1 00:00:00,920 --> 00:00:04,240 Speaker 1: Fitz and with Kate Richie this entertain and we love 2 00:00:04,320 --> 00:00:09,000 Speaker 1: him to death. Adam Lamber, welcome by, we be here. 3 00:00:09,080 --> 00:00:10,480 Speaker 2: I love having you in here. 4 00:00:10,600 --> 00:00:11,479 Speaker 3: I love coming here. 5 00:00:11,600 --> 00:00:12,520 Speaker 2: You're a friend of the show. 6 00:00:12,600 --> 00:00:14,240 Speaker 3: I always have fun here. I always laughed too much. 7 00:00:14,360 --> 00:00:17,680 Speaker 2: Always welcome in the studio. Thank you time, buddy, Thank you. 8 00:00:17,720 --> 00:00:19,480 Speaker 3: It's how long have we been doing this? How many 9 00:00:19,480 --> 00:00:20,400 Speaker 3: times have I come in here? 10 00:00:20,440 --> 00:00:21,400 Speaker 2: About twenty five? 11 00:00:22,239 --> 00:00:22,560 Speaker 3: Right? 12 00:00:22,640 --> 00:00:23,239 Speaker 1: Well, we love you. 13 00:00:23,320 --> 00:00:26,119 Speaker 4: Australians love you so much that you were a judge 14 00:00:26,120 --> 00:00:28,400 Speaker 4: on X Factor as well. We got you back to work. 15 00:00:28,600 --> 00:00:31,440 Speaker 5: Yeah, yeah, I think I came here during X Factor. 16 00:00:31,480 --> 00:00:32,680 Speaker 5: Actually I came here on the show. 17 00:00:32,760 --> 00:00:34,720 Speaker 1: Yeah, you had to get a vasor and come here 18 00:00:34,720 --> 00:00:35,120 Speaker 1: and work. 19 00:00:35,200 --> 00:00:35,919 Speaker 3: Yeah, I loved it. 20 00:00:36,400 --> 00:00:38,560 Speaker 4: Have you been doing any more of the talent shows 21 00:00:38,600 --> 00:00:39,160 Speaker 4: around the world. 22 00:00:39,240 --> 00:00:41,360 Speaker 5: I'm doing one in the UK called Starstruck, which I 23 00:00:41,400 --> 00:00:44,040 Speaker 5: think is airing here now. Great, the first season's airing 24 00:00:44,040 --> 00:00:45,880 Speaker 5: here and the second season is airing in the UK 25 00:00:45,960 --> 00:00:46,199 Speaker 5: right now. 26 00:00:46,240 --> 00:00:48,280 Speaker 2: Is there a difference, like, what's the angle for the show. 27 00:00:48,720 --> 00:00:52,159 Speaker 5: It's basically it's it's like Stars in the Rise, which 28 00:00:52,200 --> 00:00:55,160 Speaker 5: is a popular British show. It's where people get transformed 29 00:00:55,200 --> 00:00:58,040 Speaker 5: into their favorite artists and sing has that artist that'd 30 00:00:58,080 --> 00:00:59,440 Speaker 5: be fascinating me, and there's so much fun. 31 00:00:59,440 --> 00:01:02,560 Speaker 2: There's a guy here called Jason Jackson who lives in Sydney. 32 00:01:02,760 --> 00:01:06,240 Speaker 2: He's committed his life slightly different to being Michael Jackson. 33 00:01:06,319 --> 00:01:07,560 Speaker 3: He'd do a great on the show. 34 00:01:07,360 --> 00:01:08,840 Speaker 2: And he would be perfect for this show. 35 00:01:08,840 --> 00:01:11,880 Speaker 4: The real Lie still lives at home with mum and dad, 36 00:01:12,040 --> 00:01:14,800 Speaker 4: but then their house has been transformed. 37 00:01:14,840 --> 00:01:17,280 Speaker 1: Its formed into a mini Neverland. 38 00:01:17,560 --> 00:01:21,200 Speaker 6: So his dad has got a giant Eliphane giraffe, he's 39 00:01:21,200 --> 00:01:23,920 Speaker 6: got bubbles, he's got Do you know. 40 00:01:23,920 --> 00:01:26,760 Speaker 5: That I did a gig at Neverland Ranch last year? 41 00:01:26,920 --> 00:01:28,280 Speaker 3: Yeah, it was very eerie. 