1 00:00:04,120 --> 00:00:06,840 Speaker 1: And I watched this movie over the weekend. Unhinged. I 2 00:00:06,920 --> 00:00:08,640 Speaker 1: struggled to sleep after watching this. 3 00:00:09,400 --> 00:00:11,440 Speaker 2: Rachel is running late in the work when she has 4 00:00:11,480 --> 00:00:13,880 Speaker 2: an altercation at a traffic light in willem Aloo with 5 00:00:13,920 --> 00:00:14,760 Speaker 2: a stranger by that. 6 00:00:14,800 --> 00:00:16,560 Speaker 3: I don't think it was Wallameloe. Are you sure it 7 00:00:16,600 --> 00:00:18,920 Speaker 3: wasn't wall Aloo. It's okay, and it's just a movie. 8 00:00:19,000 --> 00:00:20,240 Speaker 3: He's a bit more of the movie. 9 00:00:20,440 --> 00:00:23,200 Speaker 1: You know what a coachy taps, young man? Sounds like this. 10 00:00:23,320 --> 00:00:25,000 Speaker 4: It's late friendly. 11 00:00:25,079 --> 00:00:29,040 Speaker 1: I'm sure that's what your mom meant to do. Having 12 00:00:29,080 --> 00:00:30,360 Speaker 1: a kind of a hard time lately. 13 00:00:30,440 --> 00:00:34,240 Speaker 4: I'm sorry, except my apology, I don't think you really 14 00:00:34,280 --> 00:00:35,320 Speaker 4: know what a bad day is. 15 00:00:37,320 --> 00:00:38,160 Speaker 1: You will find out. 16 00:00:39,280 --> 00:00:42,479 Speaker 2: Oh, it is magnificent. It is a great movie. And 17 00:00:42,680 --> 00:00:47,680 Speaker 2: r C joins us now Rusty welcome, good morning. 18 00:00:47,479 --> 00:00:49,920 Speaker 3: Good morning, Top of the Morning too. Are you coming 19 00:00:49,920 --> 00:00:52,159 Speaker 3: to us live from the Are you coming to us 20 00:00:52,240 --> 00:00:53,600 Speaker 3: live from the farm, mister Crowe? 21 00:00:54,600 --> 00:00:56,160 Speaker 4: I am. I just sent you a little bit of 22 00:00:56,200 --> 00:00:59,120 Speaker 4: video to show you exactly what my office was my 23 00:00:59,600 --> 00:01:00,760 Speaker 4: broadcast studios. 24 00:01:01,080 --> 00:01:02,760 Speaker 3: What a beautiful morning, mate. 25 00:01:02,800 --> 00:01:03,720 Speaker 1: That is just magic. 26 00:01:03,840 --> 00:01:06,039 Speaker 3: So where's that you out on the balcony are or 27 00:01:06,120 --> 00:01:07,400 Speaker 3: is that where's that from? 28 00:01:08,000 --> 00:01:12,000 Speaker 4: Yeah, well that's the balcony directly off the place that 29 00:01:12,040 --> 00:01:14,000 Speaker 4: I did my work in up here. 30 00:01:14,480 --> 00:01:15,840 Speaker 1: That is magic actually. 31 00:01:15,640 --> 00:01:18,480 Speaker 2: Just on that and the farm. How's the How has 32 00:01:18,560 --> 00:01:21,280 Speaker 2: the regrowth been since the fires? Has it come back? 33 00:01:21,319 --> 00:01:21,800 Speaker 1: A little bit? 34 00:01:23,840 --> 00:01:26,760 Speaker 4: Depends on which sort of area, you know, because we 35 00:01:26,760 --> 00:01:29,840 Speaker 4: were hit on three side. We're very very lucky. We 36 00:01:29,920 --> 00:01:33,600 Speaker 4: didn't lose any main buildings, but we lost four cabins 37 00:01:33,640 --> 00:01:38,280 Speaker 4: and the horse trailers, and you know, kilometers and kilometers 38 00:01:38,280 --> 00:01:41,399 Speaker 4: are fencing and a whole bunch of stuff. But where 39 00:01:41,400 --> 00:01:45,560 Speaker 4: we actually live, the fire came right to it, you know, 40 00:01:45,640 --> 00:01:48,559 Speaker 4: one hundred foot a flame. Seventy of the hundred foot 41 00:01:48,800 --> 00:01:52,160 Speaker 4: where I'm standing, I can still see. And it's amazing 42 00:01:52,200 --> 00:01:55,000 Speaker 4: what happens. Man. You know, some of the trees that 43 00:01:57,000 --> 00:01:59,920 Speaker 4: shed their bark every year, you look at them as like, 44 00:02:00,680 --> 00:02:04,680 Speaker 4: there's no evidence now, and we're in July. That was 45 00:02:04,760 --> 00:02:08,360 Speaker 4: November twelve, and you would never know that that tree 46 00:02:08,440 --> 00:02:11,200 Speaker 4: was burnt. But right next to it you'll have a 47 00:02:11,280 --> 00:02:13,360 Speaker 4: tower wood or something like that that has a different 48 00:02:14,160 --> 00:02:17,600 Speaker 4: type of bark and they stay completely black. Yeah quite 49 00:02:17,639 --> 00:02:22,080 Speaker 4: a while, you know. So it's funny. You know, we've 50 00:02:22,080 --> 00:02:24,680 Speaker 4: made so many changes where we've had forced to make 51 00:02:24,720 --> 00:02:29,120 Speaker 4: so many changes since November, but because of benning it constantly, 52 00:02:29,520 --> 00:02:34,600 