1
00:00:00,800 --> 00:00:27,160
Speaker 1: And Whipper little one and only, Adele. I love your names.

2
00:00:26,440 --> 00:00:28,720
Speaker 2: Fitzy and Whipper. I mean I think it was Ricky

3
00:00:28,760 --> 00:00:31,520
Speaker 2: Gervasis said we sound like a couple of cartoon characters.

4
00:00:32,000 --> 00:00:32,479
Speaker 2: I get that.

5
00:00:33,320 --> 00:00:34,199
Speaker 3: It's amazing.

6
00:00:34,520 --> 00:00:38,120
Speaker 4: Hello, So Adele, I'm a Fitzgerald and he's a whip

7
00:00:38,200 --> 00:00:43,120
Speaker 4: Flee and you know, and in Australia we like to

8
00:00:43,159 --> 00:00:46,920
Speaker 4: shorten surnames and we've become Fitzy and Whipper ten years

9
00:00:46,920 --> 00:00:49,839
Speaker 4: with that. It's our tenth anniversary and only happened a

10
00:00:49,880 --> 00:00:52,280
Speaker 4: few weeks ago, Adele anniversary.

11
00:00:52,520 --> 00:00:54,160
Speaker 2: Yeah, thank you. I wanted to time it with new

12
00:00:54,240 --> 00:00:56,720
Speaker 2: music coming out from you. So this has worked really well.

13
00:00:58,280 --> 00:00:59,880
Speaker 2: You know what we've been playing on our show for

14
00:01:00,040 --> 00:01:01,959
Speaker 2: so many years now, Adele, that you probably don't even

15
00:01:02,400 --> 00:01:04,560
Speaker 2: remember saying. Have we got that in the system? Lenno

16
00:01:04,840 --> 00:01:10,199
Speaker 2: was this comment here? Sometimes don't fly, Adele. I don't

17
00:01:10,280 --> 00:01:12,560
Speaker 2: like flying either, So this has been brought up so

18
00:01:12,680 --> 00:01:13,840
Speaker 2: many times on the show.

19
00:01:14,120 --> 00:01:16,360
Speaker 3: No, I don't like it at all, but sometime it.

20
00:01:16,480 --> 00:01:18,120
Speaker 2: Yeah, you'd be proud of me. I got on a

21
00:01:18,120 --> 00:01:20,200
Speaker 2: short flight once, took two stee knocks and had a

22
00:01:20,200 --> 00:01:24,039
Speaker 2: bottle of wine and vomited. When we landed. I then

23
00:01:24,120 --> 00:01:26,440
Speaker 2: had the guy in front emailed the station saying, I

24
00:01:26,440 --> 00:01:28,920
Speaker 2: was so excited when I realized Whippa was sitting behind me.

25
00:01:29,000 --> 00:01:30,720
Speaker 2: But then I got off the plane. I had vomited

26
00:01:30,720 --> 00:01:32,800
Speaker 2: on my jacket. Here's the dry cleaning bill.

27
00:01:33,600 --> 00:01:39,800
Speaker 3: See, I can't sedate myself on flights because obviously it's me, So.

28
00:01:39,959 --> 00:01:42,800
Speaker 2: Adele vomited on my jocket that hell yeah.

29
00:01:42,880 --> 00:01:45,640
Speaker 4: Well see this is the thing. Because we're so far away, Adele,

30
00:01:46,240 --> 00:01:48,400
Speaker 4: we need you to fly over here. I'm just going

31
00:01:48,480 --> 00:01:49,920
Speaker 4: to give you a couple of statistics.

32
00:01:49,920 --> 00:01:50,560
Speaker 2: Now here we go.

33
00:01:50,880 --> 00:01:55,400
Speaker 4: Twenty seventeen, Adele obliterated attendance records at every stadium venue

34
00:01:55,440 --> 00:01:59,919
Speaker 4: she performed out across Australia. Six hundred thousand people attended

35
00:02:00,480 --> 00:02:03,400
Speaker 4: your eight concerts. They are the biggest crowds that we

36
00:02:03,480 --> 00:02:06,280
Speaker 4: had in Sydney at that a in Z Stadium since

37
00:02:06,400 --> 00:02:08,280
Speaker 4: the Sydney two thousand Olympics.

