1 00:00:02,120 --> 00:00:04,120 Speaker 1: And with cap Ricki Podcasts. 2 00:00:05,840 --> 00:00:08,400 Speaker 2: Welcome to the podcast cast. Let's talk about commute to 3 00:00:08,480 --> 00:00:13,280 Speaker 2: work fits because one Sydney train traveler, commuter furious at 4 00:00:13,320 --> 00:00:16,400 Speaker 2: the service train failed, couldn't get a bass, paid for 5 00:00:16,520 --> 00:00:21,200 Speaker 2: a whober furious. You're there, fits fits, it fits you there. 6 00:00:21,520 --> 00:00:26,520 Speaker 2: What do you think about that commuter angry? I promise 7 00:00:26,560 --> 00:00:28,800 Speaker 2: you when the podcast kicks in the gear, he will 8 00:00:28,880 --> 00:00:31,240 Speaker 2: kick into gear. Is like an old steam engine. It 9 00:00:31,320 --> 00:00:33,960 Speaker 2: takes a long time to work up. Now he's coming 10 00:00:34,000 --> 00:00:36,280 Speaker 2: up to the microphone. You can do this? I think 11 00:00:36,360 --> 00:00:37,720 Speaker 2: I can. I think I can. 12 00:00:38,280 --> 00:00:39,680 Speaker 3: What is it again? What are we doing? 13 00:00:40,200 --> 00:00:40,800 Speaker 2: All right? 14 00:00:41,159 --> 00:00:41,960 Speaker 3: Big podcast? 15 00:00:42,080 --> 00:00:43,800 Speaker 2: Coming up on the Fritzier Whipper Show. 16 00:00:44,080 --> 00:00:47,160 Speaker 4: This is the Fitzian Whipper with Cape Ritchie podcast. 17 00:00:47,440 --> 00:00:50,960 Speaker 3: Can we talk about Fast and the Furious? 18 00:00:51,280 --> 00:00:53,640 Speaker 5: I've never seen any of them? Yeah, look it's a 19 00:00:53,640 --> 00:00:56,240 Speaker 5: big franch I know that. Do you want to go 20 00:00:56,320 --> 00:00:59,440 Speaker 5: through the Fast and the Furious movies? So you got 21 00:00:59,480 --> 00:01:03,120 Speaker 5: the Fast than the Furious number one, Too Fast, too Furious, 22 00:01:03,720 --> 00:01:08,360 Speaker 5: The Fast and the Furious Tokyo drift Fast and Furious. 23 00:01:07,959 --> 00:01:10,400 Speaker 3: Just took the v out there at the start. 24 00:01:10,160 --> 00:01:16,000 Speaker 5: There Fast five, Fast and Furious six, Furious seven, The 25 00:01:16,040 --> 00:01:21,479 Speaker 5: Fate of the Furious If nine, The Fast Saga and 26 00:01:21,640 --> 00:01:25,600 Speaker 5: Fast X and Vin Diesel has just announced that there 27 00:01:25,640 --> 00:01:28,479 Speaker 5: will be Faster Than Furious eleven eleven. 28 00:01:29,880 --> 00:01:31,920 Speaker 2: I would assume her all the same, aren't they. I mean, 29 00:01:31,959 --> 00:01:33,920 Speaker 2: if you're doing one Fast and the Furious and then 30 00:01:33,920 --> 00:01:36,759 Speaker 2: you're saying Tokyo drift, well you've just moved it to Japan. 31 00:01:36,840 --> 00:01:40,319 Speaker 5: How many more? How many more? How much more drifting 32 00:01:40,400 --> 00:01:42,399 Speaker 5: can you do? How many more burnouts can you do? 33 00:01:42,560 --> 00:01:42,880 Speaker 3: Mane do? 34 00:01:42,920 --> 00:01:45,360 Speaker 2: I wonder he's going to take that corner he drifted? 35 00:01:46,280 --> 00:01:49,560 Speaker 5: So he has said that the original characters will be 36 00:01:49,560 --> 00:01:54,360 Speaker 5: coming back. He's co stars Tyrese Gibson Cody Walker. But 37 00:01:54,440 --> 00:01:57,120 Speaker 5: they are at a fuel Fest, a car enthusiast event 38 00:01:57,240 --> 00:01:59,720 Speaker 5: over the weekend and Vin Diesel got up in front 39 00:01:59,720 --> 00:02:04,160 Speaker 5: of the out and he said, I'll only do this. 40 00:02:04,280 --> 00:02:06,520 Speaker 5: I'm going to tell you this is the last of 41 00:02:06,640 --> 00:02:10,080 Speaker 5: the Faster, the Furious. Faster the Furious eleven is coming 42 00:02:10,160 --> 00:02:15,280 Speaker 5: out April twenty twenty seven. But he said, I told 43 00:02:15,360 --> 00:02:19,200 Speaker 5: the directors, I won't do it unless you do one thing. 44 00:02:19,320 --> 00:02:19,799 Speaker 2: What is it? 45 00:02:20,000 --> 00:02:23,839 Speaker 5: I need to reunite Dom and Brian O'Connor. So that's 46 00:02:23,919 --> 00:02:30,600 Speaker 5: Vin Diesel's character and Paul Walker's character, CGI will be back. 47 00:02:31,320 --> 00:02:33,799 Speaker 3: It's been done, hasn't it? Hasn't it been done? 48 00:02:33,919 --> 00:02:36,560 Speaker 2: Oh? Do you know what? People loved Paul Walker. He 49 00:02:36,600 --> 00:02:39,640 Speaker 2: died in a car accident. That's ironic in itself, it is. 50 00:02:40,320 --> 00:02:43,919 Speaker 2: And you know what, Vin Diesel walked Paul Walker's daughter 51 00:02:44,000 --> 00:02:47,120 Speaker 2: down the aisle when she got married in real life. 52 00:02:47,280 --> 00:02:50,680 Speaker 2: That wasn't in Tokyo Drift. Isn't that unbelievable? 53 00:02:50,680 --> 00:02:50,880 Speaker 6: You know? 54 00:02:50,960 --> 00:02:53,600 Speaker 7: He died mid filming whichever was the last one he did, 55 00:02:53,639 --> 00:02:55,560 Speaker 7: And they got his brothers to stand in for him, 56 00:02:55,600 --> 00:02:57,760 Speaker 7: and then they cgied his face. So they've already done 57 00:02:57,760 --> 00:02:58,480 Speaker 7: a bit of CGI. 58 00:02:58,840 --> 00:02:59,960 Speaker 3: So maybe they get the brothers back. 59 00:03:00,240 --> 00:03:03,959 Speaker 2: Who's the other Walker in it now? Cody wal Cody Walker? 60 00:03:04,280 --> 00:03:07,520 Speaker 2: Is he related to Paul Gosh? Do you know what 61 00:03:07,840 --> 00:03:10,320 Speaker 2: it would sell? Mate? If you could bring them back together? 62 00:03:10,360 --> 00:03:15,720 Speaker 2: And they say, Paul Walker c gid into the film 63 00:03:15,800 --> 00:03:18,480 Speaker 2: and he's now part of it again. You drag them in. 64 00:03:18,560 --> 00:03:19,720 Speaker 2: It doesn't matter that it's eleven. 65 00:03:19,800 --> 00:03:22,360 Speaker 5: He's at a John Farnham sort of, This is John last. 66 00:03:22,720 --> 00:03:25,720 Speaker 5: This is the last one, guys. Many two is one 67 00:03:25,760 --> 00:03:27,519 Speaker 5: more time? And then you come back for Fast and 68 00:03:27,560 --> 00:03:31,200 Speaker 5: the Furious twelve or thirteen. This is a this is eleven. 69 00:03:31,800 --> 00:03:34,720 Speaker 3: It's just too many. I mean, what what more can 70 00:03:34,800 --> 00:03:35,960 Speaker 3: you do in a car? 71 00:03:36,440 --> 00:03:36,920 Speaker 2: Not a lot? 72 00:03:37,360 --> 00:03:40,520 Speaker 5: I mean, how are these guys? How is Vin Diesel's 73 00:03:40,600 --> 00:03:43,760 Speaker 5: character still alive? The amount of car crashes he's got 74 00:03:43,800 --> 00:03:44,520 Speaker 5: over and survived. 75 00:03:44,800 --> 00:03:50,040 Speaker 2: Not to mention the tolls a fortune absolute for cost 76 00:03:50,160 --> 00:03:53,200 Speaker 2: of fortune? My god? How do they still have any 77 00:03:53,200 --> 00:03:54,040 Speaker 2: points to their names? 78 00:03:54,080 --> 00:03:55,560 Speaker 3: They'd struggle in Sydney. 79 00:03:57,360 --> 00:03:59,880 Speaker 2: Sixty toll cap, No, the cap would be blown. 80 00:04:00,120 --> 00:04:01,440 Speaker 7: Doing great things for the Northwest. 81 00:04:01,560 --> 00:04:03,280 Speaker 3: We're still coating for the Harbor Bridge, you know what 82 00:04:03,280 --> 00:04:03,480 Speaker 3: I mean? 83 00:04:04,600 --> 00:04:06,360 Speaker 2: When are they going to build the fast train in Melbourne? 84 00:04:06,400 --> 00:04:08,040 Speaker 5: I don't want to get all political on you, but 85 00:04:08,120 --> 00:04:09,520 Speaker 5: how stuffed is our governor? 86 00:04:10,880 --> 00:04:12,680 Speaker 3: The economy ruin? 87 00:04:12,960 --> 00:04:15,840 Speaker 1: This is the fitting and with her with Kate Richie podcast, 88 00:04:16,120 --> 00:04:18,440 Speaker 1: Let's talk about our trains, Ryan James? 89 00:04:19,320 --> 00:04:21,320 Speaker 2: Can we play the audio off for her? Girl? We 90 00:04:21,400 --> 00:04:23,599 Speaker 2: fell in love with who is the drive on the train? 91 00:04:24,640 --> 00:04:25,040 Speaker 6: The train? 92 00:04:25,120 --> 00:04:27,200 Speaker 8: It makes me seek and all like money and I 93 00:04:27,360 --> 00:04:29,039 Speaker 8: like to say it works, please don't. 94 00:04:29,040 --> 00:04:31,760 Speaker 3: It's my training had. 95 00:04:31,720 --> 00:04:33,760 Speaker 5: A little bit more like sweet because I think you 96 00:04:33,800 --> 00:04:35,480 Speaker 5: guys are going out to a concert, but. 97 00:04:35,720 --> 00:04:46,359 Speaker 9: No smoking your baby next up Olympic Park. 98 00:04:47,520 --> 00:04:51,039 Speaker 2: This commuter is absolutely furious. Monik has come out and 99 00:04:51,080 --> 00:04:55,600 Speaker 2: said there's not enough trains. Mister Min's we have a problem. 