Something or someone will

419
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Speaker 4: leave something in your ice cream.

420
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Speaker 3: Be downd there.

421
00:19:53,440 --> 00:19:55,600
Speaker 2: Those were the days Sundays.

422
00:19:55,640 --> 00:19:56,960
Speaker 3: Please hold the Sundays.

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Speaker 1: This is a fitz whipper.

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00:20:00,520 --> 00:20:03,000
Speaker 4: I want to focus on a certain type of person,

425
00:20:03,359 --> 00:20:06,560
Speaker 4: the hassler, people who hassle you in life.

426
00:20:07,760 --> 00:20:10,440
Speaker 3: That what is it?

427
00:20:10,560 --> 00:20:15,160
Speaker 4: You can explain a little further, Okay, So just people

428
00:20:15,320 --> 00:20:19,159
Speaker 4: who just and thirteen twenty four ten. We all have

429
00:20:19,240 --> 00:20:21,639
Speaker 4: a hassler in our life, people who just hassle us.

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00:20:21,680 --> 00:20:24,560
Speaker 4: Don't say your kids? Is it someone at work? Is

431
00:20:24,560 --> 00:20:27,600
Speaker 4: it your partner? Is it a family member? Who's the

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Speaker 4: hassler in your life? Thirteen twenty four ten. Because I

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Speaker 4: didn't know this, but researchers have been studying the effects

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00:20:33,640 --> 00:20:38,040
Speaker 4: on health of interacting with hasslers, those people who create

435
00:20:38,119 --> 00:20:41,919
Speaker 4: problems or make life more difficult for you. They're saying

436
00:20:42,040 --> 00:20:45,840
Speaker 4: that your pace of aging increases by one point five

437
00:20:45,880 --> 00:20:49,080
Speaker 4: percent for every hassler that you have in your life.

438
00:20:49,240 --> 00:20:52,200
Speaker 4: So if you have multiple hasslers in your life, you're

439
00:20:52,240 --> 00:20:53,200
Speaker 4: gonna die earlier.

440
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Speaker 2: What's the definition of hassling though, Is it just the

441
00:20:56,760 --> 00:20:59,960
Speaker 2: expectations someone puts on you to be a better person.

442
00:21:00,000 --> 00:21:04,280
Speaker 4: I know people who create problems or make life more difficult.

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Speaker 3: See I'm going to mate and we call him grief.

444
00:21:06,240 --> 00:21:09,720
Speaker 3: He's in my PhonePe, he's listening today, eddiej your big weapon.

445
00:21:10,160 --> 00:21:11,840
Speaker 3: But he's in my phone. It's grief.

446
00:21:11,880 --> 00:21:12,320
Speaker 2: Wow.

447
00:21:12,359 --> 00:21:13,560
Speaker 3: It gives us nothing but grief.

448
00:21:13,640 --> 00:21:16,040
Speaker 4: It's quite funny that you're the same in my phone.

449
00:21:17,119 --> 00:21:18,919
Speaker 2: I can't even say what you're stilled.

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00:21:18,720 --> 00:21:19,400
Speaker 8: In my phone.

451
00:21:21,080 --> 00:21:26,040
Speaker 3: Mystery man X anyway, But he's like, he's a character.

452
00:21:26,280 --> 00:21:29,159
Speaker 3: He's an absolute character. And you could say that he

453
00:21:29,200 --> 00:21:30,639
Speaker 3: gives us a bit of a bit of a hassle,

454
00:21:30,960 --> 00:21:33,920
Speaker 3: but we love him so and that's why I look

455
00:21:34,000 --> 00:21:35,120
Speaker 3: so old because of him.

456
00:21:35,600 --> 00:21:38,960
Speaker 4: Nearly thirty percent of individuals surveyed reported having at least

457
00:21:39,119 --> 00:21:43,560
Speaker 4: one hassler in their social network, mostly in a peripheral position.

458
00:21:44,560 --> 00:21:46,520
Speaker 4: They might be family for a start off, and there's

459
00:21:47,200 --> 00:21:49,879
Speaker 4: a level of obligation. Hasslers are more likely to be

460
00:21:49,960 --> 00:21:53,600
Speaker 4: colleagues or flatmates or that's a good one. Living with

461
00:21:53,680 --> 00:21:56,879
Speaker 4: someone who's a hassler that would have to take years

462
00:21:56,920 --> 00:21:57,600
Speaker 4: off your life.

463
00:21:57,680 --> 00:22:00,080
Speaker 2: I know, imagine having a wife who expects you to

464
00:22:00,119 --> 00:22:02,040
Speaker 2: come home at the end of the day.

465
00:22:01,920 --> 00:22:03,280
Speaker 3: And then do things around the house.

466
00:22:03,600 --> 00:22:07,840
Speaker 4: I'm talking about flatmates partners. Melissa's given us a call.

467
00:22:08,080 --> 00:22:10,000
Speaker 4: Who's the hustler in your life? Melissa?

468
00:22:11,680 --> 00:22:14,359
Speaker 3: I hang on phones not connecting at works. There's a

469
00:22:14,400 --> 00:22:18,000
Speaker 3: few hustlers. I would say they hustler.

470
00:22:19,040 --> 00:22:21,720
Speaker 4: Organized all the competition. That's her job.

471
00:22:21,880 --> 00:22:26,080
Speaker 3: Always always give me another answer this, give me another

472
00:22:26,119 --> 00:22:28,920
Speaker 3: answer for that. Just and I'm like, man, you are

473
00:22:29,040 --> 00:22:29,600
Speaker 3: aging me.

474
00:22:29,840 --> 00:22:32,359
Speaker 4: Well we do call you, David Hasselhoff.

475
00:22:33,400 --> 00:22:36,040
Speaker 3: Don't hassle the whole please, phone are down. We're not

476
00:22:36,040 --> 00:22:39,920
Speaker 3: getting any we have we have them. What would Melissa,

477
00:22:40,160 --> 00:22:44,439
Speaker 3: Melissa from Australia have said, Tom, if she will from Australia.

478
00:22:44,520 --> 00:22:45,240
Speaker 4: Well, I don't know.

479
00:22:45,240 --> 00:22:47,560
Speaker 3: I didn't personally take no missus call, but I think

480
00:22:47,640 --> 00:22:52,520
Speaker 3: she might be there now now she got you.

481
00:22:52,640 --> 00:22:56,840
Speaker 2: Who's the hustler in your life? Melissa? So my mom, Okay,

482
00:22:56,880 --> 00:23:00,440
Speaker 2: what's she hustling you about? Well, she's just moving because

483
00:23:00,440 --> 00:23:02,240
Speaker 2: she's at that age where you know, she needs a

484
00:23:02,240 --> 00:23:03,120
Speaker 2: little bit more help.