Speaker 4: those changes now actually feel like they're normal. Yeah, new 53 00:02:34,680 --> 00:02:37,440 Speaker 4: roadways and stuff like that. I mean, seriously, we've lost 54 00:02:37,800 --> 00:02:40,680 Speaker 4: hundreds and hundreds and hundreds of trees on my probably, 55 00:02:41,000 --> 00:02:43,240 Speaker 4: you know, and when they're still falling. We just had 56 00:02:43,400 --> 00:02:46,160 Speaker 4: We've got a crew of guys doing a new fans 57 00:02:46,680 --> 00:02:49,040 Speaker 4: and they spent you know, a week doing it or 58 00:02:49,080 --> 00:02:51,400 Speaker 4: two weeks maybe three. I mean they're scripted slow, I'll 59 00:02:51,400 --> 00:02:53,680 Speaker 4: tell you that. Can you know when they're on a 60 00:02:53,680 --> 00:02:54,440 Speaker 4: government contract? 61 00:02:55,720 --> 00:02:58,000 Speaker 1: Do you need it to happen with strong blokes. 62 00:02:57,680 --> 00:03:01,359 Speaker 4: Up anyway over the weekend a bigger three twenty meters 63 00:03:01,440 --> 00:03:04,600 Speaker 4: or more or something like that from the actual fence line. 64 00:03:04,600 --> 00:03:05,919 Speaker 4: So you wouldn't have thought it was going to be 65 00:03:06,000 --> 00:03:09,000 Speaker 4: a problem. It's fallen bang right through the new fence 66 00:03:10,000 --> 00:03:11,640 Speaker 4: with bar Why we've got to start that bit again? 67 00:03:12,040 --> 00:03:13,520 Speaker 3: Is it true you're going to get the rabbit ez 68 00:03:13,919 --> 00:03:15,560 Speaker 3: just as a bit of training, but a muscle up 69 00:03:15,560 --> 00:03:17,120 Speaker 3: there to actually work on the farm. 70 00:03:17,160 --> 00:03:18,440 Speaker 1: I mean, that's not a bad idea. 71 00:03:19,400 --> 00:03:21,760 Speaker 4: We actually finally, back in the day, I had the 72 00:03:21,840 --> 00:03:25,400 Speaker 4: four Burgess Boys a few one time, and did you 73 00:03:25,440 --> 00:03:27,400 Speaker 4: get them to do? My kids had decided, you know, 74 00:03:27,440 --> 00:03:29,639 Speaker 4: we were going to go and cut a bush track. Yeah, 75 00:03:30,280 --> 00:03:32,480 Speaker 4: and you know, day one told us it was a 76 00:03:32,600 --> 00:03:37,400 Speaker 4: very ambitious idea. But that weekend, I think it was 77 00:03:37,480 --> 00:03:42,960 Speaker 4: Christmas around Christmas time, the Burgess boys came up in 78 00:03:43,000 --> 00:03:45,040 Speaker 4: their mum and what have you. I was like, they 79 00:03:45,040 --> 00:03:46,200 Speaker 4: were like, oh, hey, what are we going to do 80 00:03:46,200 --> 00:03:47,839 Speaker 4: on the farm. And I was like, well, finally enough, 81 00:03:48,840 --> 00:03:52,880 Speaker 4: great exciding thing that we're doing and cutting a bush track. 82 00:03:53,080 --> 00:03:56,640 Speaker 4: Oh wow for a bunch of palms. They were like, 83 00:03:56,840 --> 00:03:59,200 Speaker 4: oh fantastic. They got into it. 84 00:03:59,240 --> 00:03:59,400 Speaker 3: Man. 85 00:03:59,440 --> 00:04:03,200 Speaker 4: It was like there were machines. Absolutely. What me and 86 00:04:03,240 --> 00:04:08,320 Speaker 4: the two boys did on day one, they you know, 87 00:04:08,680 --> 00:04:12,800 Speaker 4: when you add three Burgesses for day two, I think 88 00:04:12,840 --> 00:04:14,680 Speaker 4: we did like five or six times. 89 00:04:14,720 --> 00:04:20,560 Speaker 2: What just on the farm? Were talked about the farm. 90 00:04:20,600 --> 00:04:22,520 Speaker 2: Have you had some guests up there? Because mate, we 91 00:04:22,600 --> 00:04:24,520 Speaker 2: had a great chat with Amy Shark the other day. 92 00:04:24,560 --> 00:04:27,680 Speaker 2: She's got new music out. We spoke about her relationship 93 00:04:28,120 --> 00:04:30,880 Speaker 2: with Ed Sheeran and we said, look, he's helped you 94 00:04:30,920 --> 00:04:32,520 Speaker 2: out with one of the songs on the album, which 95 00:04:32,560 --> 00:04:34,839 Speaker 2: is unbelievable. I mean, how do you get that over 96 00:04:34,880 --> 00:04:38,200 Speaker 2: the line, Amy, she dropped the name Russell Crowe. 