100 00:04:55,920 --> 00:04:58,880 Speaker 2: There is simply not enough trains. Once once a month, 101 00:04:59,040 --> 00:05:04,240 Speaker 2: I get left at the station because the train won't 102 00:05:04,320 --> 00:05:07,400 Speaker 2: go any further and that refuses to go to my destination. 103 00:05:08,120 --> 00:05:10,320 Speaker 2: Then we have to get out, go back the way 104 00:05:10,320 --> 00:05:12,960 Speaker 2: we came to get to another station and jump on 105 00:05:13,000 --> 00:05:14,520 Speaker 2: another train or. 106 00:05:14,960 --> 00:05:17,200 Speaker 5: Take you get off on the station before, so then 107 00:05:17,360 --> 00:05:18,240 Speaker 5: jump on another train. 108 00:05:18,320 --> 00:05:19,680 Speaker 3: You don't have to go all the way to the 109 00:05:19,800 --> 00:05:20,800 Speaker 3: end and then go back. 110 00:05:20,839 --> 00:05:23,839 Speaker 2: Well, she said that other staff members passengers should I 111 00:05:23,880 --> 00:05:27,000 Speaker 2: say that we're on another platform. They were going into 112 00:05:27,000 --> 00:05:28,880 Speaker 2: Central station where they then had to train and get 113 00:05:28,880 --> 00:05:31,479 Speaker 2: another train that was going at a different time. So 114 00:05:31,600 --> 00:05:33,880 Speaker 2: quite often she'll get on the train to go somewhere. 115 00:05:33,920 --> 00:05:37,760 Speaker 2: It won't go to her destination, so if you can imagine, 116 00:05:37,839 --> 00:05:41,400 Speaker 2: it stops short of getting to say Campbelltown, where she 117 00:05:41,480 --> 00:05:44,000 Speaker 2: might want to go. So the train says that's the 118 00:05:44,120 --> 00:05:45,920 Speaker 2: end of the line and doesn't go back to where 119 00:05:45,960 --> 00:05:49,040 Speaker 2: she's going, sorry to where she wants to go. So 120 00:05:49,080 --> 00:05:51,159 Speaker 2: she then takes it all the way back, hoping to 121 00:05:51,160 --> 00:05:52,920 Speaker 2: get another train that goes further. 122 00:05:53,600 --> 00:05:55,080 Speaker 3: Well, what are you talking about? 123 00:05:55,120 --> 00:05:58,840 Speaker 2: She ended up car pulling to get home in an uber. 124 00:05:59,040 --> 00:06:02,200 Speaker 3: You get a bus, you get up usually were you? 125 00:06:02,279 --> 00:06:05,680 Speaker 2: Commuter said there were no bus replacements. Oh come on, 126 00:06:06,000 --> 00:06:08,120 Speaker 2: we're to run to a platform. We missed it and 127 00:06:08,120 --> 00:06:10,480 Speaker 2: then everything else was canceled after that, I mean, with 128 00:06:10,640 --> 00:06:12,719 Speaker 2: no other option to get home, she booked an uber, 129 00:06:12,760 --> 00:06:13,799 Speaker 2: which was canceled twice. 130 00:06:13,960 --> 00:06:16,520 Speaker 5: Now that we've got the Mitro, I think we're pretty 131 00:06:16,560 --> 00:06:17,520 Speaker 5: lucky here in Sydney. 132 00:06:18,320 --> 00:06:21,040 Speaker 3: Thought. You can get to on public transport. 133 00:06:21,080 --> 00:06:24,960 Speaker 5: You can get to wherever you want. I mean, if 134 00:06:24,960 --> 00:06:27,200 Speaker 5: you do the hard yards, I mean you can. You 135 00:06:27,240 --> 00:06:30,640 Speaker 5: can jump on trains and anywhere. 136 00:06:30,680 --> 00:06:32,920 Speaker 2: She went on to say, on another occasion, I ended 137 00:06:33,000 --> 00:06:34,559 Speaker 2: up in a car park and I got a lift 138 00:06:34,640 --> 00:06:38,800 Speaker 2: from a couple who were just on their way home. Monique, 139 00:06:38,920 --> 00:06:41,200 Speaker 2: I think just wants to meet people. After an uber 140 00:06:41,240 --> 00:06:43,520 Speaker 2: pool and now just getting a lift from a couple 141 00:06:43,520 --> 00:06:47,039 Speaker 2: in the car park. Other social media users shared more 142 00:06:47,120 --> 00:06:51,240 Speaker 2: stories about frustration, with one Penrith commuter saying it took 143 00:06:51,240 --> 00:06:53,960 Speaker 2: them three and a half hours to get home. 144 00:06:54,320 --> 00:06:57,000 Speaker 3: Oh look, I think our system's pretty good here. 145 00:06:57,960 --> 00:06:59,520 Speaker 2: Yeah, I mean you would have thought so, wouldn't you. 146 00:06:59,600 --> 00:07:03,480 Speaker 2: Just on a side note, is there anything more confusing 147 00:07:03,600 --> 00:07:07,800 Speaker 2: or frustrating when Eruberretz doesn't arrive. 148 00:07:09,800 --> 00:07:13,440 Speaker 5: Like this is a man who doesn't catch public transport 149 00:07:13,640 --> 00:07:15,120 Speaker 5: and now he's complaining about it. 150 00:07:15,520 --> 00:07:17,960 Speaker 2: He got the train to the Royal Showmate and I 151 00:07:18,000 --> 00:07:20,160 Speaker 2: saw it for the first time and it was amazing. 152 00:07:20,200 --> 00:07:22,280 Speaker 2: It was a wonderful service. So I can't relate to 153 00:07:22,320 --> 00:07:25,240 Speaker 2: this commuter. But Saturday night, when I was waiting on 154 00:07:25,280 --> 00:07:30,520 Speaker 2: my Japanese from Sushi Den, right, and it said that 155 00:07:30,560 --> 00:07:33,320 Speaker 2: he's on a bike. One I'm thinking my food is 156 00:07:33,320 --> 00:07:35,560 Speaker 2: going to be cold. He's on a bike, and then 157 00:07:35,560 --> 00:07:39,000 Speaker 2: he's three minutes and then like the Titanic, he disappears. 158 00:07:39,240 --> 00:07:43,040 Speaker 2: He's gone, So where's the food? Where's the rider? He 159 00:07:43,160 --> 00:07:46,120 Speaker 2: called the restaurant. They can't do anything, So you have 160 00:07:46,200 --> 00:07:50,160 Speaker 2: to rebook your meal. This is what people are going through. 161 00:07:50,200 --> 00:07:52,000 Speaker 2: And I tell this story because other people are going 162 00:07:52,000 --> 00:07:56,080 Speaker 2: through to rebook meal at Sushi Den. And then right, 163 00:07:56,640 --> 00:07:58,760 Speaker 2: I have to remove. I have to say to the family, guys, 164 00:07:58,840 --> 00:08:00,680 Speaker 2: dinner is going to be late. You're hungry. 165 00:08:00,720 --> 00:08:01,920 Speaker 3: Have you got never any instrutra? 166 00:08:01,960 --> 00:08:04,960 Speaker 2: We walk outside my house, I get in my car. 167 00:08:05,040 --> 00:08:07,640 Speaker 2: I drive to the restaurant. This is what people used 168 00:08:07,640 --> 00:08:07,880 Speaker 2: to do. 169 00:08:08,000 --> 00:08:10,960 Speaker 5: This is what you can do as well, and it 170 00:08:11,000 --> 00:08:12,320 Speaker 5: saves you a bit of money as well. 171 00:08:12,320 --> 00:08:15,360 Speaker 2: I took the car to pick up the food. Ran 172 00:08:15,480 --> 00:08:19,760 Speaker 2: In explained the situation, got the order and came back 173 00:08:20,280 --> 00:08:23,080 Speaker 2: and fed the family. So they went to bed full 174 00:08:23,160 --> 00:08:23,600 Speaker 2: and warm. 175 00:08:23,680 --> 00:08:26,120 Speaker 1: It's the longest story ever. 176 00:08:26,760 --> 00:08:29,840 Speaker 4: This is the Fitz and Whipper with Cape Ritchie podcast. 177 00:08:30,040 --> 00:08:31,920 Speaker 3: Paul McCartney was at Glastonbury, was he? 178 00:08:32,160 --> 00:08:34,600 Speaker 5: Yeah? He was side a stage for Gracy Abrams and 179 00:08:34,640 --> 00:08:36,680 Speaker 5: also in Haaler, a band called Inhaler. 180 00:08:36,960 --> 00:08:38,000 Speaker 3: Imagine looking up. 181 00:08:38,080 --> 00:08:40,520 Speaker 5: There was a moment where Gracie Aprons looked up and 182 00:08:40,559 --> 00:08:44,240 Speaker 5: saw Arlie, Paul McCartney and Charlie x X and freaked out. 183 00:08:44,920 --> 00:08:47,520 Speaker 5: She was like, oh my god, Paul McCartney's watching me. 184 00:08:49,200 --> 00:08:49,880 Speaker 5: Put you off. 185 00:08:50,000 --> 00:08:52,280 Speaker 2: Yeah, it does. It's always been a dream of mine 186 00:08:52,880 --> 00:08:56,280 Speaker 2: to shake the hand of a beetle. I'm not your 187 00:08:56,320 --> 00:08:58,439 Speaker 2: Christmas or stink that you find in your backyard. 188 00:08:58,720 --> 00:09:01,600 Speaker 5: We've only got two left. Real Beatle Ringo you could 189 00:09:01,600 --> 00:09:03,840 Speaker 5: probably get to. I don't think you get to. McCartney. 190 00:09:04,320 --> 00:09:05,240 Speaker 2: Ringo is still alive. 191 00:09:05,360 --> 00:09:06,600 Speaker 3: Yeah, Ringo is still alive. 192 00:09:06,720 --> 00:09:08,800 Speaker 2: He still on the isle of Souldor. 193 00:09:09,200 --> 00:09:13,559 Speaker 5: Let's talk about the huge hit Dance the Night by 194 00:09:13,679 --> 00:09:17,360 Speaker 5: Jua Leap at twenty twenty three. This was obviously for 195 00:09:17,400 --> 00:09:21,880 Speaker 5: the hit movie Barbie. How big that movie was was unbelievable. 