WEBVTT - How Does MAY-A Stay So Grounded After Winning With Flume?

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<v Speaker 1>Maddie Rows Music Show on nov HI. It's Maddie Row

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<v Speaker 1>and each week I get on an artist, an Australian

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<v Speaker 1>artist that I believe is having a bit of a moment.

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<v Speaker 1>It could be an established artist, it could also be

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<v Speaker 1>an up and coming artist. And this girl really excites me.

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<v Speaker 1>There is something about her stage presence, her live show

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<v Speaker 1>as well as the music that is super genuine and

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<v Speaker 1>she is really having a moment the Hottest one hundred

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<v Speaker 1>number one with Flume. She also went on tour with

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<v Speaker 1>Wallows across Europe, and she was on tour with Five

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<v Speaker 1>Seconds of Summer in Australia recently as well welcoming Mayor

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<v Speaker 1>to the Maddie Ros Music Show.

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<v Speaker 2>Hi, what's up?

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<v Speaker 1>Did I just hear off air that this is your

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<v Speaker 1>first ever entrance into a radio station.

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<v Speaker 2>It is. It's very overwhelming. There is a lot of

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<v Speaker 2>technology in here.

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<v Speaker 1>Those Sydney studios are multi million dollar studios, so you're

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<v Speaker 1>getting the full works right now.

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<v Speaker 2>Yeah, it's pretty ridiculous. I was just saying, I feel

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<v Speaker 2>like I'm in some weird a movie or something. With

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<v Speaker 2>all of the screens. It feels like I have way

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<v Speaker 2>too much control. I might go power hungry and here actually.

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<v Speaker 1>Speaking of overwhelming things, you've had an overwhelming I guess

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<v Speaker 1>six to twelve months you're on tour with five Sauce

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<v Speaker 1>or you were on tour with five Sauce, and then

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<v Speaker 1>you're in Europe and then you're winning the Hottest one hundred.

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<v Speaker 1>How does it feel now to have a bit of

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<v Speaker 1>a breath and a break because you're back in Sydney now, right?

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<v Speaker 2>Yeah? Yeah, back in Sydney, which is lovely to come

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<v Speaker 2>back and be with all the beautiful people that I've

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<v Speaker 2>been missing upon being away. But yeah, definitely feels like

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<v Speaker 2>I woke up from a weird lucid dream or something.

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<v Speaker 1>Because you're ticking off things that so many Australian artists

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<v Speaker 1>would love to tick off the bucket list. How do

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<v Speaker 1>you stay grounded through all of these amazing things that

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<v Speaker 1>are happening in your music career? Like do you pull

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<v Speaker 1>yourself in? Do you really your own self in or

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<v Speaker 1>do you have a good network of people that kind

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<v Speaker 1>of say, all right, this is all happening, but let's

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<v Speaker 1>come down to earth now, maya.

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<v Speaker 2>I do think it's kind of the opposite way around,

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<v Speaker 2>where it's just more people being like, come on, You've

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<v Speaker 2>got to appreciate the things that are happening to you.

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<v Speaker 2>And I'm like, yeah, I know, I know, I know,

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<v Speaker 2>I gotta I've got to call it what it is

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<v Speaker 2>and sort of be a bit proud of myself sometimes

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<v Speaker 2>rather than the other way around. But yeah, I have

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<v Speaker 2>a beautiful, beautiful group of people, are a wonderful team

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<v Speaker 2>and an amazing band of people that are like my

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<v Speaker 2>best friends that are really good at doing that and

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<v Speaker 2>being like, Hey, just take a moment to just be

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<v Speaker 2>a little proud of yourself at this point and what

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<v Speaker 2>I think I need that more than the other side.

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<v Speaker 1>What are you proudest of? What's what's been the proudest

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<v Speaker 1>moment for you in the last six twelve months.

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<v Speaker 2>Honestly, it's more like it's less being proud in a

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<v Speaker 2>moment and more being proud like upon reflection, like getting

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<v Speaker 2>to the end of something and looking back and being like, Wow,

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<v Speaker 2>we really did that. I think it's probably playing live

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<v Speaker 2>because we've only been a band for like two years

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<v Speaker 2>now and have only played collectively, like I don't know,

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<v Speaker 2>before the Wallows tour, I think it was like thirty

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<v Speaker 2>shows or something, and getting feedback from people saying stuff

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<v Speaker 2>like you know that you look like you've been a

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<v Speaker 2>band like longer than you guys have been alive, and

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<v Speaker 2>I'm like, wow, that's a really big compliment for one

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<v Speaker 2>and two, Yeah, that's kind of what I'm proud of.