485
00:23:03,280 --> 00:23:05,160
Speaker 5: Yeah, And I go to walk to the.

486
00:23:05,119 --> 00:23:06,400
Speaker 2: Door and she's like, where are you going?

487
00:23:06,520 --> 00:23:08,520
Speaker 1: How long are you going to be much.

488
00:23:08,720 --> 00:23:09,240
Speaker 2: Mom.

489
00:23:09,640 --> 00:23:12,959
Speaker 4: Yeah, she's taken. She's taking years off your life unlessa

490
00:23:13,000 --> 00:23:15,240
Speaker 4: you understand that she is draining me.

491
00:23:15,320 --> 00:23:16,560
Speaker 5: Guys, she's draining me.

492
00:23:16,880 --> 00:23:20,679
Speaker 3: She gave you the laught Marie's given us.

493
00:23:20,880 --> 00:23:23,000
Speaker 4: Have you had a hasslebacked potato in your life? Who

494
00:23:23,040 --> 00:23:23,239
Speaker 4: is it?

495
00:23:23,280 --> 00:23:24,760
Speaker 3: Maria?

496
00:23:25,119 --> 00:23:29,080
Speaker 5: I wish no. Someone at work, So they'll send me

497
00:23:29,119 --> 00:23:32,400
Speaker 5: an email saying, oh, you know, can you send back

498
00:23:32,440 --> 00:23:34,919
Speaker 5: some information about this or that? And it's not a manager,

499
00:23:35,040 --> 00:23:38,840
Speaker 5: it's a colleague. And then I'm busy doing work. So

500
00:23:39,480 --> 00:23:41,840
Speaker 5: then about an hour later they'll give me a call.

501
00:23:41,920 --> 00:23:43,840
Speaker 5: It's like, oh, send you an email if you had

502
00:23:43,840 --> 00:23:45,480
Speaker 5: a chance to look at it, And it's like, I'm

503
00:23:45,480 --> 00:23:47,520
Speaker 5: in the middle of this and that project. But when

504
00:23:47,560 --> 00:23:49,280
Speaker 5: I get a chance to look at it, And then

505
00:23:49,320 --> 00:23:52,240
Speaker 5: about an hour later, I'll get something on teams saying,

506
00:23:52,240 --> 00:23:53,080
Speaker 5: oh you had a chance to.

507
00:23:53,040 --> 00:23:53,800
Speaker 3: Look at the email.

508
00:23:54,359 --> 00:23:59,400
Speaker 4: Oh my god, Maria. Yeah, yeah, it's already You've knocked

509
00:23:59,400 --> 00:24:01,320
Speaker 4: about five years off your life. You've got to get

510
00:24:01,320 --> 00:24:02,679
Speaker 4: the right person the hassle.

511
00:24:03,760 --> 00:24:07,720
Speaker 3: I'm going to them out Tommy. One way to get

512
00:24:07,760 --> 00:24:10,480
Speaker 3: rid of tom keep coming back, wouldn't.

513
00:24:12,720 --> 00:24:14,600
Speaker 4: We can put you onto a couple of men that

514
00:24:14,680 --> 00:24:17,639
Speaker 4: we name around Tommy, who would be for you?

515
00:24:17,920 --> 00:24:19,120
Speaker 3: Tommy handles a.

516
00:24:19,080 --> 00:24:21,600
Speaker 2: Lot of what do you mean, the hassler or the hassle?

517
00:24:21,840 --> 00:24:23,480
Speaker 4: Yeah, well that's true.

518
00:24:24,000 --> 00:24:27,880
Speaker 3: Who creates the most hassled for you? Out of the.

519
00:24:27,840 --> 00:24:31,159
Speaker 4: Team, who's the most needy? Actually, that's quite that's quite interesting.

520
00:24:31,280 --> 00:24:39,680
Speaker 2: Yeah, question, I don't really need a drove, of course, it's.

521
00:24:37,160 --> 00:24:37,919
Speaker 3: Not taking.

522
00:24:39,960 --> 00:24:42,280
Speaker 1: This is a friends podcast.

523
00:24:42,400 --> 00:24:45,560
Speaker 3: Take a look at these photos. Phenomenal Nicole Kidman posing.

524
00:24:46,720 --> 00:24:50,600
Speaker 2: Oh yes, I saw them around l She's got there's

525
00:24:50,600 --> 00:24:51,359
Speaker 2: a new Tommy.

526
00:24:51,400 --> 00:24:54,760
Speaker 4: There's a new movie yet, really, BJ and I am

527
00:24:54,880 --> 00:24:58,240
Speaker 4: very excited. A new thriller. Oh yes, yes, can you

528
00:24:58,280 --> 00:25:00,479
Speaker 4: find out the name about that?

529
00:25:00,640 --> 00:25:04,640
Speaker 3: Yeah? These are phenomenal photos and she looks phenomenal. But

530
00:25:04,400 --> 00:25:09,000
Speaker 3: the thing is she's never spoken about her breakup with Keith,

531
00:25:09,520 --> 00:25:12,400
Speaker 3: but in this interview for Vanity, she has said that

532
00:25:12,600 --> 00:25:16,199
Speaker 3: we are family. I'm staying in that place of we

533
00:25:16,280 --> 00:25:19,320
Speaker 3: are family, and that's what will continue to be. My

534
00:25:19,400 --> 00:25:25,240
Speaker 3: beautiful girls, my darlings who are suddenly women. Because Sunday

535
00:25:25,320 --> 00:25:29,520
Speaker 3: Rose is seventeen and Faith Margaret is fifteen.

536
00:25:29,320 --> 00:25:31,439
Speaker 2: Which one of them are Sunday Rose I think is

537
00:25:31,440 --> 00:25:32,200
Speaker 2: working for door.

538
00:25:32,760 --> 00:25:33,640
Speaker 3: Oh, Christian Door.

539
00:25:36,119 --> 00:25:39,040
Speaker 4: Oh god, I remember my deal. Shoot that that was

540
00:25:39,080 --> 00:25:43,600
Speaker 4: a long day. I was probably there for three.

541
00:25:43,440 --> 00:25:46,400
Speaker 3: Or four years before moving on to Chanel.

542
00:25:45,880 --> 00:25:49,720
Speaker 4: And then I said no more, do you I was

543
00:25:49,800 --> 00:25:50,280
Speaker 4: done out.

544
00:25:50,800 --> 00:25:53,520
Speaker 2: What are your what are your thoughts on the saddle bag?

545
00:25:54,200 --> 00:25:58,359
Speaker 4: Yeah? Well look that was a part of my leaving

546
00:25:58,400 --> 00:26:02,000
Speaker 4: the company because I was to offer and you know,

547
00:26:02,119 --> 00:26:04,560
Speaker 4: I was a part of the saddle Club growing up.