97 00:04:38,920 --> 00:04:41,000 Speaker 4: No, no, well she she talked to me about it. 98 00:04:41,080 --> 00:04:45,640 Speaker 4: She told me that she was really you know, in 99 00:04:45,680 --> 00:04:48,799 Speaker 4: to Ed, you know, not only the songs, the songwriter 100 00:04:48,960 --> 00:04:52,360 Speaker 4: as well, you know, And so I just reached out 101 00:04:52,360 --> 00:04:55,600 Speaker 4: to him on her behalf, you know. And already he 102 00:04:55,760 --> 00:04:59,880 Speaker 4: was already totally aware of her songs, you know, he 103 00:05:00,120 --> 00:05:02,520 Speaker 4: mates with Kidinski and Gidinsky keeps them up to date. 104 00:05:02,600 --> 00:05:05,880 Speaker 4: Was what's happening in Australia, you know, music wise, what 105 00:05:05,960 --> 00:05:08,480 Speaker 4: a great pairing, and so he just said I'd love 106 00:05:08,520 --> 00:05:12,200 Speaker 4: to So I was able to then then hack to Amy. 107 00:05:12,360 --> 00:05:16,560 Speaker 4: Look here's the personal email contact Ed. He's expecting you 108 00:05:16,600 --> 00:05:19,159 Speaker 4: to reach out. So it was cool. I mean, look, 109 00:05:19,279 --> 00:05:20,839 Speaker 4: you know, the farm is a bit of a mecha 110 00:05:21,000 --> 00:05:26,279 Speaker 4: for creative people. You know, it's set up in that 111 00:05:26,520 --> 00:05:30,000 Speaker 4: way where it's a place to clear your mind, your body, 112 00:05:30,480 --> 00:05:33,520 Speaker 4: you know, with a recording studio here, there's there's like 113 00:05:33,640 --> 00:05:38,600 Speaker 4: facilities that I use in my life. So the next 114 00:05:38,600 --> 00:05:41,400 Speaker 4: person that comes along, if they have a creative life too, 115 00:05:41,400 --> 00:05:43,279 Speaker 4: they recognize what the place is about. 116 00:05:43,760 --> 00:05:47,000 Speaker 2: Well, Russ, Russ, I don't know, every Friday, you've probably 117 00:05:47,040 --> 00:05:49,640 Speaker 2: heard about this, but I absolutely slay a lot of 118 00:05:49,640 --> 00:05:51,520 Speaker 2: people on wrap up of the week, and I know 119 00:05:51,920 --> 00:05:53,279 Speaker 2: your good mates with Rizza. 120 00:05:53,360 --> 00:05:54,840 Speaker 1: Is there any chance I can get in the Wu 121 00:05:54,960 --> 00:05:55,480 Speaker 1: Tang clan. 122 00:05:58,080 --> 00:06:03,640 Speaker 4: Yeah. Look gets after this a lot, justly because a 123 00:06:03,680 --> 00:06:06,040 Speaker 4: lot of people think that they're really on top of stuff. 124 00:06:07,320 --> 00:06:10,960 Speaker 4: To warn him, I have to warn you he's a 125 00:06:11,040 --> 00:06:15,119 Speaker 4: brutal judge. He's one. He's one of my best mates, 126 00:06:15,520 --> 00:06:21,279 Speaker 4: and he at his core is the most philosophical and 127 00:06:21,440 --> 00:06:25,039 Speaker 4: gentle of humans. You know. However, if you try to 128 00:06:25,080 --> 00:06:27,560 Speaker 4: wrap in front of him, and you wrap like pop 129 00:06:27,560 --> 00:06:28,880 Speaker 4: will take your art down. 130 00:06:31,520 --> 00:06:34,760 Speaker 1: That's fitzy to line him up, but. 131 00:06:34,680 --> 00:06:36,360 Speaker 4: You've got to make sure you've got the top level 132 00:06:36,400 --> 00:06:41,680 Speaker 4: and I'll be helping you. 133 00:06:43,520 --> 00:06:44,200 Speaker 1: I love that. 134 00:06:44,320 --> 00:06:46,440 Speaker 3: Let's knock him on the head finally, so he never 135 00:06:46,480 --> 00:06:47,760 Speaker 3: wraps on the show again. 136 00:06:48,560 --> 00:06:49,000 Speaker 4: Do you know what? 137 00:06:49,080 --> 00:06:49,560 Speaker 1: I loved him? 138 00:06:49,760 --> 00:06:52,960 Speaker 3: Aby Shark was saying also, because you know she was 139 00:06:52,960 --> 00:06:55,400 Speaker 3: obviously flattened by the introduction. She said, I sent Ed 140 00:06:55,440 --> 00:06:58,120 Speaker 3: an email because Russell passed on the email address and 141 00:06:58,160 --> 00:07:00,720 Speaker 3: I thought I'll probably never hear from him. Within twenty 142 00:07:00,760 --> 00:07:03,240 Speaker 3: four hours an email from Ed's sheer. But then she 143 00:07:03,360 --> 00:07:05,520 Speaker 3: was also talking about her when she came to the farm, 144 00:07:05,600 --> 00:07:07,640 Speaker 3: she had a shot of was it tequila? Out of 145 00:07:07,680 --> 00:07:08,839 Speaker 3: Johnny Cash's grammy? 146 00:07:09,080 --> 00:07:10,000 Speaker 1: Is that what you've got there? 147 00:07:11,280 --> 00:07:13,720 Speaker 4: Yeah, well it's a bit of thing actually, funnily that 148 00:07:13,840 --> 00:07:15,800 Speaker 4: you should be talking about it because he started it. 149 00:07:15,880 --> 00:07:20,000 Speaker 4: You know, he knew that, you know, just in my 150 00:07:20,160 --> 00:07:23,640 Speaker 4: sort of life as a collective. You know, one of 151 00:07:23,680 --> 00:07:25,240 Speaker 4: the things that i'd done was I bought from the 152 00:07:25,280 --> 00:07:28,000 Speaker 4: Johnny Cash Oh yeah, yeah, after his death, you know, 153 00:07:28,960 --> 00:07:31,920 Speaker 4: and you know, we had a little bit of fun 154 00:07:31,960 --> 00:07:34,920 Speaker 4: that day. We've been you know, playing playing around or whatever. 