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<v Speaker 2>And the part that is the most exciting for me

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<v Speaker 2>right now is playing life and being in front of people,

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<v Speaker 2>and for most of the most people, it's the first

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<v Speaker 2>time sort of seeing us or hearing about me or

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<v Speaker 2>my music or us as band. Yeah, that's the most

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<v Speaker 2>exciting part for me right now.

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<v Speaker 1>And I can tell that you and the band are

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<v Speaker 1>pretty close knit. I remember watching that reaction video of

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<v Speaker 1>you winning the Hottest one hundred or you hearing the

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<v Speaker 1>second place song, and I reckon. I looked at it

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<v Speaker 1>and watched it about fifteen times because I love watching

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<v Speaker 1>people experience joy. And I could tell that you were

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<v Speaker 1>shocked and you were overwhelmed by it. Uh, what is

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<v Speaker 1>that feeling?

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<v Speaker 2>Like? So weird? I don't think I'll be able to

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<v Speaker 2>explain it. It's so weird. I didn't Yeah, I didn't

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<v Speaker 2>have words for it then. I still don't have words

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<v Speaker 2>for it now. It was also so cool to be

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<v Speaker 2>I have like been with all of them yeah when

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<v Speaker 2>that was happening, just because again they were sort of

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<v Speaker 2>the ones being like, what, what the hell's going on?

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<v Speaker 2>And I was like, oh, yeah, what the hell is

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<v Speaker 2>going on?

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<v Speaker 1>This is kind of crazy, And it's crazy because with

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<v Speaker 1>such success like that, being the number one spot with

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<v Speaker 1>flum for the Hottest one hundred comes the opposite end

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<v Speaker 1>of things, where you, I mean, the internet is a

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<v Speaker 1>binfire for comments. Did you read through them on the

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<v Speaker 1>day or did you kind of avoid it and just

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<v Speaker 1>soak in it.

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<v Speaker 2>I still haven't read through them. I don't think I will.

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<v Speaker 2>There was definitely a part we were talking about it

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<v Speaker 2>before the Host one hundred where I was like, low key,

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<v Speaker 2>I kind of hope becomes second because second place tends

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<v Speaker 2>to get the most positive responses of like this should

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<v Speaker 2>have won, like you were robbed, and if you win,

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<v Speaker 2>it's always the opposite. It's always like it should have

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<v Speaker 2>been something else. But you know, people are always going

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<v Speaker 2>to say things, and I think that's just one thing

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<v Speaker 2>that I was like, I'm just gonna let myself have

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<v Speaker 2>this as a nice thing for myself rather than ruin

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<v Speaker 2>it by reading what other people have to say. Because

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<v Speaker 2>at the end of the day, it doesn't really matter

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<v Speaker 2>and it doesn't change what happened.

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<v Speaker 1>So absolutely, and you do absolutely deserve every bit of

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<v Speaker 1>success that you're having at the moment. And I feel

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<v Speaker 1>like I have that problem too, where I don't appreciate

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<v Speaker 1>the things in the moment and don't appreciate the good

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<v Speaker 1>things that are happening. So make sure you do that

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<v Speaker 1>for yourself because it's so important. And as the journey

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<v Speaker 1>goes on, you're going to have so many greater successes.

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<v Speaker 1>How do you think you're gonna beat all of these things?

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<v Speaker 1>Because I hear of people getting the number one hit

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<v Speaker 1>and then they're like, well, okay, but how do I

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<v Speaker 1>get the next one? That's kind of happened for you

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<v Speaker 1>in a way, what is next? And how do you

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<v Speaker 1>beat that?

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<v Speaker 2>I don't know. I think you have to gauge successes differently,

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<v Speaker 2>like different levels of success of like different metrics, I guess,

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<v Speaker 2>and it might be like a personal thing rather than

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<v Speaker 2>something that uh outwardly looks really successful. Like for right now,

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<v Speaker 2>I'm just trying to make really honest music that I

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<v Speaker 2>can put out and really really believe in and get

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<v Speaker 2>to the core of like what I want to say

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<v Speaker 2>and I really want to put out like an intentional

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<v Speaker 2>project that has a lot of backing and that like

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<v Speaker 2>I back personally rather than like has external people being like, yeah,

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<v Speaker 2>this is the shit. It's more like I truly believe

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<v Speaker 2>everything that I'm saying. That's kind of my next goal,

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<v Speaker 2>my next thing that I'm focusing on. But that's yeah,

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<v Speaker 2>that's like an internal win because no one else can

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<v Speaker 2>really tell you if you believe something or not.