196 00:09:21,960 --> 00:09:24,400 Speaker 5: I had no idea that Mark Ronson was the one 197 00:09:24,440 --> 00:09:27,160 Speaker 5: that did the sound true, right, So is he not 198 00:09:27,240 --> 00:09:29,400 Speaker 5: one of the coolest bokes that we've interviewed on this show? 199 00:09:29,600 --> 00:09:30,760 Speaker 2: Had him in here a couple of times. 200 00:09:31,120 --> 00:09:32,959 Speaker 3: Was the song that did a red room for us? 201 00:09:33,000 --> 00:09:36,080 Speaker 2: Remember at the Star Yeah, he had the song about 202 00:09:36,120 --> 00:09:38,840 Speaker 2: the bike and ride my bikes and ride my bike 203 00:09:39,000 --> 00:09:40,160 Speaker 2: until I get home. 204 00:09:40,679 --> 00:09:43,760 Speaker 3: Yea, well done mate. It's not the song we're focusing on. 205 00:09:44,280 --> 00:09:47,400 Speaker 5: We're doing Leper's song to be i't written for the movie. 206 00:09:47,480 --> 00:09:49,560 Speaker 5: It was written for the movie. Okay, So this is 207 00:09:49,640 --> 00:09:52,559 Speaker 5: Greta Gerwig. We know how big this movie was. Took 208 00:09:52,600 --> 00:09:55,720 Speaker 5: over a billion dollars at the box office. This is 209 00:09:55,840 --> 00:09:59,479 Speaker 5: Mark Ronson talking about what Gretel Gerwig wanted for the soundtrack. 210 00:10:00,000 --> 00:10:02,280 Speaker 8: So Greta said she wanted a big disco number that 211 00:10:02,400 --> 00:10:05,800 Speaker 8: was going to speak for Barbie's best day ever. So 212 00:10:05,840 --> 00:10:07,120 Speaker 8: I had an idea that it was going to be 213 00:10:07,120 --> 00:10:10,320 Speaker 8: something up tempo, but that was really it. And you know, 214 00:10:10,360 --> 00:10:12,760 Speaker 8: after three days, I tried a couple of different ideas 215 00:10:12,800 --> 00:10:15,520 Speaker 8: and I didn't think I had anything that was perfect yet. 216 00:10:15,559 --> 00:10:16,880 Speaker 8: And then they were like, well, can you just send 217 00:10:16,960 --> 00:10:19,200 Speaker 8: us anything? Well, what do you mean anything? Well, I 218 00:10:19,200 --> 00:10:21,240 Speaker 8: don't know, just like a click track. So I finally 219 00:10:21,320 --> 00:10:24,000 Speaker 8: actually got a track that I really felt good about 220 00:10:24,360 --> 00:10:26,840 Speaker 8: and I sent it in and that was the instrumental, 221 00:10:27,080 --> 00:10:30,000 Speaker 8: the very raw version of what became Dance Tonight. 222 00:10:30,360 --> 00:10:32,440 Speaker 3: How do you just put something like that together? 223 00:10:32,520 --> 00:10:35,520 Speaker 5: So this is Ronson just sitting in his studio and 224 00:10:35,520 --> 00:10:38,719 Speaker 5: he has to get something to Greta go very quickly. 225 00:10:38,960 --> 00:10:39,880 Speaker 3: Those cords. 226 00:10:42,080 --> 00:10:44,400 Speaker 8: And then I came up with this stringline. 227 00:10:46,280 --> 00:10:47,240 Speaker 3: How did you come up with that? 228 00:10:49,800 --> 00:10:50,280 Speaker 2: Awesome? 229 00:10:54,520 --> 00:10:57,040 Speaker 8: The chords and these French producers that I work quite 230 00:10:57,040 --> 00:10:59,520 Speaker 8: a bit with, the Picar Brothers, they take like old 231 00:10:59,559 --> 00:11:02,640 Speaker 8: sample and then whatever I played in the chords, they 232 00:11:02,760 --> 00:11:05,800 Speaker 8: just changed the samples. 233 00:11:05,320 --> 00:11:06,440 Speaker 3: To fix what I've done. 234 00:11:06,480 --> 00:11:10,040 Speaker 8: So by taking this weird string sample that they had, 235 00:11:10,120 --> 00:11:14,400 Speaker 8: they made this weird real well. 236 00:11:13,720 --> 00:11:14,439 Speaker 3: Like that you hear. 237 00:11:18,400 --> 00:11:22,800 Speaker 8: So I had the melody, but under it there's this 238 00:11:22,880 --> 00:11:26,280 Speaker 8: sort of murky chord movement happening Sambabel. 239 00:11:26,400 --> 00:11:26,920 Speaker 3: So he's got that. 240 00:11:27,000 --> 00:11:29,960 Speaker 5: Then he's thinking myself, who's the artist that can sing 241 00:11:30,000 --> 00:11:32,840 Speaker 5: on this track, and he guys, Jewel Laper. 242 00:11:32,800 --> 00:11:33,640 Speaker 3: Has to be right. 243 00:11:33,679 --> 00:11:36,200 Speaker 5: So this is Jewel Laper talking about how does Mark 244 00:11:36,320 --> 00:11:38,160 Speaker 5: Ronson get in contact with Jewel Laper? 245 00:11:38,160 --> 00:11:40,880 Speaker 3: You would think through record company like that. Now it 246 00:11:40,960 --> 00:11:42,000 Speaker 3: was I just. 247 00:11:41,920 --> 00:11:46,760 Speaker 6: Got a DM on Instagram remark. He basically just reached 248 00:11:46,800 --> 00:11:49,640 Speaker 6: out and was like, I'm working on this film with Greta. 249 00:11:50,000 --> 00:11:53,240 Speaker 6: There's this big dance number, and I would love you 250 00:11:53,640 --> 00:11:56,760 Speaker 6: to write it with me. I was so intrigued at 251 00:11:57,120 --> 00:11:59,400 Speaker 6: what Barbie was going to be. What was it about 252 00:11:59,600 --> 00:12:01,880 Speaker 6: the next opening of dates that I had, I like 253 00:12:01,960 --> 00:12:04,240 Speaker 6: flew to New York. We were also saying like, oh, 254 00:12:04,240 --> 00:12:06,040 Speaker 6: maybe we'll work a little bit on my album and 255 00:12:06,040 --> 00:12:08,599 Speaker 6: then a little bit on Barbie. But Barbie just completely 256 00:12:08,640 --> 00:12:11,560 Speaker 6: took over our life, like we were completely Barbified, Like 257 00:12:11,600 --> 00:12:14,120 Speaker 6: there was Barbie dolls everywhere here. We were just putting 258 00:12:14,120 --> 00:12:17,959 Speaker 6: post it notes everywhere, trying to like brainstorm what dance 259 00:12:18,000 --> 00:12:19,000 Speaker 6: the night was going to be. 260 00:12:19,360 --> 00:12:22,760 Speaker 5: So then they watched Margo Robbie in that dance scene 261 00:12:22,800 --> 00:12:26,240 Speaker 5: in the movie, so he's trying Ronson trying to get 262 00:12:26,320 --> 00:12:28,520 Speaker 5: ideas out of Jewel Laper of what you know, where's 263 00:12:28,559 --> 00:12:32,360 Speaker 5: this song going to go? And they're watching Margo dancing 264 00:12:32,800 --> 00:12:38,959 Speaker 5: in that one iconic scene. 265 00:12:39,880 --> 00:12:42,360 Speaker 6: So we were watching it and then I just felt 266 00:12:42,400 --> 00:12:44,959 Speaker 6: really compelled to be able to have like the lyrics 267 00:12:45,000 --> 00:12:47,400 Speaker 6: really merged with the dancing and what was happening in 268 00:12:47,440 --> 00:12:51,000 Speaker 6: the scene as well, so we'd like really fine tuned 269 00:12:51,040 --> 00:12:53,120 Speaker 6: it every little moment. It's also like a moment Ago 270 00:12:53,200 --> 00:12:55,360 Speaker 6: turned the music up and then putting their hands up. 271 00:12:55,880 --> 00:12:58,440 Speaker 5: So they were actually watching the movements and that's how 272 00:12:58,480 --> 00:12:59,319 Speaker 5: they're putting. 273 00:12:59,000 --> 00:12:59,920 Speaker 3: The lyrics together. 274 00:13:00,240 --> 00:13:01,560 Speaker 2: The whole thing is brilliant, isn't it. 275 00:13:01,600 --> 00:13:05,120 Speaker 5: And then Ronson talks about Juel Liaper and how you 276 00:13:05,200 --> 00:13:07,320 Speaker 5: gotta listen to how amazing her voices. 277 00:13:07,400 --> 00:13:10,120 Speaker 3: But then she comes in with all these extra bits. 278 00:13:10,160 --> 00:13:13,520 Speaker 8: And then do a leader these backgrounds under it that 279 00:13:13,600 --> 00:13:15,720 Speaker 8: are sort of like whisper vocals. 280 00:13:15,800 --> 00:13:21,480 Speaker 6: Right, baby, you can find me under the light, Diamond's 281 00:13:21,520 --> 00:13:22,000 Speaker 6: under my. 282 00:13:22,080 --> 00:13:26,040 Speaker 3: Eyes, rythm. Don't you want to just come along for 283 00:13:26,200 --> 00:13:28,480 Speaker 3: the ray from Tommy? 284 00:13:28,520 --> 00:13:31,480 Speaker 2: You're right, that's a huge john like like like like 285 00:13:31,320 --> 00:13:33,040 Speaker 2: like like like like like like like like. 286 00:13:33,559 --> 00:13:37,600 Speaker 3: Oh wow, what a superstar to superstars, Juelipa Danced the Night. 287 00:13:37,920 --> 00:13:41,320 Speaker 5: So what a great song ronson juel Leaper you learn 288 00:13:41,400 --> 00:13:44,120 Speaker 5: something new every day that song to be This is. 289 00:13:44,080 --> 00:13:49,840 Speaker 4: The Fitzy and Whipper with Cape Richie podcast, Dizzy Whipper 290 00:13:49,920 --> 00:13:52,640 Speaker 4: and Cape Ridgie's Singles Fighting. 