38
00:02:08,280 --> 00:02:09,200
Speaker 2: A deel, Oh.

39
00:02:09,040 --> 00:02:11,680
Speaker 3: Wow, that's I had the best time when I came,

40
00:02:11,880 --> 00:02:14,000
Speaker 3: like the best. You know, those were my first ever

41
00:02:14,080 --> 00:02:15,239
Speaker 3: outdoor stadium shows.

42
00:02:16,280 --> 00:02:18,480
Speaker 4: Hey, this is what we're trying to work out, because

43
00:02:18,520 --> 00:02:22,079
Speaker 4: you had the amazing circular stage and I went there

44
00:02:22,120 --> 00:02:25,280
Speaker 4: with my wife the circular stage, but no one knows

45
00:02:25,280 --> 00:02:27,680
Speaker 4: how you got out there every night. Now, there's a

46
00:02:27,680 --> 00:02:29,560
Speaker 4: couple of theories that we've got here that you are

47
00:02:29,680 --> 00:02:33,559
Speaker 4: disguised as a roadie and you would take the mic stand.

48
00:02:33,280 --> 00:02:36,960
Speaker 1: Out there, and no, that's not true.

49
00:02:37,120 --> 00:02:39,240
Speaker 4: Yeah, there was another one saying that there was a

50
00:02:39,280 --> 00:02:42,960
Speaker 4: catapult that would launch you onto the stage just as

51
00:02:43,000 --> 00:02:44,920
Speaker 4: you're about to start, and then you would land and

52
00:02:44,960 --> 00:02:47,840
Speaker 4: start performing. Are any of these true?

53
00:02:48,680 --> 00:02:49,560
Speaker 3: None of those are true.

54
00:02:49,639 --> 00:02:50,519
Speaker 2: No, I can.

55
00:02:50,639 --> 00:02:52,120
Speaker 3: I can tell you how I got to the stage

56
00:02:52,120 --> 00:02:54,240
Speaker 3: because I won't be doing in the round again. I

57
00:02:54,280 --> 00:02:56,320
Speaker 3: went in a flight case, so I was being moved

58
00:02:56,360 --> 00:02:57,800
Speaker 3: around like as a piece of equipment.

59
00:02:57,960 --> 00:03:01,000
Speaker 2: Awesome. What was in the box? A little drink in there?

60
00:03:01,000 --> 00:03:03,480
Speaker 2: On the way? Was there a seat a small couch

61
00:03:03,600 --> 00:03:04,800
Speaker 2: or there was it was.

62
00:03:04,800 --> 00:03:06,760
Speaker 3: A little chair like an a built in pair with

63
00:03:06,840 --> 00:03:10,880
Speaker 3: an iPad. My son reminding me like what show number

64
00:03:10,880 --> 00:03:13,360
Speaker 3: it was and stuff like that, and the time and

65
00:03:13,400 --> 00:03:15,480
Speaker 3: stuff like that, and a little sort of like little

66
00:03:15,480 --> 00:03:17,560
Speaker 3: bag for my crystals, which at the time gave me

67
00:03:17,600 --> 00:03:18,040
Speaker 3: good luck.

68
00:03:18,120 --> 00:03:18,640
Speaker 2: Awesome.