42 00:01:28,400 --> 00:01:30,560 Speaker 5: The geat at the very front and you enter through 43 00:01:30,680 --> 00:01:33,319 Speaker 5: every There's been tons of fans that have like signed the. 44 00:01:33,280 --> 00:01:36,320 Speaker 3: Wall, so the walls are all like like tagged. It's 45 00:01:36,360 --> 00:01:37,760 Speaker 3: really interesting, you know what. 46 00:01:37,840 --> 00:01:40,560 Speaker 2: I'm fascinated by the artist and the corporate gig because 47 00:01:40,600 --> 00:01:43,200 Speaker 2: when you've got a voice like you and your ability 48 00:01:43,240 --> 00:01:45,840 Speaker 2: to put on a show like you do, the demand 49 00:01:45,840 --> 00:01:48,280 Speaker 2: to be huge, but you never know what these wealthy 50 00:01:48,320 --> 00:01:50,840 Speaker 2: people who can afford you are going to request. 51 00:01:51,240 --> 00:01:54,240 Speaker 5: It's very true, and sometimes they're really specific. Yes, one 52 00:01:54,240 --> 00:01:56,160 Speaker 5: oftimes you're like I want to approve your set list, 53 00:01:56,240 --> 00:01:57,960 Speaker 5: and they're like, no, not that one, not that one, 54 00:01:58,000 --> 00:01:59,600 Speaker 5: this one that, And I'm like, okay, well, you know, 55 00:01:59,680 --> 00:01:59,880 Speaker 5: if you. 56 00:02:00,280 --> 00:02:03,200 Speaker 3: The right amount of money, yeah, whatever that happened. You know, 57 00:02:03,400 --> 00:02:03,960 Speaker 3: it's a gig. 58 00:02:04,000 --> 00:02:06,840 Speaker 4: Did you hear about the Mariah Carey one in Where 59 00:02:07,000 --> 00:02:08,680 Speaker 4: was it in the It was in the middle ace somewhere. 60 00:02:08,760 --> 00:02:10,320 Speaker 1: It was for a sultan or something like that. 61 00:02:10,440 --> 00:02:13,480 Speaker 4: It was basically it was basically, we will give you 62 00:02:13,480 --> 00:02:15,799 Speaker 4: two hundred and fifty It was a million dollars, two 63 00:02:15,880 --> 00:02:19,040 Speaker 4: hundred and fifty thousand dollars, like bird pitcheck for four songs, 64 00:02:19,919 --> 00:02:21,480 Speaker 4: and then at the end of it she said, I'm 65 00:02:21,520 --> 00:02:23,040 Speaker 4: feeling good, why don't we keep going? 66 00:02:23,680 --> 00:02:26,040 Speaker 1: Because it was two hundred and fifty grand song. She 67 00:02:26,120 --> 00:02:28,320 Speaker 1: ended up performing about nine or ten song. 68 00:02:28,360 --> 00:02:31,079 Speaker 3: Knowingly, knowingly upping her price tag. 69 00:02:31,320 --> 00:02:33,160 Speaker 2: Smart lady, I'll send the invoice. 70 00:02:33,240 --> 00:02:36,600 Speaker 5: I did a party over like years ago in the 71 00:02:36,600 --> 00:02:39,880 Speaker 5: middle of it like Montana or something, and the host 72 00:02:39,919 --> 00:02:44,520 Speaker 5: and hostess were so stoned that it was it was 73 00:02:44,680 --> 00:02:45,600 Speaker 5: it was bizarre. 74 00:02:45,680 --> 00:02:47,400 Speaker 3: The entire party was like baked. 75 00:02:47,639 --> 00:02:49,839 Speaker 5: He's a proud you know, I mean, like we could 76 00:02:49,880 --> 00:02:51,760 Speaker 5: have like whispered the songs and they would have liked that. 77 00:02:51,800 --> 00:02:52,720 Speaker 2: Did they get into it? 78 00:02:52,800 --> 00:02:55,240 Speaker 3: They were really into it. Oh yeah, they were really 79 00:02:55,280 --> 00:02:59,320 Speaker 3: into it. Adam do oh, I love you, I'm hungry, 80 00:03:00,280 --> 00:03:04,160 Speaker 3: Get me some burger? Whare the Chips and Fredo's. 81 00:03:04,320 --> 00:03:06,919 Speaker 4: We talk about high drama as well, which is covers 82 00:03:07,000 --> 00:03:09,600 Speaker 4: and you cover a great Australian artist on there as well. 83 00:03:09,639 --> 00:03:10,120 Speaker 3: With'd say it. 84 00:03:10,360 --> 00:03:13,040 Speaker 2: I think Chandelier is one of the greatest songs of 85 00:03:13,080 --> 00:03:13,440 Speaker 2: all time. 86 00:03:13,600 --> 00:03:15,800 Speaker 5: She I mean, and she is such a great singer 87 00:03:15,880 --> 00:03:17,160 Speaker 5: and such a sweetheart. 