548
00:26:05,400 --> 00:26:06,160
Speaker 4: What's it called?

549
00:26:06,560 --> 00:26:07,760
Speaker 3: It was?

550
00:26:08,920 --> 00:26:11,360
Speaker 4: What was the Girls? The Girls Books?

551
00:26:11,400 --> 00:26:12,600
Speaker 3: The Club?

552
00:26:12,920 --> 00:26:13,720
Speaker 4: That was awesome.

553
00:26:13,800 --> 00:26:17,120
Speaker 3: It's a TV show as well, not that I watched.

554
00:26:16,800 --> 00:26:22,800
Speaker 2: The one with the daughter. I'm a female with year

555
00:26:22,840 --> 00:26:25,560
Speaker 2: old daughter and you guys need to know more about

556
00:26:25,640 --> 00:26:28,200
Speaker 2: Babysitters Club than I.

557
00:26:28,200 --> 00:26:29,720
Speaker 4: I fe.

558
00:26:31,200 --> 00:26:33,360
Speaker 2: Oh that's so cute. Now May is watching something called

559
00:26:33,359 --> 00:26:38,760
Speaker 2: The Bureau of Magical Things filmed in Brisbane. Apparently she

560
00:26:39,040 --> 00:26:42,160
Speaker 2: is irate because there is not going to be another series.

561
00:26:45,640 --> 00:26:48,719
Speaker 4: What I think going into the Nowhere Boys for a bit.

562
00:26:48,760 --> 00:26:50,520
Speaker 4: I didn't remember the No Boy Boys. That was a

563
00:26:50,520 --> 00:26:53,560
Speaker 4: good one. There's some Australian.

564
00:26:54,240 --> 00:26:57,240
Speaker 2: Little Lunch is coming back to and I want to

565
00:26:57,240 --> 00:26:59,600
Speaker 2: be on that. If they're listening on to be teacher,

566
00:27:00,080 --> 00:27:02,359
Speaker 2: oh yeah, maybe or a mum or like someone that

567
00:27:02,400 --> 00:27:04,800
Speaker 2: works at the vet and they have to solve the

568
00:27:04,920 --> 00:27:06,800
Speaker 2: crime that's investigated.

569
00:27:06,840 --> 00:27:09,400
Speaker 3: One of the kids is Rob's kid, Robin Jane.

570
00:27:10,080 --> 00:27:12,160
Speaker 2: Yeah, but like fifteen years ago.

571
00:27:12,640 --> 00:27:15,840
Speaker 3: But what about barraw Bumby Kids?

572
00:27:16,080 --> 00:27:21,440
Speaker 2: Have you guys seen Oh yes, it's animation Kids.

573
00:27:21,480 --> 00:27:26,560
Speaker 3: Henderson Kids, The Kids with Alex paps Street. Next, Oh God,

574
00:27:27,400 --> 00:27:31,000
Speaker 3: the Country season of punka Country Practice starting again.

575
00:27:31,600 --> 00:27:39,160
Speaker 1: This is a Friend Pay podcast, Finzi Whippering, Kates, attentional passengers,

576
00:27:39,320 --> 00:27:40,520
Speaker 1: Line the Gap.

577
00:27:41,359 --> 00:27:43,840
Speaker 2: It is time for another round of Mine the Gap.

578
00:27:44,119 --> 00:27:47,160
Speaker 2: We know how it works and if you don't, which

579
00:27:47,280 --> 00:27:47,840
Speaker 2: is my mum?

580
00:27:48,000 --> 00:27:48,679
Speaker 3: Please explain.

581
00:27:48,760 --> 00:27:50,960
Speaker 2: You get three rounds to try and read each other's

582
00:27:51,000 --> 00:27:54,520
Speaker 2: minds and guess the exact same word you YouTube were

583
00:27:54,600 --> 00:27:57,160
Speaker 2: brilliant last week. I think even on the first round

584
00:27:57,800 --> 00:28:00,159
Speaker 2: you got footy, but it was top of mind. On

585
00:28:00,240 --> 00:28:02,200
Speaker 2: the count of three, you both say a random word

586
00:28:02,240 --> 00:28:04,879
Speaker 2: if you're choosing, and it can be any word, and

587
00:28:05,040 --> 00:28:08,919
Speaker 2: then if you don't match, then you get You'll need

588
00:28:09,000 --> 00:28:12,199
Speaker 2: to think of another word. Shout that out. You've got

589
00:28:12,280 --> 00:28:14,840
Speaker 2: three rounds to land on the same word to see

590
00:28:14,840 --> 00:28:17,959
Speaker 2: if you're in tune with each other. Can I give

591
00:28:18,000 --> 00:28:20,960
Speaker 2: you an example for the people listening. If Whipper says

592
00:28:21,040 --> 00:28:25,560
Speaker 2: say book, Fitzy says car, you might land.

593
00:28:25,440 --> 00:28:28,119
Speaker 3: On street directory, Yeah, manual.

594
00:28:27,840 --> 00:28:29,920
Speaker 2: Street directory, something like that. I mean, I know that's

595
00:28:29,960 --> 00:28:33,080
Speaker 2: two words. Okay, let's kick things off first round with

596
00:28:33,160 --> 00:28:33,959
Speaker 2: Fitzy and Whipper.

597
00:28:34,000 --> 00:28:39,920
Speaker 3: Here we go three two one Madonna.

598
00:28:43,160 --> 00:28:48,840
Speaker 2: Band from Whipper Madonna from a Ready to.

599
00:28:50,640 --> 00:28:51,320
Speaker 3: A step forward.

600
00:28:51,360 --> 00:28:55,440
Speaker 2: We're in a radio station, like it makes sense to

601
00:28:55,600 --> 00:28:56,360
Speaker 2: be thinking music.

602
00:28:59,160 --> 00:28:59,360
Speaker 1: One.

603
00:29:02,800 --> 00:29:05,000
Speaker 3: So you're stuck with a Madonna song. You didn't come

604
00:29:05,040 --> 00:29:06,040
Speaker 3: towards me at.

605
00:29:05,880 --> 00:29:09,640
Speaker 4: All because I was either going to go holiday or vogue. Mate, Yes, so.

606
00:29:09,680 --> 00:29:12,360
Speaker 3: You're stuck on your You didn't even appear over.

607
00:29:12,880 --> 00:29:13,920
Speaker 4: So when do we got holiday?

608
00:29:13,960 --> 00:29:16,160
Speaker 3: And what I said music.