155 00:07:34,960 --> 00:07:38,040 Speaker 4: We're just having to drink at night. And then he said, 156 00:07:38,040 --> 00:07:40,800 Speaker 4: where's that grammy? You know? So I showed him and 157 00:07:41,240 --> 00:07:45,800 Speaker 4: then he said, now show you what we do. And 158 00:07:46,080 --> 00:07:48,120 Speaker 4: I'm like, if you can't do that, I was like, 159 00:07:48,360 --> 00:07:51,080 Speaker 4: this is like sacrilegious, you know, I can't take this, 160 00:07:51,920 --> 00:07:54,720 Speaker 4: you know, thing from Johnny Cash's life, the symbol of 161 00:07:54,800 --> 00:07:56,680 Speaker 4: his success and the sort of treat it like it's 162 00:07:56,760 --> 00:07:59,280 Speaker 4: the shot class. And he goes, what do you think 163 00:07:59,320 --> 00:08:05,920 Speaker 4: there's born on grammy? You know, everything they've changed with 164 00:08:06,000 --> 00:08:08,320 Speaker 4: different awards and how awards look and all that sort 165 00:08:08,360 --> 00:08:12,360 Speaker 4: of stuff, but it's still big enough to fit an 166 00:08:12,360 --> 00:08:17,760 Speaker 4: imperial out. Wow your favorite alcohol? Wow your success? Okay, 167 00:08:17,880 --> 00:08:20,720 Speaker 4: so bigger all those years. I never knew that's what 168 00:08:20,720 --> 00:08:22,520 Speaker 4: people got up to with Grammy. So it's become a 169 00:08:22,520 --> 00:08:26,640 Speaker 4: bit of a thing. I have somebody here, you know, 170 00:08:27,880 --> 00:08:30,280 Speaker 4: his work I'm into or whatever. I give him the 171 00:08:30,320 --> 00:08:33,080 Speaker 4: option like to you know, bring it out, poison, bring 172 00:08:33,080 --> 00:08:36,520 Speaker 4: it out, drink out Johnny Cash's Grammy completely enough. Nobody's 173 00:08:36,520 --> 00:08:37,840 Speaker 4: turned down, turned it down? 174 00:08:37,960 --> 00:08:38,640 Speaker 3: Isn't that strange? 175 00:08:39,840 --> 00:08:41,920 Speaker 1: I thought everyone to be knocking it back for us. 176 00:08:42,080 --> 00:08:43,880 Speaker 2: We haven't even spoken about the movie, but there's so 177 00:08:43,920 --> 00:08:46,400 Speaker 2: many questions that we need to ask. Unhingeed, it's a 178 00:08:46,440 --> 00:08:49,360 Speaker 2: great time to come out, obviously, because people are they're 179 00:08:49,440 --> 00:08:51,720 Speaker 2: thirsty for content at the moment, and it is. 180 00:08:52,160 --> 00:08:55,760 Speaker 1: It's a great movie. Do you It's hard to ask this, 181 00:08:55,840 --> 00:08:56,319 Speaker 1: but can you. 182 00:08:56,240 --> 00:08:58,160 Speaker 3: Stick and stick around us? So we need to talk 183 00:08:58,200 --> 00:09:01,600 Speaker 3: about this film because you've completely lost him. I'm good, 184 00:09:01,640 --> 00:09:05,559 Speaker 3: I love it belongs. 185 00:09:07,040 --> 00:09:08,600 Speaker 2: I just feel like we're in a red light at 186 00:09:08,640 --> 00:09:10,559 Speaker 2: the moment and you're not taking off Russell when you're 187 00:09:10,559 --> 00:09:11,720 Speaker 2: about to do something to us. 188 00:09:11,800 --> 00:09:14,160 Speaker 3: We were just talking about how there is very much 189 00:09:14,200 --> 00:09:16,160 Speaker 3: a difference where you learn in this film between a 190 00:09:16,160 --> 00:09:19,240 Speaker 3: friendly toot on the horn and giving someone a really long, 191 00:09:19,280 --> 00:09:20,560 Speaker 3: good three second hold. 192 00:09:22,760 --> 00:09:26,440 Speaker 4: Yeah, well it it seems to be more and more 193 00:09:27,320 --> 00:09:32,160 Speaker 4: we're unable to just, you know, lack communicate simply with 194 00:09:32,240 --> 00:09:35,240 Speaker 4: each other these days, you know, not so much necessarily here, 195 00:09:35,280 --> 00:09:38,520 Speaker 4: but you know there is a rise in it globally, 196 00:09:38,559 --> 00:09:41,720 Speaker 4: and I have noticed as a traveler over time things 197 00:09:41,760 --> 00:09:44,959 Speaker 4: getting a little unfriendly. In the last few years now, 198 00:09:45,040 --> 00:09:46,520 Speaker 4: we just sort of seemed to be at a peak 199 00:09:47,400 --> 00:09:51,320 Speaker 4: of misunderstanding. The most important thing is to just keep 200 00:09:51,400 --> 00:09:52,439 Speaker 4: communicating with each other. 