1 00:00:01,880 --> 00:00:04,880 Speaker 1: The public has had a long held fascination with detectives. 2 00:00:05,360 --> 00:00:07,800 Speaker 1: Detective see a side of life the average person is 3 00:00:07,880 --> 00:00:11,080 Speaker 1: never exposed to. I spent thirty four years as a cop. 4 00:00:11,560 --> 00:00:14,040 Speaker 1: For twenty five of those years, I was catching killers. 5 00:00:14,440 --> 00:00:16,200 Speaker 1: That's what I did for a living. I was a 6 00:00:16,200 --> 00:00:20,560 Speaker 1: homicide detective. I'm no longer just interviewing bad guys. Instead, 7 00:00:20,600 --> 00:00:23,120 Speaker 1: I'm taking the public into the world in which I operated. 8 00:00:23,840 --> 00:00:26,400 Speaker 1: The guests I talk to each week have amazing stories 9 00:00:26,440 --> 00:00:28,760 Speaker 1: from all sides of the law. The interviews are raw 10 00:00:28,800 --> 00:00:31,440 Speaker 1: and honest, just like the people I talked to. Some 11 00:00:31,600 --> 00:00:34,640 Speaker 1: of the content and language might be confronting. That's because 12 00:00:34,640 --> 00:00:37,640 Speaker 1: no one who comes into contact with crime is left unchanged. 13 00:00:38,159 --> 00:00:40,320 Speaker 1: Join me now as I take you into this world. 14 00:00:46,280 --> 00:00:48,640 Speaker 1: Welcome back to part two of my chat with former 15 00:00:48,680 --> 00:00:52,560 Speaker 1: bikey and maximum security in Adam Smith. In part one, 16 00:00:52,640 --> 00:00:55,319 Speaker 1: we spoke about his early life, how I met him 17 00:00:55,360 --> 00:00:57,800 Speaker 1: in prison, his time as a senior member of an 18 00:00:57,800 --> 00:01:02,200 Speaker 1: outlaw motorcycle gang, and he's experiences in gold and supermax prison. 19 00:01:02,960 --> 00:01:05,480 Speaker 1: In part two, we speak about how a change of 20 00:01:05,520 --> 00:01:08,360 Speaker 1: prisons changed his outlook on life and what he is 21 00:01:08,440 --> 00:01:13,199 Speaker 1: doing since he was released from prison last year. Adam Smith. 22 00:01:13,520 --> 00:01:15,319 Speaker 1: Welcome back to I Catch Killers. 23 00:01:15,800 --> 00:01:16,680 Speaker 2: How you doing good? 24 00:01:16,800 --> 00:01:17,679 Speaker 1: Good to have you back. 25 00:01:18,319 --> 00:01:18,800 Speaker 2: Be mate. 26 00:01:19,120 --> 00:01:22,160 Speaker 1: Speaking the other day, I said, what are you doing 27 00:01:22,160 --> 00:01:25,800 Speaker 1: with yourself? And you called yourself an artist. Yes, so 28 00:01:26,360 --> 00:01:31,120 Speaker 1: that's a that's a big jump from violent prisoner in 29 00:01:31,720 --> 00:01:33,800 Speaker 1: so violent that they had to be put in the 30 00:01:33,840 --> 00:01:37,399 Speaker 1: supermax in Golden what's the art that you're into? Tell 31 00:01:37,440 --> 00:01:38,040 Speaker 1: us about that? 32 00:01:38,600 --> 00:01:41,520 Speaker 2: So art? Was it come across? 33 00:01:41,600 --> 00:01:44,920 Speaker 3: I guess you could say in the supermax when I 34 00:01:44,959 --> 00:01:47,280 Speaker 3: finally got a pen and paper. I love to tell 35 00:01:47,280 --> 00:01:50,600 Speaker 3: the story that I learned to the art scribe and 36 00:01:50,680 --> 00:01:52,320 Speaker 3: my finger I was in the war, but that's not true. 37 00:01:53,240 --> 00:01:55,160 Speaker 3: I used to just sketch a little bit, just a 38 00:01:55,280 --> 00:01:59,200 Speaker 3: doodle and that sort of I guess that kind of 39 00:01:59,240 --> 00:02:01,000 Speaker 3: created something and then I didn't touch on it. But 40 00:02:01,040 --> 00:02:03,840 Speaker 3: when I went to Macquarie, it's some really good artists. 41 00:02:03,880 --> 00:02:06,640 Speaker 3: Like when I say really good, I mean really really 42 00:02:06,680 --> 00:02:07,080 Speaker 3: really good. 43 00:02:07,880 --> 00:02:12,679 Speaker 1: I've been to that the center there in the prison. Yeah, 44 00:02:12,760 --> 00:02:14,120 Speaker 1: there are some great pieces of art. 45 00:02:14,400 --> 00:02:16,960 Speaker 3: So I spent a lot of time with I guess, 46 00:02:17,040 --> 00:02:20,680 Speaker 3: two of the best artists, but not associating around art. 47 00:02:21,200 --> 00:02:24,799 Speaker 3: We live together in a pod, you know. Yeah, Now 48 00:02:24,840 --> 00:02:27,280 Speaker 3: these two guys in particular, they could have gone through 49 00:02:27,320 --> 00:02:30,680 Speaker 3: and entered into the Archer bulb. They actually paved the 50 00:02:30,720 --> 00:02:33,919 Speaker 3: way sort of for art programs, I guess, in the 51 00:02:34,000 --> 00:02:38,960 Speaker 3: jail system. One of them in particular, who you met, 52 00:02:39,240 --> 00:02:42,440 Speaker 3: Bruce Harrison. Things happened in jail, and they're out of 53 00:02:42,440 --> 00:02:45,920 Speaker 3: people's control. He was destined to go and do the 54 00:02:45,960 --> 00:02:49,200 Speaker 3: last of his sentence teaching an art program. I think 55 00:02:49,200 --> 00:02:51,600 Speaker 3: it might have been at Long Bay, but that changed. 56 00:02:51,800 --> 00:02:56,440 Speaker 3: But I had the, I guess, fortunate luck of being 57 00:02:56,480 --> 00:03:00,080 Speaker 3: able to watch these guys paint every day. I was 58 00:03:00,120 --> 00:03:01,320 Speaker 3: convinced to start. 59 00:03:01,639 --> 00:03:01,799 Speaker 2: Well. 60 00:03:01,840 --> 00:03:03,760 Speaker 3: First of all, I was convinced to try and join 61 00:03:03,840 --> 00:03:06,520 Speaker 3: their art class. But I still had so much cork. 62 00:03:06,760 --> 00:03:11,120 Speaker 3: My cork ran for over four years, you know. And 63 00:03:11,240 --> 00:03:14,880 Speaker 3: when I started drawing, they were decent drawings. When I 64 00:03:14,919 --> 00:03:17,040 Speaker 3: look back on them, they're not so decent, but at 65 00:03:17,080 --> 00:03:20,520 Speaker 3: the time that yeah. And when I showed when I 66 00:03:20,520 --> 00:03:22,800 Speaker 3: showed them, it was like, well, you should start painting. 67 00:03:22,919 --> 00:03:26,840 Speaker 1: Did you Did you have a natural aptitude for art? 68 00:03:26,919 --> 00:03:29,440 Speaker 1: Did you delve into it before you went to prison? 69 00:03:29,680 --> 00:03:32,639 Speaker 2: When I was younger, like, I was never really good 70 00:03:32,639 --> 00:03:34,000 Speaker 2: at it. My brother was very good at. 71 00:03:33,960 --> 00:03:36,600 Speaker 3: Doing graffiti, like we set up big boards out in 72 00:03:36,600 --> 00:03:39,480 Speaker 3: the backyard at mum and Dad's and little kids, and 73 00:03:39,480 --> 00:03:41,440 Speaker 3: it was never any good. But I never had a 74 00:03:41,480 --> 00:03:44,200 Speaker 3: thought about being an artist. But I played guitar when 75 00:03:44,200 --> 00:03:46,400 Speaker 3: I was younger, and I was pretty pretty good at 76 00:03:46,400 --> 00:03:48,800 Speaker 3: it too, and so I was always there was an 77 00:03:48,880 --> 00:03:51,360 Speaker 3: artistic I just didn't realize it was. 78 00:03:51,480 --> 00:03:55,400 Speaker 1: You hadn't developed it or it hadn't come. 79 00:03:55,320 --> 00:03:56,920 Speaker 2: Out, and I still don't know how I do it. 80 00:03:57,320 --> 00:04:00,560 Speaker 1: Okay, well we'll talk about that. But we we left 81 00:04:00,600 --> 00:04:02,920 Speaker 1: you in part one. You're still in super Max and 82 00:04:02,960 --> 00:04:05,920 Speaker 1: now we're talking about your art. But I'm just going 83 00:04:05,960 --> 00:04:09,080 Speaker 1: to I can do this. I suppose it's of course, 84 00:04:09,240 --> 00:04:12,560 Speaker 1: of course it's a podcast, But have a look at 85 00:04:12,560 --> 00:04:16,640 Speaker 1: that drawing that you've done. I spotted it straight away 86 00:04:16,640 --> 00:04:18,920 Speaker 1: when I walk in. You bought it in It's Malcolm X. 87 00:04:19,000 --> 00:04:22,360 Speaker 2: Yeah likeness an oil painting of malcom X. Yeah. 88 00:04:22,440 --> 00:04:25,320 Speaker 1: Yeah, Well that's a good example of your art. So 89 00:04:25,600 --> 00:04:28,479 Speaker 1: we'll talk more about that. But I wanted to show people, 90 00:04:28,520 --> 00:04:31,719 Speaker 1: and if those that are listening that's showing, it doesn't 91 00:04:31,720 --> 00:04:35,080 Speaker 1: really help. But what we've got here is a portrait 92 00:04:35,120 --> 00:04:38,000 Speaker 1: that to me, it looked like a photograph of Malcolm X. 93 00:04:38,160 --> 00:04:40,200 Speaker 1: We'll talk about that a little bit later, but I just. 94 00:04:40,120 --> 00:04:41,919 Speaker 2: Thought i'd show people, Yeah, thank you. 95 00:04:42,400 --> 00:04:45,000 Speaker 1: Just before we get in the Macquarie I just want 96 00:04:45,040 --> 00:04:48,080 Speaker 1: to rehash, and I think we touched on it, that 97 00:04:48,839 --> 00:04:52,480 Speaker 1: super Max has been renovated and there was sixty prisoners 98 00:04:52,520 --> 00:04:56,479 Speaker 1: in super Max. Twenty had to get relocated and you 99 00:04:56,560 --> 00:05:01,080 Speaker 1: got relocated to Macquarie Correctional Center is up near Dabba. 100 00:05:01,360 --> 00:05:01,880 Speaker 2: That's right. 101 00:05:02,400 --> 00:05:06,640 Speaker 1: Macquarie Correctional Center is a new way of handling prisons 102 00:05:06,680 --> 00:05:09,719 Speaker 1: and that was the reason that I was in prison 103 00:05:09,760 --> 00:05:13,520 Speaker 1: when out past First Cross to have a look at 104 00:05:13,560 --> 00:05:16,960 Speaker 1: the way that they're treating prisoners. It's completely different to 105 00:05:17,720 --> 00:05:22,280 Speaker 1: what I would call the traditional tell us about tell 106 00:05:22,360 --> 00:05:24,839 Speaker 1: us about what you found when you walked into there. 107 00:05:24,880 --> 00:05:28,560 Speaker 1: So you've gone from Golden the Yard in Golburen, which 108 00:05:28,600 --> 00:05:32,640 Speaker 1: was a pretty volatile place, lots of violence, lots of yeah, 109 00:05:33,080 --> 00:05:35,680 Speaker 1: lots of stuff went down there. You got kicked out 110 00:05:35,720 --> 00:05:39,840 Speaker 1: of there into Supermax and where you're living in a 111 00:05:39,920 --> 00:05:44,160 Speaker 1: cell on your own and very limited communication to be 112 00:05:44,240 --> 00:05:47,120 Speaker 1: dropped in Macquarie Center. Talk us through that whole process. 113 00:05:47,320 --> 00:05:48,360 Speaker 2: Yeah, no worry, Jerry. 114 00:05:48,400 --> 00:05:52,520 Speaker 3: So so they just finished booting the MPU, which was 115 00:05:52,560 --> 00:05:55,800 Speaker 3: the whole segregation inmates. So that was forty beds that 116 00:05:55,800 --> 00:05:57,919 Speaker 3: they had in there. So, like I said, there were 117 00:05:58,000 --> 00:06:01,520 Speaker 3: sixty inmates, and so that twenty of us had to 118 00:06:01,560 --> 00:06:05,840 Speaker 3: go around the state into segregation. What they basically call it, 119 00:06:05,880 --> 00:06:09,320 Speaker 3: they call it rotation. So if you get either segregation 120 00:06:09,400 --> 00:06:12,760 Speaker 3: for a certain amount of time or something they call 121 00:06:12,839 --> 00:06:14,920 Speaker 3: seventy eight A, which is housing, which means they can't 122 00:06:14,920 --> 00:06:17,880 Speaker 3: house you for certain reasons, so you'll go onto a rotation. 123 00:06:18,000 --> 00:06:22,279 Speaker 3: So I landed at Macquarie. You only really meant to 124 00:06:22,279 --> 00:06:24,599 Speaker 3: stay at a certain location for a certain amount of time. 125 00:06:24,880 --> 00:06:27,080 Speaker 3: I don't know how or why, but I ended up staying. 126 00:06:27,520 --> 00:06:30,880 Speaker 3: I think I was well, I think I can't remember exactly, 127 00:06:30,880 --> 00:06:33,200 Speaker 3: but it was a few months. And I was never 128 00:06:33,240 --> 00:06:35,080 Speaker 3: meant to go up. I was never meant to go 129 00:06:35,080 --> 00:06:38,400 Speaker 3: out into the main. It wasn't for gang members. It 130 00:06:38,480 --> 00:06:42,080 Speaker 3: was meant to be for inmates that wanted to basically 131 00:06:42,120 --> 00:06:46,080 Speaker 3: toe the line and develop and rehabilitate, and they put 132 00:06:46,520 --> 00:06:50,680 Speaker 3: gang members off the table. Now, my experience with correctional 133 00:06:50,720 --> 00:06:55,400 Speaker 3: officers was pretty much all bad. There was a certain 134 00:06:55,520 --> 00:06:59,839 Speaker 3: level of I guess respect that I was given by 135 00:07:00,040 --> 00:07:03,960 Speaker 3: certain offices in different jails, but there was never ever 136 00:07:05,000 --> 00:07:08,479 Speaker 3: a level of being treated with respect, yeah, or given 137 00:07:08,520 --> 00:07:13,120 Speaker 3: your dignity mind that. So when I went to mcclarie, 138 00:07:14,120 --> 00:07:16,680 Speaker 3: I was obviously it was a big deal. So they 139 00:07:16,720 --> 00:07:18,680 Speaker 3: had all the squad and because it's on the same 140 00:07:18,720 --> 00:07:22,160 Speaker 3: property as Wellington Jail, which is very much similar to 141 00:07:22,720 --> 00:07:24,120 Speaker 3: Goldban or silver Water. 