609
00:29:17,680 --> 00:29:22,240
Speaker 2: Music is also a track of Madonna's Yeah, yes, yeah,

610
00:29:22,320 --> 00:29:27,840
Speaker 2: we got it in saying that, In saying that music

611
00:29:28,040 --> 00:29:30,280
Speaker 2: is a track, and you've gone with a track.

612
00:29:30,520 --> 00:29:36,120
Speaker 3: Okay, here we go. I've got your mate one like

613
00:29:36,240 --> 00:29:38,440
Speaker 3: a virgin Hawaii.

614
00:29:39,920 --> 00:29:42,920
Speaker 2: Oh he he went from holiday to Hawaii.

615
00:29:44,080 --> 00:29:45,760
Speaker 3: Oh you completely changed topic.

616
00:29:46,040 --> 00:29:48,840
Speaker 2: Okay, Okay, it's my go to have a turn and

617
00:29:49,160 --> 00:29:49,960
Speaker 2: I'm playing you with.

618
00:29:50,240 --> 00:29:54,840
Speaker 3: Okay, let's go. Here we go three two one.

619
00:29:55,360 --> 00:30:02,360
Speaker 4: Apartment, apartment and fashion, Okay, apart and fashion, put your thinking.

620
00:30:02,480 --> 00:30:04,640
Speaker 4: Boots on, guys, and here we go here.

621
00:30:04,800 --> 00:30:06,840
Speaker 2: Don't actually don't have one? Hang on, hang on, hang on?

622
00:30:07,840 --> 00:30:20,400
Speaker 2: Uh okay? Three two one real estate agent? Okay, shop

623
00:30:21,000 --> 00:30:22,960
Speaker 2: and I said real estate agent.

624
00:30:23,360 --> 00:30:28,560
Speaker 4: Shop with me? Both very close real estate agent and

625
00:30:29,000 --> 00:30:36,720
Speaker 4: shun sorry, state agent and a shop.

626
00:30:37,640 --> 00:30:45,480
Speaker 2: Three two one commercial property, commercial property?

627
00:30:45,520 --> 00:30:46,280
Speaker 4: What did you go with?

628
00:30:46,640 --> 00:30:47,360
Speaker 2: What did you say?

629
00:30:47,400 --> 00:30:49,320
Speaker 3: You didn't even real estate agency?

630
00:30:49,960 --> 00:30:52,280
Speaker 2: But I, well, that would have been silly. Okay, I'm

631
00:30:52,280 --> 00:30:52,959
Speaker 2: playing fitsy.

632
00:30:53,360 --> 00:30:55,440
Speaker 3: No, do you know what I thought? Commercial? And I

633
00:30:55,520 --> 00:30:56,160
Speaker 3: didn't go with it.

634
00:30:56,760 --> 00:30:59,240
Speaker 2: Always go with your first thought, except for your life,

635
00:31:00,000 --> 00:31:03,160
Speaker 2: which I follow the rule of first thought.

636
00:31:03,360 --> 00:31:03,560
Speaker 8: Wrong.

637
00:31:03,920 --> 00:31:06,760
Speaker 3: Okay, that's you though, That's how your head works, ok

638
00:31:07,480 --> 00:31:07,800
Speaker 3: you and me?

639
00:31:09,680 --> 00:31:18,440
Speaker 2: Two one highlighter animal. There's nothing, mate, Yes, there is

640
00:31:19,360 --> 00:31:21,440
Speaker 2: highlighter animal.

641
00:31:21,880 --> 00:31:23,240
Speaker 4: Highlighter an animal.

642
00:31:26,640 --> 00:31:40,800
Speaker 3: Three two one It landed. It landed, the highest animal

643
00:31:40,880 --> 00:31:41,239
Speaker 3: of them all.

644
00:31:41,320 --> 00:31:41,880
Speaker 6: I'm sure.

645
00:31:43,000 --> 00:31:45,600
Speaker 2: Why did you think that? That's quite bizarre. I didn't

646
00:31:45,600 --> 00:31:46,000
Speaker 2: know whether to.

647
00:31:46,040 --> 00:31:46,720
Speaker 3: Go with it or not.

648
00:31:47,360 --> 00:31:50,800
Speaker 4: Well, I just a highlight just converted to height for me.

649
00:31:51,120 --> 00:31:52,880
Speaker 3: Wow, animal, God, that felt good.

650
00:31:53,120 --> 00:31:55,280
Speaker 2: This is getting better every week. I think we should

651
00:31:55,320 --> 00:31:55,920
Speaker 2: stick QUI.

652
00:31:57,360 --> 00:32:00,360
Speaker 1: Is a fitzy whipper in Hay Podcast food.

653
00:32:01,000 --> 00:32:06,360
Speaker 4: How good is it? That's the Descendants. Everyone. The more

654
00:32:06,440 --> 00:32:10,920
Speaker 4: punk I can get onto our show, the better. And

655
00:32:11,000 --> 00:32:13,360
Speaker 4: I'm not joking. That's how long the song goes for.

656
00:32:13,480 --> 00:32:14,240
Speaker 4: Can we hear it again?

657
00:32:14,400 --> 00:32:17,720
Speaker 3: Just so?

658
00:32:17,960 --> 00:32:20,680
Speaker 4: Is they play it at their gigs?

659
00:32:21,800 --> 00:32:23,480
Speaker 2: What track would that be on the album?

660
00:32:24,680 --> 00:32:27,000
Speaker 4: I'd kick off the album where I like Ford food

661
00:32:27,120 --> 00:32:32,760
Speaker 4: is good? The Descendants are coming to Australia, I think

662
00:32:32,800 --> 00:32:35,920
Speaker 4: mid year anyway, A day on a plate that's what

663
00:32:36,000 --> 00:32:38,120
Speaker 4: I want to focus on. We've had some great fun

664
00:32:38,200 --> 00:32:40,920
Speaker 4: over the years going through celebrities day on a play.

665
00:32:41,440 --> 00:32:44,880
Speaker 4: Trump was one of them. On the joke, I'm not

666
00:32:45,040 --> 00:32:48,840
Speaker 4: joking with this one. Breakfast nothing has nothing for Breakfast

667
00:32:49,240 --> 00:32:53,960
Speaker 4: has nothing for lunch, dinner, McDonald's, KFC pizza or a

668
00:32:54,040 --> 00:32:57,719
Speaker 4: world done steak, twelve diet cokes a day. He snacks

669
00:32:57,760 --> 00:33:02,720
Speaker 4: on Dorito's. And the man that he appointed to become

670
00:33:02,800 --> 00:33:06,600
Speaker 4: his own health secretary, which is Rfki Junior, describe what

671
00:33:06,760 --> 00:33:10,400
Speaker 4: Trump ates as poison and that's.

672
00:33:13,200 --> 00:33:16,440
Speaker 2: The nutritional value in that Chi smoker no.