291 00:13:57,800 --> 00:14:02,720 Speaker 1: Jackson, Sydney is ultimate super for exclusive events, parties and 292 00:14:02,840 --> 00:14:05,640 Speaker 1: private charties on the World's Best harm Us. 293 00:14:05,679 --> 00:14:07,880 Speaker 2: You know what I was thinking this morning. Fits. I 294 00:14:07,880 --> 00:14:10,720 Speaker 2: remember going camping and they said to us, if anybody 295 00:14:10,720 --> 00:14:14,880 Speaker 2: gets hypothermia, here's how we save their lives. You stripped 296 00:14:14,880 --> 00:14:17,440 Speaker 2: down to your underwear and two other people get in 297 00:14:17,480 --> 00:14:20,040 Speaker 2: a sleeping bag with them. If that was to happen 298 00:14:20,080 --> 00:14:21,440 Speaker 2: on the Jackson tonight. 299 00:14:21,240 --> 00:14:22,760 Speaker 3: What if you don't have a sleeping. 300 00:14:22,440 --> 00:14:27,320 Speaker 2: At our singles party? I would suggest we all stripped 301 00:14:27,360 --> 00:14:30,160 Speaker 2: our underwear and save each other with our body heat. 302 00:14:30,280 --> 00:14:32,480 Speaker 3: We could do the Love Sack. That's a game that 303 00:14:32,560 --> 00:14:33,080 Speaker 3: singles do. 304 00:14:33,360 --> 00:14:34,120 Speaker 2: How do you play that? 305 00:14:34,160 --> 00:14:36,600 Speaker 5: Well, that's where you've actually got to get out of 306 00:14:36,640 --> 00:14:37,720 Speaker 5: a sleeping bag. 307 00:14:37,840 --> 00:14:40,280 Speaker 3: Yeah, put two people that don't know each other into 308 00:14:40,320 --> 00:14:42,240 Speaker 3: a sleeping bag. You've got to get out of it. 309 00:14:42,320 --> 00:14:44,640 Speaker 2: And what does legal have to say about that tell 310 00:14:44,680 --> 00:14:47,640 Speaker 2: me what about orange when you pass the orange from 311 00:14:47,680 --> 00:14:48,320 Speaker 2: neck to neck? 312 00:14:48,920 --> 00:14:51,680 Speaker 10: Well, firstly, you're married, you're a host, you're not a 313 00:14:51,720 --> 00:14:55,320 Speaker 10: participant in a singles party. And secondly, it's for finding love, 314 00:14:55,440 --> 00:14:57,920 Speaker 10: so it's not meant to be all. 315 00:14:57,800 --> 00:14:58,720 Speaker 3: Touched and feelings. 316 00:14:59,640 --> 00:15:01,840 Speaker 2: You put on your good unders tonight, aren't you. 317 00:15:02,280 --> 00:15:04,480 Speaker 5: Well, you've still got an opportunity to come along if 318 00:15:04,480 --> 00:15:06,400 Speaker 5: you want to register on the overplayer. If you've got 319 00:15:06,440 --> 00:15:09,640 Speaker 5: a jet ski, give us a call and we'll meet 320 00:15:09,680 --> 00:15:10,520 Speaker 5: you out on the harbor. 321 00:15:10,600 --> 00:15:14,320 Speaker 3: Tom in bondigm on Tommy, how are you shaggers? 322 00:15:14,720 --> 00:15:14,880 Speaker 11: Oh? 323 00:15:16,200 --> 00:15:19,240 Speaker 3: No, we know what Tommy's on the boat for tonight. 324 00:15:19,280 --> 00:15:19,920 Speaker 3: How old are you? 325 00:15:19,960 --> 00:15:24,600 Speaker 2: Tom twenty twenty three? And now you're looking for serious 326 00:15:24,680 --> 00:15:25,680 Speaker 2: love though, aren't you? Tommy? 327 00:15:26,880 --> 00:15:27,160 Speaker 6: Oh? 328 00:15:27,680 --> 00:15:29,360 Speaker 12: I don't look. I'll be honest. I'm actually starting to 329 00:15:29,480 --> 00:15:32,120 Speaker 12: wonder if I'm even capable of loving. But I think 330 00:15:32,120 --> 00:15:33,520 Speaker 12: if I'm going to find us, you're going to be 331 00:15:33,520 --> 00:15:34,480 Speaker 12: on the Jackson. 332 00:15:35,480 --> 00:15:40,920 Speaker 5: Never what's the longest relationship you've had, tom never had 333 00:15:40,920 --> 00:15:44,720 Speaker 5: an anniversary, You've never had an so you've never lasted 334 00:15:44,760 --> 00:15:48,680 Speaker 5: a year, Tommy, Tommy, I mean you're twenty three, so 335 00:15:48,720 --> 00:15:51,640 Speaker 5: I understand you're still young, and I understand that, but 336 00:15:52,080 --> 00:15:54,120 Speaker 5: there's got to be a moment where do you look. 337 00:15:54,160 --> 00:15:55,760 Speaker 3: Have you got mates around. 338 00:15:55,440 --> 00:15:57,840 Speaker 5: You that are falling in love and you're thinking to yourself, 339 00:15:58,160 --> 00:16:00,200 Speaker 5: I'd love to do that at some stage. 340 00:16:01,640 --> 00:16:05,800 Speaker 12: Yeah, mate, sunstage. Yeah, but I'm even I mean, if 341 00:16:05,840 --> 00:16:07,720 Speaker 12: I'm going to be twenty three in Smith, I don't 342 00:16:07,760 --> 00:16:09,000 Speaker 12: know if that's going to go down though. 343 00:16:09,040 --> 00:16:12,320 Speaker 2: I'll tell you what we're going to We're going to 344 00:16:12,360 --> 00:16:14,640 Speaker 2: send you. We're going to send you into MJ bail. 345 00:16:15,080 --> 00:16:17,760 Speaker 2: You can spend three hundred dollars there. Mate, gets you 346 00:16:17,840 --> 00:16:19,560 Speaker 2: have a new jacket or something, We'll see you tonight. 347 00:16:19,760 --> 00:16:23,960 Speaker 3: Does he not? Tip of fy BONDI just look. 348 00:16:23,960 --> 00:16:25,600 Speaker 2: Who wants to meet Tommy. 349 00:16:26,920 --> 00:16:27,320 Speaker 3: One man? 350 00:16:27,400 --> 00:16:30,280 Speaker 5: We need entertainment tonight and a very good mate of 351 00:16:30,320 --> 00:16:32,840 Speaker 5: the show. And when we have Evince like this, he 352 00:16:33,080 --> 00:16:36,720 Speaker 5: just gets everybody going. It's the magnificent magic day. 353 00:16:37,480 --> 00:16:39,840 Speaker 3: Boys, boys, how are you magic? 354 00:16:39,960 --> 00:16:43,080 Speaker 2: Mike? You put on one hell of a show at 355 00:16:43,120 --> 00:16:47,040 Speaker 2: our last singles party. You recently got married. That means 356 00:16:47,040 --> 00:16:50,280 Speaker 2: you're not up for grabs. But I would say that 357 00:16:50,440 --> 00:16:53,160 Speaker 2: magic helps people find love. Would you agree? 358 00:16:53,760 --> 00:16:56,320 Speaker 11: I would agree, and you did mention the marriage. Thank you? 359 00:16:56,360 --> 00:17:00,160 Speaker 11: So much, I'd use magic to find my girl. I'm 360 00:17:00,200 --> 00:17:03,440 Speaker 11: sort of worried about Tommy. He said he hasn't You've 361 00:17:03,440 --> 00:17:04,400 Speaker 11: got to stay away from him. 362 00:17:04,400 --> 00:17:09,720 Speaker 3: And classic is a classic BONDI boy, Mike. 363 00:17:09,960 --> 00:17:12,080 Speaker 5: Is there is there a love trick that you do 364 00:17:12,160 --> 00:17:14,480 Speaker 5: with the cards with the seven of Hearts or something 365 00:17:14,520 --> 00:17:16,399 Speaker 5: like that, Mike, that you can do for us tonight. 366 00:17:16,720 --> 00:17:18,639 Speaker 11: There's a few. There's a few that are going to 367 00:17:18,680 --> 00:17:21,560 Speaker 11: get maybe a little schmooch. You're to wait and see, 368 00:17:21,560 --> 00:17:23,240 Speaker 11: but yeah, there's a few tricks that are going to 369 00:17:23,280 --> 00:17:25,359 Speaker 11: bring people closer together, memorable stuff. 370 00:17:25,520 --> 00:17:27,560 Speaker 5: Well, I think the biggest magical trick you could do 371 00:17:27,600 --> 00:17:30,000 Speaker 5: tonight is getting is on and off the boat, Mike, 372 00:17:30,119 --> 00:17:33,520 Speaker 5: because because the storm is going to be out of control. 373 00:17:34,119 --> 00:17:36,280 Speaker 11: That yeah, I'm going to bring a sleeping bag as well. 374 00:17:36,280 --> 00:17:37,240 Speaker 11: I heard that little game. 375 00:17:38,000 --> 00:17:40,399 Speaker 2: Yep, that's a great idea, Mike. You've done some of 376 00:17:40,440 --> 00:17:44,080 Speaker 2: the biggest parties around town, like if. 377 00:17:43,840 --> 00:17:47,840 Speaker 11: Your birthday, my birthday, but. 378 00:17:47,760 --> 00:17:48,000 Speaker 3: Then you. 379 00:17:50,119 --> 00:17:54,960 Speaker 11: You, Mike, I forgot about this script. Yeah, yeah, yeah, 380 00:17:54,960 --> 00:17:55,520 Speaker 11: your birthday. 381 00:17:55,960 --> 00:17:56,760 Speaker 3: Stick to the script. 382 00:17:57,640 --> 00:18:00,600 Speaker 2: You went from my birthday to a New Year's party 383 00:18:00,760 --> 00:18:05,439 Speaker 2: with Keith and Nicole, right, so big names did. 384 00:18:05,320 --> 00:18:08,320 Speaker 3: You get Keith and McCole togather. That's an amazing. 385 00:18:09,640 --> 00:18:11,200 Speaker 11: Through a car. 386 00:18:13,840 --> 00:18:16,680 Speaker 2: So Mike, look, if there's no love found, that means 387 00:18:16,720 --> 00:18:19,080 Speaker 2: your magic is bad. Because tonight we need you, buddy, 388 00:18:19,119 --> 00:18:20,800 Speaker 2: We need you to put on a good show. Okay, 389 00:18:21,240 --> 00:18:22,159 Speaker 2: I'm willing to put. 390 00:18:22,040 --> 00:18:26,400 Speaker 11: That title on the line. Yeah what guaranteed? 