142 00:07:24,040 --> 00:07:26,400 Speaker 1: Or something in the traditional sense of a prison, and. 143 00:07:26,320 --> 00:07:29,360 Speaker 3: It's on the same property, so I'm assuming that they 144 00:07:29,440 --> 00:07:31,280 Speaker 3: must have had some of the squad from there as 145 00:07:31,320 --> 00:07:33,720 Speaker 3: we will come. And at the end of this time, 146 00:07:33,760 --> 00:07:36,360 Speaker 3: you can imagine what I've just been through. The first 147 00:07:36,400 --> 00:07:37,920 Speaker 3: thing that I asked when I got off the tracks, 148 00:07:38,040 --> 00:07:40,840 Speaker 3: so I get a TV? And they said yes, And 149 00:07:40,960 --> 00:07:42,200 Speaker 3: I sat down on the end of the bed for 150 00:07:42,240 --> 00:07:45,560 Speaker 3: about probably eight hours watching kids shows. I couldn't believe 151 00:07:45,600 --> 00:07:46,200 Speaker 3: my eyes, you. 152 00:07:46,160 --> 00:07:49,280 Speaker 1: Know, just to get some form of stimulation, fl. 153 00:07:49,240 --> 00:07:52,680 Speaker 3: Like I was free. That's how I felt, right. I 154 00:07:52,720 --> 00:07:55,840 Speaker 3: was still very unsure of my future in jail at 155 00:07:55,840 --> 00:07:56,280 Speaker 3: this point. 156 00:07:56,320 --> 00:07:59,760 Speaker 1: So how far into sixty sentence that you've served at this. 157 00:07:59,720 --> 00:08:04,800 Speaker 3: Stage, maybe about so close to a year, right, So 158 00:08:04,960 --> 00:08:07,680 Speaker 3: I still had no I still had no idea what 159 00:08:07,760 --> 00:08:10,360 Speaker 3: was happening with my court. I ended up fighting another 160 00:08:10,400 --> 00:08:13,840 Speaker 3: three trials after my After my court, they just kept 161 00:08:13,840 --> 00:08:15,440 Speaker 3: trying to get me and get me, but I beat 162 00:08:15,480 --> 00:08:21,240 Speaker 3: those trials. Brad Peebles, who's who was the governor of 163 00:08:21,320 --> 00:08:25,240 Speaker 3: mcclorie at the time. He went above and beyond to 164 00:08:25,360 --> 00:08:29,520 Speaker 3: give inmates an opportunity, and I think it probably could 165 00:08:29,520 --> 00:08:31,320 Speaker 3: have cost him his career in doing it if it 166 00:08:31,360 --> 00:08:33,640 Speaker 3: had gone wrong. It was only ever meant to be 167 00:08:33,679 --> 00:08:35,400 Speaker 3: an experiment. I don't know, did you know that? 168 00:08:35,920 --> 00:08:39,840 Speaker 1: Yeah, I know initially there was. It was bored in 169 00:08:40,240 --> 00:08:43,280 Speaker 1: years ago and then then stopped and the Brad peoples 170 00:08:43,520 --> 00:08:46,840 Speaker 1: very much promoted it and pushed it. And it's not 171 00:08:46,920 --> 00:08:52,120 Speaker 1: this similar to like a Norwegian way of handling prisoners. 172 00:08:52,200 --> 00:08:55,640 Speaker 1: Just so our listeners understand what we're talking about here, 173 00:08:56,040 --> 00:09:01,240 Speaker 1: your maximum security prisoner, and yeah, max security prisoners are 174 00:09:01,240 --> 00:09:04,719 Speaker 1: praying to violence and you keep some tight control on them, 175 00:09:04,720 --> 00:09:06,560 Speaker 1: a lot of lockdowns, you spend a lot of time 176 00:09:06,559 --> 00:09:09,960 Speaker 1: in your cell super macs, you spend an extremely large 177 00:09:10,000 --> 00:09:12,720 Speaker 1: amount of time in your cell, and you're not allowed 178 00:09:12,720 --> 00:09:14,800 Speaker 1: to mix with other inmates. So you've gone from that 179 00:09:14,960 --> 00:09:18,439 Speaker 1: environment into what they had at Macquarie Correctional Center where 180 00:09:18,720 --> 00:09:23,600 Speaker 1: they had dorms with twenty five maximum security prisoners in there. 181 00:09:23,800 --> 00:09:26,559 Speaker 1: That's when when I walked into the dorm, I thought 182 00:09:26,600 --> 00:09:29,200 Speaker 1: that would be a bloodbath. They're having twenty five of 183 00:09:29,200 --> 00:09:32,520 Speaker 1: you all in there, just all locked away, access to 184 00:09:32,559 --> 00:09:36,720 Speaker 1: twenty five other other inmates. Yeah, but you tell the 185 00:09:36,760 --> 00:09:41,400 Speaker 1: story because I was observing, and how did you feel 186 00:09:41,440 --> 00:09:45,439 Speaker 1: when you were given that much, well, basically freedom within 187 00:09:45,480 --> 00:09:47,600 Speaker 1: a prison as much as a freedom that you get. 188 00:09:47,800 --> 00:09:52,600 Speaker 3: Yeah, yeah, definitely. There was no certainty of my stay 189 00:09:52,600 --> 00:09:55,120 Speaker 3: at Macquarie. I was online, I was told that it 190 00:09:55,160 --> 00:09:56,480 Speaker 3: was made very clear to me as soon as I 191 00:09:56,520 --> 00:10:02,199 Speaker 3: got there. Spending my time in supermax. This was massively 192 00:10:02,240 --> 00:10:08,040 Speaker 3: concerning because their segregation units at Macquarie, the way I 193 00:10:08,120 --> 00:10:10,680 Speaker 3: described it at the time, was an F one motel 194 00:10:10,760 --> 00:10:12,520 Speaker 3: room compared. 195 00:10:12,080 --> 00:10:16,120 Speaker 1: To what from what you came to from. 196 00:10:16,640 --> 00:10:18,640 Speaker 3: So you have your dignity, you have you have you 197 00:10:18,960 --> 00:10:21,360 Speaker 3: have room, you have a massive bench that you can 198 00:10:21,400 --> 00:10:25,000 Speaker 3: work on, you have toilet, chaw, it's all clean, the 199 00:10:25,040 --> 00:10:27,000 Speaker 3: same size as your little yard out the back. And 200 00:10:27,000 --> 00:10:32,760 Speaker 3: this is in segregation, and you're treated well when you're 201 00:10:32,760 --> 00:10:34,800 Speaker 3: down there as long as you respect, you give me 202 00:10:34,880 --> 00:10:37,280 Speaker 3: like so it's reciprocated. 203 00:10:36,679 --> 00:10:40,240 Speaker 1: Okay, so this is the segregation section we've been Macquarie 204 00:10:40,520 --> 00:10:45,120 Speaker 1: Correctional Center. What you described describing there, Yes, so distinct 205 00:10:45,120 --> 00:10:47,559 Speaker 1: from the dorms where the general population got. 206 00:10:47,440 --> 00:10:51,560 Speaker 3: That's exactly right. So obviously Brad Peebles to do what 207 00:10:51,600 --> 00:10:54,880 Speaker 3: he did, he had to have a great team. Now 208 00:10:54,920 --> 00:10:57,920 Speaker 3: I'm sure that team consisted of a lot more people 209 00:10:57,920 --> 00:11:02,600 Speaker 3: than I know of. Yeah, but he had Bywater, who 210 00:11:02,679 --> 00:11:07,600 Speaker 3: is a stand up guy who has a reputation too 211 00:11:07,640 --> 00:11:11,160 Speaker 3: for being a tough guy throughout his So he I 212 00:11:11,160 --> 00:11:14,240 Speaker 3: think he was a boss of a squad. And this 213 00:11:14,320 --> 00:11:18,920 Speaker 3: guy is an absolute gentleman. We'll have nothing but respect 214 00:11:18,920 --> 00:11:21,839 Speaker 3: for him and the way that he conducts himself as 215 00:11:21,880 --> 00:11:26,040 Speaker 3: an officer and the way that he treats inmates, hard 216 00:11:26,080 --> 00:11:31,000 Speaker 3: but fair. I'd say he had Brett Lee's and you 217 00:11:31,280 --> 00:11:32,440 Speaker 3: obviously met Brett Lee. 218 00:11:32,520 --> 00:11:33,600 Speaker 1: So he's a character. 219 00:11:33,800 --> 00:11:35,000 Speaker 2: Well he's a character so or. 220 00:11:35,040 --> 00:11:37,440 Speaker 3: Just so the viewers can understand, this is the guy 221 00:11:37,480 --> 00:11:39,720 Speaker 3: that went on to become the governor at the prison 222 00:11:39,800 --> 00:11:43,440 Speaker 3: after Brad Peebles, he had gone on to another project. 223 00:11:45,640 --> 00:11:51,280 Speaker 3: He's a psychologist and he runs with that every day. Okay, So, 224 00:11:52,760 --> 00:11:55,720 Speaker 3: although there's always a certain amount of humor around whatever's 225 00:11:55,720 --> 00:11:59,200 Speaker 3: coming out of his mouth, every word counts. 226 00:11:59,000 --> 00:12:01,280 Speaker 1: That's a fair assessment. 227 00:12:02,320 --> 00:12:05,000 Speaker 3: And he does that for a reason obviously, and there's 228 00:12:05,040 --> 00:12:07,640 Speaker 3: only very few people that can pick up on that. 229 00:12:07,760 --> 00:12:11,240 Speaker 3: So he's another one that has gone above and beyond 230 00:12:11,240 --> 00:12:15,119 Speaker 3: to try and do things for certain inmates. Myself definitely. 231 00:12:15,640 --> 00:12:19,240 Speaker 3: So with these guys in your corner, and then you 232 00:12:19,360 --> 00:12:22,480 Speaker 3: have the intel side, which is run by a couple 233 00:12:22,440 --> 00:12:23,040 Speaker 3: of officers. 234 00:12:23,920 --> 00:12:24,760 Speaker 2: So you've got. 235 00:12:24,640 --> 00:12:30,520 Speaker 3: Stanger Andrew Stinger, absolute absolute, dead set, stand up guy. 236 00:12:31,040 --> 00:12:36,320 Speaker 3: This guy is very very smart, very calculated, but very fair. 237 00:12:36,640 --> 00:12:37,000 Speaker 2: Yeah. 238 00:12:37,040 --> 00:12:39,280 Speaker 3: So these guys you can understand, they run the intel, 239 00:12:39,360 --> 00:12:42,800 Speaker 3: they can they know what's going on. Yeah, best intel 240 00:12:43,240 --> 00:12:45,719 Speaker 3: in Australia and jail is that Macquarie. And then you've 241 00:12:45,760 --> 00:12:49,560 Speaker 3: got standing there. Those two work together, but they maintain 242 00:12:49,640 --> 00:12:54,120 Speaker 3: the respect of the inmates. I guess that actually matter 243 00:12:54,240 --> 00:12:55,360 Speaker 3: to make him the system work. 244 00:12:55,360 --> 00:12:55,720 Speaker 2: You give me. 245 00:12:56,640 --> 00:12:59,360 Speaker 1: I'm taking on what you've what you're saying here, because 246 00:12:59,400 --> 00:13:03,080 Speaker 1: it's unusual for a prisoner to be talking about coreactive services. 247 00:13:03,200 --> 00:13:06,800 Speaker 1: Normally it's screws and the Blue and the Green don't 248 00:13:06,840 --> 00:13:11,880 Speaker 1: mix traditional prisons. What I saw at Quarry Centa was 249 00:13:11,920 --> 00:13:16,000 Speaker 1: that the respects went both ways. Yeah, and it wasn't 250 00:13:16,080 --> 00:13:20,000 Speaker 1: sort of false respect. That was the creative services officers 251 00:13:20,000 --> 00:13:22,520 Speaker 1: that I saw treated the prisoners with respect and the 252 00:13:22,520 --> 00:13:26,640 Speaker 1: prisoners were treating the creative services officers with respect. And 253 00:13:27,040 --> 00:13:29,440 Speaker 1: it was different to any jail I had been in, 254 00:13:29,760 --> 00:13:32,600 Speaker 1: and the whole vibe felt felt different. 255 00:13:32,720 --> 00:13:33,080 Speaker 2: Yeah. 256 00:13:33,160 --> 00:13:35,760 Speaker 3: So this, this creates a little bit of an issue 257 00:13:36,240 --> 00:13:38,520 Speaker 3: in the jail environment because then you have people that 258 00:13:38,640 --> 00:13:41,679 Speaker 3: want to be in this shale, but then they want 259 00:13:41,720 --> 00:13:44,839 Speaker 3: to make out like their mister gangster this that, and 260 00:13:45,640 --> 00:13:48,800 Speaker 3: they don't want to respect the officers, but they actually do, 261 00:13:48,880 --> 00:13:51,319 Speaker 3: but they just make out. So that creates a little 262 00:13:51,320 --> 00:13:53,360 Speaker 3: bit of a little bit of an issue. So you've 263 00:13:53,360 --> 00:13:55,320 Speaker 3: got to sort of put that aside and just do 264 00:13:55,400 --> 00:13:58,280 Speaker 3: your own thing, you know. Like I said, jail politics 265 00:13:58,320 --> 00:14:01,120 Speaker 3: are a funny thing. Always need to be able to 266 00:14:01,160 --> 00:14:03,080 Speaker 3: make sure that you can walk into a jail yard 267 00:14:03,120 --> 00:14:05,040 Speaker 3: somewhere because you might end up there. 268 00:14:05,160 --> 00:14:07,880 Speaker 1: Well, you said to me the other day that when 269 00:14:08,200 --> 00:14:10,520 Speaker 1: the prisoners that were talking to me were the ones 270 00:14:10,520 --> 00:14:13,280 Speaker 1: that could hold their head up and didn't need to 271 00:14:13,800 --> 00:14:16,800 Speaker 1: they weren't worried what other people thought. And I got 272 00:14:16,800 --> 00:14:19,360 Speaker 1: to say, there was some hard cases in there in 273 00:14:19,480 --> 00:14:21,640 Speaker 1: terms of if I look at I know their reputation, 274 00:14:21,960 --> 00:14:25,280 Speaker 1: I had dealings, I know what they've done and who 275 00:14:25,320 --> 00:14:27,920 Speaker 1: they are, and they'd stand up in any jail, yeah, 276 00:14:27,960 --> 00:14:31,680 Speaker 1: for sure. But in this jail their behavior was changed 277 00:14:31,720 --> 00:14:36,800 Speaker 1: and instead of bridging up, they were communicating and talking. 278 00:14:36,640 --> 00:14:40,720 Speaker 2: And problem solvers, you know. So there's a fair fuel 279 00:14:40,720 --> 00:14:40,880 Speaker 2: of that. 280 00:14:41,000 --> 00:14:44,520 Speaker 3: It would always have to go out to diffuse something 281 00:14:44,720 --> 00:14:47,880 Speaker 3: or just say, for instance, the jail started getting a 282 00:14:47,920 --> 00:14:49,960 Speaker 3: little bit violent, they'd call a lot of us down 283 00:14:49,960 --> 00:14:51,920 Speaker 3: to talk to us and say we need this to change. 