673
00:33:18,000 --> 00:33:22,200
Speaker 4: Never don drink, no Sam cutlet. She's an influencer and

674
00:33:22,480 --> 00:33:23,880
Speaker 4: we had a bit of a life at this one

675
00:33:23,920 --> 00:33:27,280
Speaker 4: because she did A Day on a plate for her wedding.

676
00:33:27,400 --> 00:33:28,120
Speaker 4: Have I listened to this?

677
00:33:28,680 --> 00:33:31,959
Speaker 10: She is what I ate on My wedding day started

678
00:33:32,000 --> 00:33:34,239
Speaker 10: with a protein smoothie in our bridal suite. We had

679
00:33:34,280 --> 00:33:36,880
Speaker 10: a huge veggie powder for all of the girls. During

680
00:33:36,960 --> 00:33:39,040
Speaker 10: our cocktail, I had a bunch of oysters and some

681
00:33:39,160 --> 00:33:41,880
Speaker 10: of these pontein avocado bites, and we also had gluten

682
00:33:41,960 --> 00:33:42,400
Speaker 10: free bread.

683
00:33:42,520 --> 00:33:44,040
Speaker 2: Then we had an intermezzo chorus.

684
00:33:44,120 --> 00:33:46,600
Speaker 10: This is basically just ice and lemon to cleanse the palette.

685
00:33:46,600 --> 00:33:48,440
Speaker 10: Our maine with salmon, with lots of veggies, and it

686
00:33:48,560 --> 00:33:51,719
Speaker 10: was delicious. Our wedding cake was gluten dairy and sugar

687
00:33:51,800 --> 00:33:53,920
Speaker 10: free chocolate cake. You had a sweet table set up

688
00:33:53,960 --> 00:33:57,040
Speaker 10: with some real chocolates and smart sweets, all allergen free

689
00:33:57,200 --> 00:33:57,880
Speaker 10: and love sugar.

690
00:33:58,000 --> 00:33:59,239
Speaker 2: And we had a late night taco bar.

691
00:33:59,320 --> 00:34:01,200
Speaker 10: So I had a bunch of tagos. The alcohol I

692
00:34:01,360 --> 00:34:03,840
Speaker 10: only had cogiros rose because I know it's less than

693
00:34:03,880 --> 00:34:04,840
Speaker 10: two grounds of sugar.

694
00:34:06,480 --> 00:34:08,319
Speaker 3: You're not going to believe it. I'm not gonna make

695
00:34:08,440 --> 00:34:10,479
Speaker 3: I'm not gonna make it. Something's popped up. I won't

696
00:34:10,600 --> 00:34:14,120
Speaker 3: be there. I'm sorry she doesn't.

697
00:34:14,800 --> 00:34:17,120
Speaker 4: A Day and a Play in the Life of an Obstetrician.

698
00:34:17,280 --> 00:34:20,200
Speaker 4: This is a high profile obstetrician down in Melbourne, professor

699
00:34:20,280 --> 00:34:24,440
Speaker 4: in a rain. This is so interesting because it's basically

700
00:34:24,560 --> 00:34:27,319
Speaker 4: his day. They said, all right, pick a day if

701
00:34:27,400 --> 00:34:31,040
Speaker 4: you can, professor, and we will go through what you eat.

702
00:34:31,320 --> 00:34:33,279
Speaker 4: And he goes, all right, let's do Saturday night.

703
00:34:33,880 --> 00:34:35,880
Speaker 2: Oh okay, so this is not a workday or you

704
00:34:35,960 --> 00:34:38,279
Speaker 2: never know, with being an obstetrician, you could be called in.

705
00:34:38,520 --> 00:34:38,719
Speaker 3: Yeah.

706
00:34:38,920 --> 00:34:43,560
Speaker 4: Two thirty am, the labor ward calls a patient I

707
00:34:43,640 --> 00:34:46,120
Speaker 4: know very well has eruptured her membranes. So I have

708
00:34:46,200 --> 00:34:50,160
Speaker 4: to go into the hospital too. Well, she's got to

709
00:34:50,160 --> 00:34:52,600
Speaker 4: give birth straight away. I try not to wake the

710
00:34:52,719 --> 00:34:55,680
Speaker 4: household at two thirty am and I head to the hospital.

711
00:34:55,719 --> 00:34:57,879
Speaker 4: I'll pull up at the hospital and notice flashing blue

712
00:34:57,960 --> 00:35:01,640
Speaker 4: and red lights behind me. Police officers approach. I'm a

713
00:35:01,680 --> 00:35:05,160
Speaker 4: middle aged, tubby, nerdy looking chap in scrubs at two

714
00:35:05,280 --> 00:35:07,880
Speaker 4: forty five am. They are polite, take my name and

715
00:35:08,000 --> 00:35:10,759
Speaker 4: wish me good luck. Doctor. We're just answering a call.

716
00:35:10,920 --> 00:35:12,920
Speaker 4: So someone's called the cops on him. As he's a rod.

717
00:35:13,040 --> 00:35:14,600
Speaker 3: He's going to get a speeding fun on his plate.

718
00:35:14,960 --> 00:35:17,680
Speaker 4: Three am the team has already assembled the birth sweet

719
00:35:17,719 --> 00:35:21,320
Speaker 4: midwifes gives birth three thirty am. He goes into the

720
00:35:21,400 --> 00:35:24,920
Speaker 4: theater tea room day on a plate. He gets Tetley

721
00:35:25,000 --> 00:35:30,360
Speaker 4: tea bags, some international roast, instant coffee, savoid crackers, cheese

722
00:35:30,520 --> 00:35:33,719
Speaker 4: if I'm lucky, and those two sweet biscuits that you

723
00:35:33,800 --> 00:35:34,239
Speaker 4: get at the.

724
00:35:34,239 --> 00:35:37,080
Speaker 3: Hospital you don't like weird, They're like a savoy an't.

725
00:35:37,040 --> 00:35:40,360
Speaker 4: So that's that's what he eats, right. He then goes

726
00:35:40,440 --> 00:35:43,880
Speaker 4: home four thirty am. Back at home, everything is silent,

727
00:35:44,040 --> 00:35:47,000
Speaker 4: so I slice a quarter of an avocado, add crack

728
00:35:47,040 --> 00:35:50,239
Speaker 4: pepper and a generous drizzle of extra virgin olive oil.

729
00:35:50,640 --> 00:35:54,440
Speaker 4: The phone goes off food. Another patient has arrived in

730
00:35:54,560 --> 00:35:58,480
Speaker 4: full bone lapor at four point fifty five. He has

731
00:35:58,560 --> 00:35:59,800
Speaker 4: to go back into the hospital.