88 00:03:17,160 --> 00:03:18,040 Speaker 3: I've met her a couple of times. 89 00:03:18,040 --> 00:03:20,919 Speaker 1: She's like, so nice, tough song to sing though, it's 90 00:03:20,960 --> 00:03:21,520 Speaker 1: a beast. 91 00:03:21,760 --> 00:03:23,400 Speaker 2: Oh my god, you hit that note. 92 00:03:23,480 --> 00:03:25,760 Speaker 3: It's a beast. Well. And that was the thing too, 93 00:03:25,800 --> 00:03:28,160 Speaker 3: is that like she doesn't like her head voice. And 94 00:03:28,160 --> 00:03:29,440 Speaker 3: I was like, well, how do I I can't. 95 00:03:29,680 --> 00:03:31,639 Speaker 5: I can't copy her. No, that's what point of this 96 00:03:31,680 --> 00:03:33,000 Speaker 5: whole album. I got to find my own way to 97 00:03:33,040 --> 00:03:34,720 Speaker 5: do it. So I was like, Okay, well I'm gonna 98 00:03:35,200 --> 00:03:38,360 Speaker 5: like wail it, yeah, the high note, you know, doing 99 00:03:38,400 --> 00:03:41,680 Speaker 5: it live. I'm like, damn it, I wish I Why 100 00:03:41,720 --> 00:03:43,560 Speaker 5: did I set myself up for that much work? 101 00:03:43,720 --> 00:03:46,840 Speaker 4: But when you step in for Freddie Mercury, though I 102 00:03:46,880 --> 00:03:49,520 Speaker 4: think you have the confidence to tackle any song in 103 00:03:49,560 --> 00:03:50,040 Speaker 4: the world. 104 00:03:50,280 --> 00:03:52,560 Speaker 5: Well, that's what you think, because I'm making you think 105 00:03:52,600 --> 00:03:53,640 Speaker 5: I have that much confidence. 106 00:03:53,680 --> 00:03:54,440 Speaker 3: It's part of the gig. 107 00:03:54,520 --> 00:03:55,440 Speaker 2: Are you lying to us? 108 00:03:55,520 --> 00:03:59,800 Speaker 5: I'm performing, Yes, it's it's it's a magic act. I 109 00:04:00,480 --> 00:04:02,960 Speaker 5: My job is to make you think that I'm a 110 00:04:03,000 --> 00:04:06,080 Speaker 5: cocky you know, mf like doing these rocks. But I 111 00:04:06,200 --> 00:04:08,360 Speaker 5: definitely have my own insecurity is and I'm hard on 112 00:04:08,360 --> 00:04:09,400 Speaker 5: myself and I you. 113 00:04:09,360 --> 00:04:12,160 Speaker 1: Know, all right, and you have to wrap now now 114 00:04:12,200 --> 00:04:12,840 Speaker 1: I have to wrap. 115 00:04:13,680 --> 00:04:15,440 Speaker 6: So I mean for all the big shows you've done 116 00:04:15,440 --> 00:04:17,200 Speaker 6: around the world, now you have to wrap. 117 00:04:17,240 --> 00:04:19,760 Speaker 3: I am not a rap disclaimer, I am not a rapper. 118 00:04:19,800 --> 00:04:24,400 Speaker 1: You're up against myself. We are wrapping to Cypress Hill, Okay, 119 00:04:24,560 --> 00:04:25,520 Speaker 1: when she goes down. 120 00:04:25,600 --> 00:04:27,320 Speaker 3: I like this piece. He's a good beat. 121 00:04:27,640 --> 00:04:29,240 Speaker 2: Who's gonna go first? I mean, you're the guests, you 122 00:04:29,279 --> 00:04:31,200 Speaker 2: get to choose. I think he should go first, Ryan 123 00:04:31,279 --> 00:04:32,240 Speaker 2: James and wipe. 124 00:04:32,040 --> 00:04:42,320 Speaker 3: The floor at the mappen I love it when you 125 00:04:42,400 --> 00:04:42,800 Speaker 3: wrap that. 126 00:04:43,920 --> 00:04:47,160 Speaker 7: You don't know how much Dad Whippo ways that's going 127 00:04:47,279 --> 00:04:51,159 Speaker 7: later on the Buffy doesn't. 128 00:04:50,880 --> 00:04:51,680 Speaker 2: Make sense, It does not. 129 00:04:51,720 --> 00:04:53,880 Speaker 1: Adam Lambert Wow, you're allowed to roast here. 130 00:04:53,880 --> 00:05:00,240 Speaker 4: We're roasting, okay out of my first line, roast lambert A. 131 00:05:00,760 --> 00:05:02,040 Speaker 1: Yeah, I'm going first. 