391 00:18:26,600 --> 00:18:29,119 Speaker 3: Okay, well might we'll see that night made appreciate it. 392 00:18:29,200 --> 00:18:31,280 Speaker 11: Beautiful car. 393 00:18:31,400 --> 00:18:33,040 Speaker 2: Wait mate, you can get out. 394 00:18:32,920 --> 00:18:37,560 Speaker 3: Of your area. Flash flooding everywhere. 395 00:18:37,160 --> 00:18:41,720 Speaker 2: At the moment. That's okay, Mike seen tonight, big guys, Tommy, 396 00:18:41,880 --> 00:18:44,200 Speaker 2: let's talk about our slow dance. 397 00:18:44,359 --> 00:18:48,720 Speaker 3: Oh yes, Stephen Love we saw. 398 00:18:48,640 --> 00:18:51,560 Speaker 2: Him performance live in Nova's Red Room. We're going to 399 00:18:51,600 --> 00:18:54,119 Speaker 2: play it tonight for our slow dance. There will be 400 00:18:54,119 --> 00:18:57,640 Speaker 2: a stage in the night where we'll say, find somebody, 401 00:18:57,720 --> 00:19:00,600 Speaker 2: hold the hand and let's embrace for three and a 402 00:19:00,640 --> 00:19:05,879 Speaker 2: half minutes of Stephen Sanchez. Now tell me, old Sanchez. 403 00:19:06,080 --> 00:19:11,959 Speaker 5: I can't find my black shoes on, So do you 404 00:19:12,000 --> 00:19:13,720 Speaker 5: mind if I just wear a pair of ad A 405 00:19:13,880 --> 00:19:14,719 Speaker 5: somber tonight. 406 00:19:17,000 --> 00:19:17,880 Speaker 3: I'm not joking. 407 00:19:18,320 --> 00:19:21,119 Speaker 2: It's ten degrees outside, you're wearing added as shorts and 408 00:19:21,200 --> 00:19:23,359 Speaker 2: the dress code is cocktail. Yeah, you turned up to 409 00:19:23,400 --> 00:19:26,040 Speaker 2: a black tighter short sleeve shirt last time. I'm not 410 00:19:26,080 --> 00:19:28,040 Speaker 2: going to be surprised by anything you wear. 411 00:19:28,320 --> 00:19:31,760 Speaker 5: Look, let's just get onto the boat, all right. We'll 412 00:19:31,800 --> 00:19:35,080 Speaker 5: see you there when your last minute invites to our singles. 413 00:19:34,760 --> 00:19:40,440 Speaker 2: Party registered might have a couple. We love it. Get involved, guys, 414 00:19:40,480 --> 00:19:40,960 Speaker 2: not too late. 415 00:19:41,160 --> 00:19:44,040 Speaker 1: This is the Fits In with Kate Richie podcast. 416 00:19:44,359 --> 00:19:47,520 Speaker 3: This is exciting. First of July today it's dried July. 417 00:19:48,280 --> 00:19:50,800 Speaker 5: And I didn't know this, but this man helped kick 418 00:19:50,840 --> 00:19:53,240 Speaker 5: off dry July. It's our good friend Adam. 419 00:19:52,960 --> 00:19:58,159 Speaker 13: Spent happy July first, always a big day on my calendar. 420 00:19:58,200 --> 00:20:01,159 Speaker 13: I haven't had a drink since what was it eleven 421 00:20:01,119 --> 00:20:02,560 Speaker 13: to fifty nine last night. 422 00:20:04,000 --> 00:20:07,000 Speaker 2: Spence When we've spoken about this before, but when Drive 423 00:20:07,080 --> 00:20:09,479 Speaker 2: July started, numbers were small. 424 00:20:09,680 --> 00:20:09,880 Speaker 3: Yeah. 425 00:20:10,160 --> 00:20:12,199 Speaker 13: I was hosting a radio show and we'd done a 426 00:20:12,240 --> 00:20:14,680 Speaker 13: segment on the merits of giving up alcohol for short 427 00:20:14,680 --> 00:20:16,399 Speaker 13: for at the time, and this text message popped up 428 00:20:16,400 --> 00:20:18,800 Speaker 13: on the screen as the show finished. Me and a 429 00:20:18,840 --> 00:20:20,360 Speaker 13: couple of mates are going to have a drive Toly 430 00:20:20,480 --> 00:20:23,639 Speaker 13: to raise money for Prince of Wales's hospital. If that 431 00:20:23,880 --> 00:20:25,440 Speaker 13: that woud arrive two minutes, Earlo would have just read 432 00:20:25,440 --> 00:20:27,120 Speaker 13: it on the end. Yeah, if it arrived a minute later, 433 00:20:27,160 --> 00:20:27,680 Speaker 13: I would. 434 00:20:27,440 --> 00:20:27,840 Speaker 3: Have missed it. 435 00:20:27,880 --> 00:20:30,480 Speaker 13: But you know, content content. So we rang the guy 436 00:20:30,520 --> 00:20:32,480 Speaker 13: back the next day. He'd had a minor cancer scare. 437 00:20:32,680 --> 00:20:34,359 Speaker 13: Him and some mates wanted to raise some money. People 438 00:20:34,400 --> 00:20:36,880 Speaker 13: to start ringing and going, I'll sponsor, I'll sponsor, other 439 00:20:36,920 --> 00:20:38,760 Speaker 13: people going, I'll give it up for a month now. 440 00:20:39,240 --> 00:20:42,080 Speaker 3: And the guy who had the cancer scare was a 441 00:20:42,119 --> 00:20:42,920 Speaker 3: web designer. 442 00:20:43,200 --> 00:20:45,840 Speaker 13: Wow, so we posted up the to very two thousand 443 00:20:45,880 --> 00:20:49,000 Speaker 13: and eight website. Instead of three guys raising three thousand bucks, 444 00:20:49,520 --> 00:20:53,480 Speaker 13: a thousand people raised two hundred and fifty seven thousand bucks. 445 00:20:53,960 --> 00:20:55,560 Speaker 13: As the woman from Prince of Wales said to us 446 00:20:55,560 --> 00:20:58,119 Speaker 13: on the day, it's going to be a nice television. 447 00:20:58,040 --> 00:20:59,800 Speaker 3: Wow and drive July was born. 448 00:21:00,160 --> 00:21:01,280 Speaker 2: How many years ago was that? 449 00:21:01,280 --> 00:21:03,359 Speaker 13: That was in two thousand and eight. So I'm starting 450 00:21:03,400 --> 00:21:05,520 Speaker 13: my eighteenth campaign today and. 451 00:21:05,440 --> 00:21:06,800 Speaker 3: How much money have you raised? 452 00:21:06,800 --> 00:21:09,760 Speaker 13: Suspence, As we kicked off this year's campaign, we were 453 00:21:09,800 --> 00:21:14,000 Speaker 13: sitting in total on ninety seven and a half million dollars. 454 00:21:14,400 --> 00:21:16,040 Speaker 3: That is an unbelievable story. 455 00:21:16,119 --> 00:21:18,199 Speaker 13: Sometime in the next week someone's going to donate our 456 00:21:18,280 --> 00:21:21,520 Speaker 13: one hundred millionth dollar for adult cancer Need. 457 00:21:21,400 --> 00:21:24,720 Speaker 5: To Play Kelly's from Little Things Big Things, because that's 458 00:21:24,880 --> 00:21:27,520 Speaker 5: well done mate. It's you must be very proud of 459 00:21:27,560 --> 00:21:29,760 Speaker 5: it to see how bigger and you know what it is. 460 00:21:29,800 --> 00:21:32,119 Speaker 5: It's part of our vernacula now in Australia and that 461 00:21:32,280 --> 00:21:33,199 Speaker 5: knows about driving. 462 00:21:33,680 --> 00:21:35,680 Speaker 13: I remember the first time I was in a queue 463 00:21:35,720 --> 00:21:37,480 Speaker 13: at Woolli's and a hurting woman in front of me, 464 00:21:37,520 --> 00:21:39,359 Speaker 13: so to a friend, I might I might have a 465 00:21:39,480 --> 00:21:41,680 Speaker 13: drive alive just this year and I thought, wow, it's 466 00:21:41,720 --> 00:21:44,680 Speaker 13: become part of the lexicon. Some people find it easy, 467 00:21:44,840 --> 00:21:47,040 Speaker 13: some find it hard. I've never met anyone who's done 468 00:21:47,080 --> 00:21:49,800 Speaker 13: it and says I wish I hadn't given it a crack. 469 00:21:50,080 --> 00:21:53,040 Speaker 13: And while there's the personal benefit month off the sauce, 470 00:21:53,600 --> 00:21:57,000 Speaker 13: reset the armament that's up, but also you're raising money 471 00:21:57,200 --> 00:21:58,560 Speaker 13: for Ossie's on the cancer journey. 472 00:21:59,440 --> 00:21:59,840 Speaker 3: You love this. 473 00:22:00,040 --> 00:22:03,480 Speaker 2: Also seen you at festival You're at four spence Absolute Animals. 474 00:22:03,920 --> 00:22:05,720 Speaker 13: Yeah yeah, I mean I'm a human meat pie. 475 00:22:05,760 --> 00:22:07,000 Speaker 3: Just hard of me in sauce. 476 00:22:07,320 --> 00:22:10,000 Speaker 13: But the thing is you then go about things you 477 00:22:10,040 --> 00:22:13,080 Speaker 13: normally do and you're doing completely sober. It turns out 478 00:22:13,560 --> 00:22:15,280 Speaker 13: you go and watch your favorite footy team when you're 479 00:22:15,280 --> 00:22:18,120 Speaker 13: completely sober. It turns out it's a really hard game 480 00:22:18,160 --> 00:22:21,280 Speaker 13: to umpire. Everyone's trying their hardest and you're lost because 481 00:22:21,280 --> 00:22:22,040 Speaker 13: you weren't good enough. 482 00:22:22,400 --> 00:22:25,560 Speaker 2: It's what weird, isn't it. So you left what you're 483 00:22:25,600 --> 00:22:26,840 Speaker 2: left with the reality check? 