1 00:00:02,600 --> 00:00:04,960 Speaker 1: Jason Lauren on over one hundred. 2 00:00:05,680 --> 00:00:07,840 Speaker 2: Clint and I yesterday had one of the longest working 3 00:00:07,920 --> 00:00:10,760 Speaker 2: days I think I've ever had. You went, we did, 4 00:00:10,800 --> 00:00:12,560 Speaker 2: so we did the radio show in the morning. As 5 00:00:12,560 --> 00:00:14,800 Speaker 2: you know, we raced to the airport to get on 6 00:00:14,840 --> 00:00:19,800 Speaker 2: an eleven thirty flights Sydney. That was quantity. It's renovation, 7 00:00:21,400 --> 00:00:24,919 Speaker 2: because you know, I'm a Virgin girl. It is under renovation. 8 00:00:25,160 --> 00:00:27,280 Speaker 1: Notice none of the food courts just open. 9 00:00:27,320 --> 00:00:28,240 Speaker 3: The new food court there. 10 00:00:28,520 --> 00:00:32,280 Speaker 2: Well, I was with Clint, so he is a frequent flyer, 11 00:00:32,800 --> 00:00:34,960 Speaker 2: and the flight was ten minutes late, so we managed 12 00:00:35,000 --> 00:00:36,960 Speaker 2: to get in to get a coffee quickly in the lounge, 13 00:00:36,960 --> 00:00:39,120 Speaker 2: but I didn't We went the other way. 14 00:00:39,159 --> 00:00:40,560 Speaker 1: We didn't walk past the food offer. 15 00:00:40,680 --> 00:00:43,199 Speaker 4: How was the actual aircraft though? Did you have a 16 00:00:43,280 --> 00:00:46,320 Speaker 4: nice flight? Because I was trying to I was trying 17 00:00:46,360 --> 00:00:48,040 Speaker 4: to bring you back to that. 18 00:00:48,120 --> 00:00:50,120 Speaker 2: Yeah, but he was head wobbling around because they all 19 00:00:50,159 --> 00:00:52,839 Speaker 2: know him because he travels all the time and he loves. 20 00:00:54,240 --> 00:00:55,080 Speaker 1: And he said, you. 21 00:00:55,040 --> 00:00:56,760 Speaker 4: Know, there was a pan on foot. 22 00:00:57,040 --> 00:00:59,600 Speaker 1: I've got us on the emergency exit ro because he's 23 00:00:59,840 --> 00:01:02,080 Speaker 1: he's brought some strings clear. 24 00:01:02,160 --> 00:01:03,440 Speaker 2: This is going to be great for us to just 25 00:01:03,520 --> 00:01:05,679 Speaker 2: sit for an hour and a half in bond. He 26 00:01:05,720 --> 00:01:08,279 Speaker 2: was asleep before we took off. Also took the window 27 00:01:08,400 --> 00:01:10,319 Speaker 2: seat and then fell asleep before takeoff. 28 00:01:10,360 --> 00:01:12,320 Speaker 1: I was like, dude, as. 29 00:01:12,160 --> 00:01:15,000 Speaker 5: A concerned traveler, Yeah, I do think he should be 30 00:01:15,040 --> 00:01:17,160 Speaker 5: in charge of the emergency emergency. 31 00:01:16,760 --> 00:01:20,080 Speaker 1: Exit I sleep anyway, good point. I'll give you that. 32 00:01:20,160 --> 00:01:21,119 Speaker 1: He got you there this way. 33 00:01:22,160 --> 00:01:25,280 Speaker 2: So we're a bit stressed because we knew we had 34 00:01:25,560 --> 00:01:29,280 Speaker 2: we had to be at this amazing media opportunity to 35 00:01:29,280 --> 00:01:32,520 Speaker 2: interview Poormer Scale, which every girl in her twenties is 36 00:01:33,280 --> 00:01:37,080 Speaker 2: abused me over in my dms because they are with 37 00:01:37,160 --> 00:01:39,000 Speaker 2: him and Blake's and their force and. 38 00:01:40,480 --> 00:01:44,880 Speaker 1: Fred Heischer. Fore they they were great gladiated. 