201 00:09:53,160 --> 00:09:56,400 Speaker 2: Hey, Russy, I read initially you flew to Wela to 202 00:09:56,440 --> 00:09:58,560 Speaker 2: meet the director, you said no to this film, you 203 00:09:58,600 --> 00:10:01,360 Speaker 2: thought the role wasn't for you, and then what did 204 00:10:01,360 --> 00:10:01,880 Speaker 2: you really now? 205 00:10:01,960 --> 00:10:03,720 Speaker 1: Wait up, I am a prick. I can do this. 206 00:10:04,640 --> 00:10:07,240 Speaker 1: Is that what you're thinking? 207 00:10:07,280 --> 00:10:11,199 Speaker 4: In a minute, I think just more and more as 208 00:10:11,240 --> 00:10:14,120 Speaker 4: I get older, when you've done x amount of jobs, 209 00:10:14,600 --> 00:10:17,319 Speaker 4: you know, it's harder for you to see clear air 210 00:10:17,559 --> 00:10:22,000 Speaker 4: in something than it was previously, you know. And the 211 00:10:22,080 --> 00:10:24,160 Speaker 4: thing that I had at that time, I was actually 212 00:10:24,160 --> 00:10:27,120 Speaker 4: in Los Angeles, didn't fly there specifically to meet with Derek, 213 00:10:27,160 --> 00:10:29,360 Speaker 4: but I was there and I agreed to meet with him. 214 00:10:29,360 --> 00:10:31,480 Speaker 4: But I thought I was just going to say that 215 00:10:31,520 --> 00:10:34,720 Speaker 4: I didn't want to do the job. But you know, 216 00:10:34,760 --> 00:10:36,920 Speaker 4: you're meeting with a bunch of actors and other people, 217 00:10:37,000 --> 00:10:38,840 Speaker 4: and they say, what are you be reading? And so 218 00:10:39,280 --> 00:10:42,160 Speaker 4: I talked through the story a number of times, and 219 00:10:42,320 --> 00:10:44,760 Speaker 4: just naturally, as you do that, you sort of distill 220 00:10:44,800 --> 00:10:47,040 Speaker 4: it down. And every time I would talk through the story, 221 00:10:47,400 --> 00:10:49,280 Speaker 4: whoever I was going the story to would go, oh, 222 00:10:49,280 --> 00:10:55,160 Speaker 4: that sounds fantastic, does it well? I started to see 223 00:10:55,160 --> 00:10:57,880 Speaker 4: what I was, what I was trying to avoid, and 224 00:10:57,960 --> 00:11:02,000 Speaker 4: I was avoiding a basic thing that this movie, as 225 00:11:02,160 --> 00:11:05,520 Speaker 4: genre as it might feel like, this is a typical 226 00:11:05,679 --> 00:11:09,360 Speaker 4: type of thriller, you know, on the surface, but it's 227 00:11:09,400 --> 00:11:12,920 Speaker 4: talking directly to where we are right now. You know, 228 00:11:13,120 --> 00:11:17,520 Speaker 4: this inability for people to retain their humanity and their 229 00:11:17,559 --> 00:11:20,200 Speaker 4: empathy when their life gets put under a little bit 230 00:11:20,240 --> 00:11:22,200 Speaker 4: of pressure, because you know, really, we don't learn that 231 00:11:22,280 --> 00:11:25,440 Speaker 4: much about this guy, but what we do learn these 232 00:11:25,440 --> 00:11:28,880 Speaker 4: are the normal travails of life. You know, everybody has 233 00:11:28,920 --> 00:11:33,040 Speaker 4: their highs and lows. But this guy has decided that 234 00:11:33,480 --> 00:11:37,080 Speaker 4: he's going to go on a path of destruction because 235 00:11:37,200 --> 00:11:38,920 Speaker 4: of the things that have happened in his life. You know, 236 00:11:40,160 --> 00:11:43,320 Speaker 4: you can say that that's a fantasy situation, but you 237 00:11:43,360 --> 00:11:46,960 Speaker 4: know there's people picking up AR fifteen's in America and 238 00:11:47,000 --> 00:11:50,880 Speaker 4: walking into shopping malls and nightclubs and shooting from hotel 239 00:11:50,920 --> 00:11:54,400 Speaker 4: windows and stuff, doing things that just a little while 240 00:11:54,440 --> 00:11:57,000 Speaker 4: ago in our lives we would have said is impossible, 241 00:11:57,080 --> 00:12:00,800 Speaker 4: is appalling, And now it's so regular. So I think 242 00:12:02,280 --> 00:12:06,240 Speaker 4: it talks to where we are right now, more of 243 00:12:06,320 --> 00:12:09,480 Speaker 4: us a title comment than it might normally have been seen. 244 00:12:09,559 --> 00:12:11,280 Speaker 4: So I think it's pretty cool film. 245 00:12:11,559 --> 00:12:11,880 Speaker 1: Russell. 