69
00:03:19,400 --> 00:03:23,200
Speaker 3: And it was on the arena tour because I started

70
00:03:23,200 --> 00:03:24,840
Speaker 3: in the middle of those shows as well. Not that

71
00:03:24,880 --> 00:03:26,919
Speaker 3: I took that show to Australia with my mum. Was

72
00:03:26,960 --> 00:03:29,200
Speaker 3: straight into the stadiums there, but in that when I

73
00:03:29,240 --> 00:03:31,400
Speaker 3: sat down then my dress was so massive. For the

74
00:03:31,440 --> 00:03:34,600
Speaker 3: stadium shows that, you know, the ones that treative, but

75
00:03:34,600 --> 00:03:36,600
Speaker 3: also I did a couple in London as well. They

76
00:03:36,640 --> 00:03:38,600
Speaker 3: tried to make me lie down in one because the

77
00:03:38,640 --> 00:03:40,320
Speaker 3: dress was so massive and it felt like I was

78
00:03:40,360 --> 00:03:45,320
Speaker 3: being buried alive. They built a big box for me

79
00:03:45,360 --> 00:03:48,160
Speaker 3: to sit in in my dress, and towards the end

80
00:03:48,280 --> 00:03:49,920
Speaker 3: I just started. I would just go in my dressing

81
00:03:49,960 --> 00:03:51,680
Speaker 3: down and then when i'd get under the stage, I'd

82
00:03:51,680 --> 00:03:53,320
Speaker 3: put my dress on them because it was beautiful.

83
00:03:53,360 --> 00:03:54,840
Speaker 2: You know how you said it had all the details

84
00:03:54,840 --> 00:03:56,600
Speaker 2: about the time and where you were and the number

85
00:03:56,600 --> 00:03:58,560
Speaker 2: of shows. Have you ever had that moment where you've

86
00:03:58,560 --> 00:04:01,240
Speaker 2: gone out on stage and you've got on Hello Sydney

87
00:04:01,440 --> 00:04:02,520
Speaker 2: and you're in Melbourne?

88
00:04:02,840 --> 00:04:05,400
Speaker 3: I did once on a tour from my very first album.

89
00:04:05,440 --> 00:04:07,800
Speaker 3: So thank god it wasn't one hundred thousand people doing in.

90
00:04:07,760 --> 00:04:08,920
Speaker 1: Response, where were you?

91
00:04:09,000 --> 00:04:09,560
Speaker 2: What happened?

92
00:04:10,160 --> 00:04:11,640
Speaker 3: I don't want to say where I was because I

93
00:04:11,640 --> 00:04:17,520
Speaker 3: actually pulled it off really good. Player gas next to me.

94
00:04:18,200 --> 00:04:21,480
Speaker 3: That's not where we are, and I was only joking

95
00:04:22,560 --> 00:04:24,480
Speaker 3: running up a list of art as i'd seen where

96
00:04:24,480 --> 00:04:26,640
Speaker 3: they had actually got the venue gorong and basically they

97
00:04:26,640 --> 00:04:28,440
Speaker 3: took the fall for it. I managed to get away.

98
00:04:28,760 --> 00:04:30,320
Speaker 3: I'm not going to say where I actually was or

99
00:04:30,320 --> 00:04:31,640
Speaker 3: where I thought I was.

100
00:04:31,200 --> 00:04:34,599
Speaker 2: Well played, really well played, nice clean.

101
00:04:34,480 --> 00:04:51,239
Speaker 1: Up one and only Adele.

102
00:04:51,760 --> 00:04:55,400
Speaker 4: Congratulations on Easy on Me. We were very very lucky

103
00:04:55,440 --> 00:04:57,039
Speaker 4: to hear it before anybody else.

104
00:04:57,200 --> 00:05:00,080
Speaker 2: It is unbelievable, Adele, like this.

105
00:05:01,279 --> 00:05:05,280
Speaker 4: You've taken it to another level. Your voice, Adele, you

106
00:05:05,560 --> 00:05:09,160
Speaker 4: just magical. It's higher and higher throughout this song. It's

107
00:05:09,440 --> 00:05:11,840
Speaker 4: obviously very very important to you because you do talk

108
00:05:11,839 --> 00:05:14,160
Speaker 4: about your childhood as well, and you know the lyrics.

109
00:05:14,160 --> 00:05:17,120
Speaker 4: Had no time to choose what I'm chosen to do.