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<v Speaker 1>You know totally, And I think that's the key to

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<v Speaker 1>it all is doing things for you and winning in

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<v Speaker 1>your own in your own way, and having not letting

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<v Speaker 1>the outside effect what's going on, you know. So I

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<v Speaker 1>think that's really good. And you've obviously got your head

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<v Speaker 1>screwed on and you're ready for that next big moment,

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<v Speaker 1>and I mean you're in it right now. So yeah.

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<v Speaker 1>And speaking of genuine music and making that genuine music,

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<v Speaker 1>a new single out it's called Your Funeral. You actually

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<v Speaker 1>posted on Instagram recently gay things Coming. And I'm assuming

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<v Speaker 1>that's music video because I saw are you getting a

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<v Speaker 1>cheeky on screen kiss? Is that what's happening?

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<v Speaker 2>I don't know, we'll find out.

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<v Speaker 1>Okay, speaking of gay things, did you partake in the

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<v Speaker 1>World Pride festivities because I was there a couple of

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<v Speaker 1>weeks ago and my body is still unwell.

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<v Speaker 2>Oh same, Yeah, I'm surprised I didn't see you, to

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<v Speaker 2>be honest.

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<v Speaker 1>Well, I did see the crew hanging out. Was it

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<v Speaker 1>at Heaps Gay?

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<v Speaker 2>Oh? Yes? Were you there? Yeah? Yes, I was there.

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<v Speaker 1>That was a wild.

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<v Speaker 2>Night, definitely, definitely was Yes. I think I was running away,

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<v Speaker 2>to be honest, I think that I just kept running

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<v Speaker 2>away for some reason. But that's why you saw everybody

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<v Speaker 2>button me. I was probably somewhere else, but I was there.

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<v Speaker 1>Yes, Because people talk about this World Pride thing because

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<v Speaker 1>there's the day party and then the pre drinks to

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<v Speaker 1>the night party, and then there's the after party and

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<v Speaker 1>then you go all again. These gays were really trying

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<v Speaker 1>to murder us all Oh, I was going to say.

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<v Speaker 2>That's what I've been saying the whole Pride month. The

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<v Speaker 2>gays are trying to kill me.

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<v Speaker 1>And they've already put out the save the date for

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<v Speaker 1>Marty Grant twenty twenty four, and I'm like, Jesus, come on, guys,

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<v Speaker 1>let's calm down for a bit. But speaking of the

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<v Speaker 1>gay things and all of that, coming back to the

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<v Speaker 1>genuinity and your music. You really do showcase sexuality through

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<v Speaker 1>your music and your funeral is one of those things

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<v Speaker 1>where you're talking about toxic girls and falling for the

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<v Speaker 1>toxic girl. What's a red flag for you? What's one

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<v Speaker 1>that you just simply choose to ignore?

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<v Speaker 2>Oh, there are so many. I don't think you can

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<v Speaker 2>boil it down to one, to be honest.

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<v Speaker 1>What about talking about x's on the first date, because

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<v Speaker 1>that's something I feel like that's the queer girl first

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<v Speaker 1>date experience. It's the bonding experience.

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<v Speaker 2>Really. Definitely, definitely no X talk on a first date,

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<v Speaker 2>for sure.

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<v Speaker 1>Have you done it?

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<v Speaker 2>Yes? We always do it, don't we? I don't know.

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<v Speaker 2>We are the toxic traite. The fact that you're going

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<v Speaker 2>out with me is your toxic trade.

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<v Speaker 1>I love that you flipped the script in the song though,

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<v Speaker 1>where you're talking about toxic girls and falling for the

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<v Speaker 1>ones that aren't good for you, but then you're also saying, well,

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<v Speaker 1>I'm also toxic. I am the toxic one.

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<v Speaker 2>Definitely, definitely, Yeah. I think that was It was fun

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<v Speaker 2>writing that song because it actually was a complete joke.

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<v Speaker 2>I was like, what can I make sound like a classic?

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<v Speaker 2>Like la Rap Dude vibe because we got like stuck

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<v Speaker 2>in the studio and then it kind of came out

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<v Speaker 2>and I was like, wait, this is kind of funny

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<v Speaker 2>and good at the same time. And then by the

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<v Speaker 2>time we got to the bridge, I was like, okay,

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<v Speaker 2>I gotta stop being stupid for a minute and like,

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<v Speaker 2>actually get real. So we did like a sort of

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<v Speaker 2>double bridge situation where yeah, it got more real and

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<v Speaker 2>it was like, hey, I'm actually the problem, probably as

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<v Speaker 2>much as you are, but that's why this is never

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<v Speaker 2>gonna work. Yeah, I don't know. Flipping it there was

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<v Speaker 2>it made it a little bit more sentimental than just

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<v Speaker 2>kind of like you're hot, but we're not good together.