284 00:14:52,080 --> 00:14:53,680 Speaker 3: So then we would say, well what can you do 285 00:14:53,760 --> 00:14:56,000 Speaker 3: for us? Like this is the way that we're working here, 286 00:14:56,040 --> 00:14:57,080 Speaker 3: we're working with each other. 287 00:14:57,720 --> 00:14:58,320 Speaker 2: So we saw a. 288 00:14:58,360 --> 00:15:00,600 Speaker 3: Barter it down, you know, and then we back and 289 00:15:01,080 --> 00:15:02,680 Speaker 3: we'd pull the pod in and say, well, this is 290 00:15:02,720 --> 00:15:04,440 Speaker 3: what's going to happen because the jarl needs to be 291 00:15:04,520 --> 00:15:06,560 Speaker 3: like this for the next few weeks, and there we'd 292 00:15:06,600 --> 00:15:07,120 Speaker 3: make it happen. 293 00:15:07,160 --> 00:15:10,200 Speaker 1: You know, how long did it take you to get 294 00:15:10,280 --> 00:15:11,120 Speaker 1: moved into a pod? 295 00:15:11,840 --> 00:15:12,200 Speaker 2: Okay? 296 00:15:12,320 --> 00:15:14,440 Speaker 3: So, like I said, I was never really gone, but 297 00:15:14,480 --> 00:15:18,160 Speaker 3: they kept coming in saying to me, or if you 298 00:15:18,200 --> 00:15:20,560 Speaker 3: want to sign your intel off, we'll let you stay here, 299 00:15:20,560 --> 00:15:21,720 Speaker 3: and I just thought it was a ja I thought 300 00:15:21,760 --> 00:15:23,080 Speaker 3: it was a stitch up. I thought I'd trying to 301 00:15:23,080 --> 00:15:26,480 Speaker 3: set me up to make it harder for me. Anyway, 302 00:15:28,120 --> 00:15:31,720 Speaker 3: I ended up doing this. At the time, I was 303 00:15:32,080 --> 00:15:34,960 Speaker 3: not leaving any club, and. 304 00:15:35,680 --> 00:15:38,240 Speaker 1: That was what we're talking here. You've got to sign 305 00:15:38,280 --> 00:15:42,800 Speaker 1: off any affiliation with the club because of gain coup 306 00:15:43,040 --> 00:15:44,400 Speaker 1: in Macquarie. 307 00:15:43,960 --> 00:15:46,280 Speaker 3: Center, so anyone that comes there has to do that 308 00:15:46,440 --> 00:15:52,360 Speaker 3: right now. CIG Central Intelligence Group, So for people like myself, 309 00:15:52,400 --> 00:15:54,960 Speaker 3: you're on their radar immediately anyway. So they're the ones 310 00:15:55,000 --> 00:15:58,280 Speaker 3: that are responsible for the function functioning of New South Wales. 311 00:15:58,560 --> 00:16:00,880 Speaker 3: I'm not sure if it's Asrail or that's New South Wales. 312 00:16:00,920 --> 00:16:02,760 Speaker 3: But they said to. 313 00:16:02,680 --> 00:16:04,080 Speaker 2: Me, you're a liar. 314 00:16:05,200 --> 00:16:08,720 Speaker 3: Why you're there, They said, basically brought people to take 315 00:16:08,760 --> 00:16:10,960 Speaker 3: a chance on you. Why you're there, that's fine, But 316 00:16:11,120 --> 00:16:14,480 Speaker 3: when you're fuck up your ours and you're gone straight 317 00:16:14,480 --> 00:16:15,480 Speaker 3: back to where you come from. 318 00:16:16,000 --> 00:16:16,400 Speaker 1: Okay. 319 00:16:16,520 --> 00:16:17,800 Speaker 3: So I had that in the back of my mind 320 00:16:17,800 --> 00:16:21,240 Speaker 3: the whole time, and then they just slowly integrated me 321 00:16:21,280 --> 00:16:22,440 Speaker 3: to the pod. They didn't just put me out the 322 00:16:22,480 --> 00:16:26,240 Speaker 3: vis let me out at times and integrate with people slowly. 323 00:16:26,560 --> 00:16:30,680 Speaker 1: But the way you describe it, Adam, it's like releasing 324 00:16:30,680 --> 00:16:31,800 Speaker 1: the line back in. 325 00:16:31,760 --> 00:16:35,560 Speaker 2: The Yeah, and it completely wasn't the case, you know. 326 00:16:35,720 --> 00:16:39,240 Speaker 1: Yeah, but that's they let you in, they test Okay, 327 00:16:39,360 --> 00:16:41,040 Speaker 1: you spent a half an hour in there, there was 328 00:16:41,080 --> 00:16:45,440 Speaker 1: no trouble, come back out, okay. So that process how long? 329 00:16:45,600 --> 00:16:46,720 Speaker 1: How long did it take. 330 00:16:48,240 --> 00:16:49,040 Speaker 2: That process? 331 00:16:49,200 --> 00:16:53,240 Speaker 3: I guess it probably lasted around two to three weeks, 332 00:16:53,560 --> 00:16:55,440 Speaker 3: And right up until the point when I walked into 333 00:16:55,480 --> 00:16:58,280 Speaker 3: the pod with my trolling, I still didn't believe it. 334 00:16:58,280 --> 00:17:00,760 Speaker 1: You know, you didn't believe you'd be released, or didn't 335 00:17:00,760 --> 00:17:02,600 Speaker 1: believe in the environment that you'd be. 336 00:17:02,760 --> 00:17:05,239 Speaker 3: No, I didn't believe that. I didn't believe that what 337 00:17:05,440 --> 00:17:08,600 Speaker 3: was being said was true. Jail is a place where 338 00:17:08,640 --> 00:17:11,439 Speaker 3: you be told many different things from someone that you 339 00:17:11,480 --> 00:17:13,640 Speaker 3: will believe that should be telling you what you meant 340 00:17:13,680 --> 00:17:15,480 Speaker 3: to hear. But I don't say from an officer or 341 00:17:15,520 --> 00:17:19,600 Speaker 3: a person of a certain level. But it's not the case. 342 00:17:19,640 --> 00:17:25,479 Speaker 3: You know, it's a very dark and distorted place, and 343 00:17:25,520 --> 00:17:29,240 Speaker 3: you're never safe anywhere, like meaning that your position in 344 00:17:29,320 --> 00:17:32,640 Speaker 3: any jlity is never Someone can just put that tick 345 00:17:32,680 --> 00:17:35,560 Speaker 3: into the computer and you're on a truck. And my 346 00:17:36,280 --> 00:17:40,439 Speaker 3: circumstances were I was like, what's it going to take nothing? 347 00:17:40,960 --> 00:17:44,080 Speaker 3: It's going to take nothing. And so I had certain 348 00:17:44,119 --> 00:17:47,120 Speaker 3: people on my side, but the majority of the officers 349 00:17:47,160 --> 00:17:50,200 Speaker 3: and that were like, you're letting this guy hit into 350 00:17:50,240 --> 00:17:53,520 Speaker 3: our prison, you know anyway, So then I come out 351 00:17:53,520 --> 00:17:56,080 Speaker 3: of the present slowly have a time. I mean, it 352 00:17:56,160 --> 00:17:58,359 Speaker 3: took the whole time for a lot of them. I 353 00:17:58,359 --> 00:17:59,880 Speaker 3: think maybe they just thought I was full of shit. 354 00:18:00,040 --> 00:18:01,960 Speaker 3: I've always been very respectful. 355 00:18:01,680 --> 00:18:05,120 Speaker 1: And what do you think that the naysay is going 356 00:18:05,200 --> 00:18:07,119 Speaker 1: through their mind? He's just taking the piss out of us. 357 00:18:07,160 --> 00:18:09,320 Speaker 1: He'll get in there and when he's got an issue, 358 00:18:09,480 --> 00:18:12,280 Speaker 1: he's going to light someone up and yeah, yeah, and 359 00:18:12,280 --> 00:18:15,080 Speaker 1: then we'll send him back. So that would have been 360 00:18:15,600 --> 00:18:20,240 Speaker 1: and given you history, it's a reasonable for him to 361 00:18:20,320 --> 00:18:23,040 Speaker 1: have is just bullshitting to us, and let me in 362 00:18:23,080 --> 00:18:25,560 Speaker 1: the dorm and when I do create havoc, it's going 363 00:18:25,600 --> 00:18:27,080 Speaker 1: to be a big one. Then you can ship me 364 00:18:27,119 --> 00:18:28,320 Speaker 1: back to super Max. 365 00:18:28,800 --> 00:18:32,120 Speaker 3: Yeah, And I guess you know, I understand why they 366 00:18:32,119 --> 00:18:37,199 Speaker 3: think that, because, to be honest, I always said to 367 00:18:37,240 --> 00:18:40,240 Speaker 3: myself that and do whatever I can to make sure 368 00:18:40,240 --> 00:18:41,600 Speaker 3: that I keep my hands to myself. 369 00:18:41,640 --> 00:18:43,680 Speaker 2: But if someone puts their hands on me. Well, that's 370 00:18:43,840 --> 00:18:44,880 Speaker 2: different story, you know. 371 00:18:45,160 --> 00:18:48,080 Speaker 3: And the problem that there was it was either going 372 00:18:48,200 --> 00:18:51,080 Speaker 3: to be nothing or six o'clock New Style, Do. 373 00:18:51,119 --> 00:18:51,520 Speaker 2: You get me? 374 00:18:51,600 --> 00:18:53,800 Speaker 3: And that's not what I want to do though, and 375 00:18:53,840 --> 00:18:56,960 Speaker 3: that's not what anyone wants say. I had, like, I 376 00:18:57,040 --> 00:18:58,240 Speaker 3: worked on myself very hard. 377 00:18:58,280 --> 00:19:01,920 Speaker 1: You know what stage was your mindset changing that, Hey, 378 00:19:01,960 --> 00:19:03,920 Speaker 1: I want to turn my life around. Was it when 379 00:19:03,960 --> 00:19:06,600 Speaker 1: you saw what was on offer at Macquarie Center. Was 380 00:19:06,600 --> 00:19:09,240 Speaker 1: that something that changed? What was the thing that. 381 00:19:09,640 --> 00:19:11,679 Speaker 3: So I just want to make something very clear. So 382 00:19:11,840 --> 00:19:13,879 Speaker 3: I've just sat here and you give a lot of 383 00:19:13,880 --> 00:19:18,239 Speaker 3: officers a good rap, a lot of correctional officers. The 384 00:19:18,280 --> 00:19:21,280 Speaker 3: start of this change does not start with an inmate. 385 00:19:21,680 --> 00:19:24,639 Speaker 3: And if anyone has the expectations that that's the case, 386 00:19:25,359 --> 00:19:26,440 Speaker 3: you're completely wrong. 387 00:19:26,680 --> 00:19:27,640 Speaker 2: And I can explain why. 388 00:19:27,720 --> 00:19:27,880 Speaker 1: Yeah. 389 00:19:28,880 --> 00:19:32,879 Speaker 3: So we come from a place where your battle is 390 00:19:32,920 --> 00:19:35,840 Speaker 3: stay alive. There's Westpac. I only got the spine out 391 00:19:35,840 --> 00:19:39,600 Speaker 3: of their daily So then I come to Macquarie, where 392 00:19:39,600 --> 00:19:43,000 Speaker 3: there's where you're expected to toe this certain line. Right, 393 00:19:43,040 --> 00:19:45,120 Speaker 3: but you're still in the same environment where you're dealing 394 00:19:45,160 --> 00:19:47,840 Speaker 3: with the inmates, and. 395 00:19:47,760 --> 00:19:49,240 Speaker 2: You've crossed bathro with these inmates. 396 00:19:49,280 --> 00:19:51,199 Speaker 3: You might have gone the water with its inmate at 397 00:19:51,200 --> 00:19:53,439 Speaker 3: some stage two and you're both there trying to do 398 00:19:53,480 --> 00:19:58,200 Speaker 3: the right thing. Now for an officer to say get 399 00:19:58,240 --> 00:19:59,920 Speaker 3: a to you in front of the boys and expect 400 00:20:00,040 --> 00:20:01,680 Speaker 3: you just say good a back after you've just got 401 00:20:01,760 --> 00:20:03,840 Speaker 3: a truck off a truck, when the only thing coming 402 00:20:03,840 --> 00:20:06,120 Speaker 3: at your mouth that officer is get the fuck out 403 00:20:06,160 --> 00:20:10,160 Speaker 3: of your dog. Yeah, now they're asking for something different, right, 404 00:20:10,880 --> 00:20:15,159 Speaker 3: but as history shows, they've never given us any reason 405 00:20:15,600 --> 00:20:18,679 Speaker 3: to give them respect. You show them respect and it 406 00:20:18,680 --> 00:20:24,439 Speaker 3: would be used against you. Right now, you turn up 407 00:20:24,480 --> 00:20:27,960 Speaker 3: to this place and your question if they're stitching out 408 00:20:28,000 --> 00:20:31,000 Speaker 3: because it is not right. Yeah, But over time you 409 00:20:31,080 --> 00:20:34,200 Speaker 3: realize that they actually care about their job, They care 410 00:20:34,240 --> 00:20:37,000 Speaker 3: about trying to revealiitate you. So they must have chose 411 00:20:37,119 --> 00:20:40,760 Speaker 3: a team of officers that were to grow there. And 412 00:20:40,800 --> 00:20:43,760 Speaker 3: over time, when you work that out, so you gain 413 00:20:43,880 --> 00:20:46,520 Speaker 3: that initial respect from the officer, that will go the 414 00:20:46,520 --> 00:20:49,160 Speaker 3: way and over time you'll build a rapport. That doesn't 415 00:20:49,160 --> 00:20:50,480 Speaker 3: mean that you go up and you sit down and 416 00:20:50,560 --> 00:20:51,960 Speaker 3: you say, oh, how it's dinner last night. 417 00:20:52,040 --> 00:20:54,480 Speaker 1: Yeah, you're not best mates, but there's respect. 418 00:20:54,200 --> 00:20:56,480 Speaker 3: But how are you today? I'm fine, you know, what's 419 00:20:56,480 --> 00:20:58,439 Speaker 3: that you're carrying with a piece of artwork? I just 420 00:20:58,440 --> 00:21:00,760 Speaker 3: did it here down here, and then you know, like 421 00:21:00,920 --> 00:21:03,639 Speaker 3: I had officers by an artwork of me, you know, 422 00:21:04,119 --> 00:21:06,160 Speaker 3: And I found my jail to be very easy. And 423 00:21:06,600 --> 00:21:11,240 Speaker 3: everyone that works this out and then returns that it's 424 00:21:11,280 --> 00:21:15,560 Speaker 3: only minimal respect. It's just common courtesy. How are you today? 