484 00:22:27,080 --> 00:22:29,200 Speaker 13: And the thing is, people say, what but i'd love 485 00:22:29,280 --> 00:22:31,960 Speaker 13: to but my brothers getting married or whatever. You can 486 00:22:32,600 --> 00:22:35,720 Speaker 13: buy a day off, the Golden ticket. Someone can sponsor 487 00:22:35,760 --> 00:22:37,720 Speaker 13: you a night off. There are a small number of 488 00:22:37,720 --> 00:22:40,639 Speaker 13: people who every year on July first just buy themselves 489 00:22:40,880 --> 00:22:43,200 Speaker 13: thirty one gold and tickets, donate seven hundred and seventy 490 00:22:43,200 --> 00:22:45,000 Speaker 13: five dollars to themselves and go about their own business. 491 00:22:45,160 --> 00:22:47,359 Speaker 3: We don't encourage it, but it can be done. We 492 00:22:47,400 --> 00:22:50,199 Speaker 3: will accept your money. Well, just awesome. Actually, you were 493 00:22:50,200 --> 00:22:52,600 Speaker 3: hooked up the other day to a lot of cables 494 00:22:52,640 --> 00:22:55,439 Speaker 3: at the hospital. You're a right spence doing. 495 00:22:55,280 --> 00:22:55,959 Speaker 2: A bit of a check up. 496 00:22:55,960 --> 00:22:57,119 Speaker 13: No, you just went in to have a little bit 497 00:22:57,119 --> 00:22:58,719 Speaker 13: of a heart check. I mean, I'm in my fifties 498 00:22:58,720 --> 00:23:00,000 Speaker 13: now and I just w' got all the numbers. They 499 00:23:00,040 --> 00:23:01,960 Speaker 13: had a good look better than I was a couple 500 00:23:01,960 --> 00:23:02,680 Speaker 13: of years ago. 501 00:23:02,760 --> 00:23:04,320 Speaker 3: And when guys get to. 502 00:23:04,280 --> 00:23:08,000 Speaker 13: Fiftyter than you were. Yeah, yeah, that's it's a secret man. 503 00:23:08,200 --> 00:23:10,239 Speaker 13: Really let yourself go, like, I look better now than 504 00:23:10,240 --> 00:23:13,520 Speaker 13: I did when I was twenty, because I was almost 505 00:23:13,560 --> 00:23:15,520 Speaker 13: dead when I was in my mid twenty. So go 506 00:23:15,560 --> 00:23:17,600 Speaker 13: out hard early, ease it up, and people go, wow, 507 00:23:17,640 --> 00:23:19,359 Speaker 13: you look so much better than when you were a 508 00:23:19,400 --> 00:23:22,560 Speaker 13: walking course a few years ago. Yeah, lost a few 509 00:23:23,040 --> 00:23:25,120 Speaker 13: a bit of exercise, mate, I'll lose four or five 510 00:23:25,160 --> 00:23:29,119 Speaker 13: across July from just teasing up on the sauce, not 511 00:23:29,240 --> 00:23:32,719 Speaker 13: making those terrible food decisions you sometimes make them, especially 512 00:23:32,800 --> 00:23:33,280 Speaker 13: the next day. 513 00:23:33,400 --> 00:23:35,920 Speaker 2: I could do a third cabab. I don't care. I'll 514 00:23:35,920 --> 00:23:37,560 Speaker 2: just keep eating till I feel at this year. 515 00:23:37,720 --> 00:23:39,640 Speaker 3: So it speaks how do we get involved here? 516 00:23:39,720 --> 00:23:42,320 Speaker 5: Like, even if we're not participating, how can we donate 517 00:23:42,359 --> 00:23:43,479 Speaker 5: and get involved with Drive a Lot? 518 00:23:43,560 --> 00:23:45,560 Speaker 13: Well, first of all, unless you were on the cans 519 00:23:45,640 --> 00:23:48,000 Speaker 13: until after midnight a few hours ago, you can go 520 00:23:48,040 --> 00:23:50,000 Speaker 13: to drive July dot com right and in fact believe 521 00:23:50,040 --> 00:23:52,080 Speaker 13: and it will wave you through. Go to drive July 522 00:23:52,200 --> 00:23:54,040 Speaker 13: dot com if you want to join us. More importantly, 523 00:23:54,280 --> 00:23:56,480 Speaker 13: if you know someone else is doing it, they'll have 524 00:23:56,560 --> 00:23:59,960 Speaker 13: nominated a cancer service around Australia that means something to them, 525 00:24:00,040 --> 00:24:02,399 Speaker 13: the place where mumweed or someone we're a friend of 526 00:24:02,440 --> 00:24:04,480 Speaker 13: their works hop on board and just throw a few 527 00:24:04,880 --> 00:24:08,919 Speaker 13: fully tax deductible dollars at them. Kick off the financial 528 00:24:08,960 --> 00:24:11,240 Speaker 13: New Year with a donation, and you might be the 529 00:24:11,280 --> 00:24:13,760 Speaker 13: person who pushes us over that hundred million. 530 00:24:14,280 --> 00:24:17,920 Speaker 5: How many ossies have participated across the whole journey adding 531 00:24:17,960 --> 00:24:20,560 Speaker 5: up all of it three hundred and seventy seven thousand. 532 00:24:20,760 --> 00:24:22,480 Speaker 3: What percentage is that of our population? 533 00:24:22,840 --> 00:24:23,040 Speaker 2: Said? 534 00:24:23,040 --> 00:24:24,480 Speaker 13: What you do is with the three hundred seventy seven 535 00:24:24,480 --> 00:24:26,840 Speaker 13: tho twenty eight millions and just said, as I'd say 536 00:24:26,840 --> 00:24:27,560 Speaker 13: about eleven percent. 537 00:24:27,680 --> 00:24:30,639 Speaker 2: Well, okay, there it is. We got some maps. 538 00:24:31,160 --> 00:24:34,679 Speaker 5: Thank you for the NUMBERSO Pleasure Boys, drivelight dot com. 539 00:24:34,840 --> 00:24:37,719 Speaker 1: This is the Fits In with Her with Kate Richie podcast. 540 00:24:38,000 --> 00:24:39,439 Speaker 2: Got an update for you and to go a by 541 00:24:39,480 --> 00:24:42,560 Speaker 2: the name of James Howels Fitz. We've spoken about James 542 00:24:42,600 --> 00:24:44,840 Speaker 2: a couple of times on this show and he's sad story. 543 00:24:44,840 --> 00:24:47,720 Speaker 2: It's now being turned into a documentary. He's the man 544 00:24:47,800 --> 00:24:53,879 Speaker 2: that accidentally threw out his hard drive containing eight thousand bitcoin. 545 00:24:54,720 --> 00:24:58,520 Speaker 5: Did he find that's right? Had his pass code on 546 00:24:58,560 --> 00:24:59,640 Speaker 5: there for the bitcoin? 547 00:25:00,080 --> 00:25:02,560 Speaker 2: Yeah? Throughout throw it into landfill? 548 00:25:03,000 --> 00:25:05,800 Speaker 3: Did we try to get him on did we speak to. 549 00:25:05,840 --> 00:25:09,000 Speaker 2: Him, he's just crying the whole time, legal battles, high 550 00:25:09,040 --> 00:25:12,520 Speaker 2: tech plans, and a lost fortune buried under tons of waste. 551 00:25:12,760 --> 00:25:14,879 Speaker 2: He wanted to buy the tip. This guy lives in 552 00:25:14,920 --> 00:25:17,720 Speaker 2: Newport in the US, and he wanted to buy the 553 00:25:17,760 --> 00:25:20,760 Speaker 2: actual tip to say whatever I have to do, I 554 00:25:20,840 --> 00:25:21,800 Speaker 2: will do to find this. 555 00:25:22,280 --> 00:25:23,280 Speaker 3: So what is it add up to? 556 00:25:23,480 --> 00:25:26,520 Speaker 2: Eight thousand bitcoin? Currently today big coins at one hundred 557 00:25:26,520 --> 00:25:32,119 Speaker 2: and sixty three thousand Australian is worth one point three billion. 558 00:25:32,880 --> 00:25:36,560 Speaker 3: Oh dude, But see this is the thing. 559 00:25:36,960 --> 00:25:40,760 Speaker 5: If you buy the tip, you're not guaranteed of finding it, 560 00:25:40,840 --> 00:25:41,920 Speaker 5: are you no, So. 561 00:25:41,960 --> 00:25:43,359 Speaker 3: Then you've got to out lay. 562 00:25:44,000 --> 00:25:47,040 Speaker 5: But we've got to lay a lot of money for 563 00:25:47,119 --> 00:25:50,879 Speaker 5: the tip, hoping that you find your lost A lot. 564 00:25:50,720 --> 00:25:54,240 Speaker 2: Of money in Newport, right, a lot of old people. 565 00:25:54,720 --> 00:25:57,320 Speaker 2: If you go to somebody and say, hey, that tip, 566 00:25:57,480 --> 00:26:00,000 Speaker 2: there's a hard drive there, it's worth one point three 567 00:26:00,080 --> 00:26:03,000 Speaker 2: billion dollars. If you go and buy that tip, you 568 00:26:03,080 --> 00:26:04,680 Speaker 2: might have to shell out twenty meal. 569 00:26:05,040 --> 00:26:09,880 Speaker 3: What is a bitcoin password? It's different, isn't it? Isn't 570 00:26:09,920 --> 00:26:10,560 Speaker 3: it right? 571 00:26:10,760 --> 00:26:13,320 Speaker 2: It depends that you might because it's not just yeah, 572 00:26:13,440 --> 00:26:15,440 Speaker 2: it's not could be cold storage. 573 00:26:15,520 --> 00:26:18,800 Speaker 3: It's not password dollar sign ten is it? 574 00:26:18,800 --> 00:26:21,040 Speaker 2: It depends whatever if you if you have it on 575 00:26:21,080 --> 00:26:24,040 Speaker 2: an exchange, it could be like if you bought bitcoin 576 00:26:24,160 --> 00:26:27,880 Speaker 2: through coinbase or coin spot or one of those, then 577 00:26:27,880 --> 00:26:29,720 Speaker 2: you just have a normal password that gets you into 578 00:26:29,760 --> 00:26:32,520 Speaker 2: a website. So but now he's obviously got this on 579 00:26:32,560 --> 00:26:35,880 Speaker 2: a hard drive and cold storage, right, so he's got 580 00:26:35,920 --> 00:26:38,520 Speaker 2: a password that sits separately. 