732
00:36:00,000 --> 00:36:01,320
Speaker 2: It's a quorder of an avocado.

733
00:36:01,760 --> 00:36:04,680
Speaker 4: Listen to this guy, though, O kate Back in the car.

734
00:36:04,920 --> 00:36:08,640
Speaker 4: I put on a Macbeth audio book because my eldest

735
00:36:08,760 --> 00:36:12,040
Speaker 4: daughter Asha is studying it. If she chooses to speak

736
00:36:12,080 --> 00:36:15,200
Speaker 4: to me, I would like to sound at least passingly

737
00:36:15,320 --> 00:36:17,400
Speaker 4: intelligent and remotely useful.

738
00:36:17,600 --> 00:36:17,799
Speaker 1: Man.

739
00:36:18,200 --> 00:36:22,480
Speaker 4: This guy's a legend. Goes in another delivery. By six

740
00:36:22,520 --> 00:36:26,239
Speaker 4: point twenty two am that morning, babies goes back into

741
00:36:26,280 --> 00:36:29,520
Speaker 4: the tea room for more biscuits. I stopped to pick

742
00:36:29,600 --> 00:36:31,359
Speaker 4: up a flat white for my wife Chris.

743
00:36:31,440 --> 00:36:32,040
Speaker 3: On the way home.

744
00:36:32,239 --> 00:36:35,440
Speaker 4: I briefly considered buying her flowers for Valentine's Day, then

745
00:36:35,520 --> 00:36:39,440
Speaker 4: decide against that the gesture would generate more questions than gratitude,

746
00:36:39,680 --> 00:36:42,719
Speaker 4: more than you done. Just don't say it.

747
00:36:42,760 --> 00:36:44,880
Speaker 2: This year because Valentine's Day was a Saturday.

748
00:36:45,280 --> 00:36:48,200
Speaker 4: Then he goes home and does pilates at eighteen thirty.

749
00:36:49,400 --> 00:36:51,680
Speaker 4: Oh my gosh, this guy. And then at nine point

750
00:36:51,680 --> 00:36:54,839
Speaker 4: fifteen he rewards himself with an oat matcha late.

751
00:36:55,440 --> 00:36:59,719
Speaker 3: Why are people so good? It's what I want to hear,

752
00:37:00,080 --> 00:37:04,240
Speaker 3: stories of people being great. That's not an everyday human.

753
00:37:05,000 --> 00:37:07,320
Speaker 3: You can't help but sit here and compare yourself to that.

754
00:37:07,600 --> 00:37:11,320
Speaker 2: What him being an obstetrician, Yeah, he probably had nicer

755
00:37:11,360 --> 00:37:13,320
Speaker 2: things to eat than the midwives who didn't get to

756
00:37:13,360 --> 00:37:14,680
Speaker 2: go back and forth from the hospital.

757
00:37:14,960 --> 00:37:16,320
Speaker 3: I don't like achievers.

758
00:37:16,600 --> 00:37:18,160
Speaker 4: Do you know what the funny thing is? Because what

759
00:37:18,560 --> 00:37:22,480
Speaker 4: he did have on the avocado he got, he said,

760
00:37:22,600 --> 00:37:25,680
Speaker 4: I have some hot butterytoe. What a p So the

761
00:37:25,800 --> 00:37:28,600
Speaker 4: dietitian in the paper says to him, Ah, this is

762
00:37:28,760 --> 00:37:31,440
Speaker 4: what a rewarding job. That's amazing, but go easy on

763
00:37:31,520 --> 00:37:31,839
Speaker 4: the butter.

764
00:37:33,800 --> 00:37:36,320
Speaker 3: Still he's told off something.

765
00:37:38,120 --> 00:37:39,960
Speaker 1: This is a Fit with Friends.

766
00:37:39,680 --> 00:37:43,240
Speaker 3: Podcast, possibly the best combination in the history of music

767
00:37:44,080 --> 00:37:45,200
Speaker 3: Usher Pitbull.

768
00:37:45,440 --> 00:37:48,520
Speaker 4: Yeah, actually get a bit emotional with that because that

769
00:37:48,640 --> 00:37:52,520
Speaker 4: was our wedding song. Was bej got up and sang

770
00:37:52,560 --> 00:37:54,719
Speaker 4: bad It being Bada boom mister worldwide is a step

771
00:37:54,760 --> 00:37:55,840
Speaker 4: in the room as.

772
00:37:57,560 --> 00:37:57,799
Speaker 8: You look.

773
00:37:57,840 --> 00:38:05,040
Speaker 2: Amazing, it's amazing. It's amazing how much you can work

774
00:38:05,120 --> 00:38:07,719
Speaker 2: out about a person with the lyrics they know to

775
00:38:07,880 --> 00:38:12,000
Speaker 2: which songs and there are a few people going off.

776
00:38:11,960 --> 00:38:18,760
Speaker 4: In here pople. There's a reassurgence of him that's been classive. Okay,

777
00:38:18,800 --> 00:38:21,240
Speaker 4: can we talk about Harry and Meghan coming to Australia

778
00:38:21,280 --> 00:38:23,320
Speaker 4: in mid April. We're not that far away now, actually

779
00:38:23,360 --> 00:38:24,239
Speaker 4: we're talking about a month.

780
00:38:24,440 --> 00:38:26,640
Speaker 3: So what's the tour four? I mean, I assume they're

781
00:38:26,680 --> 00:38:30,000
Speaker 3: here for a corporate Yeah, so this.

782
00:38:30,120 --> 00:38:32,680
Speaker 4: Is the first time they've graced our Shaw since twenty eighteen,

783
00:38:34,040 --> 00:38:36,640
Speaker 4: but they are, but there is a corporate involved. There's

784
00:38:36,680 --> 00:38:38,440
Speaker 4: an intimate conversation.

785
00:38:38,239 --> 00:38:40,920
Speaker 3: Because they're not doing royal tours anymore because they're not.

786
00:38:41,120 --> 00:38:42,719
Speaker 2: No, well they can't, can they Well?

787
00:38:42,760 --> 00:38:44,839
Speaker 3: They still have the name Sussex, which we were talking

788
00:38:44,880 --> 00:38:45,560
Speaker 3: about the other day.

789
00:38:46,760 --> 00:38:49,319
Speaker 2: But the government wouldn't be paid Like no, this would

790
00:38:49,360 --> 00:38:51,120
Speaker 2: be privately funded, now would it not?