425 00:21:15,720 --> 00:21:18,479 Speaker 3: I'm well, thanks, how are you? You're not stepping outside 426 00:21:18,480 --> 00:21:20,200 Speaker 3: the boundaries, it's going to put you in trouble. Through 427 00:21:20,280 --> 00:21:23,880 Speaker 3: jail politics, there's always going to be someone that will say, oh, 428 00:21:24,119 --> 00:21:26,560 Speaker 3: this guy was too friendly. Yeah, but it's usually them 429 00:21:26,600 --> 00:21:29,639 Speaker 3: trying to cover up something that they've done somewhere, you know, 430 00:21:29,720 --> 00:21:33,480 Speaker 3: the old deflectioning trick. Like not many inmates are smart, 431 00:21:34,160 --> 00:21:36,320 Speaker 3: you know what I mean, Like, there's not many. And 432 00:21:36,359 --> 00:21:39,439 Speaker 3: from that point there, when that's shown in the first place, 433 00:21:40,200 --> 00:21:42,320 Speaker 3: then it's given back and that it can grow. But 434 00:21:42,400 --> 00:21:44,960 Speaker 3: it can't be expected from an inmate when he's been 435 00:21:45,000 --> 00:21:48,800 Speaker 3: given nothing but shipped from this person in blue every 436 00:21:48,840 --> 00:21:50,000 Speaker 3: single experience he's had. 437 00:21:50,359 --> 00:21:53,879 Speaker 1: I'm hearing what you're saying. And so it's a slow 438 00:21:53,960 --> 00:21:56,800 Speaker 1: process where the trust is built up and the respect 439 00:21:56,880 --> 00:21:59,040 Speaker 1: is respect is gained, and. 440 00:22:00,080 --> 00:22:04,000 Speaker 3: You've got someone that has has a lifetime of behaviors 441 00:22:04,480 --> 00:22:08,680 Speaker 3: that he's trying to change, So that officers also needs 442 00:22:08,680 --> 00:22:11,320 Speaker 3: to acknowledge that there is going to be error and 443 00:22:11,359 --> 00:22:14,520 Speaker 3: not write that person off of that error, but allow 444 00:22:14,600 --> 00:22:16,800 Speaker 3: that person to change. As long as he hasn't across 445 00:22:16,880 --> 00:22:19,600 Speaker 3: the lines, that doesn't permit him to stay at that 446 00:22:19,640 --> 00:22:20,560 Speaker 3: correctional center. 447 00:22:20,920 --> 00:22:24,600 Speaker 1: Well, look, I've got to say from I was surprised 448 00:22:24,640 --> 00:22:27,439 Speaker 1: by the officers that I got to deal with, and 449 00:22:28,040 --> 00:22:31,600 Speaker 1: just a cross section of them. They were genuinely invested 450 00:22:31,600 --> 00:22:34,199 Speaker 1: in what they were doing. Yeah, yeah, part of it 451 00:22:34,240 --> 00:22:36,280 Speaker 1: is self serving. They said, our job is so much 452 00:22:36,320 --> 00:22:40,119 Speaker 1: easier here if we go across to Wellington. We're dealing 453 00:22:40,320 --> 00:22:43,000 Speaker 1: with all this shit and trouble that happens in a 454 00:22:43,280 --> 00:22:45,960 Speaker 1: more traditional jarl, and you come across here and there's 455 00:22:46,119 --> 00:22:48,120 Speaker 1: less shit that goes down. 456 00:22:48,280 --> 00:22:50,160 Speaker 2: Yeah, yeah, that's right. 457 00:22:50,240 --> 00:22:53,880 Speaker 3: And there's some standouts, like obviously in every field of everything. 458 00:22:54,000 --> 00:22:54,240 Speaker 2: You know. 459 00:22:55,960 --> 00:22:58,240 Speaker 3: So I've mentioned a fair few officers, but there's one 460 00:22:58,240 --> 00:23:01,520 Speaker 3: that there's too. I want to mention one in particular 461 00:23:01,560 --> 00:23:07,879 Speaker 3: that really drove so I implemented an NA program into Macquarie. 462 00:23:07,960 --> 00:23:11,840 Speaker 2: Right now, this is pretty big because that's some statement. 463 00:23:11,920 --> 00:23:13,120 Speaker 1: What did that involve. 464 00:23:13,720 --> 00:23:15,960 Speaker 2: So if for the. 465 00:23:15,960 --> 00:23:18,880 Speaker 3: Viewers, if they understand how NA works or AA works, 466 00:23:18,880 --> 00:23:21,639 Speaker 3: it's the same sort of system. The only problem is 467 00:23:21,680 --> 00:23:24,920 Speaker 3: that being in a jail environment, there's not much anonymous 468 00:23:24,920 --> 00:23:27,000 Speaker 3: about it because they need to know who you are 469 00:23:27,040 --> 00:23:31,000 Speaker 3: and where we are. But we were allowed to conduct ourselves. Now, 470 00:23:31,600 --> 00:23:34,520 Speaker 3: at one point I had over ten percent of the 471 00:23:34,600 --> 00:23:38,679 Speaker 3: jail in attendance voluntary. All right, that's pretty big numbers 472 00:23:38,680 --> 00:23:41,040 Speaker 3: of boys that actually want to try and change get 473 00:23:41,119 --> 00:23:45,639 Speaker 3: off the gear, yeap. But Elizabeth says, right, she was 474 00:23:45,640 --> 00:23:49,520 Speaker 3: in our corner from day one, right, and the other 475 00:23:49,600 --> 00:23:52,320 Speaker 3: officers that I did mention before, and they helped to 476 00:23:52,400 --> 00:23:55,840 Speaker 3: drive this thing, and why I was. I'm pretty sure 477 00:23:55,840 --> 00:23:58,320 Speaker 3: it's probably folded by now. I hope it hasn't because 478 00:23:58,359 --> 00:24:02,639 Speaker 3: it was going to be a massive thing. But Elizabeth Sears, 479 00:24:02,760 --> 00:24:05,360 Speaker 3: she really drove it and to a point where they 480 00:24:05,400 --> 00:24:09,760 Speaker 3: tried to stop it. But there's been a massive response. 481 00:24:09,800 --> 00:24:12,560 Speaker 3: So we've got boys that have been heroin addicts and 482 00:24:12,680 --> 00:24:13,440 Speaker 3: full recovery. 483 00:24:13,480 --> 00:24:15,920 Speaker 2: Now that's a good changing their lives. Mate. 484 00:24:16,040 --> 00:24:19,920 Speaker 1: And you mentioned Liz Sears. I can speak about her. 485 00:24:20,040 --> 00:24:22,240 Speaker 1: She sat where you're sitting. She came on as a 486 00:24:22,240 --> 00:24:24,639 Speaker 1: guest here, and actually she opened eyes to a lot 487 00:24:24,640 --> 00:24:26,800 Speaker 1: of things about what's going on in the prisons and 488 00:24:27,160 --> 00:24:29,920 Speaker 1: different ways of doing it. Because I was looking, okay, 489 00:24:29,960 --> 00:24:33,080 Speaker 1: well you've done the crime, you do the time, didn't 490 00:24:33,119 --> 00:24:35,679 Speaker 1: really think much much about it. A couple of blokes 491 00:24:35,680 --> 00:24:38,000 Speaker 1: that have been in have sort of said to me, 492 00:24:38,040 --> 00:24:39,879 Speaker 1: will you treat this like animals? We're going to come 493 00:24:39,920 --> 00:24:43,800 Speaker 1: out behaving like animals. But what Liz explained what they 494 00:24:43,800 --> 00:24:46,520 Speaker 1: were doing at Macquarie, it just sort of blew me away. 495 00:24:46,640 --> 00:24:47,879 Speaker 1: It made so much sense. 496 00:24:48,000 --> 00:24:48,440 Speaker 2: That's right. 497 00:24:48,520 --> 00:24:52,320 Speaker 3: So I want to make it clear about my positioning 498 00:24:52,400 --> 00:24:57,120 Speaker 3: coming on here today. I want people to understand about 499 00:24:57,760 --> 00:25:00,680 Speaker 3: people that have committed crimes. Fair Enough, they need to 500 00:25:00,680 --> 00:25:03,080 Speaker 3: be punished for their crimes, but if they want to 501 00:25:03,119 --> 00:25:05,640 Speaker 3: change their ways, they don't need to drag that round 502 00:25:05,720 --> 00:25:08,280 Speaker 3: with the rest for the rest of their lives, right, 503 00:25:08,480 --> 00:25:11,240 Speaker 3: weighing them down and forcing them into a corner and 504 00:25:11,320 --> 00:25:16,480 Speaker 3: given an option to rehabilitate and grow. Right if the 505 00:25:16,480 --> 00:25:20,560 Speaker 3: public knows this and supports this system. Just for example, 506 00:25:20,680 --> 00:25:23,359 Speaker 3: I'm not going to mention any names, Robert, but I 507 00:25:23,400 --> 00:25:25,760 Speaker 3: was in that jail and quarry with some heavy hitters. 508 00:25:25,800 --> 00:25:26,159 Speaker 2: Mate. 509 00:25:26,359 --> 00:25:30,359 Speaker 3: I'm talking on these streets of Sydney and they're big hitters. Yeah, yeah, 510 00:25:31,240 --> 00:25:33,680 Speaker 3: very very big hitters, and they're doing the same thing. 511 00:25:34,200 --> 00:25:37,399 Speaker 3: They're better in their lives. They're getting away from the rubbish. 512 00:25:37,600 --> 00:25:39,280 Speaker 3: They want to come out and have a fresh start. 513 00:25:39,320 --> 00:25:41,159 Speaker 3: They want the best for their kids, they want the 514 00:25:41,160 --> 00:25:45,280 Speaker 3: best for their grandkids. They've been given an opportunity and 515 00:25:45,320 --> 00:25:47,720 Speaker 3: they're taking it and they're using it and they need 516 00:25:47,800 --> 00:25:49,080 Speaker 3: to be respected for it. 517 00:25:49,160 --> 00:25:49,919 Speaker 2: And when they come. 518 00:25:49,800 --> 00:25:52,280 Speaker 3: Out into the community and they have a go and 519 00:25:52,280 --> 00:25:54,159 Speaker 3: they're trying to do the right thing, they need to 520 00:25:54,200 --> 00:25:57,080 Speaker 3: be given them doors. They need to be shown that 521 00:25:57,160 --> 00:25:59,479 Speaker 3: they can use what they've done to go and do 522 00:25:59,600 --> 00:26:02,399 Speaker 3: better and do more. And these guys are really trying. 523 00:26:02,480 --> 00:26:06,240 Speaker 3: So if the public knows that this system is available, Like, 524 00:26:06,400 --> 00:26:09,240 Speaker 3: let's not forget that we're based that we're built on 525 00:26:09,280 --> 00:26:12,440 Speaker 3: a background of convicts. We're always going to have a 526 00:26:12,560 --> 00:26:16,720 Speaker 3: jail system. But if we can rehabilitate inmates, especially ones 527 00:26:16,720 --> 00:26:19,560 Speaker 3: that have been through the ropes, they can come back 528 00:26:19,600 --> 00:26:22,840 Speaker 3: out and they can be someone to these young people 529 00:26:22,880 --> 00:26:23,240 Speaker 3: out here. 530 00:26:23,240 --> 00:26:26,439 Speaker 1: You know, well, I know some of the people that 531 00:26:26,480 --> 00:26:28,960 Speaker 1: you're talking about. And in the time I spent there, 532 00:26:29,160 --> 00:26:31,280 Speaker 1: I got to speak to them, and yeah, I was 533 00:26:31,320 --> 00:26:35,120 Speaker 1: surprised that I was even speaking to them, And yeah, 534 00:26:35,200 --> 00:26:38,639 Speaker 1: I'm not naive, but I thought it was genuine in 535 00:26:38,680 --> 00:26:42,720 Speaker 1: what they were saying, instead of you leave me in 536 00:26:42,760 --> 00:26:45,920 Speaker 1: this other system. I was angry, but I've seen here. 537 00:26:46,080 --> 00:26:48,199 Speaker 1: What the fuck? Why have I wasted my life? I 538 00:26:48,240 --> 00:26:50,679 Speaker 1: want to turn my life around. Then they to me, 539 00:26:50,880 --> 00:26:53,600 Speaker 1: they seem genuine and I'm not naive. That was, of 540 00:26:53,680 --> 00:26:57,560 Speaker 1: course I understood. But the other thing the prison does, 541 00:26:57,600 --> 00:27:00,440 Speaker 1: and this is my and I've had a couple laughs 542 00:27:00,440 --> 00:27:02,680 Speaker 1: because the humor is still there, and a couple of 543 00:27:02,760 --> 00:27:03,760 Speaker 1: laughs at my expense. 544 00:27:03,800 --> 00:27:06,879 Speaker 2: Of of course, you got to expect that. 545 00:27:07,520 --> 00:27:10,240 Speaker 1: Were you one of the people yelling out there, let 546 00:27:10,280 --> 00:27:12,919 Speaker 1: that go. But there was a couple of funny, funny 547 00:27:12,920 --> 00:27:17,840 Speaker 1: and weird comments. But anyway, as you expect walking through prison. 548 00:27:18,320 --> 00:27:22,280 Speaker 1: But they said, in those dorms, living in the dorms, 549 00:27:22,320 --> 00:27:25,800 Speaker 1: where you're picturing an area probably I don't know, three 550 00:27:25,880 --> 00:27:29,560 Speaker 1: sizes of size of a tennis court for twenty five 551 00:27:29,720 --> 00:27:33,040 Speaker 1: twenty five people. There a courtyard out the back where 552 00:27:33,080 --> 00:27:35,880 Speaker 1: there's some gym equipment. You get to stay out there 553 00:27:36,000 --> 00:27:38,080 Speaker 1: till nine o'clock. If you need to stay out and 554 00:27:38,600 --> 00:27:40,640 Speaker 1: some of the inmates are saying, this is the first 555 00:27:40,680 --> 00:27:43,160 Speaker 1: time I've been able to see stars for years, because 556 00:27:43,359 --> 00:27:46,239 Speaker 1: they can sit out there, lockdowns at nine o'clock when 557 00:27:46,240 --> 00:27:48,440 Speaker 1: they have to come in. You're cooking out there, you 558 00:27:48,600 --> 00:27:52,480 Speaker 1: train there. The toilets are set up, not for bashings. 