110
00:05:17,480 --> 00:05:22,479
Speaker 4: It's so go easy on Me. It's it's very emotional, No.

111
00:05:22,560 --> 00:05:22,760
Speaker 1: It is.

112
00:05:22,800 --> 00:05:24,919
Speaker 3: It's very emotional. Yeah, that lyrics. Actually, I had no

113
00:05:25,000 --> 00:05:28,960
Speaker 3: time to choose what I chose to do, and it's no,

114
00:05:29,040 --> 00:05:32,960
Speaker 3: it's very very emotive that one. And it's a bit

115
00:05:33,000 --> 00:05:36,680
Speaker 3: about everything really. It's obviously about things I've experienced more recently.

116
00:05:36,800 --> 00:05:38,360
Speaker 1: But yeah, I just.

117
00:05:38,240 --> 00:05:42,159
Speaker 3: Felt like I, you know, I saw I was trying

118
00:05:42,160 --> 00:05:44,520
Speaker 3: to link back with my little self a lot on

119
00:05:44,560 --> 00:05:47,000
Speaker 3: this record and during that period of time in my life.

120
00:05:47,040 --> 00:05:49,640
Speaker 3: So it's a tear jerker for.

121
00:05:49,600 --> 00:05:51,960
Speaker 2: Sure, it is. But I think what's magical too is

122
00:05:52,080 --> 00:05:54,200
Speaker 2: the timing of everything, Like Adell, this is what the

123
00:05:54,200 --> 00:05:56,640
Speaker 2: world needs right now, and there's a lot of music

124
00:05:56,680 --> 00:05:58,800
Speaker 2: out there at the moment, but nothing like this which

125
00:05:58,800 --> 00:06:01,200
Speaker 2: will cut through brilliantly and like a big hug from Adele.

126
00:06:02,040 --> 00:06:02,760
Speaker 4: Oh well, I hope.

127
00:06:02,800 --> 00:06:06,960
Speaker 3: So obviously I spend years doing absolutely nothing, so you know,

128
00:06:07,000 --> 00:06:08,800
Speaker 3: I definitely like to try and cuddle people when I

129
00:06:08,839 --> 00:06:09,200
Speaker 3: come back.

130
00:06:09,240 --> 00:06:09,600
Speaker 1: For sure.

131
00:06:09,720 --> 00:06:11,359
Speaker 2: How do you start with a song like that? Adele?

132
00:06:11,360 --> 00:06:13,520
Speaker 2: Where does it start? Was that with the lyrics take

133
00:06:13,520 --> 00:06:14,120
Speaker 2: it easy on me?

134
00:06:14,279 --> 00:06:17,559
Speaker 3: Or and what I came up with the initial first

135
00:06:17,560 --> 00:06:19,839
Speaker 3: couple of lines, you know, lyrically of the song in

136
00:06:19,880 --> 00:06:24,159
Speaker 3: the shower, because that's where it sounds best. Those showers,

137
00:06:24,160 --> 00:06:25,560
Speaker 3: if they have a door on them, they have the

138
00:06:25,560 --> 00:06:30,280
Speaker 3: best reaver, but you cannot in the in the studio.

139
00:06:30,880 --> 00:06:32,840
Speaker 3: And then when I write with the same with all

140
00:06:32,880 --> 00:06:35,760
Speaker 3: the songs. Really with that song I wrote with Greg Curston,

141
00:06:35,839 --> 00:06:37,560
Speaker 3: who I wrote Hello with, and he sits down at

142
00:06:37,560 --> 00:06:39,880
Speaker 3: the piano and we tell the story beginning to end,

143
00:06:40,000 --> 00:06:42,520
Speaker 3: So it started all the verse, then it goes into

144
00:06:42,560 --> 00:06:44,479
Speaker 3: the couple of lines of the pre chorus, then into

145
00:06:44,520 --> 00:06:47,120
Speaker 3: the chorus, then into the second verse. Very much chell

146
00:06:47,120 --> 00:06:48,320
Speaker 3: it in order of the song, you.