791
00:38:51,280 --> 00:38:53,320
Speaker 4: It could it be worth a fortune? Because this is

792
00:38:53,360 --> 00:38:55,400
Speaker 4: what I need to work out. Meghan's going to be

793
00:38:55,800 --> 00:38:58,719
Speaker 4: talking and like I said, an intimate conversation at the

794
00:38:58,760 --> 00:39:03,600
Speaker 4: Intercontinental Hotel at Cuojie Beach in Sydney's Eastern suburbs. Now

795
00:39:03,760 --> 00:39:08,320
Speaker 4: that only hotly, how it's about three hundred people tickets

796
00:39:09,640 --> 00:39:13,319
Speaker 4: wait up, So it's it's part of her first her

797
00:39:13,480 --> 00:39:16,320
Speaker 4: best life retreat. What does that mean? Tickets for the

798
00:39:16,400 --> 00:39:21,200
Speaker 4: retreat start the early bird option two thousand and six

799
00:39:21,360 --> 00:39:23,320
Speaker 4: hundred and ninety nine dollars ticket.

800
00:39:23,640 --> 00:39:25,600
Speaker 2: What do you get? What do you mean just that

801
00:39:25,760 --> 00:39:29,000
Speaker 2: long event? I mean the hotel's new and nine.

802
00:39:29,760 --> 00:39:33,879
Speaker 4: So you've also got VIP tickets worth three than one

803
00:39:33,960 --> 00:39:36,480
Speaker 4: hundred and ninety nine dollars. Those top of the line

804
00:39:36,520 --> 00:39:39,520
Speaker 4: tickets will get you, amongst the other perks, seating at

805
00:39:39,560 --> 00:39:41,880
Speaker 4: a table in the front two rows for the gala

806
00:39:41,960 --> 00:39:46,400
Speaker 4: dinner with Megan and a group table photo with the Megan.

807
00:39:47,120 --> 00:39:50,880
Speaker 3: I'm a hustlebeever, so fits a group table.

808
00:39:51,040 --> 00:39:52,320
Speaker 2: So no singles.

809
00:39:52,880 --> 00:39:56,680
Speaker 4: You get an exclusive VIP goodie bag you'd hope so

810
00:39:57,160 --> 00:40:01,000
Speaker 4: far out. You get a premium Ocean View hotel room.

811
00:40:01,320 --> 00:40:03,120
Speaker 4: What do you buy the room or no.

812
00:40:03,360 --> 00:40:05,360
Speaker 3: That's just a as a part of the package.

813
00:40:05,840 --> 00:40:07,400
Speaker 2: The night before or the night after?

814
00:40:07,920 --> 00:40:10,839
Speaker 3: Is it like kick on or you want to get

815
00:40:10,840 --> 00:40:13,520
Speaker 3: ready there? So you're look looking at.

816
00:40:13,760 --> 00:40:16,520
Speaker 4: I'm throwing this out there, But who is going to

817
00:40:16,680 --> 00:40:20,360
Speaker 4: pay three thousand, two hundred dollars to go and see Megan?

818
00:40:21,080 --> 00:40:26,880
Speaker 4: You know, thirteen twenty fourteen, if you would, I if you've.

819
00:40:26,719 --> 00:40:28,640
Speaker 3: Got three hundred people in the room fits an average

820
00:40:28,680 --> 00:40:31,319
Speaker 3: of three grand, you're at nine hundred k.

821
00:40:32,880 --> 00:40:37,320
Speaker 4: Right, so cost hell a lot of cost. Gwyneth Paltrow

822
00:40:37,440 --> 00:40:41,160
Speaker 4: came out in twenty twenty three and well it says,

823
00:40:41,239 --> 00:40:43,600
Speaker 4: all right, sorry, this is according to the Melee dal

824
00:40:43,760 --> 00:40:46,719
Speaker 4: So it's probably way off, somewhere between one hundred and

825
00:40:46,760 --> 00:40:50,400
Speaker 4: fifty thousand to five hundred thousand dollars she got paid.

826
00:40:51,120 --> 00:40:51,680
Speaker 3: What was that for?

827
00:40:52,520 --> 00:40:55,600
Speaker 4: That was Gwyneth Paltrow. That was our intimate conversation with

828
00:40:55,719 --> 00:40:56,480
Speaker 4: Gwyneth Paltrow.

829
00:40:56,640 --> 00:40:59,359
Speaker 3: Is Megan Markele turning up for under a mill?

830
00:41:00,360 --> 00:41:00,840
Speaker 1: Probably?

831
00:41:01,000 --> 00:41:04,360
Speaker 2: I mean, I don't know. I would like, in all honesty,

832
00:41:04,640 --> 00:41:07,800
Speaker 2: I'd quite like to be in the same room and

833
00:41:07,880 --> 00:41:10,920
Speaker 2: watch her speak, But I don't know if I'm going

834
00:41:11,000 --> 00:41:11,400
Speaker 2: to pay that.

835
00:41:12,000 --> 00:41:15,640
Speaker 4: But is she like motivationally wise? Is that why you

836
00:41:15,800 --> 00:41:16,480
Speaker 4: want to do it all?

837
00:41:16,560 --> 00:41:19,400
Speaker 2: I don't know. I don't I actually don't know.

838
00:41:21,280 --> 00:41:21,320
Speaker 3: It.

839
00:41:22,040 --> 00:41:25,920
Speaker 2: It is pure curiosity, okay, And I don't even know

840
00:41:26,000 --> 00:41:31,280
Speaker 2: what that is. It's like, I like, yeah, I can't

841
00:41:31,360 --> 00:41:34,120
Speaker 2: even explain, Like, let's be honest, would you not? I mean,

842
00:41:34,360 --> 00:41:36,440
Speaker 2: maybe she's not, but I would.

843
00:41:36,280 --> 00:41:39,520
Speaker 3: Be interested because it's unknown because there's so much talk

844
00:41:39,600 --> 00:41:42,080
Speaker 3: about her that you're never going to be in a

845
00:41:42,120 --> 00:41:45,600
Speaker 3: better position to make your own judgment on Megan than to.

846
00:41:45,680 --> 00:41:48,160
Speaker 2: Be in the room going there to judge. I'm not

847
00:41:48,239 --> 00:41:48,600
Speaker 2: going there.

848
00:41:49,480 --> 00:41:52,279
Speaker 4: You want a judgment in the room see her?

849
00:41:52,520 --> 00:41:54,440
Speaker 3: Okay, that's you're interested.

850
00:41:56,040 --> 00:42:00,480
Speaker 4: You're targeting well off people. I don't understand the time.

851
00:42:00,680 --> 00:42:01,960
Speaker 3: I don't think you are fits.

852
00:42:02,160 --> 00:42:04,239
Speaker 4: What three thousand, two hundred dollars a ticket?

853
00:42:04,360 --> 00:42:06,080
Speaker 3: No, I don't think you are because I don't think

854
00:42:06,120 --> 00:42:10,000
Speaker 3: the people with money really care or are interested. This

855
00:42:10,160 --> 00:42:11,479
Speaker 3: is an aspirational play.