559 00:27:52,680 --> 00:27:55,920 Speaker 1: It's a single booth thing shower and toilet, and people 560 00:27:55,960 --> 00:27:59,400 Speaker 1: are assigned to it. Kitchen that barbecue out the back. 561 00:27:59,560 --> 00:28:03,440 Speaker 1: Noweople might say, well, that's too much luxury for it 562 00:28:04,000 --> 00:28:07,200 Speaker 1: with the crimes that they've done. Of course, what blew 563 00:28:07,280 --> 00:28:10,560 Speaker 1: me away was the fact that if there's twenty five 564 00:28:10,600 --> 00:28:13,520 Speaker 1: ore there and one's being a dickhead, instead of the 565 00:28:13,640 --> 00:28:17,000 Speaker 1: usual jail justice where he would have been bashed or 566 00:28:17,040 --> 00:28:20,439 Speaker 1: shived or or whatever and dealt with, you get a 567 00:28:20,480 --> 00:28:22,760 Speaker 1: group sit there and negotiate through and go, look, we 568 00:28:22,800 --> 00:28:24,720 Speaker 1: can't put up with this type of behavior. Then you 569 00:28:25,040 --> 00:28:27,040 Speaker 1: actually vote them out of the pot if they're causing 570 00:28:27,080 --> 00:28:30,639 Speaker 1: too much problems. That's negotiation skills. That's the type of 571 00:28:30,680 --> 00:28:33,679 Speaker 1: skills you need for society. Those little things were the 572 00:28:33,720 --> 00:28:35,359 Speaker 1: type of things that I took away from it. 573 00:28:35,480 --> 00:28:38,400 Speaker 3: Yeah, yeah, definitely. So this is a perfect time just 574 00:28:38,400 --> 00:28:42,080 Speaker 3: for me to clarify when I told the boys not 575 00:28:42,120 --> 00:28:45,960 Speaker 3: to talk to you. Yep, So little did you know 576 00:28:46,040 --> 00:28:48,240 Speaker 3: at that time that I actually had plans to come 577 00:28:48,280 --> 00:28:51,160 Speaker 3: out here and talk to you, to try and to 578 00:28:51,200 --> 00:28:53,360 Speaker 3: push this and I want to eventually try and help 579 00:28:53,400 --> 00:28:57,320 Speaker 3: young people that are going into gangs. And but beside 580 00:28:57,360 --> 00:29:01,160 Speaker 3: that point, most people in a jail in environment can't 581 00:29:01,160 --> 00:29:08,160 Speaker 3: handle themselves. So essentially in that environment where lorified babysitters now. 582 00:29:08,160 --> 00:29:10,480 Speaker 1: As in the people that can handle themselves look after 583 00:29:10,520 --> 00:29:12,120 Speaker 1: the people that can't handle themselves. 584 00:29:12,440 --> 00:29:13,040 Speaker 2: That's correct. 585 00:29:13,120 --> 00:29:16,360 Speaker 3: Now, in another jailed environment, we wouldn't be doing that 586 00:29:16,440 --> 00:29:18,960 Speaker 3: so much because there's no benefit for us to do that. 587 00:29:19,400 --> 00:29:21,480 Speaker 3: It's only going to make us week to align with 588 00:29:21,520 --> 00:29:25,200 Speaker 3: someone this week. In that environment, we're keeping the peace, 589 00:29:25,240 --> 00:29:28,440 Speaker 3: were making sure things are working and things are flowing. Now, 590 00:29:29,200 --> 00:29:30,880 Speaker 3: these eyes if they had to come in and thought 591 00:29:30,920 --> 00:29:32,120 Speaker 3: that it was a good idea to talk to you, 592 00:29:32,160 --> 00:29:33,560 Speaker 3: and then they were on a truck tomorrow in the 593 00:29:33,560 --> 00:29:36,000 Speaker 3: silver water, and then they got the silver bar and 594 00:29:36,000 --> 00:29:39,400 Speaker 3: they said, talking to Gary Jubilin, he'd be walking out 595 00:29:39,440 --> 00:29:41,840 Speaker 3: of him. He'd be walking out like a dartboard, you 596 00:29:41,880 --> 00:29:44,160 Speaker 3: know what I mean. So that was the reason that 597 00:29:44,200 --> 00:29:46,240 Speaker 3: I did that then, so they had nothing to do 598 00:29:46,320 --> 00:29:48,560 Speaker 3: with people not talking to you. So the voice that 599 00:29:48,640 --> 00:29:52,240 Speaker 3: did talk to you have enough respect and enough weight 600 00:29:52,280 --> 00:29:54,680 Speaker 3: within the jail system that they can justify what they did. 601 00:29:55,120 --> 00:29:57,880 Speaker 3: They didn't do anything wrong. The discussion that with you 602 00:29:58,080 --> 00:30:01,120 Speaker 3: wasn't anything that couldn't be discuss but there was all 603 00:30:01,320 --> 00:30:05,360 Speaker 3: there was also aside to it, and the jail benefit 604 00:30:05,560 --> 00:30:06,800 Speaker 3: from them speaking to you too. 605 00:30:07,320 --> 00:30:09,120 Speaker 1: Yeah, I look at it was a difficult thing and 606 00:30:09,240 --> 00:30:11,440 Speaker 1: I had no idea what would go on, and that 607 00:30:11,520 --> 00:30:14,680 Speaker 1: worried me because corrective services had no idea. When I 608 00:30:14,760 --> 00:30:17,160 Speaker 1: said what's going to happen, they said, we have no 609 00:30:17,240 --> 00:30:19,920 Speaker 1: fucking idea when you walk in. But yeah, with the 610 00:30:19,920 --> 00:30:23,040 Speaker 1: benefit of hindsight, walking in the pod was probably unannounced. 611 00:30:23,080 --> 00:30:26,200 Speaker 1: And that's why I think, then may it be known 612 00:30:26,280 --> 00:30:28,400 Speaker 1: what I was doing there and speaking to the people 613 00:30:28,440 --> 00:30:31,040 Speaker 1: and what you've said too. I was conscious of that 614 00:30:31,200 --> 00:30:34,480 Speaker 1: because I know I'm going in, but I get to 615 00:30:34,640 --> 00:30:37,520 Speaker 1: get to leave and some of the some of the 616 00:30:37,520 --> 00:30:40,320 Speaker 1: blokes that were naive and talking to me, I'm thinking, 617 00:30:40,360 --> 00:30:42,800 Speaker 1: this is not a good look. The heaviest, the people 618 00:30:42,840 --> 00:30:44,880 Speaker 1: that I would identify as the ones that can hold 619 00:30:44,920 --> 00:30:48,760 Speaker 1: their own felt more than comfortable talking talking to them 620 00:30:49,160 --> 00:30:51,120 Speaker 1: because I knew it's not going to come back on them. 621 00:30:51,160 --> 00:30:53,520 Speaker 1: There was a few people, so I understand what you're saying. 622 00:30:53,520 --> 00:30:56,680 Speaker 1: And even that incident we're talking about where you were 623 00:30:56,720 --> 00:30:59,920 Speaker 1: telling them not to pull back, and it was fairly 624 00:31:00,000 --> 00:31:03,400 Speaker 1: obvious that I wasn't well liked in there, but I 625 00:31:03,440 --> 00:31:05,520 Speaker 1: was worried about a couple of people that were thinking 626 00:31:05,520 --> 00:31:07,680 Speaker 1: what the fuck is going to happen after I walk out? 627 00:31:08,120 --> 00:31:11,640 Speaker 1: We're talking, So I respect it and my mistake there, 628 00:31:11,720 --> 00:31:14,920 Speaker 1: that's that's your home, and I've just walked in there, 629 00:31:14,960 --> 00:31:18,160 Speaker 1: walking around in the at the gym and the oval whatever, 630 00:31:18,280 --> 00:31:20,280 Speaker 1: that wasn't as bad, but that was walking walking in 631 00:31:20,360 --> 00:31:23,120 Speaker 1: your home. So didn't make that mistake again. 632 00:31:23,280 --> 00:31:24,920 Speaker 2: No, but I think I think it was a good 633 00:31:24,920 --> 00:31:25,600 Speaker 2: thing that you did. 634 00:31:26,800 --> 00:31:29,520 Speaker 3: I mean, obviously say you've had both sides, yeah, I 635 00:31:29,520 --> 00:31:32,360 Speaker 3: mean I remember hearing one of the boys real about 636 00:31:32,360 --> 00:31:35,440 Speaker 3: you so saying that you're a copper. But now you've 637 00:31:35,440 --> 00:31:37,240 Speaker 3: been charged and you want to jump on our side 638 00:31:37,280 --> 00:31:38,600 Speaker 3: now and you want to do this right? 639 00:31:39,160 --> 00:31:39,360 Speaker 1: Yeah. 640 00:31:39,480 --> 00:31:42,600 Speaker 2: Now, we're human beings. We adapt. Why do you think 641 00:31:42,640 --> 00:31:45,560 Speaker 2: that we can go into a yard like the yard at. 642 00:31:45,520 --> 00:31:48,640 Speaker 3: Golden and survive. Yeah, why do you think our grandfathers 643 00:31:48,680 --> 00:31:51,720 Speaker 3: went to war and slept in trenches for the blood. 644 00:31:52,280 --> 00:31:52,880 Speaker 2: We're humans. 645 00:31:52,880 --> 00:31:55,800 Speaker 3: We adapt to every situation. You had to do with that, 646 00:31:55,960 --> 00:31:58,120 Speaker 3: So you were that, but you're doing good with what 647 00:31:58,200 --> 00:32:01,000 Speaker 3: you took from that. So back in position, I don't 648 00:32:01,000 --> 00:32:03,480 Speaker 3: think you had the opportunity to see outside because you're 649 00:32:03,480 --> 00:32:04,240 Speaker 3: a police officer. 650 00:32:04,480 --> 00:32:08,240 Speaker 1: Well that's and yeah, I own this. And my thing 651 00:32:08,440 --> 00:32:11,080 Speaker 1: was I used to lock people up, get given another case, 652 00:32:11,120 --> 00:32:13,920 Speaker 1: and then follow that case, and then I wasn't thinking 653 00:32:13,920 --> 00:32:17,840 Speaker 1: what happened behind the behind the yard, behind the gates. 654 00:32:18,120 --> 00:32:22,400 Speaker 1: But no, I think it was an interesting, interesting experience. 655 00:32:22,440 --> 00:32:25,640 Speaker 1: And I also went into Wellington and the attitude was 656 00:32:26,320 --> 00:32:29,520 Speaker 1: there was completely different. When I'm walking around there. Well, 657 00:32:30,720 --> 00:32:33,680 Speaker 1: still the comments, but a little bit more intense when 658 00:32:33,680 --> 00:32:34,400 Speaker 1: I was in there. 659 00:32:34,840 --> 00:32:37,880 Speaker 2: But yeah, so you can understand why though, Oh it's 660 00:32:37,920 --> 00:32:38,320 Speaker 2: a different. 661 00:32:38,400 --> 00:32:42,280 Speaker 3: So so those boys, those boys have to make comments, 662 00:32:42,600 --> 00:32:44,880 Speaker 3: you get me, they see you walk past, they're in 663 00:32:44,960 --> 00:32:47,000 Speaker 3: a yard, they're in a stand up yard. They have 664 00:32:47,160 --> 00:32:50,160 Speaker 3: to go a coup of dog, keep walking, Yeah, because 665 00:32:50,200 --> 00:32:52,680 Speaker 3: if they don't, it's I don't turn around and go 666 00:32:53,320 --> 00:32:55,760 Speaker 3: what are your fucking copper? And then the rest of 667 00:32:55,800 --> 00:32:58,240 Speaker 3: the boys hear it and we're talking about some weak minds. 668 00:32:59,000 --> 00:33:02,080 Speaker 1: Yeah, I know that it could set off. 669 00:33:02,880 --> 00:33:04,320 Speaker 2: It'll swell until it happens. 670 00:33:04,360 --> 00:33:06,480 Speaker 1: Yeah, well, I wasn't sure how long did it go 671 00:33:06,560 --> 00:33:08,360 Speaker 1: on because I know there was a bit of turmoil 672 00:33:08,480 --> 00:33:12,600 Speaker 1: when I first came into Macquarie and yeah, I don't 673 00:33:12,600 --> 00:33:16,680 Speaker 1: want to cause the dramas here, but yeah, it worked 674 00:33:16,680 --> 00:33:18,680 Speaker 1: out and I think it was worthwhile for everyone. And 675 00:33:19,320 --> 00:33:22,040 Speaker 1: I got it, got a got a message out. But 676 00:33:22,080 --> 00:33:26,040 Speaker 1: it opened my eyes, it really did. And another thing 677 00:33:26,080 --> 00:33:28,920 Speaker 1: because I'm thinking, have I had the warl pool out 678 00:33:28,920 --> 00:33:31,360 Speaker 1: of my eyes after spending time with you guys for 679 00:33:31,880 --> 00:33:35,600 Speaker 1: so long? But I spoke to a person who'd lost 680 00:33:35,600 --> 00:33:39,280 Speaker 1: his son in a murder and he made he made 681 00:33:39,280 --> 00:33:42,200 Speaker 1: the point Ken Marslow, it was a bad, bad, one 682 00:33:42,320 --> 00:33:45,040 Speaker 1: armed robbery where his nine year old son was shopped 683 00:33:45,160 --> 00:33:48,360 Speaker 1: during robbery a pizza hut and no need for it. 684 00:33:49,400 --> 00:33:51,400 Speaker 1: But I said that, Ken, Ken, am I missing the 685 00:33:51,440 --> 00:33:54,520 Speaker 1: point here? Have I gone soft? Like I'm thinking what 686 00:33:54,560 --> 00:33:58,719 Speaker 1: they're doing here in this prison is definitely worthwhile? And 687 00:33:58,760 --> 00:34:01,640 Speaker 1: he said it's about getting smart on crime, Like these 688 00:34:01,680 --> 00:34:04,240 Speaker 1: people are going to go out, do we want them skills? 689 00:34:04,280 --> 00:34:05,800 Speaker 1: To go out. So if they go out and don't 690 00:34:05,800 --> 00:34:09,440 Speaker 1: commit further crime, there's less victims. So no, you're not 691 00:34:09,480 --> 00:34:12,279 Speaker 1: going soften. Yeah, that was from a victim's point of 692 00:34:12,360 --> 00:34:16,719 Speaker 1: view that I wanted to get. So I've been championing 693 00:34:17,120 --> 00:34:19,880 Speaker 1: what they're doing in there wherever I can, and I'm 694 00:34:19,920 --> 00:34:23,080 Speaker 1: not naive, And even you guys, the inmates in there, 695 00:34:23,480 --> 00:34:25,680 Speaker 1: would say this isn't going to work for everyone, Like 696 00:34:25,719 --> 00:34:28,200 Speaker 1: there's that ten percent that you're not going to change. 