39 00:01:45,120 --> 00:01:46,600 Speaker 2: We get to the interview, and then we also had 40 00:01:46,600 --> 00:01:49,200 Speaker 2: to interview Connie Nelson, who is the leading lady I 41 00:01:49,240 --> 00:01:50,520 Speaker 2: would say in gladiated too. 42 00:01:50,640 --> 00:01:52,080 Speaker 1: So we were stressed. We didn't want to be late, 43 00:01:52,120 --> 00:01:52,760 Speaker 1: but we got there. 44 00:01:52,920 --> 00:01:53,880 Speaker 4: She was after the boys. 45 00:01:53,920 --> 00:01:55,680 Speaker 2: She was after the boys, and so by the time 46 00:01:55,680 --> 00:01:57,800 Speaker 2: we got to Connie, because they can run like those junkeets, 47 00:01:57,800 --> 00:01:59,880 Speaker 2: because they're like back to back into views, We're only 48 00:02:00,040 --> 00:02:01,600 Speaker 2: on the ground in Sydney for two hours, and we 49 00:02:01,680 --> 00:02:02,640 Speaker 2: knew we had to be. 50 00:02:02,800 --> 00:02:03,760 Speaker 4: We've done our research. 51 00:02:03,840 --> 00:02:05,160 Speaker 1: We had we've done our research. 52 00:02:05,200 --> 00:02:06,200 Speaker 4: We were pretty well. 53 00:02:06,040 --> 00:02:07,800 Speaker 2: But it got to the point the door wasn't open, 54 00:02:07,840 --> 00:02:09,520 Speaker 2: and I said to the lady, I think we're going 55 00:02:09,560 --> 00:02:11,480 Speaker 2: to have to go because we're going to miss a flight. 56 00:02:11,840 --> 00:02:12,519 Speaker 1: We need to leave. 57 00:02:12,560 --> 00:02:15,840 Speaker 2: So unfortunately we've done our Poormerskyle interview and we're like, 58 00:02:15,840 --> 00:02:17,280 Speaker 2: we're gonna have to say no to Connie. 59 00:02:17,360 --> 00:02:19,640 Speaker 1: So when you sat down with Connie, everything needed to 60 00:02:19,639 --> 00:02:22,720 Speaker 1: go to plan. Yes, well, jump out a quick interview 61 00:02:22,800 --> 00:02:23,639 Speaker 1: and then race to them. 62 00:02:23,680 --> 00:02:25,840 Speaker 2: It probably had to be even better than going to plan. 63 00:02:25,919 --> 00:02:27,919 Speaker 2: So we get there and as we go to set 64 00:02:28,000 --> 00:02:29,960 Speaker 2: up to leave, they're like, Clint and Lauren, you're up. 65 00:02:30,000 --> 00:02:31,880 Speaker 2: So in we went and they said you only got 66 00:02:31,919 --> 00:02:33,640 Speaker 2: seven minutes. We said, don't worry, we won't go over time. 67 00:02:33,639 --> 00:02:34,840 Speaker 2: Because we've only got six minutes. 68 00:02:35,320 --> 00:02:37,640 Speaker 1: I might watch nothing can stop us. We need to 69 00:02:37,639 --> 00:02:38,359 Speaker 1: get to the airport. 70 00:02:38,480 --> 00:02:42,760 Speaker 2: No, and Clint, there were some moments that I thought 71 00:02:42,919 --> 00:02:44,639 Speaker 2: you and I not entertainment. 72 00:02:44,840 --> 00:02:46,960 Speaker 1: I wanted sixty minutes, mode didn't I you did? 73 00:02:47,680 --> 00:02:48,160 Speaker 2: How'd that go? 74 00:02:48,880 --> 00:02:48,960 Speaker 4: Not? 75 00:02:49,080 --> 00:02:51,280 Speaker 1: Great? In some parts? Have A listened to this great 76 00:02:51,360 --> 00:02:53,200 Speaker 1: question you asked, and. 77 00:02:53,080 --> 00:02:58,400 Speaker 4: Your your character this beautiful, motherly character. I mean, what's 78 00:02:58,440 --> 00:03:01,320 Speaker 4: it like to play a character like yours? Because she 79 00:03:01,360 --> 00:03:02,639 Speaker 4: wants to be loved. 