246 00:12:11,880 --> 00:12:13,040 Speaker 3: There's a scene in a cafe. 247 00:12:13,360 --> 00:12:14,560 Speaker 1: I won't give too much away. 248 00:12:14,840 --> 00:12:18,760 Speaker 3: Things escalate pretty quickly when you are doing a scene 249 00:12:18,960 --> 00:12:22,720 Speaker 3: so intense as that, right That shocks everybody that sees 250 00:12:22,720 --> 00:12:26,040 Speaker 3: it is how many takes are involved. And is there 251 00:12:26,080 --> 00:12:28,520 Speaker 3: a moment where you just start laughing because you need 252 00:12:28,520 --> 00:12:30,520 Speaker 3: that relief from how full on it is? 253 00:12:31,520 --> 00:12:36,040 Speaker 4: Well, it's things you don't stay in that groove after cut, 254 00:12:36,320 --> 00:12:40,160 Speaker 4: you know, I mean, yeah, between takes you're just talking 255 00:12:40,160 --> 00:12:42,160 Speaker 4: with your work buddies or whatever. And there's a lot 256 00:12:42,160 --> 00:12:45,360 Speaker 4: of detail. And Bob, that actual scene we shot over 257 00:12:45,440 --> 00:12:47,960 Speaker 4: two days, did you really We shot it all from 258 00:12:47,960 --> 00:12:50,760 Speaker 4: one side first, one side of the room, and then 259 00:12:51,440 --> 00:12:53,880 Speaker 4: that night the director was thinking, Man, I just don't 260 00:12:53,920 --> 00:12:57,439 Speaker 4: think one side of the room is enough, So we're 261 00:12:57,440 --> 00:12:58,880 Speaker 4: going to change the schedule and go back and do 262 00:12:58,920 --> 00:13:02,000 Speaker 4: it again. So that's pretty difficult on a tight, tight 263 00:13:02,080 --> 00:13:05,920 Speaker 4: schedule like that, you know. Anyway, we did it so 264 00:13:06,240 --> 00:13:08,800 Speaker 4: really the number of takes probably sixty seventy. 265 00:13:09,000 --> 00:13:11,520 Speaker 3: Wow, that's over two days. 266 00:13:11,520 --> 00:13:13,400 Speaker 4: It's such a pick of what gives it its actual 267 00:13:13,400 --> 00:13:17,560 Speaker 4: engine because of the detail of the shooting, and you know, 268 00:13:18,160 --> 00:13:20,120 Speaker 4: we did it lots of different ways. It's like, you know, 269 00:13:20,360 --> 00:13:22,200 Speaker 4: can you do this at a low level rage? And 270 00:13:22,240 --> 00:13:24,920 Speaker 4: it was like it was just discovered at a certain point, 271 00:13:25,360 --> 00:13:29,000 Speaker 4: he's got he's got to go forward. All of those 272 00:13:29,040 --> 00:13:31,360 Speaker 4: things that you were laughing about with the butter knife 273 00:13:31,360 --> 00:13:34,480 Speaker 4: and stuff like that, you know, they're all conversations that 274 00:13:34,559 --> 00:13:37,760 Speaker 4: you have weeks before you know you're planning to stand 275 00:13:37,840 --> 00:13:39,720 Speaker 4: and how it's going to go. Like the coffee cup 276 00:13:39,800 --> 00:13:43,120 Speaker 4: has to be specially made, but a knife has to 277 00:13:43,160 --> 00:13:47,360 Speaker 4: be specially made. It was like, how do you create 278 00:13:47,640 --> 00:13:51,880 Speaker 4: terror out of ordinary domestic objects? You know, that was 279 00:13:51,920 --> 00:13:54,199 Speaker 4: my vibe. You know, they wanted to have some weapon 280 00:13:54,280 --> 00:13:58,400 Speaker 4: or whatever, whatever's on the table. Your standard American diner 281 00:13:58,600 --> 00:14:02,520 Speaker 4: becomes the way available, you know, doing that from there. 282 00:14:02,679 --> 00:14:05,760 Speaker 2: Now, this character doesn't even have a name, which look, 283 00:14:05,840 --> 00:14:07,520 Speaker 2: try to look it up. It's just the man you're 284 00:14:07,559 --> 00:14:11,160 Speaker 2: known as the man in this movie. This is a 285 00:14:11,160 --> 00:14:13,520 Speaker 2: tough one, Russ. And you spoke about this. Do we 286 00:14:13,559 --> 00:14:16,400 Speaker 2: ask Russell before the show? I think we're mates enough now, 287 00:14:16,440 --> 00:14:19,000 Speaker 2: but the man is Look, he's a big man. 288 00:14:19,120 --> 00:14:21,400 Speaker 1: What do you ask a big boy? What are you asking? Well, 289 00:14:21,440 --> 00:14:22,680 Speaker 1: there has been a conversation. 290 00:14:23,000 --> 00:14:25,680 Speaker 2: Was there a suit involved with this that you wore 291 00:14:25,760 --> 00:14:27,120 Speaker 2: for the movie, Russ? 292 00:14:27,240 --> 00:14:28,960 Speaker 1: Or did the man get that big? 293 00:14:30,880 --> 00:14:34,479 Speaker 4: Well, what you do is you dress in a particular 294 00:14:34,560 --> 00:14:36,920 Speaker 4: way to emphasize whatever you want to empisode. 