697 00:34:27,920 --> 00:34:30,760 Speaker 3: That holds relevance to everyone. Yeah, right, And it depends 698 00:34:30,760 --> 00:34:34,960 Speaker 3: where everyone's at in their time. Some people, there's some 699 00:34:34,960 --> 00:34:38,480 Speaker 3: prisoners that can't adapt, they can't change. Yeah, right, jail's easy. 700 00:34:38,760 --> 00:34:41,640 Speaker 3: Like if you get like, people might spin out when 701 00:34:41,640 --> 00:34:45,560 Speaker 3: I say that. But for me, even in a jail 702 00:34:45,600 --> 00:34:48,759 Speaker 3: where anything can happen, that's that's your only Can you 703 00:34:48,800 --> 00:34:52,040 Speaker 3: focus on that all day all night and it might 704 00:34:52,080 --> 00:34:54,440 Speaker 3: get more volatile and more twisted up and everything, but 705 00:34:54,480 --> 00:34:56,480 Speaker 3: that's what you're doing. Get up in the morning, get 706 00:34:56,520 --> 00:34:58,120 Speaker 3: in the yard for so many and you come back 707 00:34:58,160 --> 00:35:01,680 Speaker 3: in that's it quarry for me, Like, it was great 708 00:35:01,680 --> 00:35:03,080 Speaker 3: because I got up and I got the able and 709 00:35:03,120 --> 00:35:06,799 Speaker 3: do things. I was painting at a mad job, and 710 00:35:06,840 --> 00:35:08,480 Speaker 3: I found that great. And then you come out into 711 00:35:08,520 --> 00:35:10,239 Speaker 3: the real world and it's real. 712 00:35:10,680 --> 00:35:14,279 Speaker 1: Well, one of the prisoners in there said, I was 713 00:35:14,320 --> 00:35:16,359 Speaker 1: talking to him, and he's gone when I go home 714 00:35:16,400 --> 00:35:18,839 Speaker 1: at night, and I'm thinking that, But that's how he 715 00:35:18,880 --> 00:35:21,200 Speaker 1: was looking at the pot that's going home. But they 716 00:35:21,239 --> 00:35:25,719 Speaker 1: had you studying for six hours a day, working for 717 00:35:26,040 --> 00:35:29,279 Speaker 1: six hours a day, and given some freedoms. Yeah, and 718 00:35:29,320 --> 00:35:32,319 Speaker 1: what difference did that make to you from going from 719 00:35:32,480 --> 00:35:37,440 Speaker 1: the traditional tough yard in Goulburn too into an environment 720 00:35:37,480 --> 00:35:39,040 Speaker 1: like that. How did that change? 721 00:35:39,760 --> 00:35:40,080 Speaker 2: Listen? 722 00:35:40,120 --> 00:35:42,279 Speaker 3: I was already wanting to change anyway, you know, like 723 00:35:42,360 --> 00:35:46,279 Speaker 3: I was wanting to I was paying it all up 724 00:35:46,320 --> 00:35:48,960 Speaker 3: and everything that I've lost, you know, Like I mean 725 00:35:49,040 --> 00:35:51,640 Speaker 3: I had, like I had a beautiful little family and 726 00:35:51,640 --> 00:35:54,200 Speaker 3: that and even though like I've still got my kids 727 00:35:54,200 --> 00:35:56,279 Speaker 3: and like I love them to death, they love me too. 728 00:35:56,320 --> 00:35:59,319 Speaker 3: And there's this massive time frame that I missed out 729 00:35:59,360 --> 00:36:02,080 Speaker 3: on photos and at hung I can just stare at 730 00:36:02,080 --> 00:36:05,200 Speaker 3: because I can remember that time. Like my daughter, My 731 00:36:05,320 --> 00:36:07,799 Speaker 3: daughter's a little machine, you know, And I just look 732 00:36:07,840 --> 00:36:10,200 Speaker 3: at this fight and sometimes it can just make me crumble, 733 00:36:10,239 --> 00:36:12,200 Speaker 3: you know, because I can remember that, and I can 734 00:36:12,280 --> 00:36:15,280 Speaker 3: remember how much I loved it, and it just hurts 735 00:36:15,320 --> 00:36:17,920 Speaker 3: me to think that, you know, that I went that 736 00:36:17,960 --> 00:36:20,479 Speaker 3: way still with that, So that's sort of what hurts 737 00:36:20,520 --> 00:36:23,000 Speaker 3: me the most. But as far as that point when 738 00:36:23,000 --> 00:36:25,480 Speaker 3: it comes time to change, mate, when I was hitting 739 00:36:25,520 --> 00:36:28,680 Speaker 3: super Max and and after having that little dream that 740 00:36:28,719 --> 00:36:31,440 Speaker 3: I told you about there and I just thought, what 741 00:36:31,480 --> 00:36:32,000 Speaker 3: am I doing? 742 00:36:32,040 --> 00:36:32,160 Speaker 2: Though? 743 00:36:32,200 --> 00:36:34,560 Speaker 3: What am I going to do? Am I gonna? Am 744 00:36:34,640 --> 00:36:36,640 Speaker 3: I going to go back out into a yard? And 745 00:36:36,680 --> 00:36:38,840 Speaker 3: am I gonna? And this is what I do. I 746 00:36:38,880 --> 00:36:42,000 Speaker 3: elevate myself to whatever it has to happen, you know, 747 00:36:42,600 --> 00:36:44,840 Speaker 3: And sometimes I fake it to make it, but I 748 00:36:44,920 --> 00:36:47,840 Speaker 3: get there and I don't even know what I'm capable 749 00:36:47,880 --> 00:36:49,000 Speaker 3: of until until. 750 00:36:48,800 --> 00:36:53,399 Speaker 2: It goes there. But I have that ability to adapt. Now. 751 00:36:54,239 --> 00:36:57,200 Speaker 3: I knew that if I went back out into that yard, 752 00:36:57,360 --> 00:37:00,080 Speaker 3: I was going to have to elevate more, or if 753 00:37:00,000 --> 00:37:02,600 Speaker 3: I wanted to go and take the same traction no 754 00:37:02,680 --> 00:37:05,040 Speaker 3: matter where I ended up, And I knew what that 755 00:37:05,080 --> 00:37:08,080 Speaker 3: meant for me, and that was to guarantee the one 756 00:37:08,120 --> 00:37:09,560 Speaker 3: of the two things that was going to happen to 757 00:37:09,640 --> 00:37:12,759 Speaker 3: me before I went to jail. So that was time 758 00:37:12,800 --> 00:37:15,440 Speaker 3: to change, you know. But to change, I had to 759 00:37:15,440 --> 00:37:18,359 Speaker 3: heal too, and that's where this art come into it. 760 00:37:19,120 --> 00:37:23,920 Speaker 1: Okay, so with the art, and we spoke earlier on 761 00:37:24,239 --> 00:37:28,160 Speaker 1: about it, but that's given you something to channel your energy. Yeah, 762 00:37:28,480 --> 00:37:30,719 Speaker 1: Like I'm a big believery ying and Yang. You've got 763 00:37:30,719 --> 00:37:32,600 Speaker 1: the hard side, You've got the soft side is this 764 00:37:32,800 --> 00:37:36,440 Speaker 1: You're channeling the soft energy into India paintings. 765 00:37:36,160 --> 00:37:36,360 Speaker 2: You know. 766 00:37:36,520 --> 00:37:41,040 Speaker 3: Like with this is like, I have trouble expressing my emotions. 767 00:37:41,080 --> 00:37:46,279 Speaker 3: So and I'm either here or I'm there, and like 768 00:37:47,040 --> 00:37:49,480 Speaker 3: and depending on the emotions depends on the way that 769 00:37:49,520 --> 00:37:53,239 Speaker 3: I'm going to hold myself. Right if a tear comes 770 00:37:53,239 --> 00:37:58,040 Speaker 3: to my eyes as a dangerous situation because I feel 771 00:37:58,080 --> 00:38:00,879 Speaker 3: like someone will said that tear and and think I'm weak, 772 00:38:00,960 --> 00:38:04,680 Speaker 3: So I'll elevate to a situation where it'll probably take 773 00:38:04,760 --> 00:38:08,480 Speaker 3: someone special to stand there, you know. And I hate 774 00:38:08,480 --> 00:38:12,040 Speaker 3: that and I hate that person and it made me sick. 775 00:38:12,080 --> 00:38:14,239 Speaker 3: You know, I didn't like that person. I knew I 776 00:38:14,239 --> 00:38:17,359 Speaker 3: didn't like that person, and I thought, who, how can 777 00:38:17,360 --> 00:38:18,960 Speaker 3: anyone love me or like me if I don't like 778 00:38:19,040 --> 00:38:21,719 Speaker 3: this person? And that's where this come into it. So 779 00:38:21,880 --> 00:38:24,400 Speaker 3: I got to express my emotions with having to let 780 00:38:24,440 --> 00:38:26,520 Speaker 3: it out. I just grab a paint brush as I 781 00:38:26,520 --> 00:38:28,560 Speaker 3: start slapping around. The only thing I did do was 782 00:38:28,600 --> 00:38:31,040 Speaker 3: I helped myself back. Was I was too neat when 783 00:38:31,080 --> 00:38:33,319 Speaker 3: I was learning. If I really wanted to let my 784 00:38:33,400 --> 00:38:35,760 Speaker 3: emotions go, I should have just frown that brush around, 785 00:38:35,800 --> 00:38:38,400 Speaker 3: you know, Like I know like I'm doing now, And 786 00:38:38,440 --> 00:38:41,920 Speaker 3: it's the best way to deliver a message that you 787 00:38:42,000 --> 00:38:44,840 Speaker 3: want to get out or to relieve yourself or something. 788 00:38:45,280 --> 00:38:48,360 Speaker 3: And color can do Color can do this. So color 789 00:38:48,480 --> 00:38:52,480 Speaker 3: has an association in our brain that allows us to 790 00:38:52,800 --> 00:38:55,280 Speaker 3: either feel a certain way when we see a color 791 00:38:55,880 --> 00:38:59,640 Speaker 3: or react a certain way. And I've really embraced it. 792 00:39:00,360 --> 00:39:03,360 Speaker 1: I can see how you're talking now, the comness that 793 00:39:03,400 --> 00:39:06,400 Speaker 1: comes across with you. You're talking talking about your art. 794 00:39:06,520 --> 00:39:09,920 Speaker 1: So is that striving to make a living from your art? 795 00:39:10,120 --> 00:39:11,600 Speaker 1: Is that what you're doing? 796 00:39:12,400 --> 00:39:14,000 Speaker 2: I would love to make a living from my art. 797 00:39:14,080 --> 00:39:16,960 Speaker 3: So, like I told you that, I've been studying and everything, 798 00:39:17,000 --> 00:39:20,320 Speaker 3: and I would love to get into juvenile corrections. 799 00:39:20,400 --> 00:39:23,279 Speaker 1: Okay, tell us that we've had a chat, but it 800 00:39:23,320 --> 00:39:25,279 Speaker 1: wasn't on Mike, tell us about what you're studying and 801 00:39:25,320 --> 00:39:26,080 Speaker 1: what you're doing there. 802 00:39:26,160 --> 00:39:31,919 Speaker 3: Okay, So funny story. Me and an old enemy from 803 00:39:31,920 --> 00:39:34,920 Speaker 3: a different gang. We did a search for a youth 804 00:39:34,960 --> 00:39:35,799 Speaker 3: work together at the. 805 00:39:35,760 --> 00:39:39,960 Speaker 1: Jail, right, okay, so they. 806 00:39:39,160 --> 00:39:40,640 Speaker 2: Used to hear it. Well, they used to use me 807 00:39:40,680 --> 00:39:42,120 Speaker 2: every time a new gangman would come. 808 00:39:42,200 --> 00:39:44,480 Speaker 3: They come, they get me to go down and talk 809 00:39:44,520 --> 00:39:47,160 Speaker 3: to them to try and explain the why the jail 810 00:39:47,280 --> 00:39:50,200 Speaker 3: is anyway, So the day I had to go down 811 00:39:50,239 --> 00:39:53,000 Speaker 3: and speak with this lad, we end up becoming so close. 812 00:39:53,160 --> 00:39:55,640 Speaker 3: It's like and I got a lot of love for him, 813 00:39:55,640 --> 00:39:58,920 Speaker 3: you know. But back on the streets and Mount Drew, 814 00:39:59,000 --> 00:40:02,080 Speaker 3: it thinks she used to be very dif print, you know. Anyways, 815 00:40:03,000 --> 00:40:05,920 Speaker 3: we need to search for a youth work together through correspondence, 816 00:40:06,200 --> 00:40:10,120 Speaker 3: and it was something that was I guess they had 817 00:40:10,120 --> 00:40:12,879 Speaker 3: to get the bricks and mortar out to make it happen. Yeah, yeah, 818 00:40:13,080 --> 00:40:13,600 Speaker 3: that makes. 819 00:40:13,440 --> 00:40:16,440 Speaker 1: Sense, Yeah, to let you you guys do that. 820 00:40:16,960 --> 00:40:17,800 Speaker 2: Yeah. 821 00:40:17,840 --> 00:40:20,160 Speaker 3: And so then there was a big outcry over in 822 00:40:20,239 --> 00:40:22,600 Speaker 3: the jail about people everyone want to do. 823 00:40:24,400 --> 00:40:26,440 Speaker 2: To do it as well, but they weren't allowed to. 824 00:40:26,520 --> 00:40:28,880 Speaker 3: And it was like, well, well you've got to be 825 00:40:28,880 --> 00:40:31,000 Speaker 3: a gang member or you know, they're not meant to 826 00:40:31,000 --> 00:40:31,399 Speaker 3: be here. 827 00:40:31,440 --> 00:40:33,400 Speaker 2: That's you get me, right. 828 00:40:33,320 --> 00:40:36,400 Speaker 1: So there was this is politics of a different, different 829 00:40:36,440 --> 00:40:38,000 Speaker 1: level in the well. 830 00:40:37,920 --> 00:40:39,880 Speaker 2: I guess this is where politics collide. 831 00:40:40,080 --> 00:40:42,880 Speaker 1: Okay, so they're giving you guys because you've been so 832 00:40:43,120 --> 00:40:45,399 Speaker 1: bad and your gang members and you shouldn't be in here, 833 00:40:45,400 --> 00:40:47,160 Speaker 1: but you're allowed to do it. Why aren't we allowed 834 00:40:47,200 --> 00:40:47,480 Speaker 1: to do it? 835 00:40:47,520 --> 00:40:49,319 Speaker 3: But they had a reason for it, Yeah, and they 836 00:40:49,520 --> 00:40:52,080 Speaker 3: and it was paving the way for them in a 837 00:40:52,320 --> 00:40:57,440 Speaker 3: jailed environment. Fast thinking people don't get to absorb this 838 00:40:57,560 --> 00:40:59,920 Speaker 3: information and sort of try and take a back to 839 00:41:00,280 --> 00:41:00,480 Speaker 3: have a. 840 00:41:00,480 --> 00:41:01,400 Speaker 2: Look at the big picture. 841 00:41:01,640 --> 00:41:05,600 Speaker 3: Yeah, but it had to be done first, trying to 842 00:41:05,600 --> 00:41:10,400 Speaker 3: get something over the line to give inmates. It's a 843 00:41:10,440 --> 00:41:14,120 Speaker 3: dead end. Yeah, So it's a hard slog. 844 00:41:14,760 --> 00:41:18,000 Speaker 1: And why do you say that it's a dead end. 845 00:41:17,920 --> 00:41:21,600 Speaker 3: Or well, you're talking about saying an inmate that's got 846 00:41:21,840 --> 00:41:25,480 Speaker 3: in charge for a double murder. Yeah, right, and now 847 00:41:25,520 --> 00:41:29,280 Speaker 3: he's asking for funding, not just any funding, he's asking 848 00:41:29,320 --> 00:41:32,920 Speaker 3: for ten or twenty grand. Why he's the inmate to 849 00:41:33,040 --> 00:41:37,200 Speaker 3: study so one on the clock back no way in 850 00:41:37,239 --> 00:41:37,640 Speaker 3: the world. 