80 00:03:02,680 --> 00:03:05,799 Speaker 6: You know, well, so I don't see her that way. 81 00:03:05,919 --> 00:03:09,280 Speaker 6: The way I see Lucilla is that she loves people, 82 00:03:09,400 --> 00:03:13,840 Speaker 6: and she loves her community, and she loves these ideas. 83 00:03:14,880 --> 00:03:17,239 Speaker 4: Oh, she basically refuted. 84 00:03:17,560 --> 00:03:19,520 Speaker 1: She said, that's not the character at all. 85 00:03:21,800 --> 00:03:21,960 Speaker 4: Really. 86 00:03:22,000 --> 00:03:24,120 Speaker 1: When Dickie Wilkins there for a bit, to you like. 87 00:03:24,080 --> 00:03:26,600 Speaker 2: How many times he said character in the question? I 88 00:03:26,639 --> 00:03:27,960 Speaker 2: said to her, what about when? 89 00:03:27,960 --> 00:03:30,080 Speaker 1: I mean? I asked her, and all of this is 90 00:03:30,120 --> 00:03:31,400 Speaker 1: up on the podcast. You can have listen. 91 00:03:31,600 --> 00:03:33,840 Speaker 2: I said to her, were you surprised how many people 92 00:03:33,960 --> 00:03:36,680 Speaker 2: asked if Russell Crowe was going to come back? 93 00:03:36,760 --> 00:03:40,560 Speaker 1: Because like spoiler avert, he dies in the first one. 94 00:03:40,720 --> 00:03:40,880 Speaker 3: Yea. 95 00:03:41,240 --> 00:03:43,240 Speaker 2: So it's so many people who said, oh, it's Russell crowing, 96 00:03:43,240 --> 00:03:46,040 Speaker 2: it's Russell crowing it and I'm like, no, he's dead. 97 00:03:46,120 --> 00:03:46,920 Speaker 1: Could have been a prequel. 98 00:03:46,960 --> 00:03:49,120 Speaker 4: And I said to so many people were asking the question? 99 00:03:49,400 --> 00:03:51,000 Speaker 2: I said, are you surprised for how many people ask 100 00:03:51,080 --> 00:03:53,800 Speaker 2: that question? She goes, no one's asking me that question? 101 00:03:54,680 --> 00:03:57,480 Speaker 2: Me deadpan in the aynswered no one asked that question? 102 00:03:57,600 --> 00:03:58,720 Speaker 1: To which she's dead. 103 00:03:58,560 --> 00:04:03,640 Speaker 4: To which I witnessed fear and panic in Lawrence. 104 00:04:05,880 --> 00:04:08,680 Speaker 1: Up and then I lost my train of thought and 105 00:04:08,680 --> 00:04:09,240 Speaker 1: I was raddled. 106 00:04:09,240 --> 00:04:12,040 Speaker 2: Anyway, by this stage, I'm like, if we don't know, 107 00:04:12,440 --> 00:04:13,520 Speaker 2: we're going to miss the flight. 108 00:04:14,280 --> 00:04:15,320 Speaker 1: And then this happened. 109 00:04:16,000 --> 00:04:18,760 Speaker 6: There was like a moment when it had a couple 110 00:04:18,800 --> 00:04:21,640 Speaker 6: of scenes with I'm so sorry. 111 00:04:21,680 --> 00:04:24,279 Speaker 2: There's like, we've got a whipper snipper here, the whipper snipper. 112 00:04:25,320 --> 00:04:28,240 Speaker 6: You know, it's a it's like a work crew on 113 00:04:29,000 --> 00:04:38,520 Speaker 6: the harbor. I think it's doing this. Apologies again, yeah, apologies. 114 00:04:38,760 --> 00:04:40,960 Speaker 2: Because they were like in the background, all the publicists 115 00:04:40,960 --> 00:04:41,680 Speaker 2: like stop the interview. 