295 00:14:37,040 --> 00:14:39,080 Speaker 1: He tuck it in. You're Harry ye if. 296 00:14:38,960 --> 00:14:42,320 Speaker 4: You're playing you know, as I've played many characters in 297 00:14:42,360 --> 00:14:45,640 Speaker 4: the past of certain different physical shapes, and there's also 298 00:14:45,640 --> 00:14:48,120 Speaker 4: stuff you do with your costume to emphasize what you 299 00:14:48,120 --> 00:14:51,040 Speaker 4: want to empisode. And with that guy, I wanted to create, 300 00:14:51,440 --> 00:14:54,640 Speaker 4: you know, I wanted you to know that he's very 301 00:14:54,680 --> 00:15:02,600 Speaker 4: definitely from the geographic regions like but you know, I 302 00:15:02,760 --> 00:15:05,960 Speaker 4: put on a whole bunch of weight a few years 303 00:15:06,000 --> 00:15:09,560 Speaker 4: ago when I was coming in to do nice guys. Yes, 304 00:15:09,920 --> 00:15:14,680 Speaker 4: And since then I've had a series of characters of 305 00:15:14,720 --> 00:15:16,160 Speaker 4: Corby and said, hey, are you still big? 306 00:15:18,160 --> 00:15:18,360 Speaker 5: Yeah? 307 00:15:19,360 --> 00:15:22,200 Speaker 4: Actually cool, because I could use a little bit of that. 308 00:15:24,960 --> 00:15:29,960 Speaker 4: But right now I've got no excuse. So I'm actually 309 00:15:31,080 --> 00:15:33,840 Speaker 4: having a great time being up here because I get 310 00:15:33,880 --> 00:15:35,680 Speaker 4: to do all the work that I need to do 311 00:15:35,760 --> 00:15:38,160 Speaker 4: on the phone or reading or whatever. But then I 312 00:15:38,200 --> 00:15:40,640 Speaker 4: come out the door and there's always a job, little 313 00:15:40,680 --> 00:15:43,640 Speaker 4: jobs to do, you know, so whether you're ripping up 314 00:15:43,680 --> 00:15:46,200 Speaker 4: a paddock or fertilizing or seating or whatever they have 315 00:15:46,280 --> 00:15:48,400 Speaker 4: it be. So I'm in a great rhythm right now. 316 00:15:48,440 --> 00:15:49,840 Speaker 3: The difference is I've put on the weight, but I'm 317 00:15:49,880 --> 00:15:54,280 Speaker 3: not getting any phone calls. Yours are driving a bit 318 00:15:54,280 --> 00:15:57,040 Speaker 3: of business mate, Actually nice. 319 00:15:57,080 --> 00:16:00,520 Speaker 2: We've been talking all morning Big One this morning. He's 320 00:16:00,600 --> 00:16:02,880 Speaker 2: just had his first rally in the US. We've been 321 00:16:02,880 --> 00:16:05,600 Speaker 2: playing audio all morning. Think it was going to go ahead, 322 00:16:05,640 --> 00:16:10,480 Speaker 2: don't you? But Kanye's twenty twenty presidential campaigns started this morning. 323 00:16:10,560 --> 00:16:11,440 Speaker 1: He had a rally. 324 00:16:12,680 --> 00:16:15,560 Speaker 3: Have you seen any of the footage? A bulletproof jacket on? 325 00:16:15,640 --> 00:16:17,600 Speaker 3: He had twenty twenty shaved into his head. 326 00:16:17,720 --> 00:16:19,280 Speaker 1: I mean, where are you at at the moment with 327 00:16:19,360 --> 00:16:20,320 Speaker 1: American politics. 328 00:16:20,360 --> 00:16:22,680 Speaker 2: Do you get involved? You try to stay away? But 329 00:16:22,800 --> 00:16:24,120 Speaker 2: what do you think of this? Do you think it's 330 00:16:24,160 --> 00:16:26,480 Speaker 2: a good thing that Kanye is doing this for us? 331 00:16:27,440 --> 00:16:32,920 Speaker 4: From what I've read, he hasn't actually officially become a 332 00:16:32,960 --> 00:16:34,120 Speaker 4: candidate anywhere. 333 00:16:34,280 --> 00:16:38,280 Speaker 2: No, he needs he needs twenty thousand registrations and signatures, 334 00:16:38,280 --> 00:16:40,600 Speaker 2: which we're pretty confident he'll get that easy. 335 00:16:40,640 --> 00:16:41,120 Speaker 3: Do you know him? 336 00:16:41,160 --> 00:16:41,480 Speaker 1: Russell? 337 00:16:42,040 --> 00:16:42,840 Speaker 4: Yeah? Yeah, of course. 338 00:16:43,800 --> 00:16:44,000 Speaker 5: Guy. 339 00:16:44,120 --> 00:16:45,800 Speaker 1: Where did you meet him? Who'd you meet him through? 340 00:16:46,720 --> 00:16:46,920 Speaker 5: Mm? 341 00:16:48,200 --> 00:16:51,200 Speaker 4: He wanted to meet me wow, because he was doing 342 00:16:51,240 --> 00:16:54,960 Speaker 4: a record with jay Z, right, he the one in 343 00:16:55,000 --> 00:16:57,840 Speaker 4: Sydney here from Gladiator. At some point he used like 344 00:16:58,800 --> 00:17:01,640 Speaker 4: or something on one of his record I want to 345 00:17:01,840 --> 00:17:03,640 Speaker 4: I can't remember what he wanted to use, but he 346 00:17:03,720 --> 00:17:04,639 Speaker 4: was in Sydney. 347 00:17:04,880 --> 00:17:06,120 Speaker 6: I remember the footage. 