581 00:26:38,760 --> 00:26:41,160 Speaker 3: Yeah, do I have any cold storage? 582 00:26:41,320 --> 00:26:41,720 Speaker 2: I don't know. 583 00:26:41,880 --> 00:26:42,359 Speaker 3: I don't know. 584 00:26:43,280 --> 00:26:45,840 Speaker 5: Home I've got I've got some stuff on there. It's 585 00:26:45,880 --> 00:26:46,920 Speaker 5: quite hot at the moment. 586 00:26:47,040 --> 00:26:47,919 Speaker 3: Yeah, that's different. 587 00:26:47,960 --> 00:26:51,360 Speaker 2: That's completely different. So he's now decided to give up. 588 00:26:51,720 --> 00:26:53,879 Speaker 2: He's going to end the fight. It's going to say 589 00:26:53,920 --> 00:26:55,359 Speaker 2: I'm going to let that one point through a billion 590 00:26:55,440 --> 00:26:57,560 Speaker 2: go and I will let the rest of my life 591 00:26:57,560 --> 00:26:59,200 Speaker 2: carry on. And if for fight and a fortune in 592 00:26:59,280 --> 00:27:01,040 Speaker 2: the in the future, will so be it. 593 00:27:01,160 --> 00:27:04,000 Speaker 5: Yeah, I'd love to watch someone someone else might come 594 00:27:04,040 --> 00:27:05,400 Speaker 5: across eight thousand bitcoin. 595 00:27:06,000 --> 00:27:07,439 Speaker 3: It's not physical, is it? It's not? 596 00:27:07,760 --> 00:27:09,040 Speaker 2: Yeah, but you know, it's still weird. 597 00:27:09,080 --> 00:27:10,360 Speaker 3: I'm still trying to work it out. 598 00:27:10,440 --> 00:27:13,679 Speaker 2: At some stage, at some stage, someone's going to be 599 00:27:13,720 --> 00:27:17,120 Speaker 2: in the tip will were just dropping off stuff hard rubbish. 600 00:27:17,160 --> 00:27:19,000 Speaker 2: Now one picked it up and they'll look over and 601 00:27:19,040 --> 00:27:20,880 Speaker 2: they'll see your hard drive and they go, I wonder 602 00:27:20,920 --> 00:27:21,359 Speaker 2: what's on. 603 00:27:21,240 --> 00:27:24,639 Speaker 5: That, Tommy being a tip rat, I mean, do you 604 00:27:24,680 --> 00:27:28,000 Speaker 5: often see hard drives when you've been nibbling away there? 605 00:27:28,040 --> 00:27:30,480 Speaker 5: But how big is the area around a tip? 606 00:27:30,560 --> 00:27:30,639 Speaker 4: Like? 607 00:27:30,680 --> 00:27:32,880 Speaker 3: It's massive? Oh yeah, and you've got how far down 608 00:27:32,920 --> 00:27:34,960 Speaker 3: does it go? It's very deep. 609 00:27:35,040 --> 00:27:37,760 Speaker 10: And you've got to fend off the bulldozers and the 610 00:27:37,800 --> 00:27:38,400 Speaker 10: bin chickens. 611 00:27:38,680 --> 00:27:41,280 Speaker 3: We used to go to the tip when we were younger. 612 00:27:41,359 --> 00:27:42,600 Speaker 3: That was going to the tip. 613 00:27:42,880 --> 00:27:45,199 Speaker 5: That was a day out for the family, going to 614 00:27:45,280 --> 00:27:47,560 Speaker 5: the tip, and you could take home whatever. You get 615 00:27:47,600 --> 00:27:49,959 Speaker 5: a bag and you could take home whatever you found. 616 00:27:50,440 --> 00:27:52,680 Speaker 2: You know what, I reckon this guy should employ. 617 00:27:52,440 --> 00:27:56,879 Speaker 5: And that's how we found Tom as our executive producers 618 00:27:56,920 --> 00:27:57,720 Speaker 5: Many bin Chicken. 619 00:27:57,800 --> 00:27:59,720 Speaker 2: You train a bin chicken to look for a hard drive, 620 00:28:00,280 --> 00:28:03,000 Speaker 2: you could take a plane full of being chickens over 621 00:28:03,040 --> 00:28:06,280 Speaker 2: to the US. She gets to pick through the rubbish 622 00:28:06,320 --> 00:28:07,360 Speaker 2: till they found the hard. 623 00:28:07,200 --> 00:28:11,160 Speaker 3: Drive instead of going for chips. Find me a microanship. 624 00:28:12,240 --> 00:28:12,880 Speaker 3: It's not bad. 625 00:28:14,359 --> 00:28:16,639 Speaker 1: This is the fits in with Her with Kate Richie 626 00:28:16,640 --> 00:28:17,640 Speaker 1: podcast What. 627 00:28:17,640 --> 00:28:20,560 Speaker 5: Have you been impaled by? Because I'm coming up with 628 00:28:20,600 --> 00:28:22,879 Speaker 5: a few ideas just looking at whip at the moment, 629 00:28:23,200 --> 00:28:26,920 Speaker 5: but it was unbelievable. Story happened overnight in New Jersey. 630 00:28:27,320 --> 00:28:30,000 Speaker 9: Now to a freighting situation and what appears to be 631 00:28:30,000 --> 00:28:32,600 Speaker 9: a freak accident at the Jersey shore this morning. A 632 00:28:32,640 --> 00:28:34,640 Speaker 9: lifeguard getting ready to watch over. 633 00:28:34,480 --> 00:28:37,840 Speaker 2: The waves is instead taken to the hospital after she 634 00:28:37,920 --> 00:28:39,800 Speaker 2: was impaled by her own umbrella. 635 00:28:42,000 --> 00:28:44,960 Speaker 5: Really, it was a freaked thing. She was putting it 636 00:28:45,000 --> 00:28:47,280 Speaker 5: in the gust cord that pulled it up. When she 637 00:28:47,440 --> 00:28:50,320 Speaker 5: grabbed it, she was off balance. She was at the 638 00:28:50,600 --> 00:28:53,720 Speaker 5: top step of the bench, so she fell backwards off 639 00:28:53,760 --> 00:28:54,440 Speaker 5: the bench. 640 00:28:54,200 --> 00:28:56,800 Speaker 3: And the umbrella with her. When she came down, she 641 00:28:56,920 --> 00:28:57,880 Speaker 3: landed on her arm. 642 00:28:58,560 --> 00:29:02,480 Speaker 5: About a one inch in diameter aluminium umbrella pole went 643 00:29:02,560 --> 00:29:05,920 Speaker 5: into her left arm pit and came out in her. 644 00:29:05,960 --> 00:29:08,760 Speaker 3: Back, right near the scapula. 645 00:29:09,160 --> 00:29:14,200 Speaker 5: No, my gosh, she got impaled by her own umbrella. 646 00:29:14,400 --> 00:29:17,080 Speaker 3: Thirteen twenty fourteen. What have you been impaled by? 647 00:29:17,200 --> 00:29:19,200 Speaker 2: That's a bad day. You just see the guy about 648 00:29:19,240 --> 00:29:21,960 Speaker 2: a month ago he tried to break into the Colosseum. 649 00:29:22,240 --> 00:29:24,600 Speaker 2: And in the old arches of the Colosseum they have 650 00:29:25,080 --> 00:29:29,440 Speaker 2: steel fence that's in place with quite sharp tops. Anyway, 651 00:29:29,520 --> 00:29:32,520 Speaker 2: he fell trying to get through. He went through his 652 00:29:32,680 --> 00:29:34,880 Speaker 2: leg and he hung there for over an hour. 653 00:29:34,920 --> 00:29:35,840 Speaker 3: Well, that's the big one. 654 00:29:35,880 --> 00:29:38,400 Speaker 5: We've our neighbors next through us have put up this 655 00:29:38,480 --> 00:29:42,800 Speaker 5: fence that is very sharp. This guy and a lady 656 00:29:42,880 --> 00:29:45,040 Speaker 5: walked past the other day and said they've got a 657 00:29:45,120 --> 00:29:49,320 Speaker 5: similar fence at the zoo yep, and they said that 658 00:29:49,360 --> 00:29:51,440 Speaker 5: the kids try to jump into the zoo and they 659 00:29:51,480 --> 00:29:52,560 Speaker 5: get him paled. 660 00:29:52,240 --> 00:29:52,840 Speaker 3: On the fence. 661 00:29:53,080 --> 00:29:56,080 Speaker 2: And this guy hung there from his thigh by an hour. 662 00:29:56,280 --> 00:29:59,520 Speaker 2: It blacked out because of the pain man. 663 00:30:00,120 --> 00:30:02,000 Speaker 3: Michael's giving us a call from Lewish and what was 664 00:30:02,040 --> 00:30:03,480 Speaker 3: the impale fail. 665 00:30:03,320 --> 00:30:07,280 Speaker 14: Michael, It's a simple one, but a painful one. Sitting 666 00:30:07,360 --> 00:30:10,400 Speaker 14: up on a whole stack of timbers in the mate's garage. Everyone, 667 00:30:10,400 --> 00:30:12,560 Speaker 14: so let's go. I jumped down and landed on a 668 00:30:12,680 --> 00:30:15,680 Speaker 14: paling which had four nails on the end, and they 669 00:30:15,720 --> 00:30:17,880 Speaker 14: went right through my foot, but in the fleshy part, 670 00:30:18,720 --> 00:30:20,960 Speaker 14: no bone trouble. But I looked like it was a 671 00:30:21,000 --> 00:30:22,360 Speaker 14: bad man's skier. 