116 00:04:41,680 --> 00:04:42,920 Speaker 1: We've got to stop. We've got to stop. More like 117 00:04:44,360 --> 00:04:45,800 Speaker 1: to stop, but we're not going to get. 118 00:04:45,640 --> 00:04:49,640 Speaker 2: Home more good questions anyway. 119 00:04:49,720 --> 00:04:52,880 Speaker 1: Connie Nelson was lovely. She's quite extraordinary. 120 00:04:52,880 --> 00:04:55,440 Speaker 2: She's one of the only cast members who's in Gladiator 121 00:04:55,480 --> 00:05:00,320 Speaker 2: one and yeah, she plays a beauty. 122 00:05:00,000 --> 00:05:04,719 Speaker 1: Beautiful motherly Jesus, here we go. They needed to wrap 123 00:05:04,800 --> 00:05:05,440 Speaker 1: up music for you. 124 00:05:05,680 --> 00:05:10,200 Speaker 2: I promise our poor mescal interview is much more professional. 125 00:05:10,400 --> 00:05:11,440 Speaker 2: Will be the judge of that. 126 00:05:12,000 --> 00:05:13,719 Speaker 1: Let's catch up with the cast of one of the 127 00:05:13,720 --> 00:05:14,960 Speaker 1: biggest movies this year. 128 00:05:15,800 --> 00:05:19,599 Speaker 7: Our next two guests are stars of the hotly anticipated 129 00:05:19,720 --> 00:05:23,120 Speaker 7: blockbuster action sequel Gladiator Too. 130 00:05:24,600 --> 00:05:25,839 Speaker 4: I don't fight for power. 131 00:05:28,200 --> 00:05:29,880 Speaker 7: I was liked The Free Road from. 132 00:05:29,760 --> 00:05:30,440 Speaker 2: Men like Them. 133 00:05:32,040 --> 00:05:35,920 Speaker 4: Please welcome to the show, Paul Mascual and Fred Hashinger. 134 00:05:36,600 --> 00:05:37,040 Speaker 1: Guys. 135 00:05:37,279 --> 00:05:41,839 Speaker 2: Firstly, congratulations on both your performances. What an epic film. 136 00:05:42,080 --> 00:05:44,240 Speaker 2: Twenty four years since the original Gladiator. 137 00:05:44,520 --> 00:05:47,960 Speaker 1: Fred, you were one, Paul, it was one. You're one 138 00:05:48,040 --> 00:05:50,760 Speaker 1: when the OG came out. Paul, you were four. 139 00:05:50,880 --> 00:05:53,080 Speaker 7: That's four, at the rape old age of four. 140 00:05:54,880 --> 00:05:57,040 Speaker 2: What age did you see the original Gladiator? 141 00:05:57,440 --> 00:06:01,839 Speaker 7: But somewhere between thirteen and fifteen. I can't remember exactly, 142 00:06:01,880 --> 00:06:04,479 Speaker 7: but I watched it with my dad's which feels like 143 00:06:04,520 --> 00:06:06,960 Speaker 7: some sort of rite of passage that if I ever 144 00:06:07,040 --> 00:06:09,839 Speaker 7: have children, I'll like look forward to showing them both 145 00:06:10,000 --> 00:06:11,480 Speaker 7: Gladiator one and Gladiator Too. 146 00:06:11,520 --> 00:06:13,000 Speaker 1: Now, how were you when you saw it? 147 00:06:13,040 --> 00:06:16,560 Speaker 3: Friend? I just remember watching it on TV over and 148 00:06:16,600 --> 00:06:18,640 Speaker 3: over again, because one of those films I feel was 149 00:06:18,680 --> 00:06:20,520 Speaker 3: always on television, and so it's one of the first 150 00:06:20,560 --> 00:06:27,200 Speaker 3: movies where I think I like accidentally memorized it so 151 00:06:27,279 --> 00:06:27,839 Speaker 3: many times. 