851 00:41:37,760 --> 00:41:42,040 Speaker 1: Well that's the public. When I say the public, there's 852 00:41:42,080 --> 00:41:45,920 Speaker 1: a view of public view that why are we rewarding 853 00:41:45,960 --> 00:41:48,920 Speaker 1: people for going to prison? And that's the type of 854 00:41:48,920 --> 00:41:54,680 Speaker 1: pushback as well. Do it And yeah, understandable counter argument 855 00:41:54,760 --> 00:41:59,640 Speaker 1: to that is it, well, if I look at it 856 00:41:59,640 --> 00:42:03,200 Speaker 1: this way, let people study when they're in prison, because 857 00:42:03,239 --> 00:42:05,040 Speaker 1: if they come out and that stears them in the 858 00:42:05,120 --> 00:42:09,319 Speaker 1: right direction fiscally. From a monetary point of view, the 859 00:42:09,360 --> 00:42:12,960 Speaker 1: money you've spent on getting someone in education if they 860 00:42:12,960 --> 00:42:16,720 Speaker 1: don't reoffend, is money well spent because the amount of costs. 861 00:42:16,719 --> 00:42:19,480 Speaker 1: I forget the figures. It's I'm throwing this out there. 862 00:42:19,560 --> 00:42:21,680 Speaker 1: Could be completely wrong, but just from a memory, it's 863 00:42:21,719 --> 00:42:23,719 Speaker 1: like one hundred and fifty thousand dollars a year to 864 00:42:23,800 --> 00:42:24,319 Speaker 1: house one. 865 00:42:25,480 --> 00:42:27,680 Speaker 3: From memory, I think it's a one hundred and seventy 866 00:42:27,760 --> 00:42:29,640 Speaker 3: one or one hundred and sixty one thousand a year. 867 00:42:29,719 --> 00:42:30,200 Speaker 1: Yeah. Yeah. 868 00:42:30,280 --> 00:42:33,160 Speaker 3: And then on top of that, basically every time INMKE 869 00:42:33,200 --> 00:42:35,239 Speaker 3: it's on a truck it's like eleven hundred dollars or 870 00:42:35,280 --> 00:42:36,920 Speaker 3: something that's a revolving doal. 871 00:42:37,400 --> 00:42:40,000 Speaker 1: And the police and the impact it has on victims 872 00:42:40,000 --> 00:42:44,600 Speaker 1: and the victims of crime. So to me putting money 873 00:42:44,680 --> 00:42:48,000 Speaker 1: in to help educate people, I don't think it's soft, 874 00:42:48,080 --> 00:42:50,920 Speaker 1: as ken Marzo said, It's not getting soft, it's getting 875 00:42:50,960 --> 00:42:51,760 Speaker 1: smart on crime. 876 00:42:51,880 --> 00:42:52,440 Speaker 2: That's right. 877 00:42:52,840 --> 00:42:56,920 Speaker 3: So now inside mcquarie Correctional Center, Yeah, they run a 878 00:42:56,960 --> 00:43:01,680 Speaker 3: traineeship which is essentially a diploma but workplace engagement. So 879 00:43:02,280 --> 00:43:05,040 Speaker 3: the guys get to go down with the Zappos and 880 00:43:05,120 --> 00:43:08,720 Speaker 3: do their work hours. So while they're inmates, they're actually 881 00:43:08,719 --> 00:43:13,279 Speaker 3: getting out with a diploma work qualified to go and 882 00:43:13,400 --> 00:43:15,960 Speaker 3: do work in the community services field. So now it's 883 00:43:16,120 --> 00:43:18,520 Speaker 3: now it's implemented into the jail system. 884 00:43:19,320 --> 00:43:24,080 Speaker 1: To me, it make sense. The trick is where you 885 00:43:24,200 --> 00:43:27,400 Speaker 1: go from that jail system, and you were talking about it, 886 00:43:27,480 --> 00:43:30,080 Speaker 1: you were scared of getting out of jail than you 887 00:43:30,120 --> 00:43:32,680 Speaker 1: were going into jail. Talk us through that, because I 888 00:43:32,719 --> 00:43:36,560 Speaker 1: don't think people realize how terrifying it can be when 889 00:43:36,600 --> 00:43:38,760 Speaker 1: you're used to an environment and all of a sudden, 890 00:43:39,719 --> 00:43:41,440 Speaker 1: I've been released into the world. 891 00:43:41,640 --> 00:43:46,080 Speaker 2: Yeah. So yeah, so it's really tough. I guess, Like. 892 00:43:47,560 --> 00:43:50,240 Speaker 3: I guess, if you want people to succeed in life, 893 00:43:50,280 --> 00:43:51,960 Speaker 3: you have to you have to take a chance on 894 00:43:52,000 --> 00:43:54,560 Speaker 3: them anyway, you know, Like I think some of the 895 00:43:54,600 --> 00:43:56,719 Speaker 3: hardest things for people to get their head around. And 896 00:43:56,760 --> 00:44:00,400 Speaker 3: you see someone that's been broadcasted over the news, and 897 00:44:00,480 --> 00:44:03,400 Speaker 3: let's face it, they have to sell papers, right, So 898 00:44:03,520 --> 00:44:07,960 Speaker 3: this so let's just say in a for example, Now 899 00:44:08,480 --> 00:44:12,239 Speaker 3: say for instance, the news get a hold of this 900 00:44:12,280 --> 00:44:14,400 Speaker 3: guy going in to do one two free, but the 901 00:44:14,440 --> 00:44:17,120 Speaker 3: papers have said one two free back then, and so 902 00:44:17,200 --> 00:44:19,760 Speaker 3: there's a massive like a confliction. 903 00:44:21,080 --> 00:44:23,719 Speaker 2: People are like, but hang on, why would you like that? 904 00:44:23,760 --> 00:44:25,040 Speaker 2: Could I do that? When he done this. 905 00:44:25,080 --> 00:44:26,360 Speaker 1: Out you've got the headlines. 906 00:44:27,200 --> 00:44:29,759 Speaker 3: But see then these guys go and do this, and 907 00:44:29,800 --> 00:44:31,600 Speaker 3: they're given that opportunity to go. Do you know how 908 00:44:31,640 --> 00:44:34,160 Speaker 3: many people that have left Macquarie for Extiononal Center and 909 00:44:34,200 --> 00:44:37,920 Speaker 3: have succeeding. They're actually succeeding. So by me coming on 910 00:44:38,040 --> 00:44:42,680 Speaker 3: here and talking is to get that message across. So 911 00:44:42,920 --> 00:44:45,840 Speaker 3: right now, I'm still doing a diploma. I applied for 912 00:44:45,920 --> 00:44:48,120 Speaker 3: my working with children checked while I was still in Cussy. 913 00:44:48,760 --> 00:44:51,960 Speaker 3: They got knocked back. Right, I don't have any domestic 914 00:44:52,040 --> 00:44:58,400 Speaker 3: violence crimes. I've never like all my crimes and they 915 00:44:58,520 --> 00:45:01,680 Speaker 3: are all club related. I'm not excusing any of it. 916 00:45:02,440 --> 00:45:06,440 Speaker 3: Not my crimes are my crimes. Now for the public 917 00:45:07,040 --> 00:45:11,520 Speaker 3: to then be able to accept someone, this is why 918 00:45:11,880 --> 00:45:15,440 Speaker 3: we touched on why people go into dark places and 919 00:45:15,440 --> 00:45:19,319 Speaker 3: why things happen. So I'm not excusing my behavior, but 920 00:45:19,440 --> 00:45:22,000 Speaker 3: I have told you there's a reason that my behavior 921 00:45:22,040 --> 00:45:27,239 Speaker 3: did go down this avenue and now I want to 922 00:45:27,280 --> 00:45:29,319 Speaker 3: take everything that I've learned and I want to take 923 00:45:29,320 --> 00:45:29,839 Speaker 3: it back out. 924 00:45:29,760 --> 00:45:31,080 Speaker 2: And I want to help and I want to have 925 00:45:31,120 --> 00:45:31,680 Speaker 2: an impact. 926 00:45:31,920 --> 00:45:35,279 Speaker 3: I want to go into juvenile corrections where there's all 927 00:45:35,320 --> 00:45:38,920 Speaker 3: these young guys I might not get through to. If 928 00:45:38,920 --> 00:45:41,880 Speaker 3: I can get through to one, you think about that family. 929 00:45:42,160 --> 00:45:44,319 Speaker 3: You think about that mother and father. How grateful love 930 00:45:44,360 --> 00:45:47,640 Speaker 3: we to get their kid back. I just done time 931 00:45:47,920 --> 00:45:52,840 Speaker 3: with eighteen year old kids that are doing murder whacks 932 00:45:53,680 --> 00:45:55,160 Speaker 3: for this postcode bullshit. 933 00:45:55,560 --> 00:45:55,799 Speaker 2: Right. 934 00:45:56,280 --> 00:45:58,400 Speaker 3: I don't even know what well they're in. They're just 935 00:45:58,520 --> 00:46:02,719 Speaker 3: running around. They're listen these gangster wrap. They see all 936 00:46:02,800 --> 00:46:06,400 Speaker 3: this that like, they see the way that we conduct 937 00:46:06,440 --> 00:46:09,000 Speaker 3: ourselves and that when we're out and gangs and that 938 00:46:09,040 --> 00:46:11,440 Speaker 3: sort of thing, and they think it's great and that's 939 00:46:11,480 --> 00:46:13,080 Speaker 3: what they want to be. But they don't know what 940 00:46:13,160 --> 00:46:16,000 Speaker 3: it is right until it's too late, until they've torn 941 00:46:16,040 --> 00:46:20,959 Speaker 3: their family apart, until they've ruined their lives, and when 942 00:46:20,960 --> 00:46:24,080 Speaker 3: they do realize what they've done wrong, they got to 943 00:46:24,120 --> 00:46:24,520 Speaker 3: live with that. 944 00:46:25,160 --> 00:46:25,920 Speaker 2: It might be easy. 945 00:46:25,960 --> 00:46:28,080 Speaker 3: Then, it might be easy when you've got the boys 946 00:46:28,080 --> 00:46:30,440 Speaker 3: there with you, when you're on the drugs, when you're 947 00:46:30,440 --> 00:46:32,399 Speaker 3: doing this, when you're doing that. But when you get 948 00:46:32,440 --> 00:46:35,520 Speaker 3: back to being you, when you look and you're looking 949 00:46:35,520 --> 00:46:37,560 Speaker 3: at yourself in the mirror and you're wondering who you 950 00:46:37,600 --> 00:46:41,240 Speaker 3: are and you're wondering why you know or for something 951 00:46:41,280 --> 00:46:44,360 Speaker 3: so stupid. If I can get into t all these people, 952 00:46:45,120 --> 00:46:47,920 Speaker 3: it's not what you think is. Outside looking in is 953 00:46:48,000 --> 00:46:49,399 Speaker 3: much better than inside looking out. 954 00:46:50,160 --> 00:46:51,239 Speaker 2: I can assure. 955 00:46:50,920 --> 00:46:54,160 Speaker 1: You well, like with what they have at Macquarie, which 956 00:46:54,440 --> 00:46:57,360 Speaker 1: is good for where you got to that, but obviously 957 00:46:57,440 --> 00:47:01,080 Speaker 1: the ideal way would be preventing people going in there 958 00:47:01,680 --> 00:47:04,680 Speaker 1: and those get those young fellas and I bang on 959 00:47:04,840 --> 00:47:08,480 Speaker 1: about it here on the podcast, but people who have 960 00:47:08,719 --> 00:47:11,600 Speaker 1: got that lived experience carry more weight with the kids 961 00:47:11,600 --> 00:47:12,239 Speaker 1: that are going off. 962 00:47:12,440 --> 00:47:12,960 Speaker 2: That's right. 963 00:47:13,719 --> 00:47:16,839 Speaker 1: If you've got let's call a young punk going I'm 964 00:47:16,840 --> 00:47:18,440 Speaker 1: going to be this, I'm going to be that. I'm 965 00:47:18,440 --> 00:47:21,000 Speaker 1: going to be everything you were a biking this and that, 966 00:47:21,239 --> 00:47:24,000 Speaker 1: and you can sit them down and go mate, I 967 00:47:24,040 --> 00:47:26,080 Speaker 1: went down this path and this is what happened to me. 968 00:47:26,480 --> 00:47:30,359 Speaker 1: I'm telling you exactly. There's other paths that you can take. 969 00:47:31,080 --> 00:47:32,000 Speaker 1: There's no glory in. 970 00:47:32,000 --> 00:47:35,759 Speaker 3: It and depending on and my guess is that a 971 00:47:35,760 --> 00:47:37,880 Speaker 3: lot of these people are probably dealing with something that 972 00:47:37,920 --> 00:47:42,200 Speaker 3: I was dealing with being identity issues too, and it's 973 00:47:42,239 --> 00:47:45,960 Speaker 3: just natural part of growing up. I just think that 974 00:47:46,000 --> 00:47:49,520 Speaker 3: there's it's just a different way, and I think we can. 975 00:47:50,480 --> 00:47:53,520 Speaker 3: I think that we can try and do more, do 976 00:47:53,640 --> 00:47:56,719 Speaker 3: more to prevent it. All we're doing is making the 977 00:47:57,320 --> 00:48:00,279 Speaker 3: work harder for the police. We're making it hard for 978 00:48:00,320 --> 00:48:02,520 Speaker 3: the families to get on and live. Like, do you 979 00:48:02,560 --> 00:48:05,120 Speaker 3: think about these what are the kids that I told 980 00:48:05,120 --> 00:48:07,120 Speaker 3: you about that I was doing time with. Now there's 981 00:48:07,160 --> 00:48:09,920 Speaker 3: a reason that that they murdered whoever it was, and 982 00:48:09,960 --> 00:48:12,319 Speaker 3: it's not because they were a good person. But what 983 00:48:12,400 --> 00:48:15,880 Speaker 3: about that person's family that just lost their son because 984 00:48:16,120 --> 00:48:18,200 Speaker 3: he had some kind of idea that got into his 985 00:48:18,200 --> 00:48:20,000 Speaker 3: head three months ago and he thought it was this 986 00:48:20,120 --> 00:48:20,360 Speaker 3: and that. 987 00:48:21,000 --> 00:48:25,120 Speaker 1: Look, I've seen the chaos that surrounds. Yeah, one person 988 00:48:25,200 --> 00:48:29,200 Speaker 1: being murdered or severely severely injured, the family of the 989 00:48:29,280 --> 00:48:31,800 Speaker 1: victim obviously, and the friends of the victim. 990 00:48:31,920 --> 00:48:34,640 Speaker 3: You're multiple people, well you know, more than maybe that 991 00:48:34,800 --> 00:48:35,440 Speaker 3: I don't know, you know. 992 00:48:35,640 --> 00:48:40,600 Speaker 1: And then the offender's family. Yeah, that might be your parents. 