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<v Speaker 1>Like yeah, And I feel like that's the common denominator

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<v Speaker 1>in pretty much any queer relationship, but also just any

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<v Speaker 1>relationship in general. I mean dating in twenty twenty three.

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<v Speaker 2>Oh, it's a dumpstify.

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<v Speaker 1>It is so bad. I feel like more than ever

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<v Speaker 1>it's isn't the worst it's ever been.

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<v Speaker 2>Oh yeah, I mean we can never really tell, but

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<v Speaker 2>I think that right now. Yeah, in the attention economy,

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<v Speaker 2>nobody wants something that's constant, I think, because everything is

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<v Speaker 2>just more interesting all the time.

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<v Speaker 1>Are you are swite?

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<v Speaker 2>Oh god, I was like two years ago. And then

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<v Speaker 2>I realized that every it's just like a game show

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<v Speaker 2>or something because I started using it like that. I

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<v Speaker 2>was like, damn, who likes me? Back? Cool? Never engage

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<v Speaker 2>in conversation? Uh huh.

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<v Speaker 1>I feel like I do it when I'm low key

0:11:16.120 --> 0:11:18.400
<v Speaker 1>hungover and you just want a little ego do you want?

0:11:18.640 --> 0:11:20.760
<v Speaker 1>You want somebody to tell you that you're pretty, and

0:11:20.800 --> 0:11:23.760
<v Speaker 1>then you won't engage in conversation path that point. Okay,

0:11:23.760 --> 0:11:26.079
<v Speaker 1>I got my little fix, my little ego fix, and

0:11:26.120 --> 0:11:26.720
<v Speaker 1>now I'm done.

0:11:27.120 --> 0:11:30.440
<v Speaker 2>It's another dopamine here. It's just another one of those things.

0:11:30.720 --> 0:11:34.200
<v Speaker 1>Yeah, so may I what's on for twenty twenty three?

0:11:34.240 --> 0:11:36.319
<v Speaker 1>What's what's the plan? You've got this new song at

0:11:36.400 --> 0:11:39.400
<v Speaker 1>your funeral, which we're going to get on. But what's next?

0:11:39.440 --> 0:11:40.960
<v Speaker 1>More shows, obviously.

0:11:40.840 --> 0:11:44.280
<v Speaker 2>Mm hmmm yeah, more shows, hopefully putting out an EP

0:11:44.440 --> 0:11:47.719
<v Speaker 2>at some point in this next run of months. I

0:11:47.760 --> 0:11:49.920
<v Speaker 2>don't know if I was allowed to say that. I was.

0:11:50.040 --> 0:11:50.560
<v Speaker 2>That's good.

0:11:51.280 --> 0:11:52.560
<v Speaker 1>You're getting the nod of approval.

0:11:52.920 --> 0:11:54.520
<v Speaker 2>Yeah.

0:11:55.040 --> 0:11:57.800
<v Speaker 1>More dating? Are we? Are we dating more toxic people?

0:11:57.880 --> 0:12:02.440
<v Speaker 2>Oh? Probably, it's not really on the cards intentionally.

0:12:01.800 --> 0:12:04.480
<v Speaker 1>But it will be you're too busy, You're too busy

0:12:04.520 --> 0:12:04.800
<v Speaker 1>for it.

0:12:05.559 --> 0:12:09.160
<v Speaker 2>I always say that, and then yes, no, you fall

0:12:09.200 --> 0:12:13.079
<v Speaker 2>back in yeah constantly. I don't know what why, but.

0:12:13.760 --> 0:12:15.520
<v Speaker 1>You know why. It's because of songs like this. You

0:12:15.559 --> 0:12:17.600
<v Speaker 1>get to write really good songs out of it.

0:12:17.600 --> 0:12:21.200
<v Speaker 2>Oh yeah, I'm putting myself in these situations intentionally to

0:12:21.240 --> 0:12:22.040
<v Speaker 2>try and get something.

0:12:22.240 --> 0:12:26.880
<v Speaker 1>Yeah, do it for the pot always, always may I

0:12:26.960 --> 0:12:30.080
<v Speaker 1>thank you so much for joining the Maddie row Oz

0:12:30.200 --> 0:12:31.840
<v Speaker 1>Music Show. It's been a pleasure.

0:12:32.040 --> 0:12:36.319
<v Speaker 2>Oh thanks for talking to me. Music show over