152 00:06:28,360 --> 00:06:30,039 Speaker 2: So then when you get the call up to star 153 00:06:30,160 --> 00:06:31,640 Speaker 2: in a film like this, I mean it's one of 154 00:06:31,680 --> 00:06:34,479 Speaker 2: the most iconic films I know in my lifetime and 155 00:06:34,480 --> 00:06:35,360 Speaker 2: in our lifetimes. 156 00:06:36,279 --> 00:06:37,080 Speaker 1: How does it go? 157 00:06:37,320 --> 00:06:39,040 Speaker 2: Do you get the call from Ridley Scott saying, hey, 158 00:06:39,040 --> 00:06:41,120 Speaker 2: I want you to be Gladiated, You get. 159 00:06:40,960 --> 00:06:43,400 Speaker 7: The call that your agency like really wants to talk 160 00:06:43,440 --> 00:06:45,520 Speaker 7: to you about Gladiator too, and you're like, well, that's 161 00:06:45,520 --> 00:06:48,479 Speaker 7: a win in and of itself, and then yeah, huge, 162 00:06:49,000 --> 00:06:52,679 Speaker 7: and then Ridley just everything with Ridley moves so quickly, 163 00:06:52,839 --> 00:06:57,440 Speaker 7: So you spent I spent like all of thirty minutes 164 00:06:57,480 --> 00:07:00,520 Speaker 7: with him, and then he decided to to cast me 165 00:07:00,520 --> 00:07:02,120 Speaker 7: and it was over zoom. It was just insane. 166 00:07:02,240 --> 00:07:03,960 Speaker 1: So it's not a huge audition process with him. 167 00:07:04,000 --> 00:07:05,599 Speaker 7: No, No, I thought we were going to have to 168 00:07:05,640 --> 00:07:10,440 Speaker 7: do camera tests and auditions, and he just I think 169 00:07:10,440 --> 00:07:13,120 Speaker 7: he's kind of got the respect of so many studios 170 00:07:13,120 --> 00:07:15,600 Speaker 7: that if he wants a certain person in the film, 171 00:07:15,600 --> 00:07:16,080 Speaker 7: they just. 172 00:07:16,400 --> 00:07:19,080 Speaker 4: I dare say. It's not something you mullet over though 173 00:07:19,160 --> 00:07:20,160 Speaker 4: you must have said yes. 174 00:07:20,720 --> 00:07:23,360 Speaker 7: Absolutely, you just if Ridley asks you to be insane, 175 00:07:23,920 --> 00:07:25,080 Speaker 7: just say yes. 176 00:07:25,240 --> 00:07:27,520 Speaker 2: Because I've heard often with him, you know that you're 177 00:07:27,520 --> 00:07:29,760 Speaker 2: getting cast in the film, but you don't know what character? 178 00:07:29,880 --> 00:07:30,280 Speaker 1: Is that right? 179 00:07:30,400 --> 00:07:32,600 Speaker 2: Or do you know exactly what role you're playing when 180 00:07:32,640 --> 00:07:33,360 Speaker 2: he called you. 181 00:07:33,720 --> 00:07:39,000 Speaker 3: In this case, knew the character. But he moves. That's 182 00:07:39,840 --> 00:07:42,200 Speaker 3: I think he really lives from the gut. When he 183 00:07:42,240 --> 00:07:44,520 Speaker 3: has an idea and a decision, he wants, he wants, 184 00:07:44,720 --> 00:07:47,280 Speaker 3: he wants it to happen, and he wants to make 185 00:07:47,400 --> 00:07:49,240 Speaker 3: so many films so it doesn't want to waste any time. 186 00:07:49,480 --> 00:07:52,000 Speaker 4: So we've seen it. But also the trailers out so 187 00:07:52,000 --> 00:07:54,400 Speaker 4: I'm not giving too much away. But animals, can we 188 00:07:54,440 --> 00:07:55,360 Speaker 4: talk animals, Lauren. 189 00:07:55,480 --> 00:07:58,760 Speaker 2: There's a lot of wild, crazy animals in this film. 190 00:07:58,800 --> 00:08:02,640 Speaker 2: I mean the dog monkeys, the dog monkeys with the 191 00:08:02,680 --> 00:08:03,800 Speaker 2: dog monkeys. 