132 00:05:02,040 --> 00:05:04,599 Speaker 5: I mean, after the pandemic, there's a light to go around. 133 00:05:04,640 --> 00:05:05,960 Speaker 5: I mean, I'm like a hardy portion. 134 00:05:06,600 --> 00:05:12,119 Speaker 6: I'm right here, yeah, out here with you. 135 00:05:12,160 --> 00:05:13,080 Speaker 1: Turn it up, Jess. 136 00:05:13,440 --> 00:05:14,839 Speaker 3: Why does kick it in the guts a little bit? 137 00:05:14,920 --> 00:05:16,799 Speaker 3: You know I'm kicking right on the guts. 138 00:05:17,600 --> 00:05:20,919 Speaker 2: Okay, you've got this, Ryan James long intro. 139 00:05:21,360 --> 00:05:21,840 Speaker 6: Here we go. 140 00:05:21,880 --> 00:05:23,000 Speaker 2: Come on, mate, don't be nervous. 141 00:05:23,240 --> 00:05:23,880 Speaker 3: Roast on. 142 00:05:24,040 --> 00:05:26,359 Speaker 4: Adam's here and it's time to roast lamb. But you 143 00:05:26,520 --> 00:05:29,760 Speaker 4: dare take on Fitzy the lyrical gambling. You're popular here 144 00:05:29,800 --> 00:05:32,239 Speaker 4: in this country Australia, but you're going to dive. 145 00:05:32,120 --> 00:05:33,400 Speaker 1: Quicker than Iggy Azalea. 146 00:05:33,960 --> 00:05:36,800 Speaker 7: First on the scene in American Idol, Run it Up 147 00:05:36,839 --> 00:05:39,440 Speaker 7: and then heard on every radio Doll the voice of 148 00:05:39,440 --> 00:05:42,159 Speaker 7: an angel in Spectacle, hot pants and Hair from the 149 00:05:42,200 --> 00:05:43,760 Speaker 7: band My Chemical Romance. 150 00:05:44,080 --> 00:05:46,880 Speaker 1: Brian Macheles, you are the legend from Queen. You're down 151 00:05:46,920 --> 00:05:48,279 Speaker 1: the line. What do you want from me? 152 00:05:48,920 --> 00:05:50,719 Speaker 7: He asked you to step in is the voice of 153 00:05:50,760 --> 00:05:53,680 Speaker 7: Freddy and like whip around the ato, you're getting sweating 154 00:05:53,920 --> 00:05:56,160 Speaker 7: and then you jump into a nuclear reactor. 155 00:05:56,440 --> 00:05:58,560 Speaker 1: I judge on Australia's X Factor. 156 00:05:58,760 --> 00:06:02,160 Speaker 4: You replace James Blunt, mentored the winner while he thought 157 00:06:02,240 --> 00:06:03,479 Speaker 4: she was on Jerry Spring. 158 00:06:03,520 --> 00:06:03,960 Speaker 2: I'll hang on. 159 00:06:04,120 --> 00:06:06,800 Speaker 8: Now you're back with an album of covers. You've had 160 00:06:06,839 --> 00:06:10,080 Speaker 8: more hits than Tom's had lovers. You had him the 161 00:06:10,160 --> 00:06:13,640 Speaker 8: ultimate hit producer officially. Now in the world, you're the 162 00:06:13,680 --> 00:06:15,120 Speaker 8: most successful loser. 163 00:06:17,360 --> 00:06:24,200 Speaker 2: N that is that was for the record. Outside of 164 00:06:24,240 --> 00:06:26,400 Speaker 2: the family, Tom's had one lover. 165 00:06:28,360 --> 00:06:32,400 Speaker 8: He's had so many lovers. 166 00:06:33,720 --> 00:06:40,920 Speaker 5: Okay, sure, FITZI was a dodgy footballer. Every goal he'd miss, 167 00:06:41,040 --> 00:06:43,520 Speaker 5: he'd grow an inch tar. He's not a goal kicker. 