856
00:42:11,840 --> 00:42:15,560
Speaker 4: Well every day, Ossie can't pay that, Jesse, Jesse, how

857
00:42:15,600 --> 00:42:20,000
Speaker 4: much money would you pay? For Meghan? Sorry, how much

858
00:42:20,000 --> 00:42:21,080
Speaker 4: would you pay for Meghan?

859
00:42:23,680 --> 00:42:23,839
Speaker 9: Oh?

860
00:42:24,400 --> 00:42:26,840
Speaker 5: The whole, the whole, three thousand, two hundred, just to

861
00:42:26,960 --> 00:42:28,920
Speaker 5: purely as if she enjoyed.

862
00:42:32,040 --> 00:42:36,719
Speaker 3: Just lost. Jesse. There, let's let's not go through all

863
00:42:36,760 --> 00:42:39,879
Speaker 3: the questions you'd like to ask Megan's I mean that's

864
00:42:39,880 --> 00:42:41,520
Speaker 3: a three thousand dollars question, Jesse?

865
00:42:42,360 --> 00:42:44,800
Speaker 4: That is do you? Is there a Q? And I

866
00:42:45,040 --> 00:42:46,440
Speaker 4: I don't know what? Well?

867
00:42:46,640 --> 00:42:47,440
Speaker 2: Not now not?

868
00:42:47,600 --> 00:42:47,719
Speaker 6: Now?

869
00:42:49,560 --> 00:42:54,000
Speaker 4: You can't Jesse there minutes right, Jesse?

870
00:42:54,520 --> 00:42:56,320
Speaker 3: Just what's the front row table? Isn't it?

871
00:42:56,400 --> 00:42:58,080
Speaker 4: Jesse's girl? I tell you?

872
00:42:59,520 --> 00:43:00,720
Speaker 3: Do you know what I think happens?

873
00:43:00,760 --> 00:43:00,920
Speaker 8: Though?

874
00:43:00,960 --> 00:43:03,480
Speaker 3: Fits It's almost like tickets to Taylor Swift when these

875
00:43:03,560 --> 00:43:04,360
Speaker 3: things come around.

876
00:43:05,040 --> 00:43:08,279
Speaker 4: Taylor Swift wasn't three two hundred dollars. I'm sorry, but

877
00:43:08,320 --> 00:43:12,600
Speaker 4: if it comes a point to our performance, you're an amazing.

878
00:43:12,280 --> 00:43:14,759
Speaker 2: Performance and the rest it was like four. But I

879
00:43:14,920 --> 00:43:17,200
Speaker 2: know what you're saying, who is who can afford to

880
00:43:17,280 --> 00:43:20,440
Speaker 2: pay that that money? But I think you're right. The

881
00:43:20,560 --> 00:43:22,680
Speaker 2: people who might pay the money to go are the

882
00:43:22,719 --> 00:43:25,400
Speaker 2: people who are stretching to pay the money to go.

883
00:43:25,560 --> 00:43:26,319
Speaker 3: Couldn't agree more?

884
00:43:26,560 --> 00:43:30,160
Speaker 4: Could it be? Would it be like a Telstra or

885
00:43:30,200 --> 00:43:32,840
Speaker 4: would it be a huge would it be a Woolworths?

886
00:43:32,920 --> 00:43:35,320
Speaker 4: And they get major clients and they go, you know what,

887
00:43:35,440 --> 00:43:37,759
Speaker 4: We're going to buy a table to go and see

888
00:43:37,840 --> 00:43:41,160
Speaker 4: Meghan and thanks for being Oh it's a huge customer,

889
00:43:41,400 --> 00:43:42,080
Speaker 4: and here you go.

890
00:43:43,160 --> 00:43:43,680
Speaker 3: Is that the way?

891
00:43:44,360 --> 00:43:45,759
Speaker 2: Well then we should do it, shouldn't we?

892
00:43:45,880 --> 00:43:48,240
Speaker 3: Nova? And you're Nova's going to pay three thousand dollars?

893
00:43:48,520 --> 00:43:51,120
Speaker 3: Hang on three thousand ticket or a table ticket.

894
00:43:51,280 --> 00:43:53,480
Speaker 2: I'm happy to share a room at the Intercontinental.

895
00:43:53,880 --> 00:43:56,279
Speaker 3: Would never pay thirty thousand dollars for a table of

896
00:43:56,400 --> 00:43:57,480
Speaker 3: ten for us.

897
00:43:57,440 --> 00:43:59,680
Speaker 2: To go along to hear Megan and I'll take listeners.

898
00:44:00,160 --> 00:44:01,760
Speaker 3: And you want to share a room with all the listeners?

899
00:44:02,680 --> 00:44:03,840
Speaker 2: Okay? That I live up the r.

900
00:44:05,560 --> 00:44:07,440
Speaker 4: Into your bank though, and just saying, look, can I

901
00:44:07,880 --> 00:44:09,799
Speaker 4: is there any chance I could take out a life

902
00:44:10,280 --> 00:44:11,880
Speaker 4: for what a deposit for ours?

903
00:44:12,040 --> 00:44:12,080
Speaker 6: No?

904
00:44:12,239 --> 00:44:14,040
Speaker 4: I just want to go see Markle too.

905
00:44:15,560 --> 00:44:21,360
Speaker 2: I think it'd be a very interesting day. I'm not

906
00:44:21,520 --> 00:44:23,759
Speaker 2: saying I'm going to do it or I'm going to

907
00:44:23,840 --> 00:44:26,920
Speaker 2: pay the money. I'm just saying I get it. I

908
00:44:27,080 --> 00:44:27,560
Speaker 2: do get it.

909
00:44:28,320 --> 00:44:30,040
Speaker 3: Wouldn't surprise me if you ended up front.

910
00:44:30,239 --> 00:44:32,719
Speaker 2: I would rather go and see Metallica in the dome

911
00:44:32,920 --> 00:44:33,439
Speaker 2: or the thing.

912
00:44:35,440 --> 00:44:40,280
Speaker 4: All right, Tommy, could we give away three tickets? Kate, Richie,

913
00:44:40,360 --> 00:44:43,640
Speaker 4: Meghan Markle and yourself could go and see Metallica and

914
00:44:43,719 --> 00:44:44,840
Speaker 4: the Price.

915
00:44:45,920 --> 00:44:48,560
Speaker 1: This is a with Brendon Kate podcast A

916
00:44:48,719 --> 00:44:52,200
Speaker 3: Great shows like this download the Nova player, the app

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00:44:52,239 --> 00:44:53,520
Speaker 3: store or Google Playing