192 00:08:03,440 --> 00:08:06,400 Speaker 7: So there's like dog monkeys, there's amphibious creatures. People say 193 00:08:06,440 --> 00:08:13,720 Speaker 7: the dog monkeys, they're actually they're just just a wild yeah, Christen, 194 00:08:13,840 --> 00:08:17,280 Speaker 7: dog monkeys, I feel like I've missed something. 195 00:08:17,320 --> 00:08:19,720 Speaker 5: I'm like, I'm pretty sure a bit, but yeah, but 196 00:08:19,760 --> 00:08:22,840 Speaker 5: they we were filmed with amazing stump Man who like 197 00:08:22,960 --> 00:08:27,720 Speaker 5: basically they put these crutches on the front of their 198 00:08:28,080 --> 00:08:30,160 Speaker 5: on top of their arms so they would mimic the movement. 199 00:08:30,360 --> 00:08:31,400 Speaker 1: Amazing, amazing. 200 00:08:31,720 --> 00:08:35,360 Speaker 3: I mean you saw you careful, LUs just needed her first. 201 00:08:35,280 --> 00:08:38,560 Speaker 1: Day kid, I don't want to run into a baboon 202 00:08:38,600 --> 00:08:39,000 Speaker 1: in the wild. 203 00:08:39,000 --> 00:08:41,040 Speaker 4: After that, can we let them in on the secret? 204 00:08:41,200 --> 00:08:41,320 Speaker 3: Like? 205 00:08:41,800 --> 00:08:46,079 Speaker 4: Lauren turned to me and asked, she's like those animals 206 00:08:46,160 --> 00:08:53,800 Speaker 4: real like. 207 00:08:54,480 --> 00:08:56,760 Speaker 1: And then I reminded myself that they are endangered. We 208 00:08:56,800 --> 00:08:57,360 Speaker 1: are not writing. 209 00:08:59,040 --> 00:09:01,760 Speaker 3: My first day, I believe, was the rhinoceros in the 210 00:09:01,760 --> 00:09:06,800 Speaker 3: Colosseum and they had built this incredible animatronic rhinoceros that 211 00:09:07,640 --> 00:09:08,800 Speaker 3: slowly blinked. 212 00:09:09,320 --> 00:09:15,079 Speaker 7: Yeah, it actually was able to so it looked looked fully. 213 00:09:15,679 --> 00:09:19,040 Speaker 1: Your monkey is your monkey Monkey animals. 214 00:09:19,360 --> 00:09:22,600 Speaker 3: Yeah, the actress monkey actresses named Sherry. She plays Donde 215 00:09:22,800 --> 00:09:23,880 Speaker 3: and this is her first film. 216 00:09:23,920 --> 00:09:29,040 Speaker 2: And the actress Monkey's name is Sherry. So did you 217 00:09:29,040 --> 00:09:31,400 Speaker 2: have to build a real relationship with Sherry because your 218 00:09:31,520 --> 00:09:32,520 Speaker 2: character is so kooky? 219 00:09:33,080 --> 00:09:35,719 Speaker 3: Would? But it's good. It was cheap code, you know, 220 00:09:36,040 --> 00:09:39,559 Speaker 3: to have such a great animal on your shoulder when 221 00:09:39,559 --> 00:09:41,720 Speaker 3: you're when you're going through all that insanity, to have 222 00:09:41,960 --> 00:09:45,880 Speaker 3: a creature that's so impulsive, and you know, can. 223 00:09:45,800 --> 00:09:47,040 Speaker 4: We ask you about the rig. 224 00:09:47,240 --> 00:09:48,480 Speaker 1: The rig you're based in this? 225 00:09:49,120 --> 00:09:49,800 Speaker 3: The rig? 226 00:09:50,120 --> 00:09:54,760 Speaker 7: The rig, the rig islands? What do we call it? 227 00:09:55,360 --> 00:09:57,920 Speaker 7: I now understand the. 228 00:09:59,480 --> 00:10:00,920 Speaker 4: Physical physical role? Right? 