348 00:17:06,400 --> 00:17:08,160 Speaker 4: So I went and hung out with him, and then 349 00:17:08,480 --> 00:17:11,480 Speaker 4: you know, we've seen each other over the years. Funnily enough, 350 00:17:11,480 --> 00:17:13,320 Speaker 4: we were talking about the purchases before one of the 351 00:17:13,320 --> 00:17:15,880 Speaker 4: funniest nights I ever had with Kanye. We were at 352 00:17:15,880 --> 00:17:20,720 Speaker 4: the Dorchester Hotel in London, and underneath the Dorchester he's 353 00:17:20,760 --> 00:17:24,359 Speaker 4: a Chinese restaurant called China Tank was established by a 354 00:17:24,359 --> 00:17:27,800 Speaker 4: great made of mind, the late, Sir David Tank, and 355 00:17:27,840 --> 00:17:30,679 Speaker 4: we were down there late at night and I'm with 356 00:17:30,720 --> 00:17:33,520 Speaker 4: Sam and this is the period when Sam was playing 357 00:17:33,720 --> 00:17:34,359 Speaker 4: for a. 358 00:17:34,440 --> 00:17:36,199 Speaker 1: Bath and Rugby. 359 00:17:36,840 --> 00:17:40,240 Speaker 4: Yeah, and you know, he had a week off or something. 360 00:17:40,280 --> 00:17:43,119 Speaker 4: So he had a couple of beers and Kanye comes 361 00:17:43,160 --> 00:17:45,720 Speaker 4: down because he just like he heard I was there, 362 00:17:45,760 --> 00:17:47,399 Speaker 4: and he just like sent a message and I come 363 00:17:47,440 --> 00:17:49,399 Speaker 4: and hang. I was like, yeah, man, you know. So 364 00:17:49,440 --> 00:17:51,600 Speaker 4: he came down and you know, they had a couple 365 00:17:51,600 --> 00:17:53,760 Speaker 4: of dumplings or whatever. But he brought his computer with 366 00:17:53,840 --> 00:17:56,600 Speaker 4: him and he was just scrolling through a bunch of 367 00:17:56,640 --> 00:17:59,359 Speaker 4: stuff he'd been working on. You know, here's some design 368 00:17:59,440 --> 00:18:01,879 Speaker 4: stuff and been doing here's another idea about this, so 369 00:18:02,000 --> 00:18:05,680 Speaker 4: that you know, he is this song that I recorded 370 00:18:05,720 --> 00:18:09,639 Speaker 4: with Paul McCartney, you know, and he plays that. 371 00:18:11,720 --> 00:18:12,080 Speaker 1: Seconds. 372 00:18:12,280 --> 00:18:15,600 Speaker 4: Yeah, yeah, and you know, so he played it and 373 00:18:15,640 --> 00:18:18,120 Speaker 4: it hadn't come out yet, and we were like, it's great, 374 00:18:18,400 --> 00:18:21,000 Speaker 4: you know. So he played it four or five songs, 375 00:18:21,040 --> 00:18:24,200 Speaker 4: four or five times, you know, and at one point 376 00:18:24,320 --> 00:18:30,439 Speaker 4: Sam is singing along that he doesn't really know the words, 377 00:18:30,800 --> 00:18:34,040 Speaker 4: just getting into it. Sounds like I'm just doing my 378 00:18:34,119 --> 00:18:37,960 Speaker 4: impersonation of San Burgers singing along. So Kanye West song 379 00:18:38,400 --> 00:18:49,240 Speaker 4: he was he was going Wednesday because, like I said, 380 00:18:49,359 --> 00:18:53,680 Speaker 4: see a little twitch in Kanye's eye. You know, you know, Sam, 381 00:18:53,920 --> 00:18:58,360 Speaker 4: You're you're seeing get the words wrong, singing wrong. It's 382 00:18:58,440 --> 00:19:04,840 Speaker 4: like it doesn't matter what you won't make the record, Kanye, 383 00:19:05,200 --> 00:19:10,680 Speaker 4: Does it matter what day it is? Yeah? 384 00:19:10,840 --> 00:19:11,560 Speaker 1: Yeah it does. 385 00:19:12,280 --> 00:19:13,080 Speaker 4: It does matter. 386 00:19:14,800 --> 00:19:21,080 Speaker 1: Western Semi Bass. Wow, that is awesome listening to those stories. 387 00:19:21,119 --> 00:19:23,360 Speaker 1: Old Eyes just the best. Russell. 388 00:19:23,480 --> 00:19:26,080 Speaker 2: You can see him on your screens July thirty. It's 389 00:19:26,119 --> 00:19:30,080 Speaker 2: coming out in Cinema's unhinge. It's the that we need 390 00:19:30,119 --> 00:19:33,800 Speaker 2: at the moment. But Russ always a pleasure. So good man, 391 00:19:33,880 --> 00:19:35,040 Speaker 2: thanks for giving us the time. 392 00:19:35,080 --> 00:19:36,800 Speaker 4: Mate, boys, have a great day. 393 00:19:36,880 --> 00:19:37,760 Speaker 3: Say you buddy by. 394 00:19:39,280 --> 00:19:51,800 Speaker 6: Sidneys, check the weather wrap, activate my base shield, order 395 00:19:51,840 --> 00:19:56,360 Speaker 6: a pizza, and saber. Galaxy on the brink of war as. 396 00:19:56,280 --> 00:19:59,720 Speaker 5: Forces by for control of the Alpha and Peter quadrants. 397 00:20:00,480 --> 00:20:04,119 Speaker 5: Download Star Trek Fleet Command today. 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