672 00:30:24,920 --> 00:30:27,960 Speaker 2: And a shot as well, because it's a naile that 673 00:30:28,120 --> 00:30:31,200 Speaker 2: is a horrible fans the nail. Every now and then 674 00:30:31,240 --> 00:30:33,520 Speaker 2: you'll see some sort of story similar to the one 675 00:30:33,560 --> 00:30:36,320 Speaker 2: at the Colisseum where it'll be a fence. You're right, Fits, 676 00:30:36,360 --> 00:30:38,160 Speaker 2: it's a group of kids jumping a fence and all 677 00:30:38,200 --> 00:30:40,560 Speaker 2: of a sudden a bit of clothing gets caught and 678 00:30:40,600 --> 00:30:42,000 Speaker 2: they're pulled back and bang. 679 00:30:42,640 --> 00:30:46,120 Speaker 5: With the timber and huge splinters. You can get huge 680 00:30:46,160 --> 00:30:47,800 Speaker 5: splinters that go through you as well. 681 00:30:47,880 --> 00:30:50,959 Speaker 2: Do you remember we were filming a commercial for McDonald's. 682 00:30:52,200 --> 00:30:52,920 Speaker 3: Where is that one? 683 00:30:53,000 --> 00:30:55,680 Speaker 2: And I didn't realize that there was I didn't realize 684 00:30:55,720 --> 00:31:00,440 Speaker 2: there was like a long toothpick in the burger and 685 00:31:00,480 --> 00:31:01,080 Speaker 2: I bit into it. 686 00:31:01,080 --> 00:31:02,680 Speaker 3: Remember that that? 687 00:31:04,120 --> 00:31:06,160 Speaker 2: But I think we're filming and it's either gone into 688 00:31:06,160 --> 00:31:07,960 Speaker 2: my mouth or it got pushed up through the burger 689 00:31:07,960 --> 00:31:13,400 Speaker 2: into my nose and because of doing it, Yeah. 690 00:31:13,560 --> 00:31:17,000 Speaker 3: Well they had in there yeah together. 691 00:31:17,160 --> 00:31:19,520 Speaker 2: Yeah, so the burger look perfect for the ad and 692 00:31:19,560 --> 00:31:21,840 Speaker 2: then I've bitten into it not knowing and I've just 693 00:31:22,200 --> 00:31:24,280 Speaker 2: similar to when we made the cake fread. 694 00:31:25,520 --> 00:31:28,840 Speaker 3: We nearly entailed shearing, and there was a y. 695 00:31:29,160 --> 00:31:31,360 Speaker 5: There was a y that went through the cake that 696 00:31:31,600 --> 00:31:35,720 Speaker 5: was yes, an will bit his own nose off and 697 00:31:35,760 --> 00:31:38,840 Speaker 5: the why went into his mouth and then the light 698 00:31:38,880 --> 00:31:39,720 Speaker 5: smashed on his head. 699 00:31:39,760 --> 00:31:41,480 Speaker 2: Remember that this is the Fits and. 700 00:31:41,400 --> 00:31:43,320 Speaker 1: Whip with Cake Richie podcast. 701 00:31:43,560 --> 00:31:49,920 Speaker 2: Let's talk about this by the name of doctor Richard Lacey. 702 00:31:50,600 --> 00:31:53,760 Speaker 2: Doctor Richard Lacy isn't the UK. Guess what, he's seventy 703 00:31:53,840 --> 00:31:58,600 Speaker 2: years old. He just got busted drink driving fits. Now. 704 00:31:58,680 --> 00:32:02,560 Speaker 2: What's interesting about this is he was the man that 705 00:32:02,720 --> 00:32:08,880 Speaker 2: invented the breathalyza. Isn't it ironic? Well, imagine how excited 706 00:32:08,920 --> 00:32:12,320 Speaker 2: he was though when he got pulled over about the technology. 707 00:32:12,480 --> 00:32:14,200 Speaker 2: I remember when I wrote the code for this, and 708 00:32:14,240 --> 00:32:17,480 Speaker 2: we designed the software around this, and the coup went, mate, 709 00:32:17,520 --> 00:32:20,440 Speaker 2: we can smell the vodka on your breath. Breathe into 710 00:32:20,440 --> 00:32:22,960 Speaker 2: your own tool and tell us whether you've broken the 711 00:32:23,040 --> 00:32:28,040 Speaker 2: law or not. Richard gone, see you madea See you later, mate. 712 00:32:28,640 --> 00:32:32,000 Speaker 5: That's not bad cars, isn't it? 713 00:32:32,560 --> 00:32:33,480 Speaker 3: Character in cars? 714 00:32:33,720 --> 00:32:36,960 Speaker 2: A little bit like the Segway guy what was his name? 715 00:32:37,200 --> 00:32:41,440 Speaker 2: And he invented the segue. Next thing you know, he's 716 00:32:41,480 --> 00:32:47,240 Speaker 2: gone straight off a cliff on his segue. His own 717 00:32:47,280 --> 00:32:53,600 Speaker 2: invention has taken his life. That's unbelievably ironic, that says, 718 00:32:54,080 --> 00:32:55,680 Speaker 2: isn't it unbelievably ironic? 719 00:32:57,040 --> 00:32:57,520 Speaker 3: Not on me? 720 00:32:57,600 --> 00:32:59,440 Speaker 7: But you're doing the break so kind of ironic that 721 00:32:59,480 --> 00:32:59,800 Speaker 7: we were. 722 00:32:59,840 --> 00:33:05,200 Speaker 2: For irony is something that'll tap you on the shoulder. 723 00:33:05,320 --> 00:33:08,680 Speaker 5: When he starts the break and he repeats the name 724 00:33:08,760 --> 00:33:11,840 Speaker 5: of the guy who invented the breath of Dr Richard 725 00:33:11,920 --> 00:33:12,479 Speaker 5: Lane Lacey. 726 00:33:12,840 --> 00:33:16,200 Speaker 3: Dr Richard Lacey. 727 00:33:16,560 --> 00:33:19,160 Speaker 2: Is that ironic? What's wrong with me repeating the name? 728 00:33:19,560 --> 00:33:22,920 Speaker 2: How about this? I went to the Hunter Valley with me, 729 00:33:23,040 --> 00:33:28,160 Speaker 2: missus right, and we started to Chateau Elaine, lovely set 730 00:33:28,240 --> 00:33:33,040 Speaker 2: up there, huge development, chateau and line it's called I. 731 00:33:33,080 --> 00:33:38,960 Speaker 10: Think anyway, same chateau floor. 732 00:33:39,200 --> 00:33:41,280 Speaker 3: Don't shadow yourself with the break. 733 00:33:41,560 --> 00:33:50,000 Speaker 2: So that the guy who built a Chateau Elaine chateau Alan. Sorry, sorry, 734 00:33:50,280 --> 00:33:53,120 Speaker 2: it doesn't matter. It's a chateau. There are many different 735 00:33:53,360 --> 00:33:56,520 Speaker 2: like little houses on sorry chateaus on a golf course. 736 00:33:56,640 --> 00:33:59,520 Speaker 2: Massive set up cost a fortune. The guy's American got 737 00:33:59,560 --> 00:34:02,800 Speaker 2: all his because he invented the nicotine patch. He was 738 00:34:02,840 --> 00:34:04,760 Speaker 2: a heavy smoker and wanted to stop, and he was 739 00:34:04,800 --> 00:34:07,920 Speaker 2: a scientist, so he invented the nicotine patch. He's allergic 740 00:34:08,040 --> 00:34:14,600 Speaker 2: to it. Oh, how about this way. There's a guy 741 00:34:15,239 --> 00:34:22,080 Speaker 2: he owns voyage, your estate, massive winery. Doesn't drink because 742 00:34:22,120 --> 00:34:23,520 Speaker 2: this body rejects alcohol. 743 00:34:24,120 --> 00:34:27,520 Speaker 3: Dr Richard, how are we going for a world record here. 744 00:34:28,719 --> 00:34:31,880 Speaker 2: If you've got one of these stories where it's just 745 00:34:32,239 --> 00:34:36,600 Speaker 2: unbelievably ironic, you're kidding me? 746 00:34:37,680 --> 00:34:38,880 Speaker 3: Does that really happen? 747 00:34:40,360 --> 00:34:40,400 Speaker 1: No? 748 00:34:40,480 --> 00:34:42,120 Speaker 7: I was thinking that would be a nice change from 749 00:34:42,239 --> 00:34:44,880 Speaker 7: unbelievably moronic, which is what this breaks me. 750 00:34:45,080 --> 00:34:48,400 Speaker 2: Okay, what a pity, what a lack of support for 751 00:34:48,680 --> 00:34:51,160 Speaker 2: what four great stories? 752 00:34:52,600 --> 00:34:55,320 Speaker 5: But if you got one, ash, it's very good. I 753 00:35:00,880 --> 00:35:02,960 Speaker 5: Victoria is in Barral. What's ironic? 754 00:35:03,080 --> 00:35:03,520 Speaker 3: Victoria? 755 00:35:05,160 --> 00:35:08,160 Speaker 11: So my family owns a bakery, but I'm gluten in tolerance. 756 00:35:08,280 --> 00:35:09,160 Speaker 1: I can't it anything. 757 00:35:09,400 --> 00:35:12,080 Speaker 2: Oh you see what I mean? 758 00:35:12,480 --> 00:35:15,000 Speaker 5: So what are the as a family who owns a bakery? 759 00:35:15,160 --> 00:35:16,680 Speaker 5: Did you just get left overs at the end of 760 00:35:16,719 --> 00:35:18,320 Speaker 5: the day or the family does, Victoria? 761 00:35:20,400 --> 00:35:22,840 Speaker 2: So it's more like we're more on a manufacturing like 762 00:35:22,920 --> 00:35:23,600 Speaker 2: bigger size. 763 00:35:23,680 --> 00:35:26,560 Speaker 11: It's like, yep, yeah we do if we want we can. 764 00:35:26,600 --> 00:35:28,880 Speaker 2: It always takes stuff home, but we end up not. 765 00:35:29,160 --> 00:35:30,280 Speaker 14: We just fight at the stop. 766 00:35:30,800 --> 00:35:34,640 Speaker 2: You're just a business except not for you, not for 767 00:35:34,760 --> 00:35:38,279 Speaker 2: your system in any way, Oh, Victoria. How frustrating is 768 00:35:38,320 --> 00:35:41,280 Speaker 2: that if you're on a chocolate factor but you're allergic 769 00:35:41,360 --> 00:35:42,360 Speaker 2: to it's being. 770 00:35:42,280 --> 00:35:48,800 Speaker 5: Born into a bakery or a breweryy Oh, like Cooper's brewery. 771 00:35:50,960 --> 00:35:53,120 Speaker 3: Isn't an ironic that he's starting to lose the plot? 772 00:35:53,320 --> 00:35:55,600 Speaker 2: The ironic that he works in the radio. It's in 773 00:35:55,680 --> 00:35:58,839 Speaker 2: Whippa with Kate Ritchie is a nov podcast walk great 774 00:35:58,880 --> 00:36:02,080 Speaker 2: shows like this Downliade the Nova Player via the app 775 00:36:02,160 --> 00:36:03,359 Speaker 2: Store or Google Play. 776 00:36:03,560 --> 00:36:04,480 Speaker 10: The Nova Player