229 00:10:01,000 --> 00:10:01,160 Speaker 3: Yeah? 230 00:10:01,320 --> 00:10:04,960 Speaker 7: Physical you have to do you you have to go 231 00:10:05,000 --> 00:10:05,440 Speaker 7: to the gym. 232 00:10:05,840 --> 00:10:06,360 Speaker 3: You have to. 233 00:10:06,880 --> 00:10:09,360 Speaker 7: I had the like Tim Blakey was my trainer. He 234 00:10:09,400 --> 00:10:13,320 Speaker 7: was just unbelievable. But I was lucky that I had 235 00:10:13,360 --> 00:10:15,920 Speaker 7: a good bit of time out in advance where I 236 00:10:15,960 --> 00:10:18,680 Speaker 7: wasn't trying to cram everything into a couple of months. 237 00:10:18,720 --> 00:10:21,079 Speaker 7: So it was like, slowly, what did. 238 00:10:20,920 --> 00:10:22,679 Speaker 1: You eat to get muscles like that? 239 00:10:22,720 --> 00:10:25,960 Speaker 7: It's a chicken, lots of broccoli. 240 00:10:27,120 --> 00:10:28,720 Speaker 1: This morning, just to prepare myself. 241 00:10:28,760 --> 00:10:32,319 Speaker 7: But it was, it was they made everything that could 242 00:10:32,320 --> 00:10:35,400 Speaker 7: possibly have been made easier easier with with with it all. 243 00:10:35,440 --> 00:10:38,000 Speaker 7: But there's no kind of reinventing in the wheels. Just 244 00:10:38,280 --> 00:10:41,960 Speaker 7: go to the gym, lift weights, curls, bicep curls absolutely 245 00:10:42,080 --> 00:10:44,439 Speaker 7: for days, for days, half fitness. 246 00:10:44,120 --> 00:10:44,760 Speaker 1: Sky on the show. 247 00:10:44,800 --> 00:10:46,440 Speaker 2: So I expect you to be eating chicken and bccoli. 248 00:10:47,080 --> 00:10:50,400 Speaker 1: Guys, it is just extraordinary. You both play such amazing roles. 249 00:10:50,400 --> 00:10:51,000 Speaker 1: You must be so. 250 00:10:50,960 --> 00:10:54,960 Speaker 7: Proud of his film, unbelievably proud, Like I think seeing 251 00:10:55,200 --> 00:10:57,360 Speaker 7: seeing like the people that showed up at the premiere 252 00:10:57,440 --> 00:10:59,840 Speaker 7: last night, and just it reminded me last night of 253 00:10:59,880 --> 00:11:01,840 Speaker 7: like what the first film meant to people, what the 254 00:11:01,840 --> 00:11:03,720 Speaker 7: second film means to us and the audiences that are 255 00:11:03,760 --> 00:11:06,600 Speaker 7: encountering it. It's really really proud and special moment. 256 00:11:07,120 --> 00:11:10,040 Speaker 4: Paul, just quickly, I know I saw you rocking around 257 00:11:10,040 --> 00:11:14,400 Speaker 4: in some Collingwood Football Club shorts. These are from Melbourne. 258 00:11:14,640 --> 00:11:21,320 Speaker 4: These are the Melbourne so they are the Demons in 259 00:11:21,360 --> 00:11:24,160 Speaker 4: the a f very famous irishman played for the D's 260 00:11:24,240 --> 00:11:27,760 Speaker 4: Jim Stars. Who's what? 261 00:11:27,920 --> 00:11:30,000 Speaker 7: Big is taken? Allie still playing? 262 00:11:30,040 --> 00:11:33,040 Speaker 4: No No, he's retired now. He's also legend, but enjoyed them. 263 00:11:33,080 --> 00:11:34,120 Speaker 4: I want to see you running around. 264 00:11:35,559 --> 00:11:41,960 Speaker 3: Thank you very much, Thank you very much, Jason, Lauren 265 00:11:42,600 --> 00:11:45,280 Speaker 3: Lauren wake Up Feeling Good on No. 266 00:11:45,559 --> 00:11:50,520 Speaker 1: One hundred. Lauren on socials