147
00:06:48,279 --> 00:06:51,359
Speaker 4: Know, Yeah, oh god, it is so good, adele. Do

148
00:06:51,440 --> 00:06:53,920
Speaker 4: you go back every now and then and venture back

149
00:06:53,960 --> 00:06:57,159
Speaker 4: to nineteen just to see the difference in your lyrics

150
00:06:57,160 --> 00:06:58,279
Speaker 4: and how much you've matured.

151
00:06:59,000 --> 00:07:02,120
Speaker 3: I normally this time because I had time because obviously

152
00:07:02,120 --> 00:07:05,919
Speaker 3: twenty twenty here and I'd finished writing the record just

153
00:07:05,960 --> 00:07:09,239
Speaker 3: before lockdown, and then I hadn't finished all the production

154
00:07:09,320 --> 00:07:11,840
Speaker 3: on it, and so I had a good year to

155
00:07:11,920 --> 00:07:15,200
Speaker 3: sort of go back and listen to my journeys. But

156
00:07:15,440 --> 00:07:16,200
Speaker 3: I sound so.

157
00:07:16,400 --> 00:07:20,000
Speaker 1: Young, yeah, right, so little on nineteen.

158
00:07:21,120 --> 00:07:24,320
Speaker 3: And it was also before I discovered like country music,

159
00:07:24,360 --> 00:07:27,320
Speaker 3: which definitely influenced the sort of like not the sound

160
00:07:27,400 --> 00:07:29,600
Speaker 3: of my boys, but like the way I pronounced words.

161
00:07:29,720 --> 00:07:31,480
Speaker 2: Yes, I mean, I don't know.

162
00:07:31,400 --> 00:07:36,680
Speaker 3: How anyone even understood what I was saying. Well, I've

163
00:07:36,720 --> 00:07:39,080
Speaker 3: never sang the word loud like love. I feel like

164
00:07:39,120 --> 00:07:44,000
Speaker 3: I'm saying low loaves me insane.

165
00:07:44,200 --> 00:07:45,480
Speaker 2: What if we go all the way back, do you

166
00:07:45,520 --> 00:07:48,080
Speaker 2: remember your first song that you wrote or possibly performed

167
00:07:48,080 --> 00:07:49,640
Speaker 2: on stage, probably in the school days.

168
00:07:50,520 --> 00:07:52,920
Speaker 3: Yes, it was actually one of the songs that made

169
00:07:53,280 --> 00:07:55,120
Speaker 3: my first album. The first song I wrote was Home

170
00:07:55,160 --> 00:07:55,680
Speaker 3: Tang Glory.

171
00:07:55,880 --> 00:07:57,560
Speaker 2: Yeah right, okay, yeah.

172
00:07:57,880 --> 00:08:01,080
Speaker 4: Oh mate, It is so so to hear your voice again.

173
00:08:01,120 --> 00:08:03,280
Speaker 2: We don't need to ask. Is there a chance we

174
00:08:03,320 --> 00:08:05,080
Speaker 2: will see you to a here again?

175
00:08:05,720 --> 00:08:05,880
Speaker 4: Oh?

176
00:08:06,040 --> 00:08:07,320
Speaker 3: Bloody ope? So I loved it.

177
00:08:07,880 --> 00:08:11,040
Speaker 4: Yeah you did. Like I said, we're waiting break records

178
00:08:11,040 --> 00:08:12,920
Speaker 4: and we can't wait to have you back. The brand

179
00:08:12,920 --> 00:08:15,880
Speaker 4: new single easy on Me. It is so good to

180
00:08:15,920 --> 00:08:18,600
Speaker 4: hear Adele's voice back on the NAVA radio station. We

181
00:08:18,640 --> 00:08:21,400
Speaker 4: appreciate your time, thanks for coming on you.

182
00:08:22,040 --> 00:08:25,040
Speaker 2: See soon, Thanks all, bye bye.

183
00:08:25,120 --> 00:08:25,880
Speaker 1: It fits in