993 00:48:40,800 --> 00:48:44,040 Speaker 1: I'm sure that. Yeah, if you did something that they're 994 00:48:44,080 --> 00:48:46,080 Speaker 1: just gone. Oh no, something that would have kept you 995 00:48:46,120 --> 00:48:48,840 Speaker 1: in jail for life, which there was always always a 996 00:48:48,920 --> 00:48:52,160 Speaker 1: chance with the life that you were living. Yeah, their 997 00:48:52,200 --> 00:48:55,759 Speaker 1: lives are destroyed, your kids' lives. Like yeah, there's so 998 00:48:56,000 --> 00:48:57,840 Speaker 1: many same many things earth. 999 00:48:57,880 --> 00:49:00,480 Speaker 3: And also but also too, like I told, I come 1000 00:49:00,480 --> 00:49:03,720 Speaker 3: from a beautiful family. I come from a very strong family. 1001 00:49:04,719 --> 00:49:09,160 Speaker 3: I kept myself separated from that, not entirely, but for 1002 00:49:09,239 --> 00:49:12,799 Speaker 3: a veryvery long time because there are for the reasons 1003 00:49:12,840 --> 00:49:16,080 Speaker 3: to do, and also with what was going on, and 1004 00:49:16,360 --> 00:49:18,560 Speaker 3: like years and years ago, there was a pretty wild 1005 00:49:18,640 --> 00:49:20,600 Speaker 3: incident that come to mom and Dad's house where we 1006 00:49:20,680 --> 00:49:23,440 Speaker 3: used to live, and you know, I promised myself that 1007 00:49:23,440 --> 00:49:25,759 Speaker 3: that would never happen again. But now I'm back with them, 1008 00:49:25,800 --> 00:49:27,919 Speaker 3: and it's great, and these things are really good. 1009 00:49:27,960 --> 00:49:28,200 Speaker 1: You know. 1010 00:49:29,680 --> 00:49:32,920 Speaker 3: Yeah, I'm so grateful for the second chance, the second 1011 00:49:32,920 --> 00:49:35,759 Speaker 3: opportunity that I'm not going to say that I was 1012 00:49:35,800 --> 00:49:38,480 Speaker 3: given because I gave it to myself. I did it myself, 1013 00:49:38,520 --> 00:49:40,400 Speaker 3: you know, like the odds were on for me not 1014 00:49:40,440 --> 00:49:46,000 Speaker 3: to succeed, and I proved so many people wrong. And 1015 00:49:46,040 --> 00:49:49,000 Speaker 3: there's so many people that I'm grateful for the experience 1016 00:49:49,040 --> 00:49:52,320 Speaker 3: that and I'm still experiencing it. Like I said, I 1017 00:49:52,320 --> 00:49:53,520 Speaker 3: don't quite know who I am. 1018 00:49:53,719 --> 00:49:56,440 Speaker 1: Yeah, well you know how long you've been out for 1019 00:49:56,480 --> 00:50:00,839 Speaker 1: eight months? Okay, so it's all new to you. Yeah, 1020 00:50:00,560 --> 00:50:02,600 Speaker 1: so feeling feeling your way? 1021 00:50:02,920 --> 00:50:03,319 Speaker 2: Yeah. So. 1022 00:50:03,480 --> 00:50:06,279 Speaker 3: But for like, I'm doing a lot of social media 1023 00:50:06,320 --> 00:50:08,000 Speaker 3: stuff around my art and that Now. 1024 00:50:08,600 --> 00:50:10,600 Speaker 1: Where can people find find your art? 1025 00:50:10,680 --> 00:50:11,000 Speaker 2: Okay? 1026 00:50:11,080 --> 00:50:15,080 Speaker 3: So on TikTok at at see the Art crim so 1027 00:50:15,520 --> 00:50:19,080 Speaker 3: actually so a T s Y. That's my art signature. 1028 00:50:19,480 --> 00:50:22,160 Speaker 3: For obviously promotional reasons to do with it. I called 1029 00:50:22,160 --> 00:50:26,319 Speaker 3: myself at See the Art crim Okay. Now, part of 1030 00:50:26,360 --> 00:50:29,359 Speaker 3: it is going to be for me to be able 1031 00:50:29,400 --> 00:50:33,000 Speaker 3: to maybe influence other people to get involved with art 1032 00:50:33,000 --> 00:50:35,920 Speaker 3: if they've been through drama or other sorts of things. 1033 00:50:35,960 --> 00:50:39,520 Speaker 3: And obviously I want to showcase my work. So I've 1034 00:50:39,560 --> 00:50:41,560 Speaker 3: been going live each night at eight o'clock, which is 1035 00:50:41,600 --> 00:50:44,520 Speaker 3: a bit weird because I don't understand how TikTok works. 1036 00:50:45,000 --> 00:50:47,799 Speaker 3: I've got mate, I've got people coming up on the 1037 00:50:47,840 --> 00:50:50,800 Speaker 3: screen and doing these battle things, and I'm just sitting 1038 00:50:50,840 --> 00:50:52,040 Speaker 3: there smiling and talking. 1039 00:50:52,040 --> 00:50:53,400 Speaker 2: I've got no idea what's going on? 1040 00:50:53,440 --> 00:50:56,640 Speaker 1: Good luck? Be careful, yeah, get your kids to tell 1041 00:50:56,640 --> 00:50:59,640 Speaker 1: you what to do. Yeah, they know my kids take 1042 00:50:59,680 --> 00:51:02,640 Speaker 1: my phone off me. No, Yeah, just don't do that. 1043 00:51:02,640 --> 00:51:03,520 Speaker 2: That's crazy. 1044 00:51:03,480 --> 00:51:06,520 Speaker 1: Yeah. Look, it is a new medium and it's a 1045 00:51:06,560 --> 00:51:10,399 Speaker 1: way to get messages out and get your art out there. 1046 00:51:10,400 --> 00:51:13,680 Speaker 1: But if that's an example of your work, you could 1047 00:51:13,719 --> 00:51:14,880 Speaker 1: have told me that was a fader. 1048 00:51:15,200 --> 00:51:15,399 Speaker 2: Yeah. 1049 00:51:15,880 --> 00:51:18,960 Speaker 1: I can't believe the detail that you put in. How 1050 00:51:19,000 --> 00:51:20,640 Speaker 1: long did it take you to paint that? 1051 00:51:20,920 --> 00:51:23,360 Speaker 3: Okay, so that didn't take me very long. I already 1052 00:51:23,400 --> 00:51:26,920 Speaker 3: painted it before, so I kind of knew where I 1053 00:51:26,960 --> 00:51:31,759 Speaker 3: was going. And it's monochromatic, so it's in black and white, 1054 00:51:32,600 --> 00:51:34,800 Speaker 3: so it takes that color element. 1055 00:51:34,480 --> 00:51:34,880 Speaker 2: Out of it. 1056 00:51:35,120 --> 00:51:37,640 Speaker 3: Yeah, so it probably only took me around ten hours. 1057 00:51:38,160 --> 00:51:40,120 Speaker 3: If I were to produced the same thing in color, 1058 00:51:40,280 --> 00:51:44,120 Speaker 3: it would probably take me probably around forty hours. 1059 00:51:44,160 --> 00:51:46,480 Speaker 1: Made me a bit longer, you know, Jesus, there's a 1060 00:51:46,520 --> 00:51:49,160 Speaker 1: real talent there. Is it all your type of art? 1061 00:51:49,239 --> 00:51:51,320 Speaker 1: Is it all portraits or no? No? 1062 00:51:51,600 --> 00:51:54,800 Speaker 2: So I do. I haven't really found my style. 1063 00:51:55,000 --> 00:51:59,760 Speaker 3: I just love painting, so I do landscapes, animals more 1064 00:52:00,719 --> 00:52:04,280 Speaker 3: Like I said, that's a realism painting. So I painted 1065 00:52:04,280 --> 00:52:07,920 Speaker 3: one of two pac which is not so much realism. 1066 00:52:07,960 --> 00:52:10,040 Speaker 3: But I guess more I don't really know all the 1067 00:52:10,280 --> 00:52:12,680 Speaker 3: all the words that go with it, but more expression 1068 00:52:12,719 --> 00:52:15,239 Speaker 3: is them or something like that, I guess, But I 1069 00:52:15,280 --> 00:52:17,839 Speaker 3: just like to paint, so I don't really restrict myself. 1070 00:52:17,640 --> 00:52:19,920 Speaker 1: How many hours you spending the week painting. 1071 00:52:22,280 --> 00:52:25,360 Speaker 3: Funny enough, over the last two weeks with trying to 1072 00:52:25,400 --> 00:52:28,360 Speaker 3: work out this social I haven't actually I haven't actually 1073 00:52:28,440 --> 00:52:31,440 Speaker 3: got too much time up on the paintbrush. But I 1074 00:52:31,480 --> 00:52:34,319 Speaker 3: promised myself because of all that that I'll put in 1075 00:52:34,320 --> 00:52:36,400 Speaker 3: a lot more. But I like to spend, you know, 1076 00:52:36,440 --> 00:52:37,880 Speaker 3: a few hours every night painting. 1077 00:52:37,920 --> 00:52:42,760 Speaker 1: Here. Your family pleased with the person that ye walked 1078 00:52:42,760 --> 00:52:43,320 Speaker 1: out the gates? 1079 00:52:43,400 --> 00:52:46,640 Speaker 3: Yeah, definitely, yeah, they and you know what, like I'm 1080 00:52:46,680 --> 00:52:49,680 Speaker 3: in they used to come and visit me and like 1081 00:52:49,800 --> 00:52:53,319 Speaker 3: I'd get a lot of wrap from the offices like 1082 00:52:53,360 --> 00:52:57,000 Speaker 3: on their way in, and also inmates to my parents 1083 00:52:57,040 --> 00:52:59,440 Speaker 3: and everything. I guess, you know, for what it was, 1084 00:52:59,440 --> 00:53:01,200 Speaker 3: they had to find some way to find a way 1085 00:53:01,239 --> 00:53:01,840 Speaker 3: to be proud of you. 1086 00:53:01,760 --> 00:53:02,040 Speaker 2: You know. 1087 00:53:02,200 --> 00:53:04,000 Speaker 1: Well, when I was talking to you on the phone 1088 00:53:04,000 --> 00:53:06,880 Speaker 1: the other other day, I heard your mum in the back. Yeah. Yeah, 1089 00:53:07,000 --> 00:53:08,360 Speaker 1: she sounds like a bit of a character. 1090 00:53:08,600 --> 00:53:11,239 Speaker 2: She's a character, all right, Yeah, she's the best man. 1091 00:53:11,600 --> 00:53:15,239 Speaker 1: Well, yeah, I appreciate you coming on here, and we 1092 00:53:15,360 --> 00:53:18,520 Speaker 1: both talked about the messaging that we wanted to get across, 1093 00:53:18,520 --> 00:53:21,400 Speaker 1: and that was very much about a different way of 1094 00:53:21,440 --> 00:53:25,600 Speaker 1: doing the prison system. Yeah, but yeah, we this podcast. 1095 00:53:25,719 --> 00:53:29,240 Speaker 1: We'd love stories of redemption and turning your life around. 1096 00:53:29,239 --> 00:53:32,600 Speaker 1: And yeah, I think full credit to you, and I 1097 00:53:33,040 --> 00:53:36,000 Speaker 1: genuinely mean this. So I hope, because it's not long 1098 00:53:36,040 --> 00:53:37,799 Speaker 1: that you've been out, I hope you can stay on 1099 00:53:37,880 --> 00:53:43,239 Speaker 1: the stay on the journey. Yeah, and yeah, enjoy your life. 1100 00:53:44,480 --> 00:53:47,040 Speaker 1: It's better on the outside percent. 1101 00:53:47,600 --> 00:53:50,320 Speaker 3: I just want to say too, So if any inmates, 1102 00:53:50,360 --> 00:53:53,640 Speaker 3: for anyone, if they're getting out and they're struggling, you 1103 00:53:53,680 --> 00:53:56,160 Speaker 3: can you can send me a message on or TikTok 1104 00:53:56,239 --> 00:53:57,880 Speaker 3: whatever and I'll do whatever I can to help you. 1105 00:53:57,920 --> 00:53:59,759 Speaker 3: If you need some advice or someone to talk to her. 1106 00:54:00,760 --> 00:54:04,560 Speaker 1: I think that's a good idea. Again, someone someone that's experienced. 1107 00:54:04,800 --> 00:54:09,120 Speaker 1: And yeah, I've spoken to people without giving up names 1108 00:54:09,160 --> 00:54:13,920 Speaker 1: that have known you and said that you're hitting in 1109 00:54:13,960 --> 00:54:14,640 Speaker 1: the right direction. 1110 00:54:14,760 --> 00:54:17,040 Speaker 3: So yeah, it's been good and I've had the support 1111 00:54:17,600 --> 00:54:19,960 Speaker 3: to go with it, and it's kind OF's a good feeling. 1112 00:54:19,960 --> 00:54:20,279 Speaker 2: I guess. 1113 00:54:20,640 --> 00:54:22,960 Speaker 3: To get that support, I had to prove myself too, 1114 00:54:23,000 --> 00:54:26,919 Speaker 3: So you know, I didn't just come from nowhere. So well, sorry, 1115 00:54:26,920 --> 00:54:29,640 Speaker 3: there's one that I just want to please, a bit 1116 00:54:29,640 --> 00:54:34,279 Speaker 3: of a carne. She's left the corrections now, but she 1117 00:54:34,400 --> 00:54:36,680 Speaker 3: used to go above and beyond for the boys as well. 1118 00:54:36,760 --> 00:54:40,760 Speaker 1: So now again, these are people who are making making 1119 00:54:40,800 --> 00:54:43,799 Speaker 1: the difference, like a good corrective services officer if they're 1120 00:54:43,840 --> 00:54:47,680 Speaker 1: just helping one person in there, yeah great, and yeah, 1121 00:54:48,040 --> 00:54:51,640 Speaker 1: I'm sure wind it back. I don't know, six years 1122 00:54:51,680 --> 00:54:53,920 Speaker 1: ago when you first started in super Max, I didn't think. 1123 00:54:54,040 --> 00:54:56,279 Speaker 1: I don't think you would have been thinking I'm going 1124 00:54:56,320 --> 00:54:59,919 Speaker 1: to sit here with a detective inspector from a gang 1125 00:55:00,040 --> 00:55:03,200 Speaker 1: squad talking about corrective services officers that are. 1126 00:55:03,440 --> 00:55:06,480 Speaker 2: Yeah, yeah, been great to be I appreciate it. 1127 00:55:06,560 --> 00:55:09,120 Speaker 1: No, I appreciate your making the effort. So all the 1128 00:55:09,160 --> 00:55:09,960 Speaker 1: best for the future. 1129 00:55:10,040 --> 00:55:11,160 Speaker 2: Thank you. I appreciate it. 1130 00:55:11,320 --> 00:55:14,400 Speaker 1: And just add if people want to find out more 1131 00:55:14,480 --> 00:55:17,360 Speaker 1: about what went on in the Quarie Correctional Center of 1132 00:55:17,400 --> 00:55:21,280 Speaker 1: the podcast episode Breaking Badness, it goes in the great 1133 00:55:21,280 --> 00:55:24,120 Speaker 1: detail the type of thing that Adam has been talking 1134 00:55:24,160 --> 00:55:26,160 Speaker 1: about and really give you a sense of what goes 1135 00:55:26,200 --> 00:55:27,560 Speaker 1: on in that prison. 1136 00:55:27,840 --> 00:55:29,600 Speaker 2: All right, thank you, Thanks you guys,