168 00:06:43,560 --> 00:06:45,640 Speaker 5: He'd always missed the plenty spend his time on the 169 00:06:45,680 --> 00:06:48,120 Speaker 5: side getting oil in his joints. You worked in a 170 00:06:48,200 --> 00:06:52,200 Speaker 5: deli without much knowledge. You kept serving ladies. You're stinking crumbsarts. 171 00:06:52,600 --> 00:06:55,880 Speaker 3: He's half dead. Time is not an option. You're so old. 172 00:06:55,920 --> 00:07:00,600 Speaker 3: People bit on you at an oction. You're any and 173 00:07:00,839 --> 00:07:02,159 Speaker 3: take God's up. 174 00:07:02,480 --> 00:07:04,920 Speaker 5: While before you it's all about your image. You're on 175 00:07:05,080 --> 00:07:07,960 Speaker 5: enough hair meds to kill a small village. His body 176 00:07:08,360 --> 00:07:11,480 Speaker 5: is a force of oily hair. His autobiography should just 177 00:07:11,520 --> 00:07:15,040 Speaker 5: be called Nare. He looks like Pepparti and he smells 178 00:07:15,120 --> 00:07:17,160 Speaker 5: like Peplova. He's not the King of Raider, He's the 179 00:07:17,240 --> 00:07:18,160 Speaker 5: king of the comb. 180 00:07:17,920 --> 00:07:21,200 Speaker 3: Over sadly all whip but does his flute? Hey, guys, 181 00:07:21,240 --> 00:07:23,040 Speaker 3: you want to borrow my timeshare boat? 182 00:07:24,800 --> 00:07:26,600 Speaker 2: It's a sixty foot rivo. 183 00:07:28,160 --> 00:07:30,480 Speaker 5: Every time I see him, I think I'll get hurt 184 00:07:30,520 --> 00:07:34,000 Speaker 5: because he sits there thinking I'm roast. Lambert Whippa makes 185 00:07:34,080 --> 00:07:37,200 Speaker 5: food disappear like a wizard. Didn't the Rolling Stones call 186 00:07:37,280 --> 00:07:37,920 Speaker 5: you beef. 187 00:07:37,800 --> 00:07:45,600 Speaker 3: Richard, Great Richard? So farewell, boys, it's time to be sedated, 188 00:07:45,600 --> 00:07:48,080 Speaker 3: because I look around this room and the careers are cremated. 189 00:07:48,200 --> 00:07:51,000 Speaker 5: For the second time. I've won the rap without a doubt. Whip, 190 00:07:51,080 --> 00:07:52,840 Speaker 5: do you want me to sign your cans? 191 00:07:52,880 --> 00:07:53,720 Speaker 3: On the way out. 192 00:07:55,440 --> 00:08:02,720 Speaker 2: There? To Mary for a pen That was massive, unfair 193 00:08:02,840 --> 00:08:05,800 Speaker 2: but accurate. Tom There can only be one winner. 194 00:08:06,640 --> 00:08:07,240 Speaker 1: It's Adam. 195 00:08:07,440 --> 00:08:07,680 Speaker 5: Wow. 196 00:08:10,960 --> 00:08:12,480 Speaker 2: You didn't really think about it, digit Tommy. 197 00:08:14,040 --> 00:08:16,080 Speaker 1: That was magnificent, Adam Lamb. 198 00:08:17,680 --> 00:08:19,600 Speaker 3: That was the only country that I could get away 199 00:08:19,640 --> 00:08:20,840 Speaker 3: with wrapping on the radio. 200 00:08:21,320 --> 00:08:23,520 Speaker 2: We've got it so that straight to rhymes. 201 00:08:23,560 --> 00:08:24,960 Speaker 1: You guys world done. 202 00:08:25,400 --> 00:08:27,400 Speaker 7: You've want to go check out Adam wrapping and go 203 00:08:27,480 --> 00:08:30,600 Speaker 7: to the Fizy Wiper Instagram account right now and he's highly. 204 00:08:30,400 --> 00:08:34,480 Speaker 4: Anticipated brand new album, High Drama is out now. Adam Lambert, 205 00:08:34,520 --> 00:08:35,240 Speaker 4: thanks for coming, Thank 206 00:08:35,240 --> 00:08:38,400 Speaker 1: You for having Thanks, it's good to Fincy and with 207 00:08:39,080 --> 00:08:40,360 Speaker 1: Kate Richie nov